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Over the next six weeks I will be teaching you | 0:00:02 | 0:00:04 | |
everything that you need to know about writing and performing comedy - | 0:00:04 | 0:00:08 | |
all the secrets, all the tricks of the trade that got me to where I am today. | 0:00:08 | 0:00:13 | |
Now, I can't make any promises, but if you work hard, | 0:00:13 | 0:00:18 | |
there's every chance that you too could make a living as a stand-up | 0:00:18 | 0:00:23 | |
like I did, and indeed do. | 0:00:23 | 0:00:27 | |
Any questions? | 0:00:27 | 0:00:29 | |
-Yes? -Excuse me, please. | 0:00:30 | 0:00:32 | |
This is not English class? | 0:00:32 | 0:00:34 | |
No. Er...no. It's... I think it's down the corridor on the left. | 0:00:34 | 0:00:40 | |
Any other questions? | 0:00:48 | 0:00:50 | |
# I wanna get high but I really can't take the pain... # | 0:01:09 | 0:01:14 | |
-So, were there many people there? -Hm? | 0:01:15 | 0:01:18 | |
-Last night? -Oh, God. Yeah, how many was... | 0:01:18 | 0:01:20 | |
Er...it's...it's hard to say. | 0:01:20 | 0:01:23 | |
I mean, obviously, it will build | 0:01:23 | 0:01:24 | |
as people get to find out about it and tell their friends and that, you know. | 0:01:24 | 0:01:28 | |
-Well, I've put the word around at work. -And? | 0:01:28 | 0:01:30 | |
-It's only the first week. -Exactly. | 0:01:30 | 0:01:34 | |
-And as long as you cover your costs. -Oh, God, yes. | 0:01:35 | 0:01:38 | |
And even if I do make a loss, I can rake it back in the future. | 0:01:38 | 0:01:41 | |
You're not gonna end up out of pocket, are you? | 0:01:41 | 0:01:43 | |
Oh, course not, no. I am still querying the rate. | 0:01:43 | 0:01:45 | |
Cos I think 80 quid for a room that size is a bit steep. | 0:01:45 | 0:01:49 | |
You know you don't have to do this. Things are going well with the agency. | 0:01:49 | 0:01:54 | |
Yeah, I'm not just doing it for the money. | 0:01:54 | 0:01:57 | |
Good. Well, as long as you enjoy it. | 0:01:57 | 0:02:00 | |
-That's the main thing. -No, I do. Yeah, I...I love teaching. | 0:02:00 | 0:02:03 | |
It's...what I was born to do. | 0:02:03 | 0:02:07 | |
And eventually, when it takes off, I'll franchise it out. | 0:02:08 | 0:02:11 | |
There'll be courses all over the place. I won't even need to turn up. | 0:02:11 | 0:02:13 | |
I was thinking next week I'll have a guest speaker, get a big name in. | 0:02:13 | 0:02:17 | |
Let's face it, with my contacts... | 0:02:17 | 0:02:19 | |
-No. -Why not? | 0:02:19 | 0:02:21 | |
-Because I don't want to. -It'll just be giving a talk, | 0:02:21 | 0:02:23 | |
sharing your experience and passing on a few tips. | 0:02:23 | 0:02:25 | |
Tip number one, don't waste your Wednesday evenings. Good night, everybody. | 0:02:25 | 0:02:29 | |
That's great. Something a little more constructive would be good. | 0:02:29 | 0:02:31 | |
Rick, you can't teach comedy. God knows I've been trying since I met you. | 0:02:31 | 0:02:35 | |
You see? That's the kind of thing I've been teaching them, gags like that, hm? | 0:02:35 | 0:02:38 | |
-Why are you doing this anyway? -I've been in the business for 20 years. | 0:02:38 | 0:02:41 | |
It's time to put something back. | 0:02:41 | 0:02:43 | |
Aren't you supposed to take something out first? | 0:02:43 | 0:02:45 | |
I've got better things to do than spend my time with a bunch of bums. | 0:02:45 | 0:02:47 | |
-They're not all bums. -Yeah, OK, whatever. | 0:02:47 | 0:02:49 | |
In fact there was this Russian woman who came in, | 0:02:49 | 0:02:53 | |
not at all the sort of person you'd expect in a comedy class. | 0:02:53 | 0:02:57 | |
Dark hair, mid-twenties. More like...more like a model, really. | 0:02:57 | 0:03:01 | |
-She any good? -Hm? | 0:03:01 | 0:03:03 | |
-You know, comedy-wise. -She could be. | 0:03:03 | 0:03:05 | |
With help. The right guidance. | 0:03:05 | 0:03:08 | |
But she's not gonna get that now, is she? So we'll never know. | 0:03:08 | 0:03:12 | |
And that's a shame. | 0:03:12 | 0:03:15 | |
-Hello. -Hello, Magda. | 0:03:22 | 0:03:25 | |
-So, how's the arm? -Oh, it's not good. | 0:03:26 | 0:03:28 | |
-I am walking on pavement... -I know what happened. You've already... | 0:03:28 | 0:03:33 | |
-And I trip on... -Yeah, you told me. | 0:03:33 | 0:03:34 | |
-I'm just asking, how is it? -Oh, it's very sore. | 0:03:34 | 0:03:37 | |
If I just touch like... | 0:03:37 | 0:03:41 | |
this, and... Oh! | 0:03:41 | 0:03:42 | |
-Best not do that, then. -It's good news, I think. | 0:03:42 | 0:03:44 | |
-Because man says I can get money. -Man? What man? | 0:03:44 | 0:03:48 | |
-Yes, man on television advertisement. -Oh, for God's sake. | 0:03:48 | 0:03:51 | |
Because I am falling over pavement and it's not my fault. | 0:03:51 | 0:03:55 | |
Well, to be fair, Magda, it was your fault, | 0:03:55 | 0:03:56 | |
because, really, you should have looked where you were going. | 0:03:56 | 0:03:59 | |
No, pavement is bad, and now council must pay compen... | 0:03:59 | 0:04:03 | |
Compensation. So, what if this had happened back in your... | 0:04:03 | 0:04:07 | |
Would they give you a load of money for tripping on a pavement? | 0:04:07 | 0:04:10 | |
Er...no, because we do not have pavements in my country. | 0:04:10 | 0:04:13 | |
We just walk on side of road and, um...hope lorry can see. | 0:04:13 | 0:04:17 | |
Well, once again, you're ahead of us. | 0:04:17 | 0:04:19 | |
Maybe that's what we should do, dig up all our pavements. | 0:04:19 | 0:04:21 | |
-It'll save us money in the long run. -It's not my fault. | 0:04:21 | 0:04:25 | |
Wasn't it the other arm? | 0:04:31 | 0:04:32 | |
-Please? -Yesterday when you came in... | 0:04:35 | 0:04:37 | |
-wasn't it the other arm in a sling? -No, it's this arm that I've hurt. | 0:04:37 | 0:04:41 | |
Oh. Huh. Funny. | 0:04:41 | 0:04:45 | |
-Knock, knock. -Sorry? | 0:05:07 | 0:05:09 | |
So, what should I wear? I've got a waistcoat at home. | 0:05:09 | 0:05:11 | |
-I don't know what you're talking about. -Wednesday night. The comedy course. | 0:05:11 | 0:05:13 | |
-You're not thinking of coming, are you? -Guilty as charged! Ha-ha. | 0:05:13 | 0:05:17 | |
I mean, obviously, I knew you were doing it, and fair play to you, et cetera, | 0:05:17 | 0:05:21 | |
but when I heard you'd got Marty on board, | 0:05:21 | 0:05:22 | |
I thought, "Hello, this is starting to sound interesting." | 0:05:22 | 0:05:24 | |
Yeah, the thing is, Michael, it is actually oversubscribed. | 0:05:24 | 0:05:27 | |
When I rang this morning, they said last week only five people turned up. | 0:05:27 | 0:05:30 | |
Seven, in fact. Anyway, comedy isn't something you can just learn. | 0:05:30 | 0:05:35 | |
What's the point in having a course, then? Anyway, what do you think? Mike? | 0:05:35 | 0:05:39 | |
Mick? Mickey's good, isn't it, as a stage name? It sounds funnier than Michael. | 0:05:39 | 0:05:42 | |
-I think you'd be wasting your time. -My name's Mickey! I take the mickey! | 0:05:42 | 0:05:45 | |
You won't fit in. | 0:05:45 | 0:05:47 | |
Could be the start of a whole new thing for me. | 0:05:47 | 0:05:48 | |
They've got loads of brilliant courses. Why can't you just do photography? | 0:05:48 | 0:05:51 | |
-Oh, excuse me. -Or cooking. | 0:05:51 | 0:05:52 | |
Tell Marty, Mickey says he'll see him Wednesday. | 0:05:52 | 0:05:54 | |
I think I'll leave that as a surprise. | 0:05:54 | 0:05:56 | |
Oh, hello! Is that a baguette or are you just pleased to see me? | 0:05:56 | 0:05:59 | |
Oh, God. | 0:05:59 | 0:06:01 | |
What's... Is this... Is that Latin? I don't... | 0:06:01 | 0:06:04 | |
-All right. -Oh, hi, Dad. Do you want some? | 0:06:04 | 0:06:08 | |
Oh, no, thanks. I've had my lunch. Huh! At Mickey's. | 0:06:08 | 0:06:12 | |
-Where? -Oh, it doesn't matter. | 0:06:12 | 0:06:14 | |
-What are you doing? Coursework? -No, not really. | 0:06:14 | 0:06:17 | |
We're filling out this form for Magda. | 0:06:17 | 0:06:19 | |
Yeah, trying to get her some compo off the council. | 0:06:19 | 0:06:22 | |
Oh, for her arm, yeah? | 0:06:22 | 0:06:23 | |
Yeah, it's unbelievable they could do that and get away with it. | 0:06:23 | 0:06:25 | |
Well, THEY didn't actually do anything. Magda just went and tripped over. | 0:06:25 | 0:06:29 | |
Well, no, but it was, like, their paving stone. | 0:06:29 | 0:06:31 | |
It was well dodgy. She showed us pictures of it. | 0:06:31 | 0:06:33 | |
Oh, well, it's to her credit she was able to overcome the agonising pain | 0:06:33 | 0:06:37 | |
-and set up a photoshoot. -It was just on a mobile. | 0:06:37 | 0:06:40 | |
Yeah, one slab was like that, and the other slab was like that. | 0:06:40 | 0:06:44 | |
Well, now you put it like that, it does sound lethal. | 0:06:44 | 0:06:46 | |
Lethal. Lethal, good word. | 0:06:46 | 0:06:48 | |
Anyway, why are you doing it? Why can't she fill out her own forms? | 0:06:48 | 0:06:51 | |
-Because she's like... -Hurt her arm. | 0:06:51 | 0:06:54 | |
Anyway, Ben's really good at this sort of thing. | 0:06:54 | 0:06:57 | |
-Is he? -Yeah. | 0:06:57 | 0:06:59 | |
Good. By the way, which arm did she hurt? | 0:06:59 | 0:07:02 | |
-BOTH: -Her right arm. -Hm. | 0:07:02 | 0:07:04 | |
So, when she first did it, you didn't see her with her left arm in a sling? | 0:07:04 | 0:07:09 | |
-BOTH: -No. -Hm. | 0:07:09 | 0:07:12 | |
FOOTSTEPS | 0:07:36 | 0:07:38 | |
Rick. | 0:07:40 | 0:07:42 | |
You know Magda's trying to claim compensation for this arm business. | 0:07:43 | 0:07:46 | |
Well, that's what people do these days. | 0:07:46 | 0:07:48 | |
What, so it's all right going around making fraudulent claims? | 0:07:48 | 0:07:51 | |
It's not fraudulent. She did hurt herself. | 0:07:51 | 0:07:53 | |
-You think so? -Of course. | 0:07:53 | 0:07:55 | |
Didn't look that serious to me. | 0:07:55 | 0:07:56 | |
I told her she shouldn't be coming in, but she insisted. | 0:07:56 | 0:07:59 | |
-You haven't seen an X-ray or anything. -It's in a sling. | 0:07:59 | 0:08:02 | |
What do you want her to do, have it amputated? | 0:08:02 | 0:08:04 | |
Well, that would settle it, yeah. | 0:08:04 | 0:08:05 | |
So, are you looking forward to Wednesday? | 0:08:07 | 0:08:09 | |
-What? -The comedy course. | 0:08:09 | 0:08:12 | |
Oh, that. I don't want to think about that. | 0:08:12 | 0:08:14 | |
-Why not? -Because Michael's coming. | 0:08:14 | 0:08:16 | |
-Michael? -Yes, Mike. | 0:08:16 | 0:08:18 | |
Or Mickey, as he wants to be called. | 0:08:18 | 0:08:20 | |
-Is that his stage name? -Yes, it's his stage name. | 0:08:20 | 0:08:23 | |
Knock, knock. Who's there? | 0:08:23 | 0:08:25 | |
Mickey. Well, piss off, Mickey. | 0:08:25 | 0:08:27 | |
Oh, I'm sure he'll blossom with such a caring teacher. | 0:08:27 | 0:08:30 | |
When she came in the other day, just after the accident, | 0:08:30 | 0:08:33 | |
-which arm did she have in a sling? -Her right arm. | 0:08:33 | 0:08:35 | |
No. | 0:08:40 | 0:08:42 | |
-This was more than I was expecting. -It's about the same as last week. | 0:08:46 | 0:08:50 | |
If that's the Russian model, I'm out of here. | 0:08:50 | 0:08:53 | |
Oh, God, no. No, she's...she's not here yet. I don't know where she is. | 0:08:53 | 0:08:57 | |
Hello! I'm Libby. | 0:08:57 | 0:08:59 | |
-You're Rick, aren't you? -Yeah, I run the course. | 0:08:59 | 0:09:02 | |
Good, well, I'm very much looking forward to... | 0:09:02 | 0:09:06 | |
Ha-ha! Sorry, Rick, couldn't resist. Did the... Ha-ha. Knock, knock! | 0:09:07 | 0:09:11 | |
-Er...who's there? -Mickey? | 0:09:11 | 0:09:14 | |
-Mickey who? -Mickey your mind up. | 0:09:14 | 0:09:16 | |
Are you going to open the door or not? | 0:09:16 | 0:09:18 | |
Ha-ha. What do you reckon? Good? Needs work? | 0:09:18 | 0:09:21 | |
-It's Rick's course. -Fair enough. We can talk later. | 0:09:21 | 0:09:24 | |
So, who's on first, the warm-up act? | 0:09:24 | 0:09:26 | |
-Good one. -Don't worry, we're mates. | 0:09:26 | 0:09:28 | |
-Oh, right. -Ooh, hello. More biscuits. | 0:09:28 | 0:09:30 | |
Care in the community. | 0:09:32 | 0:09:34 | |
Oh, right! | 0:09:34 | 0:09:36 | |
Well done. | 0:09:36 | 0:09:38 | |
No, I meant... | 0:09:38 | 0:09:40 | |
Anyway, I'm really looking forward to this. The thing is, Rick, | 0:09:40 | 0:09:44 | |
I've always had an interest in comedy. | 0:09:44 | 0:09:46 | |
-Have you? -Yes. Yes, I have. | 0:09:46 | 0:09:50 | |
MUSIC: "Wicked Soul" by Kubb | 0:09:50 | 0:09:52 | |
APPLAUSE | 0:09:52 | 0:09:55 | |
Thank you, thank you very much. Er...well, welcome to my comedy workshop... | 0:09:56 | 0:10:01 | |
# I don't want to watch The Street on TV | 0:10:04 | 0:10:07 | |
# I don't want to hear about your day | 0:10:10 | 0:10:14 | |
# I've got no time to hear about how much you care | 0:10:16 | 0:10:22 | |
# Shut your mouth and come this way | 0:10:22 | 0:10:26 | |
# I'm the weirdo in your bedroom | 0:10:28 | 0:10:33 | |
# And I can see you in the dark | 0:10:35 | 0:10:39 | |
# Oh | 0:10:39 | 0:10:41 | |
# Tonight's the night I shed my wicked soul | 0:10:41 | 0:10:45 | |
# I take it out on you and watch you lose control | 0:10:46 | 0:10:52 | |
# Tonight's the night I shed my | 0:10:53 | 0:10:57 | |
# Tonight's the night I shed my | 0:10:57 | 0:11:00 | |
# Tonight's the night I shed my wicked soul | 0:11:00 | 0:11:04 | |
# My wicked soul... # | 0:11:04 | 0:11:06 | |
LAUGHTER | 0:11:06 | 0:11:08 | |
I guess my final piece of advice to you would be, | 0:11:08 | 0:11:10 | |
if at first you don't succeed, er... quit, cos nobody likes a loser. | 0:11:10 | 0:11:14 | |
-LAUGHTER -That's about it. | 0:11:14 | 0:11:17 | |
If you need to talk to me, too bad, | 0:11:17 | 0:11:19 | |
because I'll be in an alcoholic stupor at the back of the room. | 0:11:19 | 0:11:21 | |
Anyway, I hope some of it was helpful and, er...anyway, best of luck with everything. | 0:11:21 | 0:11:26 | |
-Thanks. All right. -WHOOPING AND CHEERING | 0:11:26 | 0:11:30 | |
-Bit long. -Where's the Russian? | 0:11:30 | 0:11:31 | |
Thanks, Marty. | 0:11:38 | 0:11:41 | |
Um...OK, so one of the most important things you need to know | 0:11:41 | 0:11:44 | |
as a stand-up is how to deal with heckling. | 0:11:44 | 0:11:46 | |
So that's what I'm gonna be teaching you in this next session. | 0:11:46 | 0:11:49 | |
Now, for the purposes of the exercise, I'll...I'll need someone to heckle me. | 0:11:49 | 0:11:54 | |
But just to warn you, I will come back quite hard. So don't take it personally. | 0:11:54 | 0:11:58 | |
It's just so that I can show you how it's done. | 0:11:58 | 0:12:01 | |
So what I'm gonna do is I'm gonna tell you a joke | 0:12:01 | 0:12:04 | |
and...and you can heckle me, and we'll go from there. | 0:12:04 | 0:12:07 | |
So, er...yeah, this... I was... | 0:12:07 | 0:12:10 | |
Went for a walk the other day, um...in the park, | 0:12:10 | 0:12:13 | |
and, er...there was this guy, er...walking his dogs. | 0:12:13 | 0:12:16 | |
He was throwing a stick for them, | 0:12:16 | 0:12:18 | |
and so I went up to him and said, "Oh excuse me, what kind of dogs are these?" | 0:12:18 | 0:12:22 | |
And, um...he said, er... "Oh, this one's a...a Labrador, | 0:12:22 | 0:12:27 | |
"and, er...and this one is a basset hound." | 0:12:27 | 0:12:31 | |
Well, not a basset hound. It's a cross between a basset hound and a fox terrier. | 0:12:31 | 0:12:36 | |
Anyway, he threw the stick again, | 0:12:36 | 0:12:39 | |
and the...the one that was a cross between... | 0:12:39 | 0:12:42 | |
Look, someone is gonna have to heckle me at some point, or it's not going to work. | 0:12:42 | 0:12:46 | |
So, anyone, heckle me and we can... | 0:12:46 | 0:12:51 | |
Anyone? Just... | 0:12:51 | 0:12:53 | |
-Yeah. -What's the end of the joke? | 0:12:53 | 0:12:56 | |
What? No, I was improvising. It wasn't a joke. | 0:12:56 | 0:12:59 | |
So what happened to the dogs? | 0:12:59 | 0:13:01 | |
There weren't any dogs. It was just... Someone heckle me. | 0:13:01 | 0:13:04 | |
Just heckle me. It doesn't have to be funny. It can be... | 0:13:04 | 0:13:07 | |
-Get off. -RIPPLE OF LAUGHTER | 0:13:07 | 0:13:09 | |
Thank you. OK, so that's a basic heckle. | 0:13:09 | 0:13:12 | |
-You're rubbish. -What I would do with that... | 0:13:12 | 0:13:14 | |
-Just deal with one at a time and... -You're not funny! | 0:13:14 | 0:13:17 | |
I'm not actually trying to be funny. | 0:13:17 | 0:13:19 | |
-Get off, fatty! -LAUGHTER | 0:13:19 | 0:13:21 | |
Well, actually, that didn't work, because I'm not actually fat. | 0:13:21 | 0:13:25 | |
Yes, you are! | 0:13:25 | 0:13:26 | |
-All right, OK, you've had your fun. -No, we haven't! | 0:13:26 | 0:13:29 | |
Bring back the other guy! LAUGHTER | 0:13:29 | 0:13:32 | |
Do you want me to teach you how to deal with heckling or not? | 0:13:32 | 0:13:35 | |
-Not! -I don't need to be doing this. | 0:13:35 | 0:13:37 | |
Yeah, get off! Get off! Off! Off! | 0:13:37 | 0:13:40 | |
-ALL CHANT: -Off! Off! Off! Off! Off! Off! Off! Off! | 0:13:40 | 0:13:43 | |
-You're wasting your own time. -Off! Off! Off! Off! Off! Off! Off! Off! | 0:13:43 | 0:13:46 | |
Off! Off! Off! Off! Off! Off! Off! Off! | 0:13:46 | 0:13:49 | |
-Off! Off! Off! Off! Off! Off! Off! Off! -Oh... | 0:13:49 | 0:13:51 | |
-Off! Off! Off! Off! Off! Off! Off! Off! -..just shut up! | 0:13:51 | 0:13:53 | |
What are you, the janitor now? | 0:14:01 | 0:14:02 | |
Well, I have to leave the room the way I found it, so... | 0:14:02 | 0:14:05 | |
-It's OK. I can do it on my own. -They really got into the heckling bit. | 0:14:05 | 0:14:10 | |
-Yep. -Got a bit rowdy, especially with the... | 0:14:10 | 0:14:14 | |
Oh, that's just a bit of chocolate or something. | 0:14:14 | 0:14:16 | |
-It'll wash out. -Still. Oh, hey, I met the Russian chick. | 0:14:16 | 0:14:19 | |
-She was next door in English class. -Yeah, well, it's probably for the best. | 0:14:19 | 0:14:23 | |
-She wasn't very funny anyway. -Cute, though. | 0:14:23 | 0:14:25 | |
-What's Russian for "ready when you are"? -Oh, God. | 0:14:25 | 0:14:27 | |
-KNOCKS ON DOOR -Knock, knock. Hope I'm not intruding. | 0:14:27 | 0:14:31 | |
Not at all. Catch you later. | 0:14:31 | 0:14:33 | |
-I thought that was very useful. -Was it? | 0:14:34 | 0:14:38 | |
I wondered if I could have a word with you about something. | 0:14:38 | 0:14:40 | |
-The problem is I've got... -You see, I'm actually from the council. | 0:14:40 | 0:14:44 | |
Oh, look, if this is about fire exits and stuff, that's really Marty's area. | 0:14:44 | 0:14:47 | |
-You've just missed him. -Not at all. That's not my department. | 0:14:47 | 0:14:51 | |
The thing is, Rick, I'm part of the outreach team. | 0:14:51 | 0:14:54 | |
That's nice. | 0:14:54 | 0:14:56 | |
-We run the urban regeneration scheme. -Jolly good. | 0:14:56 | 0:14:58 | |
We have a budget for community-based projects. | 0:14:58 | 0:15:02 | |
Really? | 0:15:02 | 0:15:03 | |
Obviously, we're under a lot of financial constraints, | 0:15:03 | 0:15:06 | |
but we do have core funding, which is ring-fenced for priority projects. | 0:15:06 | 0:15:11 | |
Good thinking. | 0:15:12 | 0:15:14 | |
Anyway, I was very impressed with the heckling lesson. | 0:15:14 | 0:15:16 | |
Oh, thanks...Libby. | 0:15:16 | 0:15:19 | |
It had a lot to say about issues like gang mentality and bullying in the workplace. | 0:15:19 | 0:15:24 | |
Well, exactly. You know, I've always thought so. It's kind of why I do it. | 0:15:24 | 0:15:27 | |
Those are issues that my department are very keen to address. | 0:15:27 | 0:15:31 | |
Yeah. Yeah, with your... with your budget and stuff. | 0:15:31 | 0:15:35 | |
I mean, the way you just stood there looking so helpless | 0:15:35 | 0:15:40 | |
when everybody was being so aggressive towards you - | 0:15:40 | 0:15:43 | |
it was really interesting. | 0:15:43 | 0:15:46 | |
And at one point, I actually thought you were gonna cry. | 0:15:46 | 0:15:50 | |
Yeah, well, it's just role-play, you know, | 0:15:50 | 0:15:52 | |
so they can see what happens if you don't deal with hecklers, or bullies... | 0:15:52 | 0:15:57 | |
-or gang members, mm. -Mm. | 0:15:57 | 0:16:00 | |
-They're gonna give you funding? -Yes! | 0:16:01 | 0:16:03 | |
It's all part of this urban renewal thing. | 0:16:03 | 0:16:05 | |
I don't see what comedy workshops have got to do with urban renewal. | 0:16:05 | 0:16:08 | |
Neither do I, but that's not the point. Libby does. | 0:16:08 | 0:16:11 | |
And she's got shedloads of cash to throw at it. The whole thing's been ring-fenced. | 0:16:11 | 0:16:14 | |
-So, what's the catch? -There isn't one! | 0:16:14 | 0:16:16 | |
I mean, you should see some of the rubbish they do. | 0:16:16 | 0:16:19 | |
Juggling, community drumming, child welfare. | 0:16:19 | 0:16:21 | |
At least my course will actually be useful, compared to them. | 0:16:21 | 0:16:24 | |
I'm sure council-tax payers will think it's money well spent. | 0:16:24 | 0:16:27 | |
Of course they will, much better to spend their money on teachers like me | 0:16:27 | 0:16:30 | |
than hand it out to Magda for a load of made-up injuries. | 0:16:30 | 0:16:32 | |
It's not made up. Anyway you'll be pleased to hear it's getting better. | 0:16:32 | 0:16:36 | |
Yeah, now the compensation form's gone off. | 0:16:36 | 0:16:38 | |
It's a scam. She's taking advantage of the system. | 0:16:38 | 0:16:42 | |
Yeah, that's a point. I wonder if I can claim for travel expenses. | 0:16:42 | 0:16:45 | |
Technically, I should... | 0:16:45 | 0:16:47 | |
Er...I could not finish beds, because very difficult. | 0:16:50 | 0:16:54 | |
Yeah, I know. Don't worry. I can see it must be, um... | 0:16:54 | 0:16:58 | |
Why don't you sit down? Sit down. I'll make you a cup of tea. | 0:16:58 | 0:17:01 | |
-Hm? Sit down. Sit down. -Thank you. | 0:17:01 | 0:17:04 | |
So, Mel says you are teaching people to be funny? | 0:17:04 | 0:17:08 | |
That's right, yes. So, um...how...how is the arm? | 0:17:08 | 0:17:12 | |
Oh, well, it's better, but still very sore. | 0:17:12 | 0:17:15 | |
Oh, good. | 0:17:15 | 0:17:18 | |
So, how do you teach people to be funny? | 0:17:18 | 0:17:20 | |
Oh, lots of ways, you know. | 0:17:20 | 0:17:22 | |
One of them is, er...you have to be observant, you know. Notice things. | 0:17:22 | 0:17:28 | |
-And this makes you funny? -It can do, yeah. | 0:17:28 | 0:17:30 | |
You know, like, er... have you ever noticed on a train | 0:17:30 | 0:17:33 | |
people always get up ages before they need to when they're getting off? | 0:17:33 | 0:17:36 | |
-Yes, I have noticed this. -Why is that? | 0:17:36 | 0:17:39 | |
You think this is funny? | 0:17:42 | 0:17:43 | |
Obviously, that was a bad example. That was just off the top of my head. | 0:17:43 | 0:17:46 | |
-In my country we have very funny joke. -Have you? Good. So, about the arm... | 0:17:46 | 0:17:51 | |
There is gypsy and he's, er, finding dead sheep in the road. | 0:17:51 | 0:17:54 | |
-So he gets off his horse and he goes... -Can I stop you there, Magda? | 0:17:54 | 0:17:57 | |
We don't do jokes about gypsies over here. It's...it's a bit racist. | 0:17:57 | 0:18:02 | |
You don't find gypsies funny? | 0:18:02 | 0:18:04 | |
Not any more, no. No, we've moved on, so... | 0:18:04 | 0:18:08 | |
Anyway, there you go. | 0:18:08 | 0:18:11 | |
-Thank you. -Hm. | 0:18:11 | 0:18:14 | |
Yeah. | 0:18:15 | 0:18:17 | |
So, the arm's getting better? | 0:18:19 | 0:18:21 | |
Yes. | 0:18:21 | 0:18:23 | |
-But you still need to use the sling? -Yes, because it's difficult to move. | 0:18:24 | 0:18:29 | |
Yeah, I noticed. Huh. | 0:18:29 | 0:18:31 | |
Well, drink your tea. | 0:18:31 | 0:18:35 | |
-Ha-ha. -Yes. | 0:18:35 | 0:18:37 | |
-Biscuit? -Yes, please. | 0:18:37 | 0:18:39 | |
Mm. | 0:18:39 | 0:18:41 | |
Catch. | 0:18:41 | 0:18:43 | |
Oh. Sorry. | 0:18:43 | 0:18:45 | |
Sorry. | 0:18:45 | 0:18:47 | |
Why...why have you done this? | 0:18:47 | 0:18:49 | |
I thought you would catch it with your... | 0:18:49 | 0:18:51 | |
Um...have one from the packet. They're...they're just sponge. They won't... | 0:18:51 | 0:18:56 | |
Finish your joke about the gypsy. | 0:18:56 | 0:18:58 | |
He found a dead sheep, did he? Cor! | 0:18:58 | 0:19:01 | |
Is it...family? | 0:19:30 | 0:19:34 | |
Oh, no, those are some young offenders I work with. We sent them | 0:19:34 | 0:19:37 | |
-on a skiing trip. -Oh, right. | 0:19:37 | 0:19:39 | |
Unfortunately, there's no funding for that any more. | 0:19:39 | 0:19:41 | |
Oh, shame. Er...but the... the comedy course is still... | 0:19:41 | 0:19:45 | |
Well, that's what I'd like to talk to you about. | 0:19:45 | 0:19:49 | |
We'd like to contract you for a two-year programme of classes. | 0:19:49 | 0:19:52 | |
Great, I can't wait to start. | 0:19:52 | 0:19:54 | |
That leads me on to the other bit of good news. | 0:19:54 | 0:19:57 | |
We've already got a very exciting venue | 0:19:57 | 0:19:59 | |
-for your first session of classes. -Fantastic. | 0:19:59 | 0:20:02 | |
It's exactly the sort of community we need to engage with. | 0:20:02 | 0:20:04 | |
-Great. Where is it? -Belford Prison. | 0:20:04 | 0:20:07 | |
-What? -The maximum-security prison. | 0:20:08 | 0:20:10 | |
-Do you know it? -Well, yeah. From the news. | 0:20:10 | 0:20:14 | |
The thing is, Rick, some of the prisoners there... | 0:20:14 | 0:20:17 | |
-are extremely disturbed. -I expect they are, yeah. | 0:20:17 | 0:20:20 | |
In some cases, even their families and friends have given up on them. | 0:20:20 | 0:20:23 | |
-Well, yeah. -We have to reach out to them | 0:20:24 | 0:20:25 | |
and equip them with the skills they'll need when they're back in the community. | 0:20:25 | 0:20:28 | |
Do we? | 0:20:28 | 0:20:30 | |
I'm...I'm not sure comedy can help with that. | 0:20:30 | 0:20:35 | |
The thing is, Rick, comedy can be really empowering. | 0:20:35 | 0:20:39 | |
Yeah, but the other thing is, Libby, | 0:20:39 | 0:20:42 | |
should we be empowering people who use their power to do bad things? | 0:20:42 | 0:20:46 | |
Well, that's a very interesting question, but all the evidence suggests... | 0:20:46 | 0:20:50 | |
I know - community drumming. Get them doing that, you know, instead. | 0:20:50 | 0:20:54 | |
Well, unfortunately, we've had to stop funding that | 0:20:54 | 0:20:56 | |
and anyway they're not allowed musical instruments, | 0:20:56 | 0:20:59 | |
because in the past they have used them as weapons. | 0:20:59 | 0:21:02 | |
Have they? | 0:21:02 | 0:21:03 | |
Ah...really not sure about this prison thing, | 0:21:03 | 0:21:07 | |
and I really do think, to be honest, Libby, | 0:21:07 | 0:21:10 | |
we should start with a few art centres. | 0:21:10 | 0:21:12 | |
Well, the thing is, Rick, I'm afraid we need you | 0:21:12 | 0:21:14 | |
to commit to the whole package, or we can't release the funding. | 0:21:14 | 0:21:17 | |
Interesting. Can I think about that? | 0:21:21 | 0:21:22 | |
Do I want to teach comedy to a bunch of wackos? | 0:21:22 | 0:21:26 | |
It's tempting, but you know what? On balance, I think I'll pass. | 0:21:26 | 0:21:30 | |
If you want to shirk your civil responsibility... | 0:21:30 | 0:21:33 | |
Yes, please, I do. | 0:21:33 | 0:21:34 | |
Well, that's a shame, cos I was gonna give you half the money and... | 0:21:34 | 0:21:37 | |
well, more than half the money, actually. | 0:21:37 | 0:21:39 | |
-But that doesn't matter now. -No, it doesn't. | 0:21:39 | 0:21:41 | |
-Fine, I'll do it. -Good, that's settled, then. | 0:21:41 | 0:21:43 | |
It'll look good on the CV. "Rick Spleen, mentor to the criminally insane." | 0:21:43 | 0:21:48 | |
Um...Rick, I just wanted to say sorry about the other night. | 0:21:48 | 0:21:52 | |
Um...the heckling might have gone a bit over the top. | 0:21:52 | 0:21:56 | |
Oh, no, no, no. That's fine. That was meant to happen. | 0:21:56 | 0:22:00 | |
That was the whole point of it. I was in control. | 0:22:00 | 0:22:03 | |
Oh, good. So, no hard feelings, then? | 0:22:03 | 0:22:05 | |
No. | 0:22:05 | 0:22:07 | |
Ah, got you! Ha-ha-ha. It was classic, though. "Off, off, off!" | 0:22:10 | 0:22:14 | |
And when you stormed off, someone shouted, "Come back and get off again!" | 0:22:14 | 0:22:18 | |
-Oh, did they? I didn't hear that. -Hey, Michael. | 0:22:18 | 0:22:20 | |
Guess where they asked Rick to do his comedy class. | 0:22:20 | 0:22:22 | |
-Go on. -Belford Prison. | 0:22:22 | 0:22:24 | |
-Oh, that is hilarious! In prison? -She's paying me quite a lot of money. | 0:22:24 | 0:22:27 | |
It's the ultimate deterrent, a comedy class from Rick Spleen. | 0:22:27 | 0:22:31 | |
Yes, yes, I always knew his comedy would land him in jail. | 0:22:31 | 0:22:34 | |
-That is a funny line. -Thank you. | 0:22:34 | 0:22:35 | |
Maybe I should run this prison workshop thing. | 0:22:35 | 0:22:38 | |
-Would you? -No. | 0:22:38 | 0:22:40 | |
You tried. | 0:22:42 | 0:22:44 | |
So, come on, finish the rest of that gypsy joke. | 0:22:44 | 0:22:47 | |
So...so, the gypsy sees a dead sheep in the middle of the road, | 0:22:47 | 0:22:52 | |
and, er...he gets off his horse, he goes up to it and gives it a kick... | 0:22:52 | 0:22:56 | |
Sure you don't want a bowl for that? | 0:23:03 | 0:23:05 | |
-Spoon? -Er...no, it's OK. | 0:23:05 | 0:23:08 | |
Only they are literally within arm's reach, if you change your mind. | 0:23:08 | 0:23:11 | |
No, I'm all right. | 0:23:11 | 0:23:13 | |
-Er...Dad, I hear you're going to prison. -So it would seem, yeah. | 0:23:13 | 0:23:16 | |
Belford, yeah? | 0:23:16 | 0:23:17 | |
Her Majesty's Prison, Belford. That's correct. | 0:23:17 | 0:23:20 | |
Oh, yeah. Spikey says can you say hello to Razor and Skunk? | 0:23:20 | 0:23:22 | |
-Razor and Skunk? -Oh, if you see 'em, yeah. | 0:23:22 | 0:23:25 | |
-What, they're friends of his? -No, they're his brothers. | 0:23:25 | 0:23:27 | |
Oh, that's nice for them. They're in the same prison, are they? | 0:23:27 | 0:23:30 | |
-Yeah. -Mm. What are they in for? | 0:23:30 | 0:23:33 | |
-Er...18 months. -No, what did they do? | 0:23:33 | 0:23:36 | |
-Oh. Er...nothing. -Yeah. No, they were framed. | 0:23:36 | 0:23:39 | |
Framed? Oh, no, I hate it when that happens. Poor Razor and Skunk. | 0:23:39 | 0:23:43 | |
-Exactly. -Maybe they can appeal. | 0:23:43 | 0:23:45 | |
Their lawyer said not to bother. It might make things worse. | 0:23:45 | 0:23:48 | |
Did he? | 0:23:48 | 0:23:49 | |
Yep. | 0:23:49 | 0:23:50 | |
Well, I shall pass on Spikey's fondest wishes. | 0:23:50 | 0:23:53 | |
Unless he has a package he'd like me to smuggle in as well? | 0:23:53 | 0:23:56 | |
-Er...he does, actually. -Yeah. | 0:23:56 | 0:23:58 | |
We thought you probably wouldn't want to. | 0:23:58 | 0:24:01 | |
-Yeah, might be right. -Yeah. | 0:24:01 | 0:24:02 | |
-What was it anyway? -Er...don't know. Drugs, I suppose. | 0:24:02 | 0:24:05 | |
-Yeah, yeah, it was drugs. -Oh, drugs, was it? Yeah. Hm. | 0:24:05 | 0:24:09 | |
Ben, I think I'm gonna have to insist that we move on to the bowl. | 0:24:09 | 0:24:13 | |
There we go, and, er...probably even stretch to a spoon as well. | 0:24:13 | 0:24:19 | |
Far easier. Not to mention cleaner. | 0:24:19 | 0:24:21 | |
Bon appetit. | 0:24:21 | 0:24:23 | |
I still don't get why you had to give Magda a whole week off. | 0:24:34 | 0:24:39 | |
Because it's not very nice when someone hurls a biscuit at your face. | 0:24:39 | 0:24:42 | |
I have explained it wasn't a biscuit. It was a Jaffa Cake. | 0:24:42 | 0:24:46 | |
-Mostly sponge. -You threw it at her face. | 0:24:46 | 0:24:48 | |
To be fair, she was being racist, very racist. | 0:24:48 | 0:24:52 | |
She was coming out with stuff about gypsies and God knows what. | 0:24:52 | 0:24:55 | |
It wasn't nice to listen to. | 0:24:55 | 0:24:58 | |
And besides, we do now know that she genuinely did have a bad arm, so... | 0:24:58 | 0:25:02 | |
Well, anyway. Good luck this afternoon. | 0:25:02 | 0:25:05 | |
Thanks. | 0:25:05 | 0:25:07 | |
Do you think they'll strip-search you? | 0:25:08 | 0:25:10 | |
No, course they won't. | 0:25:11 | 0:25:13 | |
I mean, if they did want to strip-search me, I'd say, | 0:25:13 | 0:25:17 | |
"You've crossed the line. I'm not doing that. It's disgusting." | 0:25:17 | 0:25:20 | |
Anyway, it's not the warders you need to worry about. It's the prisoners. | 0:25:20 | 0:25:25 | |
-I'll be fine. -Course you will. | 0:25:25 | 0:25:28 | |
They only go for the pretty ones. | 0:25:28 | 0:25:30 | |
MUSIC: "The Perfect Space" by The Avett Brothers | 0:25:30 | 0:25:35 | |
INAUDIBLE | 0:25:37 | 0:25:40 | |
INAUDIBLE | 0:25:51 | 0:25:53 | |
# I wanna have friends that I can trust | 0:26:01 | 0:26:08 | |
# That love me for the man I've become not the man that I was | 0:26:10 | 0:26:15 | |
# And I wanna have friends that let me be | 0:26:17 | 0:26:23 | |
# All alone when being alone is all that I need... | 0:26:25 | 0:26:31 | |
# I wanna fit in | 0:26:50 | 0:26:53 | |
# To the perfect space | 0:26:54 | 0:26:56 | |
# Feel natural and safe in a volatile place | 0:26:58 | 0:27:05 | |
# And I wanna grow old without the pain | 0:27:06 | 0:27:13 | |
# Give my body back to the earth and not complain... # | 0:27:14 | 0:27:19 | |
Oh! Well done, Rick. I thought that was a really encouraging start. | 0:27:19 | 0:27:24 | |
Yeah, I think they got quite a lot out of it. | 0:27:24 | 0:27:26 | |
-It was empowering... -Right, back off, or I'll cut him. | 0:27:26 | 0:27:30 | |
-Calm down, Donald. -Back off! | 0:27:30 | 0:27:31 | |
Right, you stay absolutely still | 0:27:31 | 0:27:33 | |
or this is going into your neck, right? Back off! | 0:27:33 | 0:27:36 | |
I think maybe do as he says. | 0:27:36 | 0:27:39 | |
# I wanna get by but I really can't take the pain | 0:27:57 | 0:28:03 | |
# Cos it will blow away my soul like a hurricane | 0:28:04 | 0:28:08 | |
# Oh, I'm like a one-man band clapping in the pouring rain... # | 0:28:10 | 0:28:15 |