Browse content similar to Matt & Seb. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
That's not mine. This isn't mine! | 0:00:04 | 0:00:08 | |
Hi, it's Alan, isn't it? | 0:00:08 | 0:00:10 | |
-No, what? -Matt, Seb, just moved in down the road. | 0:00:10 | 0:00:13 | |
I like that cupboard. | 0:00:13 | 0:00:14 | |
What, this, it's just some old rubbish I'm clearing out the loft. | 0:00:14 | 0:00:17 | |
That's really nice, you could upcycle that. Zhush it a bit. | 0:00:17 | 0:00:20 | |
We are not big zhushers. | 0:00:20 | 0:00:22 | |
We're having a house-warming party on Saturday | 0:00:22 | 0:00:24 | |
-and we wondered if you'd like to come. -Um... | 0:00:24 | 0:00:26 | |
We'd love to come, Matt. Hi, Seb! | 0:00:26 | 0:00:29 | |
Hiya. | 0:00:29 | 0:00:30 | |
-Great, well we'll see you there, any time after six. -Bye. -Bye-bye. | 0:00:30 | 0:00:34 | |
We can't turn down their invitation, Alan, | 0:00:36 | 0:00:39 | |
they'll think we're narrow-minded. | 0:00:39 | 0:00:41 | |
I mean, can you believe the cheek of some people? | 0:00:41 | 0:00:43 | |
-We don't want people thinking badly of us. -We paid for this skip! | 0:00:43 | 0:00:47 | |
-Although sometimes it can't be helped. -This is our space! | 0:00:47 | 0:00:50 | |
-Get your own! -Alan! | 0:00:50 | 0:00:54 | |
It's all right, no-one saw me. | 0:00:54 | 0:00:56 | |
MUSIC: The Tears Of A Clown by Smokey Robinson & The Miracles | 0:00:59 | 0:01:06 | |
# Oh, yeah, yeah, yeah | 0:01:09 | 0:01:13 | |
# Now if there's a smile on my face | 0:01:13 | 0:01:16 | |
# It's only there trying to fool the public | 0:01:16 | 0:01:20 | |
# But when it comes down to fooling you | 0:01:20 | 0:01:24 | |
# Now, honey, that's quite a different subject | 0:01:24 | 0:01:28 | |
# But don't let my... # | 0:01:28 | 0:01:29 | |
-Hi. -Hi. -Hi, Alan. | 0:01:32 | 0:01:35 | |
-Seb's an architect. -Have you been googling people again? | 0:01:35 | 0:01:38 | |
No, I've been asking around, talking to people, | 0:01:38 | 0:01:40 | |
-maybe he can do us a deal on our loft conversion. -That won't work. | 0:01:40 | 0:01:44 | |
-Why not? -I've told John he can do it. -No, Alan. | 0:01:44 | 0:01:47 | |
John's a plumber, Seb's an architect, it's perfect. | 0:01:47 | 0:01:51 | |
He can do our loft, plus we get to know them better. | 0:01:51 | 0:01:55 | |
Welcome them into the local community. | 0:01:55 | 0:01:57 | |
Why do we both have to go? | 0:01:57 | 0:01:58 | |
Because I just want one set of neighbours that we can talk to | 0:01:58 | 0:02:02 | |
and get on with. You've fallen out with everyone else. | 0:02:02 | 0:02:05 | |
If you're not shouting at them from your skip, your annoying them | 0:02:05 | 0:02:08 | |
with anti-parking bollards in the street or shoving notes | 0:02:08 | 0:02:11 | |
through the letterbox about their overhanging hedges. | 0:02:11 | 0:02:14 | |
-Why can't you just be nice? -I tried nice once, didn't like it. | 0:02:14 | 0:02:19 | |
I'm entering them into the library art competition. | 0:02:19 | 0:02:22 | |
The art therapy's going really well. | 0:02:22 | 0:02:24 | |
I start off very tense and stressy but by the end of each session | 0:02:24 | 0:02:29 | |
I'm really tuned in to my creative unconscious. | 0:02:29 | 0:02:32 | |
-So these are, like, before and after? -That's it. | 0:02:32 | 0:02:35 | |
Which is which? | 0:02:35 | 0:02:36 | |
I'm creating more to deal with my frustrations. | 0:02:36 | 0:02:39 | |
Tonight, me and Trevor | 0:02:39 | 0:02:40 | |
are coming to the end of a period of sexual Lent. | 0:02:40 | 0:02:42 | |
You what, love? | 0:02:42 | 0:02:44 | |
We haven't had physical relations for a month. | 0:02:44 | 0:02:46 | |
-We called it sexual Lent. -We just called it September. | 0:02:46 | 0:02:49 | |
Anyway, you two looking forward to the party tonight? | 0:02:49 | 0:02:52 | |
Yeah, we never get to do anything different. | 0:02:52 | 0:02:55 | |
It's always one of John's functions. | 0:02:55 | 0:02:57 | |
The sailing club, the Rotary club, any of his other bloody clubs. | 0:02:57 | 0:03:02 | |
I feel invisible sometimes, hung on his arm, | 0:03:02 | 0:03:05 | |
just a sad but dazzling piece of eye candy. | 0:03:05 | 0:03:08 | |
It is a gay party, isn't it? | 0:03:08 | 0:03:10 | |
-Well, they are gay but I don't think it's a gay party. -Gays love me. | 0:03:10 | 0:03:16 | |
Back when I met John, all my male friends were gay. | 0:03:16 | 0:03:20 | |
Made his job easier. | 0:03:20 | 0:03:21 | |
We had a gay couple lived next door to us in Chorleywood when we | 0:03:21 | 0:03:24 | |
first got married, Devon and Peter, they took me under their wing. | 0:03:24 | 0:03:27 | |
We went to all the gay clubs. | 0:03:27 | 0:03:30 | |
I think Seb and Matt are quite domesticated. | 0:03:30 | 0:03:32 | |
Devon had this pair of gold lame pants. | 0:03:32 | 0:03:35 | |
He used to put them on sometimes for a laugh. | 0:03:35 | 0:03:37 | |
Knock on our door asking for a bit of sugar. John was terrified of him. | 0:03:37 | 0:03:42 | |
-Maureen... -It is ages since I have been to a proper gay party. | 0:03:42 | 0:03:46 | |
-I don't think it's that kind of party. -It will be once I get there. | 0:03:46 | 0:03:50 | |
Look, I...I don't know how to say this but I think you might | 0:03:50 | 0:03:54 | |
-come across as a bit of... a bit of a... -A bit of a what? | 0:03:54 | 0:03:58 | |
A tiny bit of a cling-on where gay men are concerned. | 0:03:58 | 0:04:01 | |
I don't understand. | 0:04:01 | 0:04:03 | |
Well, I...I'm trying to think of how to describe it in a sensitive way. | 0:04:03 | 0:04:07 | |
-She means you're a fag hag, Maureen. -Or we could just say that. | 0:04:07 | 0:04:10 | |
-You know, like Lady Gaga. -I do know what a fag hag is, Carol. | 0:04:10 | 0:04:14 | |
I'm not that over-the-top, am I? | 0:04:14 | 0:04:16 | |
You're on YouTube. Skip-rage man. | 0:04:17 | 0:04:20 | |
'This is our space! Get your own!' | 0:04:20 | 0:04:22 | |
Maureen's mate got sent it on the Thurnemouth Facebook group. | 0:04:24 | 0:04:27 | |
Have people got nothing better to do than to film their neighbours? | 0:04:27 | 0:04:30 | |
Not in Thurnemouth, no. | 0:04:30 | 0:04:31 | |
Carol and I were going to have a quiet night in, | 0:04:31 | 0:04:33 | |
we were going to watch an episode of Countryfile on iPlayer. | 0:04:33 | 0:04:36 | |
We've got three to choose from in the bank. | 0:04:36 | 0:04:38 | |
Wow, when you have a quiet night in, Trevor, you have a quite night in. | 0:04:38 | 0:04:41 | |
Are you coming? | 0:04:41 | 0:04:42 | |
No, Maureen usually embarrasses herself at these kind of things. | 0:04:42 | 0:04:44 | |
She sees a gay man, she attaches herself | 0:04:44 | 0:04:46 | |
like a barnacle to the side of a boat. | 0:04:46 | 0:04:48 | |
Come on, one night's not going to kill you. | 0:04:48 | 0:04:50 | |
She goes insane, Alan, you've only got to play the right song | 0:04:50 | 0:04:52 | |
and bang, she's on the table, the shoes are off - it's carnage. | 0:04:52 | 0:04:56 | |
I hear one of them is an architect. You should get him to do your loft. | 0:04:56 | 0:04:59 | |
-No need. Me and Alan are doing it, aren't we? -Yeah. | 0:04:59 | 0:05:02 | |
-You look very nice. -Thank you, my love, and so do you. -Thank you. | 0:05:11 | 0:05:15 | |
-Making me proud, as usual. -Oh. | 0:05:15 | 0:05:17 | |
You're not going to jump up on any tables, are you? | 0:05:17 | 0:05:20 | |
I've already been told. | 0:05:20 | 0:05:22 | |
Matt and Seb seem like a lovely couple. | 0:05:22 | 0:05:24 | |
They're so lovely. Nice, ordinary, down-to-earth people. | 0:05:24 | 0:05:28 | |
That's what we've got to do tonight, | 0:05:28 | 0:05:30 | |
convince them that we are nice, ordinary, down-to-earth people. | 0:05:30 | 0:05:34 | |
You and Trevor aren't planning to stay that long, are you? | 0:05:34 | 0:05:38 | |
We're going in very early, aren't we? | 0:05:38 | 0:05:39 | |
Well, you want to get away as soon as possible, don't you? | 0:05:39 | 0:05:42 | |
-What are you talking about? -Carol told Maureen. | 0:05:42 | 0:05:45 | |
She might as well be selling tickets. | 0:05:45 | 0:05:48 | |
I'm trying not to think about it. It's causing me some anxiety. | 0:05:48 | 0:05:51 | |
-You mean like... -I don't want to talk about it. | 0:05:51 | 0:05:54 | |
All I'll say to you, John, is that expectations have built up. | 0:05:54 | 0:05:58 | |
I understand. Not another word on this matter will pass my lips. | 0:05:58 | 0:06:01 | |
Thank you. | 0:06:01 | 0:06:02 | |
What was that all about? | 0:06:02 | 0:06:03 | |
-Trevor's having performance anxiety. -Oh, dear. | 0:06:03 | 0:06:06 | |
Well, him and Carol haven't been with each other for over two months, | 0:06:06 | 0:06:09 | |
-that's a long time to go without, isn't it? -Is it? -Oh, yeah. | 0:06:09 | 0:06:12 | |
-Do you know, I heard it once? -Heard what? -Trevor's sex noise. | 0:06:12 | 0:06:14 | |
-His sex noise? -Yeah. -How did you hear that? | 0:06:14 | 0:06:17 | |
Well, remember our Mark's wedding? | 0:06:17 | 0:06:18 | |
The first one at the Stoke Ramada Inn? | 0:06:18 | 0:06:21 | |
-We were a bit pissed and we went up to the room. -Oh, my God. | 0:06:21 | 0:06:23 | |
-And realised that Trevor and Carol were in the room next door. -Oh. | 0:06:23 | 0:06:26 | |
-I could hear everything. -Thin walls? | 0:06:26 | 0:06:28 | |
Well, I had to put a glass to it, obviously. | 0:06:28 | 0:06:31 | |
-But, oh, it's a terrible sound, Trevor's sex noise. -I can imagine. | 0:06:31 | 0:06:33 | |
-Like a monkey crying. -Yeah, enough, I get it. | 0:06:33 | 0:06:35 | |
And once you've heard it, you can't unhear it. | 0:06:35 | 0:06:38 | |
-I better watch myself in there. -You what? | 0:06:38 | 0:06:40 | |
Well, there'll be a few single blokes. | 0:06:40 | 0:06:41 | |
-I don't think it's that kind of a party. -They're a gay couple, Alan. | 0:06:41 | 0:06:44 | |
A happily married gay couple. | 0:06:44 | 0:06:45 | |
I don't care if they are happily married, | 0:06:45 | 0:06:47 | |
you've still got to keep half an eye open. | 0:06:47 | 0:06:49 | |
What, you think they might try and turn you? | 0:06:49 | 0:06:51 | |
I am the most attractive, I can't help it. | 0:06:51 | 0:06:53 | |
I'm like catnip to gay men. | 0:06:53 | 0:06:55 | |
Do you know, we once lived next door to two blokes in Chorleywood | 0:06:55 | 0:06:57 | |
and they were around all the time and Maureen, bless her, | 0:06:57 | 0:07:00 | |
thinks they came to see her. | 0:07:00 | 0:07:02 | |
I never had the heart to tell her it was me all along. | 0:07:02 | 0:07:05 | |
Hi! | 0:07:07 | 0:07:09 | |
You must be John, come in. | 0:07:09 | 0:07:12 | |
This is Becks. | 0:07:12 | 0:07:14 | |
This is our only concession to gay stereotyping. | 0:07:14 | 0:07:16 | |
Could you shut the door for me, so I can put him down? | 0:07:16 | 0:07:19 | |
If the door's left open, he runs off. | 0:07:19 | 0:07:21 | |
So I have to keep him locked in, like Seb. | 0:07:21 | 0:07:23 | |
Oh, my God, that dog is gorgeous. | 0:07:23 | 0:07:26 | |
And they called it Becks, that is so cute and gay. | 0:07:26 | 0:07:30 | |
I thought we talked about this? | 0:07:30 | 0:07:31 | |
I'm sorry, I forgot. | 0:07:31 | 0:07:33 | |
Do you like dogs? | 0:07:35 | 0:07:36 | |
I love dogs... | 0:07:36 | 0:07:37 | |
..but only big, butch ones. | 0:07:39 | 0:07:42 | |
-Well done. -It's hard, Joyce. | 0:07:42 | 0:07:44 | |
-Be strong. -Just dump your coats in the bedroom. | 0:07:44 | 0:07:48 | |
Oh, we better hang onto ours because we're not staying long. | 0:07:48 | 0:07:50 | |
Yeah, but we don't want to be rude, do we? | 0:07:50 | 0:07:52 | |
-You were right. You ARE the most attractive. -Well hurry up, then. | 0:08:01 | 0:08:05 | |
-Are you being friendly? -Joyce, I promise you, I'm being friendly. | 0:08:08 | 0:08:12 | |
-They're nice guys. -That looks like my mum's bedside cupboard. | 0:08:12 | 0:08:15 | |
-What bedside cupboard? -My mum's bedside cupboard. | 0:08:15 | 0:08:18 | |
The one my great-grandad brought back from the Great War. | 0:08:18 | 0:08:21 | |
The one that's been in the family for 100 years. | 0:08:21 | 0:08:24 | |
-Oh, that bedside cupboard? -We should do that with ours. -What? | 0:08:24 | 0:08:27 | |
-Well, give it a going over. -Don't do that. | 0:08:27 | 0:08:30 | |
-Why not? -It'll ruin it. | 0:08:30 | 0:08:32 | |
You don't know what you're talking about. I'm getting it down tomorrow. | 0:08:32 | 0:08:35 | |
-I think it's in the loft, isn't it? -Yeah. | 0:08:35 | 0:08:38 | |
-I'm sure I saw it there. -You did, because that's where it was | 0:08:38 | 0:08:41 | |
-and still is. -Oh, I'm excited now, I love a project. | 0:08:41 | 0:08:44 | |
You didn't tell me this... that bedside cupboard was important. | 0:08:44 | 0:08:47 | |
-I've told you that before. -No, you haven't. | 0:08:47 | 0:08:49 | |
Well, I can't remember everything. I'm not perfect, am I? | 0:08:49 | 0:08:53 | |
Is this a trick question? | 0:08:53 | 0:08:54 | |
I love the artwork. I do a bit of art myself. | 0:08:56 | 0:08:59 | |
I make screen-printed tea towels. We have a women's arts and crafts club. | 0:08:59 | 0:09:04 | |
Last week, Daisy and Margaret made a wire-mesh model of Lionel Messi. | 0:09:04 | 0:09:09 | |
-Wow. -Yeah, you have to work hard to keep standards up. | 0:09:09 | 0:09:12 | |
If you don't, people will start to think | 0:09:12 | 0:09:14 | |
that women's regional craft workshops are just a joke. | 0:09:14 | 0:09:18 | |
We've got a lot of things still wrapped up in the garage. | 0:09:18 | 0:09:21 | |
-I'll have to show you later. -Oh, that sounds amazing. | 0:09:21 | 0:09:23 | |
We can't stay too long though, can we, Trevor? | 0:09:23 | 0:09:26 | |
-We can stay for a bit. -Can we? | 0:09:26 | 0:09:29 | |
-I thought you wanted to get back for that thing. -What thing? -You know. | 0:09:29 | 0:09:33 | |
That thing that you wanted to get back for. | 0:09:34 | 0:09:37 | |
We can see the pictures, Carol. | 0:09:37 | 0:09:39 | |
I would have thought this would be right up your alley. | 0:09:39 | 0:09:42 | |
A bit boring for you, though. | 0:09:42 | 0:09:43 | |
No, I love it. I think the male form is a beautiful thing. | 0:09:43 | 0:09:48 | |
I often wonder how things might have turned out | 0:09:48 | 0:09:50 | |
if I'd been exposed to more homosexuality at a younger age. | 0:09:50 | 0:09:53 | |
We'll never know now, of course, | 0:09:53 | 0:09:55 | |
but I think I might have taken to it had I been given the opportunity. | 0:09:55 | 0:09:58 | |
The thing is, we never really had the exposure, you see, | 0:09:58 | 0:10:02 | |
it wasn't really around back then. It's like the Internet. | 0:10:02 | 0:10:06 | |
The kids today are very comfortable with it | 0:10:06 | 0:10:08 | |
but our generation is always going to be playing catch up. | 0:10:08 | 0:10:11 | |
Anyone else want a top-up? | 0:10:13 | 0:10:14 | |
OK. | 0:10:15 | 0:10:16 | |
He's lovely, Trevor, isn't he? | 0:10:18 | 0:10:20 | |
You know, listening to you talking about art reminded me | 0:10:20 | 0:10:24 | |
-that we're thinking of having our loft done. -Oh? | 0:10:24 | 0:10:27 | |
I was wondering if you'd like to pop over and have a look? | 0:10:27 | 0:10:30 | |
Oh, I'm really busy at the moment. | 0:10:30 | 0:10:32 | |
It's only a small roof, take you ten minutes. | 0:10:32 | 0:10:34 | |
Oh, I know but, really, I'm up to my eyes at the moment. | 0:10:34 | 0:10:37 | |
Oh, excuse me. | 0:10:37 | 0:10:39 | |
# What kind of pokery is this? # | 0:10:41 | 0:10:44 | |
They've got Joyce's cupboard. | 0:10:46 | 0:10:48 | |
You'll have to give me more than that. | 0:10:48 | 0:10:50 | |
Turns out it's a big deal, belonged to Joyce's grandmother. | 0:10:50 | 0:10:52 | |
They took it off my skip. | 0:10:52 | 0:10:54 | |
I thought it was people putting things on your skip | 0:10:54 | 0:10:56 | |
-that got you worked up? -Well, this time, it's taking something off. | 0:10:56 | 0:10:59 | |
-Oh, you might need to make a new video. -What do I do? | 0:10:59 | 0:11:02 | |
-Ask them where they got it. -That's a bit awkward, isn't it? | 0:11:02 | 0:11:05 | |
Just slip it casually into the conversation. | 0:11:05 | 0:11:07 | |
Oh, yeah, yeah, casually. | 0:11:07 | 0:11:09 | |
So, what do you make of Thurnemouth? | 0:11:09 | 0:11:13 | |
Well, we love it. London was getting us down. | 0:11:13 | 0:11:15 | |
Yeah, that must have been tough, | 0:11:15 | 0:11:16 | |
so, that bedside cupboard of yours, it's nice, isn't it? | 0:11:16 | 0:11:20 | |
Yeah, it's lovely. We reclaim old furniture and do it up. | 0:11:20 | 0:11:22 | |
I mention it because we've got one just like it - | 0:11:22 | 0:11:25 | |
in fact, you noticed it the other day. | 0:11:25 | 0:11:27 | |
Yeah, that's what gave us the idea. But we got this one from a shop. | 0:11:27 | 0:11:30 | |
I thought you said it was reclaimed? | 0:11:30 | 0:11:31 | |
A reclaimed furniture shop. | 0:11:31 | 0:11:33 | |
-Oh, reclaimed furniture shop, eh? -Yeah. | 0:11:33 | 0:11:36 | |
Reclaimed furniture. | 0:11:36 | 0:11:38 | |
Better go and circulate. | 0:11:38 | 0:11:40 | |
He's lying to my face. | 0:11:40 | 0:11:42 | |
-He saw me put it on the skip. -You've got to get it back. | 0:11:42 | 0:11:45 | |
I can't do that. They'll miss it. | 0:11:45 | 0:11:46 | |
They're not going to come and accuse you, | 0:11:46 | 0:11:48 | |
having denied taking it off your skip in the first place. | 0:11:48 | 0:11:50 | |
Are they? Eh? | 0:11:50 | 0:11:51 | |
-He said, "No." -What? | 0:11:51 | 0:11:53 | |
Seb said he wouldn't do our loft conversion. | 0:11:53 | 0:11:55 | |
What did you ask him that for? | 0:11:55 | 0:11:57 | |
I told you I was going to ask him. | 0:11:57 | 0:11:59 | |
-No, you didn't. -He said he was too busy | 0:11:59 | 0:12:01 | |
but I know for a fact he's doing a quote for Terry and Clive. | 0:12:01 | 0:12:04 | |
Terry and Clive? | 0:12:04 | 0:12:05 | |
Yeah, you know, the couple that live in the big house on the seafront. | 0:12:05 | 0:12:09 | |
I thought I was doing your loft? | 0:12:11 | 0:12:12 | |
And these are spiced tofu with celeriac. | 0:12:12 | 0:12:16 | |
Can I help you with that? You look a bit under the cosh. | 0:12:16 | 0:12:19 | |
Oh, that's very kind of you. | 0:12:19 | 0:12:22 | |
I know you're busy and everything, so don't worry about the loft thing. | 0:12:22 | 0:12:25 | |
-Just whenever you've got a bit of time. -Yeah, of course. | 0:12:25 | 0:12:28 | |
I know you've got a couple of others to do. | 0:12:28 | 0:12:30 | |
So we're happy just to be on the list somewhere. | 0:12:30 | 0:12:33 | |
-You're definitely on the list. -Oh. | 0:12:33 | 0:12:35 | |
I mean, I can understand why you'd want to do Terry and Clive's loft | 0:12:38 | 0:12:41 | |
because they're...you know... | 0:12:41 | 0:12:44 | |
Gay? | 0:12:44 | 0:12:46 | |
-No. -You think I'd do someone's loft conversion | 0:12:46 | 0:12:48 | |
-just because they're gay? -No, not that, obviously. | 0:12:48 | 0:12:51 | |
Well, it's not the Masons, you know, we don't have a special handshake. | 0:12:51 | 0:12:54 | |
No, of course not. | 0:12:54 | 0:12:55 | |
There isn't some special website specifically for gay men | 0:12:55 | 0:12:58 | |
who like to do each other's loft conversions. | 0:12:58 | 0:13:00 | |
-Well, there is, actually! -No...I-I didn't mean that. | 0:13:00 | 0:13:05 | |
We're...look, we're just so pleased that you've moved in. | 0:13:05 | 0:13:08 | |
-Get your quotas up? -No, it's not about quotas. | 0:13:08 | 0:13:11 | |
It's about meeting different people. | 0:13:11 | 0:13:14 | |
-Not different...new. -I understand. | 0:13:14 | 0:13:17 | |
-You're very pleased that we've moved in. -Well, yeah...we've got lots... | 0:13:17 | 0:13:21 | |
-Lots of gay friends? Everybody says that. -Yeah. | 0:13:21 | 0:13:24 | |
But I'm more in tune with diversity than most. | 0:13:24 | 0:13:27 | |
It's always been a passion of mine, you know, | 0:13:27 | 0:13:30 | |
equal rights, gay marriage, all that. | 0:13:30 | 0:13:32 | |
-You're in tune with the whole vibe? -We are very serious about it. | 0:13:32 | 0:13:36 | |
-We have to be. -You have to be? | 0:13:36 | 0:13:39 | |
Well, because of our...situation. | 0:13:39 | 0:13:41 | |
What situation is that? | 0:13:41 | 0:13:42 | |
With Alan. | 0:13:44 | 0:13:45 | |
What about Alan? | 0:13:45 | 0:13:47 | |
Well, you know... | 0:13:47 | 0:13:50 | |
-he's-he's gay. -Your Alan? -I know. | 0:13:50 | 0:13:53 | |
I couldn't believe it either. | 0:13:56 | 0:13:57 | |
I mean, you know, you read about people struggling | 0:13:57 | 0:14:00 | |
with their sexuality but, you never think it could be someone so close. | 0:14:00 | 0:14:06 | |
-How long have you known? -Not long. He just came out with it. | 0:14:06 | 0:14:10 | |
Said he couldn't live the lie any longer. | 0:14:10 | 0:14:13 | |
Oh, my God, and you're still together? | 0:14:13 | 0:14:17 | |
I haven't stopped loving him, Seb. | 0:14:17 | 0:14:19 | |
No, of course not. | 0:14:19 | 0:14:20 | |
Must be difficult, though? | 0:14:21 | 0:14:24 | |
We're both on a journey. | 0:14:24 | 0:14:25 | |
# Under pressure. # | 0:14:27 | 0:14:29 | |
Trevor doesn't want to go home. | 0:14:29 | 0:14:31 | |
Performance pressure's probably getting to him. | 0:14:31 | 0:14:34 | |
Very frustrating for you, I'd have thought. | 0:14:34 | 0:14:36 | |
All right, ladies? | 0:14:36 | 0:14:37 | |
Seb been boring you with the artwork? | 0:14:37 | 0:14:41 | |
We like a bit of culture. | 0:14:41 | 0:14:43 | |
-Carol's an artist. -I dabble. | 0:14:43 | 0:14:45 | |
Oh, got a bit of the bohemian spirit in you, have you? | 0:14:45 | 0:14:48 | |
Maybe you could show me the club scene up here. | 0:14:48 | 0:14:50 | |
I don't know much about clubbing. Do you, Maureen? | 0:14:50 | 0:14:52 | |
No, not really my kind of thing. | 0:14:52 | 0:14:55 | |
That's a shame. I bet the club scene was pretty wild | 0:14:55 | 0:14:58 | |
when you were in your pomp, back in the...'80s? | 0:14:58 | 0:15:01 | |
-'60s. -'70s. -'70s. | 0:15:01 | 0:15:03 | |
Bet there were guys with gold lame hot pants everywhere. | 0:15:03 | 0:15:06 | |
-Oh, my God! -What? | 0:15:06 | 0:15:08 | |
That sounds dreadful. | 0:15:08 | 0:15:10 | |
You're so straight, Maureen. | 0:15:11 | 0:15:13 | |
I'm never going to keep this up. | 0:15:15 | 0:15:17 | |
I'm going to crack, Carol. I am, I'm going to crack. | 0:15:17 | 0:15:20 | |
-# You better think -Think | 0:15:20 | 0:15:22 | |
# Think about what you're trying to do to me | 0:15:22 | 0:15:25 | |
-# Think -Think, think | 0:15:25 | 0:15:26 | |
# Let your mind go, let yourself be free | 0:15:26 | 0:15:29 | |
# Let's go back, let's go back | 0:15:29 | 0:15:31 | |
# Let's go way back when | 0:15:31 | 0:15:33 | |
# I didn't even know you | 0:15:33 | 0:15:35 | |
# You couldn't have been too much more than ten | 0:15:35 | 0:15:38 | |
# I ain't no psychiatrist | 0:15:38 | 0:15:40 | |
# I ain't no doctor with degrees | 0:15:40 | 0:15:42 | |
# It don't take too much high IQ to see what you're doing to me | 0:15:42 | 0:15:46 | |
-# Oh, freedom -Freedom | 0:15:46 | 0:15:49 | |
-# Freedom -Freedom... # | 0:15:49 | 0:15:51 | |
That's not the bathroom. | 0:15:53 | 0:15:55 | |
-There's an en suite in there. -Yes, there is, I saw that. | 0:15:55 | 0:15:58 | |
-Well, you can use that if you like. -Oh, I don't want to. | 0:15:58 | 0:16:00 | |
I mean, I don't want use your en suite. | 0:16:00 | 0:16:02 | |
It's more private, isn't it? It's your special place. | 0:16:02 | 0:16:05 | |
I mean, not that I wouldn't want to use your special place. | 0:16:05 | 0:16:08 | |
I'm sure there's nothing different about it | 0:16:08 | 0:16:10 | |
but I would rather use the guest bathroom. | 0:16:10 | 0:16:12 | |
Listen, I just want to say, I think it's amazing what you're doing. | 0:16:12 | 0:16:16 | |
-What? -Seb's been talking to Joyce about, you know, | 0:16:16 | 0:16:18 | |
-you trying to make your mind up about things. -Oh, the conversion? | 0:16:18 | 0:16:21 | |
-That's an interesting way of putting it. -Is it? | 0:16:21 | 0:16:24 | |
Don't rush into any decisions. | 0:16:24 | 0:16:26 | |
You need to take stock and Joyce seems very sportive. | 0:16:26 | 0:16:28 | |
-Well, it was her idea in the first place. -Wow. | 0:16:28 | 0:16:31 | |
Well, just work out what you really want, moving forward. | 0:16:31 | 0:16:34 | |
-I'm going to get someone in. -Are you? | 0:16:34 | 0:16:36 | |
Yeah, you know, get two or three guys in, work as a team, | 0:16:36 | 0:16:38 | |
it's pretty straightforward. | 0:16:38 | 0:16:39 | |
Excuse me. | 0:16:39 | 0:16:40 | |
-Trevor. -Hi. -Are you looking for Carol? -No. | 0:16:43 | 0:16:47 | |
Why? Was she here? | 0:16:47 | 0:16:48 | |
-Is everything all right? -Yeah, fine. | 0:16:48 | 0:16:51 | |
Um, I've got a big trustee meeting coming up, | 0:16:51 | 0:16:55 | |
having trouble with one of my charities. | 0:16:55 | 0:16:58 | |
That's no way to talk about Carol! I'm only joking. | 0:16:58 | 0:17:01 | |
-I hate meetings as well. -What line of work are you in? | 0:17:01 | 0:17:04 | |
-Financial services. -You're joking? -No. -So am I. | 0:17:04 | 0:17:07 | |
-I never joke about financial services. -Well, neither do I. | 0:17:07 | 0:17:10 | |
So what's this big meeting that you're dreading? | 0:17:10 | 0:17:12 | |
-Is it with a client? -Kind of. | 0:17:12 | 0:17:15 | |
You know what I do if I'm dreading a big meeting? | 0:17:15 | 0:17:17 | |
I try to bring it forward. | 0:17:17 | 0:17:19 | |
What do you mean? | 0:17:19 | 0:17:20 | |
Just have it earlier, get it out of the way sooner. | 0:17:20 | 0:17:22 | |
-Oh, right, less time to worry about it. -Exactly. | 0:17:22 | 0:17:25 | |
Well, that's clever, counterintuitive. | 0:17:25 | 0:17:27 | |
-Plus you perform better in the meeting. -Do you? | 0:17:27 | 0:17:30 | |
Yeah, because you're underprepared, you have to think on your toes. | 0:17:30 | 0:17:33 | |
They've done tests. The stats prove it. | 0:17:33 | 0:17:36 | |
-It's a very persuasive argument, if you like stats. -Oh, I do. | 0:17:36 | 0:17:40 | |
I like stats a lot. | 0:17:40 | 0:17:42 | |
-Nice place. -Yeah, it's got a lot of potential. -Yeah. | 0:17:44 | 0:17:48 | |
-I wonder where Maureen's got to... -Party animal, is she? | 0:17:51 | 0:17:53 | |
-You always end up in the kitchen? -Yeah. -Me, too. | 0:17:53 | 0:17:56 | |
You know, it's difficult living with a big personality. | 0:17:56 | 0:17:59 | |
Matt's always standing on tables, singing his head off at parties. | 0:17:59 | 0:18:02 | |
Maureen can't see a table without standing on it. | 0:18:02 | 0:18:04 | |
To be honest, I've asked her to tone it down a bit, | 0:18:04 | 0:18:07 | |
she can be embarrassing when she meets...when she's with... | 0:18:07 | 0:18:10 | |
-at parties. -I know what you mean. | 0:18:10 | 0:18:13 | |
I wish I could tell Matt to do the same, you know, | 0:18:13 | 0:18:15 | |
it's...it's difficult for me out here. | 0:18:15 | 0:18:17 | |
You know, I'm cut off from my old network of friends, | 0:18:17 | 0:18:19 | |
whereas Matt is still kind of plugged in | 0:18:19 | 0:18:21 | |
because he commutes in and out of London every day. | 0:18:21 | 0:18:23 | |
-Oh, I think you could tell him. -No, I don't want to start a row. | 0:18:23 | 0:18:26 | |
-He seems like a nice bloke, I'm sure he would be understanding. -Thanks. | 0:18:26 | 0:18:31 | |
I'm probably making too much of it anyway. | 0:18:31 | 0:18:33 | |
Well, he did say you were a bit of a drama queen. | 0:18:33 | 0:18:36 | |
-I didn't know that... -Grab your coat, love, you've pulled. -What? | 0:18:39 | 0:18:42 | |
-We're going home. -But I thought you wanted to stay. | 0:18:42 | 0:18:44 | |
-I've changed my mind. -You mean...? | 0:18:44 | 0:18:46 | |
Yes, Carol, our period of fasting is at an end. | 0:18:46 | 0:18:49 | |
# Baby, here I am, I'm at man on the scene | 0:18:52 | 0:18:55 | |
# Didn't give you what you want just come, go home with me | 0:18:57 | 0:19:01 | |
# I've got some good old loving... # | 0:19:01 | 0:19:03 | |
SHE GIGGLES | 0:19:03 | 0:19:06 | |
This is all very sudden. | 0:19:08 | 0:19:09 | |
Exactly. The suddenness of it is very liberating. | 0:19:09 | 0:19:12 | |
To be honest, I've been nervous about it, | 0:19:13 | 0:19:16 | |
knowing where and when it was going to happen. | 0:19:16 | 0:19:18 | |
It's like a job interview. I always hated job interviews one-on-one. | 0:19:18 | 0:19:22 | |
I much preferred a panel. | 0:19:22 | 0:19:24 | |
You want more people? | 0:19:24 | 0:19:25 | |
No, I'm just saying, | 0:19:25 | 0:19:26 | |
-the more spontaneous it is, the less I have to dread. -Thanks. | 0:19:26 | 0:19:30 | |
No, no, not dread, fear. No! Worry about. Shall we? | 0:19:30 | 0:19:34 | |
Do you remember that time in Lincoln, we just started going out | 0:19:34 | 0:19:38 | |
and we stayed at that B&B? | 0:19:38 | 0:19:40 | |
Oh, near the Cathedral, yes. | 0:19:40 | 0:19:42 | |
That was a lovely weekend, wasn't it? | 0:19:42 | 0:19:44 | |
Wonderful architecture. | 0:19:44 | 0:19:46 | |
You know, I think that was the tallest building in Europe | 0:19:46 | 0:19:48 | |
-until 1549. -Because it was our first time. | 0:19:48 | 0:19:51 | |
Obviously that was the main thing about the weekend. | 0:19:51 | 0:19:54 | |
The Cathedral was very much a side issue. | 0:19:54 | 0:19:57 | |
They didn't have any clean bedding | 0:19:57 | 0:19:59 | |
so we slept on the floor, under our coats. | 0:19:59 | 0:20:01 | |
-Really? -You might not still be in the mood by the time we get home. | 0:20:04 | 0:20:07 | |
Darling, it's a five-minute walk, I think I can manage it. | 0:20:07 | 0:20:11 | |
HE GASPS | 0:20:11 | 0:20:13 | |
OK. We can... We can do this. This is good. | 0:20:13 | 0:20:15 | |
We don't have to if you don't want to. | 0:20:15 | 0:20:17 | |
No, this is very...doable, we just have to organise it properly. | 0:20:17 | 0:20:20 | |
I mean, we are supposed to be exploring different possibilities | 0:20:20 | 0:20:23 | |
-within our relationship. -Carol. | 0:20:23 | 0:20:25 | |
This is all good. I just have to lock the door. | 0:20:25 | 0:20:28 | |
Now...move these coats over here because that's coir matting - | 0:20:28 | 0:20:33 | |
you will lose several layers of skin if you roll off there. | 0:20:33 | 0:20:37 | |
How's that? | 0:20:37 | 0:20:38 | |
Fine. | 0:20:38 | 0:20:40 | |
-Oh, not on that one. -Why not? -That's Alan's. | 0:20:40 | 0:20:42 | |
I don't want him involved. | 0:20:42 | 0:20:44 | |
CAR BEEPS | 0:20:44 | 0:20:46 | |
Oh, I think I've unlocked his car. | 0:20:46 | 0:20:47 | |
KNOCK ON DOOR | 0:20:47 | 0:20:49 | |
Hello, who's in there? | 0:20:50 | 0:20:51 | |
-I'd better open the door. -No! | 0:20:51 | 0:20:54 | |
You stay there, I'll sort it. | 0:20:54 | 0:20:56 | |
-Oh, hi. -Just using the, um... en suite. | 0:20:57 | 0:21:01 | |
-There is another bathroom. -Is there? | 0:21:02 | 0:21:04 | |
Oh, of course there is, that's the one I was looking for, | 0:21:04 | 0:21:07 | |
-then I found this one. -Right. Have you seen our dog anywhere? -No. | 0:21:07 | 0:21:10 | |
-Will you give me a shout if you do? -Righto. | 0:21:10 | 0:21:12 | |
-I just need one of the coats there. -OK, which one? -Dave's, he's leaving. | 0:21:12 | 0:21:16 | |
-Well, I'll get it. -You don't know which one. -Well, I could guess. | 0:21:16 | 0:21:19 | |
-You're going to guess which coat it is? -It's a party game. | 0:21:19 | 0:21:22 | |
Have you never played Guess The Coat? | 0:21:22 | 0:21:24 | |
Why don't I just get it? | 0:21:24 | 0:21:26 | |
OK. That would be easier. | 0:21:26 | 0:21:29 | |
KNOCK ON WINDOW | 0:21:40 | 0:21:42 | |
-Can you give me a hand? Oh, hi, Carol. -Hi. | 0:21:43 | 0:21:46 | |
-I need to take this cupboard back to my place. -Isn't this their cupboard? | 0:21:46 | 0:21:49 | |
It's originally ours and now we're taking it back. | 0:21:49 | 0:21:51 | |
-I'm not taking their cupboard. -They said we could have it. -Who did? -Seb. | 0:21:51 | 0:21:54 | |
-Well why isn't he helping you? -He's hosting a party. -Well, I can't. | 0:21:54 | 0:21:57 | |
-Why not? -I'm doing something. -Look, my thing will only take two minutes. | 0:21:57 | 0:22:01 | |
So will mine. | 0:22:01 | 0:22:03 | |
Just come out with us and meet the gang. | 0:22:07 | 0:22:09 | |
-Oh, I don't know, I'm not much of a night owl. -They'd love you. | 0:22:09 | 0:22:12 | |
-Would they? -Yeah. -No. I don't think so. -You'll love it. | 0:22:12 | 0:22:16 | |
It does get a bit shouty. | 0:22:16 | 0:22:17 | |
I don't think so, I don't really do shouty. | 0:22:17 | 0:22:20 | |
-Matt, I can't find the dog. -Oh, he'll be hiding somewhere. | 0:22:20 | 0:22:23 | |
-Did you leave the door open? -That's it, blame me. | 0:22:23 | 0:22:26 | |
I just thought you might have left it open | 0:22:26 | 0:22:27 | |
and forgotten seeing as you've had quite a bit of that Bordeaux. | 0:22:27 | 0:22:30 | |
I've only had a few glasses. | 0:22:30 | 0:22:32 | |
Oh, well, there's plenty left... in France. | 0:22:32 | 0:22:34 | |
Oh, come on, boys, don't argue. | 0:22:34 | 0:22:36 | |
-Don't get excited, Seb, he'll turn up. -I am not getting excited. | 0:22:36 | 0:22:39 | |
-I'm not a drama queen, contrary to popular opinion. -Come on, guys. | 0:22:39 | 0:22:43 | |
-That's right, you ain't drama...like Jordan hates a wedding. -Hilarious. | 0:22:43 | 0:22:46 | |
At least we'll have something to chuckle about | 0:22:46 | 0:22:48 | |
while we're scooping Becks' lifeless little body up off the road. | 0:22:48 | 0:22:51 | |
So you're saying that if we were still in London | 0:22:51 | 0:22:53 | |
we wouldn't have to lock the door, is that it? | 0:22:53 | 0:22:55 | |
-Oh, I knew we'd get to this. -This is about David. -Oh, my God. | 0:22:55 | 0:22:58 | |
-Oh, don't be ridiculous. -Who's David? | 0:22:58 | 0:23:00 | |
-Somebody I knew a very long time ago. -Oh, my God. | 0:23:00 | 0:23:03 | |
Oh, it always comes back to the exes. | 0:23:03 | 0:23:04 | |
-Why can't you just get over them? -There's too many. | 0:23:04 | 0:23:06 | |
I need crampons and a team of Sherpas to get over them. | 0:23:06 | 0:23:09 | |
-Boys, boys, boys. -Sorry. We should do this in private. | 0:23:09 | 0:23:13 | |
No, do it here. | 0:23:13 | 0:23:15 | |
You do not know how much I have missed this. | 0:23:15 | 0:23:18 | |
Mwah! | 0:23:18 | 0:23:20 | |
I'm home. | 0:23:21 | 0:23:23 | |
OK... | 0:23:23 | 0:23:25 | |
That's better... | 0:23:25 | 0:23:26 | |
more comfy. | 0:23:26 | 0:23:28 | |
Just got to draw the curtains. | 0:23:28 | 0:23:30 | |
I think that's better, don't you? | 0:23:30 | 0:23:32 | |
We don't want to be overlooked by that house over the road. | 0:23:34 | 0:23:37 | |
OK. | 0:23:37 | 0:23:38 | |
-This is great, isn't it? -Very exciting. -Gosh, it's been too long. | 0:23:38 | 0:23:43 | |
Yep. | 0:23:43 | 0:23:44 | |
Fear not. | 0:23:44 | 0:23:45 | |
For the dam is about to burst. | 0:23:45 | 0:23:48 | |
Oh... | 0:23:48 | 0:23:49 | |
It's a dimmer switch. | 0:23:49 | 0:23:51 | |
Right, how do you want it? Whoa! | 0:23:51 | 0:23:55 | |
Operating theatre suddenly. | 0:23:55 | 0:23:56 | |
Oh, now I can't see a thing. | 0:23:56 | 0:23:59 | |
That's a bit moody, isn't it? | 0:23:59 | 0:24:01 | |
-Trevor. -Or is that too bistro? | 0:24:01 | 0:24:04 | |
-Trevor? -Yes? -Shall we just leave it? -What do you mean? | 0:24:04 | 0:24:07 | |
Do it tomorrow or next week, | 0:24:07 | 0:24:09 | |
-or whenever we're feeling a bit more relaxed? -Really? | 0:24:09 | 0:24:12 | |
Cos, um...I'm raring to go. | 0:24:12 | 0:24:14 | |
I know you are but I quite feel like going home | 0:24:14 | 0:24:17 | |
and watching a bit of telly. | 0:24:17 | 0:24:19 | |
-Well, if that's what you want. -I think so. | 0:24:19 | 0:24:21 | |
-What do you want to watch? -How about Countryfile? | 0:24:25 | 0:24:28 | |
All those farmers wives might get you in the mood again. Eh? | 0:24:28 | 0:24:31 | |
SHE GIGGLES | 0:24:31 | 0:24:33 | |
Woohoo. | 0:24:36 | 0:24:38 | |
# You make me feel... # | 0:24:38 | 0:24:41 | |
Maureen? What are you doing? | 0:24:41 | 0:24:44 | |
I've realised something, Joyce, you can't hide who you are. | 0:24:44 | 0:24:47 | |
-You have to be true to yourself. -She's out and proud. | 0:24:47 | 0:24:50 | |
We tried, damn it. | 0:24:58 | 0:24:59 | |
KNOCK ON WINDOW | 0:25:01 | 0:25:03 | |
-I need your help. -Help with what? | 0:25:03 | 0:25:05 | |
-Take the cupboard back. -You can't steal the cupboard, Alan. | 0:25:05 | 0:25:08 | |
You told me to steal it. | 0:25:08 | 0:25:09 | |
That was before I got to know Seb | 0:25:09 | 0:25:11 | |
and before I knew that you'd asked him to do your loft. | 0:25:11 | 0:25:14 | |
This is Joyce's cupboard, John, if you won't do it for me, | 0:25:14 | 0:25:17 | |
do it for Joyce. | 0:25:17 | 0:25:18 | |
Is that their dog? | 0:25:26 | 0:25:27 | |
WHISPERS: Becks, Becks. | 0:25:30 | 0:25:32 | |
Come on, Becksy. | 0:25:32 | 0:25:34 | |
Not coming. | 0:25:34 | 0:25:35 | |
Probably can't lip read. | 0:25:35 | 0:25:36 | |
I'll get some meat. | 0:25:39 | 0:25:40 | |
I love meat. Especially al fresco. | 0:25:52 | 0:25:55 | |
I got some meat. | 0:25:58 | 0:26:00 | |
But you already found him some. | 0:26:00 | 0:26:02 | |
When you're ready. | 0:26:02 | 0:26:03 | |
Window's shut. | 0:26:07 | 0:26:09 | |
-Stick him in the cupboard. -What? | 0:26:09 | 0:26:11 | |
I'll bring him back later. | 0:26:11 | 0:26:13 | |
In you go. | 0:26:16 | 0:26:17 | |
I've got it, quick. This way. | 0:26:19 | 0:26:21 | |
I've got it. | 0:26:21 | 0:26:23 | |
Oh. Sorry... | 0:26:23 | 0:26:25 | |
Hi, you know John. | 0:26:25 | 0:26:27 | |
Is that our cupboard? | 0:26:27 | 0:26:28 | |
-Which cupboard? -That one. | 0:26:28 | 0:26:30 | |
Oh, this one? | 0:26:30 | 0:26:31 | |
-Er, well, no, actually, it's our cupboard. -I don't understand. | 0:26:31 | 0:26:35 | |
-Joyce likes it. -What? | 0:26:35 | 0:26:37 | |
Alan's going to get her one like it but he... | 0:26:37 | 0:26:40 | |
he needed to see if it would fit in the gap | 0:26:40 | 0:26:43 | |
by the side of the bed. | 0:26:43 | 0:26:44 | |
Oh, yeah, the gap, no tape measure, see? | 0:26:44 | 0:26:47 | |
-We were bringing it straight back. -Two minutes. -Sorry we didn't ask. | 0:26:47 | 0:26:50 | |
That's OK, have you seen Becks, anywhere? | 0:26:50 | 0:26:53 | |
-Er... -Don't think so, no. | 0:26:53 | 0:26:55 | |
No, we haven't. | 0:26:56 | 0:26:58 | |
DOG BARKS | 0:26:58 | 0:26:59 | |
Becksy! | 0:27:04 | 0:27:05 | |
-Is he all right? -I think so. | 0:27:07 | 0:27:08 | |
I'm done, mate. You're on your own. | 0:27:11 | 0:27:13 | |
Wait, so you're trying to steal our dog and our cupboard? | 0:27:13 | 0:27:16 | |
-It's not your cupboard. -I don't know what to do. | 0:27:16 | 0:27:19 | |
-I don't want to call the police. -Alan, what's going on? | 0:27:19 | 0:27:22 | |
-He's nicking our cupboard. -And our dog. -I know he's confused, but... | 0:27:22 | 0:27:25 | |
There's no excuse for animal abuse, Alan. | 0:27:25 | 0:27:28 | |
I don't care how repressed you are. | 0:27:28 | 0:27:30 | |
What's he talking about? | 0:27:30 | 0:27:32 | |
Never mind that. | 0:27:32 | 0:27:33 | |
All you had to do was be nice so we'd have one set of neighbours | 0:27:33 | 0:27:36 | |
that hadn't reported us to the police. | 0:27:36 | 0:27:39 | |
This is our cupboard. You took it from our skip. | 0:27:39 | 0:27:41 | |
I told you we bought that in town. | 0:27:41 | 0:27:43 | |
-You said you liked it, you said you were going to zhush it up. -Mate... | 0:27:43 | 0:27:47 | |
-You need to calm down. -I'll prove it! Come on! | 0:27:47 | 0:27:51 | |
Gemma, take Becksy. | 0:27:51 | 0:27:52 | |
You stood right here and said that you wanted to zhush up our cupboard. | 0:27:54 | 0:27:58 | |
-That cupboard? -Yeah. That cupboard. -My great-grandad's cupboard. | 0:28:02 | 0:28:06 | |
# You're looking for trouble | 0:28:09 | 0:28:12 | |
# You came to the right place | 0:28:12 | 0:28:14 | |
# My daddy was a green-eyed mountain jack | 0:28:14 | 0:28:19 | |
# Because I'm evil | 0:28:19 | 0:28:23 | |
# My middle name is misery | 0:28:23 | 0:28:26 | |
# Well, I'm evil So don't you mess around with me. # | 0:28:30 | 0:28:37 |