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MUSIC: "The Tears Of A Clown" by Smokey Robinson & The Miracles | 0:00:02 | 0:00:05 | |
# Oh, yeah, yeah, yeah | 0:00:10 | 0:00:14 | |
# Now if there's a smile on my face | 0:00:14 | 0:00:18 | |
# It's only there trying to fool the public | 0:00:18 | 0:00:22 | |
# But when it comes down to fooling you | 0:00:22 | 0:00:26 | |
# Now, honey, that's quite a different subject... # | 0:00:26 | 0:00:29 | |
Trevor? Hoover's gone again. | 0:00:30 | 0:00:35 | |
We'll have to go online and order a new one tonight. | 0:00:35 | 0:00:38 | |
Why do they make these things so complicated? | 0:00:38 | 0:00:41 | |
HOOVER STARTS Oh, it's all right, it's started. | 0:00:41 | 0:00:44 | |
Counselling was good yesterday, wasn't it? | 0:00:45 | 0:00:47 | |
Yeah, very constructive. | 0:00:47 | 0:00:50 | |
She's a lovely girl, Helen, isn't she? So easy to talk to. | 0:00:50 | 0:00:54 | |
Very much so. | 0:00:54 | 0:00:55 | |
Don't get me wrong, I'm enjoying it a lot, but, to be honest, | 0:00:55 | 0:00:58 | |
I still don't quite know why we're going. | 0:00:58 | 0:01:00 | |
Everyone at yoga goes to counselling. | 0:01:00 | 0:01:03 | |
They all go online and share tips and benefit from each other's experience. | 0:01:03 | 0:01:06 | |
Well, I don't like the idea of people sharing in our business. | 0:01:06 | 0:01:09 | |
HOOVER STOPS | 0:01:09 | 0:01:10 | |
It's an anonymous online community, Trevor. I don't give my real name. | 0:01:10 | 0:01:14 | |
Oh. Well, what do you call yourself? | 0:01:14 | 0:01:16 | |
Miss Sadie. | 0:01:16 | 0:01:17 | |
What do you call me? | 0:01:17 | 0:01:18 | |
Trevor. | 0:01:18 | 0:01:20 | |
So what do you think of the new run-around? | 0:01:24 | 0:01:27 | |
-Very smart. -I was going to park it on the drive, | 0:01:27 | 0:01:30 | |
but it looks like Alan's doing something on it. | 0:01:30 | 0:01:32 | |
Yeah, he's doing the patio out the back. | 0:01:32 | 0:01:35 | |
He's been talking about doing it for months. | 0:01:35 | 0:01:38 | |
That's the trouble with Alan. | 0:01:39 | 0:01:41 | |
He never seems to be able to finish things off once he's started them. | 0:01:41 | 0:01:44 | |
They're all a bit like that. | 0:01:44 | 0:01:46 | |
You doing anything for Thurnemouth Day? | 0:01:46 | 0:01:48 | |
Well, I was going to take Mum to that sing-along, | 0:01:48 | 0:01:50 | |
but Carol just called and Trevor needs a lift into Norwich. | 0:01:50 | 0:01:53 | |
Do you want to take Mum? | 0:01:53 | 0:01:55 | |
I would. You know I would, | 0:01:55 | 0:01:57 | |
but we've got our Choral Society performance today. | 0:01:57 | 0:02:01 | |
Oh! You singing? | 0:02:01 | 0:02:02 | |
No. I'm not musical, Maureen, you know that. | 0:02:02 | 0:02:06 | |
I joined for the social aspect. This'll be my first gig as chairwoman. | 0:02:06 | 0:02:10 | |
Got voted in last month. | 0:02:10 | 0:02:11 | |
Oh, I thought they already had a chairwoman. | 0:02:11 | 0:02:14 | |
She died, finally... | 0:02:14 | 0:02:17 | |
and sadly. | 0:02:17 | 0:02:18 | |
-TREVOR: -Oh, no, she drives too fast, Carol. | 0:02:19 | 0:02:21 | |
You know what I'm like with motion sickness. | 0:02:21 | 0:02:25 | |
Anyway, we always do Thurnemouth Day. What have you got on? | 0:02:25 | 0:02:28 | |
Nothing. It's a surprise. | 0:02:28 | 0:02:30 | |
We don't normally have surprises. | 0:02:30 | 0:02:32 | |
Exactly. | 0:02:32 | 0:02:33 | |
I thought we'd agreed we were going to try new things? | 0:02:33 | 0:02:35 | |
And this is something that will get me out and about, exactly like Helen was saying. | 0:02:35 | 0:02:39 | |
It's not one of those swingers things, is it, where you all put your keys in a bowl? | 0:02:39 | 0:02:42 | |
Oh, no, that would be a new thing. | 0:02:44 | 0:02:46 | |
You don't have to go to Thurnemouth Day, you know. | 0:02:46 | 0:02:48 | |
Carol, I'm chairman of the committee. I have to be there. | 0:02:48 | 0:02:51 | |
I have to lead by example. | 0:02:51 | 0:02:53 | |
Bit silly, isn't it, grown men running around dressed as sailors? | 0:02:53 | 0:02:56 | |
Two things there, Carol. One, nobody looks silly, | 0:02:56 | 0:02:59 | |
and two, I don't think you'll find too many people | 0:02:59 | 0:03:01 | |
who think Lord Nelson was just a sailor. | 0:03:01 | 0:03:05 | |
MUSIC: "Hey Joe" by Jimi Hendrix | 0:03:11 | 0:03:14 | |
You lost a contact lens there, Al? | 0:03:14 | 0:03:17 | |
You know your eyes shrink as you get older, Alan. | 0:03:17 | 0:03:19 | |
That's why your lenses fall out. | 0:03:19 | 0:03:21 | |
-You coming fishing? -I've got to sort the patio out. | 0:03:21 | 0:03:24 | |
Joyce wants to have her Choral Society meetings out there. | 0:03:24 | 0:03:27 | |
They've just made her chairwoman. | 0:03:27 | 0:03:29 | |
I think her goal is to take over every society in Thurnemouth, | 0:03:29 | 0:03:32 | |
and then invade Poland. | 0:03:32 | 0:03:34 | |
Hmm... | 0:03:34 | 0:03:35 | |
It's never seemed to settle quite right, that patio. | 0:03:35 | 0:03:39 | |
Well, it's subsidence, because you live on the edge of a cliff. | 0:03:39 | 0:03:41 | |
-Oh, it's just not been laid properly. -You got the Gypsies in, didn't you? | 0:03:41 | 0:03:44 | |
It was a reputable firm of builders. | 0:03:44 | 0:03:46 | |
-Where are they now? -They moved out the area. | 0:03:46 | 0:03:48 | |
-Gypsies. -They weren't Gypsies. | 0:03:48 | 0:03:51 | |
Did they have a caravan? | 0:03:51 | 0:03:52 | |
Look, Trevor and Carol have got a caravan. That doesn't mean they're Gypsies. | 0:03:52 | 0:03:56 | |
I can't see Carol dancing | 0:03:56 | 0:03:57 | |
round the campfire with a rose between her teeth, can you? | 0:03:57 | 0:04:00 | |
I just think she's spending too much time on her online communities. | 0:04:03 | 0:04:07 | |
She sees all these newly divorced women in their 60s on there, | 0:04:07 | 0:04:11 | |
banging on about what a great time they're having in the Gabon, | 0:04:11 | 0:04:14 | |
or wherever it is they go to find black steel. | 0:04:14 | 0:04:17 | |
Black steel? | 0:04:17 | 0:04:18 | |
Not my words, Maureen. That's just what they call it. | 0:04:18 | 0:04:22 | |
The idea that older women have got to have fun, independent lives | 0:04:22 | 0:04:26 | |
isn't going to do anyone any good, not in Thurnemouth it isn't. | 0:04:26 | 0:04:29 | |
Well, he'll have driven her to it. | 0:04:29 | 0:04:31 | |
He doesn't talk to her, Joyce. He doesn't communicate. | 0:04:31 | 0:04:34 | |
I bet that's what the marriage counsellor is telling them. | 0:04:34 | 0:04:36 | |
We don't know what the marriage counsellor's telling them! | 0:04:36 | 0:04:39 | |
No, but I'm going to find out. They don't need counselling. | 0:04:39 | 0:04:43 | |
It's obvious what the problem is - Trevor. | 0:04:43 | 0:04:45 | |
When someone's having difficulties in their relationship, | 0:04:45 | 0:04:48 | |
you can't ever put it down to one problem, Maureen. | 0:04:48 | 0:04:51 | |
It's lots of different things all coming together. | 0:04:51 | 0:04:54 | |
Marriage isn't a one-way street. There's two sides to every story. | 0:04:54 | 0:04:58 | |
So you don't think it's Trevor? | 0:04:58 | 0:04:59 | |
I do think it's Trevor, but you don't like to say, do you? | 0:04:59 | 0:05:04 | |
I don't know why you don't let me help. | 0:05:05 | 0:05:07 | |
I don't want to put you out. | 0:05:07 | 0:05:09 | |
It's no trouble. I've done hundreds of patios. | 0:05:09 | 0:05:10 | |
I don't need any help. | 0:05:10 | 0:05:12 | |
-Could save you a bit of money. -I'm not a charity case. | 0:05:12 | 0:05:14 | |
-OK, OK, I'm just saying. -It's all sorted, John. | 0:05:14 | 0:05:17 | |
You're not the only one who can lay a patio, you know. | 0:05:17 | 0:05:19 | |
-You're not doing it yourself? -What do you mean? | 0:05:19 | 0:05:21 | |
Digging out, laying the aggregate, screeding over so the slabs don't shift. | 0:05:21 | 0:05:24 | |
-You can't do that yourself. -Yeah, I know. | 0:05:24 | 0:05:26 | |
-You need a builder. -I know. I've got a builder. | 0:05:26 | 0:05:28 | |
-Well done. -Thank you. | 0:05:28 | 0:05:29 | |
-Which one? -What? | 0:05:29 | 0:05:32 | |
-Which builder have you got? -Why do you want to know? | 0:05:32 | 0:05:34 | |
I'm in the trade, Al. You don't want a cowboy. | 0:05:34 | 0:05:36 | |
-Is it Dave Howard? Dave's a good lad. -No. | 0:05:36 | 0:05:38 | |
Chris Baines? He'll do you a discount if you mention my name. | 0:05:38 | 0:05:41 | |
-No. -Keith Enfield? -No. | 0:05:41 | 0:05:42 | |
-Mike Bird, Murray Goodwin, Paul Clancy? -None of them. | 0:05:42 | 0:05:45 | |
-Which one is it, then? -Someone you don't know. | 0:05:45 | 0:05:47 | |
-I know them all, Al. -Not this one. | 0:05:47 | 0:05:49 | |
You haven't got a builder at all, have you? | 0:05:49 | 0:05:50 | |
CAROL: Hi! | 0:05:50 | 0:05:52 | |
The upside of doing it yourself is you'll miss Thurnemouth Day. | 0:05:53 | 0:05:57 | |
-Oh, my God. -Bloody waste of time, that is. | 0:05:57 | 0:05:59 | |
Worst day of the year. | 0:05:59 | 0:06:00 | |
Hello, you two. Looking forward to Thurnemouth Day? | 0:06:00 | 0:06:02 | |
-Yeah, not half. -Yes. | 0:06:02 | 0:06:04 | |
-Let's hope the weather holds. -Oh, it will. All right, Trev? | 0:06:04 | 0:06:06 | |
Are you not doing anything for Thurnemouth Day? | 0:06:06 | 0:06:08 | |
Nothing much. | 0:06:08 | 0:06:10 | |
I'm just opening it. | 0:06:10 | 0:06:12 | |
What's that, then? Cutting some sort of ribbon? | 0:06:12 | 0:06:14 | |
There's a bit more to it than that. | 0:06:14 | 0:06:16 | |
Like what? | 0:06:16 | 0:06:17 | |
Actually, it's mainly the ribbon. | 0:06:17 | 0:06:19 | |
Oh, thanks for giving Trevor a lift. | 0:06:21 | 0:06:23 | |
Silly to waste the new motor. | 0:06:23 | 0:06:26 | |
I know, isn't it smart? | 0:06:26 | 0:06:28 | |
I saw it outside...and on Facebook. | 0:06:28 | 0:06:30 | |
Here's his bag. | 0:06:30 | 0:06:32 | |
He's picking up the rest of his outfit here in Norwich at midday. | 0:06:32 | 0:06:37 | |
-Right. -The opening ceremony's at 5pm. | 0:06:37 | 0:06:39 | |
He's a bit concerned that he might miss it | 0:06:39 | 0:06:41 | |
if the traffic coming back from Norwich is bad. | 0:06:41 | 0:06:43 | |
Oh, don't worry about Trevor. You just have a good day. | 0:06:43 | 0:06:47 | |
-I'd love to take you, Trevor. -If I could, I would, mate. | 0:06:48 | 0:06:51 | |
-You'll be all right with Maureen. -You'll get a spin in the new car. | 0:06:51 | 0:06:54 | |
She done much driving in it? | 0:06:54 | 0:06:55 | |
She's a good driver, Maureen. | 0:06:55 | 0:06:56 | |
And you want to get there quickly, don't you? | 0:06:56 | 0:06:59 | |
Come on, Trev. I've got you all to myself today. | 0:06:59 | 0:07:01 | |
Now there's an offer you can't refuse. | 0:07:01 | 0:07:03 | |
-Where are you going? -Fishing. | 0:07:03 | 0:07:05 | |
-No, you're not. You're taking Mum out. -What? | 0:07:05 | 0:07:07 | |
-She's got a sing-along this afternoon. -Hang on. You're taking her to that. | 0:07:07 | 0:07:10 | |
No, I'm taking Trevor. | 0:07:10 | 0:07:11 | |
Yeah, but wouldn't she rather go with you two? | 0:07:11 | 0:07:13 | |
Thurnemouth Day, see the lights? | 0:07:13 | 0:07:15 | |
She's not going there again. | 0:07:15 | 0:07:17 | |
Not after the cider chug last year. Come on. | 0:07:17 | 0:07:20 | |
JOYCE: What are you going to do with yourself today? | 0:07:25 | 0:07:27 | |
Going to put your feet up? | 0:07:27 | 0:07:29 | |
It's the Choral Society today, isn't it? | 0:07:29 | 0:07:31 | |
Yeah. | 0:07:31 | 0:07:32 | |
You were going to get me signed in. | 0:07:32 | 0:07:34 | |
I was going to surprise Trevor, get him to come along and watch, | 0:07:34 | 0:07:37 | |
put a bit of the sparkle back, remember? | 0:07:37 | 0:07:40 | |
Do I remember? Duh! How could I forget? | 0:07:40 | 0:07:44 | |
How could I forget you and Trevor getting your sparkle back? | 0:07:44 | 0:07:48 | |
I've actually being saying for years that I'd love to sing in a choir, | 0:07:48 | 0:07:51 | |
but Trevor doesn't seem to take any notice. | 0:07:51 | 0:07:55 | |
Sometimes I think you're the only person that listens to me. | 0:07:55 | 0:07:58 | |
Don't know about that. | 0:07:58 | 0:08:00 | |
So what did they say? Am I in? | 0:08:00 | 0:08:02 | |
Course you are! | 0:08:02 | 0:08:04 | |
-Yay! -Yay! (GIGGLES) | 0:08:04 | 0:08:07 | |
# Wouldn't it be nice if we were older? | 0:08:10 | 0:08:14 | |
# Then we wouldn't have to wait so long | 0:08:14 | 0:08:18 | |
# And wouldn't it be nice to live together | 0:08:18 | 0:08:22 | |
# In the kind of world where we belong? | 0:08:22 | 0:08:26 | |
# You know its gonna make it that much better | 0:08:27 | 0:08:31 | |
# When we can say good night and stay together | 0:08:31 | 0:08:37 | |
# Wouldn't it be nice if we could wake up... # | 0:08:37 | 0:08:40 | |
Joan, it's me. You ready, love? | 0:08:40 | 0:08:43 | |
Ready to go? | 0:08:43 | 0:08:44 | |
You got the short straw, did you? | 0:08:44 | 0:08:46 | |
Why are you sitting in the dark? | 0:08:46 | 0:08:48 | |
I don't like going out with my curtains open. | 0:08:48 | 0:08:51 | |
Burglars can see in. | 0:08:51 | 0:08:52 | |
Yes, well, come on. You don't want to miss your sing-along. | 0:08:52 | 0:08:55 | |
What happened to that nice picture of you and me? | 0:08:55 | 0:08:57 | |
It's around somewhere. | 0:08:57 | 0:08:58 | |
-I thought it was in there. -Only keep my treasures in there. | 0:08:58 | 0:09:01 | |
Are you ready? | 0:09:01 | 0:09:02 | |
-We can't go yet. -Why not? | 0:09:02 | 0:09:04 | |
My toilet's making a funny noise. | 0:09:04 | 0:09:06 | |
-What do you mean, a funny noise? -It's gurgling. | 0:09:06 | 0:09:08 | |
Are you sure it's the toilet? | 0:09:08 | 0:09:10 | |
We'll get maintenance to look at it. | 0:09:10 | 0:09:11 | |
He's not in till next week. I thought you could do it. | 0:09:11 | 0:09:14 | |
I'll look at it tomorrow. | 0:09:14 | 0:09:16 | |
I'm not using the toilet if it's gurgling. | 0:09:16 | 0:09:18 | |
OK, OK, we can sort this out. We've got time. | 0:09:18 | 0:09:22 | |
You going fishing again? | 0:09:23 | 0:09:24 | |
No. | 0:09:24 | 0:09:26 | |
ENGINE REVS AND TYRES SQUEAL | 0:09:27 | 0:09:29 | |
I'm loving having my own motor again. | 0:09:29 | 0:09:31 | |
Have you not put the address into the sat nav? | 0:09:31 | 0:09:34 | |
Oh, we've got a map, Trev. | 0:09:34 | 0:09:36 | |
We don't need some smartarse woman telling us where to go. | 0:09:37 | 0:09:41 | |
We've got me to do that. | 0:09:41 | 0:09:43 | |
You can put it in if you like. | 0:09:43 | 0:09:44 | |
Isn't it nippy? | 0:09:46 | 0:09:48 | |
Yes, very smart. Lovely smooth... Watch the bike! | 0:09:48 | 0:09:51 | |
-TYRES SQUEAL -Oh, bloody bikes all over the place. | 0:09:51 | 0:09:55 | |
Should stay on the pavement. | 0:09:55 | 0:09:56 | |
He was on the pavement. | 0:09:56 | 0:09:58 | |
I just thought I should get a bit of independence back, you know. | 0:09:58 | 0:10:02 | |
That light's red. | 0:10:02 | 0:10:03 | |
John was very keen for me to get out and about on my own. | 0:10:03 | 0:10:07 | |
-Red light. -I'm sure that's what you want for Carol as well. | 0:10:07 | 0:10:10 | |
-Red light, Maureen! -TYRES SQUEAL | 0:10:10 | 0:10:13 | |
There. | 0:10:13 | 0:10:14 | |
This is nice. | 0:10:14 | 0:10:16 | |
We don't often get to spend time together, do we? | 0:10:17 | 0:10:20 | |
ENGINE REVS AND TYRES SQUEAL | 0:10:23 | 0:10:25 | |
No, I understand, you've got too much work on. Lucky you. | 0:10:25 | 0:10:29 | |
I've called 15 builders this morning and they've all got too much work on. | 0:10:29 | 0:10:32 | |
I know we're out of the recession but this is ridiculous. | 0:10:32 | 0:10:35 | |
We'll start rehearsing soon, | 0:10:44 | 0:10:45 | |
only someone's got to put the refreshments out. | 0:10:45 | 0:10:48 | |
Oh, I'm just happy to be involved. | 0:10:48 | 0:10:51 | |
Me and Trevor have always shared a love of music. | 0:10:51 | 0:10:54 | |
He'll listen to jazz, I'll listen to Magic. | 0:10:54 | 0:10:57 | |
You see, Joyce, if you think of marriage as a tent, | 0:10:57 | 0:11:00 | |
then a shared activity, like music, could be one of the tent poles. | 0:11:00 | 0:11:04 | |
Don't take this the wrong way, Carol, | 0:11:04 | 0:11:07 | |
but have you been spending time with your online yoga group again? | 0:11:07 | 0:11:11 | |
The yoga women are very Zen. | 0:11:11 | 0:11:13 | |
Jennifer's actually been to a Buddhist retreat, | 0:11:13 | 0:11:16 | |
and while she was there she found herself, | 0:11:16 | 0:11:18 | |
and decided to leave her husband and live in an all-female community, | 0:11:18 | 0:11:22 | |
where they build their own houses out of dried mud. | 0:11:22 | 0:11:25 | |
Yeah, but things are different out in the Far East, Carol. | 0:11:25 | 0:11:28 | |
This was in Ipswich. | 0:11:28 | 0:11:30 | |
I just think you'd be better with down to earth people here, Carol. | 0:11:31 | 0:11:34 | |
You know being chairwoman doesn't mean you have to put out the chairs? | 0:11:34 | 0:11:38 | |
Oh, I know. | 0:11:38 | 0:11:40 | |
Going to be a full house for you this afternoon. | 0:11:40 | 0:11:43 | |
I managed to sell all the tickets. That wasn't easy. | 0:11:43 | 0:11:47 | |
Oh, right. | 0:11:47 | 0:11:48 | |
Everything else going OK for you? | 0:11:48 | 0:11:50 | |
Yes, fine, yes, just sorting out all the refreshments, | 0:11:50 | 0:11:54 | |
but otherwise all good. | 0:11:54 | 0:11:56 | |
Now, I've noticed a couple of issues. | 0:11:56 | 0:11:58 | |
The piano needs tuning. It's a semitone out. | 0:11:58 | 0:12:01 | |
And we need a backdrop to the stage there, | 0:12:01 | 0:12:04 | |
and some material up there to absorb the echo. | 0:12:04 | 0:12:08 | |
Erm, and the lighting... | 0:12:08 | 0:12:10 | |
Shall I break the ice? | 0:12:10 | 0:12:11 | |
No, you just go and put the crisps away, Carol. | 0:12:11 | 0:12:14 | |
..and the front two rows are | 0:12:14 | 0:12:16 | |
going to have to go because they'll block the sound. | 0:12:16 | 0:12:19 | |
I don't want people who are just along for the ride. | 0:12:19 | 0:12:21 | |
We need to make sure the intensity is up around the 110% mark. | 0:12:21 | 0:12:25 | |
110%? That is high, isn't it? | 0:12:25 | 0:12:27 | |
I think this choir's been underperforming for some time now. | 0:12:27 | 0:12:29 | |
-Do you? -I do. I look around. I see dead wood. | 0:12:29 | 0:12:32 | |
A lot of people who are just coasting. | 0:12:32 | 0:12:34 | |
Think it's a bit of fun, you know, a chance to socialise with their friends. | 0:12:34 | 0:12:39 | |
People who don't really understand music. | 0:12:39 | 0:12:41 | |
Well, you won't get that from me, Emma. I'm all about the music. | 0:12:41 | 0:12:44 | |
Is that person waving at you? | 0:12:46 | 0:12:49 | |
No. I've never seen her before. | 0:12:49 | 0:12:51 | |
FLUSHING | 0:12:54 | 0:12:57 | |
Well, there's nothing wrong with it that I can see. | 0:12:57 | 0:13:00 | |
-It gurgles. -It didn't gurgle for me. | 0:13:00 | 0:13:02 | |
I thought you were a plumber. | 0:13:02 | 0:13:03 | |
What's the point of you if you can't even fix a toilet? | 0:13:03 | 0:13:06 | |
-KNOCKING -Hello, Joan? Door's open. Everything OK? | 0:13:06 | 0:13:09 | |
It's the warden. This place is like a bloody prison camp. | 0:13:09 | 0:13:12 | |
Don't let her...in. | 0:13:12 | 0:13:15 | |
The toilet doesn't work. | 0:13:15 | 0:13:16 | |
No, it's fine. | 0:13:16 | 0:13:18 | |
It's not fine. What if it floods? | 0:13:18 | 0:13:20 | |
It won't. | 0:13:20 | 0:13:21 | |
It might. It might flood when I'm on it. | 0:13:21 | 0:13:24 | |
Well, then the warden can help you, can't she? | 0:13:24 | 0:13:27 | |
Er, no. I don't attend residents in those circumstances. | 0:13:27 | 0:13:29 | |
-Why not? -I just don't. | 0:13:29 | 0:13:32 | |
Maintenance will be back on Monday. | 0:13:32 | 0:13:35 | |
I can't go without a toilet until Monday. | 0:13:35 | 0:13:37 | |
We do have an out-of-hours service, but it's more expensive. | 0:13:37 | 0:13:40 | |
Perhaps you could have Joan till then? | 0:13:40 | 0:13:43 | |
I'm busy. | 0:13:43 | 0:13:44 | |
Going fishing? | 0:13:44 | 0:13:46 | |
No. | 0:13:46 | 0:13:48 | |
I just think with Dad passing and Mum withdrawing into | 0:13:48 | 0:13:50 | |
her own little world, and Simon finally leaving home, | 0:13:50 | 0:13:54 | |
there was just no-one else left to talk to except Trevor, | 0:13:54 | 0:13:57 | |
and I suppose I've never really relied on him for that, | 0:13:57 | 0:14:00 | |
you know, not for that emotional connection. | 0:14:00 | 0:14:03 | |
Did you put the peanuts out as well? | 0:14:03 | 0:14:05 | |
Oh, yeah. | 0:14:05 | 0:14:06 | |
So what did Emma say? Is it all right? | 0:14:06 | 0:14:09 | |
Yeah, course it is. You can sing, can't you? | 0:14:09 | 0:14:13 | |
Oh, not that it matters. It's all a bit of fun, really, | 0:14:13 | 0:14:16 | |
but at the same time it is quite serious, | 0:14:16 | 0:14:18 | |
and they have been practising for the best part of six months. | 0:14:18 | 0:14:21 | |
That is serious. | 0:14:21 | 0:14:24 | |
Me and Trevor can sing the whole of Love Will Keep Us Together | 0:14:24 | 0:14:26 | |
without looking at the words. | 0:14:26 | 0:14:28 | |
I'm Tennille. He's the Captain. It's our thing. | 0:14:28 | 0:14:31 | |
Carol, you don't have to do it. | 0:14:31 | 0:14:33 | |
You're the one who said I needed a challenge! | 0:14:33 | 0:14:35 | |
You said it would be a change from working at the hospice. | 0:14:35 | 0:14:37 | |
Yeah, I know, but there are lots of challenges, aren't there? | 0:14:37 | 0:14:40 | |
I mean, you still haven't been on the Oblivion ride at Alton Towers | 0:14:40 | 0:14:42 | |
with your little granddaughter, have you? That's a real challenge. | 0:14:42 | 0:14:46 | |
Oh, it's not the same thing. | 0:14:46 | 0:14:48 | |
Yeah, but you promised her, Carol. | 0:14:48 | 0:14:50 | |
I can still remember the look on her face when you said it. | 0:14:50 | 0:14:53 | |
A performing challenge. Bring me out of my shell. | 0:14:53 | 0:14:56 | |
They do pole dancing here now. Monday evenings. | 0:14:57 | 0:15:01 | |
Keeps you fit, plus, | 0:15:01 | 0:15:02 | |
it's still got that little bit of showbiz thrown in. | 0:15:02 | 0:15:05 | |
I know you're trying to give me an easy out, | 0:15:05 | 0:15:07 | |
but I really want to do this. | 0:15:07 | 0:15:09 | |
It's important to still be able to surprise each other. | 0:15:09 | 0:15:12 | |
That's what the marriage counsellor says. She wants us to be more spontaneous. | 0:15:12 | 0:15:17 | |
Has she met Trevor? | 0:15:17 | 0:15:18 | |
Mr Mitchell? | 0:15:29 | 0:15:31 | |
Yes. | 0:15:31 | 0:15:32 | |
Thomas Parlour. We spoke on the mobile phone. | 0:15:32 | 0:15:36 | |
Sorry I'm late. I couldn't find you. | 0:15:36 | 0:15:38 | |
I think my map's out of date. | 0:15:38 | 0:15:40 | |
New estate, is it? | 0:15:40 | 0:15:41 | |
1982. | 0:15:41 | 0:15:42 | |
Oh, thought so. | 0:15:42 | 0:15:44 | |
Erm... | 0:15:44 | 0:15:46 | |
Everything all right? | 0:15:46 | 0:15:48 | |
Yes. It's just, erm, I assumed I'd be getting the son. | 0:15:48 | 0:15:51 | |
I am the son. | 0:15:51 | 0:15:54 | |
FLUSHING | 0:16:00 | 0:16:01 | |
You fixed it yet? | 0:16:04 | 0:16:05 | |
We can't find anything wrong with it. | 0:16:05 | 0:16:07 | |
What about the gurgling? | 0:16:07 | 0:16:09 | |
All toilets make a noise, Joan. | 0:16:09 | 0:16:12 | |
I'll have to get somebody else in. | 0:16:12 | 0:16:13 | |
The old girl next door has a very good handyman. I'll give her a ring. | 0:16:13 | 0:16:18 | |
We're not calling anyone else. | 0:16:18 | 0:16:20 | |
You want me to use the toilet when it's unsafe, do you? | 0:16:20 | 0:16:23 | |
You want to leave me to get sucked down the pan next time I flush it? | 0:16:23 | 0:16:28 | |
She seems distressed. Maybe we should call someone who could help? | 0:16:28 | 0:16:31 | |
Like the warden, you mean? | 0:16:31 | 0:16:32 | |
How you ever made any money, I don't know. | 0:16:32 | 0:16:34 | |
-HANDYMAN: -There you go. | 0:16:34 | 0:16:36 | |
My daughter Maureen did all the work. | 0:16:36 | 0:16:38 | |
Fine. You know what, Joan? It's fine. | 0:16:38 | 0:16:40 | |
We've had the toilet out and we've had it back in again, | 0:16:40 | 0:16:43 | |
and there's nothing wrong with it. But that's not an issue. | 0:16:43 | 0:16:46 | |
No, you were right and we were wrong. | 0:16:46 | 0:16:48 | |
But let me tell you something, Joan, | 0:16:48 | 0:16:49 | |
you've had three people running round after you all morning, | 0:16:49 | 0:16:53 | |
and not one of us have complained, have we? No? | 0:16:53 | 0:16:55 | |
Even this young man came out on a call-out. | 0:16:55 | 0:16:57 | |
He's even been down the cesspit at the bottom of the garden, | 0:16:57 | 0:17:00 | |
but he's happy to do that, aren't you? Your welfare, Joan, | 0:17:00 | 0:17:02 | |
has been the number one priority for me and Maureen, | 0:17:02 | 0:17:05 | |
and everyone else who cares about you. But that's it, Joan. | 0:17:05 | 0:17:08 | |
That's it. I've had enough. | 0:17:08 | 0:17:09 | |
You've hurt me, Joan. | 0:17:09 | 0:17:11 | |
You've hurt me. And I've missed a very important appointment. | 0:17:11 | 0:17:14 | |
I thought you said you weren't going fishing? | 0:17:14 | 0:17:18 | |
I'm not. | 0:17:18 | 0:17:19 | |
Hi, Emma. Sorry, can I... | 0:17:20 | 0:17:22 | |
Sorry, Joyce, I'm a bit busy at the moment. | 0:17:22 | 0:17:25 | |
I know. This is two minutes. | 0:17:25 | 0:17:27 | |
Now that we've got some of the technical things out of the way, | 0:17:27 | 0:17:31 | |
I wanted to say the thing I was going to say before. | 0:17:31 | 0:17:33 | |
-Which is what? -Which is, I actually wanted to | 0:17:33 | 0:17:36 | |
ask you a tiny favour. I've got a friend who has... | 0:17:36 | 0:17:39 | |
-Oh, no. -What? | 0:17:39 | 0:17:40 | |
You've got a friend who has always wanted to sing? | 0:17:40 | 0:17:42 | |
-Yeah, she... -I'm sorry, Joyce. | 0:17:42 | 0:17:43 | |
We're supposed to be putting on a performance this afternoon. | 0:17:43 | 0:17:46 | |
She'll just slot in anywhere. | 0:17:46 | 0:17:48 | |
At the back, even, behind the big girls. | 0:17:48 | 0:17:50 | |
We've been rehearsing this piece for months. | 0:17:50 | 0:17:53 | |
But the words are all written down, aren't they? In English? | 0:17:53 | 0:17:56 | |
I mean, how hard can it be? | 0:17:56 | 0:17:58 | |
It's one of the most complex and powerful pieces of choral music ever written. | 0:17:58 | 0:18:02 | |
This isn't about doing favours for our mates. It's about the music. | 0:18:02 | 0:18:05 | |
I'm sure you understand that. | 0:18:05 | 0:18:06 | |
If you're prepared to use the choir as a form of patronage to get your friends in, | 0:18:06 | 0:18:10 | |
then that suggests you don't take the music very seriously. | 0:18:10 | 0:18:12 | |
I know, but if she's standing at the back, miming...? | 0:18:13 | 0:18:16 | |
# It brings a tear | 0:18:18 | 0:18:21 | |
# Into my eyes... # | 0:18:23 | 0:18:26 | |
You want a hand? | 0:18:28 | 0:18:30 | |
Why don't you leave it to the professionals? | 0:18:30 | 0:18:32 | |
# When I begin to realise... # | 0:18:32 | 0:18:37 | |
-You all right there? -Yeah, yeah, it's fine. | 0:18:41 | 0:18:44 | |
It's just, you know, keen to stay on schedule. | 0:18:44 | 0:18:47 | |
Oh, stop worrying, Trevor. | 0:18:47 | 0:18:49 | |
We'll get you there on time. | 0:18:49 | 0:18:51 | |
You know, me and John had a bit of a wobble ourselves a few years back. | 0:18:51 | 0:18:55 | |
Mark had just left home, finally, | 0:18:55 | 0:18:57 | |
and we were thinking, "What do we do now?" | 0:18:57 | 0:19:00 | |
It was a difficult year. | 0:19:00 | 0:19:02 | |
We grew apart, physically. | 0:19:02 | 0:19:04 | |
Look at this. I've got the eye-patch and everything! | 0:19:04 | 0:19:07 | |
We even stopped sleeping together. | 0:19:07 | 0:19:10 | |
I see no ships! | 0:19:10 | 0:19:12 | |
You can imagine how hard that was. Especially for John. | 0:19:12 | 0:19:17 | |
Wonder what the sound system's like in here. | 0:19:17 | 0:19:19 | |
CAR RADIO: # Ah, I love to love you, baby | 0:19:19 | 0:19:24 | |
# Oh, oh | 0:19:24 | 0:19:26 | |
# Ah, I love to love you, baby | 0:19:26 | 0:19:28 | |
# Lay your head down real close to me... # | 0:19:28 | 0:19:32 | |
MUSIC STOPS ABRUPTLY | 0:19:32 | 0:19:33 | |
Shame you're missing the sing-along, hearing all those old tunes. | 0:19:35 | 0:19:39 | |
# We'll meet again Don't know where, don't know when... | 0:19:39 | 0:19:46 | |
# But I know we'll meet again Some sunny day. # | 0:19:48 | 0:19:52 | |
That's a lovely one, isn't it? | 0:19:52 | 0:19:54 | |
To be honest, Joan, I don't like it. | 0:19:54 | 0:19:57 | |
No, neither do I. | 0:19:57 | 0:20:00 | |
Look, I know you'd rather be going fishing. | 0:20:01 | 0:20:05 | |
Matter of fact, so would I. | 0:20:05 | 0:20:07 | |
But at my time in life you don't get much choice. | 0:20:07 | 0:20:10 | |
I am going to the bloomin' sing-along, | 0:20:10 | 0:20:12 | |
and you are getting me there, so we might as well like it or lump it. | 0:20:12 | 0:20:17 | |
Yep, we might as well. | 0:20:18 | 0:20:21 | |
-# Keep smiling through... # -Don't push it. | 0:20:23 | 0:20:26 | |
OK! | 0:20:26 | 0:20:27 | |
If you mix it right, the cement will spread smooth. | 0:20:33 | 0:20:37 | |
That's lumpy. You've put too much sand in the mix. | 0:20:37 | 0:20:40 | |
I told you about that, now, didn't I? | 0:20:40 | 0:20:42 | |
You all right there? | 0:20:42 | 0:20:44 | |
Yeah, I'm fine. | 0:20:44 | 0:20:45 | |
You know my wife's turning up here tomorrow | 0:20:45 | 0:20:47 | |
with the entire Thurnemouth Choral Society? | 0:20:47 | 0:20:49 | |
Can I rely on you to explain the situation to her? | 0:20:49 | 0:20:52 | |
We're on schedule. Don't worry. | 0:20:52 | 0:20:54 | |
Good. Let me know if you need anything. | 0:20:54 | 0:20:57 | |
I wouldn't mind a biscuit. | 0:20:58 | 0:21:00 | |
I don't understand. | 0:21:08 | 0:21:10 | |
John always avoids the A47 this way. | 0:21:10 | 0:21:12 | |
SAT NAV: 'Searching...route.' | 0:21:12 | 0:21:14 | |
Doesn't know what road we're on. | 0:21:14 | 0:21:16 | |
Probably hasn't been updated for years. | 0:21:16 | 0:21:17 | |
I know how she feels. | 0:21:17 | 0:21:19 | |
So anyway, me and John's physical relationship - where was I with that? | 0:21:19 | 0:21:22 | |
-I think you'd finished. -No, no, that's it. | 0:21:22 | 0:21:25 | |
What I was saying was that after we'd rebooted | 0:21:25 | 0:21:28 | |
that side of things, everything else fell into place. You know what I'm saying? | 0:21:28 | 0:21:32 | |
-Not really. -No. | 0:21:32 | 0:21:35 | |
No, I know you find it hard to talk about this sort of stuff, | 0:21:35 | 0:21:38 | |
but sometimes it does help to share your worries with a friend, | 0:21:38 | 0:21:41 | |
rather than an anonymous person in a Relate office. | 0:21:41 | 0:21:45 | |
-But I don't really want to share them. -You're holding back on me, Trevor. | 0:21:45 | 0:21:48 | |
No, really, I'm not. | 0:21:48 | 0:21:49 | |
I can't help you unless you open up. | 0:21:49 | 0:21:52 | |
Yes, but I don't want you to help me! | 0:21:52 | 0:21:54 | |
Well... | 0:21:54 | 0:21:56 | |
I must say, Trevor, that's a real slap in the face. | 0:21:57 | 0:22:00 | |
CRASH | 0:22:00 | 0:22:02 | |
-Hi! -It's filling up. | 0:22:06 | 0:22:10 | |
Yeah, there's going to be a lot of people in here. | 0:22:10 | 0:22:13 | |
You're probably really nervous. | 0:22:13 | 0:22:15 | |
If you did want to pull out... | 0:22:15 | 0:22:17 | |
No! I just wanted to say thanks again for getting me in. | 0:22:17 | 0:22:21 | |
That's what friends are for. | 0:22:21 | 0:22:23 | |
But if at any point you wanted to pull out... | 0:22:23 | 0:22:26 | |
No, I've told everyone I'm doing it. | 0:22:26 | 0:22:28 | |
What do you mean? | 0:22:28 | 0:22:29 | |
My friends from the Age UK music club, they're all here. | 0:22:29 | 0:22:33 | |
CAROL GIGGLES | 0:22:37 | 0:22:39 | |
It's just a boat. Look at my car. | 0:22:39 | 0:22:41 | |
-This is going to cost a fortune. -It'll still float. | 0:22:41 | 0:22:45 | |
You know a lot about boats, do you? | 0:22:45 | 0:22:47 | |
No, but he does. | 0:22:47 | 0:22:48 | |
OK, here's the deal. | 0:22:56 | 0:22:58 | |
I have actually been a member of the Choral Society for several years, Emma. | 0:22:58 | 0:23:03 | |
That's several years more than you. | 0:23:03 | 0:23:06 | |
And while I appreciate you are very serious about your music, so am I. | 0:23:06 | 0:23:10 | |
I'm a music lover, as is everyone in this room, including my friend Carol, | 0:23:10 | 0:23:14 | |
who is going to join in this afternoon's performance. | 0:23:14 | 0:23:17 | |
Joyce, I just don't think you're quite grasping what we're trying to accomplish. | 0:23:17 | 0:23:21 | |
Emma, love, this is the Thurnemouth Community Centre, | 0:23:21 | 0:23:24 | |
not the Royal bloody Opera House. | 0:23:24 | 0:23:26 | |
We're here to have a bit of fun, | 0:23:26 | 0:23:28 | |
and if you can't get your head round that, | 0:23:28 | 0:23:30 | |
I'm afraid I'm going to have to sever my connections with the society. | 0:23:30 | 0:23:33 | |
Because you are making me choose between supporting my friend | 0:23:34 | 0:23:39 | |
and being chairwoman. | 0:23:39 | 0:23:41 | |
I understand. | 0:23:41 | 0:23:43 | |
Good. OK. Good. | 0:23:43 | 0:23:47 | |
Just checking. | 0:23:47 | 0:23:48 | |
MUSIC: "Itchycoo Park" by The Small Faces | 0:23:50 | 0:23:54 | |
# Over Bridge of Sighs... # | 0:23:56 | 0:23:57 | |
MAUREEN: Sorry we missed it. | 0:23:57 | 0:23:59 | |
I can't believe they used another Nelson. | 0:23:59 | 0:24:03 | |
It just doesn't feel quite right. | 0:24:03 | 0:24:05 | |
I'm not being racist. | 0:24:05 | 0:24:06 | |
I mean, you can have any kind of Nelson you like, | 0:24:06 | 0:24:09 | |
but a Chinese Nelson? | 0:24:09 | 0:24:11 | |
Sounds like a wrestling hold, doesn't it? | 0:24:11 | 0:24:13 | |
John's going to do his nut. | 0:24:14 | 0:24:16 | |
-No, that'll be fine. -Will it? | 0:24:16 | 0:24:18 | |
Yes, you haven't got much to repair there. | 0:24:18 | 0:24:21 | |
Head lamp, grille, front wing panel. | 0:24:21 | 0:24:23 | |
-And a boat. -And a boat. | 0:24:24 | 0:24:26 | |
You know what I was looking forward to most? | 0:24:26 | 0:24:29 | |
It wasn't officiating at the opening ceremony, | 0:24:29 | 0:24:31 | |
though that would have been nice. It was the sameness of it. | 0:24:31 | 0:24:34 | |
Thurnemouth Day is always the same, Maureen. | 0:24:34 | 0:24:38 | |
Same bunting, same speeches, same morris dancers in Market Square. | 0:24:38 | 0:24:44 | |
You can rely on it, | 0:24:44 | 0:24:45 | |
and there aren't many things you can say that about any more. | 0:24:45 | 0:24:49 | |
Well, that's all very well, Trev, | 0:24:49 | 0:24:50 | |
but this is a Mini Cooper we're talking about. | 0:24:50 | 0:24:53 | |
I'll have to update my Facebook page. | 0:24:55 | 0:24:58 | |
# Under Dreaming Spires | 0:24:58 | 0:25:01 | |
# To Itchycoo Park, that's where I've been | 0:25:01 | 0:25:04 | |
# What did you do there? | 0:25:04 | 0:25:07 | |
# I got high | 0:25:07 | 0:25:08 | |
# What did you feel there? | 0:25:08 | 0:25:10 | |
# Well, I cried | 0:25:10 | 0:25:11 | |
# But why the tears there? | 0:25:11 | 0:25:13 | |
# I'll tell you why... # | 0:25:13 | 0:25:16 | |
She won't let you sing. | 0:25:16 | 0:25:18 | |
Emma. Not going to do it. | 0:25:18 | 0:25:20 | |
-But you said she'd already... -I know. It's come from nowhere, Carol. | 0:25:21 | 0:25:26 | |
APPLAUSE | 0:25:27 | 0:25:29 | |
I don't think I'm going to be able to listen to this. | 0:25:29 | 0:25:32 | |
Don't worry. You won't be the only one. | 0:25:32 | 0:25:36 | |
PIANO PLAYS | 0:25:37 | 0:25:40 | |
PACKETS RUSTLE | 0:25:44 | 0:25:47 | |
-You all right? -Don't say anything. | 0:26:05 | 0:26:07 | |
OK. Who's that? | 0:26:07 | 0:26:09 | |
That's Mr Parlour. | 0:26:09 | 0:26:11 | |
Oh. | 0:26:11 | 0:26:12 | |
How's your dad? | 0:26:12 | 0:26:13 | |
HE SNORES | 0:26:13 | 0:26:15 | |
Thought you were going fishing? | 0:26:15 | 0:26:17 | |
No, I just dropped Joan off at her sing-along. | 0:26:17 | 0:26:19 | |
You know, when our Mark left home I thought Dad's taxi service | 0:26:19 | 0:26:22 | |
would go out of business. Now it's doing a roaring trade again. | 0:26:22 | 0:26:25 | |
-Why don't you go fishing tomorrow? -No, she's got Pilates tomorrow. | 0:26:25 | 0:26:28 | |
-Really? -She's bendier than she looks. | 0:26:28 | 0:26:30 | |
-MOBILE RINGS -At least you've got the evening off. | 0:26:30 | 0:26:33 | |
I don't know about that. | 0:26:33 | 0:26:35 | |
Yes, Joan. | 0:26:35 | 0:26:36 | |
All right, sit tight. I'll be there in a sec. | 0:26:38 | 0:26:41 | |
She wants to leave. Apparently there's no bar. | 0:26:41 | 0:26:44 | |
MUSIC: "It's Not Unusual" by Tom Jones | 0:26:46 | 0:26:49 | |
Well, it was all right. | 0:26:55 | 0:26:57 | |
It was amazing! | 0:26:57 | 0:26:59 | |
Definitely missed Carol, though. | 0:26:59 | 0:27:01 | |
Yeah, definitely. | 0:27:01 | 0:27:03 | |
I thought it was cool. | 0:27:03 | 0:27:04 | |
Yeah, really good. I love Handel's Messiah. | 0:27:04 | 0:27:08 | |
You going to hang around for five minutes? | 0:27:08 | 0:27:10 | |
What for? | 0:27:10 | 0:27:11 | |
It's a treat. | 0:27:11 | 0:27:13 | |
# It's not unusual to be loved by anyone... # | 0:27:13 | 0:27:17 | |
-So I'll see you tomorrow? -Yeah, thanks. OK. | 0:27:17 | 0:27:20 | |
# It's not unusual to have fun with anyone | 0:27:20 | 0:27:23 | |
# But when I see you hanging about with anyone | 0:27:23 | 0:27:28 | |
# It's not unusual... # | 0:27:28 | 0:27:30 | |
MUSIC STOPS ABRUPTLY John! John! | 0:27:30 | 0:27:32 | |
Joan? | 0:27:32 | 0:27:34 | |
Joan? I'm coming in. | 0:27:34 | 0:27:36 | |
Silly arse! | 0:27:41 | 0:27:42 | |
# Now stop, cos I really love you | 0:27:45 | 0:27:48 | |
# Stop, I'll be thinkin' of you | 0:27:48 | 0:27:51 | |
# Look in my heart and let love bring us together... # | 0:27:51 | 0:27:54 | |
It's nice to be able to help people. | 0:27:54 | 0:27:57 | |
I'm not sure they'd agree with you. | 0:27:57 | 0:27:59 | |
# You, you belong to me now... # | 0:28:01 | 0:28:05 | |
What did the Choral Society make of it? | 0:28:05 | 0:28:07 | |
They kicked me out. | 0:28:07 | 0:28:09 | |
Oh, no. | 0:28:09 | 0:28:10 | |
Well, it's for the best. You've done a good turn. | 0:28:12 | 0:28:14 | |
I know. | 0:28:14 | 0:28:15 | |
You'll bounce back. | 0:28:15 | 0:28:17 | |
I already have. | 0:28:17 | 0:28:18 | |
I'm starting a country and western society. | 0:28:18 | 0:28:20 | |
We're all meeting on Thursday round at ours. | 0:28:20 | 0:28:23 | |
# Look in my heart and let love keep us together... # | 0:28:23 | 0:28:26 | |
How's the patio coming on? | 0:28:26 | 0:28:28 | |
# Whatever... # | 0:28:29 | 0:28:30 | |
# Young and beautiful | 0:28:31 | 0:28:35 | |
# Some day your looks will be gone | 0:28:35 | 0:28:38 | |
# When the others turn you off | 0:28:39 | 0:28:42 | |
# Who'll be turning you on? | 0:28:42 | 0:28:45 | |
# I will, I will, I will, I will | 0:28:45 | 0:28:49 | |
# Be there to share for ever | 0:28:49 | 0:28:52 | |
# Love will keep us together | 0:28:53 | 0:28:56 | |
# I said it before and I'll say it again... # | 0:28:56 | 0:29:01 |