Browse content similar to A New Low. Check below for episodes and series from the same categories and more!
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Hello to you! Come on, settle down. You, coming in with your cup of tea, you're late. | 0:00:02 | 0:00:05 | |
Obviously I can't see you, but if you WERE coming in with a cup of tea | 0:00:05 | 0:00:09 | |
then, spooky/exciting moment! | 0:00:09 | 0:00:11 | |
So, previously in my life, | 0:00:13 | 0:00:15 | |
it became obvious why I have an element of the prude about me. | 0:00:15 | 0:00:18 | |
Mum? Dad? Listen, I wondered if I could borrow that... | 0:00:18 | 0:00:23 | |
Urgh, my eyes! | 0:00:23 | 0:00:24 | |
Sorry, darling. Tuesday nights are now naughty knitting nights. | 0:00:24 | 0:00:30 | |
Such fun. | 0:00:30 | 0:00:31 | |
Not fun! | 0:00:31 | 0:00:32 | |
What else? Oh, yes, I've got a new friend. | 0:00:32 | 0:00:35 | |
Tamara, she's waitressing at the restaurant. | 0:00:35 | 0:00:38 | |
She's only 22, but I keep up pretty well. Oh yeah. | 0:00:38 | 0:00:41 | |
Oh, Tamara, I think you've put a sausage roll in the scotch egg tub. | 0:00:41 | 0:00:45 | |
Doesn't matter. Go with the flow. | 0:00:45 | 0:00:47 | |
Hey, let's roll down the hill. | 0:00:47 | 0:00:49 | |
Right, OK. Crazy, the mind of the youth. | 0:00:49 | 0:00:52 | |
I don't like it, I don't, that is horrible. Why would you do that? | 0:00:55 | 0:00:59 | |
And Gary and I haven't talked | 0:00:59 | 0:01:01 | |
since he suggested we have, um, (sex). | 0:01:01 | 0:01:04 | |
But I'm not bothered, no, cos I have a very exciting and fulfilling home life. | 0:01:04 | 0:01:08 | |
Oh, yeah, I mean, last night was crazy. | 0:01:08 | 0:01:11 | |
See? Good times. Right, let's jolly on with the show. | 0:01:20 | 0:01:24 | |
What are you doing? | 0:01:37 | 0:01:38 | |
MIRANDA GASPS | 0:01:39 | 0:01:41 | |
Youths! | 0:01:41 | 0:01:43 | |
Look at them, they're like a pack of be-shellsuited hyenas. | 0:01:43 | 0:01:47 | |
-Hyenae. -Hyenae, I bet they don't even care about Latin plurals. | 0:01:47 | 0:01:50 | |
Well, don't start speaking in Latin plurals. | 0:01:50 | 0:01:53 | |
I won't. I hope not to engage with them at all. | 0:01:53 | 0:01:55 | |
THEY GASP | 0:01:55 | 0:01:56 | |
-Oh, no! -Right. Don't let them smell our fear. Just act casual. | 0:01:56 | 0:02:00 | |
THEY HUM THE ARCHERS THEME | 0:02:00 | 0:02:04 | |
Why are we singing The Archer's theme tune? | 0:02:04 | 0:02:06 | |
Let me get this, innit? Man here wants it for his yat. D'you get me? | 0:02:06 | 0:02:10 | |
Absolutely, yeah, totally. | 0:02:10 | 0:02:12 | |
I like your mask. | 0:02:12 | 0:02:14 | |
Is it a Halloween one? | 0:02:14 | 0:02:16 | |
THEY LAUGH | 0:02:16 | 0:02:17 | |
That's so funny. | 0:02:17 | 0:02:19 | |
No, but for real though. | 0:02:19 | 0:02:20 | |
-You're kind of trim for a teabag, though. Do you know what I mean? -Yes! | 0:02:20 | 0:02:24 | |
No! | 0:02:24 | 0:02:26 | |
-Phew. -How pathetic. | 0:02:28 | 0:02:30 | |
We are grown women. | 0:02:30 | 0:02:32 | |
Well, one of us has grown. Tiny! | 0:02:32 | 0:02:34 | |
Right, I'm off to the restaurant. | 0:02:37 | 0:02:39 | |
-Off to meet Tamara, are we? -What do you mean, "are we"? | 0:02:39 | 0:02:42 | |
I'm just off to meet Tamara for a coffee. | 0:02:42 | 0:02:44 | |
Going for a coffee with Tamara, are we? | 0:02:44 | 0:02:47 | |
She's just as much my friend. | 0:02:47 | 0:02:49 | |
No, she's not, because I was the one who made friends with her. | 0:02:49 | 0:02:53 | |
You're a friend of a friend. Friend-ish. Friendoid. | 0:02:53 | 0:02:56 | |
Well, I'm not competing. | 0:02:56 | 0:02:58 | |
Oh, whatever. Yeah? You're jealous cos I've someone else to have fun with. | 0:02:58 | 0:03:02 | |
Well, I have more fun with Tamara. | 0:03:02 | 0:03:04 | |
On my fun scale, she's 85%, you are just 40. | 0:03:04 | 0:03:07 | |
40?! Who invented Cake Soup and Roulade Roulette? | 0:03:07 | 0:03:12 | |
I'll tell you who, Captain Fun Times. | 0:03:12 | 0:03:14 | |
Well, did I, or did I not, invent Talk Like Duncan Bannatyne Day? | 0:03:14 | 0:03:19 | |
Boring. Very boring game. | 0:03:19 | 0:03:21 | |
The game that you love, is my game: Where's Miranda? | 0:03:21 | 0:03:24 | |
Found her! | 0:03:30 | 0:03:32 | |
Opening the door, are we? | 0:03:38 | 0:03:40 | |
Putting "are we" after a fact does not make it an insult. | 0:03:40 | 0:03:44 | |
-What are you doing? -Just taking an early lunch break to meet my friend. | 0:03:44 | 0:03:48 | |
-My friend. -My friend. -My friend. -My friend. | 0:03:48 | 0:03:51 | |
Ooh, wearing our coat from Gap for Kids, are we? | 0:03:51 | 0:03:54 | |
It does work. | 0:03:54 | 0:03:55 | |
Excuse me, I'm first... THEY SQUABBLE | 0:03:55 | 0:03:59 | |
Hi, Clive. Is Tamara here? | 0:04:01 | 0:04:03 | |
She's buying milk. I'd say she won't be long, but she's probably skiving again. | 0:04:03 | 0:04:07 | |
It's all finished. Just a loose wing nut. | 0:04:07 | 0:04:09 | |
BOTH: Phwoar! | 0:04:09 | 0:04:11 | |
Just needed a bit of muscle, that's all, know what I mean? | 0:04:11 | 0:04:14 | |
Cheers. Yeah, I thought it was probably the wing nut. | 0:04:14 | 0:04:18 | |
Here you go, mate. There's a score. | 0:04:18 | 0:04:19 | |
-Cheers, mate. Be lucky. -All right, son. | 0:04:19 | 0:04:21 | |
-What? -You just tried to get all builder alpha male. | 0:04:23 | 0:04:28 | |
What do you mean "tried to"? I'm alpha male. | 0:04:28 | 0:04:31 | |
Ryan! Ryan! Excuse me. | 0:04:31 | 0:04:32 | |
Just add a bit of parsley. | 0:04:32 | 0:04:35 | |
"Just add a bit of parsley". | 0:04:35 | 0:04:37 | |
All right! | 0:04:37 | 0:04:38 | |
Oooh! | 0:04:38 | 0:04:41 | |
Miranda, can we...? | 0:04:41 | 0:04:43 | |
-So have you thought any more about us...? -What? | 0:04:43 | 0:04:46 | |
The "us spending the night together" | 0:04:46 | 0:04:48 | |
thingimyjig? A bit. | 0:04:48 | 0:04:51 | |
I've literally thought of nothing else. | 0:04:51 | 0:04:54 | |
Great. I still really want to give us a chance, | 0:04:54 | 0:04:56 | |
so I wondered if you might want to go on another date this week? | 0:04:56 | 0:04:59 | |
-Yeah. Great. -Great. | 0:04:59 | 0:05:02 | |
-So I'm alpha male enough for you, then? -You, alpha male?! | 0:05:02 | 0:05:05 | |
Sorry, sorry. | 0:05:05 | 0:05:06 | |
Tamara! | 0:05:06 | 0:05:08 | |
-Tamara! -Tamara, Tamara... | 0:05:08 | 0:05:10 | |
# We love you, Tamara | 0:05:10 | 0:05:11 | |
# You're only a day away. # | 0:05:11 | 0:05:15 | |
Oh, what a lovely welcome. Hey, girls. | 0:05:15 | 0:05:18 | |
I'll put the milk in the fridge, then, shall I? | 0:05:18 | 0:05:20 | |
I thought you said she was a good waitress in Hong Kong. | 0:05:20 | 0:05:23 | |
Give it a rest. | 0:05:23 | 0:05:24 | |
So, I've just been handed this leaflet for an art class, for painting, from tonight. | 0:05:24 | 0:05:29 | |
Thought maybe it's fate. You up for it? | 0:05:29 | 0:05:31 | |
-Yeah, sure. -Yeah, wicked, yeah. | 0:05:31 | 0:05:33 | |
-I've always liked art. Do you like Botticelli? -Oh, amazing. -Amazing. | 0:05:33 | 0:05:37 | |
-You don't know what Botticelli is. -Yes, I do. It's an ice cream. | 0:05:37 | 0:05:40 | |
Yes, obviously that was a joke. | 0:05:42 | 0:05:44 | |
So... Botticelli is? | 0:05:46 | 0:05:48 | |
Um... | 0:05:48 | 0:05:51 | |
A painter. | 0:05:51 | 0:05:54 | |
When did he paint? | 0:05:54 | 0:05:55 | |
He painted in... | 0:05:56 | 0:05:58 | |
HE MOUTHS | 0:05:58 | 0:06:00 | |
SHE MANGLES THE WORDS | 0:06:00 | 0:06:01 | |
HE MOUTHS | 0:06:01 | 0:06:04 | |
He painted in...the renAI-ssance! | 0:06:04 | 0:06:06 | |
I've always said it like that. | 0:06:08 | 0:06:10 | |
And what kind of paintings? | 0:06:10 | 0:06:12 | |
Big ones... | 0:06:12 | 0:06:15 | |
-specialising in... -HE MOUTHS | 0:06:15 | 0:06:17 | |
Oooh... | 0:06:17 | 0:06:20 | |
Nuu... | 0:06:20 | 0:06:23 | |
Nuuudes. | 0:06:23 | 0:06:26 | |
He painted nuuudes in the RenAI-ssance. | 0:06:26 | 0:06:30 | |
Yeah, so count ME in, yeah. | 0:06:30 | 0:06:32 | |
Great. I'll get some drinks. | 0:06:32 | 0:06:35 | |
"Nuuuddes"? Being an idiot, are we? | 0:06:35 | 0:06:38 | |
-Slapping me, are we? -Ow! -No, you hit me first. | 0:06:38 | 0:06:43 | |
Stop it! Oi! Oh, hi, Tamara. | 0:06:43 | 0:06:46 | |
Coming down the stairs, are we? | 0:06:48 | 0:06:51 | |
Sitting behind the till, are we? | 0:06:51 | 0:06:54 | |
Using the "are we", are we? | 0:06:54 | 0:06:56 | |
Hi, darling. Hi, Stevie, how are you? | 0:06:56 | 0:06:59 | |
-Well, I'm all right... -Oh, good. | 0:06:59 | 0:07:02 | |
Now... Look what your hip mother has got herself. | 0:07:02 | 0:07:07 | |
A portable phone. | 0:07:07 | 0:07:10 | |
It's a mo-bile. Only 20 years behind. | 0:07:10 | 0:07:15 | |
I wasn't going to get one on principle, but your father insisted. | 0:07:15 | 0:07:19 | |
He said saucy text messages were all the rage. | 0:07:19 | 0:07:21 | |
I thought being rude on the phone meant working for BT. | 0:07:21 | 0:07:25 | |
Now listen, Phyllida's cousin, Julian Langtuttington, single, | 0:07:26 | 0:07:32 | |
is arranging a vegan barbecue. I mean, what is the point? | 0:07:32 | 0:07:36 | |
What are they going to do, grill a bread roll? | 0:07:36 | 0:07:38 | |
But then again Julian is a little bit... | 0:07:38 | 0:07:41 | |
SHE MOUTHS | 0:07:41 | 0:07:42 | |
He thought pot pourri was a tropical disease. | 0:07:42 | 0:07:45 | |
I think he needs... | 0:07:45 | 0:07:46 | |
SHE MOUTHS | 0:07:46 | 0:07:48 | |
-No, you see, all I'm seeing is... -SHE MOUTHS | 0:07:48 | 0:07:51 | |
FULL-TIME CARE! | 0:07:51 | 0:07:53 | |
All right! | 0:07:53 | 0:07:54 | |
Phyllida's going to text me the details. | 0:07:54 | 0:07:57 | |
-You should've asked, I could've been busy. -THEY LAUGH | 0:07:57 | 0:08:01 | |
-PHONE BEEPS -Ooh! | 0:08:03 | 0:08:05 | |
A text! | 0:08:07 | 0:08:08 | |
Oh, bear with, bear with. | 0:08:08 | 0:08:12 | |
Such fun. | 0:08:12 | 0:08:13 | |
Oh, just wear your glasses. | 0:08:16 | 0:08:18 | |
It's bad for your eyes to strain. | 0:08:18 | 0:08:20 | |
I think glasses look very elegant on an older woman. | 0:08:20 | 0:08:23 | |
-Older woman? -A mature lady. A woman of your age. | 0:08:26 | 0:08:30 | |
And what age would that be? | 0:08:30 | 0:08:32 | |
Oh, um... | 0:08:33 | 0:08:35 | |
Scared! | 0:08:35 | 0:08:36 | |
Six... Fifty-ni... | 0:08:37 | 0:08:40 | |
eigh... | 0:08:40 | 0:08:41 | |
sev...fifty-si...fou... | 0:08:41 | 0:08:46 | |
49? | 0:08:46 | 0:08:48 | |
Very elegant. | 0:08:48 | 0:08:50 | |
As long as you don't wear them on a chain, cos that can make you look very old. | 0:08:51 | 0:08:55 | |
What do you mean by very old? | 0:08:55 | 0:08:58 | |
She keeps walking in to it. | 0:08:58 | 0:09:00 | |
Old, you know, when you're like six... | 0:09:00 | 0:09:03 | |
Ooh! | 0:09:03 | 0:09:04 | |
Over a hundred, like your 120s. | 0:09:04 | 0:09:08 | |
Right. | 0:09:08 | 0:09:09 | |
-So darling, tonight, at... -Oh, I can't tonight, I've got plans. | 0:09:09 | 0:09:13 | |
-What? -An art class. I do things! | 0:09:13 | 0:09:16 | |
Miranda, the last time you went out after nine o'clock was when you forgot to put the bins out! | 0:09:16 | 0:09:21 | |
THEY LAUGH | 0:09:21 | 0:09:24 | |
Oh, ha-ha-ha(!) | 0:09:24 | 0:09:26 | |
Excuse me, I have a life. | 0:09:26 | 0:09:28 | |
You do know staying in with fruit friends doesn't count? | 0:09:28 | 0:09:32 | |
I do not do that. | 0:09:32 | 0:09:35 | |
# It's a shame we never listen | 0:09:37 | 0:09:41 | |
# I told you through the television | 0:09:41 | 0:09:46 | |
# And all that went away was the price we paid. # | 0:09:46 | 0:09:51 | |
Yeah, Gordon. | 0:09:51 | 0:09:52 | |
Hello, everybody, welcome to the class. | 0:09:52 | 0:09:55 | |
We'll be together for SIX SESSIONS! Twice weekly, for THREE WEEKS! | 0:09:55 | 0:10:00 | |
Focusing on STILL LIFE! | 0:10:00 | 0:10:02 | |
Hope it's not food. I'll just want to EAT IT! | 0:10:02 | 0:10:04 | |
Stop it. | 0:10:05 | 0:10:07 | |
I'm just sharing a joke with MY friend, Tamara. | 0:10:07 | 0:10:09 | |
Tonight we start with LIFE DRAWING. | 0:10:09 | 0:10:13 | |
This is Johnny, our life model tonight. | 0:10:13 | 0:10:17 | |
And don't forget "Little Johnny." That's inappropriate. | 0:10:17 | 0:10:21 | |
So, tomorrow night, we'll be doing the female form. | 0:10:21 | 0:10:23 | |
Unfortunately our regular model is UNWELL, | 0:10:23 | 0:10:26 | |
so if anyone would like to volunteer, | 0:10:26 | 0:10:28 | |
please do give me a call in the morning. | 0:10:28 | 0:10:30 | |
I life modelled once. So freeing. | 0:10:30 | 0:10:32 | |
Tamara, that is really brave. | 0:10:32 | 0:10:34 | |
It's good to cross personal boundaries. | 0:10:34 | 0:10:37 | |
Excuse me, this is a personal conversation. | 0:10:37 | 0:10:40 | |
Miranda very much stays in her comfort zone. | 0:10:48 | 0:10:51 | |
That is absolutely not the case. | 0:10:51 | 0:10:54 | |
Only last week, I had savoury, moved to sweet, | 0:10:54 | 0:10:58 | |
then switched back to savoury. | 0:10:58 | 0:11:01 | |
With your nudity issues, | 0:11:02 | 0:11:04 | |
seeing a naked man is out of your comfort zone. | 0:11:04 | 0:11:07 | |
I am fine with nudity. | 0:11:07 | 0:11:09 | |
He moved, it moved! | 0:11:09 | 0:11:11 | |
Who said that? | 0:11:11 | 0:11:13 | |
That it so childish. | 0:11:13 | 0:11:15 | |
What? | 0:11:17 | 0:11:19 | |
Hey, crazy ladies... | 0:11:41 | 0:11:44 | |
listen, shall we go out? | 0:11:44 | 0:11:46 | |
-When? -Tonight. -What? | 0:11:46 | 0:11:48 | |
But we are out. | 0:11:48 | 0:11:50 | |
Let's go out-out. To a club. | 0:11:50 | 0:11:52 | |
Now?! | 0:11:52 | 0:11:54 | |
But it's nearly nine. | 0:11:54 | 0:11:57 | |
Four words - Rush. Home. For... | 0:11:57 | 0:12:01 | |
Poirot. | 0:12:01 | 0:12:03 | |
I'm up for going out-out. | 0:12:04 | 0:12:07 | |
Miranda's always very in-in. | 0:12:07 | 0:12:10 | |
-Great, so shall I meet you at the restaurant at 11? -11?! | 0:12:10 | 0:12:13 | |
Yeah, I'm up for it. Absolutely, yeah. | 0:12:14 | 0:12:16 | |
See you there, dudes! | 0:12:16 | 0:12:18 | |
Gary, listen, I need your help. I've got to stay awake... | 0:12:20 | 0:12:24 | |
See? Chefs can't be manly. | 0:12:24 | 0:12:26 | |
-You're so sweet. -Please don't call me sweet. | 0:12:26 | 0:12:29 | |
Sorry. I need coffee and something sugary. | 0:12:29 | 0:12:32 | |
I am going out-out with Tamara. | 0:12:32 | 0:12:35 | |
You seem obsessed with Tamara at the moment. Pavlova OK? | 0:12:35 | 0:12:38 | |
There's no need to cut that. | 0:12:38 | 0:12:40 | |
Thanks. I'm not obsessed with her. | 0:12:42 | 0:12:45 | |
No, she's keeping me young. Plus Stevie thinks she's a better friend. | 0:12:45 | 0:12:49 | |
Not one of your stupid competitions again. | 0:12:49 | 0:12:52 | |
OK. First one to pop all their bubbles. | 0:12:52 | 0:12:54 | |
On your marks, get set... go! | 0:12:54 | 0:12:56 | |
Do you ever feel old at 35? It's a weird in-between age if you're single, cos most people... | 0:13:04 | 0:13:09 | |
Are you still single? | 0:13:09 | 0:13:10 | |
I hoped you were off the market. | 0:13:10 | 0:13:13 | |
Yeah? | 0:13:13 | 0:13:14 | |
Yeah, cos I was going to book a room at that new spa hotel for us. | 0:13:14 | 0:13:18 | |
-If that's OK? -It is. -Great. | 0:13:18 | 0:13:22 | |
-I'll go and give them a call. -OK. | 0:13:22 | 0:13:25 | |
I could do a little weep of joy. | 0:13:25 | 0:13:28 | |
Drooling over Gary, are we? | 0:13:29 | 0:13:31 | |
Mutton dressed as lamb, are we? | 0:13:31 | 0:13:33 | |
Are you ready to party? | 0:13:34 | 0:13:37 | |
Yeah, I'm getting a bit of a high. | 0:13:37 | 0:13:39 | |
-Cool, what have you taken? -Pavlova. | 0:13:39 | 0:13:42 | |
-Let's go! -OK! | 0:13:42 | 0:13:43 | |
# I'm sick and tired of my phone ri-ringing! # | 0:13:48 | 0:13:51 | |
I can't believe the club closed at 2:30! | 0:13:51 | 0:13:56 | |
-SHE GASPS -More music! | 0:13:56 | 0:13:57 | |
Help me, I'm so tired. | 0:13:57 | 0:14:00 | |
Where do you go if you want to party till dawn? | 0:14:00 | 0:14:03 | |
Come on, let's see the sun rise. | 0:14:03 | 0:14:06 | |
This town is so lame. But it must be cool here when you're middle-aged. | 0:14:08 | 0:14:12 | |
BOTH: When you're what now, please? | 0:14:13 | 0:14:16 | |
Aren't you mid-40s? Oh, it doesn't matter, does it? | 0:14:16 | 0:14:19 | |
It does a bit! | 0:14:19 | 0:14:21 | |
-Middle-aged?! -Mid-40s?! | 0:14:23 | 0:14:25 | |
We'll show her. Oh, hide your Midsomer Murder DVDs. | 0:14:25 | 0:14:28 | |
-Werthers, knitting. -Quick! | 0:14:28 | 0:14:30 | |
-We're not sleeping till she sleeps. Deal? -Deal. | 0:14:31 | 0:14:34 | |
Foe no more, friend for sure. | 0:14:34 | 0:14:37 | |
Love you! | 0:14:37 | 0:14:38 | |
This is one of Gary's favourite songs... | 0:14:38 | 0:14:40 | |
Right, come on, funk down. Show her our stuff. | 0:14:40 | 0:14:45 | |
-Time? -3:15. -OK. Cola. | 0:14:50 | 0:14:53 | |
Energy drink. | 0:14:53 | 0:14:54 | |
-Coffee. OK. -Come on, girls... | 0:14:56 | 0:15:00 | |
Make over. | 0:15:00 | 0:15:02 | |
Go on without me, save yourself. | 0:15:04 | 0:15:06 | |
You can do this. | 0:15:06 | 0:15:07 | |
I love this game! | 0:15:25 | 0:15:27 | |
Come on! | 0:15:34 | 0:15:35 | |
-More coffee! -Yes! | 0:15:38 | 0:15:40 | |
-Come on. -Yes. Yes, coffee, quickly. | 0:15:40 | 0:15:42 | |
ALARM CLOCKS RING | 0:15:46 | 0:15:48 | |
Its 9am! Too late for sleep! | 0:15:48 | 0:15:51 | |
Let's go swimming! | 0:15:51 | 0:15:54 | |
Come on. | 0:15:57 | 0:15:59 | |
I thought there was another step but they've finished, I hate that. | 0:16:01 | 0:16:04 | |
I'll get my costume and meet you back here. | 0:16:04 | 0:16:06 | |
I find a swim is often better than a sleep. Don't you? | 0:16:06 | 0:16:10 | |
Yes. | 0:16:10 | 0:16:12 | |
No! | 0:16:12 | 0:16:13 | |
Hey, and let's go shopping later. | 0:16:13 | 0:16:17 | |
Shopping?! | 0:16:18 | 0:16:20 | |
Get up! | 0:16:21 | 0:16:23 | |
-We can do this! -I will not be defeated. | 0:16:23 | 0:16:26 | |
We are young. Are you still with me? | 0:16:26 | 0:16:29 | |
I'm with you. | 0:16:29 | 0:16:30 | |
All right, ladies. | 0:16:34 | 0:16:35 | |
So, Miranda, you wanted to go to a hotel? | 0:16:35 | 0:16:40 | |
I've booked a room. | 0:16:40 | 0:16:42 | |
So come to my bar later and I'll take you there in my transit. | 0:16:42 | 0:16:46 | |
-Alpha male enough for you? -Yes... -Yay! -You're ruining it. | 0:16:48 | 0:16:51 | |
Sorry. All right, all right. See you later, see you later, sweet cheeks. | 0:16:51 | 0:16:56 | |
Ooh, somebody's just been woo-ed. | 0:16:56 | 0:16:59 | |
That was one hell of a woo. | 0:16:59 | 0:17:01 | |
100 woo points to him. | 0:17:01 | 0:17:04 | |
Welcome to Woo Central. | 0:17:04 | 0:17:06 | |
It's woo-nderful. | 0:17:06 | 0:17:08 | |
You've woo-uined it. | 0:17:08 | 0:17:10 | |
Stevie, it's actually happening with him. I feel teary again. | 0:17:12 | 0:17:17 | |
Are you ready? I'll go get changed then. | 0:17:17 | 0:17:20 | |
I'll meet you at the swimming pool. | 0:17:20 | 0:17:22 | |
Swimming! I can't, I'll be too tired for tonight. | 0:17:24 | 0:17:27 | |
You can do this, or do you want everyone to think | 0:17:27 | 0:17:30 | |
you're so old before your time you've joined the National Trust just for the gift shops? | 0:17:30 | 0:17:34 | |
You'll turn in to an even posher version of your what-I-call-mother | 0:17:34 | 0:17:38 | |
and whenever you taste a cake you'll say... | 0:17:38 | 0:17:41 | |
Ooh, good lord, that's moist. | 0:17:41 | 0:17:43 | |
That's an excellent point, Stevie. Agh! | 0:17:43 | 0:17:46 | |
That's an excellent point. Right. | 0:17:46 | 0:17:49 | |
Right, this is the plan. You go swimming. | 0:17:49 | 0:17:52 | |
Then I'll take over and go shopping. She won't know we're sleeping between shifts. | 0:17:52 | 0:17:56 | |
Between us, we'll make an excellent 20-something. | 0:17:56 | 0:17:59 | |
The stop of us will be un-twoable. | 0:17:59 | 0:18:01 | |
No. Many lights make hands work. | 0:18:01 | 0:18:05 | |
Come on! | 0:18:06 | 0:18:07 | |
Right, swimming things... | 0:18:07 | 0:18:09 | |
You can do this. | 0:18:12 | 0:18:14 | |
# You've got to search for the hero inside yourself! # | 0:18:14 | 0:18:18 | |
-Wake up! -Ooh! What am I doing here? | 0:18:20 | 0:18:23 | |
-Swimming things. -Swimming things! Right. | 0:18:23 | 0:18:26 | |
What am I doing in here? Swimming things! | 0:18:27 | 0:18:31 | |
Oh, gosh, I'm so sorry. | 0:18:31 | 0:18:32 | |
Can I help you at all, madam? | 0:18:32 | 0:18:35 | |
Should have changed at home. Fine with it. | 0:18:36 | 0:18:38 | |
-I'll see you in there. -Great, yeah. | 0:18:45 | 0:18:47 | |
Can't wait. Won't be long. | 0:18:47 | 0:18:49 | |
(Why, why would you?!) | 0:19:20 | 0:19:24 | |
Tit in eye. | 0:19:50 | 0:19:52 | |
And dignity intact. | 0:20:00 | 0:20:01 | |
I have a massive problem with nudity. | 0:20:04 | 0:20:06 | |
No! Did you keep up with her? | 0:20:06 | 0:20:10 | |
Yes. | 0:20:10 | 0:20:11 | |
-Are you OK? -Fine. -Right, OK, focus, I need your help. | 0:20:15 | 0:20:20 | |
Because art class, changing room, | 0:20:20 | 0:20:22 | |
I'm all cringed out and if I'm going to be wooed tonight, Stevie, | 0:20:22 | 0:20:25 | |
I've got to find a way to claim nakedity. | 0:20:25 | 0:20:28 | |
OK, calm. You just need to normalise it, OK? | 0:20:28 | 0:20:30 | |
The next person who walks through that door, | 0:20:30 | 0:20:33 | |
just imagine they're naked. | 0:20:33 | 0:20:35 | |
Agh! | 0:20:35 | 0:20:36 | |
Charming. | 0:20:39 | 0:20:40 | |
-Darling, Phyllida has changed the barbecue to tonight, so you can come... -I can't do tonight either. | 0:20:41 | 0:20:47 | |
-PHONE BEEPS -Woo! A text! Bear with, bear with. | 0:20:47 | 0:20:50 | |
Um... Can you read that for me? | 0:20:52 | 0:20:55 | |
Oh, yeah. It's Dad. "Heading home, terrible golf game, | 0:20:55 | 0:20:58 | |
"come and join me in the bath for a hole in one, | 0:20:58 | 0:21:01 | |
"I want to show you my loofah." Urgh! | 0:21:01 | 0:21:03 | |
You've got to wear your glasses! | 0:21:04 | 0:21:07 | |
I've got a bath to go to. | 0:21:07 | 0:21:09 | |
Urgh! | 0:21:09 | 0:21:10 | |
I'm sort of officially cringed-out. | 0:21:12 | 0:21:15 | |
It's like I've eaten cotton wool. | 0:21:15 | 0:21:18 | |
OK, this can't go wrong with Gary tonight, Stevie, because this is it with him, this is our moment. | 0:21:20 | 0:21:26 | |
The night when dos become uno. | 0:21:26 | 0:21:29 | |
Oh, I've had an idea. | 0:21:31 | 0:21:32 | |
It's quite out there. Yes. | 0:21:32 | 0:21:35 | |
I'm going to ring and say I want to be the life model for the art class. | 0:21:35 | 0:21:38 | |
Well, if I can get naked with a bunch strangers, | 0:21:38 | 0:21:40 | |
there'll be no shyness tonight. I will have claimed my nude-nicity. | 0:21:40 | 0:21:46 | |
Go for it. You've got to love your body, I do. Mine, not yours. | 0:21:46 | 0:21:51 | |
If I had to rate myself... Hips, ten, thighs, ten, breasts, ten. | 0:21:51 | 0:21:55 | |
Sounds like one of my KFC orders. | 0:21:55 | 0:21:59 | |
Good evening, everybody. This is Miranda, our model for TONIGHT! | 0:21:59 | 0:22:04 | |
We're very excited, very Rubenesque. | 0:22:04 | 0:22:06 | |
-You'll see we have curves, contours, undulations... -Undulations. | 0:22:06 | 0:22:13 | |
I'm a woman, not a B road. | 0:22:13 | 0:22:16 | |
And because of her height, | 0:22:18 | 0:22:19 | |
she has an excellent sweep. | 0:22:19 | 0:22:22 | |
Thank you very much. | 0:22:22 | 0:22:23 | |
Keep your eye out for Sooty. | 0:22:23 | 0:22:26 | |
Sounded wrong. | 0:22:26 | 0:22:28 | |
If you want to disrobe and make yourself comfortable. | 0:22:30 | 0:22:33 | |
Right. Um, OK. | 0:22:33 | 0:22:35 | |
No. I can do this. | 0:22:37 | 0:22:40 | |
Excuse me. | 0:22:40 | 0:22:42 | |
I did it! | 0:22:45 | 0:22:46 | |
Well done. | 0:22:46 | 0:22:47 | |
Rude. | 0:22:54 | 0:22:55 | |
So, are you taking this Rubenesque beauty out tonight or what? I have never been more ready. | 0:22:57 | 0:23:03 | |
Wow. Well, yes, I am. | 0:23:03 | 0:23:05 | |
# Let's get it on... # | 0:23:05 | 0:23:07 | |
BOTH: Ooh. | 0:23:07 | 0:23:09 | |
Ooh, I'm so sorry, sir! | 0:23:12 | 0:23:14 | |
-Sorry. -Sorry. | 0:23:16 | 0:23:17 | |
-Wow, you are... Give me a minute, I'll go and get my things. -OK. | 0:23:19 | 0:23:23 | |
Clive! I'm knocking off early. | 0:23:23 | 0:23:25 | |
Here you are. How was it? | 0:23:25 | 0:23:27 | |
She was ace. I think it's one of my best paintings. | 0:23:27 | 0:23:31 | |
Well, when you've got an excellent nuuude. | 0:23:31 | 0:23:33 | |
-Tamara, I asked you to clear that table. -Oh, yeah, sorry Clive. | 0:23:33 | 0:23:36 | |
One sec. So, this band is doing a 24-hour gig, | 0:23:36 | 0:23:40 | |
dawn till dawn. Want to come? | 0:23:40 | 0:23:42 | |
Dawn? I can't go on. | 0:23:42 | 0:23:45 | |
My name's Miranda and my idea of a big night | 0:23:45 | 0:23:47 | |
is a getting through a giant Toblerone with an omnibus of Countryfile. | 0:23:47 | 0:23:51 | |
Yeah, I know, it is lovely. And the only reason I'd be up at dawn is if I woke up needing the loo. | 0:23:51 | 0:23:55 | |
My name's Stevie and it's my ambition is to grow vegetables and make my own ratatouille. | 0:23:55 | 0:24:02 | |
-Oh, that's lovely. -I know. | 0:24:02 | 0:24:03 | |
-A kitchen garden. -We're very old. | 0:24:03 | 0:24:06 | |
-What's ratatouille? -You don't need to know that yet, all in good time. | 0:24:06 | 0:24:10 | |
Consider us, your Auntie Miranda and your Auntie Stevie. | 0:24:10 | 0:24:14 | |
-Are you still gossiping? -Sorry. | 0:24:14 | 0:24:17 | |
Right, that's it, you're fired. | 0:24:17 | 0:24:19 | |
Sorry, Gary, but you only employed her cos she's your wife or whatever the set up is... | 0:24:19 | 0:24:23 | |
I didn't say anything. | 0:24:24 | 0:24:27 | |
No, you did, you said "she's your wife." | 0:24:27 | 0:24:30 | |
Who's his wife? | 0:24:30 | 0:24:31 | |
Is Tamara your wife? | 0:24:31 | 0:24:33 | |
No. Not really. | 0:24:33 | 0:24:37 | |
Technically, she's my wife. | 0:24:37 | 0:24:39 | |
What?! | 0:24:39 | 0:24:40 | |
Doesn't matter. I'll explain on the way to the hotel. | 0:24:40 | 0:24:43 | |
Oh, my... Are you two together? | 0:24:43 | 0:24:45 | |
Tamara's your wife?! | 0:24:45 | 0:24:46 | |
-Were you eloping? -Clive, shush. | 0:24:46 | 0:24:49 | |
-Clive... -Married to Gary, are we? | 0:24:49 | 0:24:52 | |
-Miranda, I can explain. -No, no. Gary, I don't know what to say. | 0:24:52 | 0:24:56 | |
CD PLAYER: # You say it best when you say nothing at all. # | 0:24:56 | 0:25:01 | |
-Can you switch that off, please? -Sorry. | 0:25:01 | 0:25:03 | |
I was trying to do an angry rant to storm out to and.. | 0:25:03 | 0:25:06 | |
I did a life class... Oh, forget it! | 0:25:06 | 0:25:10 | |
Miranda! | 0:25:12 | 0:25:13 | |
Sorry, what do you mean you're married? | 0:25:13 | 0:25:17 | |
She's a friend from Hong Kong and for a pass to study here I said I'd do the green card thing for a visa. | 0:25:17 | 0:25:22 | |
I know I'm an idiot. But I owed her massive favour. | 0:25:22 | 0:25:24 | |
Come on, it's not like I'm still sleeping with her. | 0:25:24 | 0:25:27 | |
Still? Gary, still? | 0:25:27 | 0:25:30 | |
Sorry, sorry... | 0:25:30 | 0:25:32 | |
It was a while ago, it was when I was travelling. Just a fling. | 0:25:32 | 0:25:35 | |
And you let me become friends with her. | 0:25:35 | 0:25:37 | |
You knew what a big deal this was for me, but you obviously don't feel the same, do you? | 0:25:37 | 0:25:42 | |
If you really cared, you wouldn't keep such a massive secret. | 0:25:42 | 0:25:45 | |
Taking me to a hotel room wasn't another romantic gesture, was it? | 0:25:45 | 0:25:48 | |
It was just going to be a meaningless fling, only this one won't end in marriage! | 0:25:48 | 0:25:52 | |
Now, THAT was quite GOOD! | 0:25:52 | 0:25:54 | |
But I've stormed out of my own flat! | 0:25:59 | 0:26:02 | |
KNOCK ON DOOR | 0:26:02 | 0:26:05 | |
You get out. | 0:26:05 | 0:26:07 | |
Come on, let's talk, please. | 0:26:07 | 0:26:09 | |
I only didn't tell you because I knew you'd overreact. | 0:26:09 | 0:26:12 | |
-Overreact?! -It doesn't mean anything, it was a favour for a friend. | 0:26:12 | 0:26:15 | |
So you've done everything perfectly in your life, have you? | 0:26:15 | 0:26:18 | |
That is not the point, I can't talk about this now! | 0:26:18 | 0:26:21 | |
Can you get out the way so I can slam the door? | 0:26:21 | 0:26:23 | |
No! You're meant to be on the other side! | 0:26:23 | 0:26:26 | |
We can't even do arguing properly! | 0:26:26 | 0:26:29 | |
-Ow! -Oh, a real man wouldn't have felt that! | 0:26:31 | 0:26:34 | |
Oh! | 0:26:35 | 0:26:36 | |
I'm so tired but I'm too angry and upset to go to sleep. | 0:26:36 | 0:26:41 | |
CD PLAYER: # Didn't we almost have it all? # | 0:26:46 | 0:26:51 | |
How long have you been hovering over that play button? | 0:26:51 | 0:26:54 | |
40 minutes. | 0:26:54 | 0:26:55 | |
Morning. | 0:26:58 | 0:26:59 | |
Morning. | 0:26:59 | 0:27:01 | |
Oh, yes they do a lovely breakfast here. | 0:27:01 | 0:27:03 | |
Comes with egg, two sausage and a green card! | 0:27:03 | 0:27:07 | |
Miranda, can we talk, please? | 0:27:07 | 0:27:09 | |
Listen, please tell me we can move on from this? | 0:27:11 | 0:27:15 | |
Yes, I do want to move on from this. | 0:27:15 | 0:27:17 | |
Really? | 0:27:17 | 0:27:19 | |
Thank you, thank you. | 0:27:19 | 0:27:20 | |
Listen, Tamara's gone. She thought it'd be best to get out of the way. | 0:27:20 | 0:27:24 | |
-I only didn't tell you because... -No, Gary wait... | 0:27:24 | 0:27:27 | |
I want to move on from you, us. | 0:27:27 | 0:27:30 | |
I never really know what you really want | 0:27:31 | 0:27:33 | |
and when I finally thought that you knew, there was this massive lie. | 0:27:33 | 0:27:36 | |
And I can't handle it. | 0:27:36 | 0:27:39 | |
You know? So, you'll never get to see my naked sweep. | 0:27:39 | 0:27:44 | |
Sorry. | 0:27:48 | 0:27:49 | |
Clive, what is this? | 0:27:50 | 0:27:52 | |
-Tamara left it for the restaurant. An apology gift. -Wow. | 0:27:52 | 0:27:57 | |
So that's your naked sweep. | 0:27:57 | 0:27:59 | |
Oh, no! Gary, don't look! Don't! No! | 0:28:00 | 0:28:02 | |
What's everyone doing here? | 0:28:02 | 0:28:04 | |
Nobody look. | 0:28:04 | 0:28:06 | |
Well, this is a new low. | 0:28:10 | 0:28:12 | |
SHE SCREAMS | 0:28:21 | 0:28:22 | |
Nice undulations. | 0:28:32 | 0:28:34 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:40 | |
E-mail [email protected] | 0:28:40 | 0:28:43 |