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MUSIC: " The Tears Of A Clown" by Smokey Robinson & The Miracles | 0:00:02 | 0:00:05 | |
# Oh, yeah, yeah, yeah | 0:00:10 | 0:00:13 | |
# Now if there's a smile on my face | 0:00:14 | 0:00:18 | |
# It's only there trying to fool the public | 0:00:18 | 0:00:22 | |
# But when it comes down to fooling you | 0:00:22 | 0:00:26 | |
# Now, honey, that's quite a different subject | 0:00:26 | 0:00:29 | |
# But don't let my glad expression | 0:00:29 | 0:00:33 | |
# Give you the wrong impre... # | 0:00:33 | 0:00:35 | |
SONG ENDS ABRUPTLY | 0:00:35 | 0:00:37 | |
Have you invited everyone from work? | 0:00:37 | 0:00:39 | |
Yep. | 0:00:39 | 0:00:40 | |
What about champagne? Have you got champagne? | 0:00:42 | 0:00:45 | |
I want a bit of sophistication, a bit of class. | 0:00:45 | 0:00:48 | |
We don't need champagne. We've got cava. | 0:00:48 | 0:00:52 | |
Cava's fine for that lot. | 0:00:52 | 0:00:53 | |
You ARE going to be nice to everyone, aren't you, Alan? | 0:00:53 | 0:00:56 | |
Joyce, this is your retirement party, | 0:00:56 | 0:00:57 | |
I want everyone to feel welcome. | 0:00:57 | 0:00:59 | |
I'm just not keen on having it at home, that's all. | 0:01:06 | 0:01:10 | |
You can't ever really relax when you're throwing a party. | 0:01:10 | 0:01:13 | |
Yeah, but you're not throwing it, Joyce - | 0:01:13 | 0:01:15 | |
I am, and it'll be fantastic, I promise. | 0:01:15 | 0:01:17 | |
What I really wanted | 0:01:17 | 0:01:19 | |
was a very tasteful surprise party at a country hotel. | 0:01:19 | 0:01:22 | |
Sandra, when she retired from the police... | 0:01:22 | 0:01:24 | |
Here we go. | 0:01:24 | 0:01:25 | |
..she had a themed famous detectives party at the Marriott. | 0:01:25 | 0:01:29 | |
Marquee, swing band, | 0:01:29 | 0:01:32 | |
chocolate fountain, | 0:01:32 | 0:01:33 | |
Hercule Poirot serving all the champagne cocktails. | 0:01:33 | 0:01:36 | |
It had a bit of class, a bit of tastefulness, | 0:01:36 | 0:01:39 | |
a bit of sophistication. | 0:01:39 | 0:01:40 | |
Yeah, but you don't have to spend that kind of money to be classy, Joyce. | 0:01:40 | 0:01:43 | |
I promise you I will transform our house | 0:01:43 | 0:01:46 | |
into your very own, special country hotel, just for the day. | 0:01:46 | 0:01:50 | |
Ah, where would I find | 0:01:52 | 0:01:54 | |
a patio heater and some heavy-duty plastic sheeting? | 0:01:54 | 0:01:56 | |
Hi! | 0:02:00 | 0:02:01 | |
-Hi. -Hi. | 0:02:01 | 0:02:02 | |
Oh, you didn't all need to come. | 0:02:02 | 0:02:03 | |
It's Saturday morning, Joy. What else are we going to do? | 0:02:03 | 0:02:06 | |
If Maureen doesn't get her garden centre fix of a Saturday | 0:02:06 | 0:02:08 | |
she goes into withdrawal. | 0:02:08 | 0:02:10 | |
Which one for the front porch? | 0:02:10 | 0:02:13 | |
I can't decide. I've literally fallen in love with them both. | 0:02:13 | 0:02:16 | |
-We like the coffee in here, don't we? -Yeah. | 0:02:16 | 0:02:19 | |
Best cappuccino vanilla shake in Thurnemouth. | 0:02:19 | 0:02:21 | |
Certainly is. | 0:02:21 | 0:02:22 | |
Actually, it's the only cappuccino vanilla shake in Thurnemouth. | 0:02:22 | 0:02:25 | |
All set for tomorrow? Got your party head on? | 0:02:31 | 0:02:33 | |
-I think so. -It's a big day for Joyce. End of a working life. | 0:02:33 | 0:02:36 | |
That's the last time she'll ever make any money. You want to make sure it goes with a bang. | 0:02:36 | 0:02:39 | |
I'll do my best. | 0:02:39 | 0:02:40 | |
And you're not on your own, remember that. | 0:02:40 | 0:02:43 | |
-We're all on hand to chip in. -Thanks, I appreciate that. | 0:02:43 | 0:02:46 | |
Joyce has been a rock for us all over the years, | 0:02:46 | 0:02:48 | |
and we're going to do everything we can | 0:02:48 | 0:02:49 | |
to make tomorrow a day she'll remember for ever. | 0:02:49 | 0:02:52 | |
Maureen's bringing crisps. | 0:02:53 | 0:02:55 | |
BIRDSONG | 0:02:57 | 0:02:59 | |
How was London? | 0:02:59 | 0:03:00 | |
Oh, it was lovely. Really nice to catch up with Jackie. | 0:03:00 | 0:03:04 | |
We had a fantastic lunch in Covent Garden. | 0:03:04 | 0:03:06 | |
Sounds upmarket. | 0:03:06 | 0:03:08 | |
No, it was smart, but not over the top. | 0:03:08 | 0:03:11 | |
Being from London I'm not fazed by these places - | 0:03:11 | 0:03:14 | |
I'm used to a bit of glam. | 0:03:14 | 0:03:15 | |
Are we going to get a bit of glam at yours tomorrow, Joyce? | 0:03:15 | 0:03:18 | |
Wouldn't get your hopes up. Alan's organising it. | 0:03:18 | 0:03:20 | |
It's not going to be a big do anyway. | 0:03:20 | 0:03:23 | |
There's been a few retirement parties got out of hand recently. | 0:03:23 | 0:03:26 | |
I'm not going down that road. | 0:03:26 | 0:03:28 | |
Barbara Wait had to have her living room carpet steam-cleaned | 0:03:28 | 0:03:31 | |
after hers, and she said her toilet was awash with urine. | 0:03:31 | 0:03:35 | |
Men get worse as they get older, don't they? | 0:03:35 | 0:03:38 | |
Have you tried a ping-pong ball? You know, in the pan? | 0:03:38 | 0:03:42 | |
Give them something to aim at. | 0:03:42 | 0:03:43 | |
It worked for John. | 0:03:44 | 0:03:45 | |
I don't think Alan could hit a ping-pong ball. | 0:03:45 | 0:03:48 | |
Trevor would struggle to hit a table. | 0:03:48 | 0:03:50 | |
How's the video tribute going? | 0:03:54 | 0:03:55 | |
It's all done. I've got this new camera. | 0:03:55 | 0:03:58 | |
Does all the editing for you. It's amazing! | 0:03:58 | 0:04:01 | |
Well, cost a bob or two, mind, | 0:04:01 | 0:04:02 | |
but you never regret money well spent, do you? | 0:04:02 | 0:04:04 | |
-How much do I owe you? -No, no, put it away. -OK. -This is on me, for Joyce. | 0:04:04 | 0:04:08 | |
Now, I've kept it light. I mean, I can't stand it | 0:04:08 | 0:04:10 | |
when people get all soppy over those things, you know. | 0:04:10 | 0:04:13 | |
It's like a birthday card. You want a funny one or a syrupy one. | 0:04:13 | 0:04:16 | |
Did you ever get one of those cards, right, which says, | 0:04:16 | 0:04:19 | |
"For that someone extra special on their birthday"? | 0:04:19 | 0:04:21 | |
Nine times out of ten, the person who's sent it is a pillock. | 0:04:21 | 0:04:24 | |
Did I tell you I've taken up cycling? | 0:04:24 | 0:04:27 | |
150 minutes a week. That's all you need. | 0:04:27 | 0:04:29 | |
-I'm going to get this one. -I wouldn't. | 0:04:29 | 0:04:31 | |
-What's wrong with it? -Well, it's no good. It's the cheapest. | 0:04:31 | 0:04:34 | |
You get what you pay for, see. | 0:04:34 | 0:04:36 | |
You only get one retirement party. | 0:04:36 | 0:04:38 | |
Do you want Joyce's to be remembered | 0:04:38 | 0:04:40 | |
as the one where all the guests caught hypothermia and died? | 0:04:40 | 0:04:42 | |
It's happened before. | 0:04:44 | 0:04:46 | |
Now, we don't want you to worry about catering tomorrow, | 0:04:46 | 0:04:48 | |
-do we, Maureen? -No. | 0:04:48 | 0:04:50 | |
We're taking over the kitchen. | 0:04:50 | 0:04:52 | |
So you can concentrate on letting your hair down. | 0:04:52 | 0:04:55 | |
-I'm doing nem nuong. -Nem nuong. Vietnamese. | 0:04:55 | 0:04:57 | |
Very cosmopolitan. | 0:04:57 | 0:04:59 | |
I'm doing an Asian fusion course at the U3A. | 0:04:59 | 0:05:01 | |
You want to go online and check them out. | 0:05:01 | 0:05:03 | |
You can do all sorts of things. | 0:05:03 | 0:05:05 | |
Very interesting courses. | 0:05:05 | 0:05:06 | |
-Really, Carol, you don't need to... -Joyce, | 0:05:06 | 0:05:09 | |
it's all taken care of. We don't want to hear any more about it. | 0:05:09 | 0:05:12 | |
Yeah, but nong numong... | 0:05:12 | 0:05:14 | |
-Nem nuong. -Yeah. | 0:05:14 | 0:05:16 | |
That sounds like it might be tricky. | 0:05:16 | 0:05:18 | |
Joyce, you want a bit of sophistication, don't you? | 0:05:18 | 0:05:21 | |
A little bit of cosmopolitaneity. | 0:05:21 | 0:05:24 | |
I agree. I mean, I think we're very sophisticated up here. | 0:05:24 | 0:05:29 | |
Do you know what Jackie said to me the other day at lunch? | 0:05:29 | 0:05:31 | |
"You look like you've settled in to life in the country." | 0:05:31 | 0:05:35 | |
Know what I mean? | 0:05:35 | 0:05:36 | |
Like I was some sort of simpleton up from the provinces. | 0:05:36 | 0:05:39 | |
We're not simpletons. | 0:05:39 | 0:05:40 | |
We're not simpletons up from the provinces, are we? | 0:05:41 | 0:05:45 | |
I mean, people from London think that anyone beyond the M25 | 0:05:45 | 0:05:49 | |
is out in the sticks. | 0:05:49 | 0:05:51 | |
We're hardly out in the sticks. | 0:05:51 | 0:05:52 | |
-Exactly, Carol. -We're only an hour from Norwich. | 0:05:52 | 0:05:54 | |
-I'm losing a lot of redcurrants to birds. -Are you? | 0:06:01 | 0:06:04 | |
Carol only got three jars of jam off her bush last summer. | 0:06:04 | 0:06:07 | |
Really? Only three? | 0:06:08 | 0:06:09 | |
-Mad keen on jam-making, Carol is. -Yeah? | 0:06:09 | 0:06:13 | |
Oh, yeah. And sewing, knitting. | 0:06:13 | 0:06:17 | |
She's actually been teaching me how to knit. | 0:06:17 | 0:06:19 | |
We're communicating much better, I think. | 0:06:21 | 0:06:23 | |
We've been given listening exercises to do by the counsellor. | 0:06:23 | 0:06:26 | |
Listening to the other person | 0:06:26 | 0:06:27 | |
is a crucial part of any, er, relationship. | 0:06:27 | 0:06:30 | |
What? | 0:06:32 | 0:06:33 | |
You want to get yourself off somewhere nice. | 0:06:34 | 0:06:36 | |
You know what I'd do? | 0:06:36 | 0:06:38 | |
I'd go to Norway on a cruise. | 0:06:38 | 0:06:40 | |
I've always had this fantasy of lying naked in the snow | 0:06:40 | 0:06:42 | |
with a big, blond Scandinavian man - | 0:06:42 | 0:06:44 | |
you know, a Viking type - | 0:06:44 | 0:06:46 | |
watching the northern lights. | 0:06:46 | 0:06:48 | |
When you're retired you've got the time to do these things. | 0:06:48 | 0:06:52 | |
Me and Alan were thinking about Weymouth. | 0:06:52 | 0:06:54 | |
That one. | 0:06:57 | 0:06:58 | |
It's got more babies. | 0:06:58 | 0:07:00 | |
Oh, John. Hi. | 0:07:00 | 0:07:02 | |
-Hi. Er... -Uh... | 0:07:02 | 0:07:05 | |
-How's the bike? -Yeah, good. | 0:07:07 | 0:07:09 | |
So...so, what are you doing here? | 0:07:09 | 0:07:11 | |
Oh, I get my vegetables from the farm shop. | 0:07:11 | 0:07:13 | |
-They're all locally sourced, so... -This is Sarah. | 0:07:13 | 0:07:16 | |
-It's actually Sara. -Yeah. Um, I told you about Sara | 0:07:16 | 0:07:20 | |
from the cycling club. | 0:07:20 | 0:07:22 | |
The over-60s cycling club? | 0:07:22 | 0:07:24 | |
Well, we were out the other day, and, er, | 0:07:24 | 0:07:26 | |
she was at the side of the road. She had a puncture. | 0:07:26 | 0:07:28 | |
He came to my rescue. | 0:07:28 | 0:07:29 | |
Fixed my tyre, readjusted my seat, sorted out my gears. | 0:07:29 | 0:07:33 | |
I mean, he's multi-talented. | 0:07:33 | 0:07:35 | |
He's got a great singing voice too, hasn't he? | 0:07:35 | 0:07:37 | |
-Has he? -Oh, yeah. | 0:07:37 | 0:07:39 | |
He was singing us all sorts of things to keep us going. | 0:07:39 | 0:07:41 | |
He's a cheerful soul, aren't you, John? | 0:07:41 | 0:07:43 | |
Always looking to make friends, he is. | 0:07:43 | 0:07:45 | |
Just report him to the police if it starts to feel like stalking. | 0:07:45 | 0:07:49 | |
Oh, no. No, it's great to meet people. | 0:07:49 | 0:07:52 | |
-We just moved into the area. -Across the road from Joyce. | 0:07:52 | 0:07:55 | |
-Oh, that's brave of you. -That's what I said. | 0:07:55 | 0:07:57 | |
Well, we decided we wanted the kids to grow up by the sea. | 0:07:57 | 0:08:00 | |
London is just too claustrophobic. | 0:08:00 | 0:08:02 | |
You've moved up from London? | 0:08:02 | 0:08:04 | |
Yeah. | 0:08:04 | 0:08:06 | |
I think Joyce is going to love retirement, don't you? | 0:08:06 | 0:08:08 | |
Yeah. | 0:08:08 | 0:08:09 | |
You know, I was thinking, you know, you've bought her a present | 0:08:09 | 0:08:12 | |
from both of us, and she'll love that, but that's from you, really. | 0:08:12 | 0:08:16 | |
I should get her something from me, | 0:08:16 | 0:08:18 | |
-something warm and personal, you know. -Yeah? | 0:08:18 | 0:08:20 | |
-So what if tomorrow at the party... -Yeah. | 0:08:20 | 0:08:22 | |
..I give her an assessment of her annuities and pension options? | 0:08:22 | 0:08:25 | |
-She'd like that. -You think? | 0:08:25 | 0:08:27 | |
-Yeah. -Oh. -Trevor? -Yes? | 0:08:27 | 0:08:30 | |
We've got some time now, haven't we, to do things, | 0:08:30 | 0:08:32 | |
-and you've been careful with our money? -Yes, I have. | 0:08:32 | 0:08:35 | |
The secret is buying in the troughs and selling at the peaks. | 0:08:35 | 0:08:37 | |
It sounds easy, but, you know, | 0:08:37 | 0:08:39 | |
you've got to know what you're doing. | 0:08:39 | 0:08:40 | |
What do you think about a Norwegian cruise? | 0:08:40 | 0:08:43 | |
Oh, that sounds interesting. | 0:08:43 | 0:08:45 | |
We could see the northern lights. | 0:08:45 | 0:08:47 | |
Just lie in the snow looking up at the stars. | 0:08:47 | 0:08:50 | |
We'd need plenty of layers on. | 0:08:51 | 0:08:53 | |
Oh... | 0:08:53 | 0:08:54 | |
Joy? Joy, have you met your new neighbour? | 0:08:58 | 0:09:01 | |
Sarah has just moved in across the road from you. | 0:09:01 | 0:09:04 | |
-Oh, hi. -Hi. It's actually Sara. | 0:09:04 | 0:09:06 | |
Oh, I'm sorry. Sara is a much nicer name, isn't it? | 0:09:08 | 0:09:11 | |
I told her she's got to meet the gang. | 0:09:11 | 0:09:13 | |
Oh, don't know what she's done to deserve that. | 0:09:13 | 0:09:15 | |
This is Joyce. She's having a party tomorrow. | 0:09:15 | 0:09:17 | |
She should come along, shouldn't she? | 0:09:17 | 0:09:19 | |
Yeah, the more the merrier(!) | 0:09:20 | 0:09:22 | |
She's up from London. | 0:09:22 | 0:09:23 | |
-I couldn't crash your party. -Oh, Sara, | 0:09:24 | 0:09:26 | |
you are coming and that's that. | 0:09:26 | 0:09:28 | |
Well, that is very kind. Yeah. See you tomorrow, then. | 0:09:28 | 0:09:31 | |
-Bye. -Bye. | 0:09:31 | 0:09:33 | |
Lovely girl, she is. | 0:09:34 | 0:09:36 | |
I feel like we've got a connection, cos of the London thing, | 0:09:36 | 0:09:40 | |
and because she's got the same arse I had 30 years ago. | 0:09:40 | 0:09:43 | |
MUSIC: " My Generation" by band The Who | 0:09:45 | 0:09:48 | |
# People try to put us d-down | 0:09:50 | 0:09:52 | |
# Talkin' 'bout my generation... # | 0:09:52 | 0:09:55 | |
Do you want me to do anything? | 0:09:55 | 0:09:56 | |
No. I'm doing all the work, Joyce. It's my treat. | 0:09:56 | 0:09:59 | |
Now, where do you keep your big pans? | 0:09:59 | 0:10:01 | |
-Hi. -Hi. | 0:10:03 | 0:10:05 | |
And a chopping knife. | 0:10:05 | 0:10:07 | |
Is this a chopping board? | 0:10:09 | 0:10:11 | |
-No, that's a tray. -Oh, it looks like a chopping board, doesn't it? | 0:10:11 | 0:10:15 | |
Have you got a chopping board? | 0:10:15 | 0:10:17 | |
You know, I could do that. | 0:10:19 | 0:10:21 | |
No, Joyce, I don't want you to do anything. | 0:10:21 | 0:10:23 | |
You go and have fun. | 0:10:23 | 0:10:25 | |
I'm totally self-sufficient here, once I get the blender. | 0:10:25 | 0:10:28 | |
Er... | 0:10:30 | 0:10:31 | |
-Carol? -Mm? | 0:10:31 | 0:10:33 | |
Why don't I have a go for five minutes, get it started, | 0:10:33 | 0:10:37 | |
and you could go and help out in the other room? | 0:10:37 | 0:10:40 | |
But I've got the recipe. | 0:10:40 | 0:10:41 | |
-Yeah, but you can still be helpful in there. -Doing what? | 0:10:41 | 0:10:44 | |
Well, making sure the drinks are topped up. | 0:10:44 | 0:10:47 | |
Making sure the nibble bowls are full. | 0:10:47 | 0:10:51 | |
-OK, but then we swap back. -Yeah. | 0:10:51 | 0:10:53 | |
We can do it on a tag-team basis. | 0:10:53 | 0:10:55 | |
Exactly. | 0:10:55 | 0:10:56 | |
Now, it's quite straightforward except that one of the kids | 0:10:56 | 0:10:59 | |
will go into an anaphylactic shock if they eat any peanuts. | 0:10:59 | 0:11:03 | |
-Which one? -Can't remember. | 0:11:03 | 0:11:05 | |
# Why don't you all f-fade way? | 0:11:05 | 0:11:07 | |
# Talkin' 'bout my generation | 0:11:07 | 0:11:09 | |
# Don't try and d-dig what... # | 0:11:09 | 0:11:10 | |
-Hey, it's going well, this, isn't it? -I think so. | 0:11:10 | 0:11:13 | |
Bit quiet, though. You know, it would be nice to get people going a bit. Bit of dancing. | 0:11:13 | 0:11:17 | |
Joyce doesn't want them to get going too much. | 0:11:17 | 0:11:19 | |
Dancing could be fatal for some of them. | 0:11:19 | 0:11:21 | |
I don't know how we're going to get by without Joyce. | 0:11:22 | 0:11:25 | |
The NHS is going to grind to a halt, | 0:11:25 | 0:11:26 | |
although some would say it already has. Ha! | 0:11:26 | 0:11:28 | |
Ha-ha, yeah. Pat, are you all right for drink? | 0:11:28 | 0:11:31 | |
Oh, yes, thanks. Love the champagne. | 0:11:31 | 0:11:33 | |
Well, actually, it's cava. Can't tell the difference, can you? | 0:11:33 | 0:11:35 | |
No, it's champagne. I've just seen it poured from the bottle. | 0:11:35 | 0:11:38 | |
-Joyce will appreciate it. -Oh, she will. -She'll want | 0:11:40 | 0:11:42 | |
a proper grasp of it, certainly with all the changes to annuities | 0:11:42 | 0:11:45 | |
-that they're bringing in. -Well, you should tell her. | 0:11:45 | 0:11:48 | |
Well, I think later. | 0:11:48 | 0:11:50 | |
I think now. | 0:11:50 | 0:11:52 | |
Watch him, Trev. That's the local Viagra dealer. | 0:11:53 | 0:11:57 | |
What? | 0:11:57 | 0:11:58 | |
I'm joking, mate! | 0:11:58 | 0:12:00 | |
He is single, though. | 0:12:00 | 0:12:02 | |
I don't think we're at that stage. | 0:12:02 | 0:12:04 | |
Nobody ever thinks they're at that stage until it's too late. | 0:12:04 | 0:12:06 | |
Keep an eye on him, Trev. | 0:12:06 | 0:12:08 | |
It'll start out with an innocent looking cocktail sausage | 0:12:08 | 0:12:10 | |
and, before you know, it'll have grown into something a lot bigger. | 0:12:10 | 0:12:13 | |
They're not cocktail sausages. | 0:12:15 | 0:12:17 | |
They're spring rolls. | 0:12:17 | 0:12:18 | |
Hi. | 0:12:20 | 0:12:22 | |
-Oh, brilliant! You came. -Yeah. | 0:12:22 | 0:12:25 | |
This is Inga and Alf, my husband Dan. | 0:12:25 | 0:12:27 | |
-Hello. -Hope Joyce doesn't mind us crashing. | 0:12:27 | 0:12:29 | |
Oh, she'll love it. | 0:12:29 | 0:12:31 | |
Everybody's very friendly round here. That is the main difference | 0:12:31 | 0:12:34 | |
that I noticed when I moved up from London. | 0:12:34 | 0:12:37 | |
Everybody's so quaint. | 0:12:37 | 0:12:38 | |
Hey, I thought we said no champagne? | 0:12:40 | 0:12:42 | |
It's only a couple of bottles, Alan! | 0:12:42 | 0:12:44 | |
Are we not allowed a couple of bottles?! | 0:12:44 | 0:12:46 | |
I'm retiring today. I think I deserve a little celebration. | 0:12:46 | 0:12:50 | |
What are you doing? | 0:12:50 | 0:12:51 | |
-I'm making a peanut satay. -What are you doing that for? | 0:12:51 | 0:12:54 | |
Because Carol says we have to have a peanut satay | 0:12:54 | 0:12:57 | |
and a chilli dipping sauce with her Vietnamese nibbles, | 0:12:57 | 0:12:59 | |
and one of them's got to be non-peanut, | 0:12:59 | 0:13:02 | |
because one of Sara's kids has got a peanut allergy, | 0:13:02 | 0:13:04 | |
and the other one can't eat gluten. | 0:13:04 | 0:13:06 | |
I mean, why bring them out anywhere if there's a risk of death | 0:13:06 | 0:13:09 | |
every time you open a bag of bloody crisps? | 0:13:09 | 0:13:11 | |
-Who's Sara? -She's some woman I don't even know | 0:13:11 | 0:13:13 | |
-from across the road. -What did you invite her for? | 0:13:13 | 0:13:16 | |
I didn't! | 0:13:16 | 0:13:17 | |
Ah, that's better. | 0:13:22 | 0:13:23 | |
What are you up to? | 0:13:23 | 0:13:25 | |
Oh, I'm going to put up Lee's old train set. | 0:13:25 | 0:13:27 | |
Oh, his little train set. | 0:13:27 | 0:13:28 | |
Oh, he used to love his little trains, didn't he? | 0:13:28 | 0:13:31 | |
-Yeah. -But I'm just wondering, Alan, | 0:13:31 | 0:13:33 | |
I'm just wondering why you are putting it out... | 0:13:33 | 0:13:36 | |
in the middle of my retirement party? | 0:13:36 | 0:13:38 | |
-Well, obviously there's a reason. -Oh, yeah, there must be a reason. | 0:13:38 | 0:13:42 | |
Like there's probably a reason | 0:13:42 | 0:13:44 | |
I am standing in the middle of my kitchen covered in peanut paste | 0:13:44 | 0:13:47 | |
rather than celebrating my retirement | 0:13:47 | 0:13:50 | |
in the refined surroundings of the Marriott Hotel. | 0:13:50 | 0:13:52 | |
-Well, yeah... -No, that's all right, Alan. | 0:13:52 | 0:13:54 | |
You don't have to tell me now, because I'm a bit busy. | 0:13:54 | 0:13:57 | |
But, I tell you what, | 0:13:57 | 0:13:58 | |
why don't we make an appointment and talk about it later? | 0:13:58 | 0:14:01 | |
Ooh, let me see. Ooh, | 0:14:01 | 0:14:03 | |
look, there's a window in my diary just come up, and it starts | 0:14:03 | 0:14:07 | |
on Monday morning at nine o'clock and finishes when I'm dead! | 0:14:07 | 0:14:10 | |
Does that work for you(?) | 0:14:10 | 0:14:12 | |
SOUL MUSIC PLAYS | 0:14:12 | 0:14:16 | |
Crisp? | 0:14:17 | 0:14:18 | |
-Do you want me to run the tribute video now? -Er, no, | 0:14:22 | 0:14:25 | |
-perhaps leave it a bit longer. -Right, just give us a shout when you're ready. | 0:14:25 | 0:14:28 | |
-Now, listen... What is that? -Oh, it's Lee's old train set. | 0:14:28 | 0:14:31 | |
OK. Yeah, but listen, just to warn you, I've connected your amp | 0:14:31 | 0:14:34 | |
and I'm going to ramp up the sound a bit. Hey, it's a celebration | 0:14:34 | 0:14:36 | |
for Joyce. We've got to keep everybody up and buzzing. | 0:14:36 | 0:14:39 | |
We don't want to get everybody too worked up. | 0:14:39 | 0:14:40 | |
I'm not talking wife-swapping, Alan. | 0:14:40 | 0:14:42 | |
I'm just saying let's get everyone going. | 0:14:42 | 0:14:45 | |
-SARA: -Yeah, well, I will do. | 0:14:46 | 0:14:47 | |
Hi, there. You having a nice time? | 0:14:47 | 0:14:50 | |
Yeah, I'm having a great time. | 0:14:50 | 0:14:52 | |
I've been giving her the lowdown, bit of local knowledge. | 0:14:52 | 0:14:54 | |
-Not that I'm a local, as you know. -Yes. | 0:14:54 | 0:14:57 | |
So, what are you going to do with yourself now you're retired? | 0:14:57 | 0:15:00 | |
Ooh, I haven't really thought about that yet, Sara. | 0:15:00 | 0:15:02 | |
I'm really jealous. I wish we could just give it all up | 0:15:02 | 0:15:05 | |
and indulge ourselves like that. | 0:15:05 | 0:15:06 | |
You know, just do nothing. | 0:15:06 | 0:15:09 | |
I would take the kids on a round-the-world trip. | 0:15:09 | 0:15:11 | |
Me and Dan both feel very strongly it's important to expose them | 0:15:11 | 0:15:14 | |
-to alien cultures. -Well, you've come to the right place then. | 0:15:14 | 0:15:16 | |
Norfolk. | 0:15:18 | 0:15:19 | |
Oh. No, it's lovely here. | 0:15:19 | 0:15:21 | |
The coast's so beautiful and windswept. | 0:15:21 | 0:15:25 | |
-It's like being in a scene from The Piano. -More like Cocoon. | 0:15:25 | 0:15:28 | |
It's great for the children to mix with people from your generation. | 0:15:28 | 0:15:32 | |
It gives them a different perspective, you know. It's like living history for them. | 0:15:32 | 0:15:36 | |
You could tell them what London was like in the Blitz. How amazing would that be? | 0:15:36 | 0:15:40 | |
I don't think I remember the Blitz, Sara. | 0:15:40 | 0:15:42 | |
Might need to ask Maureen about that. | 0:15:42 | 0:15:44 | |
Sara is home-educating Alfie and... | 0:15:44 | 0:15:47 | |
ALL: Inga. | 0:15:47 | 0:15:49 | |
-That's interesting, isn't it? -We don't like to set boundaries for them. | 0:15:49 | 0:15:52 | |
I wish we'd home-educated our Mark. | 0:15:52 | 0:15:54 | |
Didn't learn nothing at that school of his. | 0:15:54 | 0:15:57 | |
-She likes ornaments, does she? -Oh, kids will find fun in anything. | 0:15:57 | 0:16:01 | |
We like to let them experiment. It's good for their imagination. | 0:16:01 | 0:16:04 | |
-CHINA SMASHING -Oh, time for Inga's banana. | 0:16:04 | 0:16:09 | |
MUSIC: " House Of The Rising Sun" by The Animals | 0:16:09 | 0:16:11 | |
She's very nice. | 0:16:11 | 0:16:13 | |
Yeah, I've got that. | 0:16:16 | 0:16:17 | |
-And not too loud. -No worries. | 0:16:17 | 0:16:20 | |
Er, when are you doing this surprise tribute video? | 0:16:20 | 0:16:23 | |
I don't know. I was going to surprise you. | 0:16:23 | 0:16:25 | |
Well, I've got to know when to serve the buffet. | 0:16:25 | 0:16:27 | |
-When do you want me to do it? -Well, any time you want. | 0:16:27 | 0:16:29 | |
-After people have finished eating? -No, don't wait for that. We'll be here all night. | 0:16:29 | 0:16:33 | |
-After the cake? -No, people will be half asleep. | 0:16:33 | 0:16:36 | |
-How about now? -No, too early. | 0:16:36 | 0:16:38 | |
-So when? -Like I said, whenever you want. | 0:16:38 | 0:16:40 | |
Joyce, have we ever spoken about annuities? | 0:16:40 | 0:16:42 | |
Not now, Trevor. | 0:16:42 | 0:16:44 | |
I'll catch her later. | 0:16:44 | 0:16:45 | |
I would. | 0:16:45 | 0:16:47 | |
Check it out, dude. Proper train set. | 0:16:47 | 0:16:50 | |
My son loved this when he was your age. | 0:16:50 | 0:16:52 | |
He used to play on this thing for hours. | 0:16:52 | 0:16:54 | |
Mate, is that awesome, or is that super-awesome? | 0:16:54 | 0:16:56 | |
Yeah, Alf likes his iPod games, so... | 0:16:57 | 0:16:59 | |
this will be a real educational change-up for him. | 0:16:59 | 0:17:02 | |
Yeah, well, everything's on computers these days, isn't it? | 0:17:02 | 0:17:05 | |
-Yeah, course it is. -Even our stuff's on computers. | 0:17:05 | 0:17:08 | |
I was looking for some photos this week to put up today. | 0:17:08 | 0:17:11 | |
Er, I was going to do like a photo-board thing, you know, | 0:17:11 | 0:17:14 | |
special moments from Joyce's life. | 0:17:14 | 0:17:15 | |
-Oh, yeah, sure. -Yeah, yeah, but the point is, | 0:17:15 | 0:17:17 | |
I couldn't find anything from the last ten years | 0:17:17 | 0:17:20 | |
because everything is on the computer, | 0:17:20 | 0:17:22 | |
-or on the "iCloud." -Yeah, I know what you mean. -Yeah. | 0:17:22 | 0:17:24 | |
Plus, with everything being on the computer, | 0:17:24 | 0:17:26 | |
you've got to know the password to access it. | 0:17:26 | 0:17:29 | |
-You can't just hand them on. -Exactly. | 0:17:29 | 0:17:31 | |
That'll be the last conversation you'll have with Alf. | 0:17:31 | 0:17:34 | |
You'll be on your deathbed, and he'll be like, | 0:17:34 | 0:17:35 | |
"Before you go, Dad, there's just three little words | 0:17:35 | 0:17:38 | |
"I'd like to say to you. What's your password?" | 0:17:38 | 0:17:41 | |
It's OK, mate. Daddy's not dying. | 0:17:45 | 0:17:47 | |
MUSIC: " All Right Now" by Free | 0:17:49 | 0:17:51 | |
# There she stood | 0:17:57 | 0:17:59 | |
# In the street | 0:17:59 | 0:18:02 | |
# Smiling from her head to her feet... # | 0:18:02 | 0:18:05 | |
Is there any chance we could have a word about when | 0:18:05 | 0:18:07 | |
you'll be showing the tribute video? I just need to know when to make my speech. | 0:18:07 | 0:18:10 | |
-No problem. I'll give you a shout. -I'm really looking forward to it. | 0:18:10 | 0:18:13 | |
Oh, it's good, Trev. You'll love it. | 0:18:13 | 0:18:15 | |
There's music, and credits at the end and everything. | 0:18:15 | 0:18:17 | |
No mushy stuff, you know. | 0:18:17 | 0:18:18 | |
I can't stand it when people get mushy. Do you know what I mean? | 0:18:18 | 0:18:21 | |
-Yeah. Um, when do you want me to do my bit? -What? | 0:18:21 | 0:18:25 | |
Well, I haven't done my bit yet. | 0:18:25 | 0:18:26 | |
Are you saving me for the end? | 0:18:26 | 0:18:28 | |
That's the plan, Trevor, yes, save you for the end. | 0:18:28 | 0:18:30 | |
Just before the credits? | 0:18:30 | 0:18:31 | |
Just after. | 0:18:31 | 0:18:33 | |
-How does that work? -We'll sort it out in a minute. -OK. | 0:18:33 | 0:18:36 | |
-No worries. -I wouldn't want to be the only one missing. | 0:18:36 | 0:18:39 | |
No. Oh, you'll love this one. | 0:18:39 | 0:18:42 | |
MUSIC: " Glad All Over" by The Dave Clark Five | 0:18:42 | 0:18:44 | |
Hey, you'll like this. Do you know it? | 0:18:44 | 0:18:46 | |
Dave Clark Five? | 0:18:46 | 0:18:48 | |
Proper music. | 0:18:48 | 0:18:49 | |
# Always be mine | 0:18:49 | 0:18:50 | |
# I'm feeling | 0:18:50 | 0:18:52 | |
# Glad all over, yes, I'm | 0:18:52 | 0:18:56 | |
# Glad all over | 0:18:56 | 0:18:57 | |
# Baby, I'm | 0:18:57 | 0:18:58 | |
# Glad all over... # | 0:18:58 | 0:19:00 | |
Seeing your two reminds me of when our Mark was little. | 0:19:00 | 0:19:03 | |
We used to take full advantage of everything | 0:19:03 | 0:19:05 | |
that growing up in the big city had to offer, as I'm sure you did yours. | 0:19:05 | 0:19:09 | |
We took him to the first McDonald's when it opened in Woolwich. Oh... | 0:19:09 | 0:19:13 | |
they love their McDonald's, don't they? | 0:19:13 | 0:19:15 | |
We've never been. Alf and Inga are vegetarian. | 0:19:15 | 0:19:19 | |
Yeah, yeah. Well, we only really ever eat the chips. | 0:19:19 | 0:19:23 | |
Um, I think we ought to be heading off. Inga is getting a bit bored. | 0:19:25 | 0:19:28 | |
Oh, don't be silly. Stay and chill out. | 0:19:28 | 0:19:30 | |
I know what it's like looking after small children, bless 'em. It's exhausting. | 0:19:30 | 0:19:33 | |
You don't want to be doing that all afternoon. | 0:19:33 | 0:19:36 | |
Oh, Joy, would you look after Inga? | 0:19:36 | 0:19:39 | |
Oh, no, you don't need to. | 0:19:39 | 0:19:41 | |
Oh, Joy don't mind. She's brilliant with kids. | 0:19:41 | 0:19:43 | |
No peanuts. | 0:19:43 | 0:19:45 | |
Do you want some more wine? | 0:19:46 | 0:19:48 | |
-Here we go. Here's Uncle Alan. -I'm not Uncle Alan. | 0:19:49 | 0:19:53 | |
Well, I can't just say "Alan," It sounds a bit threatening. | 0:19:53 | 0:19:56 | |
Not as threatening as "Uncle Alan." | 0:19:56 | 0:19:57 | |
Have we got any DVDs we could sit her in front of? | 0:19:57 | 0:20:01 | |
Well, I can't take her round with me. She might cop a stray peanut. | 0:20:01 | 0:20:04 | |
Have a look in the cupboard. | 0:20:04 | 0:20:05 | |
Come on, sweetheart. Let's find you a DVD to watch. | 0:20:07 | 0:20:10 | |
-I'll have to check it's OK with my mum. -Oh, don't worry about that. | 0:20:10 | 0:20:14 | |
You haven't got any dodgy DVDs, have you, Uncle Alan? | 0:20:14 | 0:20:17 | |
MUSIC: " Hold On, I'm Comin'" by Sam & Dave | 0:20:17 | 0:20:20 | |
-What the British invasion did, in terms of what it meant for US music... -Just wondering | 0:20:20 | 0:20:24 | |
when we might talk about the tribute video? | 0:20:24 | 0:20:26 | |
In a minute, love. | 0:20:26 | 0:20:28 | |
What it did was it reconnected them to the blues roots of pop music. | 0:20:28 | 0:20:32 | |
You see, we got Scousers to reinvent Black music, basically. | 0:20:32 | 0:20:35 | |
Oh, it's all right, Dan, you can say "black." | 0:20:35 | 0:20:37 | |
They gave it to us, and we gave it back to them | 0:20:37 | 0:20:40 | |
via the Mersey Beat, and what have you, in a repackaged way. | 0:20:40 | 0:20:43 | |
-Without Herman's Hermits you wouldn't have... What was the one you said? -Rizzle Kicks. | 0:20:43 | 0:20:47 | |
Rizzle Kicks. | 0:20:47 | 0:20:49 | |
I never had one of these. | 0:20:54 | 0:20:56 | |
Look at the detail on that, | 0:20:56 | 0:20:57 | |
underneath, where you wouldn't even see it. | 0:20:57 | 0:21:00 | |
This is what it's all about, isn't it, retirement? | 0:21:00 | 0:21:03 | |
It's not parties. | 0:21:03 | 0:21:04 | |
It's not about sorting out annuities and boring pensions. | 0:21:04 | 0:21:07 | |
-It's only money, isn't it? -As long as you've got your health | 0:21:07 | 0:21:10 | |
and you're enjoying yourself, nothing else matters. | 0:21:10 | 0:21:12 | |
-Thanks for that. -What? -I'm trying to sort these bloody kids out | 0:21:12 | 0:21:15 | |
and you're sitting here playing with your bloody train set. | 0:21:15 | 0:21:18 | |
-No, I'm not. -You've left me to look after everyone again. | 0:21:18 | 0:21:21 | |
It's my bloody party! | 0:21:21 | 0:21:22 | |
I've done nothing but sort people out. | 0:21:22 | 0:21:24 | |
-You like sorting people out. -No, I don't. | 0:21:24 | 0:21:26 | |
I'd rather be sitting here on my arse | 0:21:26 | 0:21:28 | |
-playing silly buggers like you. -I'll, um, | 0:21:28 | 0:21:30 | |
check on the patio heater. | 0:21:30 | 0:21:32 | |
You've embarrassed Trevor now. | 0:21:35 | 0:21:36 | |
I haven't embarrassed Trevor. | 0:21:36 | 0:21:38 | |
I've embarrassed YOU! | 0:21:38 | 0:21:40 | |
Joyce? Joy, | 0:21:44 | 0:21:47 | |
we've got a little bit of a problem. | 0:21:47 | 0:21:49 | |
-What's the matter, sweetheart? -She's been watching DVDs on her own. | 0:21:49 | 0:21:53 | |
Well, I looked through them all. There were no dodgy ones. | 0:21:53 | 0:21:56 | |
Yeah, but you didn't stay with her | 0:21:56 | 0:21:58 | |
and help her understand what she was watching. | 0:21:58 | 0:22:00 | |
Well, I showed her how the remote control works. | 0:22:00 | 0:22:03 | |
I like to check everything my children are going to watch. | 0:22:03 | 0:22:06 | |
I promise you there's nothing in this house that isn't family-friendly. | 0:22:06 | 0:22:11 | |
I've got a grandchild myself and I wouldn't allow it. | 0:22:11 | 0:22:13 | |
Yes, well, I'm sure you know what's best for them, | 0:22:13 | 0:22:15 | |
but I think I'm probably the best person to judge what's right for my children. | 0:22:15 | 0:22:19 | |
It's only make-believe, love. It's a film. It's not real. | 0:22:19 | 0:22:22 | |
I think you'll find this is very real. | 0:22:22 | 0:22:25 | |
Alan? | 0:22:28 | 0:22:29 | |
Why have we got a film of the liberation of Belsen Concentration Camp | 0:22:30 | 0:22:35 | |
-lying about in our DVD cupboard? -Well, it's a documentary | 0:22:35 | 0:22:38 | |
about the end of the Second World War. It's the actual footage shot by the Americans who got there first. | 0:22:38 | 0:22:42 | |
It's, er, one of the first, er, colour newsreel films. | 0:22:42 | 0:22:46 | |
-I don't know. -Look, I know you're doing your best, | 0:22:47 | 0:22:50 | |
but maybe you shouldn't have children round | 0:22:50 | 0:22:52 | |
if there aren't appropriate activities for them to engage with. | 0:22:52 | 0:22:55 | |
Well, that's nice of you to point it out, | 0:22:55 | 0:22:58 | |
and I'll certainly bear it in mind(!) | 0:22:58 | 0:23:00 | |
But, in actual fact, I never did invite your children round, Sara. | 0:23:00 | 0:23:04 | |
You brought them round off your own bat. | 0:23:04 | 0:23:07 | |
And, quite honestly, I've never seen more badly behaved, | 0:23:07 | 0:23:10 | |
obnoxious children in my entire life, | 0:23:10 | 0:23:13 | |
and I've been to France! | 0:23:13 | 0:23:15 | |
SHE MOUTHS | 0:23:19 | 0:23:21 | |
(I'll call you.) | 0:23:21 | 0:23:23 | |
JOYCE SIGHS | 0:23:25 | 0:23:27 | |
All I've done is have people dictating to me. | 0:23:27 | 0:23:29 | |
"These are the people that are coming round." | 0:23:29 | 0:23:31 | |
"This is the food we're having." | 0:23:31 | 0:23:33 | |
"This is the drinks we're serving." | 0:23:33 | 0:23:35 | |
All right, calm down, Joyce. I think you're over-reacting. | 0:23:35 | 0:23:38 | |
-It's only a party. -Well, why couldn't we have hired a hall out? | 0:23:38 | 0:23:41 | |
That's what other people do. | 0:23:41 | 0:23:42 | |
Or gone out for a nice meal, | 0:23:42 | 0:23:44 | |
-just me and you? -We couldn't do that. | 0:23:44 | 0:23:46 | |
Or treated ourselves to a nice week in Spain? | 0:23:46 | 0:23:48 | |
-We couldn't do it, Joyce. -Why not? | 0:23:48 | 0:23:50 | |
-Because. -Because what? -Because we can't afford it. | 0:23:50 | 0:23:53 | |
My annuity has come up a bit short. This is the best I can do for the minute. | 0:23:54 | 0:23:57 | |
-Do you mean we haven't got any money? -No, of course we have, just not as much as we thought. | 0:23:58 | 0:24:02 | |
Well, what are we going to do? | 0:24:02 | 0:24:04 | |
Am I going to have to go back to work? | 0:24:04 | 0:24:06 | |
-No. -Alan, look at me. | 0:24:06 | 0:24:09 | |
Is this a retirement party, | 0:24:09 | 0:24:12 | |
or is it not a retirement party? | 0:24:12 | 0:24:15 | |
It's not a retirement party. | 0:24:16 | 0:24:18 | |
Oh, thank God for that. | 0:24:20 | 0:24:22 | |
-Are you all right? -Yeah. | 0:24:24 | 0:24:26 | |
-Is she all right? -It's always a struggle when you move | 0:24:29 | 0:24:32 | |
-to a new area. -Yeah, not everyone's as adaptable as us, love. | 0:24:32 | 0:24:35 | |
I know. We're very lucky like that. | 0:24:35 | 0:24:38 | |
-We fit in anywhere, don't we, babe? -We do. | 0:24:38 | 0:24:40 | |
I wouldn't mind having her arse, though. | 0:24:40 | 0:24:42 | |
Oh, don't be daft. I'm not interested in that. | 0:24:42 | 0:24:45 | |
I don't care what you look like. It doesn't matter to me. | 0:24:45 | 0:24:47 | |
Obviously it does matter to me, er, but it's not... | 0:24:49 | 0:24:52 | |
What I'm saying is, you've got a lovely arse. | 0:24:52 | 0:24:56 | |
MUSIC: " I'm A Believer" by The Monkees | 0:24:56 | 0:25:00 | |
# Now I'm a believer | 0:25:00 | 0:25:01 | |
# Not a trace | 0:25:03 | 0:25:04 | |
# Of doubt in my mind... # | 0:25:06 | 0:25:07 | |
Oh, Alan, | 0:25:07 | 0:25:09 | |
you've done me a tribute video. | 0:25:09 | 0:25:12 | |
Er, hi, Joyce. Er, Alan here. | 0:25:14 | 0:25:15 | |
Um, I'm very proud of you and, er, | 0:25:15 | 0:25:18 | |
I want you to know that | 0:25:18 | 0:25:19 | |
whatever you decide to do with the rest of our lives... | 0:25:19 | 0:25:21 | |
-Aw! -'..I'm behind you 100%.' | 0:25:21 | 0:25:24 | |
What are we going to do about the presents? | 0:25:26 | 0:25:28 | |
Look, I'm glad you're retiring because then you can spend | 0:25:29 | 0:25:32 | |
more time shopping with me, | 0:25:32 | 0:25:34 | |
and, er, anyway, deep down I know | 0:25:34 | 0:25:36 | |
you're a lazy cow and it'll suit you down to the ground. | 0:25:36 | 0:25:39 | |
-Aw! -There you go. | 0:25:39 | 0:25:41 | |
-JOHN ON DVD: -Hey, Joyce. Hope you like the video. | 0:25:41 | 0:25:44 | |
It's cost Al a fortune. Anyway, listen, | 0:25:44 | 0:25:46 | |
happy retirement, kid. | 0:25:46 | 0:25:48 | |
Um, can I just stop you there? | 0:25:49 | 0:25:52 | |
-There's something I want to say and... -Can I just go first, Joyce? | 0:25:54 | 0:25:57 | |
I've just got a few words to say at this point. | 0:25:57 | 0:26:01 | |
-Good luck, Joyce. -Ah, thank you, Pat. | 0:26:01 | 0:26:03 | |
-Now... -And don't forget, | 0:26:03 | 0:26:05 | |
if you ever need a doctor's appointment, | 0:26:05 | 0:26:08 | |
well, don't come to us cos we're all bloody useless. | 0:26:08 | 0:26:10 | |
Yeah, well... | 0:26:11 | 0:26:12 | |
But...in recognition of all your years of service, | 0:26:12 | 0:26:15 | |
we've all clubbed together and raised £75 towards your dream | 0:26:15 | 0:26:19 | |
-Caribbean cruise. -Oh, thank you. | 0:26:19 | 0:26:23 | |
And thanks, everyone, for coming, but... | 0:26:23 | 0:26:26 | |
I've got a little bit of an announcement I want to make. | 0:26:26 | 0:26:30 | |
I'm not retiring. | 0:26:31 | 0:26:33 | |
So, Pat, if you and the gang'll have me back, | 0:26:33 | 0:26:36 | |
I can put off this nightmare for another year or two. | 0:26:36 | 0:26:40 | |
Bu...! | 0:26:42 | 0:26:43 | |
Oh... | 0:26:45 | 0:26:47 | |
You'd better have this back now. | 0:26:47 | 0:26:49 | |
-Oh, I can't take it back. -Oh, course you can. Everybody else is. | 0:26:49 | 0:26:52 | |
Joyce, I didn't get a chance to say something on the tribute video. | 0:26:52 | 0:26:56 | |
But if I had, it would be something like this. | 0:26:56 | 0:26:58 | |
We all love you, Joyce, | 0:26:59 | 0:27:01 | |
and we'll all be there for you whenever you need us. | 0:27:01 | 0:27:04 | |
-Been doing communication in counselling. -Mm-hm. | 0:27:04 | 0:27:08 | |
JOHN SNIFFS | 0:27:08 | 0:27:09 | |
Are you all right? | 0:27:10 | 0:27:12 | |
Yeah, yeah. | 0:27:12 | 0:27:13 | |
I thought you didn't want it to be too syrupy. | 0:27:13 | 0:27:15 | |
-I didn't. -Alan? | 0:27:15 | 0:27:17 | |
-Mm? -Excuse me. | 0:27:17 | 0:27:19 | |
Alan! | 0:27:20 | 0:27:21 | |
Give it back, Alan. | 0:27:21 | 0:27:23 | |
MUSIC: " Sunny Afternoon" by The Kinks | 0:27:23 | 0:27:27 | |
# The taxman's taken all my dough | 0:27:31 | 0:27:34 | |
# And left me in my stately home | 0:27:34 | 0:27:38 | |
# Lazing on a sunny afternoon | 0:27:38 | 0:27:43 | |
# And I can't sail my yacht | 0:27:43 | 0:27:46 | |
# He's taken everything I've got | 0:27:46 | 0:27:50 | |
# All I've got's this sunny afternoon | 0:27:50 | 0:27:55 | |
# Save me, save me, save me | 0:27:58 | 0:28:01 | |
# From this squeeze... # | 0:28:01 | 0:28:03 |