Browse content similar to Drama-Rama. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Feel this. | 0:00:03 | 0:00:04 | |
Still warm - hot off the press. | 0:00:04 | 0:00:06 | |
-Take a whiff. -Why would I want to take a whiff? | 0:00:06 | 0:00:08 | |
It smells like...paper! | 0:00:08 | 0:00:10 | |
And ink. | 0:00:10 | 0:00:11 | |
You hold in your eager hands my latest play. | 0:00:11 | 0:00:14 | |
The Sour Milkman. | 0:00:14 | 0:00:15 | |
It's 1950, a heat wave grips the city. | 0:00:15 | 0:00:19 | |
A struggling milkman and his wife try to cope with life, love and milk. | 0:00:19 | 0:00:23 | |
Well, I hope it's not a milk dud. Ha! | 0:00:23 | 0:00:26 | |
Milk comedy, hilarious(!) | 0:00:26 | 0:00:27 | |
I'm holding auditions and you two should try out. | 0:00:27 | 0:00:30 | |
You getting the lead in this could help your popularity | 0:00:30 | 0:00:33 | |
and possibly get me my wings. | 0:00:33 | 0:00:35 | |
I don't know, Jane's plays are usually G rated. | 0:00:35 | 0:00:38 | |
Hmm, Maybe this will tempt you. | 0:00:38 | 0:00:40 | |
At the end the milkman and his wife share a hot kiss. | 0:00:40 | 0:00:42 | |
-Yeah, but who'd play the wife? -Who do you think? | 0:00:42 | 0:00:45 | |
You mean I'd get to kiss Britney? | 0:00:48 | 0:00:50 | |
I like the way you think, Porter, count me in. | 0:00:50 | 0:00:52 | |
# Let's give it one more shot | 0:00:56 | 0:01:00 | |
# Let's give it everything we've got | 0:01:00 | 0:01:03 | |
# Cos if we get it right | 0:01:03 | 0:01:06 | |
# We will surely conquer the world | 0:01:06 | 0:01:09 | |
# Hey! I've got my wings | 0:01:11 | 0:01:13 | |
# From an angel | 0:01:13 | 0:01:14 | |
# Now we're wingin' it all the time | 0:01:14 | 0:01:18 | |
# I'm giving wings to an angel | 0:01:18 | 0:01:21 | |
# Always an angel | 0:01:21 | 0:01:24 | |
# Now we've got to learn to fly. # | 0:01:24 | 0:01:28 | |
I just don't get it, Dr Cassabi. | 0:01:32 | 0:01:34 | |
Your supervisor's coming to evaluate you and you don't care. | 0:01:34 | 0:01:37 | |
Well, my supervisor happens to be my old angel college roommate Henry. | 0:01:37 | 0:01:41 | |
Or as he was known back then, Shades! | 0:01:41 | 0:01:44 | |
-Shades! -Back then I was known as The Steamboat. | 0:01:44 | 0:01:48 | |
I can see why. | 0:01:48 | 0:01:50 | |
Why's that? | 0:01:50 | 0:01:51 | |
Er... | 0:01:51 | 0:01:53 | |
Oh, all right, I know why! | 0:01:53 | 0:01:54 | |
But believe it or not, I was slim back then. | 0:01:54 | 0:01:56 | |
The name was ironic. | 0:01:56 | 0:01:58 | |
-Ironic! -I just came by to let you know | 0:01:58 | 0:02:00 | |
I've got a plan cooking to make Carl the star of Jane's play. | 0:02:00 | 0:02:03 | |
That sounds fantastic, Porter, now you'd better go, | 0:02:03 | 0:02:06 | |
this could get a little bawdy. | 0:02:06 | 0:02:07 | |
Whatever you say, Dr! | 0:02:07 | 0:02:08 | |
OK, Dennis. | 0:02:08 | 0:02:10 | |
-Henry is going to be here at the count of three. -OK. | 0:02:10 | 0:02:14 | |
One, and a two... | 0:02:14 | 0:02:15 | |
And a one, two, three! | 0:02:15 | 0:02:16 | |
# Lots of halos, lots of wings | 0:02:16 | 0:02:19 | |
# Angel you has lots of things... # | 0:02:19 | 0:02:23 | |
Shades. | 0:02:27 | 0:02:28 | |
-You're not Shades! -No, I'm Mildred Stern, | 0:02:28 | 0:02:30 | |
Henry has the angel flu. I'll be supervising your review. | 0:02:30 | 0:02:34 | |
-Uh-oh. -Dennis, could you excuse us, please? | 0:02:34 | 0:02:37 | |
Oh, so you want me to...beat it? | 0:02:37 | 0:02:39 | |
DRUMROLL | 0:02:39 | 0:02:41 | |
-Amusing. -Dennis! | 0:02:41 | 0:02:42 | |
OK! | 0:02:42 | 0:02:44 | |
-We haven't had the pleasure of meeting before. -Actually, | 0:02:44 | 0:02:47 | |
I went to college with you, Steamboat. | 0:02:47 | 0:02:49 | |
Though you might not remember me because back then | 0:02:49 | 0:02:52 | |
you and your friends nicknamed me Mildew Stinks. | 0:02:52 | 0:02:55 | |
LAUGHS NERVOUSLY | 0:02:55 | 0:02:56 | |
Well you smell great now, Mildew. | 0:02:56 | 0:03:00 | |
-Mildred. Ms Stinks... Stern! -Stop talking! | 0:03:00 | 0:03:03 | |
Steamboat. | 0:03:03 | 0:03:05 | |
I don't get why we're both auditioning. | 0:03:05 | 0:03:07 | |
I can't compete against an angel. | 0:03:07 | 0:03:09 | |
You can when it comes to acting. | 0:03:09 | 0:03:10 | |
What about your impersonation of Alex? | 0:03:10 | 0:03:13 | |
See if you can guess who this is. | 0:03:13 | 0:03:14 | |
"Hey, does this look infected?" | 0:03:14 | 0:03:17 | |
Good Porter impression. | 0:03:17 | 0:03:18 | |
By the way, does this look infected? | 0:03:18 | 0:03:21 | |
I'm only auditioning cos Jane asked me to. I'll never get the part. | 0:03:21 | 0:03:25 | |
This uniform should help you get into character. | 0:03:25 | 0:03:28 | |
-Think my chances just went up two percent. -Is that milk comedy? | 0:03:28 | 0:03:31 | |
Yeah, percentages of milk - one percent, two... | 0:03:31 | 0:03:34 | |
Porter, are you auditioning? | 0:03:34 | 0:03:35 | |
-Yeah, so's Carl. -I didn't know there was an elf in the play. | 0:03:35 | 0:03:38 | |
Good luck, Porter. | 0:03:40 | 0:03:41 | |
-Save that for later. -Come here for a second. | 0:03:43 | 0:03:45 | |
Never, ever grab a kiss out of the air. | 0:03:45 | 0:03:48 | |
It's not cool - never has been and never will be. | 0:03:48 | 0:03:50 | |
Perfect. If Porter gets cast as the milkman, then I'll get to kiss him. | 0:03:50 | 0:03:54 | |
I can see our celebrity couple name now - | 0:03:54 | 0:03:56 | |
Porter, Britney - Portney. | 0:03:56 | 0:03:58 | |
Or how about Britter? | 0:03:58 | 0:04:00 | |
BOTH: Ooh! | 0:04:00 | 0:04:02 | |
Listen, Ethel, I figured out... | 0:04:02 | 0:04:04 | |
Alex, could you lower the script so I can see your face? | 0:04:04 | 0:04:07 | |
-Listen, Ethel, I figured out... -Alex, | 0:04:09 | 0:04:11 | |
this is worse. Could you hold the script somewhere in between? | 0:04:11 | 0:04:15 | |
Tell me when... | 0:04:18 | 0:04:19 | |
I don't need to audition. My recent commercial work speaks for itself. | 0:04:22 | 0:04:26 | |
Need furniture but got no money? | 0:04:28 | 0:04:30 | |
Come on down to Garreth Swan's Furniture Shack | 0:04:30 | 0:04:32 | |
where we accept whatev's your best offer. | 0:04:32 | 0:04:35 | |
We have dining sets starting at | 0:04:35 | 0:04:38 | |
whatev's your best offer! | 0:04:38 | 0:04:39 | |
We also have Chesterfields starting at whatev's your best offer! | 0:04:39 | 0:04:43 | |
It's Garreth Swan's Furniture Shack, so head on down! | 0:04:43 | 0:04:50 | |
So, whenever you're ready. | 0:04:50 | 0:04:52 | |
Listen, Ethel, I figured out why we named our galaxy the Milky Way. | 0:04:52 | 0:04:57 | |
Our world, our society, our relationships, | 0:04:57 | 0:05:00 | |
have been formed by this dairy product. | 0:05:00 | 0:05:02 | |
Next time someone says, "You've got a milk moustache," | 0:05:02 | 0:05:05 | |
I'll say, "I know I do. Why don't you?" | 0:05:05 | 0:05:09 | |
Thanks, Carl, that was great. | 0:05:09 | 0:05:10 | |
If you want me to do it differently, I can. | 0:05:10 | 0:05:13 | |
Faster, slower, sadder, Scottish... | 0:05:13 | 0:05:15 | |
-BAD SCOTTISH ACCENT: -I know I do. Why don't you? | 0:05:15 | 0:05:18 | |
I've got to motor on through these auditions. | 0:05:18 | 0:05:21 | |
All right, should I start from, "Listen, Ethel"? | 0:05:21 | 0:05:24 | |
-Actually, I think I've heard enough. Thanks, Porter. -Uh... OK, then. | 0:05:24 | 0:05:30 | |
Sweet! I'm the fishmonger - I have a whole line! | 0:05:32 | 0:05:34 | |
I'm the landlord! | 0:05:34 | 0:05:36 | |
"If your rent is late, so help me, you will pay." | 0:05:36 | 0:05:38 | |
But I live with my mom. | 0:05:38 | 0:05:39 | |
Fishmonger lives with his mom?! | 0:05:39 | 0:05:41 | |
You should have seen my audition, I'm a shoo-in for the milkman. | 0:05:41 | 0:05:44 | |
That's weird, I'm the milkman. | 0:05:44 | 0:05:47 | |
Oh, hey, Jane, uh... | 0:05:48 | 0:05:50 | |
my name's not on the list. | 0:05:50 | 0:05:52 | |
Ah, Carl, about that, um... | 0:05:52 | 0:05:55 | |
First, let me just say you were the best actor I saw. | 0:05:55 | 0:05:57 | |
Thank you... | 0:05:57 | 0:05:59 | |
But I want people to come see The Sour Milkman, so... | 0:05:59 | 0:06:02 | |
I need star power. I've got to give people what they want to see - | 0:06:02 | 0:06:05 | |
Porter kissing Britney. | 0:06:05 | 0:06:07 | |
Hi, Porter. OMG, Jane, I am SO excited to play Ethel. | 0:06:07 | 0:06:13 | |
But do you think we could change her name to Sapphire? | 0:06:13 | 0:06:16 | |
Don't answer right away - just think about it. | 0:06:16 | 0:06:19 | |
Have you thought about it yet? | 0:06:20 | 0:06:22 | |
That's fantastic, Porter(!) Now you get to kiss Britney. | 0:06:22 | 0:06:25 | |
Hey, don't hate the player, hate the play. | 0:06:25 | 0:06:28 | |
Sweet! I got the role of the fishmonger. | 0:06:28 | 0:06:30 | |
But I got one question - what's a fishmonger? | 0:06:30 | 0:06:33 | |
Carl, I'm really sorry I didn't cast you in my play, | 0:06:37 | 0:06:40 | |
but I had to cast two lead actors that had, well, "It". | 0:06:40 | 0:06:43 | |
I have It, I AM It. Whenever we used to play tag I'd always be It. | 0:06:43 | 0:06:47 | |
I figured since you're one of my best friends, | 0:06:47 | 0:06:49 | |
I could be honest with you. Hope that's OK. | 0:06:49 | 0:06:51 | |
It's just I really wanted to be in The Sour Milkman. | 0:06:51 | 0:06:54 | |
Could Carl be my understudy? I could use the help studying my lines. | 0:06:54 | 0:06:57 | |
Done. | 0:06:57 | 0:06:59 | |
All right, well, class starts in five minutes. | 0:07:00 | 0:07:03 | |
-Chubby Bunny? -You know me too well, Porter. | 0:07:03 | 0:07:06 | |
This is where the students eat. | 0:07:08 | 0:07:10 | |
Now I'll show you where we teachers lounge. | 0:07:10 | 0:07:13 | |
Steer clear of the decaf... | 0:07:13 | 0:07:15 | |
Dr Cassabi, a school tour has little relevance to your works. | 0:07:15 | 0:07:18 | |
Of course, I was just... | 0:07:18 | 0:07:20 | |
After Porter's "tornado" incident, you did give him a punishment? | 0:07:20 | 0:07:24 | |
Uh... Please! I'm a professional... | 0:07:24 | 0:07:27 | |
What was I supposed to be mad at you about again? | 0:07:27 | 0:07:30 | |
Uh, it was, uh... | 0:07:30 | 0:07:31 | |
-Ah, it doesn't matter. You got any 2s? -Go fish. | 0:07:31 | 0:07:35 | |
My cover as guidance counsellor | 0:07:35 | 0:07:36 | |
allows me to observe my angel-in-training | 0:07:36 | 0:07:39 | |
-with unparalleled ease. -Really. | 0:07:39 | 0:07:40 | |
Sounds like an excuse to meddle and do the AIT's work for him. | 0:07:40 | 0:07:44 | |
No, no, I assure you Porter Jackson | 0:07:44 | 0:07:45 | |
can handle his own daily complications just fine. | 0:07:45 | 0:07:48 | |
As far as I'm concerned, they hand out wings too freely. | 0:07:48 | 0:07:51 | |
I intend to put a stop to it. | 0:07:51 | 0:07:52 | |
MUFFLED CRIES OF "CHUBBY BUNNY" | 0:07:52 | 0:07:54 | |
Playing Chubby Bunny is hardly wing-worthy behaviour. | 0:07:56 | 0:08:00 | |
I'll put a stop to this right now. | 0:08:00 | 0:08:01 | |
Meddling, Dr Cassabi, hm? | 0:08:01 | 0:08:03 | |
-No, just, uh... -Really? -..a little callisthenics... | 0:08:03 | 0:08:06 | |
-Cos you were walking. -Stretch the calves... -I saw you. | 0:08:06 | 0:08:09 | |
-Why don't we look at the new science wing? -Fine. | 0:08:09 | 0:08:11 | |
It's this way, I'll follow you. | 0:08:11 | 0:08:13 | |
Now, people, this is going to be a lot of hard work, | 0:08:14 | 0:08:17 | |
but in the end, it'll be worth it. | 0:08:17 | 0:08:19 | |
Because we will have made art. So let's break a leg. | 0:08:19 | 0:08:23 | |
At last, Oliver, you're free. | 0:08:23 | 0:08:25 | |
-You're the milkman that I fell in love with. -Stop! | 0:08:25 | 0:08:29 | |
Let's take it again from the top. | 0:08:30 | 0:08:32 | |
But we didn't do the kiss. It says in the script... | 0:08:32 | 0:08:34 | |
We've got bigger stuff to work on, Britney. Like that monologue. | 0:08:34 | 0:08:38 | |
It's the heart of the play, Britney. | 0:08:38 | 0:08:39 | |
And the kiss is the... lips of the play...? | 0:08:39 | 0:08:42 | |
But if we don't practise the kiss | 0:08:42 | 0:08:44 | |
it's not going to look real on stage. | 0:08:44 | 0:08:46 | |
Yeah, but... | 0:08:46 | 0:08:47 | |
you don't want to wear your lips out before opening night. | 0:08:47 | 0:08:50 | |
Think of that? That's why I'm the director and you're the housewife. | 0:08:50 | 0:08:54 | |
Which you're nailing, by the way. Once again! | 0:08:54 | 0:08:56 | |
From the top. | 0:08:56 | 0:08:58 | |
OK, Alex. Porter and Britney kiss, | 0:09:00 | 0:09:02 | |
then you enter and say, "Fish for sale," | 0:09:02 | 0:09:04 | |
and then you exit again. | 0:09:04 | 0:09:06 | |
Let's try it. | 0:09:06 | 0:09:07 | |
And...action! | 0:09:09 | 0:09:12 | |
Sale for fish! Fresh sale for fish! | 0:09:13 | 0:09:16 | |
No, it's, "Fish for sale." | 0:09:16 | 0:09:17 | |
Got it. | 0:09:17 | 0:09:19 | |
For sale, fish! | 0:09:20 | 0:09:22 | |
Not quite right. The line is, "Fish for sale". Let's try it again. | 0:09:22 | 0:09:26 | |
'Fish for sale!' | 0:09:29 | 0:09:30 | |
Come in, Alex. | 0:09:30 | 0:09:31 | |
Sale for fish! Fresh sale for fish! | 0:09:31 | 0:09:35 | |
For sale, fish! | 0:09:35 | 0:09:36 | |
Sale... | 0:09:36 | 0:09:39 | |
Fish sale for! | 0:09:39 | 0:09:41 | |
"Fish sale for"? What does that even mean? | 0:09:41 | 0:09:44 | |
I don't know, I didn't write this play. | 0:09:44 | 0:09:46 | |
Oliver, there's a heat wave on. | 0:09:48 | 0:09:50 | |
Nobody wants hot coffee and they certainly don't want cream. | 0:09:50 | 0:09:54 | |
All you ever do is crowd me, Ethel, and, uh... | 0:09:54 | 0:09:56 | |
What's my line? | 0:09:58 | 0:09:59 | |
"All you ever do is shout at me, Ethel, | 0:09:59 | 0:10:02 | |
"like a ringmaster at the crazy big top that is my mess of a life." | 0:10:02 | 0:10:06 | |
I don't get it. Why don't you just use your angel magic | 0:10:06 | 0:10:09 | |
and memorise the script? | 0:10:09 | 0:10:10 | |
If I zapped the words into my head, I wouldn't know what they meant. | 0:10:10 | 0:10:13 | |
Or what makes Oliver tick. | 0:10:13 | 0:10:15 | |
What's to understand? | 0:10:15 | 0:10:16 | |
The man is stuck delivering milk in a heat wave | 0:10:16 | 0:10:19 | |
while his wife Ethel slowly loses it | 0:10:19 | 0:10:21 | |
and nobody appreciates how he keeps the city together | 0:10:21 | 0:10:23 | |
by delivering their dairy. | 0:10:23 | 0:10:25 | |
Wow. You really nailed his character, Carl. | 0:10:25 | 0:10:28 | |
Would you sweep the floor? I need it free of dust for opening night. | 0:10:28 | 0:10:31 | |
Sure, I was planning on mopping up after tonight's rehearsal. | 0:10:31 | 0:10:35 | |
I'm going to sweep and, you, learn your lines. | 0:10:37 | 0:10:40 | |
Ms Stern, I guarantee what you're about to see | 0:10:46 | 0:10:49 | |
is going to impress you. | 0:10:49 | 0:10:50 | |
Look at those girls fawning over Porter. | 0:10:50 | 0:10:53 | |
Fawning? I'd say more like doting. | 0:10:53 | 0:10:55 | |
Porter is meant to be helping CARL | 0:10:55 | 0:10:57 | |
become the most popular student in school. | 0:10:57 | 0:10:59 | |
Oh, yes, you've impressed me, Dr Cassabi. | 0:10:59 | 0:11:02 | |
Impressed me with your incompetence. | 0:11:02 | 0:11:04 | |
Well, my mom and Becky are here. | 0:11:10 | 0:11:12 | |
Hope Becky doesn't heckle Porter like she heckles me. | 0:11:12 | 0:11:15 | |
Stop fussing, Jane! | 0:11:15 | 0:11:18 | |
I look amazing. | 0:11:18 | 0:11:19 | |
Great! Everyone's great. | 0:11:19 | 0:11:22 | |
Now all we need is our leading man. | 0:11:22 | 0:11:23 | |
Speaking of which... Carl, have you seen Porter? | 0:11:23 | 0:11:26 | |
-What the...? -Porter! | 0:11:28 | 0:11:29 | |
You're supposed to break a leg, not break a leg! | 0:11:29 | 0:11:33 | |
What am I supposed to do now? | 0:11:33 | 0:11:34 | |
Sorry, Jane, I guess there's only one thing you can do. | 0:11:34 | 0:11:37 | |
Sub-in Carl. | 0:11:37 | 0:11:38 | |
-What?! -All right, understudy, you're up. | 0:11:39 | 0:11:41 | |
No, no, no, no, no. | 0:11:41 | 0:11:42 | |
What happened to star power? | 0:11:42 | 0:11:44 | |
I'm sorry, I should have picked you in the first place. | 0:11:44 | 0:11:47 | |
You were the best audition. Come on, Carl, please? | 0:11:47 | 0:11:50 | |
-All right. -Great. | 0:11:50 | 0:11:53 | |
Into the milkman suit. You're Oliver now. | 0:11:53 | 0:11:55 | |
Suddenly it just got really hot in here. | 0:11:55 | 0:11:58 | |
Look at you getting into character already! | 0:11:58 | 0:12:01 | |
Angels can't break their legs. | 0:12:04 | 0:12:06 | |
You did that on purpose! | 0:12:06 | 0:12:08 | |
All that nonsense about, | 0:12:08 | 0:12:09 | |
"Ooh, I want to know how Oliver feels." | 0:12:09 | 0:12:11 | |
You're the best actor. | 0:12:11 | 0:12:13 | |
I can't act like I'm not suffering stage fright. | 0:12:13 | 0:12:15 | |
Can't you use your magic to take it away? | 0:12:15 | 0:12:18 | |
It's against angel rules. I can help you in a different way. | 0:12:18 | 0:12:21 | |
-MAGICAL WHIRRING -Meet William Shakespeare. | 0:12:21 | 0:12:24 | |
Oh, it's a pleasure, Mr Shakespeare. | 0:12:24 | 0:12:26 | |
Ah! Porter, I knew it had to be or not to be you! | 0:12:26 | 0:12:31 | |
That is the question. Isn't it? | 0:12:31 | 0:12:33 | |
Carl's worried about being in a play. Can you give him a pep talk? | 0:12:33 | 0:12:36 | |
You have to be like that fella in the play that I wrote. | 0:12:36 | 0:12:39 | |
You know... What was it called? Erm... | 0:12:39 | 0:12:42 | |
The...the one with the... IMITATES SWORD FIGHTING | 0:12:42 | 0:12:45 | |
-Sword?! -Eg... MAN ROARS WHEN HIT BY IMAGINARY SWORD | 0:12:45 | 0:12:48 | |
That's pretty much all of them. Othello? | 0:12:48 | 0:12:50 | |
-No! -Hamlet?! | 0:12:50 | 0:12:52 | |
Yes! Bingo, that's the one! When things are bad, | 0:12:52 | 0:12:55 | |
you have to be... HE PANTS | 0:12:55 | 0:12:57 | |
A gorilla! | 0:12:57 | 0:12:58 | |
-No! -No, no, confident! I've to be confident. -Yes! | 0:12:58 | 0:13:01 | |
-That's right! -How am I supposed to be confident if I suck?! | 0:13:01 | 0:13:04 | |
Well, when you fall off the... HORSES GALLOP | 0:13:04 | 0:13:07 | |
-You know...clip, clop. Clip, clop. -A horse! -Yes! | 0:13:07 | 0:13:11 | |
You have to... HORSE NEIGHS | 0:13:11 | 0:13:13 | |
-Get right back on? -Exactly! -Wow! You bring me William Shakespeare | 0:13:13 | 0:13:17 | |
and we end up playing charades! | 0:13:17 | 0:13:19 | |
I'm sorry, but I'm only good at the... SQUEAKING | 0:13:19 | 0:13:22 | |
-Polishing. -No. | 0:13:22 | 0:13:24 | |
-Washing? -No! -Writing! | 0:13:24 | 0:13:25 | |
Yes! Writing! Well, glad that I could be of... | 0:13:25 | 0:13:31 | |
HE SIGHS | 0:13:31 | 0:13:32 | |
-Help? -Yes! -Thanks, Bill. | 0:13:32 | 0:13:35 | |
-You're a big help. -MAGICAL WHIRRING | 0:13:35 | 0:13:37 | |
Everyone get to their places. Two minutes to curtain! | 0:13:37 | 0:13:41 | |
-CARL GASPS -Hey, break a leg! | 0:13:41 | 0:13:43 | |
What is that? Angel comedy? | 0:13:43 | 0:13:45 | |
You haven't changed since college. You're still the steamboat, | 0:13:45 | 0:13:48 | |
-more concerned with being cool than working. -Cool? I've never been cool! | 0:13:48 | 0:13:52 | |
There was one time when Henry Shades loaned me his shades and he... Hi. | 0:13:52 | 0:13:55 | |
-..I felt pretty cool. -And you're passing on your bad habits to Porter. | 0:13:55 | 0:13:59 | |
Well Carl is about to star in this play, thanks to Porter! | 0:13:59 | 0:14:02 | |
Too little too late! | 0:14:02 | 0:14:03 | |
I'm going upstairs to file a report recommending | 0:14:03 | 0:14:06 | |
that you be replaced! | 0:14:06 | 0:14:07 | |
You've been out to get me before this review even started! | 0:14:07 | 0:14:10 | |
I'm sorry I called you names in college. | 0:14:10 | 0:14:12 | |
But you are attending this play, | 0:14:12 | 0:14:14 | |
and seeing the good work of my angel in training, | 0:14:14 | 0:14:16 | |
even if I have to carry you in there myself! | 0:14:16 | 0:14:18 | |
And I will! I'm the steamboat! | 0:14:18 | 0:14:21 | |
-You guys excited about the play? -What happened to your leg? You OK? | 0:14:25 | 0:14:29 | |
Actually, nothing's wrong with it. I got a little stage fright, | 0:14:29 | 0:14:32 | |
-and I needed an excuse. -Oh, I'm sure you would have been great. | 0:14:32 | 0:14:36 | |
At least now, you get to see Carl up there playing the milkman. | 0:14:36 | 0:14:39 | |
I have to watch Carl?! Can't I just wait in the car? | 0:14:39 | 0:14:41 | |
No, you have to stay and support your brother. | 0:14:41 | 0:14:44 | |
Too bad I left my tomatoes at home. | 0:14:44 | 0:14:47 | |
Jane, I just heard Porter dropped out of the play. | 0:14:48 | 0:14:50 | |
-Then I heard even worse news. -What?! -I'm dropping out too. | 0:14:50 | 0:14:53 | |
What?! Why?! Porter had to drop out! | 0:14:53 | 0:14:55 | |
-He broke his leg! -Erm...yeah! And I broke a nail! I simply can't go on! | 0:14:55 | 0:15:00 | |
-You're just dropping out because you can't kiss porter! -Urgh! | 0:15:00 | 0:15:03 | |
-I can't believe you'd say that! -Is it true?! | 0:15:03 | 0:15:05 | |
-Yes! But I can't believe you'd say that! -Quit the play! See if I care! | 0:15:05 | 0:15:08 | |
-Urgh, what evs! -OK, I DO care! | 0:15:08 | 0:15:11 | |
Britney's not in the play anymore?! | 0:15:11 | 0:15:14 | |
Oh, man, I don't get to kiss her! | 0:15:14 | 0:15:17 | |
-And there's the rest of the play too. -Mmm. -It's a shame. | 0:15:17 | 0:15:21 | |
-It's probably the bigger shame, biggest shame! -Only one thing to do. | 0:15:21 | 0:15:24 | |
-Beg Britney to come back? Offer her money? -No! I'll do it myself. | 0:15:24 | 0:15:28 | |
I wrote it. I know every line! | 0:15:28 | 0:15:30 | |
-Anything to keep my play from being ruined. -But we're best friends! | 0:15:30 | 0:15:34 | |
-So? -In a big scene at the end, we have to kiss! Isn't that weird? | 0:15:34 | 0:15:38 | |
It's not a big deal to me. Is it to you? | 0:15:38 | 0:15:40 | |
-No! It's a play. Nothing weird about that. -Plays aren't real. | 0:15:40 | 0:15:44 | |
-Exactly, it's fine. Nothing weird. -Exactly. | 0:15:44 | 0:15:46 | |
I'll go put on my costume. And get some breath mints. | 0:15:46 | 0:15:49 | |
-OK. Situation is under control. -HE CLEARS HIS THROAT | 0:15:51 | 0:15:54 | |
Feels like this heatwave's never going to end. | 0:16:06 | 0:16:09 | |
-And the milk won't stop either. -Well the fan's broken again, Oliver! | 0:16:09 | 0:16:13 | |
It seems like it's always broken, Oliver! | 0:16:13 | 0:16:15 | |
Now you listen to me, Ethel. | 0:16:15 | 0:16:17 | |
I'm going to start selling more milk | 0:16:17 | 0:16:19 | |
and I will buy you a new fan! | 0:16:19 | 0:16:22 | |
Always the dreamer. | 0:16:22 | 0:16:25 | |
Hey! You're two months late on your rent! | 0:16:25 | 0:16:28 | |
-Would you like some... -Milk! Don't offer me milk again! | 0:16:28 | 0:16:31 | |
I want moolah! You got two days and then you're out of here! | 0:16:31 | 0:16:34 | |
Hey, coach. | 0:16:34 | 0:16:36 | |
LAUGHTER | 0:16:36 | 0:16:38 | |
That Bandalucci! Livin' it up on the west side! He's forgotten | 0:16:40 | 0:16:43 | |
what it's like to be a working man trying to scrape by. | 0:16:43 | 0:16:46 | |
But Oliver, the heatwave is on! | 0:16:46 | 0:16:48 | |
Nobody wants hot coffee and they certainly don't want cream! | 0:16:48 | 0:16:51 | |
Stop crowding me, Ethel! | 0:16:51 | 0:16:54 | |
All you ever do is shout at me | 0:16:54 | 0:16:56 | |
like a ringmaster in the crazy big top that is my mess of a life! | 0:16:56 | 0:16:59 | |
You've got to know something. I am no clown! | 0:16:59 | 0:17:03 | |
APPLAUSE | 0:17:05 | 0:17:06 | |
# Oh, have a snack | 0:17:09 | 0:17:11 | |
# Drinks are cool | 0:17:11 | 0:17:12 | |
# All the money goes to the school | 0:17:12 | 0:17:14 | |
# It's good time to have a stretch | 0:17:14 | 0:17:16 | |
# Go to the back and you can | 0:17:16 | 0:17:18 | |
# Get yourself a T-shirt... # | 0:17:18 | 0:17:20 | |
Everyone seems to be enjoying themselves. | 0:17:22 | 0:17:24 | |
-Let's hope they like the second half as much as the first. -Yeah, yeah. | 0:17:24 | 0:17:27 | |
Awesome. So, look, about the kiss. How long do we do this for? | 0:17:27 | 0:17:30 | |
-One Mississippi, two Mississippis? -We just kiss | 0:17:30 | 0:17:33 | |
-until Alex says his line. Focus on your monologue. -Yeah, I got it. | 0:17:33 | 0:17:36 | |
Focus on the kiss. On the monologue! God, monologue! | 0:17:36 | 0:17:39 | |
Hey, Victor! You missed two light cues! | 0:17:39 | 0:17:41 | |
OK. Focus, Carl, focus. On the kiss. No! Don't! Snap out of it! | 0:17:43 | 0:17:48 | |
I won't let this heatwave beat me. | 0:17:51 | 0:17:52 | |
My deliveries are down and I've got a truck load of curdled milk. | 0:17:52 | 0:17:55 | |
And it's gone sour. Just like me. Just like us! | 0:17:55 | 0:17:59 | |
-SHE SOBS -You know what I'm going to do with that curdled milk? | 0:17:59 | 0:18:03 | |
I'm going to make cheese. I'll make mozzarella and cheddar | 0:18:03 | 0:18:06 | |
and Gouda and Swiss. | 0:18:06 | 0:18:08 | |
-I'll even make Camembert. -What about havarti? -I'll even make havarti, | 0:18:08 | 0:18:11 | |
for anyone who'll have it! | 0:18:11 | 0:18:13 | |
Oh, Oliver! You're free! You're the milkman I fell in love with! | 0:18:13 | 0:18:17 | |
And I'm not sour anymore. | 0:18:17 | 0:18:18 | |
-Yeah! -HE LAUGHS | 0:18:22 | 0:18:23 | |
Wow. | 0:18:26 | 0:18:28 | |
FISH! | 0:18:29 | 0:18:31 | |
CHEERING AND APPLAUSE | 0:18:32 | 0:18:34 | |
Way to go, guys! | 0:18:41 | 0:18:43 | |
-See, Carl. The kiss was fine. -Yeah, yeah, it was totally fine. | 0:18:45 | 0:18:49 | |
It was like kissing, kissing, kissing, pizza! | 0:18:49 | 0:18:51 | |
DRUMROLL Oh, the curtain calls! | 0:18:51 | 0:18:54 | |
RAPTUROUS CHEERING AND APPLAUSE | 0:18:54 | 0:18:57 | |
Wooh! Yeah! Good job, Carl! | 0:18:57 | 0:19:00 | |
-Who knew your brother was such a good actor? -I never thought I'd say this, | 0:19:05 | 0:19:09 | |
but good on you, Carl, good on you. | 0:19:09 | 0:19:11 | |
So, what did you think of Carl's performance in the play? | 0:19:11 | 0:19:14 | |
Judging by that, Porter Jackson IS helping Carl along, | 0:19:14 | 0:19:17 | |
and appears to be on track with earning his wings. | 0:19:17 | 0:19:19 | |
I'll file a report commending both of you. | 0:19:19 | 0:19:21 | |
Back in college, I had my own nickname for you. It was Cassteamy. | 0:19:22 | 0:19:26 | |
Because I thought you were hot! | 0:19:26 | 0:19:28 | |
-Really?! -No! -SHE LAUGHS | 0:19:28 | 0:19:32 | |
Oh, I am good! No, you'll always be a steamboat to me! | 0:19:32 | 0:19:36 | |
Congratulations, Jane, your play was a huge hit! | 0:19:38 | 0:19:41 | |
Couldn't have done it without you. Thanks, Carl. | 0:19:41 | 0:19:43 | |
-HE LAUGHS -Wasn't that on the other foot? | 0:19:54 | 0:19:57 | |
Yeah. I switched it and nobody noticed. Great performance. | 0:19:57 | 0:20:01 | |
-Very convincing and the right amount of cheese. -Yeah. Cheese. Good one. | 0:20:01 | 0:20:04 | |
What's wrong? You were great and you're acting weird. | 0:20:04 | 0:20:07 | |
-Was it because you didn't get to kiss Britney? -No, no. | 0:20:07 | 0:20:10 | |
I'm just trying to shake the character, get back to being Carl. | 0:20:10 | 0:20:14 | |
-Ah, it was your kiss with Jane, wasn't it? -No, no! | 0:20:14 | 0:20:18 | |
That's not it at all. No. | 0:20:18 | 0:20:20 | |
-HE SIGHS -How could you tell? | 0:20:20 | 0:20:22 | |
You don't have to be an angel to tell, bro. | 0:20:22 | 0:20:24 | |
Come on, Hopalong! Let's go celebrate. | 0:20:24 | 0:20:28 | |
Hey, Carl, there was a talent agent in the audience, | 0:20:28 | 0:20:33 | |
and I'm going to Hollywood. | 0:20:33 | 0:20:36 | |
-No, you aren't. -Oh, don't be sour, milkman. | 0:20:36 | 0:20:39 | |
All right, come on, Alex, let's go join the cast party. Get it? | 0:20:39 | 0:20:42 | |
-Cast party. Hmm! -No. | 0:20:42 | 0:20:44 | |
But sure. I do love to party. | 0:20:44 | 0:20:47 | |
Exactly. | 0:20:54 | 0:20:56 | |
HE LAUGHS That's my line! | 0:20:56 | 0:20:58 | |
Alas, poor Yorick, I knew him well, Horatio. | 0:20:58 | 0:21:02 | |
He went on a low carb diet and lost a lot of weight. | 0:21:02 | 0:21:04 | |
THEY LAUGH | 0:21:08 | 0:21:10 | |
Subtitled by Red Bee Media Ltd | 0:21:11 | 0:21:14 | |
Email [email protected] | 0:21:14 | 0:21:17 |