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Well, hello you. | 0:00:02 | 0:00:03 | |
# Just the two of us... # | 0:00:03 | 0:00:04 | |
If you're watching with other family members, ignore them. It's me and you. Saucy! | 0:00:04 | 0:00:09 | |
So, previously in my life, | 0:00:09 | 0:00:13 | |
I met Tilly's fiance Rupert Farley-Pointless or something. | 0:00:13 | 0:00:17 | |
-And this is Rupert. -Oh, please, call me the Bear. | 0:00:17 | 0:00:22 | |
HE GROWLS | 0:00:22 | 0:00:24 | |
Ooh! | 0:00:24 | 0:00:25 | |
SHE MOUTHS | 0:00:25 | 0:00:28 | |
He's on army leave so their wedding plans are a go-go | 0:00:28 | 0:00:32 | |
which means Mum is even more desperate to find me a man | 0:00:32 | 0:00:35 | |
and has taken to literally trawling the countryside. | 0:00:35 | 0:00:38 | |
Hello, young man, do get in. | 0:00:40 | 0:00:42 | |
-Where are you off to? -I'm going to see my girlfriend... | 0:00:42 | 0:00:44 | |
What else? Oh, yes, Stevie took our karaoke night to a new level. | 0:00:48 | 0:00:52 | |
# BOTH: Try to look as if you don't care less | 0:00:52 | 0:00:55 | |
# But if you want to see some more... # | 0:00:55 | 0:00:58 | |
-Stevie! I didn't know that was going to happen. -Carry on! | 0:00:58 | 0:01:01 | |
But I haven't got the little skirt! | 0:01:01 | 0:01:03 | |
# And then you can show that you think you know... # | 0:01:03 | 0:01:07 | |
Let's speak no more of, and crack on with the show. | 0:01:07 | 0:01:10 | |
Ooh, new breakfast menu. | 0:01:20 | 0:01:23 | |
I think I'll have the antioxidant mixed berry compote. | 0:01:23 | 0:01:25 | |
Yes, me too... | 0:01:25 | 0:01:27 | |
and bacon, egg, sausage, beans, French toast, hash browns... | 0:01:27 | 0:01:35 | |
muffin, tea and two sugars. | 0:01:35 | 0:01:39 | |
Lovely. I love that you're now doing breakfast. | 0:01:39 | 0:01:41 | |
-I prefer to call it "brunch". -I couldn't be more sorry. | 0:01:41 | 0:01:44 | |
But, I mean, combining two meals, really, it's insanity personified. | 0:01:44 | 0:01:48 | |
-What next, linner? -Or lupper. | 0:01:48 | 0:01:50 | |
-Funnier, lupper. -Do you think they know they're in love? | 0:01:50 | 0:01:55 | |
No. | 0:01:55 | 0:01:56 | |
-Is it time? -It's time. | 0:01:56 | 0:01:58 | |
THEY LAUGH | 0:01:58 | 0:02:00 | |
MOCKING LAUGHTER | 0:02:00 | 0:02:02 | |
-Right, listen up. -We're staging an intervention. -And sending you on a date. | 0:02:04 | 0:02:08 | |
-BOTH: What?! -Tonight. As they say, | 0:02:08 | 0:02:10 | |
"Strike while the iron's hot". And, as I say, "Iron while the iron's hot" too. | 0:02:10 | 0:02:16 | |
I have vouchers for a romantic restaurant. | 0:02:16 | 0:02:19 | |
Just go and work out if something's going to happen. | 0:02:19 | 0:02:21 | |
-We're just friends. -Right. | 0:02:21 | 0:02:23 | |
Sorry, guys. Nice try. | 0:02:23 | 0:02:24 | |
What are you doing?! | 0:02:24 | 0:02:26 | |
It's been going great with him, just mates. | 0:02:26 | 0:02:28 | |
Denial. You're not that good an actress. | 0:02:28 | 0:02:30 | |
I think you'll find I'm an excellent actress. | 0:02:30 | 0:02:33 | |
SHE MOUTHS | 0:02:33 | 0:02:35 | |
-You're besotted. -Shh. -She is totally in love... | 0:02:35 | 0:02:40 | |
Did I mention the restaurant was Wilson's? | 0:02:42 | 0:02:46 | |
Wilson's? Clive, you know I'm desperate to try the food there. | 0:02:46 | 0:02:50 | |
We could give it a shot. What's the worst that could happen? | 0:02:50 | 0:02:53 | |
Humiliation, embarrassment, fire, explosions, collisions, tears, nudity and death. | 0:02:53 | 0:02:59 | |
But that was just bad luck involving a rogue creme brulee torch. | 0:02:59 | 0:03:02 | |
It's VERY unlikely to happen twice. | 0:03:02 | 0:03:04 | |
-Let's go for it. -OK, you're on. | 0:03:04 | 0:03:07 | |
I'll go give them a call. | 0:03:07 | 0:03:09 | |
I knew you wouldn't be able to resist. | 0:03:09 | 0:03:12 | |
When Gary walks in in chef's gear, you practically fall off the stool. | 0:03:12 | 0:03:16 | |
Oh, I do not. | 0:03:16 | 0:03:17 | |
I'll book a table for eight, is that OK? | 0:03:17 | 0:03:19 | |
Yeah, although I thought it would just be the two of us. | 0:03:19 | 0:03:22 | |
SHE LAUGHS NERVOUSLY | 0:03:22 | 0:03:25 | |
So tomorrow night, Miranda and Stevie's okey-dokey no space for blokeys karaoke. | 0:03:26 | 0:03:32 | |
Still happy to have it at yours? | 0:03:32 | 0:03:34 | |
-Of course. Now, have you chosen your song? -The theme... | 0:03:34 | 0:03:37 | |
-Songs to reflect your personality. My theme. -Good theme. | 0:03:37 | 0:03:40 | |
-Thank you, caller. -Pleasure, sir. | 0:03:40 | 0:03:42 | |
But tricky theme for me because there are so many key aspects of my personality. | 0:03:42 | 0:03:48 | |
So I think I'll just sum them all up and do Simply The Best. I love Tina. | 0:03:48 | 0:03:53 | |
-Next week I might do Nutbush City Limits. -SHE LAUGHS | 0:03:53 | 0:03:57 | |
There is nothing funny about Nutbush. | 0:03:57 | 0:03:59 | |
That's where you're wrong, my shrunken elf of a friend. | 0:03:59 | 0:04:02 | |
Excuse me, Nutbush. | 0:04:02 | 0:04:04 | |
HE LAUGHS | 0:04:04 | 0:04:06 | |
You see? | 0:04:06 | 0:04:07 | |
-What's your song? -Easy... | 0:04:07 | 0:04:10 | |
# I may not be a lady... # | 0:04:10 | 0:04:12 | |
But from a distance, I can pass as one. | 0:04:12 | 0:04:14 | |
Get out! I think you'll find I am all woman. | 0:04:16 | 0:04:19 | |
Monday to Sunday - inclusive. | 0:04:19 | 0:04:20 | |
Oi! And weekends are doubly good. | 0:04:20 | 0:04:22 | |
That's not in the song, that's a little bit of information about me. | 0:04:22 | 0:04:26 | |
What are you doing throwing out men? | 0:04:29 | 0:04:31 | |
Beggars can't be choosers. | 0:04:31 | 0:04:33 | |
Actually you could consider a beggar. | 0:04:33 | 0:04:35 | |
Obviously there's the smell, but THEY'LL get used to it. | 0:04:35 | 0:04:38 | |
Such fun! | 0:04:38 | 0:04:40 | |
Sorry, darling. I don't want to be one of those HELLISH mothers... | 0:04:40 | 0:04:43 | |
..but if you don't find a date for Tilly's wedding, consider emigration. | 0:04:45 | 0:04:49 | |
Belinda is being a nightmare mother of the bride. So smug. | 0:04:49 | 0:04:54 | |
I thought Belinda was your best friend. | 0:04:54 | 0:04:56 | |
She is, but I dislike her intensely. | 0:04:56 | 0:04:58 | |
-Is it too early for a drink? -It's 10.30. | 0:04:58 | 0:05:01 | |
12.00, did you say? | 0:05:01 | 0:05:03 | |
-Hello, whisky. And I'm playing, what I call, tennis... -It is tennis, | 0:05:03 | 0:05:07 | |
I don't know what else you'd call it. | 0:05:07 | 0:05:09 | |
..with Belinda tomorrow and she's bound to give me some ghastly wedding task to make me feel better. | 0:05:09 | 0:05:15 | |
Hi-de-ho, peeps. | 0:05:15 | 0:05:17 | |
Fake smiles, fake smiles. | 0:05:17 | 0:05:19 | |
Tilly, Rupert. | 0:05:19 | 0:05:20 | |
Oh, please, call me the Bear. | 0:05:20 | 0:05:24 | |
-I do love that. -Queen Kong. You know two months today, Poopert and I shall become uno. | 0:05:26 | 0:05:32 | |
-Right, well, I'm dashing. -Oh, Penny, Penny, Penny, Penny, Penny, Penny, Penny, Penny. | 0:05:32 | 0:05:36 | |
Mummy and I have sensed un petit peu de jealous-bags, | 0:05:36 | 0:05:40 | |
but we would love you to do the flowers for the wedding. | 0:05:40 | 0:05:43 | |
Bouquet-dokey? | 0:05:43 | 0:05:44 | |
Isn't that lovely? | 0:05:44 | 0:05:46 | |
Skinny thank you-cino to your ma, eh? | 0:05:46 | 0:05:49 | |
He stands too close. | 0:05:49 | 0:05:52 | |
Muchisimus gracias, Pen-Pen. | 0:05:52 | 0:05:53 | |
-You would not believe the wedmin. -Wedmin? | 0:05:53 | 0:05:56 | |
Wedding administration. Keep up. You're actually really lucky | 0:05:56 | 0:06:00 | |
you're probably never going to have to organise a wedding for Miranda. | 0:06:00 | 0:06:03 | |
SHE LAUGHS NERVOUSLY | 0:06:06 | 0:06:08 | |
Well, this has all been delightful. | 0:06:08 | 0:06:13 | |
SHE LAUGHS NERVOUSLY | 0:06:13 | 0:06:16 | |
So Queen KONGO-leeza Rice... | 0:06:19 | 0:06:22 | |
That's very... Did you see what she...? | 0:06:22 | 0:06:24 | |
Merci, merci, c'est fini! | 0:06:24 | 0:06:27 | |
Wedmin-planning lunch-eonie on tomorrow at one. | 0:06:27 | 0:06:29 | |
Ah, fabulosomos omisamos. | 0:06:29 | 0:06:32 | |
We'll have some serious fun bags. | 0:06:32 | 0:06:35 | |
It's not the best breath. | 0:06:35 | 0:06:37 | |
Poopert, Poopert, it's not fun bags, it's wedmin focus, OK? | 0:06:37 | 0:06:41 | |
I'll see you tomozza-pam. | 0:06:41 | 0:06:44 | |
Bye, girls. Up and at 'em. | 0:06:44 | 0:06:46 | |
Up and at 'em... Bang, bang. Do you see? They're guns? | 0:06:46 | 0:06:49 | |
I was shooting you. | 0:06:49 | 0:06:51 | |
Please, tell me you noticed it then. Rupert was coming on to me. | 0:06:51 | 0:06:55 | |
He wasn't. He's just tactile. | 0:06:55 | 0:06:58 | |
And if he was coming on to anyone he would be coming on to me, because I have the allure. | 0:06:58 | 0:07:04 | |
I have allure. | 0:07:04 | 0:07:06 | |
You're not allure-abundant. | 0:07:06 | 0:07:08 | |
Well, maybe my allure began abounding. | 0:07:08 | 0:07:11 | |
No, because my high level of the allure means I'd be attuned to any shifts in the allurosphere. | 0:07:11 | 0:07:17 | |
-The allurosphere? -Not my word - science's. | 0:07:17 | 0:07:21 | |
Now, if you want the allure for your hot date tonight, I'd get ready. | 0:07:21 | 0:07:24 | |
-It's 10.30. -It could take that long. | 0:07:24 | 0:07:26 | |
Rude! I am feeling shifts in the allurosphere already. Oh, yes. | 0:07:28 | 0:07:34 | |
SHE LAUGHS FORCEDLY | 0:07:34 | 0:07:37 | |
You look lovely, by the way. | 0:07:37 | 0:07:41 | |
Oh, thank you. You too. | 0:07:41 | 0:07:43 | |
Velour menus. | 0:07:45 | 0:07:47 | |
You know somewhere's smart when the menu is wearing a smoking jacket. | 0:07:47 | 0:07:51 | |
Yeah. | 0:07:52 | 0:07:54 | |
BOTH: So do you... | 0:07:56 | 0:07:57 | |
-Oh, sorry. -Oh, sorry. You go. | 0:07:57 | 0:07:59 | |
No, you first. | 0:07:59 | 0:08:00 | |
Oh, my gosh, look at us. This is ridiculous. | 0:08:00 | 0:08:02 | |
Put us in a romantic setting and we can barely speak to each other. | 0:08:02 | 0:08:06 | |
I know. | 0:08:06 | 0:08:07 | |
-I know what we should do. -OK, let's just go. | 0:08:07 | 0:08:09 | |
We should sleep together. | 0:08:09 | 0:08:11 | |
-Sorry? -We should sleep together. | 0:08:15 | 0:08:18 | |
Shall I explain? | 0:08:22 | 0:08:24 | |
Yes, please, thank you, please, thank you so to you. | 0:08:24 | 0:08:27 | |
Well, I think maybe Stevie and Clive are right. | 0:08:28 | 0:08:31 | |
There could be an "us", that we've never... | 0:08:31 | 0:08:33 | |
-Do you? -Yes. I've always thought... | 0:08:33 | 0:08:37 | |
-Something... -Yes. -And you know what they say, | 0:08:37 | 0:08:40 | |
if you have a friend you've fancied in the past, but never kissed, | 0:08:40 | 0:08:43 | |
after a while you're too good friends, it's kind of awkward | 0:08:43 | 0:08:47 | |
and embarrassing. That's us. | 0:08:47 | 0:08:49 | |
We need to break that awkwardness. | 0:08:49 | 0:08:51 | |
Anyway, that's my theory. | 0:08:51 | 0:08:54 | |
It is an EXCELLENT theory. | 0:08:54 | 0:08:56 | |
He could have given me any theory, to be honest. | 0:08:56 | 0:08:59 | |
I should say obviously, I don't usually leap in to bed... | 0:09:00 | 0:09:04 | |
Me too. I mean, I've had some fun in the past. As I'm sure you have... | 0:09:04 | 0:09:08 | |
Loads. Well, some, I mean, the odd spot of... | 0:09:08 | 0:09:13 | |
Predominantly other kinds of fun, to be honest. | 0:09:13 | 0:09:17 | |
'There's no easy way to tell you this. | 0:09:17 | 0:09:19 | |
'Kelly's pregnant and it's mine.' | 0:09:19 | 0:09:22 | |
SHE PLAYS EASTENDERS CLOSING THEME | 0:09:22 | 0:09:25 | |
Get in! | 0:09:25 | 0:09:27 | |
Let's not dwell. | 0:09:29 | 0:09:31 | |
Sure. If this is our moment, | 0:09:31 | 0:09:33 | |
I don't want to regret not doing anything about it. | 0:09:33 | 0:09:35 | |
-Really? -Really. | 0:09:35 | 0:09:37 | |
Well, me neither. | 0:09:37 | 0:09:39 | |
Gary, are we finally... | 0:09:47 | 0:09:49 | |
I know. | 0:09:49 | 0:09:50 | |
How long has it taken us? | 0:09:50 | 0:09:52 | |
Oh, my God, there's woman on fire! | 0:09:54 | 0:09:56 | |
I think it was a flambe. | 0:09:59 | 0:10:01 | |
I'm so sorry, I thought you were on fire. | 0:10:01 | 0:10:03 | |
-Shall we leave? -Yes, can we? Quick. | 0:10:03 | 0:10:05 | |
Sorry. | 0:10:05 | 0:10:07 | |
Well, it wasn't Wilson's, but, you know what, sometimes you can't go wrong with a burger. | 0:10:11 | 0:10:16 | |
You can NEVER go wrong with a burger. | 0:10:16 | 0:10:18 | |
I mean, those are the best burgers... apart from yours. | 0:10:18 | 0:10:22 | |
-Good save. -Thank you. | 0:10:22 | 0:10:24 | |
-So... -So... | 0:10:27 | 0:10:28 | |
-Shall we put some music on? -Good idea. | 0:10:30 | 0:10:33 | |
I'll do a shuffle. | 0:10:33 | 0:10:35 | |
Shuffle to the shuffle. | 0:10:35 | 0:10:38 | |
Bit nervous. | 0:10:38 | 0:10:40 | |
FLAMENCO MUSIC STARTS | 0:10:42 | 0:10:44 | |
Ooh. | 0:10:44 | 0:10:46 | |
MUSIC: "My Humps" by The Black Eyed Peas | 0:10:51 | 0:10:54 | |
Of all songs... | 0:10:55 | 0:10:58 | |
-Hello. -Hi. | 0:10:58 | 0:11:00 | |
I might just turn the lighting down...better lighting. | 0:11:02 | 0:11:06 | |
Sure, sure. | 0:11:06 | 0:11:08 | |
-Is that OK? -It's a BIT dark. | 0:11:15 | 0:11:19 | |
Shame. | 0:11:19 | 0:11:21 | |
OK. | 0:11:21 | 0:11:23 | |
Sorry. | 0:11:23 | 0:11:25 | |
Sorry. | 0:11:26 | 0:11:28 | |
HE BURPS | 0:11:31 | 0:11:33 | |
Gary, did you just burp? | 0:11:33 | 0:11:35 | |
Oh, my God. I'm so sorry. | 0:11:35 | 0:11:38 | |
Oh, I've got indigestion. | 0:11:38 | 0:11:41 | |
Don't worry. I've got some Gaviscon if you want. | 0:11:41 | 0:11:44 | |
HE BURPS | 0:11:44 | 0:11:46 | |
Gary! Do you want some Wind-eze as well? | 0:11:46 | 0:11:49 | |
I swear by Wind-eze. | 0:11:49 | 0:11:51 | |
If in doubt, pop a Wind-eze. | 0:11:51 | 0:11:54 | |
-It's fun to say as well, Wind-eze. Wind-eze! -Can you stop saying Wind-eze? | 0:11:54 | 0:11:58 | |
Sorry. | 0:11:58 | 0:11:59 | |
I think I've got aniseedy breath now. | 0:12:05 | 0:12:07 | |
No, you're fine. | 0:12:07 | 0:12:09 | |
Sorry, just thought of the word Wind-eze. Sorry. | 0:12:09 | 0:12:14 | |
-I can taste aniseed. -I can smell it now. | 0:12:21 | 0:12:22 | |
-OK, OK, this is now a little bit over-planned. -A bit sort of clinical. | 0:12:22 | 0:12:27 | |
-Can we do this again when I'm a little bit less... -Burpy. | 0:12:27 | 0:12:32 | |
Yes. I think it might be a bit more romantic when we're spontaneous. | 0:12:32 | 0:12:35 | |
Sure. Yes. | 0:12:35 | 0:12:36 | |
-Night. -Night. | 0:12:36 | 0:12:39 | |
-Sorry. -No, no. It's fine. | 0:12:40 | 0:12:44 | |
-Night. -Night. | 0:12:45 | 0:12:47 | |
# I feel pretty, oh, so pretty | 0:12:54 | 0:12:57 | |
# I feel pretty and witty and gay... # | 0:12:57 | 0:13:00 | |
Although not gay, because I'm going to get it on with Gary, who's a man. | 0:13:00 | 0:13:05 | |
# And I'm all woman Monday to Sunday... # | 0:13:05 | 0:13:07 | |
Ooh, it's a mash up. | 0:13:07 | 0:13:09 | |
I'm so excited. I don't know what to do. | 0:13:09 | 0:13:13 | |
Oh, hi. So, tell all, tell all. What happened? | 0:13:18 | 0:13:21 | |
Nothing. Just a nice meal with a friend. That's all. | 0:13:21 | 0:13:24 | |
That's SO disappointing. | 0:13:24 | 0:13:26 | |
You SEEM different. | 0:13:28 | 0:13:31 | |
Do I?! | 0:13:31 | 0:13:33 | |
I won't tell her. | 0:13:33 | 0:13:35 | |
Are you sure nothing happened? | 0:13:35 | 0:13:37 | |
My lips are sealed, my face is a mask. | 0:13:37 | 0:13:39 | |
Nothing happened at the restaurant, but then we went back to my flat to have sex. Well... | 0:13:39 | 0:13:44 | |
We didn't last night, but we're going to. | 0:13:46 | 0:13:49 | |
BOTH: Oh-h-h! | 0:13:49 | 0:13:51 | |
And are you OK with this? | 0:13:51 | 0:13:52 | |
Yeah. I'm feeling...sexual. And spontaneous. | 0:13:52 | 0:13:56 | |
-Oh, you. Spontaneous! -I know. Look at me. -Oh, you've gone a little bit camp. | 0:13:56 | 0:14:02 | |
Oh, yes. Thank you. Now, we're not telling anyone so mum's the word. | 0:14:02 | 0:14:07 | |
Cooee! | 0:14:07 | 0:14:08 | |
BOTH: Mum's the word, funny. | 0:14:08 | 0:14:11 | |
I have just whipped Belinda's big fat arse off the tennis court. | 0:14:11 | 0:14:15 | |
Whoompf! So satisfying. | 0:14:15 | 0:14:18 | |
Now, darling, your plus one for the wedding, I saw Benjy at the club. | 0:14:18 | 0:14:22 | |
-He is still available. -And still my cousin. | 0:14:22 | 0:14:24 | |
And still, what I call, mental. | 0:14:24 | 0:14:26 | |
I'm the most beautiful squirrel of them all! | 0:14:26 | 0:14:30 | |
-I'm not dating Benjy so Belinda gets off your back. -Well, she is insufferable. | 0:14:33 | 0:14:38 | |
And now I've got to go and look at flower samples. Such fun(!) | 0:14:38 | 0:14:44 | |
Right, I'm off to the restaurant. | 0:14:44 | 0:14:46 | |
-Aah. -Febreze me up. -Yes, certainly. | 0:14:46 | 0:14:49 | |
See you later. | 0:14:54 | 0:14:56 | |
-Camp! -Thank you. | 0:14:56 | 0:14:58 | |
Hi. | 0:15:00 | 0:15:01 | |
-Hi, you OK? -Yeah. | 0:15:01 | 0:15:03 | |
Good, because I was going to take this afternoon off if you still want to be...spontaneous. | 0:15:03 | 0:15:08 | |
-I do. -Great. | 0:15:08 | 0:15:10 | |
Ooh, no, Tilly wedding lunch. Wish me luck. | 0:15:10 | 0:15:13 | |
OK, well, I'll see you after, OK? | 0:15:13 | 0:15:16 | |
-Hola. -Buon giorno. | 0:15:16 | 0:15:19 | |
So Queen Kong, I've been a little bit naughty and I've done some matchmaking behind your back. | 0:15:19 | 0:15:25 | |
So tell me, who would you best like to sit next to at our wedding? | 0:15:25 | 0:15:30 | |
-Well, as long it's not... -Dreamboat Charlie. -Dreamboat Charlie! | 0:15:30 | 0:15:35 | |
Although now it's Ping Pong Charlie. | 0:15:35 | 0:15:39 | |
Funny story. Bangkok, a pole dancer, a ping pong ball, I had one too many sherbets... | 0:15:39 | 0:15:45 | |
OK, I'm fine not to know this. | 0:15:45 | 0:15:47 | |
-I have only two words for you. -Could be two words too many. | 0:15:47 | 0:15:50 | |
Live rutting. | 0:15:50 | 0:15:52 | |
-Charmed to see you again. What? -What? -What? | 0:15:53 | 0:15:57 | |
Still tall. I like that in a woman - consistency. | 0:15:57 | 0:16:02 | |
Right, wedmin. Asseyez-vous, tout le monde, asseyez-vous. Sit down. | 0:16:02 | 0:16:06 | |
Muchos to discussionae. | 0:16:06 | 0:16:09 | |
Ooh, yes, please. Crisps. | 0:16:09 | 0:16:12 | |
I bloody love crisps. | 0:16:12 | 0:16:14 | |
Shall I give you one, Miranda? | 0:16:16 | 0:16:17 | |
I'm fine thank you, no, I'm... | 0:16:17 | 0:16:20 | |
MOBILE RINGS | 0:16:20 | 0:16:22 | |
Oh, bear with. It's Stinky about the pony. Hello, Stinky... | 0:16:22 | 0:16:27 | |
Excuse me for one minutos. | 0:16:27 | 0:16:31 | |
Clive, help me... No, just kill me, kill me now. | 0:16:31 | 0:16:34 | |
So...you all right? | 0:16:34 | 0:16:37 | |
Charlie not too in your face, is he? | 0:16:37 | 0:16:39 | |
I can totally see why he's into you. | 0:16:39 | 0:16:42 | |
-Rupert, I'm getting the feeling that... -Kongers... | 0:16:42 | 0:16:45 | |
You OK? | 0:16:45 | 0:16:47 | |
Yes, this is my excited wedmin face. | 0:16:47 | 0:16:51 | |
Looked like you were having a mo-mo avec mon fiance. | 0:16:54 | 0:16:58 | |
Well, he is Cheddar Gorge. | 0:16:58 | 0:17:00 | |
He is King Gorge VI. | 0:17:02 | 0:17:04 | |
-Come hither. -Not in public. | 0:17:04 | 0:17:09 | |
OK, come on. Next up, mail out. | 0:17:09 | 0:17:10 | |
Kongers, I need you to go to the printers this afternoon to pick up the invites | 0:17:10 | 0:17:14 | |
-and do the mail out tonight from your house. -MOBILE BEEPS | 0:17:14 | 0:17:17 | |
Now what?! Bear with... | 0:17:17 | 0:17:21 | |
Bear with... | 0:17:21 | 0:17:23 | |
Bear with... | 0:17:25 | 0:17:27 | |
NO! | 0:17:27 | 0:17:29 | |
Mummy says Daddy says we can't have the ice sculpture of the Taj Mahal. | 0:17:30 | 0:17:33 | |
-I better go talk to mater. Come on, Rupert, quick. -I'm going to the little boys' room. | 0:17:33 | 0:17:37 | |
Never has that saying been more apt. | 0:17:37 | 0:17:40 | |
So...till tonight. | 0:17:40 | 0:17:44 | |
-TILLY: -Rupert! | 0:17:44 | 0:17:46 | |
Did you see that?! I told you he was totally coming on to me. | 0:17:48 | 0:17:51 | |
This is awful. Should I tell Tilly? | 0:17:51 | 0:17:53 | |
You can't break them up without serious proof. | 0:17:53 | 0:17:55 | |
Yes. Set a honey trap. Get him alone and if he makes a pass at you then maybe you just have to tell her. | 0:17:55 | 0:18:00 | |
Oh, gosh, the pitfalls of being abundant au allure. | 0:18:00 | 0:18:05 | |
I can't believe he bypassed MY allure. | 0:18:05 | 0:18:08 | |
Well, deal with it, girlfriend. Oh, yeah. | 0:18:08 | 0:18:11 | |
AUDIENCE APPLAUD | 0:18:13 | 0:18:16 | |
Right, now, I've got to go to the printers to pick up the invites. | 0:18:18 | 0:18:21 | |
Do you mind... Actually, don't worry. Gary, will you give me a hand? | 0:18:21 | 0:18:25 | |
No probs. Let's do it. Shall we go through the park? | 0:18:25 | 0:18:29 | |
I'm being attacked by bog roll. | 0:18:29 | 0:18:31 | |
Help, somebody. | 0:18:31 | 0:18:33 | |
-Big fat soz. -It's fine. Oh, it's on me now. | 0:18:34 | 0:18:39 | |
I hate this. | 0:18:39 | 0:18:41 | |
Can I kiss you? | 0:18:41 | 0:18:43 | |
Ooh! | 0:18:43 | 0:18:46 | |
What? | 0:18:47 | 0:18:50 | |
So...we can manage at the print shop. | 0:18:50 | 0:18:52 | |
Then we might do something spontaneous. | 0:18:52 | 0:18:55 | |
Great idea. What shall we do? | 0:18:55 | 0:18:58 | |
-Where's Stevie? -Had to go. | 0:19:02 | 0:19:05 | |
So nice to be out of the kitchen. | 0:19:08 | 0:19:11 | |
-Shall we sit down for a bit? -Sure. | 0:19:11 | 0:19:14 | |
So this would be spontaneous. We could... | 0:19:17 | 0:19:19 | |
What al dente? | 0:19:19 | 0:19:22 | |
No, that's pasta. | 0:19:22 | 0:19:24 | |
Al fresco. | 0:19:24 | 0:19:27 | |
Yeah, al fresco. | 0:19:27 | 0:19:30 | |
Come on. | 0:19:30 | 0:19:31 | |
BUZZING | 0:19:36 | 0:19:39 | |
Oh, sorry. | 0:19:39 | 0:19:41 | |
-You all right? -Yeah. No, actually there's a bee in my hair. Gary, there's a bee in my hair! | 0:19:41 | 0:19:45 | |
Get it off. | 0:19:45 | 0:19:46 | |
-Where is it? -You'll make it angry. | 0:19:46 | 0:19:49 | |
Worked out rather well. | 0:19:51 | 0:19:53 | |
Oh, now, Tilly, this is the colour I was talking about. | 0:19:57 | 0:20:02 | |
I might just ring Miranda and check there's not a clash with the invitational ribbon. | 0:20:02 | 0:20:08 | |
MOBILE RINGS | 0:20:08 | 0:20:10 | |
BOTH: Hello. | 0:20:16 | 0:20:19 | |
-What are you doing? -We're just looking for... | 0:20:19 | 0:20:25 | |
Animals. | 0:20:25 | 0:20:27 | |
Yup, we're just looking for some animals. | 0:20:27 | 0:20:31 | |
Because apparently some animals have escaped from the local circus. | 0:20:31 | 0:20:38 | |
-What animals? -Tigers. -Dragons. | 0:20:38 | 0:20:41 | |
Apparently there's some tigers crouching in the shrubbery. | 0:20:41 | 0:20:45 | |
And the dragons tend to be hidden. | 0:20:47 | 0:20:52 | |
So you're looking for a crouching tiger | 0:20:52 | 0:20:56 | |
and a hidden dragon. | 0:20:56 | 0:20:58 | |
-Good, so that's explained that then. -Yeah. | 0:20:58 | 0:21:01 | |
So you haven't been to the printers yet?! | 0:21:01 | 0:21:03 | |
Oh, my actual and literal golly goodness. Do you want to ruin my nuptials? Allez-vous en! Go! | 0:21:03 | 0:21:10 | |
Penelope, come. | 0:21:10 | 0:21:11 | |
-I knew we shouldn't have done spontaneous. -I know, listen... | 0:21:13 | 0:21:16 | |
I'll go to the print shop, you go back to your flat and we'll be spontaneous around, say, 5pm. | 0:21:16 | 0:21:22 | |
-Precisely 5pm. -Thank you. | 0:21:22 | 0:21:25 | |
See you later. | 0:21:25 | 0:21:26 | |
OK, right. Time for a quick bath because, I won't lie, | 0:21:30 | 0:21:36 | |
but I perspired a little during the bee debacle. | 0:21:36 | 0:21:39 | |
I've gone camp with excitement. | 0:21:39 | 0:21:41 | |
# I've fallen in love... # | 0:21:43 | 0:21:45 | |
I love a bath, don't you? I'm just gearing up | 0:21:47 | 0:21:50 | |
to causing the searing pain of wax removal. | 0:21:50 | 0:21:54 | |
Right... | 0:21:54 | 0:21:56 | |
Oh, no, I'm stuck. | 0:21:57 | 0:22:00 | |
I've left the wax on too long. It's stuck to the bath. | 0:22:00 | 0:22:03 | |
# I want to break free... # | 0:22:03 | 0:22:05 | |
That's not funny, Freddie! | 0:22:05 | 0:22:07 | |
Stevie! Stevie! | 0:22:07 | 0:22:09 | |
-Miranda? What is it? -The wax stuck my leg to the bath. | 0:22:09 | 0:22:12 | |
SHE LAUGHS | 0:22:12 | 0:22:13 | |
It is not funny. Pull me off, as it very much were. | 0:22:13 | 0:22:18 | |
-GARY: -Hello? | 0:22:18 | 0:22:19 | |
Oh, no. He's early. | 0:22:19 | 0:22:21 | |
-We're in the bathroom! -Don't say you're in here. -Everything OK? | 0:22:21 | 0:22:25 | |
She's had a bit of an accident! | 0:22:25 | 0:22:27 | |
That sounds wrong. | 0:22:27 | 0:22:28 | |
I think it's loosening a bit! | 0:22:28 | 0:22:31 | |
Everything you say makes this sound terrible! | 0:22:31 | 0:22:34 | |
I'm going to leave Tilly's invitations on the table. | 0:22:34 | 0:22:36 | |
Ooh! | 0:22:36 | 0:22:38 | |
-Get out! Get out! -Ooh, I felt a breast. | 0:22:38 | 0:22:40 | |
THEY SCREAM | 0:22:40 | 0:22:43 | |
Hello. | 0:22:47 | 0:22:49 | |
Listen, this isn't working. | 0:22:49 | 0:22:51 | |
It's too much pressure and things keep going wrong. I wish you hadn't suggested it. | 0:22:51 | 0:22:55 | |
I'm really sorry. I didn't mean to put pressure on you. | 0:22:55 | 0:22:58 | |
No, you didn't. | 0:22:58 | 0:23:00 | |
Can we just leave it? | 0:23:00 | 0:23:01 | |
Miranda, your bath water is really dirty. | 0:23:01 | 0:23:05 | |
OK, I'm sorry, but... | 0:23:05 | 0:23:07 | |
I bet I missed my moment for good with Gary and now and I've got to stuff 400 envelopes. | 0:23:09 | 0:23:14 | |
LAUGHTER AND CHATTING | 0:23:14 | 0:23:16 | |
-They're here. Oh, the trap! -OK, so get him alone. | 0:23:16 | 0:23:18 | |
And if he really tries it on, make sure Tilly catches him in a compromising position. | 0:23:18 | 0:23:23 | |
-How? -He may not, but... | 0:23:23 | 0:23:25 | |
-Well, with my allure... -Get a grip. | 0:23:25 | 0:23:28 | |
-Tell me how. -Just let me think. | 0:23:28 | 0:23:30 | |
-How? -Just let me think. -How? | 0:23:30 | 0:23:32 | |
-Just let me think. -How? -Just let me think. -How? | 0:23:32 | 0:23:34 | |
BOTH: How! | 0:23:34 | 0:23:36 | |
Goody gum drops! The invites. | 0:23:36 | 0:23:39 | |
I'm starving, shall we get a pizza? | 0:23:39 | 0:23:41 | |
Tremendulent idea. I'll have pepperoni with extra chilli-chilli bang-bang. | 0:23:41 | 0:23:45 | |
Why don't WE go and Miranda and Rupert stay here? | 0:23:45 | 0:23:49 | |
-Come on, Tilly. -No. | 0:23:49 | 0:23:50 | |
We'll be exactly ten minutes, Miranda. | 0:23:50 | 0:23:52 | |
Alone at last. | 0:23:56 | 0:23:59 | |
OK, so shall we watch some telly? | 0:23:59 | 0:24:01 | |
No. There's something else I'd much rather do. | 0:24:01 | 0:24:04 | |
Ooh! Would you like to, um... | 0:24:04 | 0:24:07 | |
play cards...or...charades | 0:24:07 | 0:24:11 | |
or make some...placards. | 0:24:11 | 0:24:14 | |
You've been driving me crazy. | 0:24:14 | 0:24:17 | |
Sometimes a man needs a meat feast rather than a lean chicken salad, if you catch my drift. | 0:24:17 | 0:24:24 | |
OK, um, what about in nine and a half minutes? | 0:24:24 | 0:24:27 | |
Don't begrudge a man a final surge over the enemy lines. | 0:24:27 | 0:24:31 | |
Help. | 0:24:31 | 0:24:33 | |
I've got to put him off till they get back. | 0:24:33 | 0:24:36 | |
Boggle! | 0:24:36 | 0:24:37 | |
Let's play Boggle. Boggle always gets me in the mood. | 0:24:37 | 0:24:42 | |
It's a good word, Boggle, isn't it? | 0:24:42 | 0:24:44 | |
Wind-eze! | 0:24:44 | 0:24:46 | |
No, Miranda, I'd much rather... | 0:24:46 | 0:24:50 | |
Forget the Boggle! | 0:24:50 | 0:24:52 | |
OK, let me just freshen up then, OK? | 0:24:52 | 0:24:54 | |
Bear with... Bear with... | 0:24:54 | 0:24:55 | |
SHE SCREAMS | 0:24:58 | 0:25:00 | |
OK, stay there. I'll just be one minute. | 0:25:00 | 0:25:02 | |
This is awful. Poor Tilly. | 0:25:02 | 0:25:04 | |
Where are they? They only left... | 0:25:04 | 0:25:06 | |
Evening, top totty. | 0:25:09 | 0:25:11 | |
Lt Charles Wynford Vyvyan St Wedges reporting for bedroom duty, what? | 0:25:13 | 0:25:18 | |
-What?! -What? Is it too much? | 0:25:18 | 0:25:22 | |
A bucketful of soz. | 0:25:22 | 0:25:24 | |
Your mum told me where you lived and lent me the ladder. | 0:25:24 | 0:25:28 | |
Now, if I remember rightly, that is your bedroom... | 0:25:28 | 0:25:32 | |
for la pumpy de rumpy. | 0:25:32 | 0:25:33 | |
No, not there, why don't you wait in the bathroom? | 0:25:33 | 0:25:37 | |
Okey-dokey. And then some pokey. | 0:25:37 | 0:25:40 | |
Ugh, what is going on?! | 0:25:40 | 0:25:43 | |
Ta-da! | 0:25:43 | 0:25:46 | |
I'll be one minute. | 0:25:46 | 0:25:48 | |
Oh, my goodness. Right. | 0:25:48 | 0:25:51 | |
Gather. Tell Charlie to go. | 0:25:51 | 0:25:53 | |
SHE SCREAMS | 0:25:55 | 0:25:57 | |
Oh, my goodness. OK. | 0:25:58 | 0:26:00 | |
This is turning into a French farce. | 0:26:00 | 0:26:03 | |
Eight and a half minutes, it's only been... | 0:26:03 | 0:26:08 | |
Surprise. I know you said | 0:26:08 | 0:26:10 | |
we should chill, but I've been getting more | 0:26:10 | 0:26:12 | |
and more desperate to kiss you, | 0:26:12 | 0:26:14 | |
so this is a no-pressure surprise visit, I'll go with whatever you want. | 0:26:14 | 0:26:17 | |
That's so sweet. | 0:26:17 | 0:26:18 | |
Are you wearing a dressing gown? | 0:26:18 | 0:26:20 | |
Surprised myself too. I walked here like this. | 0:26:20 | 0:26:23 | |
Sexy?! | 0:26:23 | 0:26:25 | |
Gary, look, I can't do this now, not because I don't want to... | 0:26:25 | 0:26:28 | |
Oh, well... | 0:26:28 | 0:26:30 | |
-STEVIE: -You don't need to come in, Penny. I can pass the message on. | 0:26:30 | 0:26:33 | |
PENNY: Well, I'm here now. | 0:26:33 | 0:26:35 | |
-I'll go in the bedroom. -No. -That's ten minutes, Miranda! -Bathroom. | 0:26:35 | 0:26:39 | |
-No, not in the bathroom. Fridge? -I can't fit in there. | 0:26:39 | 0:26:42 | |
BOTH: How! | 0:26:44 | 0:26:47 | |
Mirandy... Hello. | 0:26:47 | 0:26:50 | |
I must have you. Ooh! | 0:26:50 | 0:26:54 | |
Go, Miranda! | 0:26:54 | 0:26:57 | |
Scramble! | 0:26:57 | 0:26:59 | |
Waitress in Greece, army nurse in Kent, | 0:26:59 | 0:27:03 | |
chef on the Isle of Wight ferry, and now Queen Farticus?! | 0:27:03 | 0:27:07 | |
Oh, yeah! | 0:27:07 | 0:27:08 | |
BOTH: Get out! | 0:27:08 | 0:27:10 | |
Listen, I can explain, but I'd better talk to Tilly. | 0:27:13 | 0:27:16 | |
Yeah, sure, no worries. | 0:27:16 | 0:27:18 | |
And don't worry about us. | 0:27:18 | 0:27:20 | |
If it's meant to happen, it'll happen. | 0:27:20 | 0:27:22 | |
It better! | 0:27:22 | 0:27:23 | |
Don't worry, Tilly, it's fun being single. | 0:27:25 | 0:27:29 | |
Tonight is Miranda and Stevie's okey-dokey no place for blokeys karaoke. | 0:27:29 | 0:27:35 | |
SHE WAILS | 0:27:35 | 0:27:38 | |
Well, that's quite rude. | 0:27:38 | 0:27:40 | |
# So take a look at me now | 0:27:46 | 0:27:50 | |
# There's just an empty space | 0:27:50 | 0:27:54 | |
# And there's nothing left here to remind me | 0:27:54 | 0:27:59 | |
# Just the memory of your face... # | 0:27:59 | 0:28:02 | |
# Now, there was a time | 0:28:02 | 0:28:07 | |
# When they used to say | 0:28:07 | 0:28:10 | |
# That behind every great man | 0:28:11 | 0:28:15 | |
# There had to be a great woman | 0:28:15 | 0:28:19 | |
# Sisters are doing it for themselves | 0:28:19 | 0:28:26 | |
# Standing on their own two feet | 0:28:26 | 0:28:29 | |
# And ringing on their own bells | 0:28:29 | 0:28:33 | |
# Sisters are doing it for themselves | 0:28:33 | 0:28:39 | |
# Standing on their own two feet | 0:28:39 | 0:28:43 | |
# Sisters are doing it for themselves... # | 0:28:48 | 0:28:53 | |
Subtitles by Red Bee Media Ltd | 0:28:55 | 0:28:58 | |
E-mail [email protected] | 0:28:58 | 0:29:01 |