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# Goin' on a field trip... # Thank you. | 0:00:02 | 0:00:05 | |
# Hand in your permission forms. # | 0:00:05 | 0:00:07 | |
Excuse me, gentlemen. | 0:00:07 | 0:00:08 | |
It's officially the end of school day, | 0:00:08 | 0:00:10 | |
and neither of you handed in a permission form | 0:00:10 | 0:00:12 | |
for the field trip to the museum. | 0:00:12 | 0:00:14 | |
-Signed, sealed and delivered, sir. -Porter, where's yours? | 0:00:14 | 0:00:17 | |
Right here, sir. | 0:00:17 | 0:00:19 | |
Oh, uh, Macy? | 0:00:19 | 0:00:20 | |
-You didn't get my mom to sign your form? -I forgot. | 0:00:20 | 0:00:23 | |
I hope you didn't fake her signature. We'll get in trouble. | 0:00:23 | 0:00:26 | |
And we're still on parole after our last grounding. | 0:00:26 | 0:00:30 | |
-What we've got here is failure to coordinate. -Communicate. | 0:00:30 | 0:00:34 | |
-You're right, your mom is one tough warden. -Yeah. | 0:00:36 | 0:00:39 | |
Porter? | 0:00:39 | 0:00:40 | |
Artie Jackson? Your father? | 0:00:44 | 0:00:45 | |
-Yes, it is. -I thought he was in Vancouver. | 0:00:45 | 0:00:47 | |
He is, but he's in town for some business, uh... | 0:00:47 | 0:00:50 | |
he's staying at Carl's. Right, Carl? | 0:00:50 | 0:00:52 | |
Oh, yeah. We just called my house, and Porter talked to him. | 0:00:52 | 0:00:55 | |
Well, it's nice having dad in town for a visit, I bet. | 0:00:55 | 0:00:59 | |
Oh, you know what? Matter of fact, I'll give Artie a call. | 0:00:59 | 0:01:02 | |
Let him know how well you're doing here at Bennett High. | 0:01:02 | 0:01:05 | |
# It's giving 'em one more shot | 0:01:12 | 0:01:14 | |
# It's giving everything you've got | 0:01:14 | 0:01:18 | |
# Cos if we get it right | 0:01:18 | 0:01:21 | |
# We will surely conquer the world | 0:01:21 | 0:01:26 | |
# I've got my wings running, angel | 0:01:26 | 0:01:30 | |
# Now we're wingin' it all the time | 0:01:30 | 0:01:33 | |
# I'm giving wings to an angel | 0:01:33 | 0:01:37 | |
# On the wings of an angel | 0:01:37 | 0:01:39 | |
# Now we've gotta learn to fly. # | 0:01:39 | 0:01:43 | |
Principal Malone is going to call home! What do we do? | 0:01:48 | 0:01:51 | |
We could beam into space, dismantle the phone company's satellite. | 0:01:51 | 0:01:55 | |
Magic up some spacesuits and a rocket? | 0:01:55 | 0:01:57 | |
Or I could just beam us home in time to intercept his call? | 0:01:57 | 0:02:00 | |
Sure. If you want to take the easy route. | 0:02:00 | 0:02:02 | |
Do you not know me by now? | 0:02:02 | 0:02:03 | |
Attention. I have an important announcement. | 0:02:05 | 0:02:08 | |
Gobsmack is having a contest to promote its new flavour of juice. | 0:02:08 | 0:02:11 | |
If we submit a video, we could win a year supply of Gobsmack juice. | 0:02:11 | 0:02:16 | |
So, I thought, who better to do this than me? Brittany. | 0:02:18 | 0:02:21 | |
Who is that again? | 0:02:24 | 0:02:25 | |
There is a lot of work to be done, and I don't want to do it, | 0:02:28 | 0:02:31 | |
so... | 0:02:31 | 0:02:32 | |
sign up if you're interested. And obviously, you're interested. | 0:02:32 | 0:02:36 | |
Yes! | 0:02:36 | 0:02:37 | |
And my long streak of being the first name continues! | 0:02:37 | 0:02:40 | |
Wait. What are we signing up for? | 0:02:40 | 0:02:42 | |
To organise the spectacular... | 0:02:42 | 0:02:44 | |
Stop, right there. You had me at "organise". | 0:02:44 | 0:02:47 | |
I love to organise. I'm in the Organising Club. | 0:02:47 | 0:02:51 | |
I actually organised the Organising Club. And now I'm in a new club. | 0:02:51 | 0:02:54 | |
I wonder what it is? No matter, I'll organise it. | 0:02:54 | 0:02:57 | |
I'm sorry, Sophie, but I really need those pants. | 0:02:57 | 0:03:00 | |
I don't care if you need them too. | 0:03:00 | 0:03:02 | |
Listen. Here's the deal... If you can get Rachel to... | 0:03:02 | 0:03:05 | |
Get off the phone. We have an important call coming in. | 0:03:05 | 0:03:08 | |
Hold on... Call schmall! | 0:03:08 | 0:03:11 | |
So, Sophie, if you can get Rachel to lend me those pants, you can | 0:03:11 | 0:03:14 | |
borrow my DVD player for a week. | 0:03:14 | 0:03:16 | |
Let's go! End the conversation! | 0:03:16 | 0:03:18 | |
But if you want the ear buds, get Lily to lend me her belt! | 0:03:18 | 0:03:20 | |
I managed to get a lot of people to sign up, | 0:03:20 | 0:03:23 | |
no small thanks to my organisational skills. | 0:03:23 | 0:03:27 | |
OK, this list really should've been more exclusive. | 0:03:27 | 0:03:29 | |
The Listern sisters? | 0:03:29 | 0:03:31 | |
OK, fine, but only if you dye your hair blonde. | 0:03:33 | 0:03:36 | |
That wasn't very nice. We need all the help we can get. | 0:03:37 | 0:03:40 | |
The only help I need in this video is deciding which smile I'll use. | 0:03:40 | 0:03:45 | |
This one? | 0:03:45 | 0:03:47 | |
Or this one? | 0:03:48 | 0:03:50 | |
Which one do you think? | 0:03:50 | 0:03:51 | |
Please, Jane, can you stop with the bug-eyed thing? | 0:03:53 | 0:03:56 | |
It'll give you wrinkles. | 0:03:56 | 0:03:57 | |
We really, really need that phone, Becky. | 0:03:57 | 0:04:01 | |
OK... Her purple skull and crossbone leggings? OK, I'm listening. | 0:04:01 | 0:04:04 | |
PHONE BEEPS | 0:04:04 | 0:04:05 | |
Hold on, I got another call. | 0:04:06 | 0:04:07 | |
Hello? | 0:04:07 | 0:04:09 | |
Uh-huh... Yeah... Whatever. Hold on. | 0:04:09 | 0:04:13 | |
-Who is it? -Um, Pringles? Pringles go home? | 0:04:13 | 0:04:16 | |
-Principal Malone! -Sure. -Becky, get off the phone! | 0:04:16 | 0:04:19 | |
Not until my deal goes through! | 0:04:19 | 0:04:21 | |
We've got to do something. | 0:04:21 | 0:04:23 | |
Can't you beam her to the moon? She loves to travel. | 0:04:23 | 0:04:25 | |
I can't do magic on her. But I can do magic for her. Watch this. | 0:04:25 | 0:04:28 | |
Yeah, so can I borrow them? | 0:04:28 | 0:04:30 | |
CLEARS THROAT | 0:04:30 | 0:04:33 | |
Um, hold on... | 0:04:33 | 0:04:35 | |
Uh, sorry, Sophie - you snooze, you lose! | 0:04:36 | 0:04:40 | |
-You talk to Principal Malone. -You. -Why me? -You're closer to the phone. | 0:04:42 | 0:04:45 | |
-Uh, hello? -'Who's this?' | 0:04:48 | 0:04:51 | |
Yes, this is, uh, Mr Jackson. | 0:04:51 | 0:04:53 | |
Deeper, deeper! | 0:04:53 | 0:04:54 | |
Uh, Artie, Artie Jackson. | 0:04:54 | 0:04:56 | |
-Yes, that's Artie, uh, with two Ts and, uh, a Q. -'A Q?' | 0:04:56 | 0:05:02 | |
That's, that's the, uh... | 0:05:02 | 0:05:04 | |
The Portuguese spelling. | 0:05:04 | 0:05:05 | |
Yeah, that's the Portuguese spelling. HA HA HA! | 0:05:05 | 0:05:08 | |
He says you're a great principal, you really connect with the kids. | 0:05:08 | 0:05:12 | |
-Oh, well, thank you, Mr Jackson. -Oh, please, please, call me Artie. | 0:05:12 | 0:05:16 | |
-Artie it is. -It is. Well, I should get going, Principal. | 0:05:16 | 0:05:20 | |
PHONE KEYS BEEP | 0:05:20 | 0:05:21 | |
Hello? Hello? | 0:05:21 | 0:05:24 | |
-Hello. -Is this Mama Bea's Pizza? | 0:05:24 | 0:05:28 | |
Uh, no, this is Principal Malone, Mrs Montclaire. | 0:05:28 | 0:05:31 | |
I must have misdialled. I was trying to order pizza for dinner. | 0:05:31 | 0:05:34 | |
-I mean, normally, I cook, but... -HE LAUGHS | 0:05:34 | 0:05:37 | |
Who's that? Hello? | 0:05:37 | 0:05:39 | |
You picked up when I was talking to Porter's dad. | 0:05:39 | 0:05:42 | |
-Listen, Artie, I'll let you go and enjoy your visit. OK? Goodbye. -Artie! | 0:05:42 | 0:05:47 | |
You're downstairs? | 0:05:47 | 0:05:48 | |
Uh... I, I must be. | 0:05:48 | 0:05:51 | |
How exciting! I'll be right down! | 0:05:51 | 0:05:53 | |
I think we're in deep, deep trouble, son. | 0:05:55 | 0:05:57 | |
-OK, what are our options? -Wh... Our options? You mean YOUR options. | 0:06:01 | 0:06:05 | |
My mom is real and she's coming down to meet your imaginary dad. | 0:06:05 | 0:06:09 | |
OK, OK... | 0:06:13 | 0:06:15 | |
Undo magic. Mexican vacation magic. | 0:06:15 | 0:06:17 | |
We're running out of time! | 0:06:17 | 0:06:19 | |
Time. Time magic! That's it! | 0:06:19 | 0:06:21 | |
Artie! | 0:06:21 | 0:06:23 | |
We only have 30 seconds. That's as long as I can stop time for. | 0:06:23 | 0:06:28 | |
How are we going to keep track of it? | 0:06:28 | 0:06:30 | |
Like watching a bomb countdown before the explosion. | 0:06:30 | 0:06:33 | |
"Cut the green wire. No, the red wire." "There's two red wires!" | 0:06:33 | 0:06:36 | |
Did I just feel a temporal shift | 0:06:36 | 0:06:39 | |
or should I have skipped that breakfast burrito? | 0:06:39 | 0:06:42 | |
Somebody's doing time magic. | 0:06:42 | 0:06:45 | |
Yeah, and somebody's being annoying. Not now, Denise! | 0:06:45 | 0:06:48 | |
You can only stop time for 30 seconds? Not bad. | 0:06:48 | 0:06:50 | |
I once stopped time for 42 seconds, but who's counting? | 0:06:50 | 0:06:53 | |
-We literally don't have time for this! -No problem. | 0:06:53 | 0:06:57 | |
-Ooh, 50 seconds. A new personal best. -Stop showing off. | 0:06:57 | 0:07:00 | |
I'm helping. In fact, just give me a little bit of room. | 0:07:00 | 0:07:04 | |
Check this out. | 0:07:05 | 0:07:07 | |
Voila! | 0:07:13 | 0:07:15 | |
Artie Jackson, pleasure to meet you, Carl! | 0:07:16 | 0:07:19 | |
Yes, we've met before, my son, give me a pound. | 0:07:19 | 0:07:21 | |
-There's no way you're playing my dad. -Why? | 0:07:21 | 0:07:23 | |
-One, I don't trust you. Two, refer back to one. -Tick tock, Porter! | 0:07:23 | 0:07:27 | |
The only way this can to happen is if you put a one-day time limit | 0:07:27 | 0:07:30 | |
-on this transformation. -You don't trust me? -Absolutely not. | 0:07:30 | 0:07:34 | |
I've been thinking about this, | 0:07:34 | 0:07:35 | |
and if I can get Porter tossed off his assignment to make Carl popular, | 0:07:35 | 0:07:39 | |
then Dr Cassabi can concentrate on me, | 0:07:39 | 0:07:41 | |
and I can finally get off AIT probation. | 0:07:41 | 0:07:43 | |
No time limit, no deal. | 0:07:43 | 0:07:45 | |
Fine! | 0:07:46 | 0:07:48 | |
Done. | 0:07:48 | 0:07:49 | |
Angie! | 0:07:51 | 0:07:53 | |
Ha ha ha ha! | 0:07:53 | 0:07:56 | |
What a pleasure to see you. | 0:07:56 | 0:07:58 | |
Oh, how fancy, Artie! Are you staying for dinner? | 0:07:58 | 0:08:01 | |
Oh, I wouldn't miss it for the world. | 0:08:01 | 0:08:03 | |
-Isn't that right, my little Popo? -Popo... That's adorable. | 0:08:03 | 0:08:07 | |
-Don't you think so? Popo. -Popo. | 0:08:07 | 0:08:10 | |
Hey. | 0:08:10 | 0:08:11 | |
Boy, you were a big baby, Porter. | 0:08:12 | 0:08:15 | |
It looks like someone shoved a diaper onto a beach ball. | 0:08:15 | 0:08:18 | |
I'm sorry - the pictures are fake, but the laughs are real. | 0:08:20 | 0:08:23 | |
Oh, once you started dancing ballet, we couldn't get him out of the tutu! | 0:08:23 | 0:08:28 | |
-Oh, Popo in a tutu. -I didn't know you took ballet. | 0:08:28 | 0:08:31 | |
I never took ballet. | 0:08:31 | 0:08:34 | |
Oh, don't be embarrassed to admit that! Huh! | 0:08:34 | 0:08:36 | |
Ballet's for boys, too. Show us some of your moves, I know you want to. | 0:08:36 | 0:08:41 | |
Oh, I'd pay to see that. | 0:08:41 | 0:08:43 | |
-ALL CHANT: -Popo, Popo, Popo, | 0:08:43 | 0:08:47 | |
Popo, | 0:08:47 | 0:08:48 | |
Popo, Popo, | 0:08:48 | 0:08:50 | |
Popo, Popo... | 0:08:50 | 0:08:53 | |
Oh, now that's a jette! | 0:08:57 | 0:08:59 | |
Great. Perfect. Hold it right there, you look amazing. | 0:08:59 | 0:09:02 | |
Where's Brittany? | 0:09:02 | 0:09:03 | |
We've been waiting here for hours. | 0:09:03 | 0:09:05 | |
Have a bit more enthusiasm. You look like you work | 0:09:05 | 0:09:08 | |
in sadness factories, and if you did, | 0:09:08 | 0:09:10 | |
wouldn't you be happy you had jobs? | 0:09:10 | 0:09:12 | |
OK. This is what happens if you don't work hard enough. | 0:09:12 | 0:09:16 | |
Em, you're fired. Out. | 0:09:16 | 0:09:17 | |
-Alex, you're in. -What? | 0:09:17 | 0:09:20 | |
Jane, what have we got? | 0:09:20 | 0:09:22 | |
Er, OK, Brittany, let's have you up here in the centre. | 0:09:22 | 0:09:25 | |
Perfect, great, OK. | 0:09:25 | 0:09:26 | |
-And...action! -Cut! | 0:09:26 | 0:09:29 | |
-What now?! -My lip gloss doesn't look good in this sunlight. | 0:09:29 | 0:09:32 | |
Let's wait until the sun gets higher. | 0:09:32 | 0:09:34 | |
The sun won't be higher until tomorrow. | 0:09:34 | 0:09:36 | |
Maybe if you were a bit more organised, Jane. | 0:09:39 | 0:09:41 | |
OK, that's a wrap for today, but we'll be back tomorrow morning. | 0:09:41 | 0:09:45 | |
Hopefully, you'll have your stuff together by then. | 0:09:45 | 0:09:48 | |
Oh, what a lovely, lovely family. | 0:09:53 | 0:09:55 | |
OK, it's time to go. Enough is enough. | 0:09:55 | 0:09:57 | |
But feel free to leave the photos. | 0:09:57 | 0:09:59 | |
At least the one of Porter potty-training. | 0:09:59 | 0:10:02 | |
-That's kind of funny! -Artie, how do you take your tea? | 0:10:02 | 0:10:04 | |
-To go. -Uh, yeah, his flight leaves in two hours. | 0:10:04 | 0:10:07 | |
Oh, and here's your plane ticket. | 0:10:07 | 0:10:09 | |
Oh. Well, you know, I was thinking about calling the airlines | 0:10:09 | 0:10:12 | |
and, uh, you know, changing my flight. | 0:10:12 | 0:10:14 | |
-But you're flying to Nepal, there's only one flight a week. -Nepal! | 0:10:14 | 0:10:18 | |
Not unless I fly through | 0:10:18 | 0:10:19 | |
Henri Coanda International Airport in Bucharest. | 0:10:19 | 0:10:22 | |
Bucharest, beautiful. | 0:10:22 | 0:10:24 | |
-I doubt you'll get your visa in time. -But I thought that... | 0:10:24 | 0:10:26 | |
Dad, I think it's time for you to go. | 0:10:26 | 0:10:29 | |
Oh. OK. | 0:10:29 | 0:10:32 | |
Angela, thank you so much for your hospitality. | 0:10:32 | 0:10:35 | |
Oh, it's so great to see you. | 0:10:35 | 0:10:37 | |
You come back any time. | 0:10:37 | 0:10:38 | |
I will. | 0:10:38 | 0:10:39 | |
And, Carl, bye. | 0:10:41 | 0:10:42 | |
And you...oh, yes, my little Popo. | 0:10:42 | 0:10:45 | |
-All right, that's, that's, that's enough. -My little boy. | 0:10:48 | 0:10:52 | |
I think we're good, Dad. | 0:10:52 | 0:10:55 | |
Oh, my little Popo, I'm going to miss you! | 0:10:56 | 0:10:59 | |
Uh, this is really, really, really, uncomfortable now! | 0:10:59 | 0:11:03 | |
And don't you ever stop dancing! | 0:11:13 | 0:11:15 | |
Yeah! | 0:11:15 | 0:11:16 | |
That is so sweet. | 0:11:18 | 0:11:20 | |
Carl, honey, do you want to take ballet? | 0:11:20 | 0:11:22 | |
Well, I've seen what it's done for Porter. Sure, why not? | 0:11:22 | 0:11:26 | |
I have arrived. | 0:11:28 | 0:11:29 | |
You're over an hour late! | 0:11:29 | 0:11:31 | |
I needed my beauty rest - you should try it. | 0:11:31 | 0:11:33 | |
We don't have enough time. School is about to start. | 0:11:33 | 0:11:36 | |
We'll shoot it after school. | 0:11:36 | 0:11:38 | |
Be here immediately after the final bell - | 0:11:38 | 0:11:40 | |
if you're late, you're not in the video. | 0:11:40 | 0:11:42 | |
You can't treat people this way. | 0:11:42 | 0:11:44 | |
I don't have to listen to you. I am the star! | 0:11:44 | 0:11:47 | |
And I am the director. | 0:11:47 | 0:11:50 | |
-Star! -Director! | 0:11:50 | 0:11:51 | |
A star is in the sky above everything else | 0:11:51 | 0:11:53 | |
and needs to be appreciated by the people below. | 0:11:53 | 0:11:55 | |
Directors are people! | 0:11:55 | 0:11:57 | |
Direct your attention to this petition to quit. | 0:11:57 | 0:11:59 | |
Who wants to leave a project where their talents aren't appreciated? | 0:11:59 | 0:12:04 | |
You'll notice my name is first. | 0:12:05 | 0:12:08 | |
I'll miss Uncle Artie. We could have been buddies. | 0:12:11 | 0:12:14 | |
You realise you're talking about a fake uncle? | 0:12:14 | 0:12:17 | |
You're my fake cousin, I don't mind having you around. | 0:12:17 | 0:12:20 | |
Denise may have had fun, but I hated it. | 0:12:20 | 0:12:22 | |
I'm glad she's gone. I don't trust her. | 0:12:22 | 0:12:24 | |
-And I can see why. -Hey! | 0:12:24 | 0:12:25 | |
Ha ha ha ha! Hey, Popo, gimme a pound. | 0:12:25 | 0:12:29 | |
-Carl. -Thanks for coming in, Mr Jackson. | 0:12:29 | 0:12:32 | |
-I'll have those forms processed right away. -What forms? | 0:12:32 | 0:12:35 | |
Your father's having you transferred back to Vancouver. | 0:12:35 | 0:12:38 | |
I can't believe Denise got me transferred. | 0:12:44 | 0:12:47 | |
Can't we stop this? | 0:12:47 | 0:12:48 | |
Principal Malone thinks it's my dad. That makes it official. | 0:12:48 | 0:12:51 | |
I never though I'd see the day where someone had Porter Jackson's number. | 0:12:51 | 0:12:55 | |
She doesn't. She doesn't even have my area code. | 0:12:55 | 0:12:57 | |
-It's time we got Dr Cassabi to bail us out. -No way. | 0:12:57 | 0:12:59 | |
If word got out I went to Dr Cassabi for help with another AIT, | 0:12:59 | 0:13:02 | |
I'll be the laughing stock of the AIT world forever! | 0:13:02 | 0:13:05 | |
I'm going to miss you then, man. | 0:13:05 | 0:13:07 | |
I'm not going anywhere. Denise wants to play? Game on. | 0:13:07 | 0:13:10 | |
Popo, just on my way to sign the papers authorising your transfer! | 0:13:10 | 0:13:15 | |
If she calls me "Popo" one more time... | 0:13:15 | 0:13:18 | |
Time! Artie has got to be closing in on his one-day time limit. | 0:13:18 | 0:13:22 | |
OK, Carl. Go stall him and make sure he doesn't sign that transfer paper. | 0:13:22 | 0:13:26 | |
I'll be right back. | 0:13:26 | 0:13:27 | |
-Uh, hey, Alex! Have you met Porter's dad, Artie? -Hi. | 0:13:27 | 0:13:32 | |
Artie, Alex. Alex, Artie. | 0:13:32 | 0:13:35 | |
Artie here would love to learn all about unicorns. | 0:13:35 | 0:13:37 | |
REALLY?! You're in luck! I'm a unicornithologist! | 0:13:37 | 0:13:40 | |
Did you know a pack of unicorns is called a blessing? | 0:13:40 | 0:13:43 | |
It would be a blessing if you never mentioned that again. | 0:13:43 | 0:13:46 | |
Did you know a unicorn horn is called an alacorn? It can cut diamonds! | 0:13:46 | 0:13:50 | |
-Wow. -Did you know unicorns can run 3,000 miles an hour? | 0:13:50 | 0:13:53 | |
Carl! | 0:13:56 | 0:13:57 | |
Spencer, what is going on? | 0:14:03 | 0:14:05 | |
YOU are giving me the silent treatment? | 0:14:08 | 0:14:11 | |
I invented the silent treatment! | 0:14:11 | 0:14:14 | |
OK, well, maybe you guys did, but I use it a lot! | 0:14:14 | 0:14:17 | |
-Jane! -Suck an egg. -Ugh! OK, this is what I'm talking about! | 0:14:22 | 0:14:25 | |
How come everybody is being so over mean to me? | 0:14:25 | 0:14:28 | |
What goes around, comes around. | 0:14:28 | 0:14:30 | |
Don't you try to use your fancy psychology talk on me, Jane! | 0:14:30 | 0:14:33 | |
The music video is going up in flames, and I have no idea why. | 0:14:33 | 0:14:36 | |
Brittany, you were horrible to everyone! | 0:14:36 | 0:14:38 | |
Everyone was horrible to me, first! | 0:14:38 | 0:14:40 | |
No, they weren't. | 0:14:40 | 0:14:41 | |
They wanted to help, but you were rude and unappreciative. | 0:14:41 | 0:14:45 | |
Sometimes friendship means seeing things | 0:14:45 | 0:14:47 | |
from other people's perspectives. | 0:14:47 | 0:14:49 | |
-Everybody is different heights, that is impossible! -You're impossible! | 0:14:49 | 0:14:53 | |
Try putting yourself in someone else's shoes! | 0:14:53 | 0:14:55 | |
I would never wear something non-designer. Unless I was a loser. | 0:14:55 | 0:14:58 | |
I can PRETEND to be a loser. | 0:14:58 | 0:15:01 | |
Oh, everybody, look at me! I'm a loser! | 0:15:01 | 0:15:03 | |
My name is Jane! And I have a bus pass, and my mom, | 0:15:03 | 0:15:07 | |
she still writes my name on my brown paper lunch bag, | 0:15:07 | 0:15:11 | |
that I have already used three times before. | 0:15:11 | 0:15:15 | |
Forget all of you! | 0:15:15 | 0:15:17 | |
I'm going to make this music video all by myself! | 0:15:17 | 0:15:20 | |
# Gobsmack, it helps you when you're feeling wack! | 0:15:20 | 0:15:26 | |
# Gobsmack! | 0:15:26 | 0:15:28 | |
# I need... | 0:15:28 | 0:15:30 | |
# To get everybody...back. # | 0:15:30 | 0:15:35 | |
I guess I'm not on a island - I do need other people. | 0:15:37 | 0:15:40 | |
# Well, it's a "u" and a "k" | 0:15:40 | 0:15:43 | |
# And a "u" and a "lay" and a leeeeeeeeeeeeeee...eeeee. # | 0:15:43 | 0:15:47 | |
OK, that's enough of that, Carl. | 0:15:47 | 0:15:49 | |
Oh, but it's so beautiful, Principal Malone. Just one more time, please? | 0:15:49 | 0:15:52 | |
You're too kind. | 0:15:52 | 0:15:54 | |
# I once... # | 0:15:54 | 0:15:55 | |
KNOCK ON DOOR | 0:15:55 | 0:15:56 | |
-Go away! We're busy! -No, please. | 0:15:56 | 0:15:58 | |
Unicorns were are hunted for their horns, cos if you lick them... | 0:15:58 | 0:16:01 | |
Principal Malone! | 0:16:01 | 0:16:03 | |
-Mr Jackson. Why, I just printed off those transfer forms. -Ah, Carl. | 0:16:03 | 0:16:08 | |
Ugh. Sorry. Allergies. | 0:16:11 | 0:16:14 | |
No worries. That was a Chinese take-out menu I keep getting faxed. | 0:16:15 | 0:16:19 | |
So, here's the transfer form, Mr Jackson. | 0:16:19 | 0:16:21 | |
Oh, wait, Principal Malone! | 0:16:21 | 0:16:23 | |
Just...I want you to take a minute and think about | 0:16:23 | 0:16:26 | |
what the school would be like without Porter Jackson. | 0:16:26 | 0:16:30 | |
If Porter Jackson leaves this school, | 0:16:30 | 0:16:32 | |
then a bright, shining star dims at Bennett High. | 0:16:32 | 0:16:35 | |
The cafeteria food will taste blander, | 0:16:35 | 0:16:38 | |
the school bell will ring duller, | 0:16:38 | 0:16:40 | |
the library will be too quiet. | 0:16:40 | 0:16:43 | |
But if Porter Jackson stays, then Bennett High will shine on. | 0:16:43 | 0:16:47 | |
Shine on, Bennett High, shine on. | 0:16:47 | 0:16:51 | |
Carl, that was beautiful. | 0:16:53 | 0:16:55 | |
So, Mr Jackson, on the bottom line there. | 0:16:55 | 0:16:58 | |
Oh, thank you very much. | 0:16:58 | 0:16:59 | |
Hold that pen! | 0:16:59 | 0:17:01 | |
You got to fight fire with fire. | 0:17:07 | 0:17:09 | |
Hello, Principal Malone. | 0:17:17 | 0:17:20 | |
-I'm Porsha Jackson, Porter's mom. -Lovely to meet you. | 0:17:20 | 0:17:24 | |
This is a surprise. | 0:17:24 | 0:17:26 | |
I'd say so. | 0:17:26 | 0:17:27 | |
Oh, my Artie bear! Come here! | 0:17:27 | 0:17:29 | |
OK. OK. | 0:17:32 | 0:17:35 | |
That's, that's too much now. | 0:17:35 | 0:17:37 | |
OK, OK... OK... OK! | 0:17:37 | 0:17:41 | |
Oh, and my favourite nephew. Carl, give me a hug too! | 0:17:43 | 0:17:46 | |
Gimme a hug. | 0:17:49 | 0:17:51 | |
Is the rumour true? Brittany's apologising to everyone? | 0:17:59 | 0:18:02 | |
She really wants to make the Gobsmack music video. | 0:18:02 | 0:18:06 | |
Or she can't handle being unpopular. Either way, it's kind of sweet. | 0:18:06 | 0:18:10 | |
Girls, I'm so sorry. | 0:18:10 | 0:18:12 | |
I'm sorry. | 0:18:13 | 0:18:15 | |
It will never happen again. | 0:18:16 | 0:18:20 | |
Hi, Jane. | 0:18:20 | 0:18:21 | |
I wanted to officially apologise about my rude behaviour | 0:18:21 | 0:18:24 | |
during the music video. | 0:18:24 | 0:18:26 | |
I appreciate how hard you were working | 0:18:26 | 0:18:28 | |
-to make it great. -Wow! Thanks, Brittany. | 0:18:28 | 0:18:30 | |
I'm trying to see things | 0:18:30 | 0:18:32 | |
-from other people's perspectives. Like you said. -Brittany, | 0:18:32 | 0:18:34 | |
I think you've really turned a corner. | 0:18:34 | 0:18:37 | |
You know, we still have four hours until we have to upload the video | 0:18:38 | 0:18:41 | |
for the Gobsmack contest. We can still do this. | 0:18:41 | 0:18:44 | |
But you'll do most of it, right? | 0:18:44 | 0:18:46 | |
Always the kidder. | 0:18:46 | 0:18:49 | |
Now, that is acting. | 0:18:49 | 0:18:51 | |
I think we need to sign Porter's transfer now. | 0:18:51 | 0:18:55 | |
Oh, not so fast! I've got some great news. | 0:18:55 | 0:18:57 | |
Arthur's company's building a new plant in Bulgaria. | 0:18:57 | 0:19:01 | |
-And the best part, Arthur's been named supervisor. -Congratulations. | 0:19:01 | 0:19:06 | |
Yes, that's fantastic. I think we should pack Porter's bags now. | 0:19:06 | 0:19:10 | |
He is going to love Bulgaria. | 0:19:10 | 0:19:11 | |
But Porter's really enjoying his time here at Bennett High. | 0:19:11 | 0:19:14 | |
We don't want to be traipsing him all over. | 0:19:14 | 0:19:17 | |
Oh, yes, but what better way to learn it then to study there? | 0:19:17 | 0:19:20 | |
-Isn't that right, Principal Malone? -Absolutely. | 0:19:20 | 0:19:23 | |
Every teenager needs a stable high school experience. | 0:19:23 | 0:19:26 | |
-Right, Principal Malone? -Absolutely. | 0:19:26 | 0:19:29 | |
In a situation where neither one of us wants to lose face, | 0:19:32 | 0:19:35 | |
we sit back quietly and give everything time. | 0:19:35 | 0:19:38 | |
Don't we, Arthur? | 0:19:38 | 0:19:40 | |
Oh, wow, look at the time. A minute to Denise. | 0:19:45 | 0:19:47 | |
Ha, ha, ha! | 0:19:47 | 0:19:50 | |
Porter can stay. | 0:19:50 | 0:19:52 | |
Nice work, Porsha! | 0:19:53 | 0:19:55 | |
Carl! | 0:19:55 | 0:19:56 | |
Argh! | 0:19:56 | 0:19:58 | |
Don't mind my Arthur. | 0:20:01 | 0:20:02 | |
Well, that was dramatic, wasn't it? That settles it, I guess. | 0:20:02 | 0:20:05 | |
Porter stays at Bennett High. | 0:20:05 | 0:20:07 | |
# Gob-go, hey yo | 0:20:12 | 0:20:14 | |
# Crave a snack for on the go! | 0:20:14 | 0:20:16 | |
# Break it down, jump around | 0:20:16 | 0:20:19 | |
# The best in town! Oh, yeah! # | 0:20:19 | 0:20:23 | |
-What is this? -They must be shooting the Gobsmack commercial. | 0:20:23 | 0:20:26 | |
Find the most creative use for Gobsmack. | 0:20:26 | 0:20:28 | |
-Gelatine cubes? -I guess so. | 0:20:28 | 0:20:31 | |
-Let's get in there. -All right. | 0:20:31 | 0:20:32 | |
# Gob-go, hey, yo | 0:20:32 | 0:20:35 | |
# Greatest snack for on the go | 0:20:35 | 0:20:37 | |
# Break it down, jump around | 0:20:37 | 0:20:39 | |
# Giant grape, the best in town | 0:20:39 | 0:20:41 | |
# Oh, oh, oh, oh, oh, oh, oh, oh. # | 0:20:41 | 0:20:45 | |
Gobsmacked! | 0:20:45 | 0:20:47 | |
# Break it down, jump around | 0:21:01 | 0:21:03 | |
# Giant grape, the best in town. # | 0:21:03 | 0:21:05 |