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Isn't that your third bottle of water this morning? | 0:00:02 | 0:00:05 | |
I don't know if you know this, but the average human is 74% water. | 0:00:05 | 0:00:08 | |
-No, I didn't. -I mean, I don't mean to brag but I'm 79. | 0:00:08 | 0:00:13 | |
80. | 0:00:15 | 0:00:16 | |
DREAMY MUSIC PLAYS | 0:00:19 | 0:00:23 | |
Wow! Sarah Davies! | 0:00:26 | 0:00:28 | |
-Are you doing slow-mo magic on her? -No, man. That's all you. | 0:00:28 | 0:00:32 | |
Why don't you go ask her out? | 0:00:32 | 0:00:33 | |
Porter, there's no way I'm going to ask... | 0:00:33 | 0:00:35 | |
Not cool, Porter. | 0:00:37 | 0:00:38 | |
Hi, Sarah. I'm Carl. | 0:00:41 | 0:00:43 | |
I know. I sit behind you in math class. | 0:00:43 | 0:00:45 | |
Yeah, but I figured you'd only recognize the back of my head. | 0:00:45 | 0:00:50 | |
Definitely you. I know that cowlick anywhere. | 0:00:50 | 0:00:53 | |
-So, what's up, Carl? -Well, let me get right to the point. | 0:00:53 | 0:00:56 | |
-I like that in a... -Man? Were you going to say man? | 0:00:56 | 0:00:59 | |
-Person. -Oh, men are people too. | 0:00:59 | 0:01:01 | |
-So they are. -So they are. | 0:01:01 | 0:01:05 | |
-So they are. -So they are. | 0:01:05 | 0:01:07 | |
-So they are. -So they are. | 0:01:07 | 0:01:10 | |
So this is you getting to the point? | 0:01:10 | 0:01:12 | |
Right, um, | 0:01:12 | 0:01:13 | |
would you maybe be interested going out with me sometime? | 0:01:13 | 0:01:16 | |
Sure. That'd be fun. | 0:01:16 | 0:01:18 | |
Yeah, you know what, some other time, that's fine. | 0:01:18 | 0:01:20 | |
Really? | 0:01:22 | 0:01:24 | |
I mean, right, right, of course. | 0:01:24 | 0:01:26 | |
I did just ask you out, right? | 0:01:26 | 0:01:28 | |
Yes, you did. And I said yes. | 0:01:28 | 0:01:30 | |
OK. How about tomorrow? I'll call you with the deetes. | 0:01:30 | 0:01:34 | |
You mean details? | 0:01:34 | 0:01:35 | |
I call them deetes. Get right to the point. Saves a syllable. | 0:01:35 | 0:01:40 | |
-She said yes, Porter. -Of course she did. | 0:01:44 | 0:01:47 | |
-Wait. Did you have anything to do with that? -No. It was all you, dude. | 0:01:47 | 0:01:50 | |
Really? All me? Wow. This calls for some slow-mo. | 0:01:50 | 0:01:54 | |
Carl, no slow-mo in the hallways. You'll be late for class. | 0:02:02 | 0:02:05 | |
# Let's give it one more shot | 0:02:10 | 0:02:15 | |
# Let's give it everything you got | 0:02:15 | 0:02:18 | |
# Cos if we get it right | 0:02:18 | 0:02:21 | |
# We will shine, top of the world | 0:02:21 | 0:02:26 | |
# Hey, I got my wings from an angel | 0:02:26 | 0:02:29 | |
# Now we're wingin all the time | 0:02:29 | 0:02:33 | |
# I'm giving the wings to an angel | 0:02:33 | 0:02:36 | |
# The wings to an angel | 0:02:36 | 0:02:39 | |
# Now we got to learn to fly. # | 0:02:39 | 0:02:42 | |
Congratulations, Montclaire. | 0:02:49 | 0:02:51 | |
-Word on the street is you got a date with One-Date Davies. -Who? | 0:02:51 | 0:02:54 | |
Sarah Davies. | 0:02:54 | 0:02:55 | |
Anybody could take her out on a first date, | 0:02:55 | 0:02:56 | |
but no-one's got a second date with Sarah including me. | 0:02:56 | 0:02:59 | |
Or me. She told she's got a thing called standards. | 0:02:59 | 0:03:02 | |
What kind of date are you planning? | 0:03:02 | 0:03:04 | |
Um, I don't know. Usual dating stuff. | 0:03:04 | 0:03:06 | |
-Little of this, little of that. -That's minor league, Montclaire. | 0:03:06 | 0:03:09 | |
-What did you do? -Serge brought his A game. | 0:03:09 | 0:03:11 | |
Normally it'd be a Serge-themed date. | 0:03:11 | 0:03:13 | |
Read from a football playbook, chug some sport drinks, | 0:03:13 | 0:03:16 | |
show her some of Serge's trophies, just the big ones. | 0:03:16 | 0:03:18 | |
Thanks for a wonderful date, Serge. | 0:03:18 | 0:03:21 | |
Perhaps Serge would be able to win a second date. | 0:03:21 | 0:03:24 | |
Oh, that's so sweet, but I don't think so. | 0:03:24 | 0:03:27 | |
Serge. Serge. | 0:03:33 | 0:03:36 | |
-Yo, Serge! -Right. Got to stop reliving my flashbacks. | 0:03:36 | 0:03:40 | |
Sounds like a pretty rough date. | 0:03:40 | 0:03:42 | |
I'm still selling my sport memorabilia to pay for it. | 0:03:42 | 0:03:44 | |
By sports memorabilia, | 0:03:44 | 0:03:45 | |
I mean next season I'm playing hockey without the stick. | 0:03:45 | 0:03:48 | |
Attention, everyone! | 0:03:48 | 0:03:50 | |
I have been networking with a real live theatre director. | 0:03:50 | 0:03:52 | |
Isn't that exciting? | 0:03:52 | 0:03:54 | |
THEY APPLAUD | 0:03:54 | 0:03:56 | |
And there's a chance that I am going to be in a play. | 0:03:56 | 0:03:59 | |
The director wants me to do a dramatic monologue to see | 0:03:59 | 0:04:02 | |
if I've got the goods and let me tell you, I have the goods. | 0:04:02 | 0:04:04 | |
THEY APPLAUD | 0:04:04 | 0:04:07 | |
Therefore I am planning a Brittany Hanson showcase, | 0:04:07 | 0:04:11 | |
so the director can see my spectacular uber talent. | 0:04:11 | 0:04:14 | |
Don't be shy. Sign up here. Auditions are at lunch and remember, | 0:04:14 | 0:04:18 | |
the better you can make me look, the better I look. | 0:04:18 | 0:04:22 | |
If anyone can get a second date with Sarah, it's you. | 0:04:22 | 0:04:25 | |
You just need a practice date to get ready. | 0:04:25 | 0:04:27 | |
I'm curious what kind of solution Porter's going to come up with here. | 0:04:27 | 0:04:30 | |
As one of our top AITs, | 0:04:30 | 0:04:31 | |
he always brings something innovative to the table. | 0:04:31 | 0:04:34 | |
All right here's my plan. | 0:04:34 | 0:04:36 | |
I turn myself into a girl and Carl takes me out on a fake date. | 0:04:36 | 0:04:40 | |
If you can date passed this, | 0:04:40 | 0:04:42 | |
you're ready for anything. | 0:04:42 | 0:04:46 | |
Ew. Maybe not. | 0:04:46 | 0:04:48 | |
Should be with a girl who can completely objective. | 0:04:48 | 0:04:51 | |
Someone who has absolutely no feelings for you whatsoever. | 0:04:51 | 0:04:54 | |
BOTH: Jane. | 0:04:54 | 0:04:55 | |
THEY PLAY STRANGE MUSIC | 0:04:55 | 0:05:00 | |
I like where you guys are taking music | 0:05:09 | 0:05:12 | |
and I only want one band opening for me so you're in. | 0:05:12 | 0:05:14 | |
THEY WINCE | 0:05:14 | 0:05:16 | |
The Listern sisters are taking music to a new place, | 0:05:16 | 0:05:20 | |
-But what if they weren't available? -Why's that? -Detention! | 0:05:20 | 0:05:24 | |
Yes! They've got a detention on... When's the show? | 0:05:24 | 0:05:26 | |
-Tomorrow. -Oh, all day tomorrow. | 0:05:26 | 0:05:30 | |
Well into the evening detention. | 0:05:30 | 0:05:31 | |
Well, I... | 0:05:31 | 0:05:33 | |
BAGPIPES SQUEAL | 0:05:33 | 0:05:38 | |
If the Listerns can't make it then | 0:05:38 | 0:05:43 | |
-I guess I'll go with your band. -Yes! | 0:05:43 | 0:05:47 | |
I'm going to practice my hot licks. | 0:05:47 | 0:05:49 | |
And now I'm going to treat you all to a very rare, sneak preview | 0:05:49 | 0:05:53 | |
of my dramatic monologue. | 0:05:53 | 0:05:55 | |
Prepare your hankies, people. | 0:05:55 | 0:05:57 | |
It aches to be a widow | 0:05:59 | 0:06:01 | |
when the light fades | 0:06:01 | 0:06:03 | |
and the dawn breaks | 0:06:03 | 0:06:05 | |
and you have not yet slept, left awake, | 0:06:05 | 0:06:09 | |
just dreaming of all that could have been. | 0:06:09 | 0:06:15 | |
How can you not be crying? | 0:06:18 | 0:06:19 | |
I only cry when I'm sad. 'And I'm not that sad.' | 0:06:19 | 0:06:23 | |
It didn't really seem to come from the heart, Brittany. | 0:06:23 | 0:06:26 | |
Yeah, no motivation. | 0:06:26 | 0:06:27 | |
You're right. I'm Brittany. I'm perfect. I'm not sad. | 0:06:27 | 0:06:31 | |
How could I possible be sad with teeth like these? | 0:06:31 | 0:06:35 | |
THEY APPLAUD | 0:06:35 | 0:06:37 | |
Your only chance with Sarah is to have a great first date. | 0:06:40 | 0:06:43 | |
Besides, I need a subject for my human interaction project, you'll do. | 0:06:43 | 0:06:46 | |
If you change the names to protect the innocent, I'm your guinea pig. | 0:06:46 | 0:06:51 | |
You're not going to do that on the date, are you? | 0:06:51 | 0:06:53 | |
No. I don't do rodents on the first date. | 0:06:53 | 0:06:58 | |
OK, let's start at the beginning. Give me a proper greeting. | 0:06:58 | 0:07:02 | |
Sup? | 0:07:05 | 0:07:07 | |
Try again. | 0:07:07 | 0:07:08 | |
Hey, Jane, how you doin'? | 0:07:08 | 0:07:13 | |
What's crackalackin? Did you not hear me? I said what's crackalackin? | 0:07:13 | 0:07:16 | |
H to the E to the double L-O. | 0:07:16 | 0:07:19 | |
Konichiwa! | 0:07:19 | 0:07:22 | |
OK, greet me with a hug. | 0:07:24 | 0:07:27 | |
No, no. | 0:07:27 | 0:07:29 | |
-Oh! -Aye! | 0:07:29 | 0:07:32 | |
OK, well, that's a good start, | 0:07:32 | 0:07:35 | |
but you know me, I love a challenge! | 0:07:35 | 0:07:38 | |
You that ride at the fair that spins you around and flips you upside down | 0:07:41 | 0:07:44 | |
and change falls out your pocket then it's over and you're dizzy | 0:07:44 | 0:07:47 | |
but you want to go on it again? | 0:07:47 | 0:07:48 | |
-Yeah. -Dating a girl's just like that. | 0:07:48 | 0:07:50 | |
Thank you for letting me go to the bathroom Miss Casey. | 0:07:50 | 0:07:53 | |
On to lesson 23, determining which date is right for you. | 0:07:53 | 0:07:57 | |
Serge, can you make me sad? | 0:07:57 | 0:08:00 | |
Easy-peasy. Serge watched a sad movie last night. | 0:08:00 | 0:08:02 | |
This guy gets a love letter from someone he hasn't seen in 20 years. | 0:08:02 | 0:08:05 | |
The letter was lost at the post office. | 0:08:05 | 0:08:07 | |
I like where this is going. | 0:08:07 | 0:08:09 | |
There are four kinds of dates. | 0:08:09 | 0:08:12 | |
The adventure date. | 0:08:12 | 0:08:14 | |
DRAMATIC MUSIC | 0:08:14 | 0:08:17 | |
Aren't we moving a bit fast? | 0:08:17 | 0:08:20 | |
The parachute won't open! | 0:08:20 | 0:08:22 | |
THEY SCREAM | 0:08:24 | 0:08:27 | |
No adventure dating for me. Too much adventure. | 0:08:29 | 0:08:33 | |
The romantic date. | 0:08:35 | 0:08:36 | |
More vanilla yogurt? | 0:08:36 | 0:08:38 | |
That's not vanilla yogurt, is it? | 0:08:41 | 0:08:43 | |
THEY SCREAM | 0:08:47 | 0:08:51 | |
I think romantic dates are for the birds. What else you got? | 0:08:55 | 0:08:59 | |
The sports date. | 0:08:59 | 0:09:01 | |
I'll catch this ball for you, Sarah. | 0:09:03 | 0:09:06 | |
I think sport dates are a little too concussiony. | 0:09:12 | 0:09:15 | |
Yeah, I don't know why I put that one on the board. | 0:09:15 | 0:09:18 | |
Do you know me at all, Jane? | 0:09:18 | 0:09:19 | |
I do, and that is why I think you'd be perfect for the classic date. | 0:09:19 | 0:09:24 | |
That sounds like me. | 0:09:24 | 0:09:25 | |
Actually, I could take Sarah to Yolanda's for Brittany's showcase. | 0:09:25 | 0:09:28 | |
Perfect! OK, go find Sarah and give her the deetes. | 0:09:28 | 0:09:31 | |
BOTH: It saves a syllable! | 0:09:31 | 0:09:33 | |
Even after the infection from the letters paper cut had healed, | 0:09:33 | 0:09:40 | |
he could never play football again! | 0:09:40 | 0:09:42 | |
SHE SNORES | 0:09:42 | 0:09:44 | |
He could never play football again! | 0:09:44 | 0:09:47 | |
Not even touch football! | 0:09:47 | 0:09:50 | |
I didn't need a nap! I need to be sad! | 0:09:50 | 0:09:53 | |
And now that I've had a little bit of a beauty rest, I'm even happier. | 0:09:53 | 0:09:56 | |
Thanks for nothing! | 0:09:56 | 0:09:59 | |
-Porter! Can you make me sad? -Who can be sad around me? | 0:09:59 | 0:10:02 | |
You're right, everybody loves you. Hey, you should be my MC tonight. | 0:10:02 | 0:10:05 | |
Done. Why don't you try Mr Telson? | 0:10:05 | 0:10:08 | |
Mr Telson, I need you to make me sad because... | 0:10:08 | 0:10:11 | |
I don't need a reason, I'd love to make you sad. Where do we begin? | 0:10:11 | 0:10:14 | |
There's a lot of choices, you know. You're shallow, there's that. | 0:10:14 | 0:10:17 | |
I keep my best qualities on the surface for everybody to see. | 0:10:17 | 0:10:20 | |
SUBSTANDARD! AS USUAL! | 0:10:21 | 0:10:23 | |
And when people tell you the truth about yourself you don't get it | 0:10:23 | 0:10:26 | |
because you're too obtuse. | 0:10:26 | 0:10:27 | |
-I used to be obtuse and then I started going to the gym. -Obtuse! | 0:10:27 | 0:10:31 | |
-It means...never mind. -Please, Mr Telson, don't give up on me. | 0:10:31 | 0:10:36 | |
Dig deep, sir. HE LAUGHS | 0:10:36 | 0:10:39 | |
All right. Buckle up. | 0:10:39 | 0:10:41 | |
You are a delusional, vapid, | 0:10:42 | 0:10:45 | |
egomaniacal, vacuous, self-absorbed, dizzy, | 0:10:45 | 0:10:48 | |
completely narcissistic celebrity wannabe! | 0:10:48 | 0:10:51 | |
I do want to be a celebrity and I will! | 0:10:52 | 0:10:55 | |
You have not helped me at all! I feel better than when you began. | 0:10:55 | 0:10:58 | |
There's two hours till showtime and I still have no motivation. | 0:10:58 | 0:11:02 | |
I give up! | 0:11:02 | 0:11:04 | |
That's why I don't let people in. | 0:11:04 | 0:11:07 | |
OK, I get it. You're sad. Now quit showing off! | 0:11:07 | 0:11:10 | |
Did you hear my band is gigging for Brittany's showcase? | 0:11:12 | 0:11:16 | |
-I heard you were opening for her. -Actually she's closing for us. | 0:11:16 | 0:11:19 | |
Yeah, word. | 0:11:19 | 0:11:21 | |
Heh! | 0:11:21 | 0:11:23 | |
Aah! | 0:11:25 | 0:11:26 | |
SCARY MUSIC | 0:11:26 | 0:11:28 | |
Ah! | 0:11:28 | 0:11:29 | |
Aah! | 0:11:32 | 0:11:34 | |
OK. Detention cancelled! | 0:11:38 | 0:11:42 | |
And you can be in my band. | 0:11:44 | 0:11:47 | |
HE WHIMPERS | 0:11:52 | 0:11:54 | |
-Oh. Hey, Sarah. Wait up. -And you are? | 0:11:57 | 0:12:01 | |
Erm, C-C-Carl Montclair. | 0:12:01 | 0:12:04 | |
-I'm just kidding. -OK. Yeah, I was just kidding too. | 0:12:06 | 0:12:09 | |
HE GIGGLES | 0:12:09 | 0:12:11 | |
-I've been thinking about our date. -Really? -Yeah. | 0:12:11 | 0:12:14 | |
I've been working hard to make sure it's perfect. | 0:12:14 | 0:12:16 | |
I was thinking we could go to Yolanda's. | 0:12:16 | 0:12:18 | |
Brittany's got an audition showcase tonight. | 0:12:18 | 0:12:20 | |
Great. I'll meet you there. | 0:12:20 | 0:12:23 | |
That went well. I saw her, I approached her, said hi. | 0:12:24 | 0:12:29 | |
"Hey, it's Carl." Shared a laugh, gave her the deets. | 0:12:29 | 0:12:32 | |
Yeah! | 0:12:32 | 0:12:34 | |
Now I'm standing here talking to myself but who cares? Hah! | 0:12:34 | 0:12:38 | |
OK, I really hope this place is to your liking. | 0:12:42 | 0:12:44 | |
It did receive a four star rating in the Bennett Newshound. | 0:12:44 | 0:12:47 | |
I know. I wrote that review. | 0:12:47 | 0:12:49 | |
"No-nonsense Art Deco Asian fusion bistro | 0:12:49 | 0:12:51 | |
"that caters to the student on a budget." | 0:12:51 | 0:12:53 | |
-Aw, you remembered! -My lady. | 0:12:53 | 0:12:56 | |
Excellent small talk, Carl. | 0:12:56 | 0:12:58 | |
OK, so on your date with Sarah you'll need some go-to | 0:12:58 | 0:13:00 | |
conversation pieces. | 0:13:00 | 0:13:02 | |
First start with the sweet story about your childhood. | 0:13:02 | 0:13:05 | |
Actually, there was this one time I found a bunny. | 0:13:05 | 0:13:08 | |
-Ready for your showcase? -No. | 0:13:08 | 0:13:09 | |
I'm not going to find motivation in time for my monologue. | 0:13:09 | 0:13:12 | |
-Is your director here? -Not yet. | 0:13:12 | 0:13:14 | |
When she sees my happy, happy monologue, | 0:13:14 | 0:13:16 | |
my life is going to be over, over. | 0:13:16 | 0:13:18 | |
So when the bunny's leg healed, | 0:13:18 | 0:13:20 | |
I let go and he scampered back to the woods. | 0:13:20 | 0:13:22 | |
I go back sometimes and he'll come up and say hi. | 0:13:22 | 0:13:25 | |
-Last year he even brought his little baby bunnies. -Oh! Baby bunnies! | 0:13:25 | 0:13:29 | |
That was such a sweet story. | 0:13:29 | 0:13:31 | |
I didn't know you were good with animals, Carl. | 0:13:31 | 0:13:33 | |
I even got Serge to eat out of the palm of my hand. | 0:13:33 | 0:13:35 | |
THEY LAUGH | 0:13:35 | 0:13:37 | |
-I've got to start the show so break a leg, Brittany. -Oh! | 0:13:37 | 0:13:40 | |
I could break my leg! That would make me sad. | 0:13:40 | 0:13:43 | |
Get back here, Porter, and kick me in the leg. | 0:13:43 | 0:13:45 | |
HE LAUGHS | 0:13:45 | 0:13:47 | |
Ladies and gentlemen, | 0:13:47 | 0:13:49 | |
welcome to Brittany Hanson's Showy Show-off Showcase. | 0:13:49 | 0:13:51 | |
APPLAUSE | 0:13:51 | 0:13:53 | |
I'd like to welcome our first act, the strong Serge Delvecchio. | 0:13:53 | 0:13:58 | |
APPLAUSE | 0:13:58 | 0:14:00 | |
Serge is going to start his act with some push-ups. | 0:14:04 | 0:14:07 | |
HIP HOP MUSIC | 0:14:07 | 0:14:09 | |
One and a-two and a-one, two... | 0:14:09 | 0:14:11 | |
One, two... | 0:14:11 | 0:14:13 | |
I think this is the point in the date where I ask about you. | 0:14:13 | 0:14:16 | |
Correct! This date is going so well, Carl. | 0:14:16 | 0:14:18 | |
All right, let's see. | 0:14:18 | 0:14:20 | |
I know you love journalism and you love things to be organised | 0:14:20 | 0:14:23 | |
but if you had to pick between the two, which would it be? | 0:14:23 | 0:14:26 | |
That is a very interesting question! | 0:14:26 | 0:14:29 | |
So in keeping organised, I'll be able to be a better journalist. Wow! | 0:14:31 | 0:14:36 | |
I'd never thought about it like that. Thanks, Carl. | 0:14:36 | 0:14:39 | |
Yeah, yeah. Anytime. So why don't I buy you some dessert? | 0:14:39 | 0:14:42 | |
I hear they've got some really good deep-fried ice cream. | 0:14:42 | 0:14:45 | |
-Mm! Sounds delicious. -ROMANTIC MUSIC | 0:14:45 | 0:14:48 | |
One, two, three, four! | 0:14:50 | 0:14:52 | |
MUSIC: "Scotland the Brave" | 0:14:52 | 0:14:54 | |
-Carl. -I've got to stay hungry for my date with Sarah. | 0:14:58 | 0:15:01 | |
SHE LAUGHS | 0:15:05 | 0:15:07 | |
SHE SQUEALS | 0:15:09 | 0:15:11 | |
I must be a great teacher because Carl is an amazing student. | 0:15:11 | 0:15:16 | |
I'm having such a great time! | 0:15:16 | 0:15:18 | |
Looks like we have just enough time to practice the official walk home. | 0:15:19 | 0:15:23 | |
-Shall we? -We shall. | 0:15:23 | 0:15:26 | |
I had a great time tonight, Jane. | 0:15:34 | 0:15:37 | |
I'm sure Sarah's going to have just as much fun as I did. | 0:15:37 | 0:15:41 | |
So the last step is Sarah's kiss good night. | 0:15:41 | 0:15:43 | |
All right. | 0:15:43 | 0:15:45 | |
Don't be shy, Carl. | 0:15:45 | 0:15:47 | |
Erm, right. That was, erm... | 0:16:01 | 0:16:03 | |
Erm, yeah. | 0:16:04 | 0:16:07 | |
We should do this again sometime. Shall we do this again sometime? | 0:16:07 | 0:16:10 | |
Erm, yeah. Sure. I'd love a second date, Sarah. | 0:16:10 | 0:16:13 | |
Oh, I meant...yeah. | 0:16:13 | 0:16:15 | |
Sarah would love a second date. | 0:16:15 | 0:16:18 | |
She really would. | 0:16:20 | 0:16:22 | |
You should go. You're running late for your date with Sarah. | 0:16:25 | 0:16:30 | |
Erm, right. | 0:16:30 | 0:16:32 | |
Sarah. Running late. | 0:16:33 | 0:16:35 | |
MUSIC: "Scotland the Brave" | 0:16:45 | 0:16:48 | |
Thank you very much! We have been Sound Soup. Good night. | 0:16:56 | 0:16:59 | |
Hi Carl. You're a little late, aren't you? | 0:17:05 | 0:17:08 | |
Yeah. Uh-huh. | 0:17:08 | 0:17:11 | |
I've never had anyone be late before. Curious. | 0:17:11 | 0:17:14 | |
Kiss? What kiss? | 0:17:14 | 0:17:16 | |
I didn't say kiss. | 0:17:16 | 0:17:19 | |
Good. | 0:17:19 | 0:17:20 | |
I have been practicing and prepping and perfecting my date with Sarah | 0:17:21 | 0:17:25 | |
and suddenly, I don't seem to care. | 0:17:25 | 0:17:28 | |
After that great date with Jane and that kiss, | 0:17:28 | 0:17:30 | |
I mean, that was some kiss! | 0:17:30 | 0:17:34 | |
Want a menu? Let me get you a menu. | 0:17:35 | 0:17:38 | |
So, what do you recommend? | 0:17:41 | 0:17:43 | |
Kiss? What kiss? | 0:17:43 | 0:17:45 | |
No, I meant to eat. | 0:17:45 | 0:17:47 | |
Huh? Oh, I don't know. | 0:17:47 | 0:17:48 | |
I don't have much of an appetite. | 0:17:48 | 0:17:51 | |
Carl is the first guy who isn't totally in to me. | 0:17:51 | 0:17:54 | |
I've never met anyone so casual. I'm so into that. | 0:17:54 | 0:17:58 | |
What are you going to do now, Alex? | 0:17:58 | 0:18:00 | |
I'm gonna drink some water and sing a song. | 0:18:00 | 0:18:02 | |
That sounds stupid. | 0:18:02 | 0:18:04 | |
Don't call me stupid. | 0:18:04 | 0:18:06 | |
The theatre director is going to be here any minute. | 0:18:06 | 0:18:08 | |
She needs to see genuine emotion and feelings, | 0:18:08 | 0:18:10 | |
and I don't even know how to spell genuine. | 0:18:10 | 0:18:13 | |
Text! It's the director. | 0:18:13 | 0:18:16 | |
You read it. | 0:18:16 | 0:18:17 | |
Oh... She's not coming. | 0:18:20 | 0:18:22 | |
What?! | 0:18:22 | 0:18:23 | |
My whole future is ruined! | 0:18:23 | 0:18:26 | |
I'm never going to get over this sadness. | 0:18:26 | 0:18:29 | |
Sadness. Yes! I found my sadness. | 0:18:29 | 0:18:32 | |
Good evening, ladies and gentlemen, | 0:18:32 | 0:18:35 | |
and now the moment you've all been waiting for. | 0:18:35 | 0:18:38 | |
It aches to be a widow. | 0:18:40 | 0:18:43 | |
When the light fades and dawn breaks, | 0:18:43 | 0:18:46 | |
you have not yet slept. | 0:18:46 | 0:18:50 | |
Left awake, just dreaming of all that could have been. | 0:18:51 | 0:18:56 | |
This as been the best date I've ever been on. | 0:18:58 | 0:19:01 | |
Would it be all right if I walked you home? | 0:19:01 | 0:19:03 | |
Whatever you need. | 0:19:03 | 0:19:05 | |
At the fading light of dawn, | 0:19:05 | 0:19:07 | |
the streetcars stop... | 0:19:07 | 0:19:09 | |
..the subways begin. | 0:19:11 | 0:19:13 | |
I had a really, really good time tonight, Carl. | 0:19:33 | 0:19:36 | |
I've never been on a date with anyone as cool as you. | 0:19:36 | 0:19:39 | |
You're just so different. | 0:19:39 | 0:19:41 | |
Yeah. | 0:19:43 | 0:19:44 | |
I've got to go. School night. | 0:19:44 | 0:19:46 | |
High five! | 0:19:46 | 0:19:48 | |
Save that for later. | 0:19:52 | 0:19:53 | |
So do you think maybe we could do this again sometime? | 0:19:53 | 0:19:56 | |
Why don't we play it by ear? | 0:19:56 | 0:19:57 | |
Oh, OK. I'll call you. | 0:19:57 | 0:20:01 | |
I'm still reeling over the news that you kissed Jane. | 0:20:08 | 0:20:11 | |
Yeah, me too. | 0:20:11 | 0:20:13 | |
I feel like I could high five the world. | 0:20:13 | 0:20:15 | |
Hey, are you high fiving because you got a second date | 0:20:15 | 0:20:18 | |
with one-date Davies? | 0:20:18 | 0:20:19 | |
-Nope. There will no second date with Sarah. -I knew it! | 0:20:19 | 0:20:21 | |
I know, you were right. | 0:20:21 | 0:20:22 | |
Don't worry, Montclaire. Better men than you have failed, like me. | 0:20:22 | 0:20:26 | |
And worse men have tried and failed too, like me. | 0:20:26 | 0:20:29 | |
So have you talked to Jane? | 0:20:30 | 0:20:31 | |
No. | 0:20:31 | 0:20:33 | |
So what now? | 0:20:33 | 0:20:34 | |
I guess we'll see. | 0:20:34 | 0:20:36 | |
Subtitles by Red Bee Media Ltd | 0:21:00 | 0:21:03 |