Browse content similar to The Burglary. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# Have I the right to hold you? | 0:00:02 | 0:00:04 | |
# You know I've always told you | 0:00:04 | 0:00:07 | |
# I've loved you from the very start | 0:00:07 | 0:00:13 | |
# Come right back | 0:00:13 | 0:00:15 | |
# I just can't bear it | 0:00:15 | 0:00:17 | |
# I've got this love and I long to share it | 0:00:17 | 0:00:20 | |
# Come right back | 0:00:20 | 0:00:22 | |
# Right back where you belong | 0:00:22 | 0:00:25 | |
# Oh, yeah | 0:00:25 | 0:00:27 | |
# You belong. # | 0:00:27 | 0:00:29 | |
Wendy, please sit down. You're making me nervous. | 0:00:32 | 0:00:34 | |
-I'm sorry. I know I'm a nuisance. -You're not a nuisance. | 0:00:34 | 0:00:37 | |
-A liability. -You're not. | 0:00:37 | 0:00:39 | |
-A bore. -Well, if you go on thinking you are... | 0:00:39 | 0:00:41 | |
You see? | 0:00:41 | 0:00:43 | |
Wendy, sit down, please. That's all I'm asking. | 0:00:43 | 0:00:46 | |
Never used to be boring. | 0:00:47 | 0:00:49 | |
I used to be outgoing and fun. | 0:00:49 | 0:00:51 | |
Friends. Whatever happened to them? They used to remark on it. | 0:00:51 | 0:00:55 | |
"You're so much fun, Wendy. You're so life-enhancing." | 0:00:55 | 0:00:58 | |
Are you eating properly? You look as if you've lost some weight. | 0:00:58 | 0:01:01 | |
I'm getting fat. It's all the worry. | 0:01:01 | 0:01:04 | |
I constantly have to eat comforting, high-calorie junk food. | 0:01:04 | 0:01:08 | |
"You're so vivacious, Wendy," they used to say. | 0:01:09 | 0:01:12 | |
Well, you are vivacious. | 0:01:12 | 0:01:13 | |
Yes, but in the wrong way. | 0:01:13 | 0:01:15 | |
Oh, and I dreamt I killed Roger. | 0:01:15 | 0:01:17 | |
-Oh, dear. -Last night. And I didn't just kill him. | 0:01:18 | 0:01:21 | |
I did unspeakable things to him first. | 0:01:21 | 0:01:23 | |
Oh, my goodness. | 0:01:23 | 0:01:25 | |
Yeah, with chainsaws and corkscrews and baths of acid and... | 0:01:25 | 0:01:29 | |
Eee-eee-eee-eee! | 0:01:29 | 0:01:31 | |
You know, like in that film by... by Hancock. | 0:01:31 | 0:01:34 | |
Hitchcock. That must have been extremely unpleasant for you. | 0:01:34 | 0:01:38 | |
-Not really. -No? | 0:01:38 | 0:01:39 | |
-Not at all. -Ah. | 0:01:39 | 0:01:40 | |
You see, that's what worries me. | 0:01:40 | 0:01:42 | |
Inch by inch, he's turning me into a pathologically violent killer. | 0:01:42 | 0:01:45 | |
It was only a dream. | 0:01:45 | 0:01:47 | |
A very vivid dream. | 0:01:47 | 0:01:49 | |
I don't want to be a murderer. | 0:01:49 | 0:01:51 | |
-Well, no. -A fat murderer. | 0:01:51 | 0:01:53 | |
And I certainly don't want to be punished for doing away with Roger, | 0:01:53 | 0:01:56 | |
-however lenient the sentence. -Wendy... -Yes? | 0:01:56 | 0:01:59 | |
What did you come to see me about? | 0:01:59 | 0:02:00 | |
Roger's in arrears with the mortgage! I just... | 0:02:00 | 0:02:04 | |
EDITH SIGHS | 0:02:04 | 0:02:05 | |
Should that thing be off the leash? | 0:02:28 | 0:02:31 | |
-What? -I don't want to get snapped at. | 0:02:31 | 0:02:33 | |
You won't be. | 0:02:33 | 0:02:35 | |
You seem very confident. | 0:02:35 | 0:02:37 | |
I am. | 0:02:37 | 0:02:38 | |
He's dead. | 0:02:39 | 0:02:41 | |
-Dead? Are you sure? -Well, of course I'm bloody sure! | 0:02:41 | 0:02:43 | |
Sorry. Sorry. | 0:02:43 | 0:02:44 | |
I wouldn't be wrong about that, would I? | 0:02:44 | 0:02:47 | |
No, I'm sorry. Sorry. | 0:02:47 | 0:02:49 | |
He died on Saturday. | 0:02:50 | 0:02:51 | |
Heart attack. | 0:02:53 | 0:02:54 | |
Very sorry. | 0:02:55 | 0:02:56 | |
It's all right. You don't have to say anything. | 0:02:56 | 0:02:58 | |
-I know you don't mean it. -No, I do, I do really. -Really? | 0:02:58 | 0:03:01 | |
Really, yes, uh... | 0:03:01 | 0:03:04 | |
Every dog's death diminishes me. | 0:03:04 | 0:03:08 | |
Excuse me? | 0:03:09 | 0:03:11 | |
Well, my wife, Celia, she died eight years ago, you know, | 0:03:11 | 0:03:15 | |
so I know what it's like. It's not easy. | 0:03:15 | 0:03:17 | |
This is one of your bad-taste jokes. | 0:03:17 | 0:03:19 | |
No, no, certainly not. | 0:03:19 | 0:03:21 | |
Are you seriously suggesting there's | 0:03:21 | 0:03:23 | |
an equivalence between your late wife and Wellington? | 0:03:23 | 0:03:25 | |
-Wellington? -My dog. | 0:03:25 | 0:03:27 | |
You're suggesting that Wellington and your wife were on a par? | 0:03:27 | 0:03:30 | |
Well, obviously I wouldn't have married Wellington. | 0:03:30 | 0:03:32 | |
See? Bad-taste jokes again. | 0:03:32 | 0:03:35 | |
You just can't resist them, can you? | 0:03:35 | 0:03:37 | |
No, no, no, no, no, look, I'm trying to make a serious point. | 0:03:37 | 0:03:40 | |
I mean, death is indivisible. | 0:03:40 | 0:03:42 | |
Whether it's a beloved animal or a spouse, it's... | 0:03:44 | 0:03:50 | |
not dissimilar in effect. | 0:03:50 | 0:03:53 | |
Well, yes, I see. | 0:03:54 | 0:03:55 | |
Love can't tell the difference. | 0:03:57 | 0:03:59 | |
That's my belief. | 0:03:59 | 0:04:00 | |
I miss him...in more ways than I ever expected. | 0:04:02 | 0:04:06 | |
At every turn. | 0:04:08 | 0:04:09 | |
Of course you do. I miss Celia. | 0:04:09 | 0:04:11 | |
That's the way it goes. | 0:04:12 | 0:04:15 | |
He always let me know when someone was at the door. | 0:04:15 | 0:04:17 | |
Oh, that was useful. Celia was rather shy in that department. | 0:04:17 | 0:04:20 | |
She always let me answer the door. | 0:04:20 | 0:04:22 | |
He snored. | 0:04:23 | 0:04:24 | |
Gently. Very calming. | 0:04:26 | 0:04:27 | |
Yes, well, he had the edge on Celia there. | 0:04:29 | 0:04:32 | |
Unless he heard something outside, then he really let rip. | 0:04:32 | 0:04:35 | |
Lots of burglaries around here at the moment. | 0:04:41 | 0:04:43 | |
Do you have a burglar alarm? | 0:04:43 | 0:04:44 | |
No. | 0:04:44 | 0:04:45 | |
Oh, I hear strange noises in the night all the time. | 0:04:47 | 0:04:50 | |
You're still, erm, carrying his leash. | 0:04:52 | 0:04:54 | |
Are you going to get another one? | 0:04:56 | 0:04:58 | |
I think I may be too old for another Wellington. | 0:04:58 | 0:05:00 | |
Well, I'd recommend a cat. | 0:05:00 | 0:05:03 | |
Not expensive to run, | 0:05:04 | 0:05:06 | |
and keeps me in touch with the infinite on a budget. | 0:05:06 | 0:05:10 | |
I'm a dog man. Always have been. | 0:05:12 | 0:05:15 | |
But, um... | 0:05:15 | 0:05:16 | |
..thanks. | 0:05:17 | 0:05:19 | |
Yes. | 0:05:20 | 0:05:21 | |
Thank you. | 0:05:23 | 0:05:24 | |
Poor sod. | 0:05:31 | 0:05:32 | |
It's a vendetta, isn't it? | 0:05:34 | 0:05:36 | |
He'd like to see us destitute, | 0:05:36 | 0:05:37 | |
out on the streets without a roof over our heads. | 0:05:37 | 0:05:39 | |
Preferably starving. He'd enjoy that. | 0:05:39 | 0:05:41 | |
Perhaps he forgot. | 0:05:41 | 0:05:43 | |
Edith, forgive me for saying so, | 0:05:43 | 0:05:45 | |
but you've got to stop giving Roger the benefit of the doubt. | 0:05:45 | 0:05:48 | |
You've always loved him unconditionally | 0:05:48 | 0:05:50 | |
and see where it's led. | 0:05:50 | 0:05:52 | |
Wendy, you've got a very strange way of asking for sympathy. | 0:05:52 | 0:05:55 | |
I'm not asking for sympathy, I'm asking for justice. | 0:05:55 | 0:05:58 | |
I think you mean revenge. | 0:05:58 | 0:06:01 | |
I'm not a vindictive person. Far from it. | 0:06:01 | 0:06:04 | |
But I do think that Roger and people like him should be | 0:06:04 | 0:06:06 | |
in prison for the good of society as a whole. | 0:06:06 | 0:06:09 | |
Right. | 0:06:09 | 0:06:10 | |
Oh, sorry. Didn't mean to interrupt. | 0:06:11 | 0:06:13 | |
-I'll pop back later. -Phil, Phil... | 0:06:13 | 0:06:15 | |
-I forgot something. You know, you need a burglar alarm. -What? | 0:06:15 | 0:06:19 | |
Anyway, this looks like the sort of conversation that's best | 0:06:19 | 0:06:21 | |
conducted in the absence of chaps. | 0:06:21 | 0:06:23 | |
Phil, get in. Get in. | 0:06:23 | 0:06:25 | |
Dugdale's dog died. | 0:06:28 | 0:06:30 | |
Roger's fallen behind on the mortgage. | 0:06:30 | 0:06:32 | |
Is that our problem? | 0:06:33 | 0:06:34 | |
Well, it's almost certainly mine. | 0:06:34 | 0:06:37 | |
OK, well, where is he? I'll kill him. | 0:06:37 | 0:06:40 | |
How will you do that? | 0:06:40 | 0:06:41 | |
In quite a different way to me, I expect. More...more methodical. | 0:06:41 | 0:06:45 | |
-Oh... -How far behind on the mortgage do you have to get | 0:06:45 | 0:06:48 | |
before they confiscate the property? | 0:06:48 | 0:06:50 | |
Well, it depends on your prospects and the lender. | 0:06:50 | 0:06:54 | |
I mean, did you borrow the money from a reputable building society | 0:06:54 | 0:06:58 | |
or the local branch of the Stoke Poges mafia? | 0:06:58 | 0:07:02 | |
-I don't know. -Well, I mean, when they came to the door | 0:07:02 | 0:07:05 | |
were there any signs of coercion? You know, baseball bats, | 0:07:05 | 0:07:07 | |
hear a lot of shouting, cleavers, that sort of thing? | 0:07:07 | 0:07:11 | |
-Phil? -Hm? | 0:07:11 | 0:07:12 | |
Incidentally, that white Audi out there, is that yours? | 0:07:14 | 0:07:20 | |
-Yes. -Well, it's a very nice car for a bankrupt. | 0:07:20 | 0:07:23 | |
Roger got it cheap. | 0:07:23 | 0:07:24 | |
Did he? | 0:07:25 | 0:07:26 | |
Well, he wouldn't have bothered, but Edith was so upset | 0:07:26 | 0:07:29 | |
when he sold my old car. He only bought this to please you. | 0:07:29 | 0:07:32 | |
Dugdale's dog died. | 0:07:35 | 0:07:37 | |
I-I-I mentioned it earlier, but I don't think you took it in. | 0:07:37 | 0:07:42 | |
Dugdale's dog died? Oh, I'm sorry. Poor man. | 0:07:42 | 0:07:44 | |
I know, I was trying to console him. | 0:07:44 | 0:07:46 | |
Hello?! What about me? What am I going to do? | 0:07:46 | 0:07:49 | |
Divorce Roger, take possession of the house, | 0:07:49 | 0:07:51 | |
mortgage it again or sell it, | 0:07:51 | 0:07:54 | |
find yourself a better job, | 0:07:54 | 0:07:56 | |
flog the Audi and get a scooter. | 0:07:56 | 0:07:59 | |
A scooter?! | 0:07:59 | 0:08:01 | |
How am I supposed to take the twins to school on a scooter?! | 0:08:01 | 0:08:04 | |
Practice! | 0:08:04 | 0:08:06 | |
SHE SOBS | 0:08:09 | 0:08:11 | |
SHE CRIES | 0:08:13 | 0:08:15 | |
DOOR CLOSES | 0:08:16 | 0:08:17 | |
I'm sorry, it's just that Wendy doesn't always bring out the... | 0:08:17 | 0:08:21 | |
very best in me. | 0:08:21 | 0:08:23 | |
POTS CLATTER | 0:08:51 | 0:08:53 | |
Roger, what are you doing? | 0:08:54 | 0:08:56 | |
Security. | 0:08:56 | 0:08:58 | |
There's been a few burglaries in the neighbourhood | 0:08:58 | 0:09:01 | |
and the kitchen is the weakest spot in this house. | 0:09:01 | 0:09:04 | |
Well, Phil's going to fit an alarm. | 0:09:04 | 0:09:06 | |
Yeah, but when? | 0:09:06 | 0:09:08 | |
Tomorrow, I expect. | 0:09:08 | 0:09:10 | |
It might be too late by then. | 0:09:10 | 0:09:12 | |
We might be all murdered in our beds. | 0:09:12 | 0:09:14 | |
If someone broke in to steal something, | 0:09:14 | 0:09:16 | |
they wouldn't want to murder us, would they? | 0:09:16 | 0:09:18 | |
Not you. | 0:09:18 | 0:09:20 | |
-Not me? -Me. | 0:09:20 | 0:09:21 | |
-What are you talking about? -I've got enemies. | 0:09:21 | 0:09:23 | |
Could you just hold this end for me? | 0:09:26 | 0:09:28 | |
Roger, now you're frightening me. "Enemies"? | 0:09:28 | 0:09:32 | |
Wendy. | 0:09:32 | 0:09:33 | |
Oh, good gracious. Wendy wouldn't hurt a fly. | 0:09:33 | 0:09:37 | |
Yeah? You haven't seen her diary. | 0:09:37 | 0:09:39 | |
You know, she left it on the kitchen table, open, on purpose, | 0:09:39 | 0:09:42 | |
-so that I'd read it. -This isn't going to work. It's crazy. | 0:09:42 | 0:09:45 | |
You won't believe the fate she has in store for me. | 0:09:47 | 0:09:50 | |
Dozens of pages of it, all in little tiny, poisonous, spidery writing. | 0:09:50 | 0:09:56 | |
She's just venting her anger. | 0:09:56 | 0:09:59 | |
She was furious with me. Even from the very beginning, | 0:09:59 | 0:10:02 | |
-before we were married. -You're making all this up. | 0:10:02 | 0:10:05 | |
See, the thing is, I didn't really want to go out with her | 0:10:05 | 0:10:08 | |
-and she knew it. -So why did you? | 0:10:08 | 0:10:11 | |
Well, I was desperately in love with Rose. | 0:10:11 | 0:10:13 | |
Rose? Her sister? | 0:10:13 | 0:10:16 | |
I was crazy about Rose. | 0:10:16 | 0:10:18 | |
I only pretended to fancy Wendy so I could be close to Rose. | 0:10:18 | 0:10:22 | |
So why didn't you go out with Rose? | 0:10:22 | 0:10:24 | |
Oh, she was going out with Martin Norton and I hoped that | 0:10:24 | 0:10:27 | |
that would break down and I'd be strategically placed. | 0:10:27 | 0:10:31 | |
I hoped that true love would win out in the end. | 0:10:31 | 0:10:35 | |
So you were stuck with Wendy. | 0:10:35 | 0:10:36 | |
Yeah, tragically. | 0:10:36 | 0:10:38 | |
And even... | 0:10:38 | 0:10:39 | |
And even more tragically, Wendy got stuck with you. | 0:10:41 | 0:10:44 | |
Roger, I don't want to hear any more of this. | 0:10:44 | 0:10:47 | |
Any of it. Ever. | 0:10:47 | 0:10:48 | |
And put all this lot back where you found it. Now! | 0:10:50 | 0:10:54 | |
DISTANT SMASHING | 0:11:15 | 0:11:16 | |
MUFFLED LOUD MUSIC | 0:11:43 | 0:11:45 | |
SHE SIGHS | 0:11:45 | 0:11:46 | |
Bloody Roger. | 0:11:49 | 0:11:50 | |
RADIO JINGLE | 0:11:57 | 0:12:01 | |
MUSIC: (I Can't Get No) Satisfaction by The Rolling Stones | 0:12:04 | 0:12:06 | |
Oh, yes! | 0:12:06 | 0:12:08 | |
-Come on! -VOLUME INCREASES | 0:12:09 | 0:12:12 | |
MUSIC THUMPS | 0:12:12 | 0:12:14 | |
-HE PLAYS ALONG -# I can't get no | 0:12:19 | 0:12:22 | |
# Satisfaction... # | 0:12:22 | 0:12:25 | |
What on Earth? | 0:12:25 | 0:12:28 | |
# I can't get no | 0:12:28 | 0:12:29 | |
# Satisfaction | 0:12:29 | 0:12:32 | |
# Cos I try | 0:12:32 | 0:12:34 | |
# And I try | 0:12:34 | 0:12:35 | |
# And I try | 0:12:35 | 0:12:37 | |
# And I try! | 0:12:37 | 0:12:38 | |
# I can't get no | 0:12:38 | 0:12:40 | |
# I can't get no | 0:12:42 | 0:12:44 | |
# When I'm drivin' in my car | 0:12:45 | 0:12:49 | |
# And a man comes on the radio | 0:12:49 | 0:12:53 | |
# He's telling me more and more | 0:12:53 | 0:12:56 | |
# About some useless information | 0:12:56 | 0:12:59 | |
# Supposed to fire my imagination | 0:12:59 | 0:13:03 | |
# I can't get no | 0:13:03 | 0:13:04 | |
# Oh, no, no, no | 0:13:07 | 0:13:08 | |
# Hey, hey, hey | 0:13:10 | 0:13:12 | |
# That's what I say | 0:13:13 | 0:13:15 | |
# I can't get no... # | 0:13:18 | 0:13:20 | |
Hi! | 0:13:20 | 0:13:22 | |
# Satisfaction | 0:13:22 | 0:13:25 | |
# I can't get no | 0:13:25 | 0:13:29 | |
# Satisfaction... # | 0:13:29 | 0:13:31 | |
MUSIC STOPS | 0:13:31 | 0:13:32 | |
Sorry, did I wake you? | 0:13:32 | 0:13:34 | |
Who the hell are you? | 0:13:34 | 0:13:36 | |
Er, Steve. | 0:13:36 | 0:13:38 | |
Would you like a cuppa? | 0:13:38 | 0:13:39 | |
Are you a friend of Roger's? | 0:13:39 | 0:13:41 | |
Roger's? Vincent Rogers? | 0:13:41 | 0:13:43 | |
What are you doing here? | 0:13:43 | 0:13:44 | |
Oh, I'm your, I'm your local friendly burglar. | 0:13:44 | 0:13:47 | |
"Friendly"? | 0:13:47 | 0:13:48 | |
I'm completely 'armless. | 0:13:48 | 0:13:50 | |
Well, I'm not completely 'armless cos I do have one arm. | 0:13:50 | 0:13:54 | |
-Oh? -Yeah - armless, harmless. | 0:13:54 | 0:13:57 | |
I've got to get that joke in before anybody else does. | 0:13:57 | 0:13:59 | |
I know, it's pathetic, I know. | 0:13:59 | 0:14:01 | |
My son... Both my sons are upstairs. | 0:14:01 | 0:14:05 | |
They'll be down in a moment. They're calling the police. | 0:14:05 | 0:14:07 | |
-Excellent. -Excellent? | 0:14:07 | 0:14:10 | |
Yeah, don't worry about it. | 0:14:10 | 0:14:11 | |
I don't understand. | 0:14:11 | 0:14:12 | |
I wouldn't expect you to. People like you. | 0:14:12 | 0:14:15 | |
-People like me? -Well, comfortable people. Nice houses. | 0:14:15 | 0:14:19 | |
That's a bit steep, isn't it? | 0:14:19 | 0:14:21 | |
You break into my house and then you blame me for having one. | 0:14:21 | 0:14:24 | |
HE LAUGHS | 0:14:24 | 0:14:25 | |
I like that! | 0:14:25 | 0:14:26 | |
You'll go to prison. | 0:14:26 | 0:14:28 | |
Yeah, they're a bit slow around here. | 0:14:28 | 0:14:31 | |
Who is? | 0:14:31 | 0:14:32 | |
The police. The dawdle squad. That's what we call them. | 0:14:32 | 0:14:35 | |
Who's "we"? | 0:14:35 | 0:14:37 | |
Me, and my fellow losers. | 0:14:37 | 0:14:39 | |
Losers? | 0:14:39 | 0:14:41 | |
Yeah, that's what I am. A loser. | 0:14:41 | 0:14:44 | |
How nasty. | 0:14:44 | 0:14:45 | |
Well, nobody likes a loser. | 0:14:45 | 0:14:49 | |
I didn't mean that. | 0:14:49 | 0:14:50 | |
I meant the expression. | 0:14:50 | 0:14:52 | |
Loser, you know, winners and losers. | 0:14:52 | 0:14:54 | |
That's not what life should be like. | 0:14:54 | 0:14:56 | |
No, it's not, but it is. | 0:14:57 | 0:15:00 | |
I don't agree with that. | 0:15:00 | 0:15:02 | |
There's more to you than meets the eye. | 0:15:02 | 0:15:05 | |
Was that meant to be a compliment? | 0:15:05 | 0:15:08 | |
Hey... Do I know you? | 0:15:08 | 0:15:10 | |
Do you live around here? | 0:15:12 | 0:15:14 | |
I used to, about 100 years ago. | 0:15:14 | 0:15:16 | |
What... You do look familiar, somehow. | 0:15:17 | 0:15:20 | |
Do you remember the great deposit box robbery in Knightsbridge? | 0:15:24 | 0:15:29 | |
Hmm? | 0:15:29 | 0:15:31 | |
£34 million never recovered. | 0:15:31 | 0:15:35 | |
No. Were you involved in that? | 0:15:35 | 0:15:38 | |
No. | 0:15:38 | 0:15:39 | |
Oh! Wait a minute! | 0:15:39 | 0:15:42 | |
Wait a minute! | 0:15:43 | 0:15:44 | |
Eddie Somerton, Mada Avenue, July 1962. | 0:15:47 | 0:15:52 | |
Oh, my God! Oh, my God! | 0:15:53 | 0:15:57 | |
Bob! Bob Angel-Face Whitley! | 0:15:57 | 0:15:59 | |
Yeah, I wish you wouldn't say that. | 0:15:59 | 0:16:01 | |
The handsomest boy in town! | 0:16:01 | 0:16:03 | |
Yeah, don't remind me! | 0:16:03 | 0:16:05 | |
I'd forgotten all about you! | 0:16:05 | 0:16:07 | |
Had you? Had you really? | 0:16:07 | 0:16:10 | |
Well, not completely. | 0:16:10 | 0:16:12 | |
I had wondered from time to time what you were up to, | 0:16:12 | 0:16:15 | |
but, to be honest, | 0:16:15 | 0:16:16 | |
I've never thought of you with any great fondness. | 0:16:16 | 0:16:19 | |
I'm not surprised. I was a... | 0:16:21 | 0:16:23 | |
callous, self-centred bastard. | 0:16:23 | 0:16:26 | |
What are you doing in my kitchen? | 0:16:26 | 0:16:28 | |
Oh, I decided to go back inside. | 0:16:28 | 0:16:30 | |
-Back inside? In prison? -Yeah. | 0:16:30 | 0:16:33 | |
You know, even at this time of year, it gets cold at night. | 0:16:33 | 0:16:36 | |
What happened to your arm? | 0:16:37 | 0:16:39 | |
Oh, well, car crash. Head-on. | 0:16:39 | 0:16:44 | |
Trans-Siberian Highway. | 0:16:44 | 0:16:45 | |
Oh, how dreadful. I'm sorry. | 0:16:45 | 0:16:47 | |
And you, eh? Nice home. | 0:16:47 | 0:16:51 | |
Nice husband. Nice kids. | 0:16:51 | 0:16:54 | |
Lovely grandchildren? | 0:16:55 | 0:16:57 | |
Well, quite lovely. | 0:16:57 | 0:16:59 | |
I'm happy for you. I really am. | 0:16:59 | 0:17:01 | |
Ah... | 0:17:04 | 0:17:06 | |
-Don't tell me - your husband died. -Yes. | 0:17:06 | 0:17:08 | |
I'm sorry. | 0:17:10 | 0:17:11 | |
But, Eddie... | 0:17:14 | 0:17:17 | |
this is the hand of fate bringing us back together again. | 0:17:17 | 0:17:24 | |
You do realise that, don't you? | 0:17:24 | 0:17:26 | |
This was meant. | 0:17:26 | 0:17:28 | |
That's not quite how I see it. | 0:17:30 | 0:17:32 | |
You will. You're in shock just now, but you will. | 0:17:32 | 0:17:36 | |
We can turn the clock back. | 0:17:37 | 0:17:39 | |
We can get back together again. | 0:17:39 | 0:17:41 | |
Anything is possible. | 0:17:41 | 0:17:44 | |
Are you sure you don't know my son Roger? | 0:17:44 | 0:17:46 | |
He's big on putting the clocks back. | 0:17:46 | 0:17:47 | |
The one upstairs? | 0:17:47 | 0:17:49 | |
Tell him to call the police back and say it was a mistake. | 0:17:49 | 0:17:53 | |
I doubt he called them. He's probably still asleep. | 0:17:53 | 0:17:56 | |
And there's only one son, really. | 0:17:56 | 0:18:00 | |
Eddie... | 0:18:00 | 0:18:01 | |
I always loved you. | 0:18:01 | 0:18:03 | |
I was... | 0:18:03 | 0:18:04 | |
..completely and utterly obsessed by you. | 0:18:06 | 0:18:10 | |
Besotted. | 0:18:10 | 0:18:11 | |
Until you met someone else. Someone with money. | 0:18:12 | 0:18:15 | |
-That was a mistake. -Not fate? | 0:18:15 | 0:18:17 | |
No, bad luck. Very bad luck. | 0:18:17 | 0:18:21 | |
Edith! It's all right, I'm here! | 0:18:21 | 0:18:22 | |
Quick, get behind me! Get behind me! | 0:18:22 | 0:18:24 | |
-Who are you? -This is my friend Phil. | 0:18:24 | 0:18:27 | |
Oh. Hello, Phil. | 0:18:27 | 0:18:29 | |
Where are the police? | 0:18:29 | 0:18:30 | |
Well, they're very slow around here, apparently. | 0:18:30 | 0:18:33 | |
-What? -The dawdle squad. | 0:18:33 | 0:18:35 | |
-Where's Roger? -Asleep, I should think. | 0:18:35 | 0:18:37 | |
I asked Roger to call the police when he called me. | 0:18:37 | 0:18:39 | |
Where the hell have you been?! | 0:18:39 | 0:18:42 | |
Upstairs, keeping guard. | 0:18:42 | 0:18:43 | |
Well, did you call the police? | 0:18:43 | 0:18:45 | |
-Yes. -He's lying. I'm a pro. I know. | 0:18:45 | 0:18:48 | |
I couldn't remember the number. | 0:18:48 | 0:18:51 | |
You couldn't remember the number?! | 0:18:51 | 0:18:53 | |
Now he's telling the truth. | 0:18:53 | 0:18:54 | |
You couldn't remember the nu... You couldn't remember 999?! | 0:18:54 | 0:18:59 | |
Yeah, well, I can now, but I couldn't then. | 0:18:59 | 0:19:01 | |
I was stressed. I thought you were going to ring the police. | 0:19:01 | 0:19:03 | |
No, no, you were going to call the police! | 0:19:03 | 0:19:05 | |
Mum, are there any biscuits? | 0:19:05 | 0:19:07 | |
SHE SIGHS | 0:19:07 | 0:19:08 | |
Who the hell are you, anyway? What are you doing here? | 0:19:10 | 0:19:13 | |
Oh, this is kismet that I'm here. | 0:19:13 | 0:19:16 | |
You see, Eddie and I were once at item. | 0:19:16 | 0:19:20 | |
Yes, 1962 for six weeks. Or was it five? | 0:19:20 | 0:19:23 | |
Bob Angel-Face Whitley. | 0:19:23 | 0:19:25 | |
I wish you wouldn't say that. | 0:19:25 | 0:19:26 | |
He broke into here so we'd call the police | 0:19:26 | 0:19:28 | |
and then he'd get put away for a while out of the cold. | 0:19:28 | 0:19:31 | |
Well, then, I think that we can oblige him. | 0:19:31 | 0:19:34 | |
Er, no, I've changed my mind. | 0:19:34 | 0:19:35 | |
-No, you haven't. -Eddie... | 0:19:35 | 0:19:37 | |
How did you lose your arm? | 0:19:37 | 0:19:39 | |
Oh, er, line of duty. | 0:19:39 | 0:19:42 | |
Shellfire. | 0:19:42 | 0:19:43 | |
First Gulf War. | 0:19:43 | 0:19:45 | |
Oh, was it painful? | 0:19:45 | 0:19:46 | |
Yeah, extremely. But I wouldn't let them give me anaesthetic. | 0:19:46 | 0:19:49 | |
I wanted to... I wanted to know what was going on. | 0:19:49 | 0:19:52 | |
Cool. Did you kill anyone? | 0:19:52 | 0:19:54 | |
Well, not intentionally. | 0:19:54 | 0:19:56 | |
Did you get a medal? | 0:19:56 | 0:19:57 | |
Perhaps you'd like to continue this conversation as a prison visitor? | 0:19:57 | 0:20:01 | |
Er, no, no, no jail. | 0:20:01 | 0:20:03 | |
I'm turning over a new leaf with the help of Eddie. | 0:20:03 | 0:20:07 | |
No, I'm afraid that's not possible. | 0:20:07 | 0:20:08 | |
Who says? The valiant neighbour? | 0:20:08 | 0:20:11 | |
Phil and I are getting married. | 0:20:11 | 0:20:13 | |
-Oh, you mean I'm too late? -Well, 55 years too late. | 0:20:13 | 0:20:16 | |
Eddie... | 0:20:18 | 0:20:19 | |
Are you making the right choice? | 0:20:22 | 0:20:24 | |
You may have lost your looks, Bob... | 0:20:24 | 0:20:25 | |
-And an arm. -..and an arm, but you've still got the brass neck. | 0:20:25 | 0:20:28 | |
Yeah, and that's all I've got left. | 0:20:28 | 0:20:30 | |
And I'm not very proud of it. | 0:20:30 | 0:20:32 | |
I'll call the police. | 0:20:33 | 0:20:35 | |
All right. | 0:20:35 | 0:20:36 | |
Well, maybe a cup of tea and a piece of cake, maybe? | 0:20:36 | 0:20:40 | |
Or some smoked salmon? | 0:20:42 | 0:20:43 | |
Plover's eggs? | 0:20:43 | 0:20:45 | |
Chocolate ants? | 0:20:45 | 0:20:46 | |
-Yeah, whatever. -How did you get that scar? | 0:20:46 | 0:20:49 | |
Duelling. | 0:20:49 | 0:20:50 | |
Wow. Did you win? | 0:20:50 | 0:20:52 | |
Er, yes, I did. Yeah. | 0:20:52 | 0:20:54 | |
What was it about? | 0:20:54 | 0:20:56 | |
To settle a gambling debt. | 0:20:56 | 0:20:58 | |
Cool. | 0:20:58 | 0:20:59 | |
You'd have grasped by now that my stepson-to-be | 0:20:59 | 0:21:02 | |
is looking for a role model. | 0:21:02 | 0:21:04 | |
I'm interested in people. I'm interested in the human predicament. | 0:21:04 | 0:21:07 | |
That's why I watch documentaries about real people, like Gogglebox. | 0:21:07 | 0:21:11 | |
Bob, I'm going to make some tea and then I'd like you to go. | 0:21:11 | 0:21:14 | |
All right. | 0:21:15 | 0:21:17 | |
Some tea and, er, a cooked breakfast, if you can manage it, | 0:21:17 | 0:21:21 | |
and then call the police. | 0:21:21 | 0:21:23 | |
We're entirely at your disposal. | 0:21:23 | 0:21:25 | |
Do we really need to call the police? | 0:21:25 | 0:21:26 | |
-I could lend you some money. -How much? | 0:21:26 | 0:21:29 | |
Roger! You've got other commitments! | 0:21:29 | 0:21:32 | |
Like the mortgage. | 0:21:32 | 0:21:33 | |
Oh, yeah. Uh, yeah, yeah, that. OK, well, I mean, | 0:21:33 | 0:21:36 | |
I would lend you some if I could. | 0:21:36 | 0:21:38 | |
Oh. Oh, thanks, buddy. | 0:21:38 | 0:21:41 | |
A diamond geezer. Nice to meet you. | 0:21:41 | 0:21:43 | |
Yeah. | 0:21:43 | 0:21:44 | |
Great to meet you, too. Roger. | 0:21:44 | 0:21:46 | |
CAR SCREECHES OUTSIDE | 0:21:46 | 0:21:48 | |
What is it?! | 0:21:48 | 0:21:49 | |
-Wendy. -My wife. -Where?! | 0:21:49 | 0:21:51 | |
She just drove up. | 0:21:51 | 0:21:52 | |
With the handbrake full-on. Unmistakable. | 0:21:52 | 0:21:55 | |
Roger, did you call Wendy? | 0:21:55 | 0:21:56 | |
Yeah. | 0:21:56 | 0:21:57 | |
What on earth did you call Wendy for? | 0:21:57 | 0:22:00 | |
Well, if anyone could scare off an intruder, it would be her. | 0:22:00 | 0:22:03 | |
She doesn't need any more stress. | 0:22:03 | 0:22:04 | |
Well, she's always complaining about being left out of the loop. | 0:22:04 | 0:22:07 | |
What's happened? Is everyone all right? | 0:22:07 | 0:22:10 | |
Yes, everyone's perfectly all right. | 0:22:10 | 0:22:12 | |
-Who's this? -This is Bob. | 0:22:12 | 0:22:14 | |
Bob Angel-Face Whitley. | 0:22:14 | 0:22:16 | |
He's a trainee burglar and a professional fraud. | 0:22:16 | 0:22:19 | |
Wendy, Roger should never have called you. | 0:22:19 | 0:22:22 | |
Oh, I'm glad he did. I'm glad you're seeing his true nature. | 0:22:22 | 0:22:25 | |
This is typical of him. | 0:22:25 | 0:22:26 | |
You know, whenever there's a news story about a serial killer, for | 0:22:26 | 0:22:28 | |
example, he sends me out alone, late at night, to the 24-hour chemist. | 0:22:28 | 0:22:31 | |
-PHIL: -And? -Phil. | 0:22:33 | 0:22:35 | |
Well, don't you see? He wants to put me in peril. | 0:22:35 | 0:22:38 | |
-Oh, here we go. -I thought someone was calling the police. Phil? | 0:22:38 | 0:22:41 | |
-PHIL: -I can't. -WENDY: -Why not? | 0:22:41 | 0:22:43 | |
-PHIL: -Well, he wants us to. -WENDY: -What? | 0:22:43 | 0:22:45 | |
Would you like a sausage? | 0:22:45 | 0:22:47 | |
Oh, yes, please. | 0:22:47 | 0:22:48 | |
Mushrooms? | 0:22:48 | 0:22:50 | |
Er, no. Not so crazy about mushrooms. | 0:22:50 | 0:22:51 | |
If we comply with his wishes, | 0:22:51 | 0:22:53 | |
then aren't we entering into a conspiracy? | 0:22:53 | 0:22:55 | |
-No. -Not really. -No, just don't say. Don't tell them anything. | 0:22:55 | 0:22:58 | |
-Stay shtum. -Well, look, | 0:22:58 | 0:22:59 | |
why don't we just tell the police exactly what happened | 0:22:59 | 0:23:02 | |
and leave it to them? | 0:23:02 | 0:23:03 | |
I mean, after all, he did break in, no matter what his motives. | 0:23:03 | 0:23:06 | |
-How do you like your eggs? -Er, cooked both sides, please. | 0:23:06 | 0:23:09 | |
Roger, careful. | 0:23:39 | 0:23:41 | |
Roger! | 0:23:41 | 0:23:42 | |
EDITH YELPS | 0:23:42 | 0:23:43 | |
-Oh, Roger! -That's it. | 0:23:43 | 0:23:44 | |
SHE SIGHS | 0:23:44 | 0:23:46 | |
I knew it would work. | 0:23:46 | 0:23:47 | |
INDISTINCT POLICE RADIO | 0:23:47 | 0:23:49 | |
Isn't this the house where all those geriatric hooligans were | 0:23:56 | 0:23:58 | |
having that rave-up? | 0:23:58 | 0:24:00 | |
With that mad old bat. What was her name? | 0:24:00 | 0:24:02 | |
The cuppo. Mrs Gale. One to watch. | 0:24:02 | 0:24:05 | |
This is a local hot spot, then. | 0:24:05 | 0:24:08 | |
Looks like it. | 0:24:08 | 0:24:10 | |
Oh, hello. Talk of the devil. | 0:24:10 | 0:24:12 | |
Hey, what... What's going on? What's happened? | 0:24:14 | 0:24:18 | |
We're just going to find out. | 0:24:18 | 0:24:20 | |
You two stop here. Don't budge. | 0:24:20 | 0:24:22 | |
It's the police! | 0:24:24 | 0:24:26 | |
Who called them? | 0:24:26 | 0:24:27 | |
Don't look at me! | 0:24:27 | 0:24:29 | |
Well, somebody must have called them. | 0:24:29 | 0:24:31 | |
Oh! There's a whole police squad out there. Armed. | 0:24:31 | 0:24:34 | |
Oh, my God. | 0:24:34 | 0:24:35 | |
I can see why you called me, Roger, I'd have got here sooner | 0:24:35 | 0:24:38 | |
but I couldn't find me trainers. | 0:24:38 | 0:24:40 | |
Don't say anything. I'll do the talking. | 0:24:40 | 0:24:42 | |
This is delicious. | 0:24:42 | 0:24:44 | |
Like some ketchup? | 0:24:44 | 0:24:45 | |
Yeah, why not? Mm-hm. | 0:24:45 | 0:24:46 | |
I hope that gives you terminal gastroenteritis. | 0:24:47 | 0:24:51 | |
Huh! | 0:24:51 | 0:24:52 | |
Oh, officer. I'm the person you're looking for. | 0:24:54 | 0:24:58 | |
I broke into these premises, intent on theft, | 0:24:58 | 0:25:01 | |
and I was apprehended by the householder here. | 0:25:01 | 0:25:03 | |
-Not true. -Absolutely true. | 0:25:03 | 0:25:05 | |
Not true. | 0:25:05 | 0:25:06 | |
Bobby? | 0:25:06 | 0:25:07 | |
Little Bobby Whitley? | 0:25:08 | 0:25:10 | |
Ha-ha, well, I never. | 0:25:10 | 0:25:12 | |
What you been up to this time? | 0:25:13 | 0:25:15 | |
He was always a terrible tearaway, right from the off. | 0:25:15 | 0:25:19 | |
Ah, true enough. | 0:25:19 | 0:25:20 | |
He lost the other one larking about with a milk float. | 0:25:20 | 0:25:24 | |
What's he doing here? | 0:25:24 | 0:25:25 | |
Embracing kismet. | 0:25:27 | 0:25:29 | |
Does the owner of the white Audi registration PF16 NNV | 0:25:29 | 0:25:33 | |
parked on the street at the front of this house live here? | 0:25:33 | 0:25:36 | |
I don't live here, but that is my car. Why? | 0:25:36 | 0:25:39 | |
That's a stolen vehicle, madam. | 0:25:39 | 0:25:40 | |
-What? -Officer... -That man! That man, him! | 0:25:40 | 0:25:43 | |
Him! He gave me that car! | 0:25:43 | 0:25:44 | |
-Officer, I'm a common felon. -I'll say! | 0:25:44 | 0:25:47 | |
-Up to no good. -I didn't steal it. I bought that car in good faith. | 0:25:47 | 0:25:50 | |
I must ask you both to accompany me to the police station. | 0:25:50 | 0:25:53 | |
Officer, arrest me! It's your duty! | 0:25:53 | 0:25:56 | |
You don't have to say anything, but it may harm your defence | 0:25:56 | 0:25:59 | |
if you do not mention, when questioned, | 0:25:59 | 0:26:00 | |
something you later rely on in court. | 0:26:00 | 0:26:02 | |
Anything you do say may be given in evidence. | 0:26:02 | 0:26:05 | |
-Roger, what have you done? -Don't say anything. -Roger! | 0:26:05 | 0:26:07 | |
I just told you not to say anything! It'll harm your defence. | 0:26:07 | 0:26:10 | |
Just, just be quiet for once! | 0:26:11 | 0:26:13 | |
Phil! | 0:26:13 | 0:26:15 | |
Oh they'll be back in a couple of hours, sadly. | 0:26:15 | 0:26:18 | |
-DOOR CLOSES -Unbelievable. | 0:26:18 | 0:26:20 | |
What's the country coming to? | 0:26:20 | 0:26:22 | |
I'll see you later, eh? | 0:26:27 | 0:26:28 | |
Oh, you and Bobby. | 0:26:39 | 0:26:44 | |
Oh, you never forget your first love, do you? | 0:26:44 | 0:26:48 | |
Your mum took a real shine to him. | 0:26:48 | 0:26:51 | |
She was heartbroken when it all came to an end. Heartbroken. | 0:26:51 | 0:26:55 | |
Broke my heart, too. | 0:26:55 | 0:26:56 | |
Did it? | 0:26:56 | 0:26:58 | |
Well, they were made for each other. | 0:26:58 | 0:27:01 | |
Mrs Gale... | 0:27:01 | 0:27:02 | |
Oh, I'll go, then. | 0:27:02 | 0:27:04 | |
DOOR CLOSES | 0:27:07 | 0:27:08 | |
SHE SIGHS | 0:27:08 | 0:27:10 | |
Oh, like a cup of tea? | 0:27:10 | 0:27:11 | |
Oh, will you not offer me the full English, dear? | 0:27:11 | 0:27:14 | |
Oh, I can, if you'd like one. | 0:27:15 | 0:27:17 | |
Of course I don't want one. | 0:27:17 | 0:27:18 | |
I just want an ordinary cup of tea, please. | 0:27:18 | 0:27:21 | |
SHE STIFLES A LAUGH | 0:27:21 | 0:27:22 | |
SHE ERUPTS WITH LAUGHTER | 0:27:28 | 0:27:31 | |
HE CHUCKLES SOFTLY | 0:27:34 | 0:27:37 | |
SHE LAUGHS HYSTERICALLY | 0:27:39 | 0:27:41 | |
Oh, shut up! | 0:27:41 | 0:27:42 | |
I can't stop! | 0:27:42 | 0:27:44 |