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This programme contains strong language | 0:00:02 | 0:00:04 | |
It was supposed to be a small thing. Why did you have to invite so many people? | 0:00:04 | 0:00:07 | |
-You agreed to a party, Ken. Parties require people. -No. I agreed to a gathering. | 0:00:07 | 0:00:11 | |
Have it on a Sunday. Cut-off time, 5pm. | 0:00:11 | 0:00:14 | |
Leave the evening free to watch Coast. | 0:00:14 | 0:00:16 | |
Don't be such a grinch. | 0:00:16 | 0:00:17 | |
How often do you get to have a baby naming day? | 0:00:17 | 0:00:20 | |
Well, as it's a completely made up ceremony, I'd say... | 0:00:20 | 0:00:22 | |
well, whenever you want. DOOR OPENS | 0:00:22 | 0:00:24 | |
All right, Dale. You've been gone hours. | 0:00:24 | 0:00:26 | |
Yeah, just got a lot on my mind. | 0:00:26 | 0:00:28 | |
Worrying about Ling. | 0:00:28 | 0:00:29 | |
If she'll ever be in touch again. | 0:00:29 | 0:00:31 | |
I just...I started running. | 0:00:31 | 0:00:33 | |
Before I knew it, I was in a place called Wolverhampton. | 0:00:33 | 0:00:35 | |
The jewel of the Midlands. | 0:00:35 | 0:00:36 | |
Oh, poor Dale! | 0:00:36 | 0:00:38 | |
Anyway, booze, got. | 0:00:38 | 0:00:40 | |
Snacks, got. | 0:00:40 | 0:00:42 | |
All we need now is to decide | 0:00:42 | 0:00:44 | |
who's going to conduct the baby naming ceremony. | 0:00:44 | 0:00:46 | |
Oh, Chief Ken, Chief Ken, Chief Ken? | 0:00:46 | 0:00:48 | |
Something you want to say, Dale? | 0:00:48 | 0:00:49 | |
Please let me do this for Sid. | 0:00:49 | 0:00:51 | |
He is the best darn baby uncle I have ever had | 0:00:51 | 0:00:53 | |
and I would cherish the chance to repay him. | 0:00:53 | 0:00:56 | |
I don't know. | 0:00:56 | 0:00:57 | |
A lot is expected of the guy | 0:00:57 | 0:00:59 | |
who does ye olde atheist baby naming ceremony. | 0:00:59 | 0:01:01 | |
-PHONE CHIMES -Oh, what? | 0:01:01 | 0:01:03 | |
Zoe's coming to the party | 0:01:03 | 0:01:04 | |
and she's bringing her new boyfriend from uni. | 0:01:04 | 0:01:06 | |
Ooh, bit awks. | 0:01:06 | 0:01:07 | |
Oh, she's playing mind games, the bitch. | 0:01:07 | 0:01:09 | |
Well, if that's what she wants, then this player's going to play. | 0:01:09 | 0:01:12 | |
Oh, God. | 0:01:12 | 0:01:13 | |
Play, play, play. | 0:01:13 | 0:01:15 | |
Course you can do it, Dale. | 0:01:15 | 0:01:16 | |
Ha-ha! Yes! | 0:01:16 | 0:01:18 | |
I don't know what it is, but I'm getting started right now! | 0:01:18 | 0:01:21 | |
HORN BEEPS OUTSIDE | 0:01:23 | 0:01:25 | |
I know that car horn. | 0:01:25 | 0:01:26 | |
HORN BEEPS | 0:01:27 | 0:01:29 | |
Lorna... | 0:01:38 | 0:01:39 | |
could you tell me why my dad's 1976 Triumph Stag is on the driveway? | 0:01:39 | 0:01:43 | |
Ken, I might have forgotten to mention... | 0:01:43 | 0:01:44 | |
I sent an invite to your mum for Sunday. | 0:01:44 | 0:01:47 | |
Interesting, | 0:01:47 | 0:01:48 | |
because I did expressly ask you not to. | 0:01:48 | 0:01:51 | |
Ken, I didn't think she'd come. | 0:01:51 | 0:01:52 | |
-Cooee! -SHE LAUGHS | 0:01:52 | 0:01:54 | |
Oh, Lorna! | 0:01:54 | 0:01:55 | |
Belinda. | 0:01:57 | 0:01:58 | |
-You look lovely. -You, too. | 0:01:58 | 0:02:00 | |
Kenneth. | 0:02:05 | 0:02:06 | |
I see you drove Dad's car all the way from Spain. | 0:02:06 | 0:02:09 | |
Well, not all the way. | 0:02:09 | 0:02:11 | |
I had to have a tow through the Pyrenees | 0:02:11 | 0:02:12 | |
after I blew the oil pump. | 0:02:12 | 0:02:15 | |
You did what? | 0:02:15 | 0:02:16 | |
I'm joking, Ken. Oh, God! | 0:02:16 | 0:02:17 | |
He's always been so easy to wind up. | 0:02:17 | 0:02:20 | |
And cars are made to be driven. | 0:02:20 | 0:02:22 | |
Not this one. It is a classic. | 0:02:22 | 0:02:24 | |
It belongs under a nonstatic tarp, | 0:02:24 | 0:02:25 | |
only to be viewed by a select group of men, | 0:02:25 | 0:02:27 | |
who have equal reverence for its beauty. | 0:02:27 | 0:02:29 | |
Yes, well... | 0:02:29 | 0:02:30 | |
I asked Alan and... | 0:02:30 | 0:02:32 | |
he says he wants me to drive it. | 0:02:32 | 0:02:34 | |
Well, as long as Dad's ghost thinks it's OK. | 0:02:34 | 0:02:36 | |
Thanks for asking him, by the way. | 0:02:36 | 0:02:38 | |
It always makes things so much clearer. | 0:02:38 | 0:02:39 | |
Right. | 0:02:39 | 0:02:41 | |
Now, where are my gorgeous grandchildren? | 0:02:41 | 0:02:43 | |
SHE LAUGHS | 0:02:43 | 0:02:44 | |
Cooee! | 0:02:47 | 0:02:48 | |
-Oh! -Nan! | 0:02:48 | 0:02:50 | |
Oh, hello. | 0:02:50 | 0:02:51 | |
-Oh, you look amazing! -You, too. Listen... | 0:02:51 | 0:02:54 | |
I meant to send you a card when you got married to that American chap, | 0:02:54 | 0:02:57 | |
but, you know... | 0:02:57 | 0:02:58 | |
Also, I meant to send you a consolation card | 0:02:58 | 0:03:00 | |
when he fell off that mountain, | 0:03:00 | 0:03:02 | |
but it slipped my mind. | 0:03:02 | 0:03:04 | |
Oh! Shouldn't have said slipped. | 0:03:04 | 0:03:06 | |
Well, the important thing is you're here now, so... | 0:03:06 | 0:03:08 | |
Chief Ken? Is this the family matriarch? | 0:03:08 | 0:03:10 | |
Yes. | 0:03:10 | 0:03:11 | |
Mum, this is Dale. He's our...nanny. | 0:03:11 | 0:03:14 | |
Dale, this is my mother, Belinda. | 0:03:14 | 0:03:16 | |
Oh, Belinda. | 0:03:16 | 0:03:17 | |
Behold. | 0:03:19 | 0:03:20 | |
Your step great-grandson. | 0:03:20 | 0:03:22 | |
Oh, what lovely manners. Hello, Dale. | 0:03:22 | 0:03:25 | |
And this must be... | 0:03:25 | 0:03:27 | |
-Oh, yes. The big guy. -BELINDA GASPS | 0:03:27 | 0:03:29 | |
Oh! | 0:03:29 | 0:03:30 | |
What a lovely fat baby! | 0:03:30 | 0:03:34 | |
-SHE LAUGHS -Someone won't need a paternity test! | 0:03:34 | 0:03:37 | |
Well, if he's anything like Ken, it'll all fall off aged two. | 0:03:37 | 0:03:40 | |
And come flooding back age 16. | 0:03:40 | 0:03:43 | |
What are you calling him? | 0:03:43 | 0:03:44 | |
Sid. | 0:03:44 | 0:03:45 | |
Oh, no. Bleurgh. | 0:03:45 | 0:03:47 | |
Sid isn't a name. It's a noise. | 0:03:47 | 0:03:49 | |
You should call him... | 0:03:49 | 0:03:51 | |
Horatio. | 0:03:51 | 0:03:52 | |
Oh, it's a perfect name for a fire sign! | 0:03:52 | 0:03:55 | |
Lorna, speak to me. Horatio, does it suit? | 0:03:55 | 0:03:58 | |
-Well, actually... -We are calling him Sid. | 0:03:58 | 0:04:00 | |
Well, I shall call him Horatio. | 0:04:00 | 0:04:03 | |
You can insist on being perverse, | 0:04:03 | 0:04:05 | |
but there's no reason for your mum to rise to it. | 0:04:05 | 0:04:07 | |
-SHE GASPS -Horatio. Horatio. | 0:04:07 | 0:04:11 | |
Horatio... | 0:04:11 | 0:04:12 | |
There we go. | 0:04:12 | 0:04:14 | |
Nice strong brew for you, Belinda. | 0:04:15 | 0:04:17 | |
-BELINDA GASPS -Thanks. -Kenneth? | 0:04:17 | 0:04:19 | |
Go on. | 0:04:20 | 0:04:21 | |
So... | 0:04:25 | 0:04:27 | |
Mum... | 0:04:27 | 0:04:29 | |
we should probably talk about the car, while it's on my driveway. | 0:04:29 | 0:04:32 | |
You do remember Dad left it to me? | 0:04:32 | 0:04:34 | |
Your dad said a lot of things towards the end. | 0:04:34 | 0:04:37 | |
Once he told me he regretted ever meeting me, | 0:04:37 | 0:04:39 | |
and that our marriage was a sham! | 0:04:39 | 0:04:41 | |
Yeah, well... He did bequeath it to me, so... | 0:04:41 | 0:04:43 | |
Oh! Out comes the fancy language. | 0:04:43 | 0:04:45 | |
Can I at least take it for a drive? | 0:04:45 | 0:04:47 | |
Absolutely not. Your driving? You're far too emotional. | 0:04:47 | 0:04:50 | |
You get yourself all worked up. | 0:04:50 | 0:04:51 | |
You're behind the wheel, Next thing you know... | 0:04:51 | 0:04:53 | |
Just so you know, this happened once, in 1985. | 0:04:53 | 0:04:55 | |
..your car's round a lamppost. | 0:04:55 | 0:04:57 | |
-It was 1985. -Well, maybe not a lamppost, | 0:04:57 | 0:04:59 | |
-but you crashed it. -It was 1985. | 0:04:59 | 0:05:00 | |
-You should have seen the state of the bonnet, after he... -It was 1985. | 0:05:00 | 0:05:03 | |
IT WAS 1985! | 0:05:03 | 0:05:04 | |
Bequeath - | 0:05:09 | 0:05:10 | |
"to hand down or pass on". | 0:05:10 | 0:05:12 | |
It's a very common word. | 0:05:12 | 0:05:14 | |
In the 16th century. | 0:05:14 | 0:05:16 | |
We've had five wonderful years without her. | 0:05:16 | 0:05:18 | |
Why couldn't she have just stayed in Spain, like an ordinary mother? | 0:05:18 | 0:05:21 | |
Oh, Ken, she is nice. | 0:05:21 | 0:05:23 | |
I mean, I know she has her funny ideas, but... | 0:05:23 | 0:05:27 | |
You know she still calls those phone lines every day | 0:05:27 | 0:05:29 | |
to hear her horoscope from Spain. | 0:05:29 | 0:05:31 | |
Imagine growing up with a person like that. | 0:05:31 | 0:05:34 | |
And then there was the... | 0:05:34 | 0:05:35 | |
-..singing thing? -Yes, that thing. | 0:05:35 | 0:05:37 | |
Look... | 0:05:37 | 0:05:38 | |
I don't mind Mum being a mentalist, | 0:05:38 | 0:05:40 | |
if she is not being mental all the time. | 0:05:40 | 0:05:43 | |
I mean, what was she thinking, driving that car around? | 0:05:43 | 0:05:46 | |
Were you one of those kids | 0:05:46 | 0:05:48 | |
that kept their toys in their boxes and never played with them? | 0:05:48 | 0:05:52 | |
It depreciates the value. | 0:05:52 | 0:05:53 | |
Give her a chance, love. | 0:05:53 | 0:05:55 | |
Are your eyes still open and your arms folded? | 0:06:03 | 0:06:06 | |
No. | 0:06:06 | 0:06:07 | |
You know, you could at least let me help you set things up. | 0:06:10 | 0:06:13 | |
Relax, Belinda! Everything is fine. It's just so great to have you here. | 0:06:13 | 0:06:17 | |
-BOTTLES RATTLE -Ken's so pleased to have you here. | 0:06:17 | 0:06:19 | |
Hm, I don't believe that. | 0:06:19 | 0:06:21 | |
I'm afraid Kenneth will always be angry with the world. | 0:06:21 | 0:06:23 | |
There's nothing so sad as a frustrated artist. | 0:06:23 | 0:06:27 | |
How is Dad a frustrated artist? | 0:06:27 | 0:06:29 | |
Oh, in his youth, your father was a wonderful singer. | 0:06:29 | 0:06:32 | |
The voice of a little angel. | 0:06:32 | 0:06:34 | |
I used to take him round all the local music festivals. | 0:06:34 | 0:06:37 | |
Ooh, the performances he gave. | 0:06:37 | 0:06:39 | |
Course, he gave it all up to spite me. | 0:06:39 | 0:06:41 | |
Please tell me there are videos. | 0:06:41 | 0:06:42 | |
Ken's Morning Has Broken... | 0:06:42 | 0:06:45 | |
it would make your spirit soar. | 0:06:45 | 0:06:47 | |
I would give anything to hear it again. | 0:06:47 | 0:06:50 | |
Dad! | 0:06:50 | 0:06:52 | |
Oh, Dad! | 0:06:52 | 0:06:53 | |
So how come you made it this time? | 0:06:53 | 0:06:55 | |
We haven't seen you for years, Belinda. | 0:06:55 | 0:06:57 | |
Well, obviously, to meet Horatio. | 0:06:57 | 0:06:59 | |
-Sid. -Whichever. | 0:06:59 | 0:07:01 | |
The point stands, I came to see my family. | 0:07:01 | 0:07:03 | |
OK. You can see through me. | 0:07:05 | 0:07:07 | |
But you have to promise not to give me away. | 0:07:07 | 0:07:10 | |
Absolutely. | 0:07:10 | 0:07:11 | |
I am ace at keeping secrets. | 0:07:11 | 0:07:13 | |
Well, the real reason is, | 0:07:13 | 0:07:14 | |
there's something I need to tell Kenneth. | 0:07:14 | 0:07:16 | |
Oh. | 0:07:16 | 0:07:18 | |
No. He should know first. | 0:07:18 | 0:07:20 | |
I need to find the right time. And soon. | 0:07:20 | 0:07:23 | |
Why? Is there a deadline? | 0:07:23 | 0:07:25 | |
Well, I suppose there is the one big deadline. | 0:07:25 | 0:07:27 | |
And I'm closer to mine than most. | 0:07:27 | 0:07:29 | |
SHE LAUGHS | 0:07:29 | 0:07:30 | |
I'm talking about death, Lorna. | 0:07:30 | 0:07:33 | |
Yes. | 0:07:33 | 0:07:35 | |
Yes, I got that. | 0:07:35 | 0:07:36 | |
HE SIGHS | 0:07:37 | 0:07:39 | |
HE WHISPERS: You beauty. | 0:07:39 | 0:07:40 | |
These tarot cards are powerful mystic tools, | 0:07:46 | 0:07:49 | |
which will reveal secrets known | 0:07:49 | 0:07:51 | |
-only to the gods. -DOOR SHUTS | 0:07:51 | 0:07:53 | |
Oh, spooky. | 0:07:53 | 0:07:54 | |
Oh, no. | 0:07:54 | 0:07:55 | |
Not tarot, now, as well. | 0:07:55 | 0:07:57 | |
-Dale, pay no heed to that nonsense. -Ssh, Dad! | 0:07:57 | 0:08:00 | |
We're just getting started. Go on, Nan. Turn a card over. | 0:08:00 | 0:08:03 | |
Very well. | 0:08:03 | 0:08:04 | |
I will turn the first card, | 0:08:04 | 0:08:06 | |
which is... | 0:08:06 | 0:08:08 | |
IN MENACING VOICE: Death! Ha-ha-ha! | 0:08:08 | 0:08:10 | |
-What? -Ken, it's not Death. | 0:08:10 | 0:08:12 | |
It's the Two of Cups. | 0:08:12 | 0:08:13 | |
Oh, sorry. My mistake. | 0:08:13 | 0:08:15 | |
What does Two of Cups mean? | 0:08:15 | 0:08:16 | |
We shall know more when the next card comes, which is... | 0:08:16 | 0:08:19 | |
IN MENACING VOICE: Death! | 0:08:19 | 0:08:21 | |
-Dad! -Oh, for God's sake. It's not Death. | 0:08:21 | 0:08:23 | |
It's another two. | 0:08:23 | 0:08:24 | |
IN MENACING VOICE: Snap! | 0:08:24 | 0:08:25 | |
Oh, Kenneth. I know you've never believed in my third eye. | 0:08:25 | 0:08:28 | |
-Not in front of the children, please, Mother. -Stop it. | 0:08:28 | 0:08:30 | |
Your scepticism is terribly hurtful. | 0:08:30 | 0:08:33 | |
I've helped many people. | 0:08:33 | 0:08:35 | |
Yeah, Dad. Give over. | 0:08:35 | 0:08:36 | |
Oh, sorry. Whoooo, spooky! | 0:08:36 | 0:08:39 | |
Go on, Nan. | 0:08:39 | 0:08:41 | |
So, Two of Cups, Two of Ones... | 0:08:41 | 0:08:44 | |
Dale, I see a girl. | 0:08:45 | 0:08:48 | |
And she is pining for you. | 0:08:48 | 0:08:51 | |
With a love that is pure and undying. | 0:08:51 | 0:08:53 | |
She has loved you for many months, | 0:08:55 | 0:08:58 | |
though there have been obstacles in her path. | 0:08:58 | 0:09:01 | |
-Yeah. -MYSTIC MUSIC | 0:09:01 | 0:09:03 | |
And she will prevail. | 0:09:04 | 0:09:06 | |
HE LAUGHS | 0:09:06 | 0:09:08 | |
Yes! Wh..where? Where is she? | 0:09:08 | 0:09:10 | |
She is... | 0:09:10 | 0:09:11 | |
..to the East. | 0:09:14 | 0:09:16 | |
Could be Shanghai. | 0:09:16 | 0:09:17 | |
No, that... That doesn't sound very likely, Dale. | 0:09:17 | 0:09:19 | |
I mean, what was that last card? | 0:09:19 | 0:09:20 | |
The Sun. | 0:09:20 | 0:09:21 | |
OK, yeah. I see how that's Easty - | 0:09:21 | 0:09:24 | |
but could it mean somewhere hot? | 0:09:24 | 0:09:26 | |
Well, it's an interpretation. | 0:09:26 | 0:09:28 | |
Shanghai is hot. | 0:09:28 | 0:09:29 | |
Or maybe it could mean that she's fiery or tans easily? | 0:09:29 | 0:09:32 | |
Or has a sunny personality. | 0:09:32 | 0:09:34 | |
I mean, can we be certain what this really means, | 0:09:34 | 0:09:37 | |
or if that girl even exists? | 0:09:37 | 0:09:39 | |
Nothing is certain with the tarot. | 0:09:39 | 0:09:41 | |
Nothing! All meaningless. | 0:09:41 | 0:09:43 | |
Ah, cool! | 0:09:43 | 0:09:45 | |
-SHE SIGHS -Well... | 0:09:45 | 0:09:46 | |
Dale, the ceremony's tomorrow, shouldn't you be... | 0:09:46 | 0:09:49 | |
researching? | 0:09:49 | 0:09:50 | |
-Yeah, should probably do that. -Yeah! Come on then. | 0:09:50 | 0:09:52 | |
Thanks, Nan. That was lovely. | 0:09:52 | 0:09:54 | |
Hello. Yes. Can I speak to my consultant, please? | 0:09:59 | 0:10:03 | |
-SHE SIGHS -Well, I suppose another one will do. | 0:10:03 | 0:10:06 | |
Hello. Yes. | 0:10:06 | 0:10:09 | |
It's cancer. | 0:10:09 | 0:10:10 | |
No, go on. | 0:10:12 | 0:10:13 | |
Tell me what I need to know. | 0:10:13 | 0:10:16 | |
Oh, God, that soon? | 0:10:16 | 0:10:19 | |
SHE GASPS QUIETLY | 0:10:19 | 0:10:20 | |
Well, yes. I was wondering about that moon in Aquarius. | 0:10:20 | 0:10:23 | |
HE CHANTS | 0:10:25 | 0:10:27 | |
DOOR OPENS | 0:10:31 | 0:10:33 | |
-Hi, -Mom! Hi. | 0:10:35 | 0:10:37 | |
You liking my props for tomorrow? | 0:10:37 | 0:10:38 | |
-Yeah. -This ceremony is going to be so amazing, | 0:10:38 | 0:10:40 | |
Uncle Sid's going to poop himself. | 0:10:40 | 0:10:42 | |
Yeah, well, in all likelihood. | 0:10:42 | 0:10:43 | |
-THEY LAUGH -Sorry. You were chanting and, erm... | 0:10:43 | 0:10:46 | |
-and weaving. -That's all right. Here, come check it out. | 0:10:46 | 0:10:48 | |
This is a tribal blanket I had to weave. | 0:10:48 | 0:10:50 | |
-Oh. -Pretty cool. | 0:10:50 | 0:10:52 | |
Yeah, there's so many ceremonies that name babies around the world, | 0:10:52 | 0:10:55 | |
and they are all so beautiful, | 0:10:55 | 0:10:56 | |
I figured, why not just combine them all into one? | 0:10:56 | 0:10:58 | |
-Oh, right. Like a...like a mashup? -Yeah, exactly. | 0:10:58 | 0:11:01 | |
Do you mind helping me run through it all? | 0:11:01 | 0:11:03 | |
Yeah, sure. What you want me to do? | 0:11:03 | 0:11:05 | |
-On the day, it's going to be me and Sid. -Mm-hm. | 0:11:05 | 0:11:07 | |
So I figured I could be me | 0:11:07 | 0:11:08 | |
-and you could be Sid. -OK. -OK. | 0:11:08 | 0:11:11 | |
SHE WAILS | 0:11:11 | 0:11:13 | |
-What?! -THEY LAUGH | 0:11:13 | 0:11:14 | |
That's amazing! | 0:11:14 | 0:11:15 | |
The only thing is, he's probably going to be on his back, | 0:11:15 | 0:11:18 | |
waving his arms in the air. | 0:11:18 | 0:11:19 | |
Let's imagine that bit. | 0:11:19 | 0:11:20 | |
All right. Let's do it. | 0:11:20 | 0:11:22 | |
Ken? | 0:11:29 | 0:11:30 | |
Will you do something...for me? | 0:11:30 | 0:11:32 | |
It depends what it is. | 0:11:32 | 0:11:33 | |
First, you have to swear that you'll do that for me. | 0:11:33 | 0:11:36 | |
It's just a small thing. | 0:11:36 | 0:11:37 | |
All right. | 0:11:37 | 0:11:39 | |
I swear it. | 0:11:39 | 0:11:40 | |
Take your mother on a drive tomorrow morning, | 0:11:40 | 0:11:42 | |
before the party. | 0:11:42 | 0:11:44 | |
Make peace with her. | 0:11:44 | 0:11:46 | |
Lorna, you traitor. | 0:11:46 | 0:11:47 | |
That is not a small thing. | 0:11:47 | 0:11:48 | |
Please. | 0:11:48 | 0:11:51 | |
Have some...alone time with her. | 0:11:51 | 0:11:52 | |
Do it for me. | 0:11:52 | 0:11:54 | |
You can take the...Stagmobile. | 0:11:54 | 0:11:56 | |
It's called a Stag. | 0:11:56 | 0:11:57 | |
Ken? | 0:11:57 | 0:11:58 | |
You won't have her forever. | 0:11:58 | 0:12:00 | |
-DALE: -'And then...' | 0:12:14 | 0:12:15 | |
I take the water from the coconut | 0:12:15 | 0:12:18 | |
and sprinkle it on Sid. | 0:12:18 | 0:12:20 | |
-Dale, stop it! -What? | 0:12:20 | 0:12:22 | |
Dale, give me that! | 0:12:22 | 0:12:24 | |
THEY LAUGH | 0:12:24 | 0:12:26 | |
-OK, OK. -No, but this is serious. | 0:12:26 | 0:12:27 | |
Remember, if you mess this up, I'll be without a name. | 0:12:27 | 0:12:29 | |
Right. OK, sorry. | 0:12:29 | 0:12:31 | |
-Serious. -Yes. | 0:12:31 | 0:12:33 | |
SHE LAUGHS | 0:12:33 | 0:12:34 | |
Then, I, er... | 0:12:35 | 0:12:37 | |
take the kohl. | 0:12:37 | 0:12:38 | |
OK. | 0:12:40 | 0:12:41 | |
-Oh. -And... | 0:12:41 | 0:12:42 | |
I line... | 0:12:42 | 0:12:45 | |
Sid's eyes. | 0:12:45 | 0:12:47 | |
And then your cheeks. | 0:12:48 | 0:12:50 | |
And then, I erm... | 0:12:51 | 0:12:54 | |
..I feed you honey. | 0:12:55 | 0:12:56 | |
Oh, just... | 0:12:58 | 0:12:59 | |
-SHE MUMBLES -Oh. | 0:12:59 | 0:13:01 | |
THEY LAUGH | 0:13:01 | 0:13:02 | |
What next? | 0:13:04 | 0:13:05 | |
I take this corn on the cob and I... | 0:13:07 | 0:13:10 | |
rub it all over you. | 0:13:10 | 0:13:11 | |
-Well, I think you've got it from here. -Yeah? -Yeah. | 0:13:11 | 0:13:14 | |
-OK. -OK. Thank you. -THEY LAUGH NERVOUSLY | 0:13:14 | 0:13:16 | |
DOOR SHUTS | 0:13:21 | 0:13:22 | |
BIRDS CHEEP | 0:13:23 | 0:13:25 | |
Yes, very impressive, Mother. | 0:13:26 | 0:13:27 | |
We could, perhaps, slow down a little, eh? | 0:13:27 | 0:13:30 | |
Your father didn't like driving fast. I always said, | 0:13:30 | 0:13:32 | |
"Trust the universe, Alan, | 0:13:32 | 0:13:34 | |
"and it will send no pedestrians". | 0:13:34 | 0:13:37 | |
And it rarely did. | 0:13:37 | 0:13:38 | |
You know, Lorna thinks I'm mean to you. | 0:13:40 | 0:13:42 | |
Oh, soak it up. | 0:13:42 | 0:13:43 | |
Your children never forgive you for falling short of perfection. | 0:13:43 | 0:13:47 | |
HE LAUGHS | 0:13:47 | 0:13:48 | |
Is that what you think? | 0:13:48 | 0:13:49 | |
As a mother, you fall short of perfection? | 0:13:49 | 0:13:52 | |
I had hoped this would be a chance to chat, | 0:13:52 | 0:13:55 | |
have a nice time. | 0:13:55 | 0:13:56 | |
What do I need to do? | 0:13:56 | 0:13:58 | |
What will make this a pleasant time, | 0:13:58 | 0:14:00 | |
where we can talk like a mother and her son? | 0:14:00 | 0:14:03 | |
There is something you could do, actually. | 0:14:03 | 0:14:05 | |
ENGINE REVS | 0:14:08 | 0:14:09 | |
You little cracker. | 0:14:09 | 0:14:11 | |
Like a choir of throaty young beauties. | 0:14:11 | 0:14:13 | |
ENGINE REVS | 0:14:13 | 0:14:14 | |
No time like the present, Ken. Time to drive it. | 0:14:14 | 0:14:16 | |
-ENGINE REVS -Drive on. | 0:14:16 | 0:14:17 | |
Yes, I'm going to. Thank you, Mother. | 0:14:17 | 0:14:19 | |
ENGINE REVS | 0:14:19 | 0:14:21 | |
And... | 0:14:22 | 0:14:23 | |
second gear. | 0:14:23 | 0:14:25 | |
And indicator, Kenneth. | 0:14:25 | 0:14:27 | |
Where's your indicator? | 0:14:27 | 0:14:29 | |
And... | 0:14:29 | 0:14:30 | |
third gear. | 0:14:30 | 0:14:31 | |
Mother, I am a driver of 30 years' standing. | 0:14:31 | 0:14:33 | |
Don't throw one of your ridiculous tantrums again - | 0:14:33 | 0:14:36 | |
and use your mirrors. Your father always said, | 0:14:36 | 0:14:39 | |
"Kenneth is a stranger to mirrors. | 0:14:39 | 0:14:40 | |
"It's a wonder he knows what he looks like". | 0:14:40 | 0:14:43 | |
Eyes on the road. | 0:14:43 | 0:14:45 | |
Can you please stop back-seat driving? | 0:14:45 | 0:14:47 | |
Keep calm. You cannot afford to lose your temper like this. | 0:14:47 | 0:14:51 | |
So predictable. When I saw your horoscope this morning, | 0:14:51 | 0:14:53 | |
I knew you'd be stubborn, stubborn... | 0:14:53 | 0:14:55 | |
I'm not going to let this rile me up. | 0:14:55 | 0:14:57 | |
ENGINE REVS I am not going to let you get to me. | 0:14:57 | 0:14:59 | |
SHE TALKS I'm going to rise above it. | 0:14:59 | 0:15:01 | |
CAR ACCELERATES I am going to rise above it. | 0:15:01 | 0:15:03 | |
I am going to rise above it! | 0:15:03 | 0:15:05 | |
SAD PIANO MUSIC | 0:15:05 | 0:15:06 | |
DOORBELL RINGS | 0:15:16 | 0:15:17 | |
What the fuck? Back off! | 0:15:20 | 0:15:22 | |
Welcome to the multi-faith blessing ceremony | 0:15:22 | 0:15:24 | |
for Uncle Sid Thompson. | 0:15:24 | 0:15:25 | |
Please come in. Take a flower lei. | 0:15:25 | 0:15:27 | |
CROWD MURMURS | 0:15:29 | 0:15:30 | |
MUSIC PLAYS | 0:15:30 | 0:15:32 | |
What's going on? | 0:15:32 | 0:15:33 | |
Well, every religion in the world | 0:15:33 | 0:15:35 | |
has its own way of welcoming a newborn child. | 0:15:35 | 0:15:37 | |
I am taking the most beautiful blessings from each, | 0:15:37 | 0:15:40 | |
giving them to Sid, so that every god loves him. | 0:15:40 | 0:15:43 | |
Sounds a bit foreign. | 0:15:43 | 0:15:45 | |
Zoe! Oh, I'm so glad you could make it. | 0:15:45 | 0:15:47 | |
All right, Dylan? How's non-university life? | 0:15:47 | 0:15:50 | |
Oh, it's great. Yeah, it's great, | 0:15:50 | 0:15:52 | |
being a real man in the real world. | 0:15:52 | 0:15:53 | |
Did you get my text? | 0:15:53 | 0:15:55 | |
I brought my fit new boyfriend along. | 0:15:55 | 0:15:58 | |
I hope that's not too upsetting for you. | 0:15:58 | 0:16:00 | |
Max, right? | 0:16:00 | 0:16:01 | |
Put it there, fella. | 0:16:01 | 0:16:02 | |
You are very welcome, my friend. | 0:16:02 | 0:16:05 | |
DYLAN SIGHS | 0:16:05 | 0:16:06 | |
Right, so...who do you guys know? | 0:16:06 | 0:16:08 | |
Erm... | 0:16:08 | 0:16:10 | |
Ah! Laura's over there. | 0:16:10 | 0:16:11 | |
She is looking hot. You know Laura? | 0:16:11 | 0:16:13 | |
I think you used to be best friends with her, didn't you? | 0:16:13 | 0:16:16 | |
Yeah. And then you snogged her brother | 0:16:16 | 0:16:18 | |
and she chucked you off the swimming team. Yeah. | 0:16:18 | 0:16:21 | |
Oh, you so don't want to do this. | 0:16:24 | 0:16:25 | |
Do what, Zoe? | 0:16:25 | 0:16:26 | |
Something awkward for you? | 0:16:28 | 0:16:29 | |
I'll see you around. | 0:16:32 | 0:16:33 | |
Yep. | 0:16:34 | 0:16:36 | |
Yep. See you around. | 0:16:36 | 0:16:37 | |
Three packs of sausage rolls I bought. | 0:16:42 | 0:16:44 | |
You ate them before the guests even arrived. | 0:16:44 | 0:16:46 | |
Lorna, I've had a near-death experience. | 0:16:46 | 0:16:48 | |
My mother tried to kill me. | 0:16:48 | 0:16:50 | |
To be fair, you were driving. | 0:16:50 | 0:16:52 | |
She knew what she was doing. | 0:16:52 | 0:16:54 | |
Ken! You should make up with her. | 0:16:54 | 0:16:56 | |
You'd miss her if she was gone. | 0:16:56 | 0:16:58 | |
Yeah...like I'd miss a flushed turd. | 0:16:58 | 0:17:00 | |
-Oh, Ken! -Hey, Ken. -Oh, God. | 0:17:00 | 0:17:03 | |
I noticed you ran out of sausage rolls. | 0:17:03 | 0:17:05 | |
Not to worry. When I come to a party, | 0:17:05 | 0:17:07 | |
I bring my own supply... | 0:17:07 | 0:17:08 | |
of bhajis. | 0:17:08 | 0:17:09 | |
I have to say, Ken, I am impressed at the talent. | 0:17:11 | 0:17:14 | |
Who is that? | 0:17:14 | 0:17:15 | |
That is my mother. | 0:17:18 | 0:17:19 | |
Oh! | 0:17:19 | 0:17:20 | |
The family resemblance is uncanny. | 0:17:20 | 0:17:22 | |
And, may I say... | 0:17:22 | 0:17:24 | |
..hubba, hubba. | 0:17:25 | 0:17:26 | |
No, you may not. | 0:17:26 | 0:17:28 | |
Hubba, hubba. | 0:17:28 | 0:17:30 | |
Stop this. HE MUMBLES NONSENSICALLY | 0:17:30 | 0:17:32 | |
HE MUMBLES NONSENSICALLY | 0:17:35 | 0:17:37 | |
HE MUMBLES NONSENSICALLY | 0:17:52 | 0:17:54 | |
Can't say much for the wine. | 0:17:56 | 0:17:58 | |
My palate craves a more... | 0:17:58 | 0:18:00 | |
mature vintage. | 0:18:00 | 0:18:01 | |
Bhaji, Mrs Thompson? | 0:18:03 | 0:18:05 | |
Are you a friend of Ken's? | 0:18:05 | 0:18:07 | |
-I'm Ken's best friend. -Oh! | 0:18:07 | 0:18:09 | |
Steve Chance. | 0:18:09 | 0:18:10 | |
GP, but former GP. | 0:18:14 | 0:18:15 | |
Soon to be a dotcom billionaire. | 0:18:15 | 0:18:17 | |
Can I ask you a very forward question? | 0:18:17 | 0:18:20 | |
Depends what it is. | 0:18:20 | 0:18:22 | |
Was Ken a muscular child? | 0:18:22 | 0:18:24 | |
Belinda, can I just have a quick word? | 0:18:24 | 0:18:26 | |
-I was... -Sorry, Steve. | 0:18:26 | 0:18:27 | |
You really need to tell your news to Ken, Belinda. | 0:18:31 | 0:18:34 | |
It's not fair to keep him in the dark. | 0:18:34 | 0:18:36 | |
He's obviously furious with me. | 0:18:36 | 0:18:37 | |
I think that's why he sent over that strange Steve man. | 0:18:37 | 0:18:41 | |
Maybe I won't say anything. | 0:18:41 | 0:18:43 | |
No, maybe I'll just slip away quietly. | 0:18:43 | 0:18:46 | |
Oh, you can't do that! | 0:18:46 | 0:18:48 | |
Well, I don't think I'll miss much. | 0:18:48 | 0:18:50 | |
A slow winding down, some drawn-out goodbyes. | 0:18:50 | 0:18:52 | |
SHE SIGHS | 0:18:57 | 0:18:58 | |
-Hey, Dylan. -Hey, Zo. You cool? | 0:19:03 | 0:19:05 | |
You're really going to do this? | 0:19:05 | 0:19:07 | |
Pull Laura just to get me? | 0:19:07 | 0:19:08 | |
Zoe! What a thing to say! | 0:19:08 | 0:19:11 | |
You bet I am. And I'm going to enjoy it, too. | 0:19:11 | 0:19:14 | |
You don't even fancy Laura! | 0:19:14 | 0:19:15 | |
Nah, I don't even like her as a person. | 0:19:15 | 0:19:17 | |
But, here's the thing, Zo. See, you've got to understand. | 0:19:17 | 0:19:20 | |
You can't go playing mind games with the mind games master, yeah? | 0:19:20 | 0:19:24 | |
So, what are we going to call this, then? | 0:19:24 | 0:19:26 | |
A check-a-mate. | 0:19:26 | 0:19:27 | |
Er, Laura... | 0:19:29 | 0:19:30 | |
Hi. Er... | 0:19:30 | 0:19:32 | |
we were just talking about... | 0:19:32 | 0:19:34 | |
someone other than you. | 0:19:34 | 0:19:35 | |
-Dick. -Er, babe, I... | 0:19:35 | 0:19:37 | |
You are good. | 0:19:41 | 0:19:42 | |
God, you are good. | 0:19:43 | 0:19:45 | |
-SHE SIGHS -Ken? | 0:19:50 | 0:19:51 | |
Will you please make peace with your mother? | 0:19:52 | 0:19:55 | |
She is talking about leaving. | 0:19:55 | 0:19:57 | |
Good. She can sod off back to Spain and choke on a chorizo. | 0:19:57 | 0:20:00 | |
I wasn't meant to say this, but... | 0:20:02 | 0:20:03 | |
..she's dying, Ken. | 0:20:05 | 0:20:08 | |
Dying? | 0:20:08 | 0:20:09 | |
What do you mean? | 0:20:09 | 0:20:11 | |
I mean... | 0:20:11 | 0:20:13 | |
she's dying. | 0:20:13 | 0:20:14 | |
That must have been what she came to tell you. | 0:20:15 | 0:20:18 | |
But you were too pig-headed... | 0:20:18 | 0:20:20 | |
to let her in. | 0:20:20 | 0:20:21 | |
But... | 0:20:21 | 0:20:23 | |
but she looks so well! | 0:20:23 | 0:20:24 | |
She's so very brave, Ken. | 0:20:26 | 0:20:27 | |
Oh, Mum! | 0:20:29 | 0:20:31 | |
Dale? | 0:20:31 | 0:20:32 | |
Can I ask you something? | 0:20:34 | 0:20:35 | |
Sure, Chief Ken. | 0:20:35 | 0:20:36 | |
GONG CLASHES | 0:20:36 | 0:20:37 | |
Greetings, everybody. Soon we will begin the baby naming ceremony. | 0:20:37 | 0:20:41 | |
But, first, Chief Ken would like to say a few words. | 0:20:41 | 0:20:44 | |
-APPLAUSE -Yes! -Whoo! | 0:20:44 | 0:20:47 | |
Thanks. I, erm... | 0:20:49 | 0:20:51 | |
I hadn't planned to do this, so bear with me. Erm... | 0:20:51 | 0:20:55 | |
I just wanted to say that... | 0:20:55 | 0:20:57 | |
sometimes you realise that... | 0:20:57 | 0:21:00 | |
our time is short. | 0:21:00 | 0:21:02 | |
And that the most important thing... | 0:21:02 | 0:21:05 | |
is to make those that we love happy. | 0:21:05 | 0:21:07 | |
HE SNIFFS | 0:21:09 | 0:21:10 | |
This is for you. | 0:21:10 | 0:21:13 | |
HE BREATHES HEAVILY | 0:21:13 | 0:21:15 | |
# Morning has broken | 0:21:15 | 0:21:21 | |
# Like the first morning | 0:21:21 | 0:21:26 | |
# Blackbird has spoken | 0:21:26 | 0:21:31 | |
# Like the first bird... # | 0:21:31 | 0:21:34 | |
CAMERA BEEPS | 0:21:34 | 0:21:36 | |
# Praise for the singing | 0:21:36 | 0:21:40 | |
# Praise for the morning | 0:21:40 | 0:21:44 | |
# Praise for the springing | 0:21:44 | 0:21:48 | |
# Fresh from the world. # | 0:21:48 | 0:21:52 | |
APPLAUSE | 0:21:52 | 0:21:54 | |
# Mine is the | 0:21:54 | 0:21:56 | |
# Sunlight VOICE WAVERS | 0:21:56 | 0:21:59 | |
IN OPERATIC STYLE: # Mine is the morning | 0:21:59 | 0:22:04 | |
# Born of the one light | 0:22:04 | 0:22:08 | |
# Eden saw play | 0:22:08 | 0:22:14 | |
# Praise with elation | 0:22:14 | 0:22:19 | |
# Praise every morning | 0:22:19 | 0:22:24 | |
# God's recreation | 0:22:24 | 0:22:30 | |
IN HIGH PITCHED VOICE: # Of the new | 0:22:30 | 0:22:32 | |
# Day! # | 0:22:32 | 0:22:36 | |
APPLAUSE Thank you. | 0:22:38 | 0:22:40 | |
That's for you, Mum. | 0:22:42 | 0:22:43 | |
-DYLAN: -Bloody golden! | 0:22:43 | 0:22:45 | |
Mum, have you got the e-mail for dad's office? | 0:22:45 | 0:22:47 | |
Terrible, Ken. | 0:22:47 | 0:22:48 | |
I'm just a friend saying that. | 0:22:48 | 0:22:50 | |
Well, if you knew anything about music, | 0:22:50 | 0:22:51 | |
you'd know it was actually incredible, so... | 0:22:51 | 0:22:53 | |
Bellend. | 0:22:53 | 0:22:54 | |
HE SIGHS HEAVILY | 0:22:55 | 0:22:57 | |
You were wonderful! | 0:22:57 | 0:22:58 | |
Oh, you did that for me! Oh! | 0:22:58 | 0:23:00 | |
Do you feel that wind? | 0:23:02 | 0:23:03 | |
That's Alan. | 0:23:03 | 0:23:05 | |
It feels like a proud wind. | 0:23:05 | 0:23:08 | |
GONG CLASHES | 0:23:08 | 0:23:10 | |
Ladies and gentlemen... | 0:23:10 | 0:23:12 | |
-BABY CRIES -Oh! | 0:23:12 | 0:23:13 | |
-Oh! -ALL: -Aww! | 0:23:15 | 0:23:17 | |
-Hello, little Sid! -Look at you! | 0:23:17 | 0:23:19 | |
Every culture celebrates the arrival of a baby | 0:23:19 | 0:23:23 | |
-in a different way. -MYSTICAL MUSIC | 0:23:23 | 0:23:26 | |
The Chinese bless their children | 0:23:26 | 0:23:29 | |
with red thread, and, so... | 0:23:29 | 0:23:32 | |
I shall take this thread | 0:23:32 | 0:23:36 | |
and tie it in Uncle Sid's hair. | 0:23:36 | 0:23:38 | |
-ALL: -Aww! | 0:23:38 | 0:23:39 | |
I shut you out, Mum. | 0:23:39 | 0:23:41 | |
And that was wrong of me. | 0:23:41 | 0:23:42 | |
Oh, Ken. | 0:23:42 | 0:23:44 | |
-What's got into you? -In Japan... | 0:23:44 | 0:23:46 | |
-the umbilical cord... -I just want you to know that... | 0:23:46 | 0:23:49 | |
-..is packaged... -..I will miss you. | 0:23:49 | 0:23:51 | |
..inside a small, wooden box. | 0:23:51 | 0:23:53 | |
..when you're gone. | 0:23:53 | 0:23:54 | |
-Oh, back to Spain? -As we are lacking an umbilical cord... -No, I mean... | 0:23:54 | 0:23:57 | |
..we will use a piece of spaghetti. | 0:23:57 | 0:23:59 | |
..I mean when you die. | 0:23:59 | 0:24:02 | |
A bit morbid, Kenneth. | 0:24:02 | 0:24:03 | |
Come on. | 0:24:03 | 0:24:05 | |
I know. | 0:24:05 | 0:24:06 | |
-Thank you. -KEN SIGHS | 0:24:06 | 0:24:07 | |
Lorna told me about your announcement. | 0:24:07 | 0:24:10 | |
I know you're dying. | 0:24:10 | 0:24:11 | |
No, I'm not dying. | 0:24:11 | 0:24:14 | |
What?! | 0:24:14 | 0:24:15 | |
-Lorna! -Hindus perform the ceremony Jatakarma... | 0:24:15 | 0:24:18 | |
-Come here! -..to present the baby honey at birth. | 0:24:18 | 0:24:20 | |
Mum's not dying! | 0:24:22 | 0:24:24 | |
She is. | 0:24:24 | 0:24:26 | |
Aren't you? | 0:24:26 | 0:24:27 | |
I think I would know. | 0:24:27 | 0:24:29 | |
Oh, for fuck's sake. | 0:24:29 | 0:24:30 | |
Oh, bollocks! The last hour is a void! | 0:24:30 | 0:24:33 | |
I only sang that, cos I thought you were a goner. | 0:24:33 | 0:24:35 | |
-Ken, she had big news. -DALE CHANTS | 0:24:35 | 0:24:38 | |
I heard her talking to her consultant. | 0:24:38 | 0:24:40 | |
My horoscope consultant. | 0:24:40 | 0:24:42 | |
Oh, my God. | 0:24:42 | 0:24:43 | |
Oh, yes. That does make sense. | 0:24:43 | 0:24:45 | |
DALE SHOUTS IN ANOTHER LANGUAGE | 0:24:45 | 0:24:46 | |
Well, I'm sorry to disappoint you all | 0:24:46 | 0:24:48 | |
by not being terminally ill. | 0:24:48 | 0:24:49 | |
Now for a quick costume change. | 0:24:49 | 0:24:51 | |
Oh, come on, Belinda. | 0:24:51 | 0:24:52 | |
No-one wants you to be TERMINALLY ill. | 0:24:52 | 0:24:54 | |
-You can speak for yourself. -Anyway, I do have big news. | 0:24:54 | 0:24:57 | |
Ssh! Guys! | 0:24:57 | 0:24:59 | |
Dale's worked really hard at this! | 0:24:59 | 0:25:01 | |
Come on. Spit it out. | 0:25:01 | 0:25:03 | |
-Well... -Come on, Belinda. | 0:25:03 | 0:25:05 | |
-In accordance with Jewish... -Whatever it is, just tell us! | 0:25:05 | 0:25:08 | |
..I shall perform the bris. | 0:25:08 | 0:25:09 | |
The thing I came to tell you was... | 0:25:09 | 0:25:11 | |
-Hey, Dad. You might want to see this. -Not now, Dylan. | 0:25:11 | 0:25:14 | |
..Alan was not your real father. | 0:25:14 | 0:25:15 | |
KEN GASPS | 0:25:15 | 0:25:17 | |
MUSIC BUILDS | 0:25:17 | 0:25:18 | |
No, no, Dad, seriously. | 0:25:18 | 0:25:19 | |
I was already pregnant when I met Alan. | 0:25:19 | 0:25:21 | |
What?! MUSIC BUILDS | 0:25:21 | 0:25:23 | |
AUDIENCE GASPS | 0:25:23 | 0:25:24 | |
-ALL: -Oh! | 0:25:24 | 0:25:26 | |
BABY CRIES What just happened? | 0:25:26 | 0:25:27 | |
Dale just circumcised Sid. | 0:25:27 | 0:25:30 | |
-What?! -Mazeltov! | 0:25:30 | 0:25:32 | |
BABY CRIES | 0:25:32 | 0:25:33 | |
Bloody hell! | 0:25:40 | 0:25:42 | |
Do you think Uncle Sid will forgive me? | 0:25:43 | 0:25:45 | |
BABY GURGLES | 0:25:45 | 0:25:46 | |
Of course he will! | 0:25:46 | 0:25:47 | |
I mean... | 0:25:49 | 0:25:50 | |
some ladies prefer it, Dale. | 0:25:50 | 0:25:52 | |
-Don't they, Rach? -Mm-hm. | 0:25:52 | 0:25:54 | |
-And the important thing is... -LETTERBOX CLICKS | 0:25:54 | 0:25:56 | |
..did you enjoy your ceremony, Dale? | 0:25:56 | 0:25:58 | |
Did it... | 0:25:58 | 0:25:59 | |
take your mind off things? | 0:25:59 | 0:26:01 | |
It really did. | 0:26:01 | 0:26:03 | |
I just... I've been so in my head | 0:26:03 | 0:26:05 | |
about Ling and China. | 0:26:05 | 0:26:07 | |
It's nice to remember who my real family are. | 0:26:07 | 0:26:11 | |
-LORNA SIGHS -Oh! | 0:26:11 | 0:26:12 | |
Nothing. | 0:26:19 | 0:26:20 | |
-Just going for a jog. -Oh. | 0:26:20 | 0:26:23 | |
-You OK? -Yeah! Totally fine! | 0:26:23 | 0:26:26 | |
-OK. -OK. | 0:26:26 | 0:26:27 | |
Oh, yeah. | 0:26:27 | 0:26:29 | |
MUSIC: Fool of Me by Say Lou Lou | 0:26:29 | 0:26:30 | |
# I got plenty left | 0:26:30 | 0:26:33 | |
# Stored up in my chest | 0:26:33 | 0:26:35 | |
# I'll top you up | 0:26:35 | 0:26:37 | |
# With the taste that I've now forgot | 0:26:38 | 0:26:42 | |
# You made a fool of me | 0:26:42 | 0:26:46 | |
# Lover | 0:26:46 | 0:26:48 | |
# You made a fool of me | 0:26:50 | 0:26:55 | |
# How funny | 0:26:55 | 0:26:57 | |
# I've been told | 0:27:01 | 0:27:03 | |
# I am cold | 0:27:03 | 0:27:05 | |
# And known to sting | 0:27:05 | 0:27:07 | |
# Forgive me, I have sinned. # | 0:27:07 | 0:27:09 |