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'Dear Mum, thanks for your letter. It was exactly what I needed.' | 0:00:02 | 0:00:06 | |
'It was another amazing Freedom Show this week. | 0:00:10 | 0:00:12 | |
'Some of the acts were a sight to behold. | 0:00:12 | 0:00:15 | |
'Some of the acts were a sight to avoid. | 0:00:17 | 0:00:19 | |
MUFFLED SINGING | 0:00:19 | 0:00:22 | |
'And one act saved the show from being cancelled all because of me.' | 0:00:22 | 0:00:26 | |
HE SINGS | 0:00:26 | 0:00:28 | |
# You've been found guilty of a howling show-biz crime | 0:00:31 | 0:00:36 | |
# So welcome to The Slammer | 0:00:36 | 0:00:38 | |
# Where you're gonna serve your time | 0:00:38 | 0:00:41 | |
# With every type of minstrel, entertainer and artiste | 0:00:41 | 0:00:45 | |
# Performing to the limit to try and get released | 0:00:45 | 0:00:50 | |
# So go fetch the audience Bring them to The Slammer | 0:00:50 | 0:00:53 | |
# And polish up your act With a bit of glitz and glamour | 0:00:53 | 0:00:58 | |
# Your fate is in their hands So make them cheer and clamour | 0:00:58 | 0:01:03 | |
# It's the only way you'll ever leave The Slammer | 0:01:03 | 0:01:06 | |
# The Slammer! It's the only way you'll ever leave The Slammer! # | 0:01:06 | 0:01:12 | |
-Your morning post has arrived, sir. -Ah. | 0:01:13 | 0:01:15 | |
Yeah, mostly junk mail, I'm afraid. | 0:01:15 | 0:01:17 | |
Well, there's just time to read one before today's Freedom Show. | 0:01:17 | 0:01:21 | |
Ooh! "My darling teddykins..." It's an electricity bill. | 0:01:21 | 0:01:25 | |
"It has come to my attention | 0:01:25 | 0:01:27 | |
"that The Slammer has been using lots of electricity." | 0:01:27 | 0:01:30 | |
Have we? | 0:01:30 | 0:01:32 | |
-I don't think so, sir. -Nothing comes to mind, Uncle. | 0:01:32 | 0:01:35 | |
No, me neither. | 0:01:38 | 0:01:39 | |
"Unless The Slammer can pay this month's electricity bill | 0:01:39 | 0:01:44 | |
"of £9,000...we will have no choice but to cut you off. | 0:01:44 | 0:01:47 | |
"Lots of love, Pumpy Power Ltd." | 0:01:47 | 0:01:49 | |
No electricity means no Freedom Show. | 0:01:49 | 0:01:51 | |
What about this week's acts? | 0:01:51 | 0:01:53 | |
Team Extreme... | 0:01:53 | 0:01:56 | |
or Mr Origami... | 0:01:56 | 0:02:00 | |
or The Magnificent Geoff... | 0:02:00 | 0:02:03 | |
or No Horses, Only Fools... | 0:02:03 | 0:02:05 | |
Let's hope we can sort out this problem before... | 0:02:07 | 0:02:11 | |
-What's up, sir? No kiss on the bottom? -They're cutting us off today! | 0:02:11 | 0:02:16 | |
But they have put a little kiss at the bottom. | 0:02:16 | 0:02:18 | |
-Valued customer, you see, sir. -Nice that. | 0:02:18 | 0:02:22 | |
Hello, new person! Ssh. | 0:02:22 | 0:02:23 | |
I'm Pete. You're an opera singer. You should apply for the Freedom Show. | 0:02:23 | 0:02:28 | |
# Not any more! Singing is a bore! # | 0:02:28 | 0:02:33 | |
Ohh! You've got a very powerful voice. | 0:02:33 | 0:02:37 | |
Why are you so down on singing? | 0:02:37 | 0:02:38 | |
# I used to be so popular | 0:02:38 | 0:02:41 | |
# Now nobody young likes opera! # | 0:02:41 | 0:02:44 | |
Ohh. | 0:02:44 | 0:02:46 | |
That's not true. You'll see. | 0:02:46 | 0:02:49 | |
Things will soon brighten up. | 0:02:49 | 0:02:50 | |
You don't do LIGHT opera, do you? | 0:02:52 | 0:02:54 | |
# No! # | 0:02:54 | 0:02:56 | |
Oh, my head! | 0:02:56 | 0:02:58 | |
-CROWD JEERS -Give me a chance to speak. | 0:02:58 | 0:03:02 | |
-Mr Burgess! -Shut up! -Thank you. | 0:03:02 | 0:03:05 | |
Now, The Slammer has had its electric cut off. | 0:03:05 | 0:03:07 | |
With no power, there'll be no Freedom Show. | 0:03:07 | 0:03:10 | |
What?! | 0:03:10 | 0:03:11 | |
I've got an idea, Uncle. Why don't we make our own electricity? | 0:03:11 | 0:03:15 | |
Don't be so stupid, Gimbert. Although...I've got an idea. | 0:03:18 | 0:03:21 | |
If we can't afford to PAY for electricity, | 0:03:21 | 0:03:23 | |
-why don't we make our own electricity? -CHEERING | 0:03:23 | 0:03:27 | |
So get thinking, everyone - as many different ways as possible | 0:03:27 | 0:03:30 | |
to generate power. The audience is on the way in. | 0:03:30 | 0:03:33 | |
If we can pull this off, there might still be a Freedom Show! | 0:03:33 | 0:03:36 | |
CHEERING | 0:03:36 | 0:03:37 | |
-Not in front of the men, sir. -Oh, yes, yes. | 0:03:37 | 0:03:40 | |
-So what ideas have we got, Frank? -Well, none really, sir. | 0:03:40 | 0:03:43 | |
Wave power, but that was a complete disaster. | 0:03:43 | 0:03:46 | |
-What about the wind turbine? -Blew away, sir. -Ohh. | 0:03:48 | 0:03:51 | |
So it looks like we're down to our very last idea | 0:03:51 | 0:03:54 | |
to generate electricity. I give you...Gimbert power! | 0:03:54 | 0:03:59 | |
-Get pedalling, lad. -Ow! | 0:03:59 | 0:04:00 | |
It's working. It's working. Ah, so... | 0:04:00 | 0:04:04 | |
-just in time. How do I look? -Electric, sir. -Thank you very much. | 0:04:04 | 0:04:08 | |
In that case, it's show time. | 0:04:08 | 0:04:11 | |
Ladies and gentlemen, welcome to HMP Slammer | 0:04:11 | 0:04:16 | |
where you decide which prisoner is to be released. | 0:04:16 | 0:04:19 | |
Now please welcome your host. | 0:04:19 | 0:04:21 | |
He's got the whole building being powered by a bike, | 0:04:21 | 0:04:25 | |
so cheer and applaud and go... SQUEAK, POP, COUGH! ..if you like. | 0:04:25 | 0:04:30 | |
It's the guv'nor! | 0:04:30 | 0:04:34 | |
CHEERS AND APPLAUSE | 0:04:34 | 0:04:36 | |
-Who's the guv'nor?! -You are the guv'nor! | 0:04:49 | 0:04:52 | |
We've got a few problems in The Slammer this week | 0:04:52 | 0:04:56 | |
with the electricity, but we've powered Gimbert up on his bike, | 0:04:56 | 0:05:00 | |
and hopefully he'll generate enough pedal-power... | 0:05:00 | 0:05:03 | |
SCREAMING | 0:05:03 | 0:05:05 | |
Don't worry. Don't panic! Gimbert, keep going, you fool. | 0:05:05 | 0:05:09 | |
We should be all right as long as Gimbert keeps pedalling. | 0:05:09 | 0:05:12 | |
Let's not hang about any longer. | 0:05:12 | 0:05:14 | |
We've got four fantastic performing prisoner acts - Mr Origami! Whoa! | 0:05:14 | 0:05:19 | |
AUDIENCE: Woo-oo! | 0:05:19 | 0:05:21 | |
We've got The Magnificent Geoff! | 0:05:21 | 0:05:23 | |
-WOO-OO! -He's magnificent and he's called Geoff. | 0:05:23 | 0:05:27 | |
And we've got No Horses, Only Fools. | 0:05:27 | 0:05:29 | |
-WOO-OO! -They're very acrobatic. | 0:05:29 | 0:05:32 | |
And this first performing prisoner act is acrobatic as well. | 0:05:32 | 0:05:36 | |
They do wonderful things on skates. | 0:05:36 | 0:05:38 | |
They are the brilliant, the magnificent Team Extreme! | 0:05:38 | 0:05:42 | |
MUSIC PLAYS | 0:05:51 | 0:05:54 | |
CHEERS AND APPLAUSE | 0:07:28 | 0:07:32 | |
Wow, go on! | 0:07:33 | 0:07:36 | |
What about that? What a fantastic opening act there. | 0:07:36 | 0:07:39 | |
Well, what did you think? Let's get our skates on with Mr Burgess. | 0:07:39 | 0:07:42 | |
Team Extreme there, death-defying skill, sir, or just showing off? | 0:07:42 | 0:07:46 | |
Er, death-defying skill. | 0:07:46 | 0:07:49 | |
-Death-defying skill? -I think. | 0:07:49 | 0:07:52 | |
-You think? -Yes. -But you're not sure. -Er, yes. | 0:07:52 | 0:07:56 | |
-Are you sure of anything, sir? -Er, no. -Right. | 0:07:56 | 0:07:58 | |
-What did you think about Team Extreme? -I was really worried | 0:07:58 | 0:08:01 | |
when he jumped off there. I thought he might muck up by accident. | 0:08:01 | 0:08:05 | |
-What did you think? -Er, brill-tastic. | 0:08:05 | 0:08:09 | |
-And? -Um, good. | 0:08:09 | 0:08:12 | |
-And? -Great. | 0:08:12 | 0:08:14 | |
-And? -Amazing. | 0:08:14 | 0:08:16 | |
-And? -Undescribable. | 0:08:16 | 0:08:19 | |
Thank you. | 0:08:19 | 0:08:20 | |
-And did you like them? -Yeah, it was an adrenalin rush. | 0:08:20 | 0:08:23 | |
An adrenalin rush? What happens when you have an adrenalin rush? | 0:08:23 | 0:08:27 | |
You sort of, um, maybe you sort of get a really scared and you... | 0:08:27 | 0:08:31 | |
Show me in your face how you get with an adrenalin rush. | 0:08:31 | 0:08:34 | |
Sum that act up in one word, miss! | 0:08:37 | 0:08:40 | |
-Fabul-astic. -Fabul-astic, sir. Interesting. | 0:08:40 | 0:08:43 | |
Well, on to our next performing prisoner act, | 0:08:43 | 0:08:47 | |
and what a wonderful act this is. | 0:08:47 | 0:08:49 | |
It's a unique kind of act. It's an act that involves origami. | 0:08:49 | 0:08:52 | |
-Oh, dear! Oh, don't worry! -SCREAMING | 0:08:52 | 0:08:56 | |
Oh, don't panic, jailers and jailbirds. It's just Gimbert. | 0:08:56 | 0:09:01 | |
Mr Jenkins? Go and sort out Mr Gimbert, will you? | 0:09:01 | 0:09:04 | |
Dear, dear. Right, sorry about that, ladies and gentlemen. | 0:09:04 | 0:09:07 | |
Now, as I was saying, on to our next performing prisoner act. | 0:09:07 | 0:09:11 | |
Ow! | 0:09:14 | 0:09:16 | |
Will he be going free? Let's find out as we welcome... | 0:09:19 | 0:09:22 | |
-Mr Origami! -CHEERS AND APPLAUSE | 0:09:22 | 0:09:25 | |
Hello. | 0:09:33 | 0:09:35 | |
Let's see what we can make of the papers today. | 0:09:36 | 0:09:41 | |
MUSIC: "Take On Me" by A-ha | 0:09:41 | 0:09:44 | |
Let's see what we can make of the big papers. | 0:11:14 | 0:11:17 | |
Whoa, whoa, whoa! | 0:11:59 | 0:12:01 | |
Whoa! | 0:12:01 | 0:12:02 | |
Oh, no, it's the Guardian! | 0:12:02 | 0:12:04 | |
Run for your lives, run for your lives! | 0:12:04 | 0:12:08 | |
And that's what I made of the papers today! Argh! | 0:12:11 | 0:12:14 | |
CHEERS AND APPLAUSE | 0:12:14 | 0:12:17 | |
There we are, come on. Give him a round of applause, | 0:12:18 | 0:12:22 | |
ladies and gentlemen. | 0:12:22 | 0:12:24 | |
It's time for you to make some marks down on your paper. | 0:12:24 | 0:12:27 | |
What did you think of Mr Origami? | 0:12:27 | 0:12:29 | |
Well, Mr Origami there. Any good or just a waste of trees? | 0:12:29 | 0:12:33 | |
I thought it was really good and his facial expressions were funny. | 0:12:33 | 0:12:37 | |
< Do you like that in a comedy act, miss? Good facial expressions. | 0:12:37 | 0:12:40 | |
-Yes, I guess. -Got any yourself? | 0:12:40 | 0:12:43 | |
-What expression is that? -I don't know. -You don't know? -Shocked. | 0:12:44 | 0:12:48 | |
Shock. Number 47. Always a good one. | 0:12:48 | 0:12:51 | |
Tell us all about Mr Origami. | 0:12:51 | 0:12:53 | |
I think it was good and it was a bit unbelievable | 0:12:53 | 0:12:56 | |
and there wasn't a dull moment in it. | 0:12:56 | 0:12:58 | |
It was weird when he made the hat, though. | 0:12:58 | 0:13:00 | |
One final word. Sum that act up for me, sir. | 0:13:00 | 0:13:03 | |
-Funny with a twist. -Funny with a twist, sir. | 0:13:03 | 0:13:06 | |
Jailers and jailbirds, | 0:13:12 | 0:13:14 | |
it's time for the act that we call Solitary Confinement! | 0:13:14 | 0:13:17 | |
AUDIENCE: WOO! | 0:13:17 | 0:13:20 | |
These are the acts whose show-biz crimes are so terrible, we have to | 0:13:20 | 0:13:23 | |
keep them away from the rest of the performing prisoners here. | 0:13:23 | 0:13:27 | |
What will you make of them? This week, if they get the thumbs-up, | 0:13:27 | 0:13:30 | |
they'll get a treat. In their cell, they'll have a pillow on their bed. | 0:13:30 | 0:13:34 | |
A real pillow! But if they get the thumbs-down, | 0:13:34 | 0:13:37 | |
back to their cell for a cruel and unusual punishment. Mr Burgess. | 0:13:37 | 0:13:41 | |
-Sir. -What is today's cruel and unusual punishment? | 0:13:41 | 0:13:45 | |
Today, sir, it's a rough steam-clean with Dirty Vera, sir. | 0:13:45 | 0:13:49 | |
Ooh! All right, then. | 0:13:49 | 0:13:52 | |
-We need a judge, Mr Burgess. Could you pick a wise person? -Sir. | 0:13:52 | 0:13:56 | |
Who'd like to judge this? You, sir. | 0:13:56 | 0:13:58 | |
-Step this way up on stage. -Give him a round of applause. | 0:13:58 | 0:14:02 | |
-Come over here, please, sir. -APPLAUSE | 0:14:02 | 0:14:04 | |
-What is your name? -Frank. -Frank? Thank you. You decide | 0:14:04 | 0:14:08 | |
thumbs up or thumbs down | 0:14:08 | 0:14:10 | |
after we've seen today's Solitary Confinement! | 0:14:10 | 0:14:14 | |
This way, sir. | 0:14:14 | 0:14:17 | |
MUSIC PLAYS | 0:14:19 | 0:14:22 | |
# Maybe I didn't treat you | 0:14:28 | 0:14:31 | |
# Quite as good as I should have | 0:14:35 | 0:14:38 | |
# Maybe I didn't love you | 0:14:41 | 0:14:46 | |
# Quite as often as I could have | 0:14:48 | 0:14:51 | |
# Little things that I should've said and done | 0:14:55 | 0:14:59 | |
# I just never had the time | 0:15:02 | 0:15:07 | |
# You were always on my mind | 0:15:09 | 0:15:12 | |
# You were always | 0:15:15 | 0:15:18 | |
# On my mind. # | 0:15:18 | 0:15:23 | |
Come on. Come on, then. Get hold of them. Dear, oh, dear. | 0:15:25 | 0:15:30 | |
Custard creams everywhere. I think they're crackers! Well, Frank, | 0:15:31 | 0:15:36 | |
get that thumb, hold it there. Remember, | 0:15:36 | 0:15:38 | |
thumbs up and it's a pillow and a sweet, sweet dream. | 0:15:38 | 0:15:42 | |
Thumbs down, off to Vera for a smelly steam-clean. | 0:15:42 | 0:15:46 | |
It's up to you. Five seconds. What's it going to be? Thumbs up? | 0:15:46 | 0:15:50 | |
Thumbs down? | 0:15:50 | 0:15:51 | |
Ohh, it's down! | 0:15:54 | 0:15:56 | |
Take them off. There they go | 0:15:56 | 0:15:58 | |
-to solitary confinement. -AUDIENCE BOOS | 0:15:58 | 0:16:00 | |
And give Frank a round of applause as well. Well done, Frank. | 0:16:00 | 0:16:04 | |
Marvellous. Well, there we are. | 0:16:04 | 0:16:07 | |
We're going to have to clean up these biscuits but, er... | 0:16:07 | 0:16:11 | |
CLATTERING AND SCREAMING | 0:16:11 | 0:16:14 | |
Oh, you should see how she makes the steam. Pwah! | 0:16:23 | 0:16:27 | |
AUDIENCE SCREAMS | 0:16:37 | 0:16:39 | |
It'll be all right. | 0:16:39 | 0:16:42 | |
It's just the electrics. What? | 0:16:42 | 0:16:45 | |
What's that, Peter? Yes. Oh, good idea, yeah. | 0:16:45 | 0:16:48 | |
-SCREAMS -Don't worry, don't worry. | 0:16:48 | 0:16:51 | |
The power - we're going to try something now. Unfortunately, | 0:16:51 | 0:16:54 | |
we won't be seeing The Magnificent Geoff, but we're going to try | 0:16:54 | 0:16:58 | |
the lung power of this gentleman and hope that he really is electric. | 0:16:58 | 0:17:02 | |
He might get the power going with just the force of his voice. | 0:17:02 | 0:17:06 | |
Will you please welcome the fantastically powerful lungs | 0:17:06 | 0:17:11 | |
-of Frederico Forte...somewhere. -APPLAUSE | 0:17:11 | 0:17:15 | |
GENTLE MUSIC PLAYS | 0:17:22 | 0:17:25 | |
# Nessun dorma | 0:17:30 | 0:17:35 | |
# Nessun dorma | 0:17:35 | 0:17:41 | |
# Tu pure, o, Principessa | 0:17:44 | 0:17:50 | |
# Nella tua fredda stanza | 0:17:50 | 0:17:57 | |
# Guardi le stelle | 0:17:57 | 0:18:04 | |
# Che tremano d'amore | 0:18:04 | 0:18:10 | |
# E di speranza | 0:18:11 | 0:18:17 | |
# Ma il mio mistero e chiuso in me | 0:18:21 | 0:18:28 | |
# Il nome mio nessun sapra, no, no | 0:18:30 | 0:18:40 | |
# Sulla tua bocca lo diro | 0:18:40 | 0:18:48 | |
# Quando la luce | 0:18:48 | 0:18:56 | |
# Vincero | 0:18:58 | 0:19:03 | |
# Vincero | 0:19:04 | 0:19:08 | |
# Vincero | 0:19:09 | 0:19:18 | |
# Vincero! # | 0:19:30 | 0:19:37 | |
CHEERS AND APPLAUSE | 0:19:37 | 0:19:40 | |
He brought the lights back on. Give him a big cheer. Yes! | 0:19:42 | 0:19:48 | |
Oh, Frederico Forte, with the sheer power of those lungs there. | 0:19:48 | 0:19:52 | |
Marvellous. Is he a tenor... or just worth a fiver? | 0:19:52 | 0:19:55 | |
Mr Burgess? | 0:19:55 | 0:19:57 | |
Frederico Forte. Before he got banged up, he ran a successful hotel chain, | 0:19:57 | 0:20:01 | |
but that's another story. Miss? | 0:20:01 | 0:20:03 | |
I think he was really good, | 0:20:03 | 0:20:05 | |
and he was amazing, magnificent, lively, interesting, | 0:20:05 | 0:20:11 | |
and really good. | 0:20:11 | 0:20:13 | |
-Did you enjoy that act? -Yeah. -Tell us all about it. -Um... | 0:20:13 | 0:20:17 | |
it was special, it was interesting. | 0:20:17 | 0:20:20 | |
I didn't think it would happen in a jail like this. | 0:20:20 | 0:20:25 | |
-Jail like this? We're very cultured here. -What about you, miss? | 0:20:25 | 0:20:29 | |
I think he was great and he should be free | 0:20:29 | 0:20:32 | |
because he was the best so far. | 0:20:32 | 0:20:34 | |
He's got a very, very strong voice and I'd give him a ten out of ten. | 0:20:34 | 0:20:38 | |
-What did you think of Frederico Forte? -He was incredibly good | 0:20:38 | 0:20:42 | |
-and he couldn't get any better. -Couldn't get any better? What else? | 0:20:42 | 0:20:47 | |
I felt it was like unreal cos it was so good. | 0:20:47 | 0:20:50 | |
Right, for one final word, sum that up for me, sir. | 0:20:50 | 0:20:53 | |
-Italian. -Italian, sir. | 0:20:53 | 0:20:55 | |
Well, there we are, and the good news is, jailers and jailbirds, | 0:20:55 | 0:20:58 | |
Frederico has managed to generate enough power | 0:20:58 | 0:21:01 | |
with that tremendous singing to give us electricity for hours! | 0:21:01 | 0:21:04 | |
CHEERING | 0:21:04 | 0:21:07 | |
We'll be able to see | 0:21:07 | 0:21:08 | |
the final performing prisoner acts of The Slammer. | 0:21:08 | 0:21:11 | |
Who will be going free? You'll decide after you've seen | 0:21:11 | 0:21:15 | |
the tomfoolery, the fun | 0:21:15 | 0:21:16 | |
and the frolics of - you've seen these before somewhere - | 0:21:16 | 0:21:19 | |
No Horses, Only Fools! | 0:21:19 | 0:21:21 | |
APPLAUSE | 0:21:21 | 0:21:23 | |
MUSIC: THEME TUNE TO "Only Fools And Horses" | 0:21:28 | 0:21:33 | |
VAN WON'T START | 0:21:34 | 0:21:37 | |
MUSIC FADES OUT | 0:21:42 | 0:21:44 | |
LIVELY PIANO MUSIC | 0:21:47 | 0:21:49 | |
BANG! | 0:21:54 | 0:21:55 | |
BEEP! | 0:22:02 | 0:22:03 | |
CHEERS AND APPLAUSE | 0:23:20 | 0:23:24 | |
Grab him there. Quick, quick, grab him! | 0:23:28 | 0:23:32 | |
My word. Well, lots of horse play there, or were they just fools? | 0:23:32 | 0:23:36 | |
Let's find out with Mr Burgess. | 0:23:36 | 0:23:38 | |
No Horses, Only Fools. What did you make of our rogue traders, miss? | 0:23:38 | 0:23:42 | |
Stupid, silly, weird, stupendous and idiotic. | 0:23:42 | 0:23:47 | |
That about sums it up, thank you. | 0:23:47 | 0:23:49 | |
What about you, sir? Man's perspective. | 0:23:49 | 0:23:51 | |
I think it was insane, mad | 0:23:51 | 0:23:53 | |
and I loved it when they did loads of flips. | 0:23:53 | 0:23:55 | |
-You like loads of flips, sir? -Yes. | 0:23:55 | 0:23:58 | |
-Did you like them? -Yes. -What did you think of the act? | 0:23:58 | 0:24:00 | |
-I thought they were hilarious. -Yeah? | 0:24:00 | 0:24:03 | |
-Have they done enough to go free? -Hopefully. | 0:24:03 | 0:24:05 | |
And for one final word, sum that act up, miss. | 0:24:05 | 0:24:08 | |
-Funny. -Funny, sir. | 0:24:08 | 0:24:11 | |
The electricity has lasted out so now we've got the clapometer | 0:24:11 | 0:24:16 | |
which will decide who is going to go free. | 0:24:16 | 0:24:19 | |
Let's welcome back all the acts. | 0:24:19 | 0:24:21 | |
Team Extreme, Mr Origami, | 0:24:21 | 0:24:25 | |
Frederico Forte, | 0:24:25 | 0:24:28 | |
and No Horses, Only Fools. | 0:24:28 | 0:24:31 | |
Yes, the clapometer. The more you clap and cheer, | 0:24:31 | 0:24:35 | |
the higher their score. Quite simply, | 0:24:35 | 0:24:37 | |
the act with the highest score goes free. | 0:24:37 | 0:24:40 | |
Please show your appreciation for Team Extreme. | 0:24:40 | 0:24:45 | |
Wow, a very high score, straight into the 90s. | 0:24:53 | 0:24:55 | |
91.5. Back you go there, lads. | 0:24:55 | 0:24:58 | |
Well done indeed. Marvellous. Team Extreme. | 0:24:58 | 0:25:00 | |
The next act that we saw was very unusual | 0:25:00 | 0:25:03 | |
but they certainly folded things marvellously. | 0:25:03 | 0:25:06 | |
Oh, look, and the Guardian's with him. It's Mr Origami! | 0:25:06 | 0:25:11 | |
Yeah, it's a paper-thin score, I'm afraid. 62.3. | 0:25:17 | 0:25:22 | |
I think you'll be staying for supper, lads. The next gentleman | 0:25:22 | 0:25:25 | |
certainly helped us in The Slammer. He got the lights going again. | 0:25:25 | 0:25:29 | |
Please show your appreciation | 0:25:29 | 0:25:30 | |
for Frederico Forte. | 0:25:30 | 0:25:34 | |
Oh, 92.9. He goes into the lead. | 0:25:39 | 0:25:43 | |
92.9! Well, only one act, | 0:25:43 | 0:25:46 | |
jailers and jailbirds, can catch him now. | 0:25:46 | 0:25:49 | |
Will they be going free? They might be able to jump over the walls! | 0:25:49 | 0:25:53 | |
No Horses, Only Fools. | 0:25:53 | 0:25:56 | |
Oh, wow. | 0:25:57 | 0:25:59 | |
Oh! | 0:25:59 | 0:26:02 | |
Oh, they didn't quite do it. It means that the winner, | 0:26:05 | 0:26:09 | |
with a score of 92.9, was Frederico Forte! | 0:26:09 | 0:26:12 | |
-LOUD CHEERS -He's free to go. Off you go. | 0:26:12 | 0:26:16 | |
There we go. He goes free from The Slammer. | 0:26:16 | 0:26:19 | |
The only good news for the rest of you is, | 0:26:19 | 0:26:21 | |
you're in time for tea. Mr Burgess, | 0:26:21 | 0:26:24 | |
-I assume it's porridge again. -Well, it is, sir, | 0:26:24 | 0:26:28 | |
-but Chef's done something clever. -What? | 0:26:28 | 0:26:31 | |
-It's dribbly-wibbly, not sloppy-ploppy. -Really? | 0:26:31 | 0:26:33 | |
-Not really, sir, it's sloppy-ploppy porridge. -Ohh! Take them back! | 0:26:33 | 0:26:37 | |
Give them a big round of applause and a cheer. | 0:26:37 | 0:26:41 | |
Off you go. | 0:26:41 | 0:26:43 | |
There they are. Well, jailers and jailbirds, | 0:26:43 | 0:26:46 | |
more performing prisoners for you very soon here on The Slammer. | 0:26:46 | 0:26:49 | |
Remember, if you don't make the audience scream and yell, | 0:26:49 | 0:26:52 | |
we've always got room for you in a cell | 0:26:52 | 0:26:54 | |
here at The Slammer. Bye-bye, jailers and jailbirds! | 0:26:54 | 0:26:58 | |
# Mu-u-um! # | 0:27:03 | 0:27:05 | |
# It's the only way you'll ever leave The Slammer! # | 0:27:07 | 0:27:13 | |
-TV COMMENTATOR: -'And it's passed forward, he takes a shot...' | 0:27:13 | 0:27:18 | |
-THEY SIGH -Gentlemen, shall we? -Sir. | 0:27:18 | 0:27:22 | |
TOGETHER: # La-a-a-a-a-a-a! # | 0:27:22 | 0:27:30 | |
-'That really is a result.' -Well done, chaps. | 0:27:30 | 0:27:33 | |
Subtitles by Red Bee Media Ltd | 0:27:35 | 0:27:38 |