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"Dearest Mama, what a nightmare week we've had." | 0:00:00 | 0:00:04 | |
"Your mother turned up out of the blue and systematically managed | 0:00:04 | 0:00:07 | |
"to dis... | 0:00:07 | 0:00:09 | |
"to delight and charm the entire prison | 0:00:09 | 0:00:12 | |
"and we all enjoyed a wonderful show." | 0:00:12 | 0:00:16 | |
DANCE MUSIC | 0:00:16 | 0:00:17 | |
# Ro-ma-mah, ro-mah-mah. # | 0:00:17 | 0:00:18 | |
DANCE MUSIC | 0:00:18 | 0:00:20 | |
AUDIENCE SCREAMS | 0:00:20 | 0:00:22 | |
"Finally, we got rid of the old... | 0:00:22 | 0:00:25 | |
"She decided to leave." | 0:00:25 | 0:00:28 | |
"I've slipped on my pan pipe CD | 0:00:28 | 0:00:30 | |
"and I'm resting with my feet in a bucket of warm nuts." | 0:00:30 | 0:00:34 | |
"Ah, the simple pleasure of life. Finally I can relax." | 0:00:34 | 0:00:39 | |
SIREN | 0:00:40 | 0:00:41 | |
# You've been found guilty of a howling showbiz crime | 0:00:42 | 0:00:46 | |
# So welcome to The Slammer where you're going to serve your time | 0:00:46 | 0:00:52 | |
# With every type of minstrel, entertainer and artiste | 0:00:52 | 0:00:56 | |
# Performing to the limit to try and get released | 0:00:56 | 0:01:00 | |
# So go fetch the audience, bring them to The Slammer | 0:01:00 | 0:01:04 | |
# And polish up your act, with a bit of glitz and glamour | 0:01:04 | 0:01:10 | |
# Your fate is in their hands, so make them cheer and clamour | 0:01:10 | 0:01:13 | |
# It's the only way you'll ever leave The Slammer | 0:01:13 | 0:01:17 | |
# It's the only way you'll ever leave The Slammer! # | 0:01:17 | 0:01:21 | |
FIREWORKS | 0:01:21 | 0:01:23 | |
EXPLOSION | 0:01:24 | 0:01:25 | |
SIREN | 0:01:25 | 0:01:27 | |
AMBULANCE SIREN | 0:01:27 | 0:01:29 | |
CRASH! | 0:01:29 | 0:01:30 | |
-GRANNIES: -Ooh! | 0:01:30 | 0:01:32 | |
Look at that. Oh, I say! | 0:01:32 | 0:01:34 | |
THEY "OOH AND AH" | 0:01:34 | 0:01:36 | |
-Gimbert, what's going on?! -It wasn't me, Uncle, honest! | 0:01:37 | 0:01:41 | |
-It was my grandma. She's not a good driver, you see. -Ugh... | 0:01:41 | 0:01:45 | |
Jeremy, give me a kiss! | 0:01:45 | 0:01:48 | |
Suddenly everything makes sense. | 0:01:50 | 0:01:53 | |
Ah, sir. Allow me to present my grandmother, sir. | 0:01:56 | 0:01:58 | |
This is ex-warrant officer Dolly Burgess, formerly of the Chindits. | 0:01:58 | 0:02:02 | |
-Oh, uh... -Attention! | 0:02:02 | 0:02:04 | |
Tea to be made, on the double! | 0:02:04 | 0:02:07 | |
Left, right, left, right, left, right... | 0:02:07 | 0:02:09 | |
Would someone tell me what's going on here? | 0:02:09 | 0:02:12 | |
Here he is, bossing everybody about. | 0:02:12 | 0:02:14 | |
-Oh! Nana Governor, what are you doing here? -We thought we'd come visit. | 0:02:14 | 0:02:19 | |
-You never write, you never call. -But I'm at work! | 0:02:19 | 0:02:22 | |
Oh, there he goes showing off again. | 0:02:22 | 0:02:25 | |
Now just tell me, what have you got on the show this week? | 0:02:25 | 0:02:28 | |
Well, we've Granny Turismo... | 0:02:28 | 0:02:31 | |
..Twist and Pulse... | 0:02:32 | 0:02:33 | |
DANCE MUSIC | 0:02:33 | 0:02:34 | |
..Slush... | 0:02:34 | 0:02:36 | |
and Pup Choir. | 0:02:36 | 0:02:38 | |
# Oh-ooh-oh-ooh-whoaaa! # | 0:02:38 | 0:02:40 | |
Isn't he cute? | 0:02:40 | 0:02:42 | |
-Oh. -Oh, I love him! -No, no! | 0:02:42 | 0:02:45 | |
-Ew! -Oh, a beautiful boy, he is. -Yeah. | 0:02:45 | 0:02:48 | |
-Come on, girls. Let's go. -Bye-bye. | 0:02:48 | 0:02:51 | |
Yes. No, thank you. | 0:02:51 | 0:02:53 | |
I tried everything, turning off the heating, | 0:02:55 | 0:02:57 | |
telling them there's no more tea. They just won't go! | 0:02:57 | 0:03:01 | |
WHISTLE BLOWS | 0:03:01 | 0:03:03 | |
-Oh... -All right, all right. All right, calm down. Don't panic. | 0:03:03 | 0:03:06 | |
-What the flaming heck's gone off in here, sir? -Oh, Frank! | 0:03:06 | 0:03:10 | |
Look at the state of it. | 0:03:10 | 0:03:12 | |
This is all I need. | 0:03:12 | 0:03:13 | |
-WOMEN: -Oh! Look at it. | 0:03:13 | 0:03:15 | |
He were just the same at home, never tidied his bedroom. | 0:03:15 | 0:03:19 | |
-He hasn't changed a bit. -It wasn't me! -Oh, yes. -A likely story. | 0:03:19 | 0:03:24 | |
-You should be ashamed of yourself. -I had nothing to do with it! | 0:03:24 | 0:03:27 | |
WHISTLE BLOWS | 0:03:27 | 0:03:29 | |
Oh, what now? Excuse me, ladies. Just coming through. | 0:03:29 | 0:03:32 | |
Thank you, sorry. Mind your bourbons. | 0:03:32 | 0:03:34 | |
HE GASPS | 0:03:34 | 0:03:37 | |
-Good grief, sir! -I don't understand it, I was in here ten minutes ago. | 0:03:37 | 0:03:41 | |
I put your breakfast pasty here, your ironed underpants here, | 0:03:41 | 0:03:44 | |
-and the moisturiser you liked... -Yeah, enough, enough. | 0:03:44 | 0:03:47 | |
We don't need to go into all that. Oh, I just need a moment to think. | 0:03:47 | 0:03:51 | |
-WOMEN: -Oh! What have you done this time? -We've told him before. | 0:03:51 | 0:03:56 | |
Never had any respect for people's property. | 0:03:56 | 0:03:58 | |
For the last time, it wasn't me! | 0:03:58 | 0:04:00 | |
The only person that's been in this office... | 0:04:00 | 0:04:04 | |
is him! | 0:04:04 | 0:04:06 | |
I told you, Uncle, it wasn't me. Your pants. Ask anyone, ask Grandma. | 0:04:08 | 0:04:11 | |
I can absolutely vouch for my grandson. | 0:04:11 | 0:04:17 | |
Really? | 0:04:17 | 0:04:18 | |
-See? -Mr Burgess, lock up that nephew. -Sir. | 0:04:18 | 0:04:23 | |
About face, lad. Off you go. | 0:04:23 | 0:04:25 | |
-Uncle! -Such a nice lad. -That's not fair. -He's lovely. | 0:04:25 | 0:04:31 | |
HE CRIES | 0:04:31 | 0:04:32 | |
I don't understand it, Frank. | 0:04:32 | 0:04:34 | |
My nephew might have a screw loose but he's not a criminal. | 0:04:34 | 0:04:37 | |
Well, if not him, sir, then who? | 0:04:37 | 0:04:39 | |
INAUDIBLE CHATTER | 0:04:39 | 0:04:43 | |
There's only one way to find out. | 0:04:47 | 0:04:49 | |
Are all the cameras in place, Mr Burgess? | 0:04:51 | 0:04:54 | |
All hidden and live, sir, and the door to the cell wide open. | 0:04:54 | 0:04:58 | |
Excellent. | 0:04:58 | 0:05:00 | |
BOTH: No! | 0:05:10 | 0:05:12 | |
SHE CHUCKLES | 0:05:12 | 0:05:13 | |
This is what I've been waiting for. Are you ready, girls? | 0:05:13 | 0:05:17 | |
THEY SHRIEK | 0:05:17 | 0:05:22 | |
Look at this mess! You've done it again. | 0:05:27 | 0:05:30 | |
Don't come that with me, Grandma. | 0:05:30 | 0:05:32 | |
-You three have been well and truly rumbled. -Ah. -Oh. | 0:05:32 | 0:05:38 | |
Attention? | 0:05:38 | 0:05:40 | |
-That's not going to work this time, is it, Grandma? -Mr Burgess? -Ha! | 0:05:40 | 0:05:44 | |
Lock these three up. They're the troublemakers. | 0:05:44 | 0:05:47 | |
You should be thoroughly ashamed of yourselves. | 0:05:47 | 0:05:50 | |
ALARM SOUNDS | 0:05:50 | 0:05:51 | |
Oh! How do I look? | 0:05:51 | 0:05:53 | |
-Lovely. -You look lovely, darling. | 0:05:53 | 0:05:56 | |
Thank you very much. It's show time! | 0:05:56 | 0:05:58 | |
SHOUTING AND LAUGHTER | 0:05:58 | 0:06:01 | |
-ANNOUNCER: -Ladies and gentlemen, welcome to HMP Slammer, | 0:06:01 | 0:06:06 | |
where you decide which prisoner is to be released. | 0:06:06 | 0:06:09 | |
Now please welcome your host. He's... Hello, can I help you? | 0:06:09 | 0:06:13 | |
-Um, I'm looking for the toilet. -Ah, yes. | 0:06:13 | 0:06:16 | |
Back the way you came, down the corridor, | 0:06:16 | 0:06:19 | |
-and it's third on the left. -Thank you. | 0:06:19 | 0:06:21 | |
It's The Governor! | 0:06:21 | 0:06:24 | |
CHEERING AND APPLAUSE | 0:06:24 | 0:06:27 | |
-Who's The Governor? -ALL: -You're The Governor! | 0:06:39 | 0:06:43 | |
Oh, my little jailers and jailbirds, it's lovely to see you. | 0:06:43 | 0:06:46 | |
And as you can see, we've got one or two, shall we say, | 0:06:46 | 0:06:49 | |
slightly more mature members of the audience amongst us. | 0:06:49 | 0:06:52 | |
Hello to you, as well. | 0:06:52 | 0:06:54 | |
We've got a great show for you, marvellous performing prisoners, | 0:06:54 | 0:06:57 | |
and you will decide which one will go free at the end of the show. | 0:06:57 | 0:07:01 | |
We've got marvellous acts like Twist and Pulse. Ooh! | 0:07:01 | 0:07:04 | |
-AUDIENCE: -Ooh! | 0:07:04 | 0:07:06 | |
-Slosh! -AUDIENCE: -Ooh! | 0:07:06 | 0:07:08 | |
-We've got a massive choir called Pop Choir! -AUDIENCE: -Ooh! | 0:07:08 | 0:07:13 | |
But now, in honour of all the grannies out there, | 0:07:13 | 0:07:15 | |
show your appreciation for Granny Turismo! | 0:07:15 | 0:07:20 | |
CHEERING AND APPLAUSE | 0:07:20 | 0:07:25 | |
JOLLY MUSIC PLAYS | 0:07:32 | 0:07:34 | |
TYRES SQUEAL | 0:07:53 | 0:07:56 | |
CHEERING | 0:07:56 | 0:07:58 | |
MUSIC: "U Can't Touch This" by MC Hammer | 0:08:10 | 0:08:15 | |
THEY REV ENGINES | 0:08:24 | 0:08:28 | |
CHEERING AND APPLAUSE | 0:09:09 | 0:09:14 | |
Granny Turismo, there. But I don't know, what did you think of them? | 0:09:17 | 0:09:21 | |
Were they groovy or gravy? Let's find out with Mr Burgess. | 0:09:21 | 0:09:25 | |
Right then, Granny Turismo, give me your thoughts, miss. | 0:09:25 | 0:09:29 | |
I think they're really weird and they should be living | 0:09:29 | 0:09:32 | |
in the mad lands. | 0:09:32 | 0:09:33 | |
LAUGHTER | 0:09:33 | 0:09:35 | |
-Where are the mad lands exactly, miss? -On a map somewhere. | 0:09:35 | 0:09:39 | |
-On a map somewhere? Just at the end of Bonkers Lane, is it? -Yeah. | 0:09:39 | 0:09:44 | |
-What did you make of the act? -Um, funny and crazy. | 0:09:44 | 0:09:48 | |
Were they like your granny? | 0:09:48 | 0:09:51 | |
No, they were completely mad because if you left them | 0:09:51 | 0:09:54 | |
out on the street they would probably run over someone. | 0:09:54 | 0:09:57 | |
Yeah, I'd quite agree with you. | 0:09:57 | 0:10:00 | |
Have they done enough to go free cos they've been in a long time? | 0:10:00 | 0:10:03 | |
No, I'll keep them in. | 0:10:03 | 0:10:04 | |
GRUMBLING | 0:10:04 | 0:10:05 | |
Oooh, they're revving up their engines. They're going! | 0:10:05 | 0:10:09 | |
-Crazy! -Crazy? | 0:10:09 | 0:10:10 | |
-Yes. Completely mad. -Did you enjoy it? | 0:10:10 | 0:10:13 | |
Yes. Funny. | 0:10:13 | 0:10:15 | |
What did you think, madam? | 0:10:15 | 0:10:17 | |
It was always, like, brum brum and it sounded like they were farting. | 0:10:17 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:23 | |
No offence! | 0:10:24 | 0:10:26 | |
For one final word, sum that act for me, miss? | 0:10:28 | 0:10:31 | |
Ridonculous. | 0:10:31 | 0:10:32 | |
What?! | 0:10:32 | 0:10:34 | |
I think it's ridonculous. | 0:10:34 | 0:10:36 | |
Ridonculous, sir. | 0:10:36 | 0:10:38 | |
Well, jailers and jailbirds and naughty nanas | 0:10:40 | 0:10:43 | |
and groovy grannies alike, | 0:10:43 | 0:10:45 | |
another performing prisoner act for you. Twist and Pulse! | 0:10:45 | 0:10:48 | |
CHEERING AND APPLAUSE | 0:10:48 | 0:10:51 | |
Twist and Pulse. | 0:10:57 | 0:10:59 | |
-Where's Twist? -I'm here. | 0:11:15 | 0:11:17 | |
(RAPS) Every now and then I... | 0:11:17 | 0:11:19 | |
I don't even rap... With their hands up. | 0:11:20 | 0:11:23 | |
Ever wanted something so bad, you would sell your soul? | 0:11:26 | 0:11:28 | |
-Ready? -Yeah. -Go with it. | 0:11:28 | 0:11:30 | |
# Saturday | 0:11:47 | 0:11:49 | |
# Saturday | 0:11:49 | 0:11:50 | |
# Saturday night | 0:11:50 | 0:11:52 | |
# Saturday night... # | 0:11:52 | 0:11:54 | |
# I've got a black BM | 0:12:03 | 0:12:05 | |
# She got a white TT | 0:12:05 | 0:12:08 | |
# She wanna see what's hiding | 0:12:08 | 0:12:09 | |
# In my CK briefs... # | 0:12:09 | 0:12:10 | |
# Oh Mickey, you're so fine | 0:12:14 | 0:12:15 | |
# You're so fine you blow mind Hey, Mickey | 0:12:15 | 0:12:19 | |
# Hey Mickey... # | 0:12:19 | 0:12:20 | |
# Yo I'll tell you what I want What I really really want | 0:13:00 | 0:13:03 | |
# So tell me what you want What you really really want | 0:13:03 | 0:13:05 | |
# I want to huh, I want to huh I want to huh, I want to huh | 0:13:05 | 0:13:08 | |
# I wanna really really really Wanna zigazig ah. # | 0:13:08 | 0:13:11 | |
CHEERING AND APPLAUSE | 0:13:20 | 0:13:24 | |
My word. There we are. What did you think of that? | 0:13:24 | 0:13:26 | |
Let's find out right now. | 0:13:26 | 0:13:29 | |
Right then. Twist and Pulse, | 0:13:29 | 0:13:32 | |
once described as the future of British entertainment. | 0:13:32 | 0:13:34 | |
Would you agree? | 0:13:34 | 0:13:35 | |
I think they were really nice, cool and a bit crazy. | 0:13:35 | 0:13:39 | |
Did you like that in them, sir, that bit of craziness? | 0:13:39 | 0:13:42 | |
Yeah, but I think they could improve it. | 0:13:42 | 0:13:45 | |
At the moment, you think a bit more work, don't let them out? | 0:13:47 | 0:13:50 | |
Yeah, don't let them out. | 0:13:50 | 0:13:51 | |
-Have you ever thought about joining the prison service, sir? -No... | 0:13:51 | 0:13:55 | |
cos I'm a kid. | 0:13:55 | 0:13:57 | |
-Tell us what you thought of Twist and Pulse. -They made my pulse twist | 0:13:57 | 0:14:01 | |
and turn and I really love them. | 0:14:01 | 0:14:02 | |
So score out of 10? | 0:14:02 | 0:14:04 | |
-11. -Marvellous. | 0:14:04 | 0:14:06 | |
Now, madam, what did you make of Twist and Pulse? | 0:14:06 | 0:14:09 | |
-They were brilliant. -Really? -Fabulous act. | 0:14:09 | 0:14:11 | |
-The sort of thing you'd pay money to see? -Definitely. Definitely. | 0:14:11 | 0:14:15 | |
If they could show me a few moves as well, would be even better. | 0:14:15 | 0:14:18 | |
-Did you enjoy that? -Yes, the act was very robot-y and very funny. | 0:14:18 | 0:14:21 | |
-Can you do that kind of dancing? -Erm... -Just show us. | 0:14:21 | 0:14:24 | |
Stand up. Put your pad down. Just do us a little bit here. | 0:14:24 | 0:14:28 | |
There you go. Look at that. | 0:14:29 | 0:14:31 | |
-What did you think, lads? -CHEERING | 0:14:31 | 0:14:34 | |
Liz, could you sum that act up for me in one word? One! Just the one. | 0:14:34 | 0:14:37 | |
-Brillianto. -Brillianto, sir. | 0:14:37 | 0:14:40 | |
It's time for the act that we call Solitary Confinement. | 0:14:46 | 0:14:50 | |
SCREAMING | 0:14:50 | 0:14:53 | |
All the screams and the wails, yes, Solitary Confinement, | 0:14:53 | 0:14:56 | |
the darkest, deepest part of The Slammer where we keep the acts so terrible | 0:14:56 | 0:15:00 | |
we can't let them out into the community. But if they do well, | 0:15:00 | 0:15:03 | |
we let them out maybe for a little while and give them a treat. | 0:15:03 | 0:15:05 | |
Today, the nice treat is a day's pass out of The Slammer. | 0:15:05 | 0:15:09 | |
They can go out on the town, just for one day. | 0:15:09 | 0:15:11 | |
But if they don't do well, | 0:15:11 | 0:15:13 | |
they go back to the cell for a cruel and unusual punishment. | 0:15:13 | 0:15:16 | |
Oh, Mr Burgess... | 0:15:16 | 0:15:17 | |
HE SHOUTS | 0:15:17 | 0:15:18 | |
What is today's cruel and unusual punishment? | 0:15:18 | 0:15:21 | |
Today's is having their legs waxed | 0:15:21 | 0:15:23 | |
whilst rehearsing the hokey cokey, sir. | 0:15:23 | 0:15:25 | |
-Ooh. Who is to be the judge? A young person of discernment? -What about this young man here, sir? | 0:15:25 | 0:15:31 | |
Yes, he looks discerning. Give him a round of applause, please. | 0:15:31 | 0:15:34 | |
Up he comes. Here we are. | 0:15:34 | 0:15:36 | |
APPLAUSE | 0:15:36 | 0:15:37 | |
Don't milk it. What's your name? | 0:15:37 | 0:15:41 | |
-Ben. -Have you got a thumb. | 0:15:41 | 0:15:42 | |
Yes, you've got a thumb. That's what you need | 0:15:42 | 0:15:44 | |
because it's time for Solitary Confinement. Come on. | 0:15:44 | 0:15:48 | |
THEY BLOW RASPBERRIES | 0:16:26 | 0:16:28 | |
Come on. Here we go. | 0:16:30 | 0:16:33 | |
Here we are. Well... | 0:16:33 | 0:16:34 | |
Now it's up to you young men to decide. | 0:16:36 | 0:16:39 | |
Remember, thumbs up and it's a day off chokey. | 0:16:39 | 0:16:43 | |
Thumbs down, it's pulling hairs with the hokey cokey. | 0:16:43 | 0:16:47 | |
LAUGHTER | 0:16:47 | 0:16:49 | |
You've got five seconds to decide. Your time starts now. | 0:16:49 | 0:16:53 | |
Oh, it's down. | 0:16:53 | 0:16:54 | |
It's a down. Take 'em away. He's given them a sentence. | 0:16:54 | 0:16:58 | |
Back to the cell. | 0:16:58 | 0:16:59 | |
AUDIENCE BOOS | 0:16:59 | 0:17:01 | |
-Go on. Nevermind threatening young people. -Start the punishment. | 0:17:01 | 0:17:05 | |
WAXING NOISE | 0:17:05 | 0:17:08 | |
MAN: Aagh! Aagh! | 0:17:08 | 0:17:10 | |
< Uu-agh! Ugh! | 0:17:10 | 0:17:13 | |
Ooh! | 0:17:13 | 0:17:15 | |
< Aaaargh! | 0:17:15 | 0:17:17 | |
That's what it's all about. | 0:17:17 | 0:17:19 | |
Give Ben a round of applause, as well. | 0:17:19 | 0:17:22 | |
Well, on to our next performing prisoner act. | 0:17:22 | 0:17:26 | |
Put your hands together for two very clean convicts. | 0:17:26 | 0:17:30 | |
It's Slosh! | 0:17:30 | 0:17:33 | |
APPLAUSE AND CHEERING | 0:17:33 | 0:17:35 | |
FAST, SLAPSTICK PIANO MUSIC PLAYS | 0:17:41 | 0:17:44 | |
Paper! | 0:17:52 | 0:17:54 | |
Ready? Whey-hup! | 0:17:55 | 0:17:58 | |
Aaargh! | 0:18:04 | 0:18:06 | |
AUDIENCE: Aw! | 0:18:15 | 0:18:17 | |
APPLAUSE | 0:18:17 | 0:18:20 | |
Shower! | 0:18:29 | 0:18:31 | |
AUDIENCE SCREAMS | 0:18:31 | 0:18:34 | |
AUDIENCE: Oh! | 0:18:55 | 0:18:57 | |
AUDIENCE: Ugh! | 0:19:12 | 0:19:14 | |
-My hat! My hat! -It's here. | 0:19:21 | 0:19:25 | |
AUDIENCE SQUEALS | 0:19:25 | 0:19:28 | |
AUDIENCE LAUGHS | 0:19:40 | 0:19:42 | |
Come down! | 0:19:46 | 0:19:48 | |
AUDIENCE: Oh! | 0:19:54 | 0:19:57 | |
AUDIENCE SCREAMS | 0:20:04 | 0:20:07 | |
ROADRUNNER: Yabadee, yabadee, that's all, folks! | 0:20:08 | 0:20:12 | |
APPLAUSE AND CHEERING | 0:20:12 | 0:20:15 | |
Whatever you say about them, they were a very clean act, weren't they? | 0:20:23 | 0:20:27 | |
Shall we let them out? What do you think? | 0:20:27 | 0:20:30 | |
Slosh or slop? | 0:20:30 | 0:20:33 | |
Truly, very, very, very weird. | 0:20:33 | 0:20:37 | |
What was weird about it? It was old-fashioned entertainment. | 0:20:37 | 0:20:40 | |
Well, they looked weird. | 0:20:40 | 0:20:44 | |
Would you like to take home some slosh? | 0:20:44 | 0:20:47 | |
There you are. | 0:20:47 | 0:20:49 | |
There we are, lovely. Did you enjoy the act? | 0:20:49 | 0:20:53 | |
Yeah, they were stupidly entertaining. | 0:20:53 | 0:20:55 | |
I'd have them to my house because they'd bring so much fun. | 0:20:55 | 0:20:59 | |
-Madam. -Sir. -Did you enjoy it? -I did. | 0:20:59 | 0:21:02 | |
-Should we set them free? -Set them free. | 0:21:02 | 0:21:04 | |
We could do with happiness like that on the streets today. | 0:21:04 | 0:21:07 | |
-We certainly could. -Did you enjoy Slosh? | 0:21:07 | 0:21:10 | |
They were excellent and I'd like to see them again. | 0:21:10 | 0:21:13 | |
-Sum that act up, Miss. -Flabbergasted. -Flabbergasted. | 0:21:13 | 0:21:18 | |
It's the biggest choir we've ever had in The Slammer. | 0:21:22 | 0:21:25 | |
Here they are, it's Pop Choir! | 0:21:25 | 0:21:29 | |
APPLAUSE AND CHEERING | 0:21:29 | 0:21:32 | |
# Oh-oh-oh, oh-oh-oh-oh, oh-oh-oh | 0:21:39 | 0:21:44 | |
# Caught in a bad romance | 0:21:44 | 0:21:48 | |
# Ra-ra, ah-ah-ah, roma-ro-ma-ma | 0:21:48 | 0:21:52 | |
# Ga-ga, ooh, la-la | 0:21:52 | 0:21:54 | |
# Want your bad romance | 0:21:54 | 0:21:56 | |
# I want your horror, I want your design | 0:21:56 | 0:22:01 | |
# 'Cos you're a criminal as long as you're mine | 0:22:01 | 0:22:03 | |
# And I want your love | 0:22:03 | 0:22:06 | |
# Love, love, love, I want your love | 0:22:06 | 0:22:11 | |
# Hey! | 0:22:11 | 0:22:13 | |
# I want your love and I want your revenge | 0:22:13 | 0:22:16 | |
# You and me could write a bad romance | 0:22:16 | 0:22:19 | |
# Oh, oh, oh, oh | 0:22:19 | 0:22:20 | |
# I want your loving, all your lover's revenge | 0:22:20 | 0:22:23 | |
# You and me could write a bad romance | 0:22:23 | 0:22:27 | |
# Oh, oh, oh, oh-oh-oh, oh-oh-oh | 0:22:27 | 0:22:32 | |
# Caught in a bad romance | 0:22:32 | 0:22:35 | |
# Oh, oh, oh, oh-oh-oh, on-oh-oh | 0:22:35 | 0:22:41 | |
# Caught in a bad romance | 0:22:41 | 0:22:43 | |
# I want your love and I want your revenge | 0:22:45 | 0:22:49 | |
# Je veux ton amour | 0:22:49 | 0:22:51 | |
# I don't want to be friends | 0:22:51 | 0:22:54 | |
# Want your romance | 0:22:54 | 0:22:57 | |
-# Caught in a bad romance -Want your bad romance | 0:22:57 | 0:23:01 | |
# I want your loving and I want your revenge | 0:23:01 | 0:23:04 | |
# You and me could write a bad romance | 0:23:04 | 0:23:08 | |
# Oh- oh- oh- oh | 0:23:08 | 0:23:09 | |
# I want your loving, all your lover's revenge | 0:23:09 | 0:23:12 | |
# You and me could write a bad romance | 0:23:12 | 0:23:16 | |
# Oh, oh, oh, oh-oh-oh-oh, oh-oh-oh | 0:23:16 | 0:23:21 | |
# Caught in a bad romance | 0:23:21 | 0:23:23 | |
# Oh, oh, oh, oh-oh-oh-oh, oh-oh-oh | 0:23:23 | 0:23:29 | |
# Caught in a bad romance | 0:23:29 | 0:23:31 | |
# Ra-ra, ah-ah-ah-ah | 0:23:33 | 0:23:35 | |
# Roma-ro-ma-ma | 0:23:35 | 0:23:37 | |
# Ga-ga, ooh, la-la | 0:23:37 | 0:23:39 | |
# Want your bad romance. # | 0:23:39 | 0:23:41 | |
APPLAUSE AND CHEERING | 0:23:41 | 0:23:47 | |
Round them up. There's hundreds of them | 0:23:47 | 0:23:52 | |
But will they be going free? | 0:23:52 | 0:23:54 | |
I hope so. Let's find out what you thought with Mr Burgess. | 0:23:54 | 0:23:58 | |
-Pop Choir, Miss, what did you make of it? -Absolutely amazing. | 0:23:58 | 0:24:03 | |
Whoo! | 0:24:03 | 0:24:05 | |
All right, settle down. Why was it amazing? | 0:24:05 | 0:24:09 | |
24 of them singing all at once, dancing at the same time, | 0:24:09 | 0:24:14 | |
it was amazing. | 0:24:14 | 0:24:15 | |
-What did you think? -I thought it was brilltastically fantastical. | 0:24:15 | 0:24:20 | |
-In real words, what did you think of that choir? -Amazing. | 0:24:20 | 0:24:25 | |
-What about you, sir? -I thought it was very good. -Why did you like it, sir? | 0:24:25 | 0:24:30 | |
-It was loud. -You like things loud, sir? -Yes. | 0:24:30 | 0:24:34 | |
-SHOUTING: Do you prefer it like this, sir? -Yes. -Oh, right. | 0:24:34 | 0:24:40 | |
-What about that choir? Your type of thing? -Very much so, lovely voices. | 0:24:40 | 0:24:46 | |
-Shall we let them go? -Definitely. -They get your vote? -Yes. -Marvellous. | 0:24:46 | 0:24:51 | |
-Sum that act up in one word, madam? -Melodious. | 0:24:51 | 0:24:54 | |
Thank you, Madam. Melodious. | 0:24:54 | 0:24:56 | |
Brilliant, all those acts. Let's welcome them back on stage, please. | 0:24:56 | 0:25:00 | |
Granny Tourismo, | 0:25:00 | 0:25:02 | |
Twist and Pulse, | 0:25:02 | 0:25:05 | |
the brilliant clowns - Slosh, of course, | 0:25:05 | 0:25:10 | |
and Pop Choir. | 0:25:10 | 0:25:13 | |
Yes, you'll help decide who goes free with this Clap-o-meter. | 0:25:13 | 0:25:18 | |
The more noise you make, the higher the score. | 0:25:18 | 0:25:20 | |
First, in honour of all our groovy grannies, | 0:25:20 | 0:25:23 | |
they were Granny Tourismo! | 0:25:23 | 0:25:27 | |
APPLAUSE AND CHEERING | 0:25:27 | 0:25:28 | |
Oh, yes. A good score. | 0:25:28 | 0:25:31 | |
73.7 is actually the average of their age as well, so very good. | 0:25:31 | 0:25:38 | |
Come over there, 73.7. | 0:25:38 | 0:25:41 | |
Next, two live wires. | 0:25:41 | 0:25:43 | |
They got the place twisting and pulsing. | 0:25:43 | 0:25:46 | |
They were Twist and Pulse! | 0:25:46 | 0:25:48 | |
LOUD SCREAMING | 0:25:48 | 0:25:50 | |
Wow! 90.4 for Twist and Pulse. | 0:25:54 | 0:25:59 | |
What a score! They scorch into the lead. | 0:25:59 | 0:26:03 | |
The next performing prisoners were my type of variety. | 0:26:03 | 0:26:07 | |
Let's hear it for Slosh! | 0:26:07 | 0:26:09 | |
APPLAUSE AND CHEERING | 0:26:09 | 0:26:14 | |
Sorry, lads, looks like you'll be back in your cell. Get wallpaper in. | 0:26:14 | 0:26:18 | |
But a good score, they're a good act. 72.8. | 0:26:18 | 0:26:22 | |
Next the biggest act we've ever seen in terms of numbers at The Slammer. | 0:26:22 | 0:26:26 | |
It was Pop Choir. | 0:26:26 | 0:26:29 | |
AUDIENCE SCREAMS | 0:26:29 | 0:26:33 | |
Yes! 76.7 but they haven't done enough. | 0:26:33 | 0:26:39 | |
Scorching into the lead, going free, a fantastic act, | 0:26:39 | 0:26:43 | |
Twist and Pulse, you're free to go. Off you go, lads. | 0:26:43 | 0:26:48 | |
Off you go, there they go. | 0:26:48 | 0:26:50 | |
Yes, but the good news for all of you lot is it's teatime. | 0:26:50 | 0:26:55 | |
What's for tea, Mr Burgess? | 0:26:55 | 0:26:57 | |
Sir, I'm not going to stand here and say it's sloppy, ploppy porridge. | 0:26:57 | 0:27:02 | |
-You're not? -No, I'm going to sit here and say it's sloppy, ploppy porridge. | 0:27:02 | 0:27:07 | |
Take them back to their cells to their sloppy, ploppy porridge. | 0:27:07 | 0:27:11 | |
Give them a big hand, Pop Choir, Slosh and Granny Tourismo. | 0:27:11 | 0:27:16 | |
They go back to their cells, tucked up in bed, so take care of yourselves. | 0:27:16 | 0:27:21 | |
Remember if you can't sing, dance or rhyme... | 0:27:21 | 0:27:25 | |
ALL: ..Don't do the crime! | 0:27:25 | 0:27:27 | |
Take care, everybody, bye-bye from The Slammer. | 0:27:27 | 0:27:32 | |
# It's the only way you'll ever leave The Slammer! # | 0:27:36 | 0:27:42 | |
-We'd better let them out, sir. -Do we have to, Frank? | 0:27:42 | 0:27:45 | |
I think we should, Sir. | 0:27:45 | 0:27:48 | |
LAUGHTER | 0:27:48 | 0:27:52 | |
-What the...? -Tea and crumpets? | 0:27:52 | 0:27:55 | |
Well, seeing as we're here. | 0:27:57 | 0:28:00 | |
KNUCKLES CRUNCH | 0:28:00 | 0:28:04 | |
Subtitles by Red Bee Media. | 0:28:04 | 0:28:07 |