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'Dear Mum, I'm on toilet duty again today. | 0:00:02 | 0:00:04 | |
'I do Mondays, Tuesdays, Wednesdays, Thursdays, Fridays and Saturdays. | 0:00:04 | 0:00:09 | |
'Oh yeah, and Sundays. That doesn't sound quite right. | 0:00:09 | 0:00:13 | |
'Anyway, we've got a great show coming up.' | 0:00:13 | 0:00:16 | |
MUSIC | 0:00:16 | 0:00:20 | |
CHEERING Superb! | 0:00:20 | 0:00:22 | |
'There's a funny feeling in The Slammer this week. | 0:00:22 | 0:00:25 | |
'It seems like everyone is laughing at me. I just can't work out why.' | 0:00:25 | 0:00:30 | |
LAUGHTER | 0:00:30 | 0:00:31 | |
'I'm sure I'm just imagining it. Love, Gimbert.' | 0:00:32 | 0:00:36 | |
# You've been found guilty of a howling showbiz crime | 0:00:42 | 0:00:47 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:47 | 0:00:52 | |
# With every type of minstrel, entertainer and artiste | 0:00:52 | 0:00:55 | |
# Performing to the limit to try and get released | 0:00:55 | 0:01:00 | |
# So go and fetch the audience, bring them to The Slammer | 0:01:00 | 0:01:03 | |
# And polish up your act with a bit of glitz and glamour | 0:01:03 | 0:01:09 | |
# Your fate is in their hands so make them cheer and clamour | 0:01:09 | 0:01:13 | |
# It's the only way you'll ever leave The Slammer | 0:01:13 | 0:01:17 | |
# It's the only way you'll ever leave The Slammer! # | 0:01:17 | 0:01:21 | |
-Everything ready? -All set, Sir. -OK. He's coming. | 0:01:23 | 0:01:28 | |
KNOCK AT DOOR Enter. | 0:01:28 | 0:01:30 | |
-You wanted to see me, Sir? -Yes, yes, come in. | 0:01:30 | 0:01:34 | |
Ha-ha-hoo-hoo! | 0:01:34 | 0:01:36 | |
All the acts are here. We've got Up & Over It. | 0:01:36 | 0:01:40 | |
# Americano... # | 0:01:40 | 0:01:42 | |
-Acer Capoeira -CLAPPING | 0:01:42 | 0:01:46 | |
Tumbellina. | 0:01:46 | 0:01:48 | |
And Tiernan Douieb. | 0:01:48 | 0:01:51 | |
Yes, yes. Now, Gimbert, I've always held you in the highest regard. | 0:01:51 | 0:01:57 | |
-Have you? -Yes, I have. | 0:01:57 | 0:01:59 | |
Which is why I've decided to entrust a vitally important task to you. | 0:01:59 | 0:02:05 | |
-Really? -Gimbert, I want you to personally... | 0:02:05 | 0:02:08 | |
..redecorate my office. | 0:02:08 | 0:02:10 | |
I don't know if you've noticed, but I can be a little bit clumsy. | 0:02:12 | 0:02:16 | |
No, no, no. Nonsense. Nonsense. This job has got your name all over it. | 0:02:16 | 0:02:22 | |
You go right ahead. I've got total confidence in you. | 0:02:22 | 0:02:26 | |
If you don't mind, I'll just play a little music while you work. | 0:02:26 | 0:02:30 | |
MUSIC | 0:02:30 | 0:02:32 | |
-Are you sure about this? -Yes. Go right ahead, son. | 0:02:33 | 0:02:37 | |
Hoo-hoo-hoo! | 0:02:46 | 0:02:48 | |
Ha-ha-ha! | 0:02:55 | 0:02:57 | |
That's it! You think you're so brilliant, don't you, Uncle? | 0:03:03 | 0:03:07 | |
Well, the fact is, anyone could do your job! | 0:03:07 | 0:03:12 | |
-Why, you ungrateful... -Oh, not that, Sir. | 0:03:12 | 0:03:15 | |
I stood up for you when everyone said, "Don't employ your nephew. | 0:03:15 | 0:03:20 | |
"He's an idiot." Do you know what I said? | 0:03:20 | 0:03:23 | |
I said, "You're right, he is an idiot." | 0:03:23 | 0:03:26 | |
But I employed you anyway out of the goodness of my heart | 0:03:26 | 0:03:30 | |
because you are family and family comes first. | 0:03:30 | 0:03:34 | |
And this, this is how you repay me. | 0:03:34 | 0:03:37 | |
My own flesh and blood. | 0:03:37 | 0:03:40 | |
-Marvellous, Sir. -Thank you. -Wonderful performance. | 0:03:40 | 0:03:44 | |
Gimbert, you'll be punished for this and punished severely. | 0:03:44 | 0:03:50 | |
Gimbert, I want you to clean out... | 0:03:50 | 0:03:54 | |
..the store room. | 0:03:58 | 0:04:00 | |
-Not the store room! -Yes! Y-e-e-e-s! | 0:04:01 | 0:04:04 | |
EVIL LAUGHTER | 0:04:04 | 0:04:08 | |
I wish I didn't work here. I'm wasted in this place. | 0:04:09 | 0:04:13 | |
If only there was a way where wishes could come true. | 0:04:13 | 0:04:17 | |
It would get me out of this store room, away from... | 0:04:17 | 0:04:20 | |
..old socks. | 0:04:21 | 0:04:23 | |
And bog brushes. | 0:04:26 | 0:04:27 | |
And Aladdin's lamps. | 0:04:30 | 0:04:32 | |
Aladdin's lamps? | 0:04:35 | 0:04:36 | |
Clean me, fool! | 0:04:37 | 0:04:40 | |
Eh? | 0:04:40 | 0:04:42 | |
Just rub me with your sleeve, will you? | 0:04:42 | 0:04:44 | |
HE COUGHS | 0:04:46 | 0:04:48 | |
-Are you thick, or what? -Not you as well. | 0:04:49 | 0:04:51 | |
Just make a wish, will you? And don't pick something stupid. | 0:04:51 | 0:04:56 | |
A bucket of batter bits! | 0:04:56 | 0:04:58 | |
-You can have anything you want, you dimwit. -Anything, you say? | 0:04:58 | 0:05:02 | |
I wish I was the governor. | 0:05:02 | 0:05:05 | |
That's quite a good choice, actually. | 0:05:05 | 0:05:07 | |
-KNOCK ON THE DOOR -Yes, Sir? I mean, come in. | 0:05:09 | 0:05:13 | |
The audience are coming in, Sir. | 0:05:13 | 0:05:16 | |
-Don't go. Do you mind if I ask you a question? -Not at all. | 0:05:16 | 0:05:20 | |
-Do you respect me? -Absolutely, Sir. | 0:05:20 | 0:05:23 | |
-You don't find me amusing, a laughing stock, a figure of fun? -No. | 0:05:23 | 0:05:27 | |
You have my complete devotion and admiration. | 0:05:27 | 0:05:31 | |
What about if I did this? | 0:05:31 | 0:05:32 | |
I'm sure you'd have your reasons, Sir. You are the governor after all. | 0:05:34 | 0:05:39 | |
Sir, we've got a problem. | 0:05:39 | 0:05:41 | |
Acer Capoeira wants to go on before Up & Over It | 0:05:41 | 0:05:45 | |
because Acer Capoeira has got a weak bladder. | 0:05:45 | 0:05:49 | |
But Tiernan Douieb thinks they've been put up to it by Tumbellina. | 0:05:49 | 0:05:54 | |
-Burgess, what's his name again? -Lafayette, Sir. -Really? Oh, OK. | 0:05:54 | 0:05:58 | |
Lafayette, you are a shining example | 0:05:58 | 0:06:01 | |
and I'd like to entrust you with a vitally important task. | 0:06:01 | 0:06:05 | |
-I'd like you to redecorate my office. -OK, Sir. | 0:06:05 | 0:06:09 | |
While you do it, I'd like to play a little music. | 0:06:09 | 0:06:13 | |
MUSIC:"A-Team Theme" | 0:06:13 | 0:06:16 | |
Voila! | 0:06:46 | 0:06:47 | |
-No! -You're supposed to put the bucket... | 0:06:47 | 0:06:50 | |
-Shouldn't we get on with the show? -You should be laughing at him! | 0:06:50 | 0:06:55 | |
I can if you want me to, Sir. Ha-ha-ha-ha-ha-ha! | 0:06:55 | 0:06:59 | |
-Is that the sort of thing you're after? -All right then. | 0:06:59 | 0:07:03 | |
-How do I look? -Not so good, to be honest, Sir. -All right. | 0:07:03 | 0:07:07 | |
'Ladies and gentlemen, welcome to HMP Slammer, | 0:07:23 | 0:07:27 | |
'where you decide which prisoner is to be released. | 0:07:27 | 0:07:31 | |
'Now, please welcome your host. He's all dressed in white and... | 0:07:31 | 0:07:35 | |
'What? | 0:07:35 | 0:07:38 | |
'Really? Are you sure? | 0:07:38 | 0:07:40 | |
'Well, OK, if you say so. It's the Gimbert!' | 0:07:41 | 0:07:46 | |
APPLAUSE | 0:07:46 | 0:07:49 | |
Who's the guv'nor? | 0:08:05 | 0:08:07 | |
You're supposed to say, "I'm the guv'nor". | 0:08:07 | 0:08:12 | |
-AUDIENCE: I'm the guv'nor! -No, you're supposed to say, "Me". | 0:08:12 | 0:08:16 | |
-AUDIENCE: Me! -No, not me, you! -AUDIENCE: You! -Oh, forget it. | 0:08:16 | 0:08:20 | |
-Say nothing. -AUDIENCE: Nothing! -This isn't how I thought it would be. | 0:08:20 | 0:08:25 | |
Here's the first act, Up & Over It. | 0:08:25 | 0:08:29 | |
APPLAUSE | 0:08:29 | 0:08:31 | |
MUSIC: "We No Speak Americano" by Yolanda Be Cool | 0:08:36 | 0:08:40 | |
THEY DRUM | 0:08:51 | 0:08:54 | |
CHEERING | 0:08:59 | 0:09:01 | |
APPLAUSE | 0:10:05 | 0:10:07 | |
-It's all right, I've got it. -I've got it, Uncle. | 0:10:13 | 0:10:16 | |
Wow! That was fantastic! Let's find out what you thought. | 0:10:16 | 0:10:21 | |
Up & Over It there. I was, were you? | 0:10:21 | 0:10:24 | |
-I thought it was sensational. -Why? | 0:10:24 | 0:10:27 | |
-The way they were tapping. -Tapping and drumming. -Yeah. | 0:10:27 | 0:10:33 | |
-Are you a tapper and a drummer? -No. -No? -No. | 0:10:33 | 0:10:36 | |
Sorry, mind my boots. What did you think of that? | 0:10:36 | 0:10:40 | |
I thought it was fantastic the way they were together. | 0:10:40 | 0:10:43 | |
-Do you think they had to practise for long? -Yeah. | 0:10:43 | 0:10:47 | |
-Give them marks out of 10. -I'd give them 10. | 0:10:47 | 0:10:50 | |
-What about you? -I thought it was good fun and I loved it. | 0:10:50 | 0:10:54 | |
-You think that was a swanky act? -Yeah. | 0:10:54 | 0:10:58 | |
What was the best thing about that act? | 0:10:58 | 0:11:00 | |
How they kept the rhythm by banging on the table. | 0:11:00 | 0:11:04 | |
-Do you think you could do a bit of that banging on your pad? -No. | 0:11:04 | 0:11:08 | |
-What about... -SCREAMING | 0:11:08 | 0:11:10 | |
Oh, yes, this is more like it. Right then, Up & Over It there. | 0:11:10 | 0:11:14 | |
But on to our second act here this evening. | 0:11:14 | 0:11:18 | |
Now, it's time to put your hands together for Acer Capoeira. | 0:11:18 | 0:11:23 | |
APPLAUSE | 0:11:23 | 0:11:26 | |
CAPOEIRA MUSIC | 0:11:33 | 0:11:37 | |
APPLAUSE | 0:13:07 | 0:13:10 | |
Right, Acer Capoeira there. What did you think? | 0:13:13 | 0:13:16 | |
-Let's find out, with Mr Lafayette. -Yes, Sir. That's me! | 0:13:16 | 0:13:20 | |
LAUGHTER | 0:13:20 | 0:13:21 | |
Right, I want to ask you what you thought of that act, Acer Capoeira? | 0:13:21 | 0:13:27 | |
-I can hardly say it. Can you say it? -Erm, no. -No. Thank you very much. | 0:13:27 | 0:13:32 | |
-What about you? -It was cool because of the flips and the music. | 0:13:32 | 0:13:36 | |
-The splits and music? -The flips. -I do beg your pardon. | 0:13:36 | 0:13:40 | |
-Anything else to add to that? -No. | 0:13:40 | 0:13:42 | |
What did you think about Acer Capoeira? | 0:13:42 | 0:13:45 | |
They were the best. If they don't go through, I'll break them out. | 0:13:45 | 0:13:50 | |
-You'll break them out yourself? -Yes. -Sir? | 0:13:50 | 0:13:53 | |
That was the best act I've ever seen before. It was awesomely sick. | 0:13:53 | 0:13:59 | |
-Is that sick in a get down, hip and young way? -No. | 0:13:59 | 0:14:03 | |
Not sick as in, "Oh, there's my cheese rolls!" | 0:14:03 | 0:14:06 | |
-Yes. -Yes? -No. -Yes or no, Sir? | 0:14:06 | 0:14:10 | |
-No. -No? -Yes. -Yes? | 0:14:10 | 0:14:13 | |
Listen, Sir, what's it to be? Is it yes or no, Sir? | 0:14:13 | 0:14:17 | |
-No. -No? -Yes. -Yes? | 0:14:17 | 0:14:19 | |
What about a final word to sum up that act, please, Sir? | 0:14:19 | 0:14:25 | |
-They were like... -One word please, Sir. | 0:14:25 | 0:14:29 | |
-Like zero... -That's not one word, is it? -Awesome! -Awesome, Sir. | 0:14:29 | 0:14:34 | |
Right then. Moving on in a very smart and regimental way, | 0:14:34 | 0:14:39 | |
let's get on to the part of the show we call Solitary Confinement. | 0:14:39 | 0:14:44 | |
This is where we bring out one of our prisoners to try his luck. | 0:14:45 | 0:14:49 | |
So bad at his act, | 0:14:49 | 0:14:51 | |
that we keep him locked away from the rest of the prison. | 0:14:51 | 0:14:55 | |
Now, if he does well and you like him, he gets a nice treat. | 0:14:55 | 0:14:59 | |
And today, it's a nice pair of shop-bought woollen leg warmers. | 0:14:59 | 0:15:03 | |
But if he displeases and gets the thumbs down, | 0:15:03 | 0:15:07 | |
then it's a cruel and unusual punishment | 0:15:07 | 0:15:10 | |
back in solitary confinement. | 0:15:10 | 0:15:12 | |
So, Mr Lafayette. What is today's cruel and unusual punishment? | 0:15:12 | 0:15:18 | |
Today's cruel and unusual punishment is he will be taken back | 0:15:18 | 0:15:22 | |
to solitary confinement and force fed 50 pickled eggs. | 0:15:22 | 0:15:26 | |
50 pickled eggs. Right, all we need is a judge and juror. | 0:15:26 | 0:15:31 | |
That young lady there. | 0:15:31 | 0:15:33 | |
-Give her a round of applause. -APPLAUSE | 0:15:34 | 0:15:38 | |
-Right, Miss, name? -Jodie. -Then let's get on with it. | 0:15:38 | 0:15:42 | |
Bring on today's Solitary Confinement. Off you go. | 0:15:42 | 0:15:45 | |
WESTERN MOVIE MUSIC | 0:15:54 | 0:15:56 | |
GUNSHOT | 0:16:10 | 0:16:12 | |
GUNSHOT | 0:16:14 | 0:16:15 | |
GUNSHOT | 0:16:17 | 0:16:19 | |
MULTIPLE GUNSHOTS | 0:16:21 | 0:16:24 | |
BELL CHIMES | 0:16:29 | 0:16:31 | |
Now then, Jodie, there you go. | 0:16:40 | 0:16:42 | |
Pretty horrific, I think you'll find. | 0:16:42 | 0:16:45 | |
Now, put your thumb out nice and level like that. | 0:16:45 | 0:16:49 | |
Remember, if it's thumbs up, it's nice, comfy legs. | 0:16:49 | 0:16:53 | |
If it's thumbs down, it's bunged up with eggs. | 0:16:53 | 0:16:57 | |
You've got five seconds, starting now. | 0:16:57 | 0:17:00 | |
Take them away back to solitary confinement. A wise choice, Miss. | 0:17:02 | 0:17:07 | |
If you'd like to leave now. | 0:17:07 | 0:17:09 | |
On with the show. Now, it's time for Tumbellina. | 0:17:14 | 0:17:18 | |
APPLAUSE | 0:17:20 | 0:17:22 | |
MUSIC | 0:17:22 | 0:17:25 | |
APPLAUSE | 0:19:28 | 0:19:31 | |
Let's get some comments with Mr Burgess! | 0:19:36 | 0:19:39 | |
Right, Tumbellina there, grace and elegance personified, | 0:19:39 | 0:19:43 | |
but you want to hear the noise | 0:19:43 | 0:19:45 | |
when she eats a roast potato in the prison canteen, Sir. | 0:19:45 | 0:19:48 | |
-What did you think? -Amazing, | 0:19:48 | 0:19:50 | |
really good how she did all of the flips and all those things. | 0:19:50 | 0:19:55 | |
Is that the sort of act you'd like to see? | 0:19:55 | 0:19:58 | |
-Yeah. -If she was released today, | 0:19:58 | 0:20:00 | |
you'd pay money to go and see that sort of thing? | 0:20:00 | 0:20:03 | |
-Er, maybe. -Maybe. Not too sure. | 0:20:03 | 0:20:07 | |
That was brilliant! What did you think? | 0:20:07 | 0:20:10 | |
It's amazing, because of the balances. | 0:20:10 | 0:20:12 | |
-What mark would you give out of ten? -Ten. | 0:20:12 | 0:20:15 | |
-Madam? -I thought it was awesome, very mystical and fluent. | 0:20:15 | 0:20:20 | |
Was it very pretty, miss? Just like you? | 0:20:20 | 0:20:23 | |
LAUGHTER | 0:20:23 | 0:20:25 | |
Should they be released from The Slammer? And why? | 0:20:25 | 0:20:29 | |
I think they should, because their dance is amazing and really elegant. | 0:20:29 | 0:20:34 | |
And one final word from Mr Burgess. | 0:20:34 | 0:20:37 | |
-Miss? -Spectacular. -Spectacular, Sir! | 0:20:37 | 0:20:40 | |
That feels better. I'm back! Who's the guv'nor? | 0:20:44 | 0:20:47 | |
ALL: You're the guv'nor! | 0:20:47 | 0:20:49 | |
I am, my little jailers and jailbirds, | 0:20:49 | 0:20:52 | |
and we've one more performing prisoner act to see. | 0:20:52 | 0:20:56 | |
It's Tiernan Douieb! | 0:20:56 | 0:20:58 | |
CHEERING AND APPLAUSE | 0:20:58 | 0:21:01 | |
Hello, hello, hello, and to any cows in the audience, | 0:21:05 | 0:21:08 | |
good moo-ning. | 0:21:08 | 0:21:10 | |
-Are you up for some rubbish art? -YES! -Superb. | 0:21:10 | 0:21:14 | |
OK, let's start with a little portrait. | 0:21:14 | 0:21:17 | |
You, this lady here, what's your name? | 0:21:17 | 0:21:19 | |
-Zora. -Zora! What an awesome name, Zora. | 0:21:19 | 0:21:23 | |
You look very familiar, Zora. I'm not really sure why. | 0:21:23 | 0:21:27 | |
Let me have a look at you. | 0:21:27 | 0:21:29 | |
Actually, Zora, I think that you remind me | 0:21:29 | 0:21:32 | |
of the little girl I saw today who was picking her nose and eating it. | 0:21:32 | 0:21:36 | |
Yeah! Disgusting, isn't it? I went up to her and said, | 0:21:36 | 0:21:40 | |
"When your mum told you to eat your greens, that's not what she meant." | 0:21:40 | 0:21:45 | |
So, you've got sort of hair here. You've got a very small nose, Zora. | 0:21:45 | 0:21:50 | |
Can you only smell very small things, like mouse trumps? | 0:21:50 | 0:21:54 | |
A girlie pigtail there and another one here, | 0:21:55 | 0:21:58 | |
and that's sort of a really rubbish drawing of your face! | 0:21:58 | 0:22:03 | |
Yay, it's a rubbish portrait! | 0:22:03 | 0:22:05 | |
But here, ladies and gentlemen, is the magic of art. | 0:22:05 | 0:22:09 | |
That's your dad! | 0:22:11 | 0:22:12 | |
Yay! Right, what's it going to be? What is it? | 0:22:12 | 0:22:17 | |
What is it? What is it? What is it? | 0:22:17 | 0:22:20 | |
SHOUTS FROM AUDIENCE | 0:22:20 | 0:22:22 | |
What's it going to be? No, no, what's it going to be? | 0:22:22 | 0:22:25 | |
What is it? What is it? What is it? | 0:22:25 | 0:22:28 | |
What is it? What is it? I don't know. What is that? | 0:22:28 | 0:22:34 | |
No, really, what is it? | 0:22:34 | 0:22:36 | |
Oh, no! Oh, no! | 0:22:36 | 0:22:39 | |
SHOUTING | 0:22:39 | 0:22:40 | |
I don't know! I don't know, I have no idea. | 0:22:40 | 0:22:44 | |
I saw it earlier. It terrified me. I thought you were going to help me. | 0:22:44 | 0:22:49 | |
-Final portrait. What's your name? -Jordan. | 0:22:49 | 0:22:52 | |
Nice to meet you. We'll do a quick portrait of you. | 0:22:52 | 0:22:55 | |
Let me see your face. Ah...hm... | 0:22:55 | 0:22:58 | |
LAUGHTER | 0:23:00 | 0:23:01 | |
Let's just see your face. | 0:23:01 | 0:23:04 | |
Er...hm...and... | 0:23:04 | 0:23:06 | |
I'm just trying to get the face right. Er, let's see.... | 0:23:10 | 0:23:17 | |
It's you disguised as a penguin! | 0:23:17 | 0:23:19 | |
You are very good at that. You'd be brilliant in the Arctic. | 0:23:19 | 0:23:23 | |
I've been Tiernan Douieb. Thank you. CHEERING AND APPLAUSE | 0:23:23 | 0:23:27 | |
Oh, yeah! Give him a big cheer! | 0:23:27 | 0:23:31 | |
Tiernan Douieb. What a marvellous artist, as well. | 0:23:31 | 0:23:34 | |
Is he going free from the "pen" | 0:23:34 | 0:23:37 | |
or is he going to stay in with his cray-in? | 0:23:37 | 0:23:40 | |
Let's find out with Mr Burgess. | 0:23:40 | 0:23:42 | |
Let's leap straight in here. Would you consider that a waste of paper? | 0:23:42 | 0:23:47 | |
-Stupid! -Stupid? -Yeah. -Why, Sir? | 0:23:47 | 0:23:50 | |
Cos he done nothing. | 0:23:50 | 0:23:52 | |
What was it he done nothing about, Sir? | 0:23:52 | 0:23:55 | |
Erm... Shot your mouth off there, haven't you, Sir, eh? | 0:23:55 | 0:23:59 | |
Did you like Tiernan Douieb? | 0:23:59 | 0:24:01 | |
Erm, well, he was quite good, | 0:24:01 | 0:24:03 | |
but he needs more practice at drawing his cartoon pictures. | 0:24:03 | 0:24:07 | |
What score have you given him? | 0:24:07 | 0:24:10 | |
-One out of ten. -One out of ten?! -For his jokes. | 0:24:10 | 0:24:13 | |
-What did you think of that comedian? -I think he was quite funny | 0:24:13 | 0:24:17 | |
-and the drawings are weird. -Has he done enough to be released? -Yeah. | 0:24:17 | 0:24:22 | |
-A score out of ten for Tiernan Douieb? -Eight. -Eight. | 0:24:22 | 0:24:24 | |
For one final word to sum that act up, | 0:24:24 | 0:24:27 | |
I'm going to this young lady here. | 0:24:27 | 0:24:30 | |
-Coo-coo. -Coo-coo, Sir. Lovely! | 0:24:30 | 0:24:34 | |
Well, marvellous. Four performing prisoners, but only one can go free. | 0:24:34 | 0:24:39 | |
Let's welcome them all back. Up & Over It, come on! | 0:24:39 | 0:24:42 | |
Acer Capoeria! Tumbellina! And Tiernan Douieb! | 0:24:42 | 0:24:47 | |
Come on, jailers and jailbirds! Yes! My word! | 0:24:47 | 0:24:51 | |
One act will go free by using this device, | 0:24:51 | 0:24:54 | |
Gimbert's all-patented Clap-o-meter. | 0:24:54 | 0:24:58 | |
The more noise you make, the more points they get, | 0:24:58 | 0:25:01 | |
and then one act will go free. | 0:25:01 | 0:25:03 | |
Well, first, they were splendid, | 0:25:03 | 0:25:05 | |
they were different. Dancing with your hands! | 0:25:05 | 0:25:08 | |
Put YOUR hands together for Up & Over It! | 0:25:08 | 0:25:11 | |
CHEERING AND APPLAUSE | 0:25:11 | 0:25:14 | |
Wow! Yeah! | 0:25:14 | 0:25:19 | |
A great score of 92.3 for Up & Over It. That's brilliant. | 0:25:19 | 0:25:24 | |
The next prisoners, will they be going free? | 0:25:24 | 0:25:27 | |
There's lots of them. Unusual rhythm, dancing, | 0:25:27 | 0:25:31 | |
even fighting at one stage! Acer Capoeria! | 0:25:31 | 0:25:33 | |
CHEERING AND APPLAUSE | 0:25:33 | 0:25:36 | |
Woah! | 0:25:40 | 0:25:42 | |
Oh, there we are. Oh, 91.3! Not quite. A great score. | 0:25:42 | 0:25:47 | |
The nineties is tremendous, but it means that Up & Over It | 0:25:47 | 0:25:50 | |
are in lead position at the moment just by the one point. | 0:25:50 | 0:25:54 | |
Next, of course, we had a beautiful act, like little fairies in a jar. | 0:25:54 | 0:25:59 | |
They were the extraordinary Tumbellina! | 0:25:59 | 0:26:03 | |
CHEERING AND APPLAUSE | 0:26:03 | 0:26:06 | |
Oh! I don't believe it, also in the nineties! 90.4! | 0:26:09 | 0:26:13 | |
But they're not going free. | 0:26:13 | 0:26:15 | |
Three in the nineties. Isn't that brilliant? | 0:26:15 | 0:26:18 | |
Well, at the moment it's Up & Over It | 0:26:18 | 0:26:21 | |
who could be going up and over that wall. | 0:26:21 | 0:26:24 | |
One more to show your appreciation for. | 0:26:24 | 0:26:26 | |
He was funny, he was artistic. He was Tiernan Douieb! | 0:26:26 | 0:26:30 | |
CHEERING AND APPLAUSE | 0:26:30 | 0:26:33 | |
Wow! At the very end, I think he's nicked it. | 0:26:37 | 0:26:40 | |
He has! Going free with 93.2, it's Tiernan Douieb! | 0:26:40 | 0:26:45 | |
You're free to go. You're free to go. | 0:26:45 | 0:26:49 | |
That's good news for Tiernan Douieb. | 0:26:52 | 0:26:54 | |
The others, there is some good news. They get to stay for our tea. | 0:26:54 | 0:26:58 | |
Mr Burgess, tell me, what's for tea? | 0:26:58 | 0:27:01 | |
We've had one of these celebrity chefs in the kitchen today. | 0:27:01 | 0:27:05 | |
-Jamie Oliver. -Jamie Oliver?! | 0:27:05 | 0:27:07 | |
-Oh, you want to see what he's done. -What has he done? | 0:27:07 | 0:27:10 | |
-Sloppy-ploppy porridge, Sir. -Ohhh! | 0:27:10 | 0:27:13 | |
Take them back for sloppy-ploppy porridge. | 0:27:13 | 0:27:15 | |
Give them a big round of applause, jailers and jailbirds, please. | 0:27:15 | 0:27:20 | |
Up & Over It and Tumbellina. That's it from us. | 0:27:20 | 0:27:23 | |
See you soon. Bye, everybody! | 0:27:23 | 0:27:25 | |
Bye! CHEERING AND APPLAUSE | 0:27:25 | 0:27:28 | |
# It's the only way you'll ever leave the Slammer! # | 0:27:30 | 0:27:35 | |
So, Gimbert, you think you're unappreciated, do you, | 0:27:37 | 0:27:40 | |
not given enough responsibility? | 0:27:40 | 0:27:43 | |
Well, yes, since you ask. | 0:27:43 | 0:27:44 | |
OK, then. | 0:27:44 | 0:27:46 | |
I'm going to let you decide what we do with our final wish. | 0:27:49 | 0:27:53 | |
-Do you think that's wise, sir? -He wants to be taken seriously. | 0:27:53 | 0:27:57 | |
I wish for a new gym for the prison, | 0:27:57 | 0:28:01 | |
larger cells, a new office for the governor | 0:28:01 | 0:28:05 | |
and a revamped security system. | 0:28:05 | 0:28:07 | |
All made of cheese! | 0:28:07 | 0:28:09 | |
-NO! -NO! | 0:28:09 | 0:28:12 | |
E-mail subtitling@bbc.co.uk | 0:28:12 | 0:28:14 |