Browse content similar to After School Clubs. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
I photographed this text message on Miss Gulliver's | 0:00:04 | 0:00:06 | |
phone so she couldn't delete it before I confronted her. | 0:00:06 | 0:00:09 | |
It's to some guy called Orlando. | 0:00:09 | 0:00:10 | |
"Can't wait for BDSM tonight. I love my bondage and my freedom." | 0:00:10 | 0:00:13 | |
What does BDSM even mean? | 0:00:13 | 0:00:15 | |
-Bondage domination and sadomasochism. -Shut up, Mitchell! | 0:00:15 | 0:00:18 | |
Trust me Sir, I've watched a lot of porn. | 0:00:18 | 0:00:20 | |
I'm sure there's a logical explanation why she's texting | 0:00:20 | 0:00:23 | |
some random guy about bondage. | 0:00:23 | 0:00:24 | |
Why don't you just ask her? | 0:00:24 | 0:00:26 | |
Sit her down and have an honest conversation with her? | 0:00:26 | 0:00:28 | |
-Grow up, mate! -Look it up, BDSM. | 0:00:28 | 0:00:30 | |
"My bondage and my freedom," I recognise that. | 0:00:30 | 0:00:33 | |
What the hell! | 0:00:36 | 0:00:37 | |
Cor, Rem Dogg, your mum's putting a lot of strain on that harness. | 0:00:37 | 0:00:40 | |
THEY LAUGH | 0:00:40 | 0:00:41 | |
Maybe she thinks I'm a prude. Have I driven her to this? | 0:00:41 | 0:00:44 | |
Calm down, Sir. Here's what you need to do. | 0:00:44 | 0:00:46 | |
Alfie, I don't remember inviting you. | 0:00:48 | 0:00:52 | |
So, before we plunge in, maybe the newest | 0:00:54 | 0:00:58 | |
member of our clandestine cabal could introduce himself. | 0:00:58 | 0:01:03 | |
We'll be gentle. | 0:01:04 | 0:01:06 | |
THEY LAUGH | 0:01:06 | 0:01:07 | |
Phew! | 0:01:07 | 0:01:09 | |
Hi, I'm Alfie. | 0:01:09 | 0:01:10 | |
I am into fetish play, er, light spanking and threesomes. | 0:01:10 | 0:01:14 | |
If another dude's involved, | 0:01:14 | 0:01:16 | |
then preferably Rosie would be holding my hand. | 0:01:16 | 0:01:19 | |
I brought a paddle and er, remember, guys, | 0:01:19 | 0:01:21 | |
dorm rules, it's not gay if there's no eye contact. | 0:01:21 | 0:01:25 | |
Well, this fortnight we read My Bondage and My Freedom, | 0:01:28 | 0:01:32 | |
a heart-wrenching account of slavery by Frederick Douglass. | 0:01:32 | 0:01:36 | |
BDSM? | 0:01:36 | 0:01:38 | |
Book Discussion Society, Magdalene. | 0:01:38 | 0:01:41 | |
I'll go. | 0:01:43 | 0:01:46 | |
(Oh, my God!) | 0:01:47 | 0:01:50 | |
THEY LAUGH | 0:02:19 | 0:02:21 | |
So, it turns out My Bondage and My Freedom is a book. | 0:02:21 | 0:02:26 | |
By Frederick Douglass! I knew I recognised it. | 0:02:26 | 0:02:29 | |
In the nick of time(!) | 0:02:29 | 0:02:31 | |
Now Miss Gulliver's staying with a friend | 0:02:31 | 0:02:33 | |
and I know it's that douche bag Orlando. | 0:02:33 | 0:02:36 | |
Listen, Sam Cam, whining like a bitch ain't going to make it better. | 0:02:36 | 0:02:40 | |
But revenge might. Where's Mitchell? | 0:02:40 | 0:02:42 | |
I'm going to mess him up. | 0:02:42 | 0:02:43 | |
With your spanking paddle? | 0:02:43 | 0:02:45 | |
Oi, everyone, listen up, I've got some news. I'm leaving Abbey Grove. | 0:02:45 | 0:02:48 | |
-What? -Did UKIP set fire to your caravan? | 0:02:48 | 0:02:51 | |
No. Why does everyone think I'm a gypo? | 0:02:51 | 0:02:54 | |
I'm leaving cos my dad's fairground's been | 0:02:54 | 0:02:56 | |
shut down by the council. | 0:02:56 | 0:02:57 | |
TBH, your fair is a bit shit. | 0:02:57 | 0:02:59 | |
None of your dad's air rifles shoot straight. | 0:02:59 | 0:03:01 | |
Tell that to the cashier at HSBC. | 0:03:01 | 0:03:02 | |
Going to pretend I didn't hear that. | 0:03:02 | 0:03:04 | |
You could still come to school. Not that I give a shit. | 0:03:04 | 0:03:07 | |
What if Abbey Grove became a boarding school, | 0:03:07 | 0:03:09 | |
you could stay in a dormitory like I did at my school? | 0:03:09 | 0:03:11 | |
Cheers, Spanky, but I'd rather not be gangbanged by the quidditch team. | 0:03:11 | 0:03:14 | |
THEY LAUGH | 0:03:14 | 0:03:15 | |
This is bullshit! There must be a way of keeping you here. | 0:03:15 | 0:03:18 | |
Fraser, we need to turn the playground into a paddock. | 0:03:18 | 0:03:22 | |
Well, we do need dollar, dollar is what we need. | 0:03:22 | 0:03:24 | |
But fear not, I have a new initiative. | 0:03:24 | 0:03:26 | |
I'm renting out rooms after school. | 0:03:26 | 0:03:28 | |
The library is being used by Miss Gulliver's book group. | 0:03:28 | 0:03:31 | |
-Oh. -I told her it might be double booked, but she-cracked the whip. | 0:03:31 | 0:03:34 | |
-"Wpssh"! -Please stop. -The safe word's, "Banter." | 0:03:34 | 0:03:37 | |
-Banter. -Consider me gagged and bound. | 0:03:37 | 0:03:39 | |
A Mr Hitchell Marper is renting out the school | 0:03:41 | 0:03:45 | |
-hall for a retirement party. -Right. | 0:03:45 | 0:03:47 | |
And I bagsied the gym for my larping crew. | 0:03:47 | 0:03:50 | |
-Larping? -Live action role play. | 0:03:50 | 0:03:52 | |
Picture a ragtag gang of shaggers | 0:03:52 | 0:03:55 | |
and legends doing battle dressed as dwarfs, orcs, elves and wizards. | 0:03:55 | 0:03:59 | |
Legends? Shaggers? | 0:03:59 | 0:04:01 | |
Do you want in? | 0:04:01 | 0:04:03 | |
I think I'll give it a miss. | 0:04:03 | 0:04:05 | |
Larping came in on my bucket list just below drinking | 0:04:05 | 0:04:07 | |
a gallon of urine or dying of leprosy. | 0:04:07 | 0:04:09 | |
But I've told the lads all about you, | 0:04:09 | 0:04:12 | |
they're desperate to meet my best friend. | 0:04:12 | 0:04:14 | |
Er, best friend? | 0:04:14 | 0:04:15 | |
OK. | 0:04:15 | 0:04:17 | |
You know all that paperwork winging its way down from Tory HQ? | 0:04:17 | 0:04:21 | |
The 25-page document I need to complete on making the kids' | 0:04:21 | 0:04:24 | |
handwriting look more British? | 0:04:24 | 0:04:26 | |
(I will make that form and all the others disappear | 0:04:29 | 0:04:31 | |
(if you get your larp on.) | 0:04:31 | 0:04:33 | |
Why are you whispering? | 0:04:33 | 0:04:35 | |
(I think Gove had the room bugged.) | 0:04:35 | 0:04:37 | |
Sneaky! | 0:04:39 | 0:04:41 | |
Love in the Time of Cholera. | 0:04:44 | 0:04:45 | |
Sounds like our mini break in Morocco. | 0:04:45 | 0:04:48 | |
One mouthful of shower water, then boom! Remember? | 0:04:48 | 0:04:51 | |
Fondly. | 0:04:51 | 0:04:53 | |
Can we talk? | 0:04:53 | 0:04:55 | |
BELL RINGS | 0:04:55 | 0:04:57 | |
-I've got to read this. -For your "book club"? | 0:04:57 | 0:04:59 | |
Ugh, don't do inverted commas, it IS a book club. | 0:04:59 | 0:05:01 | |
Why is it being held in the library? | 0:05:01 | 0:05:03 | |
Because I wanted to support Fraser's new scheme. | 0:05:03 | 0:05:06 | |
And I didn't want to have it at ours. | 0:05:06 | 0:05:08 | |
What, because you're ashamed of me? | 0:05:08 | 0:05:10 | |
Look, I don't normally care what people think about us, but I | 0:05:10 | 0:05:14 | |
just had to convince my ex-boyfriend I'm not going out with a gimp. | 0:05:14 | 0:05:17 | |
Orlando! "Ooh, look at me, I'm so vintage, I've got a pager." | 0:05:17 | 0:05:21 | |
-He's a doctor. -He's a dick! -And, anyway, Orlando isn't even... | 0:05:21 | 0:05:25 | |
What kind of a name is Orlando? | 0:05:25 | 0:05:26 | |
I mean, where was he conceived, the log flume at Disneyworld? | 0:05:26 | 0:05:30 | |
He was named after a book by Virginia Woolf. | 0:05:30 | 0:05:32 | |
-'Course he was. -Don't be intimidated. | 0:05:32 | 0:05:34 | |
Um, who's afraid of Virginia Woolf? | 0:05:34 | 0:05:37 | |
Sorry, I can't work out if you're joking. | 0:05:37 | 0:05:39 | |
I am joking. Look, please, please give me a second chance. | 0:05:39 | 0:05:43 | |
I'll come to the book group tonight. | 0:05:43 | 0:05:45 | |
But you hate reading and it's in six hours, | 0:05:45 | 0:05:47 | |
it took you a year to finish Charlotte's Web. | 0:05:47 | 0:05:50 | |
Oh, you watch me, I am going to prove that I am | 0:05:50 | 0:05:52 | |
just as good as any of those smug, judgmental, dweeby, Oxbridge shits... | 0:05:52 | 0:05:56 | |
..who are your good friends. | 0:05:58 | 0:06:00 | |
Right, change of plan - I won't be teaching you today. | 0:06:05 | 0:06:08 | |
You guys can get on with these personal statements whilst | 0:06:08 | 0:06:12 | |
I speed-read this dumb book. | 0:06:12 | 0:06:14 | |
Love in the Time of Cholera, is it like Slumdog? | 0:06:14 | 0:06:17 | |
No, it's South American, I think. | 0:06:17 | 0:06:19 | |
Oh, sweet, is there a cartel? | 0:06:19 | 0:06:20 | |
I hope so, cos thus far this book has been about as dry as a camel's fanny. | 0:06:20 | 0:06:24 | |
"Where do you see yourself in five years?" | 0:06:24 | 0:06:27 | |
How are we meant to answer that? | 0:06:27 | 0:06:29 | |
Easy - treading the boards, crunching the numbers, on the dole, | 0:06:29 | 0:06:32 | |
in the clink and... | 0:06:32 | 0:06:34 | |
Up the duff! | 0:06:34 | 0:06:35 | |
No. Working as a qualified beautician. | 0:06:35 | 0:06:37 | |
Who may or may not be pregnant. | 0:06:37 | 0:06:39 | |
Don't worry, Sir, we'll be careful. | 0:06:39 | 0:06:41 | |
Just remember, kids, in five years' time, | 0:06:43 | 0:06:45 | |
when you leave university, there will nothing holding you back. | 0:06:45 | 0:06:48 | |
Except for a mountain of unpayable lifelong crippling debt. | 0:06:48 | 0:06:52 | |
So be ambitious, children! Remember, the sky's the limit. | 0:06:52 | 0:06:55 | |
How do you spell celebrity? | 0:06:55 | 0:06:57 | |
Ah, gosh! | 0:06:57 | 0:06:59 | |
-Oi, Stephen, can I borrow a gel pen? -What scent, cherry or lime? | 0:06:59 | 0:07:01 | |
Whatever. | 0:07:01 | 0:07:03 | |
Oh, oh, it's a mouse! | 0:07:03 | 0:07:06 | |
HE LAUGHS | 0:07:06 | 0:07:07 | |
Somebody kill it. Somebody get it for me! | 0:07:07 | 0:07:09 | |
-Mitchell? -Well, it's me last day, Sir, so I did a few pranks. | 0:07:09 | 0:07:12 | |
Ah, you scamp! | 0:07:12 | 0:07:14 | |
Calm down, Stephen. | 0:07:14 | 0:07:15 | |
Remember, it's more afraid of you than you are of it. | 0:07:15 | 0:07:18 | |
Why do you even have a mouse? | 0:07:18 | 0:07:20 | |
I feed 'em to my snake. | 0:07:20 | 0:07:22 | |
Oh, shit! | 0:07:22 | 0:07:24 | |
THEY LAUGH | 0:07:24 | 0:07:26 | |
It's a snake! | 0:07:26 | 0:07:27 | |
Calm down, Sir. It's more afraid of you than you are of it. | 0:07:29 | 0:07:32 | |
Pizza? | 0:07:36 | 0:07:38 | |
I like this Mitchell prank. He ordered 200 on the school account. | 0:07:38 | 0:07:41 | |
How far have you got? | 0:07:41 | 0:07:43 | |
Page five! | 0:07:43 | 0:07:45 | |
I'll look like an idiot tonight at the book group | 0:07:45 | 0:07:48 | |
and Miss Gulliver's going to end up | 0:07:48 | 0:07:50 | |
shagging Orlando in his...sex library. | 0:07:50 | 0:07:53 | |
Can I help? | 0:07:53 | 0:07:55 | |
I can read a chapter for you, if you like. | 0:07:55 | 0:07:57 | |
I wish you could, but I'd need, like, | 0:07:57 | 0:07:59 | |
15 yous to read the whole bloody thing. | 0:07:59 | 0:08:01 | |
Are you thinking what I'm thinking? | 0:08:03 | 0:08:04 | |
Yes, I am! Cloning! | 0:08:04 | 0:08:06 | |
Book pool! | 0:08:06 | 0:08:08 | |
Yeah, you're right, book pool is a much better idea. | 0:08:08 | 0:08:10 | |
Everyone in the class can read one chapter each. Gather the team! | 0:08:10 | 0:08:13 | |
Where are you going? | 0:08:13 | 0:08:15 | |
To tell the librarian to get her sweet little 70-year-old | 0:08:15 | 0:08:17 | |
ass down to Waterstones pronto cos Love in the Time of Cholera | 0:08:17 | 0:08:20 | |
has just been put on the goddamn syllabus. | 0:08:20 | 0:08:23 | |
What you doing tonight? It's just my leaving party. | 0:08:31 | 0:08:35 | |
Can you come? | 0:08:35 | 0:08:37 | |
I don't know, innit. Maybe. | 0:08:37 | 0:08:40 | |
Look, I just wondered if you fancied, no, if you had a type... | 0:08:41 | 0:08:47 | |
..of pizza what you go for? | 0:08:49 | 0:08:51 | |
Yeah. Every girl's got their type. | 0:08:51 | 0:08:54 | |
See, I like my pizzas well hot.. | 0:08:54 | 0:08:56 | |
Yeah. | 0:08:56 | 0:08:57 | |
-..With lots of dough. -All right. | 0:08:57 | 0:08:59 | |
Minimum, 12 inches. | 0:08:59 | 0:09:02 | |
-Oh. -What have their own car | 0:09:02 | 0:09:04 | |
and don't live in a shitty caravan with their fam...fam. | 0:09:04 | 0:09:07 | |
I don't think Dominos do that one. | 0:09:10 | 0:09:12 | |
What about our personal statements? | 0:09:18 | 0:09:21 | |
Park those, this is way more important! | 0:09:21 | 0:09:23 | |
Right, Jing, you'll take chapter two. Stephen, chapter three. | 0:09:23 | 0:09:26 | |
Mitchell, chapter four. Chantelle, chapter five. | 0:09:26 | 0:09:29 | |
And Joe's going to bring it on home with the anchor leg. | 0:09:29 | 0:09:32 | |
Only if you help me out first. | 0:09:32 | 0:09:33 | |
Fine, but I won't lie in court and I refuse to handle stolen goods. | 0:09:33 | 0:09:36 | |
Cleo's Peng and this party's the last opportunity I'll | 0:09:36 | 0:09:38 | |
have to pull her, but she thinks I'm as sexy as a shit in a lift. | 0:09:38 | 0:09:41 | |
With a turn of phrase like that, I'm amazed she can resist you (!) | 0:09:41 | 0:09:44 | |
I'll help you, babe! We all will. | 0:09:44 | 0:09:45 | |
I've seen this a million times - boy wants girl way | 0:09:45 | 0:09:48 | |
out of his league, it's got Super Sweet 16 written all over it. | 0:09:48 | 0:09:50 | |
Stephen's right, you have to look your best tonight. | 0:09:50 | 0:09:53 | |
Don't take this wrong , but does your dad have a court suit? | 0:09:53 | 0:09:55 | |
-Yeah, used to be his lucky suit. -What happened? -Got found guilty. | 0:09:55 | 0:09:58 | |
Perfect, so he won't be needing it. | 0:09:58 | 0:10:00 | |
If you're going for the suit, you might as well go the whole hog. | 0:10:00 | 0:10:03 | |
As the toilet attendants do say, no spray, no lay. | 0:10:03 | 0:10:05 | |
Where am I going to find pepper spray? | 0:10:05 | 0:10:07 | |
What? No! Aftershave. | 0:10:07 | 0:10:09 | |
To stand a chance with Cleo, this party has to be fierce, | 0:10:09 | 0:10:11 | |
-I'm talking hot tub! -Not going to happen. -Strippers! | 0:10:11 | 0:10:14 | |
-No way! -Vodka Luge? -It's a school. | 0:10:14 | 0:10:16 | |
-Lap dancers. -You're obsessed. | 0:10:16 | 0:10:17 | |
You better be there tonight, Dickers, bring the ball and chain. | 0:10:17 | 0:10:21 | |
And the gag and the whip, oi, oi! | 0:10:21 | 0:10:22 | |
HE LAUGHS | 0:10:22 | 0:10:24 | |
Oh, Jesus! Are you wearing anything underneath that? | 0:10:25 | 0:10:29 | |
Does talcum powder count? | 0:10:29 | 0:10:31 | |
Definitely not. | 0:10:31 | 0:10:32 | |
Then no, I am as naked as the day I was | 0:10:32 | 0:10:34 | |
arrested in Bensons for Beds trying out a double divan. | 0:10:34 | 0:10:36 | |
I sleep nude, I'm not going to make an ill-informed purchase. | 0:10:36 | 0:10:40 | |
Look, Fraser, about the larping... | 0:10:40 | 0:10:42 | |
The look on my friends' faces when they found out you're real. | 0:10:42 | 0:10:45 | |
I can't come. I really have to go to this book group. | 0:10:45 | 0:10:47 | |
-But Malcolm and Philip, they're expecting you. -I'm sorry. | 0:10:47 | 0:10:51 | |
Ugh, very well then. | 0:10:51 | 0:10:53 | |
The last of Gove's initiatives. | 0:10:53 | 0:10:56 | |
He wants the pupils to write with quills. | 0:10:56 | 0:10:58 | |
Oh, all those boxes to tick and look, | 0:10:58 | 0:11:01 | |
a 30-page guide on how to pluck a goose. | 0:11:01 | 0:11:04 | |
HE SIGHS | 0:11:04 | 0:11:06 | |
I'll come for five minutes. | 0:11:06 | 0:11:08 | |
Thanks, Alf, you won't regret it. | 0:11:08 | 0:11:10 | |
Your bin's there. | 0:11:12 | 0:11:13 | |
It used to be there. | 0:11:13 | 0:11:15 | |
Philip, Malcolm, meet my best friend. | 0:11:21 | 0:11:26 | |
Salutations, Alfred! Nice costume. | 0:11:26 | 0:11:30 | |
THEY LAUGH | 0:11:30 | 0:11:32 | |
Thanks. Fraser picked it out for me. | 0:11:32 | 0:11:35 | |
I was busy being a fully functioning member of society. | 0:11:35 | 0:11:38 | |
The hobbit possesses a tongue forged of fire. You jest nimbly. | 0:11:38 | 0:11:44 | |
If only he'd lavished similar care on his costume. | 0:11:44 | 0:11:47 | |
THEY LAUGH | 0:11:47 | 0:11:49 | |
Indeed, Philip, a very sloppy Hobbit. | 0:11:49 | 0:11:52 | |
Right, I mean I am here. | 0:11:52 | 0:11:54 | |
I spotted the mistake as soon as he walked through yon portal. | 0:11:54 | 0:11:57 | |
-Pray tell, Philip. -Tell thee I shall, fair Malcolm. | 0:11:57 | 0:12:00 | |
Are you two like medieval Chuckle Brothers? | 0:12:00 | 0:12:02 | |
The ears, Sirrah. In real life, the Halfling does not have a | 0:12:02 | 0:12:06 | |
pointed helix. | 0:12:06 | 0:12:08 | |
Did he just say "in real life"? | 0:12:08 | 0:12:10 | |
It's like Comic-Con all over again. | 0:12:10 | 0:12:13 | |
Mm. | 0:12:13 | 0:12:15 | |
Come brother, let us high to the mead. | 0:12:15 | 0:12:18 | |
They may be the biggest twats I've ever met in my entire life. | 0:12:23 | 0:12:27 | |
HE WHISPERS IN ELVISH | 0:12:29 | 0:12:32 | |
What happened at Comic-Con? | 0:12:32 | 0:12:33 | |
Oh, nothing much. I bought us all tickets and we went as Sylvian | 0:12:33 | 0:12:36 | |
elf archers and I stupidly turned up with a longbow of Lothorian. | 0:12:36 | 0:12:40 | |
They were well within their rights to send me home, to England. | 0:12:40 | 0:12:44 | |
To England? Where was Comic-Con? | 0:12:44 | 0:12:46 | |
San Diego. | 0:12:46 | 0:12:48 | |
Hark! | 0:12:48 | 0:12:50 | |
We must journey to the Dark Mountain | 0:12:50 | 0:12:52 | |
and there do battle with Lord Gorath's dragon legion. | 0:12:52 | 0:12:56 | |
Cool! I'm going to nip for a shit. | 0:12:56 | 0:12:58 | |
Poor Fraser. Abandoned at the battlefield by his only ally. | 0:13:02 | 0:13:07 | |
I'm coming back and when I do I'm going to make it rain, bitches! | 0:13:07 | 0:13:13 | |
Hobbits can't cast weather spells. | 0:13:13 | 0:13:15 | |
Dick! | 0:13:17 | 0:13:18 | |
Joe, where the hell are those summaries? | 0:13:20 | 0:13:23 | |
I needed to be in that book group five minutes ago. | 0:13:23 | 0:13:25 | |
I'm collecting them right now. | 0:13:25 | 0:13:27 | |
That's your dad's suit? What was he found guilty of, | 0:13:28 | 0:13:31 | |
crimes against fashion? | 0:13:31 | 0:13:32 | |
Could say that, he robbed a River Island. | 0:13:32 | 0:13:34 | |
I need to give these to Alfie. | 0:13:35 | 0:13:37 | |
Nah, doing a crate escape, mate, you got to drink your way out. | 0:13:37 | 0:13:41 | |
I can't let him down. | 0:13:41 | 0:13:42 | |
HE SIGHS | 0:13:42 | 0:13:44 | |
Pass me a beer. | 0:13:44 | 0:13:45 | |
I mean, the plot is so elegant. | 0:13:47 | 0:13:49 | |
Fermina marries the wrong man, | 0:13:49 | 0:13:51 | |
so Florentino has to wait 50 years to be with her. | 0:13:51 | 0:13:56 | |
Sorry, um, retarde to the bibliotheque. I bought hummus. | 0:13:56 | 0:14:03 | |
Well, that's better than last week's offering. | 0:14:03 | 0:14:05 | |
Bit uncalled for. | 0:14:05 | 0:14:07 | |
So, do we all have our books? | 0:14:07 | 0:14:08 | |
(I thought I'd take a back-seat to start with, you know, | 0:14:08 | 0:14:11 | |
(just get my bearings.) | 0:14:11 | 0:14:13 | |
Yeah, that's a good idea. Just, just take your time. | 0:14:13 | 0:14:15 | |
Were we all satisfied by the narrative's denouement? | 0:14:15 | 0:14:19 | |
Well, I thought it was beautifully bittersweet. | 0:14:19 | 0:14:22 | |
If there's one thing I know about Rosie, | 0:14:22 | 0:14:24 | |
she abhors a Hollywood ending. | 0:14:24 | 0:14:27 | |
SHE LAUGHS | 0:14:27 | 0:14:28 | |
I do! | 0:14:28 | 0:14:30 | |
Yeah, well she enjoyed Frozen. | 0:14:30 | 0:14:32 | |
Maybe you don't know Rosie as well as you think you do. | 0:14:32 | 0:14:34 | |
People change, mate. | 0:14:34 | 0:14:36 | |
Or maybe they don't, as Marquez posits. | 0:14:36 | 0:14:40 | |
Would you care to expand on that hypothesis? | 0:14:40 | 0:14:43 | |
Um, yes. Yeah. Watch me expand. | 0:14:43 | 0:14:48 | |
The author, old Gabriella Garcia Marquezeria. | 0:14:48 | 0:14:55 | |
Gabriel Garcia Marquez. | 0:14:55 | 0:14:59 | |
Whatever! You say potato, I say frittata. | 0:14:59 | 0:15:02 | |
THEY LAUGH | 0:15:02 | 0:15:04 | |
You know what, why don't we start at the beginning of the book | 0:15:04 | 0:15:07 | |
rather than the end, wouldn't that be more logical? | 0:15:07 | 0:15:09 | |
-Yeah, yeah, that's fine with me, yeah. -Wise old dude's with me. | 0:15:09 | 0:15:13 | |
What's that old saying people have? | 0:15:13 | 0:15:15 | |
"Don't judge a book by its cover, | 0:15:15 | 0:15:16 | |
"but do judge a book by the first seven pages." | 0:15:16 | 0:15:21 | |
No, er, one more thing... | 0:15:35 | 0:15:39 | |
..why aren't more books printed in Comic Sans? | 0:15:39 | 0:15:43 | |
OK, I think we've covered the first seven pages of the book | 0:15:43 | 0:15:46 | |
pretty thoroughly. | 0:15:46 | 0:15:48 | |
Why don't we, we move on? Let's discuss the novel's message. | 0:15:48 | 0:15:52 | |
Ah, well, the text's thematic paradigm is a simple one. | 0:15:52 | 0:15:55 | |
Love never dies. | 0:15:55 | 0:15:57 | |
Unless it catches cholera, burn! | 0:15:57 | 0:15:59 | |
And two lovers may part, but their hearts will always beat as one. | 0:15:59 | 0:16:04 | |
Yeah, well, that's weird, because I read the exact opposite in the text. | 0:16:04 | 0:16:09 | |
I read that, you know, she made a mistake, so move on, mate. | 0:16:09 | 0:16:15 | |
Well isn't that completely contradictory? | 0:16:15 | 0:16:18 | |
Literature's subjective, Orlando, there is no right and wrong. | 0:16:18 | 0:16:21 | |
Yeah, thanks old friend. It's a Catch-24. | 0:16:21 | 0:16:24 | |
Alfie, you have read the end of the book? | 0:16:24 | 0:16:27 | |
Yeah. Yeah, read the end, and the beginning, and the middle. | 0:16:27 | 0:16:31 | |
So, what specifically did you think about the end? | 0:16:31 | 0:16:34 | |
Um, well, well, well, well, well, very good question. | 0:16:34 | 0:16:39 | |
Um, the main guy is called Fernando and it's a love story, | 0:16:39 | 0:16:44 | |
so do we all think that's why, on Take Me Out, | 0:16:44 | 0:16:47 | |
they called it the Isle of Fernandos? | 0:16:47 | 0:16:50 | |
-He's called Florentino. -Shit! | 0:16:50 | 0:16:52 | |
Maybe we should take a comfort break. | 0:16:52 | 0:16:54 | |
Great idea. Someone's bladder's not up to it! | 0:16:54 | 0:16:57 | |
I'm going to go and er, smoke a Gauloises. | 0:16:57 | 0:17:00 | |
Oh, and Orlando, BT dubs, if you're going to go drop the kids | 0:17:00 | 0:17:05 | |
off at the pool, just remember that's your arse, that's your elbow. | 0:17:05 | 0:17:09 | |
Alfie, you're on fire. | 0:17:09 | 0:17:11 | |
Thanks, babe! | 0:17:11 | 0:17:13 | |
No, no, you're on fire. | 0:17:13 | 0:17:15 | |
What? Oh, shit! | 0:17:15 | 0:17:17 | |
Didn't like that scarf anyway, so... | 0:17:18 | 0:17:20 | |
Joe, where have you been? Have you been drinking? | 0:17:26 | 0:17:30 | |
Ah, just give me the chapter summaries. | 0:17:34 | 0:17:36 | |
Relax, Sir, have a beer. | 0:17:38 | 0:17:39 | |
No, I've got to get back to this book group. | 0:17:39 | 0:17:42 | |
-But, Sir, it's my leaving party! -OK, one, but it's got to be quick. | 0:17:42 | 0:17:46 | |
HE LAUGHS | 0:17:46 | 0:17:47 | |
Alf? Alf? Alf, there you are. | 0:17:50 | 0:17:53 | |
Where's your costume? | 0:17:53 | 0:17:55 | |
Fraser, the book club... | 0:17:55 | 0:17:56 | |
Malcolm and Philip said you'd bailed on me. I didn't believe them. | 0:17:56 | 0:17:59 | |
-I'm not bailing, it's just... -No, don't worry. I understand. | 0:17:59 | 0:18:02 | |
Malcolm and Philip got to you, I know, they're right, | 0:18:02 | 0:18:05 | |
you're not my friend and you think I'm a loser, too. | 0:18:05 | 0:18:09 | |
THEY GROAN | 0:18:11 | 0:18:13 | |
Calm down, mate, it's non-contact! | 0:18:17 | 0:18:19 | |
Yah! | 0:18:20 | 0:18:22 | |
Isn't this amazing? | 0:18:22 | 0:18:24 | |
Yeah, it's all right I suppose. | 0:18:24 | 0:18:26 | |
Oh, that hobgoblin you nailed think he's going to be blinded for life. | 0:18:26 | 0:18:29 | |
You might want to go easy on the gouging! | 0:18:29 | 0:18:31 | |
Whoop, whoop, it's the bellend patrol! | 0:18:33 | 0:18:36 | |
PHONE BEEPS | 0:18:36 | 0:18:37 | |
Whoa, put your phone away, it's historically inaccurate. | 0:18:37 | 0:18:40 | |
Last month, Phil and Malc caught me wearing a digital wristwatch. | 0:18:40 | 0:18:43 | |
They quite rightly punished my blooper by making me | 0:18:43 | 0:18:45 | |
sit in a barrel for five hours. | 0:18:45 | 0:18:47 | |
My doctor thinks I'm going to have back problems for life. | 0:18:47 | 0:18:49 | |
I'm sorry, Fraser, I've got to get back. | 0:18:49 | 0:18:52 | |
-But Alf, I'm outnumbered! -I'm sorry. | 0:18:52 | 0:18:55 | |
HE GROANS | 0:18:57 | 0:19:00 | |
My notes, no peeking! | 0:19:07 | 0:19:09 | |
Yes, I thought the plot might prove too complex for some readers. | 0:19:09 | 0:19:13 | |
Complex! A child could read it. | 0:19:13 | 0:19:16 | |
But would a child understand it? | 0:19:16 | 0:19:18 | |
Hopefully. | 0:19:18 | 0:19:19 | |
Go and talk to Cleo. | 0:19:24 | 0:19:26 | |
I'm going, I'm going. I just need to be a bit more drunker. | 0:19:26 | 0:19:29 | |
It's not as much fun without Mr Wickers. | 0:19:29 | 0:19:31 | |
Hope the book club's going well. | 0:19:31 | 0:19:33 | |
I think I gave him some good ammo. | 0:19:33 | 0:19:35 | |
Marquez views love not as a sickness, | 0:19:35 | 0:19:39 | |
but as an ontological phenomenon. | 0:19:39 | 0:19:42 | |
The lovers exist within their own relationship and, | 0:19:42 | 0:19:47 | |
as we all know, the course of true love never did run smooth. | 0:19:47 | 0:19:52 | |
-Oh! -(Wow!) | 0:19:52 | 0:19:54 | |
THEY CLAP | 0:19:54 | 0:19:56 | |
That was beautifully put. | 0:19:56 | 0:19:58 | |
Well, that was kind of what I was saying. | 0:19:58 | 0:20:00 | |
Quote time! | 0:20:00 | 0:20:02 | |
"The only regret I will have in dying is if it is not for love." | 0:20:02 | 0:20:05 | |
Florentino. | 0:20:05 | 0:20:07 | |
Thank you. | 0:20:07 | 0:20:09 | |
While we're on that theme, er, er, | 0:20:09 | 0:20:11 | |
what did we all make of Florentino's character? | 0:20:11 | 0:20:13 | |
Well... | 0:20:13 | 0:20:15 | |
I've got this one as well. Ssh! | 0:20:15 | 0:20:17 | |
-Well I thought the book was totes obvious. -Really? | 0:20:17 | 0:20:20 | |
Er, hello! Come on, babe, a tale as old as time. | 0:20:20 | 0:20:22 | |
The lead character, Florentino, is definitely gay. | 0:20:22 | 0:20:27 | |
But he's in love with a woman. | 0:20:27 | 0:20:31 | |
So was Ricky Martin. | 0:20:31 | 0:20:34 | |
So what did you make of it? | 0:20:35 | 0:20:37 | |
Well, I didn't have time to read it, so I just took an educated guess. | 0:20:37 | 0:20:40 | |
You made it up. | 0:20:40 | 0:20:41 | |
He said it was set in South America, | 0:20:41 | 0:20:43 | |
so I just thought two plus two equals... | 0:20:43 | 0:20:45 | |
A massive pile coke now covered in the brains | 0:20:45 | 0:20:48 | |
and blood of the cartel boss, El Cajones Grandes, | 0:20:48 | 0:20:54 | |
who'd just been shot in the back of the head by Ross Kemp. | 0:20:54 | 0:20:59 | |
(Oh, you dick!) | 0:21:01 | 0:21:03 | |
What are you guys talking about? | 0:21:03 | 0:21:05 | |
The book report. | 0:21:05 | 0:21:07 | |
Oh, yeah, when do you have to hand them in by? | 0:21:07 | 0:21:09 | |
Joe already took them, babes. | 0:21:09 | 0:21:11 | |
What? But they were our personal statements, weren't they? | 0:21:11 | 0:21:14 | |
Hang on, hang on, let me get this straight - you think Fermina's | 0:21:14 | 0:21:18 | |
motivation was not to be reunited with her true love, | 0:21:18 | 0:21:20 | |
but to open a nail salon in Chigwell and save up for breast implants | 0:21:20 | 0:21:25 | |
and then marry her teacher. | 0:21:25 | 0:21:28 | |
Ye...yeah. | 0:21:28 | 0:21:31 | |
Right. | 0:21:31 | 0:21:32 | |
-Well, shall we call it a night? -Yes. | 0:21:32 | 0:21:35 | |
Alfie, it's Fraser. I've cornered Philip and Malcolm in the gents. | 0:21:39 | 0:21:43 | |
Come and help me slay them. | 0:21:43 | 0:21:45 | |
Thus the trap is set. | 0:21:47 | 0:21:49 | |
We shall slay your deformed Hobbit right here, in the stoolery. | 0:21:49 | 0:21:55 | |
And what shall we do with this one? | 0:21:55 | 0:21:59 | |
Fetch me the barrel. | 0:21:59 | 0:22:00 | |
-Huh! -Good idea. | 0:22:00 | 0:22:02 | |
THEY LAUGH | 0:22:02 | 0:22:04 | |
THEY SIGH | 0:22:06 | 0:22:08 | |
-Right, I'll fetch the barrel. -Yeah, yeah, cool. | 0:22:08 | 0:22:11 | |
If it's any consolation, I thought your version, | 0:22:11 | 0:22:14 | |
with the strippers and the drug dealers sounded pretty good. | 0:22:14 | 0:22:18 | |
I've forced her into the arms of her ex. | 0:22:18 | 0:22:20 | |
Oh, er, listen, Rosie, she just needs space. | 0:22:20 | 0:22:25 | |
I want you to know that nothing's happened. | 0:22:25 | 0:22:29 | |
We don't know that, Richard. | 0:22:29 | 0:22:33 | |
Alfie, let's have coffee tomorrow and just talk everything through. | 0:22:34 | 0:22:37 | |
-Are you still OK to drive me home, Richard? -Yeah. | 0:22:37 | 0:22:41 | |
Hey, Rich, make sure that snaky ex doesn't follow her home. | 0:22:41 | 0:22:43 | |
Er, Alfie, Richard is my ex. | 0:22:43 | 0:22:46 | |
What? (But he's a little old man.) | 0:22:46 | 0:22:51 | |
He was my lecturer at Oxford. | 0:22:51 | 0:22:53 | |
Yeah, we used to walk together through the woods, | 0:22:53 | 0:22:55 | |
reciting poetry by heart. | 0:22:55 | 0:22:58 | |
"A thing of beauty is a joy for ever, its loveliness increases, | 0:22:58 | 0:23:02 | |
"It will never pass into nothingness, | 0:23:02 | 0:23:04 | |
"But still will keep a bower quiet for us." | 0:23:04 | 0:23:08 | |
-Mm. -"My friend Billy had a ten-foot willy | 0:23:08 | 0:23:10 | |
"and showed it to the girl next door. She thought it was a snake, | 0:23:10 | 0:23:13 | |
"so she hit it with a rake and now it's only six-foot-four." | 0:23:13 | 0:23:16 | |
I've got rhymes too, what of it, Brucey? | 0:23:16 | 0:23:18 | |
-Alfie, come on. Look, I just need time. -You want time? -Mm-hm. | 0:23:18 | 0:23:21 | |
And you're picking the ticking clock over here? | 0:23:21 | 0:23:23 | |
I'm not picking anything. | 0:23:23 | 0:23:25 | |
I'm just saying that I need some space to...to think! | 0:23:25 | 0:23:28 | |
The course of true love never did run smooth. | 0:23:33 | 0:23:36 | |
Fuck off, Orlando. | 0:23:36 | 0:23:38 | |
THEY CHEER | 0:23:38 | 0:23:40 | |
MUSIC: "Rude" by MAGIC! | 0:23:40 | 0:23:43 | |
HE BURPS | 0:23:48 | 0:23:49 | |
Right, now I'm ready. | 0:23:49 | 0:23:51 | |
Oi, Cleo, look, I just wanted to say that, right, | 0:23:55 | 0:23:58 | |
I may not have a car or 12 inches, | 0:23:58 | 0:24:02 | |
I'm probably about an eight minimum. Wait, no, can I start again? | 0:24:02 | 0:24:07 | |
If I kiss you, will you shut up? | 0:24:07 | 0:24:11 | |
For ever. | 0:24:12 | 0:24:13 | |
Fraser! | 0:24:19 | 0:24:21 | |
BOTH: Yah! | 0:24:21 | 0:24:24 | |
Ah, trusting Hobbit, prepare to taste orc and steel. | 0:24:24 | 0:24:30 | |
KNOCKING ON DOOR | 0:24:30 | 0:24:32 | |
It's a trap. Run, Alfie, run! | 0:24:32 | 0:24:34 | |
THEY LAUGH | 0:24:34 | 0:24:35 | |
I send thee to the spirit world. | 0:24:35 | 0:24:39 | |
You're, you're meant to fall down. | 0:24:44 | 0:24:46 | |
HE GROANS | 0:24:46 | 0:24:47 | |
HE GROANS | 0:24:47 | 0:24:49 | |
Hold your head back. | 0:24:53 | 0:24:55 | |
We're going to report this, Fraser! | 0:24:55 | 0:24:57 | |
Yes, you should report it, | 0:24:57 | 0:24:59 | |
that two frost blood orc warriors were slain by a sloppy Hobbit. | 0:24:59 | 0:25:04 | |
Come on, Malc, Mum's waiting to pick us up. | 0:25:04 | 0:25:07 | |
She's staying at her ex's tonight. | 0:25:09 | 0:25:11 | |
Miss Gulliver loves you, Alfie. | 0:25:11 | 0:25:13 | |
Maybe she just needs some time to realise why that is. | 0:25:13 | 0:25:15 | |
Right nut sacks, I'm off. | 0:25:15 | 0:25:18 | |
How did it go with Cleo? | 0:25:18 | 0:25:19 | |
Amazing. | 0:25:19 | 0:25:21 | |
She said I was the worst kisser she's ever had and I got a lob on. | 0:25:21 | 0:25:24 | |
-TMI. -But if I promised not to brag about on Facebook, | 0:25:24 | 0:25:26 | |
she said she'll go Nandos with me. | 0:25:26 | 0:25:28 | |
Well done, mate, I'm happy for you. We all are. | 0:25:28 | 0:25:31 | |
Babe, we're going to miss you so much. | 0:25:31 | 0:25:33 | |
God, I hate goodbyes. | 0:25:33 | 0:25:35 | |
Joe, mate, if I ever said mean things to ya, it was just banter. | 0:25:38 | 0:25:42 | |
The best thing you can do is grow up, make loads of bunts, | 0:25:42 | 0:25:45 | |
get a proper fit bird and make me look like a Muppet. | 0:25:45 | 0:25:47 | |
Dickers, I used to think there were two types of teachers, | 0:25:49 | 0:25:53 | |
the arseholes and the tragedies. | 0:25:53 | 0:25:55 | |
You're an exception. | 0:25:55 | 0:25:57 | |
If I saw you on the street, I wouldn't shout obscenities at ya, | 0:25:57 | 0:25:59 | |
I'd go for a pint with ya, and tell you you was a twat to your face. | 0:25:59 | 0:26:03 | |
Thank you, Mitchell. | 0:26:03 | 0:26:05 | |
That's the most beautiful thing anyone has ever said to me. | 0:26:05 | 0:26:08 | |
I heard that posh people are emotionally undernourished, | 0:26:08 | 0:26:11 | |
but you are something else. | 0:26:11 | 0:26:13 | |
Rem Dogg, this could be hard seeing as you don't talk anymore, | 0:26:13 | 0:26:17 | |
and I know you've become a bit of a weirdo this term, | 0:26:17 | 0:26:20 | |
but you'll always be me best mate. | 0:26:20 | 0:26:21 | |
And when you're out of this phase, you give me a bell, we'll go to | 0:26:24 | 0:26:27 | |
Maccy D's, throw tampons at traffic wardens, just like old times. | 0:26:27 | 0:26:30 | |
Bye, guys. | 0:26:38 | 0:26:40 | |
Mitchell? | 0:26:48 | 0:26:49 | |
I love you! | 0:26:52 | 0:26:53 | |
Ha-ha, gay! | 0:26:57 | 0:26:58 | |
Oi, oi! | 0:27:02 | 0:27:04 | |
Mr Wickers, we've received some noise complaints. | 0:27:06 | 0:27:08 | |
One last prank is it, Mitchell? | 0:27:08 | 0:27:11 | |
Have I been a naughty boy, officer? | 0:27:11 | 0:27:13 | |
Are you going to punish me with your truncheon? | 0:27:13 | 0:27:16 | |
Sir? | 0:27:16 | 0:27:17 | |
Let's get this over and done with. | 0:27:17 | 0:27:19 | |
Strippers don't wear Kevlar! | 0:27:21 | 0:27:23 | |
You have the right to remain silent. | 0:27:23 | 0:27:25 |