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'Dear Mum, who can forget the week we've had? The Governor for one.' | 0:00:02 | 0:00:04 | |
-Who am I? -'The Freedom Show had some unforgettable acts...' | 0:00:04 | 0:00:08 | |
CHEERING | 0:00:10 | 0:00:12 | |
'..but The Governor managed to forget every single one of them! | 0:00:12 | 0:00:16 | |
'Still, at least they've given me this brand-new paperweight.' | 0:00:16 | 0:00:20 | |
# You've been found guilty of a howling show-biz crime | 0:00:24 | 0:00:29 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:29 | 0:00:33 | |
# With every type of minstrel entertainer and artiste | 0:00:33 | 0:00:37 | |
# Performing to the limit to try and get released | 0:00:37 | 0:00:42 | |
# So go and fetch the audience Bring them to The Slammer | 0:00:42 | 0:00:46 | |
# And polish up your act with a bit of glitz and glamour | 0:00:46 | 0:00:50 | |
# Your fate is in their hands so make them cheer and clamour | 0:00:50 | 0:00:55 | |
# It's the only way you'll ever leave The Slammer | 0:00:55 | 0:00:59 | |
# It's the only way you'll ever leave The Slammer! # | 0:00:59 | 0:01:03 | |
Almost show time. How do I look? | 0:01:05 | 0:01:07 | |
BOTH: Divine, sir. | 0:01:07 | 0:01:08 | |
Thank you very much. In that case, it's... | 0:01:08 | 0:01:10 | |
RINGING | 0:01:10 | 0:01:13 | |
Oh, yeah! I meant to warn you about the new burglar alarm! | 0:01:14 | 0:01:17 | |
I didn't want anyone to touch the show-time lever! | 0:01:17 | 0:01:20 | |
Burglar alarm? Why do we need a burglar alarm? | 0:01:20 | 0:01:22 | |
-Cos we work in a prison(!) -You idiot. | 0:01:22 | 0:01:25 | |
Sir! Good grief! The Governor is dead! | 0:01:25 | 0:01:28 | |
HE SCREAMS Stop that, stop that, shut up! | 0:01:28 | 0:01:31 | |
Let me finish. The Governor is dead... | 0:01:31 | 0:01:33 | |
lucky that that didn't kill him. | 0:01:33 | 0:01:37 | |
Sir? Sir? Sir? | 0:01:37 | 0:01:39 | |
-Ah! -Ooh! | 0:01:39 | 0:01:41 | |
Where is Mr Snuggles? | 0:01:41 | 0:01:43 | |
-I want Mr Snuggles! -HE SCREAMS | 0:01:43 | 0:01:45 | |
Are you all right, Governor? | 0:01:45 | 0:01:48 | |
-Who's The Governor? -BOTH: You're The Governor. | 0:01:48 | 0:01:50 | |
-Am I? -Don't you remember, sir? | 0:01:50 | 0:01:52 | |
Remember what? Where am I? | 0:01:52 | 0:01:54 | |
Na, na, na, na, na... | 0:01:54 | 0:01:56 | |
That bump on the head has made him lose his memory. | 0:01:56 | 0:02:00 | |
He can't do the Freedom Show like this. | 0:02:00 | 0:02:02 | |
-I'll have to do it! -Nope. We'll have to cancel the show. | 0:02:02 | 0:02:06 | |
GIMBERT GROANS | 0:02:06 | 0:02:08 | |
He'll break the mirror if he keeps doing that! | 0:02:13 | 0:02:15 | |
This is terrible. Show Time should have started. | 0:02:15 | 0:02:18 | |
Maybe if he sees the acts it'll jog his memory. | 0:02:18 | 0:02:21 | |
That's a good idea, lad. | 0:02:21 | 0:02:24 | |
I can't believe I just said that. Right! | 0:02:24 | 0:02:26 | |
Hop to it! | 0:02:26 | 0:02:28 | |
CHATTER | 0:02:28 | 0:02:30 | |
Are we going on an adventure? | 0:02:30 | 0:02:32 | |
Will we see monkeys? I like monkeys! | 0:02:32 | 0:02:34 | |
He looks like a monkey! | 0:02:34 | 0:02:36 | |
Not exactly, sir. These are the acts | 0:02:36 | 0:02:38 | |
-which you will be introducing on stage, sir. -What acts? | 0:02:38 | 0:02:41 | |
There's 3RUN. | 0:02:41 | 0:02:43 | |
And there's Bollywood Dreams, sir. | 0:02:43 | 0:02:45 | |
There's Alina Eskina. | 0:02:45 | 0:02:48 | |
And last but not least, the fabulous West End Fever, sir! | 0:02:48 | 0:02:51 | |
-Ring any bells? -Not a sausage. | 0:02:52 | 0:02:55 | |
What, not even this one? | 0:02:55 | 0:02:56 | |
-Never seen it. -Things must be bad | 0:02:56 | 0:02:58 | |
if uncle can't remember his favourite sausage. | 0:02:58 | 0:03:01 | |
Uncle?! You mean we're related? No wonder I'm trying to forget! | 0:03:01 | 0:03:04 | |
Oh, evening all! | 0:03:04 | 0:03:06 | |
What's going on? The audience is getting restless! | 0:03:06 | 0:03:09 | |
"Yeah! I've not seen them this bored since Paintbrush Paul | 0:03:09 | 0:03:12 | |
"and his amazing paint-drying act garbage." | 0:03:12 | 0:03:15 | |
-It's good, that, I like that, "garbage." -"Yeah. | 0:03:15 | 0:03:18 | |
Hang on, Governor never laughs at Titch's jokes, what's going on? | 0:03:18 | 0:03:22 | |
-Nothing. -He's lost his memory! | 0:03:22 | 0:03:23 | |
Shut up! We don't want everyone knowing, it'll cause a riot! | 0:03:23 | 0:03:27 | |
THUD! | 0:03:27 | 0:03:29 | |
-Hang on, do that again. -THUD! | 0:03:29 | 0:03:30 | |
That is definitely familiar. One more time! | 0:03:30 | 0:03:33 | |
-THUD! -Yeah, I... It's... | 0:03:33 | 0:03:35 | |
-No, I've forgotten! -"Oh. | 0:03:36 | 0:03:38 | |
"Don't stop now, Mr Burgess, I was just enjoying that!" | 0:03:38 | 0:03:41 | |
Hey, he's dead good, him! I like him! | 0:03:41 | 0:03:43 | |
Oh dear, it's worse than we thought. He's totally lost it. | 0:03:43 | 0:03:46 | |
This calls for emergency measures. | 0:03:46 | 0:03:49 | |
This calls for sloppy...ploppy...porridge! | 0:03:49 | 0:03:52 | |
Right! If this doesn't snap him out of it, I don't know what will. | 0:03:52 | 0:03:56 | |
-GOVERNOR BURPS -Come on, Uncle! Down the hatch! | 0:03:56 | 0:03:58 | |
"Yum, yum, yum, yum! Oats and milk!" | 0:03:58 | 0:04:02 | |
GOVERNOR SPLUTTERS | 0:04:02 | 0:04:04 | |
HE BURPS | 0:04:04 | 0:04:05 | |
-You all right, sir? -Wait a minute! | 0:04:05 | 0:04:08 | |
It's all coming back to me now! I remember! | 0:04:08 | 0:04:10 | |
You're a wally, your lips move, and you've got a silly moustache! | 0:04:11 | 0:04:16 | |
And most importantly... It's Show Time! | 0:04:16 | 0:04:19 | |
I think. | 0:04:19 | 0:04:20 | |
Close enough! Let's get him to the stage! | 0:04:20 | 0:04:23 | |
-This way, sir! Quick as you can. -But I don't remember anything! | 0:04:23 | 0:04:27 | |
-ANNOUNCER: -'Ladies and gentlemen, welcome to HMP Slammer, | 0:04:27 | 0:04:31 | |
'where you decide which prisoner is to be released! | 0:04:31 | 0:04:35 | |
'Now, please welcome your host, his friends call him Ted, | 0:04:35 | 0:04:38 | |
'he's been smacked on the head, | 0:04:38 | 0:04:41 | |
'it's The Governor!' | 0:04:41 | 0:04:43 | |
CHEERING AND APPLAUSE | 0:04:43 | 0:04:45 | |
Who's The Governor? | 0:04:57 | 0:04:59 | |
ALL: You're The Governor! | 0:04:59 | 0:05:01 | |
Who's The Governor? | 0:05:01 | 0:05:03 | |
ALL: You're The Governor! | 0:05:03 | 0:05:05 | |
Anyway, let's get on with the first performing prisoner. | 0:05:05 | 0:05:08 | |
It's an act that needs no introduction, which is just as well, | 0:05:08 | 0:05:11 | |
cos I've forgotten who it is! | 0:05:11 | 0:05:13 | |
3RUN, sir. | 0:05:13 | 0:05:14 | |
Oh, yes. Please welcome 3RUN Sir! Yeah! | 0:05:14 | 0:05:17 | |
DANCE MUSIC | 0:05:19 | 0:05:21 | |
AUDIENCE GASPS | 0:05:28 | 0:05:30 | |
WHOOPING AND CHEERING | 0:05:37 | 0:05:40 | |
WHOOPING AND CHEERING | 0:05:45 | 0:05:48 | |
WHOOPING AND CHEERING | 0:05:58 | 0:05:59 | |
WHOOPING AND CHEERING | 0:06:05 | 0:06:07 | |
WHOOPING AND CHEERING | 0:06:20 | 0:06:23 | |
WHOOPING AND CHEERING | 0:06:35 | 0:06:37 | |
WHOOPING AND CHEERING | 0:06:40 | 0:06:43 | |
WHOOPING AND CHEERING | 0:06:55 | 0:06:58 | |
WHOOPING AND CHEERING | 0:07:02 | 0:07:06 | |
WHOOPING AND CHEERING | 0:07:11 | 0:07:14 | |
CHEERING | 0:07:18 | 0:07:20 | |
Oh, well, well! Oh! | 0:07:25 | 0:07:27 | |
What was that act like? | 0:07:27 | 0:07:29 | |
I don't know, what was it like? I can't remember! Mr Burgess? | 0:07:29 | 0:07:32 | |
Well, looked more like a Friday night in Glasgow city centre to me, | 0:07:32 | 0:07:37 | |
but what did you make of it, miss? | 0:07:37 | 0:07:39 | |
I liked that jump he made. | 0:07:39 | 0:07:40 | |
-You liked the jump he made. Which one in particular? -Mmm... | 0:07:40 | 0:07:44 | |
-The one off the top balcony? -Yeah. -What would have | 0:07:44 | 0:07:46 | |
happened if the crash mat hadn't have been there? | 0:07:46 | 0:07:49 | |
-He'd die? -He'd die! Splendid, what a fine answer, miss. | 0:07:49 | 0:07:53 | |
-What about you, sir? Did it excite you? -Yeah. | 0:07:53 | 0:07:56 | |
-Did it get you racing? -Yeah! -Did you want | 0:07:56 | 0:07:58 | |
-to be jumping about with them? -Yeah. -Like a flea-bitten monkey? -Yeah. | 0:07:58 | 0:08:02 | |
Yes? I want you to sum that act up, miss, in one final word. | 0:08:02 | 0:08:08 | |
-I think... -Oh, here we go again! | 0:08:08 | 0:08:10 | |
It's the same thing, week in, week out, isn't it? I asked for one word! | 0:08:10 | 0:08:16 | |
One. | 0:08:16 | 0:08:17 | |
Amazing! | 0:08:19 | 0:08:20 | |
Amazing, sir! Do you have any questions to ask, sir? | 0:08:20 | 0:08:23 | |
-Yeah. Who am I? -You're The Governor, sir. | 0:08:23 | 0:08:26 | |
-Who's The Governor? -ALL: You're The Governor! | 0:08:26 | 0:08:30 | |
OK, go! | 0:08:30 | 0:08:32 | |
There, go, go! | 0:08:33 | 0:08:35 | |
The next act is, er...dead good. | 0:08:36 | 0:08:39 | |
Oh! Eh! Oh! I mean, it's a... | 0:08:39 | 0:08:41 | |
Come here, come here! | 0:08:41 | 0:08:42 | |
The next act is, please welcome them, | 0:08:42 | 0:08:45 | |
a pint of milk, three bin bags and a scratch card. | 0:08:45 | 0:08:48 | |
The other side, Uncle! | 0:08:48 | 0:08:49 | |
Oh, sorry, the other side, yes. | 0:08:49 | 0:08:51 | |
Oh, please make some noise | 0:08:51 | 0:08:53 | |
and welcome the fabulous Bollywood Dreams! | 0:08:53 | 0:08:56 | |
CHEERING | 0:08:56 | 0:08:59 | |
# Jai ho | 0:09:12 | 0:09:14 | |
# Jai ho | 0:09:19 | 0:09:21 | |
# Jai ho | 0:09:26 | 0:09:27 | |
# Jai ho | 0:09:30 | 0:09:31 | |
# I got fever | 0:09:33 | 0:09:35 | |
# Running like a fire | 0:09:35 | 0:09:37 | |
# For you I will go all the way I'm gonna take you higher | 0:09:37 | 0:09:41 | |
# Jai ho | 0:09:41 | 0:09:42 | |
# I keep it steady cos steady is how I deal it | 0:09:42 | 0:09:44 | |
-# Jai ho -This beat is heavy | 0:09:44 | 0:09:45 | |
# So heavy you gonna feel it | 0:09:45 | 0:09:47 | |
# Jai ho | 0:09:47 | 0:09:49 | |
-# You are the reason that I breathe -Jai ho | 0:09:49 | 0:09:53 | |
# You are the reason that I still believe | 0:09:53 | 0:09:55 | |
-# Jai ho -You are my destiny | 0:09:55 | 0:09:58 | |
-# Jai ho -You and me, it's destiny | 0:09:58 | 0:10:02 | |
# Catch me, catch me, catch me Come and catch me | 0:10:02 | 0:10:04 | |
# I want you now | 0:10:04 | 0:10:06 | |
# I know you can save me Come and save me, I need you now | 0:10:06 | 0:10:09 | |
# I am yours forever Yes, forever I will follow | 0:10:09 | 0:10:12 | |
# Any way on any day | 0:10:12 | 0:10:14 | |
-# Never gonna let go -Jai ho | 0:10:14 | 0:10:16 | |
-# Ya, ya, ya-ya, ya, ya -Jai ho | 0:10:16 | 0:10:20 | |
-# Ya, ya, ya-ya, ya, ya -Jai ho | 0:10:20 | 0:10:24 | |
-# I need you, gonna make it -Jai ho | 0:10:24 | 0:10:27 | |
-# I'm ready, so take it -Jai ho | 0:10:27 | 0:10:31 | |
# No, there is nothing that can stop us | 0:10:31 | 0:10:33 | |
-# Jai ho -Nothing can ever come between us | 0:10:33 | 0:10:38 | |
# So come and dance with me Jai ho | 0:10:38 | 0:10:43 | |
-# You and me, it's destiny -Jai ho | 0:10:43 | 0:10:45 | |
# Baila, baila | 0:10:45 | 0:10:47 | |
# Baila, baila | 0:10:49 | 0:10:51 | |
-# Jai ho -Baila, baila | 0:10:51 | 0:10:54 | |
# Jai ho. # | 0:10:55 | 0:10:59 | |
CHEERING AND APPLAUSE | 0:10:59 | 0:11:01 | |
Oh, yes. Oh, come on. Oh, marvellous. | 0:11:01 | 0:11:05 | |
Oh, yeah, I really enjoyed that, I just can't remember enjoying it! | 0:11:05 | 0:11:09 | |
Oh dear, I'm all over the place. | 0:11:09 | 0:11:10 | |
Mr Burgess, is this the bit where we ask questions? | 0:11:10 | 0:11:14 | |
It is, sir. Why don't you leave this to me and have a sit down? | 0:11:14 | 0:11:17 | |
In Paris, preferably. | 0:11:17 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:20 | |
Right, now. Miss, did you enjoy it? | 0:11:20 | 0:11:22 | |
-Yeah. -Would you pay money to go and see it? | 0:11:22 | 0:11:25 | |
-Erm, yeah. -How much? | 0:11:25 | 0:11:26 | |
50 quid? | 0:11:26 | 0:11:28 | |
GIRL LAUGHS | 0:11:28 | 0:11:29 | |
-Erm...yeah. -I've got tickets for them at the Bradford Alhambra. | 0:11:29 | 0:11:33 | |
Would you take them? | 0:11:33 | 0:11:34 | |
-Yeah. -You would, right. | 0:11:34 | 0:11:36 | |
See me after. And what about you, young lady? | 0:11:36 | 0:11:40 | |
Erm, it was really energetic and elegant, | 0:11:40 | 0:11:43 | |
and I loved their transitions into the next move. | 0:11:43 | 0:11:47 | |
What a very eloquent speaker you are. Would you like to elaborate on this? | 0:11:47 | 0:11:51 | |
They had lots of action. It looked like they put a lot of effort in. | 0:11:51 | 0:11:55 | |
They did. What about artistic integrity? | 0:11:55 | 0:11:58 | |
How many marks out of ten for that? | 0:11:58 | 0:12:00 | |
Ten. | 0:12:00 | 0:12:01 | |
-Would you release them on that performance? -Yeah. | 0:12:01 | 0:12:05 | |
-You think they should go free? -Definitely. -It's looking... | 0:12:05 | 0:12:08 | |
-Sorry... -Sir! Mr Burgess, I've got a question! | 0:12:08 | 0:12:13 | |
-Yes. -Can I go to the toilet? | 0:12:13 | 0:12:15 | |
LAUGHTER | 0:12:15 | 0:12:16 | |
After the show. | 0:12:16 | 0:12:18 | |
Oh! | 0:12:18 | 0:12:19 | |
Right, could you sum that act up for me in one final word, miss! | 0:12:19 | 0:12:23 | |
-Beautiful. -Beautiful! | 0:12:23 | 0:12:25 | |
Beautiful it was. Sir. | 0:12:25 | 0:12:27 | |
That's marvellous, marvellous, marvellous. Er, what happens next? | 0:12:27 | 0:12:31 | |
Solitary Confinement, sir! | 0:12:31 | 0:12:33 | |
-Oh, good! What's that? -SCREAMING | 0:12:33 | 0:12:36 | |
LAUGHTER | 0:12:36 | 0:12:39 | |
Ah, yes, yes. Hello, er... | 0:12:39 | 0:12:41 | |
Solitary Confinement. | 0:12:41 | 0:12:44 | |
That's where we, erm... | 0:12:44 | 0:12:46 | |
Where we pick a prisoner from solitary confinement | 0:12:46 | 0:12:48 | |
and either give him | 0:12:48 | 0:12:49 | |
-the thumbs-up or the thumbs-down, sir. -Oh, very good. | 0:12:49 | 0:12:52 | |
-So all we need is... -A judge from the audience, sir. | 0:12:52 | 0:12:55 | |
Who'd like to be a judge? What do you think, Mr Burgess? | 0:12:55 | 0:12:58 | |
-What about this young man with the cap, sir? -With the cap, yeah. | 0:12:58 | 0:13:02 | |
Give him a round of applause. | 0:13:02 | 0:13:03 | |
CHEERING Stand by The Governor. | 0:13:03 | 0:13:06 | |
Hello. What's your name? | 0:13:06 | 0:13:08 | |
-Lee. -Lee, you're going to be the judge. | 0:13:08 | 0:13:11 | |
Remember, at the end of the act, you give them a thumbs-up | 0:13:11 | 0:13:14 | |
-or a thumbs-down. All right, can you do that? -Yep. | 0:13:14 | 0:13:17 | |
Very good indeed. So it's a thumbs-up... | 0:13:17 | 0:13:20 | |
Thumbs up, sir, it's back to a normal cell, with choccy biccies, | 0:13:20 | 0:13:23 | |
cocoa and Countdown at half past four! | 0:13:23 | 0:13:25 | |
Thumbs down, and it's... | 0:13:25 | 0:13:27 | |
A cruel and unusual punishment, sir. | 0:13:27 | 0:13:29 | |
A cruel and unusual punishment. | 0:13:29 | 0:13:31 | |
And what's the cruel and unusual punishment today? | 0:13:31 | 0:13:34 | |
Being covered in sloppy porridge | 0:13:34 | 0:13:36 | |
and getting next-door's dog to lick it off, sir. | 0:13:36 | 0:13:38 | |
AUDIENCE GROANS | 0:13:38 | 0:13:40 | |
-How is the wife? -Not now, sir. | 0:13:40 | 0:13:43 | |
All right, then. All right, so, remember, | 0:13:43 | 0:13:46 | |
it's up to you to decide, OK? So, it's time for Solitary Confinement! | 0:13:46 | 0:13:52 | |
CHEERING | 0:13:52 | 0:13:54 | |
MUSIC: "The Beautiful Blue Danube" by Johann Strauss | 0:13:58 | 0:14:02 | |
-APPLAUSE -Give him a round of applause! | 0:14:40 | 0:14:43 | |
CHEERING | 0:14:43 | 0:14:47 | |
Well, I don't know. It's up to this young man here to decide now. | 0:14:47 | 0:14:51 | |
Remember, thumbs up and it's feeling glad all over. | 0:14:51 | 0:14:55 | |
Thumbs down and it's the tongue of Rover. | 0:14:55 | 0:14:58 | |
You've got five seconds to decide! Here we go. | 0:14:58 | 0:15:02 | |
Ohhh! | 0:15:07 | 0:15:08 | |
-Take him back to the cell! -Back to the cell! | 0:15:08 | 0:15:12 | |
Give this young man a nice round of applause | 0:15:12 | 0:15:15 | |
-for being the judge. Well done! -APPLAUSE | 0:15:15 | 0:15:18 | |
Cor, what a stinky fish that was! What a smelly kipper! | 0:15:18 | 0:15:23 | |
-Now then. Marvellous. -Are you ready to soldier on on your own now, sir? | 0:15:23 | 0:15:27 | |
WATER SPLASHES AND DOG BARKS | 0:15:27 | 0:15:29 | |
ALL: Ewww! | 0:15:29 | 0:15:31 | |
SCREAMING | 0:15:31 | 0:15:33 | |
DOG BARKS | 0:15:33 | 0:15:35 | |
CHEERING | 0:15:35 | 0:15:37 | |
It's all coming back to me now, it's all up there in my foot. | 0:15:37 | 0:15:40 | |
-I think I can do fine by myself. -Right you are, sir. | 0:15:40 | 0:15:43 | |
Off you go, good lad, good lad. Yes, anyway, | 0:15:43 | 0:15:46 | |
the next act is, er... Oh dear. | 0:15:46 | 0:15:48 | |
It's, erm... Help me... | 0:15:48 | 0:15:51 | |
THE GOVERNOR MUMBLES | 0:15:51 | 0:15:52 | |
It's a lean...lean... | 0:15:52 | 0:15:54 | |
Er, lean... Laughing monkey... | 0:15:54 | 0:15:58 | |
No, no... Yes, yes! | 0:15:58 | 0:16:01 | |
A lean, yes... Hands... | 0:16:01 | 0:16:04 | |
Shave, need a shave, sweaty... | 0:16:04 | 0:16:06 | |
Skin! Skin! | 0:16:06 | 0:16:08 | |
Alina Eskina! Yeah! | 0:16:08 | 0:16:10 | |
Give it up, please, for Alina Eskina! | 0:16:10 | 0:16:12 | |
CHEERING | 0:16:12 | 0:16:14 | |
DRAMATIC MUSIC | 0:16:25 | 0:16:28 | |
AUDIENCE GASPS | 0:16:28 | 0:16:31 | |
CHEERING AND APPLAUSE | 0:16:48 | 0:16:52 | |
CHEERING | 0:17:01 | 0:17:03 | |
AUDIENCE GASPS | 0:17:06 | 0:17:09 | |
WHOOPING AND CHEERING | 0:17:12 | 0:17:15 | |
WHOOPING AND CHEERING | 0:17:28 | 0:17:30 | |
WHOOPING AND CHEERING | 0:17:53 | 0:17:56 | |
WHOOPING AND CHEERING | 0:18:05 | 0:18:07 | |
WHOOPING AND CHEERING | 0:18:13 | 0:18:15 | |
WHOOPING AND CHEERING | 0:18:28 | 0:18:31 | |
AUDIENCE GASPS | 0:18:33 | 0:18:36 | |
WHOOPING AND CHEERING | 0:18:46 | 0:18:48 | |
CHEERING | 0:18:53 | 0:18:56 | |
Oh, marvellous! | 0:18:56 | 0:18:58 | |
Give her a big hand there, yes! | 0:18:58 | 0:19:02 | |
You know, I don't remember seeing an act like that before. | 0:19:02 | 0:19:06 | |
In fact, I don't remember seeing that one! Anyway, Mr Burgess. | 0:19:06 | 0:19:09 | |
-Did you think was pretty spectacular, sir? -Er, yeah, that was OK. | 0:19:09 | 0:19:13 | |
MIMICS BOY : Er, yeah! | 0:19:13 | 0:19:15 | |
-Yeah, it was good. -It was good? -Yeah. | 0:19:15 | 0:19:18 | |
That? That's all you can say, sir?! Good?! | 0:19:18 | 0:19:20 | |
-It was amazing, then. -Amazing. Was it out of this world? | 0:19:20 | 0:19:23 | |
-Yes. -You seem very vocal. Perhaps you'd like to give us your take? | 0:19:23 | 0:19:28 | |
-Erm, it was all right. -"It was all right?!" | 0:19:28 | 0:19:31 | |
-"It was all right?!" -Yeah. | 0:19:31 | 0:19:34 | |
And... | 0:19:34 | 0:19:35 | |
-She done good. -"She done good?!" | 0:19:35 | 0:19:38 | |
What is you, a football manager? | 0:19:38 | 0:19:41 | |
LAUGHTER | 0:19:41 | 0:19:42 | |
-Erm, no. -No. Right, back to your seat. | 0:19:42 | 0:19:46 | |
Behave and shut up. Are you feeling up to a few questions now, sir? | 0:19:46 | 0:19:50 | |
What about when the tigers came out, that was the best bit, wasn't it? | 0:19:50 | 0:19:55 | |
Rarr, rarr, tigers, rarrr! | 0:19:55 | 0:19:57 | |
Scary, oh! Mama, mama! Mama! | 0:19:57 | 0:20:00 | |
-Erm... -Do you think I'm nuts? | 0:20:00 | 0:20:03 | |
Yes, definitely. | 0:20:03 | 0:20:05 | |
What did you think? I don't normally like brass bands, | 0:20:05 | 0:20:09 | |
but I thought she was very good. | 0:20:09 | 0:20:11 | |
I don't think there was any brass bands. | 0:20:11 | 0:20:13 | |
Weren't there? But I kept hearing them. | 0:20:13 | 0:20:15 | |
Oompah, oompah, oompah... | 0:20:15 | 0:20:17 | |
You must be going mad, then. | 0:20:19 | 0:20:21 | |
I must be what?! | 0:20:21 | 0:20:23 | |
You must be going mad. | 0:20:23 | 0:20:24 | |
Mr Burgess, send for the nurse! | 0:20:24 | 0:20:26 | |
Would you like to sum that up in one lovely word for us then, miss? | 0:20:26 | 0:20:30 | |
Fabulous. | 0:20:30 | 0:20:31 | |
Fabulous, sir. | 0:20:31 | 0:20:32 | |
I think it's time for the last act, isn't it? | 0:20:32 | 0:20:35 | |
-Are you all right, sir? -I think so. | 0:20:35 | 0:20:36 | |
Come and help me and we'll do it together. Let's get up here. | 0:20:36 | 0:20:40 | |
We go back a long time. I like you standing by me. It makes me happy. | 0:20:40 | 0:20:44 | |
I can do it, but you stay there. | 0:20:44 | 0:20:45 | |
One more performing prisoner act to see, jailers and jailbirds, | 0:20:45 | 0:20:50 | |
they're absolutely marvellous - don't worry, I've got it - | 0:20:50 | 0:20:53 | |
-it's West End Girls! -Fever! -Fever! | 0:20:53 | 0:20:56 | |
CHEERING | 0:20:56 | 0:20:58 | |
Here we go! | 0:21:00 | 0:21:01 | |
# I got chills, they're multiplying | 0:21:05 | 0:21:10 | |
# And I'm losing control | 0:21:10 | 0:21:14 | |
# Cos the power you're supplyin' | 0:21:14 | 0:21:18 | |
# It's electrifyin' | 0:21:18 | 0:21:21 | |
# You better shape up | 0:21:24 | 0:21:26 | |
# Cos I need a man | 0:21:26 | 0:21:28 | |
# And my heart is set on you | 0:21:30 | 0:21:33 | |
# You better shape up | 0:21:33 | 0:21:35 | |
# You better understand | 0:21:35 | 0:21:38 | |
# To my heart I must be true | 0:21:38 | 0:21:41 | |
# Nothing left nothing left for me to do | 0:21:41 | 0:21:44 | |
# You're the one that I want | 0:21:44 | 0:21:46 | |
# You are the one I want Oo-oo-oo, honey | 0:21:46 | 0:21:49 | |
# The one that I want | 0:21:49 | 0:21:50 | |
# You are the one I want Oo-oo-oo, honey | 0:21:50 | 0:21:54 | |
# The one that I want | 0:21:54 | 0:21:55 | |
# You are the one I want Oo-oo-oo | 0:21:55 | 0:21:58 | |
# The one that I need | 0:21:58 | 0:22:00 | |
# Oh, yes indeed. # | 0:22:00 | 0:22:04 | |
MUSIC CHANGE: "MAMMA MIA" BY ABBA | 0:22:04 | 0:22:06 | |
# I've been cheated by you and I think you know when | 0:22:06 | 0:22:11 | |
# So I've made up my mind it must come to an end | 0:22:13 | 0:22:18 | |
# Look at me now | 0:22:20 | 0:22:23 | |
# Will I ever learn? | 0:22:23 | 0:22:24 | |
# I don't know how | 0:22:24 | 0:22:26 | |
# But I suddenly lose control | 0:22:26 | 0:22:29 | |
# There's a fire within my soul | 0:22:29 | 0:22:33 | |
# Just one look and I can hear a bell ring | 0:22:33 | 0:22:37 | |
# One more look and I forget everything | 0:22:37 | 0:22:41 | |
# Oh-oh | 0:22:41 | 0:22:42 | |
# Mamma mia, does it show again | 0:22:42 | 0:22:45 | |
# My, my, just how much I missed ya? | 0:22:45 | 0:22:49 | |
# Yes, I've been broken-hearted | 0:22:49 | 0:22:52 | |
# Blue since the day we parted | 0:22:52 | 0:22:56 | |
# Why, why did I ever let you go? | 0:22:56 | 0:22:59 | |
# Mamma mia, now I really know | 0:22:59 | 0:23:03 | |
# My, my I should not have let you go. # | 0:23:03 | 0:23:07 | |
CHEERING | 0:23:16 | 0:23:19 | |
Come on! Let's hear it for them, boys and girls! | 0:23:21 | 0:23:23 | |
Jailers and jailbirds, please! | 0:23:23 | 0:23:26 | |
Oh, yes. Yes, I think they were marvellous. I think. | 0:23:26 | 0:23:29 | |
Well, I think I think. I've forgotten. Oh! | 0:23:29 | 0:23:32 | |
West End girls, West End boys, | 0:23:32 | 0:23:33 | |
the West End Fever, and in the East End, it's Mr Burgess. | 0:23:33 | 0:23:37 | |
What a West End foot-tapping medley that was. | 0:23:37 | 0:23:40 | |
-What did you think? -I think it was the best yet, | 0:23:40 | 0:23:42 | |
and it's definitely got my vote. | 0:23:42 | 0:23:44 | |
What particularly attracted you to that act, madam? | 0:23:44 | 0:23:47 | |
The fact that they all did different, and then in the end, | 0:23:47 | 0:23:51 | |
they all did the same. | 0:23:51 | 0:23:52 | |
What about you, sir? | 0:23:52 | 0:23:55 | |
I thought that was all right. | 0:23:55 | 0:23:57 | |
What didn't you like specifically? | 0:23:57 | 0:23:59 | |
-The singing. -What, not good enough? | 0:23:59 | 0:24:01 | |
Er, yeah. Not good enough. | 0:24:01 | 0:24:04 | |
What did you think of that musical act, in song? | 0:24:04 | 0:24:08 | |
# Mamma mia! # | 0:24:08 | 0:24:10 | |
# Was it really good? # Can you sing for me? | 0:24:10 | 0:24:13 | |
# Fabbalistic! # | 0:24:13 | 0:24:15 | |
-LAUGHTER -Fabbalistic? | 0:24:15 | 0:24:17 | |
-Oh, that's good! -For a final word, sum that act up, miss. | 0:24:17 | 0:24:20 | |
All right. | 0:24:23 | 0:24:24 | |
LAUGHTER | 0:24:24 | 0:24:26 | |
All right, sir. You can't please 'em all, can you? | 0:24:26 | 0:24:30 | |
Well, jailers and jailbirds, it's now time to decide | 0:24:30 | 0:24:33 | |
who goes free, with the aid of this. Yes, it's the clap-o-meter, | 0:24:33 | 0:24:37 | |
as modelled by Dimbert. I mean, Gimbert. No, I was right first time. | 0:24:37 | 0:24:41 | |
If my memory serves me correctly, | 0:24:41 | 0:24:42 | |
you decide who goes free by making the most noise. | 0:24:42 | 0:24:46 | |
Welcome back, please, all our performing prisoners! | 0:24:46 | 0:24:49 | |
3RUN, Bollywood Dreams, Alina Eskina, and West End Fever! | 0:24:49 | 0:24:53 | |
-Come on, let's hear it for them all! -CHEERING | 0:24:53 | 0:24:57 | |
Yes. | 0:24:58 | 0:25:00 | |
Marvellous, marvellous. Well, my memory's served me well so far, | 0:25:00 | 0:25:04 | |
but who do you think is going to go free? | 0:25:04 | 0:25:06 | |
So, performing prisoner appreciators, please, | 0:25:06 | 0:25:11 | |
show your appreciation for 3RUN! | 0:25:11 | 0:25:13 | |
CHEERING | 0:25:13 | 0:25:17 | |
How about that! A great score, 94.9. | 0:25:21 | 0:25:24 | |
Yes, 94.9, marvellous. Well, I think I've been in dreamland all day, | 0:25:24 | 0:25:29 | |
but these were certainly dreamy. | 0:25:29 | 0:25:31 | |
It was Bollywood Dreams! | 0:25:31 | 0:25:34 | |
CHEERING | 0:25:34 | 0:25:36 | |
A good score. A good score, | 0:25:38 | 0:25:40 | |
but I think you're staying with us a little longer. | 0:25:40 | 0:25:43 | |
83.1. Well, next, this young lady, well, my word. | 0:25:43 | 0:25:47 | |
She was a cube, but she wasn't square, she was wonderful. | 0:25:47 | 0:25:50 | |
She was Alina Eskina! | 0:25:50 | 0:25:53 | |
CHEERING | 0:25:53 | 0:25:55 | |
Oh, Alina! | 0:25:55 | 0:25:58 | |
91.4! Does that put her in the lead? | 0:25:59 | 0:26:02 | |
Let's see... No, not quite! | 0:26:02 | 0:26:04 | |
It's 94.9, it's still 3RUN. | 0:26:04 | 0:26:06 | |
One more performing prisoner act to see, | 0:26:06 | 0:26:09 | |
they were wonderful, they had the fever, | 0:26:09 | 0:26:11 | |
did they have the fever to win? It's West End Fever! | 0:26:11 | 0:26:14 | |
CHEERING | 0:26:14 | 0:26:17 | |
Oh, 88... 89.6, oh, dear! | 0:26:19 | 0:26:23 | |
89.6. | 0:26:23 | 0:26:25 | |
Never mind, perhaps you can perform at The Slammer Christmas Party. | 0:26:25 | 0:26:29 | |
Well, that means, with a score of 94.9 and going free, | 0:26:29 | 0:26:33 | |
-it's 3RUN! -CHEERING | 0:26:33 | 0:26:35 | |
Take 'em away, lads! You're free to go, off you go. | 0:26:35 | 0:26:39 | |
Give them a big hand there. For the rest of you, | 0:26:39 | 0:26:42 | |
the good news is you're in time for tea. What's for tea tonight? | 0:26:42 | 0:26:45 | |
-Leftovers, sir. -Leftover what? | 0:26:45 | 0:26:47 | |
Leftover sloppy, ploppy porridge. | 0:26:47 | 0:26:49 | |
Oh, dear! Off you go! | 0:26:49 | 0:26:50 | |
Bye-bye, everybody, bye-bye. There we are, boys and girls, | 0:26:50 | 0:26:54 | |
there we are. That's it from The Slammer this week, | 0:26:54 | 0:26:57 | |
I hope I get my memory back soon, | 0:26:57 | 0:26:59 | |
but remember, boys and girls, jailers and jailbirds, | 0:26:59 | 0:27:02 | |
if you can't sing, dance or rhyme, don't do the, er... | 0:27:02 | 0:27:06 | |
ALL: Crime! | 0:27:06 | 0:27:07 | |
That's it, I remember now! Bye-bye, everybody! Bye-bye! | 0:27:07 | 0:27:10 | |
CHEERING | 0:27:10 | 0:27:13 | |
# It's the only way you'll ever leave The Slammer! # | 0:27:24 | 0:27:28 | |
Well done, everybody! Another great Freedom Show. | 0:27:29 | 0:27:32 | |
-And thanks for helping me out. -That's all right, sir. | 0:27:32 | 0:27:35 | |
The thing I can't work out is how I lost my memory in the first place! | 0:27:35 | 0:27:38 | |
Perhaps if I retraced my steps. | 0:27:38 | 0:27:41 | |
I was standing about here... | 0:27:41 | 0:27:42 | |
It was almost Show Time, so I was looking divine, naturally. | 0:27:42 | 0:27:46 | |
And I pulled the lever! | 0:27:46 | 0:27:47 | |
-No! -No! -RINGING | 0:27:47 | 0:27:50 |