Matt & Seb Boomers


Matt & Seb

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This programme contains some strong language.

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That's not mine. This isn't mine!

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Hi, it's Alan, isn't it?

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-No, what?

-Matt, Seb, just moved in down the road.

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I like that cupboard.

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What, this, it's just some old rubbish I'm clearing out the loft.

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That's really nice, you could upcycle that. Zhush it a bit.

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We are not big zhushers.

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We're having a house-warming party on Saturday

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-and we wondered if you'd like to come.

-Um...

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We'd love to come, Matt. Hi, Seb!

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Hiya.

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-Great, well we'll see you there, any time after six.

-Bye.

-Bye-bye.

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We can't turn down their invitation, Alan,

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they'll think we're narrow-minded.

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I mean, can you believe the cheek of some people?

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-We don't want people thinking badly of us.

-We paid for this skip!

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-Although sometimes it can't be helped.

-This is our space!

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-Get your own!

-Alan!

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It's all right, no-one saw me.

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MUSIC: The Tears Of A Clown by Smokey Robinson & The Miracles

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# Oh, yeah, yeah, yeah

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# Now if there's a smile on my face

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# It's only there trying to fool the public

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# But when it comes down to fooling you

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# Now, honey, that's quite a different subject

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# But don't let my... #

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-Hi.

-Hi.

-Hi, Alan.

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-Seb's an architect.

-Have you been googling people again?

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No, I've been asking around, talking to people,

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-maybe he can do us a deal on our loft conversion.

-That won't work.

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-Why not?

-I've told John he can do it.

-No, Alan.

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John's a plumber, Seb's an architect, it's perfect.

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He can do our loft, plus we get to know them better.

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Welcome them into the local community.

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Why do we both have to go?

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Because I just want one set of neighbours that we can talk to

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and get on with. You've fallen out with everyone else.

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If you're not shouting at them from your skip, your annoying them

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with anti-parking bollards in the street or shoving notes

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through the letterbox about their overhanging hedges.

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-Why can't you just be nice?

-I tried nice once, didn't like it.

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I'm entering them into the library art competition.

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The art therapy's going really well.

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I start off very tense and stressy but by the end of each session

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I'm really tuned in to my creative unconscious.

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-So these are, like, before and after?

-That's it.

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Which is which?

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I'm creating more to deal with my frustrations.

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Tonight, me and Trevor

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are coming to the end of a period of sexual Lent.

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You what, love?

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We haven't had physical relations for a month.

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-We called it sexual Lent.

-We just called it September.

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Anyway, you two looking forward to the party tonight?

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Yeah, we never get to do anything different.

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It's always one of John's functions.

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The sailing club, the Rotary club, any of his other bloody clubs.

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I feel invisible sometimes, hung on his arm,

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just a sad but dazzling piece of eye candy.

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It is a gay party, isn't it?

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-Well, they are gay but I don't think it's a gay party.

-Gays love me.

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Back when I met John, all my male friends were gay.

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Made his job easier.

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We had a gay couple lived next door to us in Chorleywood when we

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first got married, Devon and Peter, they took me under their wing.

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We went to all the gay clubs.

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I think Seb and Matt are quite domesticated.

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Devon had this pair of gold lame pants.

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He used to put them on sometimes for a laugh.

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Knock on our door asking for a bit of sugar. John was terrified of him.

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-Maureen...

-It is ages since I have been to a proper gay party.

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-I don't think it's that kind of party.

-It will be once I get there.

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Look, I...I don't know how to say this but I think you might

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-come across as a bit of... a bit of a...

-A bit of a what?

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A tiny bit of a cling-on where gay men are concerned.

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I don't understand.

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Well, I...I'm trying to think of how to describe it in a sensitive way.

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-She means you're a fag hag, Maureen.

-Or we could just say that.

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-You know, like Lady Gaga.

-I do know what a fag hag is, Carol.

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I'm not that over-the-top, am I?

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You're on YouTube. Skip-rage man.

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'This is our space! Get your own!'

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Maureen's mate got sent it on the Thurnemouth Facebook group.

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Have people got nothing better to do than to film their neighbours?

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Not in Thurnemouth, no.

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Carol and I were going to have a quiet night in,

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we were going to watch an episode of Countryfile on iPlayer.

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We've got three to choose from in the bank.

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Wow, when you have a quiet night in, Trevor, you have a quite night in.

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Are you coming?

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No, Maureen usually embarrasses herself at these kind of things.

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She sees a gay man, she attaches herself

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like a barnacle to the side of a boat.

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Come on, one night's not going to kill you.

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She goes insane, Alan, you've only got to play the right song

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and bang, she's on the table, the shoes are off - it's carnage.

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I hear one of them is an architect. You should get him to do your loft.

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-No need. Me and Alan are doing it, aren't we?

-Yeah.

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-You look very nice.

-Thank you, my love, and so do you.

-Thank you.

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-Making me proud, as usual.

-Oh.

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You're not going to jump up on any tables, are you?

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I've already been told.

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Matt and Seb seem like a lovely couple.

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They're so lovely. Nice, ordinary, down-to-earth people.

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That's what we've got to do tonight,

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convince them that we are nice, ordinary, down-to-earth people.

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You and Trevor aren't planning to stay that long, are you?

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We're going in very early, aren't we?

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Well, you want to get away as soon as possible, don't you?

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-What are you talking about?

-Carol told Maureen.

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She might as well be selling tickets.

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I'm trying not to think about it. It's causing me some anxiety.

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-You mean like...

-I don't want to talk about it.

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All I'll say to you, John, is that expectations have built up.

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I understand. Not another word on this matter will pass my lips.

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Thank you.

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What was that all about?

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-Trevor's having performance anxiety.

-Oh, dear.

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Well, him and Carol haven't been with each other for over two months,

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-that's a long time to go without, isn't it?

-Is it?

-Oh, yeah.

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-Do you know, I heard it once?

-Heard what?

-Trevor's sex noise.

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-His sex noise?

-Yeah.

-How did you hear that?

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Well, remember our Mark's wedding?

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The first one at the Stoke Ramada Inn?

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-We were a bit pissed and we went up to the room.

-Oh, my God.

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-And realised that Trevor and Carol were in the room next door.

-Oh.

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-I could hear everything.

-Thin walls?

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Well, I had to put a glass to it, obviously.

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-But, oh, it's a terrible sound, Trevor's sex noise.

-I can imagine.

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-Like a monkey crying.

-Yeah, enough, I get it.

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And once you've heard it, you can't unhear it.

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-I better watch myself in there.

-You what?

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Well, there'll be a few single blokes.

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-I don't think it's that kind of a party.

-They're a gay couple, Alan.

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A happily married gay couple.

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I don't care if they are happily married,

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you've still got to keep half an eye open.

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What, you think they might try and turn you?

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I am the most attractive, I can't help it.

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I'm like catnip to gay men.

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Do you know, we once lived next door to two blokes in Chorleywood

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and they were around all the time and Maureen, bless her,

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thinks they came to see her.

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I never had the heart to tell her it was me all along.

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Hi!

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You must be John, come in.

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This is Becks.

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This is our only concession to gay stereotyping.

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Could you shut the door for me, so I can put him down?

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If the door's left open, he runs off.

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So I have to keep him locked in, like Seb.

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Oh, my God, that dog is gorgeous.

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And they called it Becks, that is so cute and gay.

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I thought we talked about this?

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I'm sorry, I forgot.

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Do you like dogs?

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I love dogs...

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..but only big, butch ones.

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-Well done.

-It's hard, Joyce.

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-Be strong.

-Just dump your coats in the bedroom.

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Oh, we better hang onto ours because we're not staying long.

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Yeah, but we don't want to be rude, do we?

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-You were right. You ARE the most attractive.

-Well hurry up, then.

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-Are you being friendly?

-Joyce, I promise you, I'm being friendly.

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-They're nice guys.

-That looks like my mum's bedside cupboard.

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-What bedside cupboard?

-My mum's bedside cupboard.

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The one my great-grandad brought back from the Great War.

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The one that's been in the family for 100 years.

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-Oh, that bedside cupboard?

-We should do that with ours.

-What?

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-Well, give it a going over.

-Don't do that.

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-Why not?

-It'll ruin it.

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You don't know what you're talking about. I'm getting it down tomorrow.

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-I think it's in the loft, isn't it?

-Yeah.

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-I'm sure I saw it there.

-You did, because that's where it was

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-and still is.

-Oh, I'm excited now, I love a project.

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You didn't tell me this... that bedside cupboard was important.

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-I've told you that before.

-No, you haven't.

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Well, I can't remember everything. I'm not perfect, am I?

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Is this a trick question?

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I love the artwork. I do a bit of art myself.

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I make screen-printed tea towels. We have a women's arts and crafts club.

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Last week, Daisy and Margaret made a wire-mesh model of Lionel Messi.

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-Wow.

-Yeah, you have to work hard to keep standards up.

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If you don't, people will start to think

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that women's regional craft workshops are just a joke.

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We've got a lot of things still wrapped up in the garage.

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-I'll have to show you later.

-Oh, that sounds amazing.

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We can't stay too long though, can we, Trevor?

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-We can stay for a bit.

-Can we?

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-I thought you wanted to get back for that thing.

-What thing?

-You know.

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That thing that you wanted to get back for.

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We can see the pictures, Carol.

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I would have thought this would be right up your alley.

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A bit boring for you, though.

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No, I love it. I think the male form is a beautiful thing.

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I often wonder how things might have turned out

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if I'd been exposed to more homosexuality at a younger age.

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We'll never know now, of course,

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but I think I might have taken to it had I been given the opportunity.

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The thing is, we never really had the exposure, you see,

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it wasn't really around back then. It's like the Internet.

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The kids today are very comfortable with it

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but our generation is always going to be playing catch up.

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Anyone else want a top-up?

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OK.

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He's lovely, Trevor, isn't he?

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You know, listening to you talking about art reminded me

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-that we're thinking of having our loft done.

-Oh?

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I was wondering if you'd like to pop over and have a look?

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Oh, I'm really busy at the moment.

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It's only a small roof, take you ten minutes.

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Oh, I know but, really, I'm up to my eyes at the moment.

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Oh, excuse me.

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# What kind of pokery is this? #

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They've got Joyce's cupboard.

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You'll have to give me more than that.

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Turns out it's a big deal, belonged to Joyce's grandmother.

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They took it off my skip.

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I thought it was people putting things on your skip

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-that got you worked up?

-Well, this time, it's taking something off.

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-Oh, you might need to make a new video.

-What do I do?

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-Ask them where they got it.

-That's a bit awkward, isn't it?

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Just slip it casually into the conversation.

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Oh, yeah, yeah, casually.

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So, what do you make of Thurnemouth?

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Well, we love it. London was getting us down.

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Yeah, that must have been tough,

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so, that bedside cupboard of yours, it's nice, isn't it?

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Yeah, it's lovely. We reclaim old furniture and do it up.

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I mention it because we've got one just like it -

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in fact, you noticed it the other day.

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Yeah, that's what gave us the idea. But we got this one from a shop.

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I thought you said it was reclaimed?

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A reclaimed furniture shop.

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-Oh, reclaimed furniture shop, eh?

-Yeah.

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Reclaimed furniture.

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Better go and circulate.

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He's lying to my face.

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-He saw me put it on the skip.

-You've got to get it back.

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I can't do that. They'll miss it.

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They're not going to come and accuse you,

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having denied taking it off your skip in the first place.

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Are they? Eh?

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-He said, "No."

-What?

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Seb said he wouldn't do our loft conversion.

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What did you ask him that for?

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I told you I was going to ask him.

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-No, you didn't.

-He said he was too busy

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but I know for a fact he's doing a quote for Terry and Clive.

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Terry and Clive?

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Yeah, you know, the couple that live in the big house on the seafront.

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I thought I was doing your loft?

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And these are spiced tofu with celeriac.

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Can I help you with that? You look a bit under the cosh.

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Oh, that's very kind of you.

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I know you're busy and everything, so don't worry about the loft thing.

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-Just whenever you've got a bit of time.

-Yeah, of course.

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I know you've got a couple of others to do.

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So we're happy just to be on the list somewhere.

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-You're definitely on the list.

-Oh.

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I mean, I can understand why you'd want to do Terry and Clive's loft

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because they're...you know...

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Gay?

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-No.

-You think I'd do someone's loft conversion

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-just because they're gay?

-No, not that, obviously.

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Well, it's not the Masons, you know, we don't have a special handshake.

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No, of course not.

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There isn't some special website specifically for gay men

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who like to do each other's loft conversions.

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-Well, there is, actually!

-No...I-I didn't mean that.

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We're...look, we're just so pleased that you've moved in.

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-Get your quotas up?

-No, it's not about quotas.

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It's about meeting different people.

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-Not different...new.

-I understand.

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-You're very pleased that we've moved in.

-Well, yeah...we've got lots...

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-Lots of gay friends? Everybody says that.

-Yeah.

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But I'm more in tune with diversity than most.

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It's always been a passion of mine, you know,

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equal rights, gay marriage, all that.

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-You're in tune with the whole vibe?

-We are very serious about it.

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-We have to be.

-You have to be?

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Well, because of our...situation.

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What situation is that?

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With Alan.

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What about Alan?

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Well, you know...

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-he's-he's gay.

-Your Alan?

-I know.

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I couldn't believe it either.

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I mean, you know, you read about people struggling

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with their sexuality but, you never think it could be someone so close.

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-How long have you known?

-Not long. He just came out with it.

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Said he couldn't live the lie any longer.

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Oh, my God, and you're still together?

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I haven't stopped loving him, Seb.

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No, of course not.

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Must be difficult, though?

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We're both on a journey.

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# Under pressure. #

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Trevor doesn't want to go home.

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Performance pressure's probably getting to him.

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Very frustrating for you, I'd have thought.

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All right, ladies?

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Seb been boring you with the artwork?

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We like a bit of culture.

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-Carol's an artist.

-I dabble.

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Oh, got a bit of the bohemian spirit in you, have you?

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Maybe you could show me the club scene up here.

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I don't know much about clubbing. Do you, Maureen?

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No, not really my kind of thing.

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That's a shame. I bet the club scene was pretty wild

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when you were in your pomp, back in the...'80s?

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-'60s.

-'70s.

-'70s.

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Bet there were guys with gold lame hot pants everywhere.

0:15:030:15:06

-Oh, my God!

-What?

0:15:060:15:08

That sounds dreadful.

0:15:080:15:10

You're so straight, Maureen.

0:15:110:15:13

I'm never going to keep this up.

0:15:150:15:17

I'm going to crack, Carol. I am, I'm going to crack.

0:15:170:15:20

-# You better think

-Think

0:15:200:15:22

# Think about what you're trying to do to me

0:15:220:15:25

-# Think

-Think, think

0:15:250:15:26

# Let your mind go, let yourself be free

0:15:260:15:29

# Let's go back, let's go back

0:15:290:15:31

# Let's go way back when

0:15:310:15:33

# I didn't even know you

0:15:330:15:35

# You couldn't have been too much more than ten

0:15:350:15:38

# I ain't no psychiatrist

0:15:380:15:40

# I ain't no doctor with degrees

0:15:400:15:42

# It don't take too much high IQ to see what you're doing to me

0:15:420:15:46

-# Oh, freedom

-Freedom

0:15:460:15:49

-# Freedom

-Freedom... #

0:15:490:15:51

That's not the bathroom.

0:15:530:15:55

-There's an en suite in there.

-Yes, there is, I saw that.

0:15:550:15:58

-Well, you can use that if you like.

-Oh, I don't want to.

0:15:580:16:00

I mean, I don't want use your en suite.

0:16:000:16:02

It's more private, isn't it? It's your special place.

0:16:020:16:05

I mean, not that I wouldn't want to use your special place.

0:16:050:16:08

I'm sure there's nothing different about it

0:16:080:16:10

but I would rather use the guest bathroom.

0:16:100:16:12

Listen, I just want to say, I think it's amazing what you're doing.

0:16:120:16:16

-What?

-Seb's been talking to Joyce about, you know,

0:16:160:16:18

-you trying to make your mind up about things.

-Oh, the conversion?

0:16:180:16:21

-That's an interesting way of putting it.

-Is it?

0:16:210:16:24

Don't rush into any decisions.

0:16:240:16:26

You need to take stock and Joyce seems very sportive.

0:16:260:16:28

-Well, it was her idea in the first place.

-Wow.

0:16:280:16:31

Well, just work out what you really want, moving forward.

0:16:310:16:34

-I'm going to get someone in.

-Are you?

0:16:340:16:36

Yeah, you know, get two or three guys in, work as a team,

0:16:360:16:38

it's pretty straightforward.

0:16:380:16:39

Excuse me.

0:16:390:16:40

-Trevor.

-Hi.

-Are you looking for Carol?

-No.

0:16:430:16:47

Why? Was she here?

0:16:470:16:48

-Is everything all right?

-Yeah, fine.

0:16:480:16:51

Um, I've got a big trustee meeting coming up,

0:16:510:16:55

having trouble with one of my charities.

0:16:550:16:58

That's no way to talk about Carol! I'm only joking.

0:16:580:17:01

-I hate meetings as well.

-What line of work are you in?

0:17:010:17:04

-Financial services.

-You're joking?

-No.

-So am I.

0:17:040:17:07

-I never joke about financial services.

-Well, neither do I.

0:17:070:17:10

So what's this big meeting that you're dreading?

0:17:100:17:12

-Is it with a client?

-Kind of.

0:17:120:17:15

You know what I do if I'm dreading a big meeting?

0:17:150:17:17

I try to bring it forward.

0:17:170:17:19

What do you mean?

0:17:190:17:20

Just have it earlier, get it out of the way sooner.

0:17:200:17:22

-Oh, right, less time to worry about it.

-Exactly.

0:17:220:17:25

Well, that's clever, counterintuitive.

0:17:250:17:27

-Plus you perform better in the meeting.

-Do you?

0:17:270:17:30

Yeah, because you're underprepared, you have to think on your toes.

0:17:300:17:33

They've done tests. The stats prove it.

0:17:330:17:36

-It's a very persuasive argument, if you like stats.

-Oh, I do.

0:17:360:17:40

I like stats a lot.

0:17:400:17:42

-Nice place.

-Yeah, it's got a lot of potential.

-Yeah.

0:17:440:17:48

-I wonder where Maureen's got to...

-Party animal, is she?

0:17:510:17:53

-You always end up in the kitchen?

-Yeah.

-Me, too.

0:17:530:17:56

You know, it's difficult living with a big personality.

0:17:560:17:59

Matt's always standing on tables, singing his head off at parties.

0:17:590:18:02

Maureen can't see a table without standing on it.

0:18:020:18:04

To be honest, I've asked her to tone it down a bit,

0:18:040:18:07

she can be embarrassing when she meets...when she's with...

0:18:070:18:10

-at parties.

-I know what you mean.

0:18:100:18:13

I wish I could tell Matt to do the same, you know,

0:18:130:18:15

it's...it's difficult for me out here.

0:18:150:18:17

You know, I'm cut off from my old network of friends,

0:18:170:18:19

whereas Matt is still kind of plugged in

0:18:190:18:21

because he commutes in and out of London every day.

0:18:210:18:23

-Oh, I think you could tell him.

-No, I don't want to start a row.

0:18:230:18:26

-He seems like a nice bloke, I'm sure he would be understanding.

-Thanks.

0:18:260:18:31

I'm probably making too much of it anyway.

0:18:310:18:33

Well, he did say you were a bit of a drama queen.

0:18:330:18:36

-I didn't know that...

-Grab your coat, love, you've pulled.

-What?

0:18:390:18:42

-We're going home.

-But I thought you wanted to stay.

0:18:420:18:44

-I've changed my mind.

-You mean...?

0:18:440:18:46

Yes, Carol, our period of fasting is at an end.

0:18:460:18:49

# Baby, here I am, I'm at man on the scene

0:18:520:18:55

# Didn't give you what you want just come, go home with me

0:18:570:19:01

# I've got some good old loving... #

0:19:010:19:03

SHE GIGGLES

0:19:030:19:06

This is all very sudden.

0:19:080:19:09

Exactly. The suddenness of it is very liberating.

0:19:090:19:12

To be honest, I've been nervous about it,

0:19:130:19:16

knowing where and when it was going to happen.

0:19:160:19:18

It's like a job interview. I always hated job interviews one-on-one.

0:19:180:19:22

I much preferred a panel.

0:19:220:19:24

You want more people?

0:19:240:19:25

No, I'm just saying,

0:19:250:19:26

-the more spontaneous it is, the less I have to dread.

-Thanks.

0:19:260:19:30

No, no, not dread, fear. No! Worry about. Shall we?

0:19:300:19:34

Do you remember that time in Lincoln, we just started going out

0:19:340:19:38

and we stayed at that B&B?

0:19:380:19:40

Oh, near the Cathedral, yes.

0:19:400:19:42

That was a lovely weekend, wasn't it?

0:19:420:19:44

Wonderful architecture.

0:19:440:19:46

You know, I think that was the tallest building in Europe

0:19:460:19:48

-until 1549.

-Because it was our first time.

0:19:480:19:51

Obviously that was the main thing about the weekend.

0:19:510:19:54

The Cathedral was very much a side issue.

0:19:540:19:57

They didn't have any clean bedding

0:19:570:19:59

so we slept on the floor, under our coats.

0:19:590:20:01

-Really?

-You might not still be in the mood by the time we get home.

0:20:040:20:07

Darling, it's a five-minute walk, I think I can manage it.

0:20:070:20:11

HE GASPS

0:20:110:20:13

OK. We can... We can do this. This is good.

0:20:130:20:15

We don't have to if you don't want to.

0:20:150:20:17

No, this is very...doable, we just have to organise it properly.

0:20:170:20:20

I mean, we are supposed to be exploring different possibilities

0:20:200:20:23

-within our relationship.

-Carol.

0:20:230:20:25

This is all good. I just have to lock the door.

0:20:250:20:28

Now...move these coats over here because that's coir matting -

0:20:280:20:33

you will lose several layers of skin if you roll off there.

0:20:330:20:37

How's that?

0:20:370:20:38

Fine.

0:20:380:20:40

-Oh, not on that one.

-Why not?

-That's Alan's.

0:20:400:20:42

I don't want him involved.

0:20:420:20:44

CAR BEEPS

0:20:440:20:46

Oh, I think I've unlocked his car.

0:20:460:20:47

KNOCK ON DOOR

0:20:470:20:49

Hello, who's in there?

0:20:500:20:51

-I'd better open the door.

-No!

0:20:510:20:54

You stay there, I'll sort it.

0:20:540:20:56

-Oh, hi.

-Just using the, um... en suite.

0:20:570:21:01

-There is another bathroom.

-Is there?

0:21:020:21:04

Oh, of course there is, that's the one I was looking for,

0:21:040:21:07

-then I found this one.

-Right. Have you seen our dog anywhere?

-No.

0:21:070:21:10

-Will you give me a shout if you do?

-Righto.

0:21:100:21:12

-I just need one of the coats there.

-OK, which one?

-Dave's, he's leaving.

0:21:120:21:16

-Well, I'll get it.

-You don't know which one.

-Well, I could guess.

0:21:160:21:19

-You're going to guess which coat it is?

-It's a party game.

0:21:190:21:22

Have you never played Guess The Coat?

0:21:220:21:24

Why don't I just get it?

0:21:240:21:26

OK. That would be easier.

0:21:260:21:29

KNOCK ON WINDOW

0:21:400:21:42

-Can you give me a hand? Oh, hi, Carol.

-Hi.

0:21:430:21:46

-I need to take this cupboard back to my place.

-Isn't this their cupboard?

0:21:460:21:49

It's originally ours and now we're taking it back.

0:21:490:21:51

-I'm not taking their cupboard.

-They said we could have it.

-Who did?

-Seb.

0:21:510:21:54

-Well why isn't he helping you?

-He's hosting a party.

-Well, I can't.

0:21:540:21:57

-Why not?

-I'm doing something.

-Look, my thing will only take two minutes.

0:21:570:22:01

So will mine.

0:22:010:22:03

Just come out with us and meet the gang.

0:22:070:22:09

-Oh, I don't know, I'm not much of a night owl.

-They'd love you.

0:22:090:22:12

-Would they?

-Yeah.

-No. I don't think so.

-You'll love it.

0:22:120:22:16

It does get a bit shouty.

0:22:160:22:17

I don't think so, I don't really do shouty.

0:22:170:22:20

-Matt, I can't find the dog.

-Oh, he'll be hiding somewhere.

0:22:200:22:23

-Did you leave the door open?

-That's it, blame me.

0:22:230:22:26

I just thought you might have left it open

0:22:260:22:27

and forgotten seeing as you've had quite a bit of that Bordeaux.

0:22:270:22:30

I've only had a few glasses.

0:22:300:22:32

Oh, well, there's plenty left... in France.

0:22:320:22:34

Oh, come on, boys, don't argue.

0:22:340:22:36

-Don't get excited, Seb, he'll turn up.

-I am not getting excited.

0:22:360:22:39

-I'm not a drama queen, contrary to popular opinion.

-Come on, guys.

0:22:390:22:43

-That's right, you ain't drama...like Jordan hates a wedding.

-Hilarious.

0:22:430:22:46

At least we'll have something to chuckle about

0:22:460:22:48

while we're scooping Becks' lifeless little body up off the road.

0:22:480:22:51

So you're saying that if we were still in London

0:22:510:22:53

we wouldn't have to lock the door, is that it?

0:22:530:22:55

-Oh, I knew we'd get to this.

-This is about David.

-Oh, my God.

0:22:550:22:58

-Oh, don't be ridiculous.

-Who's David?

0:22:580:23:00

-Somebody I knew a very long time ago.

-Oh, my God.

0:23:000:23:03

Oh, it always comes back to the exes.

0:23:030:23:04

-Why can't you just get over them?

-There's too many.

0:23:040:23:06

I need crampons and a team of Sherpas to get over them.

0:23:060:23:09

-Boys, boys, boys.

-Sorry. We should do this in private.

0:23:090:23:13

No, do it here.

0:23:130:23:15

You do not know how much I have missed this.

0:23:150:23:18

Mwah!

0:23:180:23:20

I'm home.

0:23:210:23:23

OK...

0:23:230:23:25

That's better...

0:23:250:23:26

more comfy.

0:23:260:23:28

Just got to draw the curtains.

0:23:280:23:30

I think that's better, don't you?

0:23:300:23:32

We don't want to be overlooked by that house over the road.

0:23:340:23:37

OK.

0:23:370:23:38

-This is great, isn't it?

-Very exciting.

-Gosh, it's been too long.

0:23:380:23:43

Yep.

0:23:430:23:44

Fear not.

0:23:440:23:45

For the dam is about to burst.

0:23:450:23:48

Oh...

0:23:480:23:49

It's a dimmer switch.

0:23:490:23:51

Right, how do you want it? Whoa!

0:23:510:23:55

Operating theatre suddenly.

0:23:550:23:56

Oh, now I can't see a thing.

0:23:560:23:59

That's a bit moody, isn't it?

0:23:590:24:01

-Trevor.

-Or is that too bistro?

0:24:010:24:04

-Trevor?

-Yes?

-Shall we just leave it?

-What do you mean?

0:24:040:24:07

Do it tomorrow or next week,

0:24:070:24:09

-or whenever we're feeling a bit more relaxed?

-Really?

0:24:090:24:12

Cos, um...I'm raring to go.

0:24:120:24:14

I know you are but I quite feel like going home

0:24:140:24:17

and watching a bit of telly.

0:24:170:24:19

-Well, if that's what you want.

-I think so.

0:24:190:24:21

-What do you want to watch?

-How about Countryfile?

0:24:250:24:28

All those farmers wives might get you in the mood again. Eh?

0:24:280:24:31

SHE GIGGLES

0:24:310:24:33

Woohoo.

0:24:360:24:38

# You make me feel... #

0:24:380:24:41

Maureen? What are you doing?

0:24:410:24:44

I've realised something, Joyce, you can't hide who you are.

0:24:440:24:47

-You have to be true to yourself.

-She's out and proud.

0:24:470:24:50

We tried, damn it.

0:24:580:24:59

KNOCK ON WINDOW

0:25:010:25:03

-I need your help.

-Help with what?

0:25:030:25:05

-Take the cupboard back.

-You can't steal the cupboard, Alan.

0:25:050:25:08

You told me to steal it.

0:25:080:25:09

That was before I got to know Seb

0:25:090:25:11

and before I knew that you'd asked him to do your loft.

0:25:110:25:14

This is Joyce's cupboard, John, if you won't do it for me,

0:25:140:25:17

do it for Joyce.

0:25:170:25:18

Is that their dog?

0:25:260:25:27

WHISPERS: Becks, Becks.

0:25:300:25:32

Come on, Becksy.

0:25:320:25:34

Not coming.

0:25:340:25:35

Probably can't lip read.

0:25:350:25:36

I'll get some meat.

0:25:390:25:40

I love meat. Especially al fresco.

0:25:520:25:55

I got some meat.

0:25:580:26:00

But you already found him some.

0:26:000:26:02

When you're ready.

0:26:020:26:03

Window's shut.

0:26:070:26:09

-Stick him in the cupboard.

-What?

0:26:090:26:11

I'll bring him back later.

0:26:110:26:13

In you go.

0:26:160:26:17

I've got it, quick. This way.

0:26:190:26:21

I've got it.

0:26:210:26:23

Oh. Sorry...

0:26:230:26:25

Hi, you know John.

0:26:250:26:27

Is that our cupboard?

0:26:270:26:28

-Which cupboard?

-That one.

0:26:280:26:30

Oh, this one?

0:26:300:26:31

-Er, well, no, actually, it's our cupboard.

-I don't understand.

0:26:310:26:35

-Joyce likes it.

-What?

0:26:350:26:37

Alan's going to get her one like it but he...

0:26:370:26:40

he needed to see if it would fit in the gap

0:26:400:26:43

by the side of the bed.

0:26:430:26:44

Oh, yeah, the gap, no tape measure, see?

0:26:440:26:47

-We were bringing it straight back.

-Two minutes.

-Sorry we didn't ask.

0:26:470:26:50

That's OK, have you seen Becks, anywhere?

0:26:500:26:53

-Er...

-Don't think so, no.

0:26:530:26:55

No, we haven't.

0:26:560:26:58

DOG BARKS

0:26:580:26:59

Becksy!

0:27:040:27:05

-Is he all right?

-I think so.

0:27:070:27:08

I'm done, mate. You're on your own.

0:27:110:27:13

Wait, so you're trying to steal our dog and our cupboard?

0:27:130:27:16

-It's not your cupboard.

-I don't know what to do.

0:27:160:27:19

-I don't want to call the police.

-Alan, what's going on?

0:27:190:27:22

-He's nicking our cupboard.

-And our dog.

-I know he's confused, but...

0:27:220:27:25

There's no excuse for animal abuse, Alan.

0:27:250:27:28

I don't care how repressed you are.

0:27:280:27:30

What's he talking about?

0:27:300:27:32

Never mind that.

0:27:320:27:33

All you had to do was be nice so we'd have one set of neighbours

0:27:330:27:36

that hadn't reported us to the police.

0:27:360:27:39

This is our cupboard. You took it from our skip.

0:27:390:27:41

I told you we bought that in town.

0:27:410:27:43

-You said you liked it, you said you were going to zhush it up.

-Mate...

0:27:430:27:47

-You need to calm down.

-I'll prove it! Come on!

0:27:470:27:51

Gemma, take Becksy.

0:27:510:27:52

You stood right here and said that you wanted to zhush up our cupboard.

0:27:540:27:58

-That cupboard?

-Yeah. That cupboard.

-My great-grandad's cupboard.

0:28:020:28:06

# You're looking for trouble

0:28:090:28:12

# You came to the right place

0:28:120:28:14

# My daddy was a green-eyed mountain jack

0:28:140:28:19

# Because I'm evil

0:28:190:28:23

# My middle name is misery

0:28:230:28:26

# Well, I'm evil So don't you mess around with me. #

0:28:300:28:37

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