Browse content similar to Accusin' Susan. Check below for episodes and series from the same categories and more!
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Staring at your phone won't make it ring. | 0:00:18 | 0:00:21 | |
Trust me, I've been doing it for years. | 0:00:21 | 0:00:24 | |
Your father sent me another text. | 0:00:24 | 0:00:26 | |
Oh, well. Better luck next time. | 0:00:26 | 0:00:28 | |
He's hasn't quite got the hang of texting yet. | 0:00:28 | 0:00:31 | |
There are a lot of Russian letters in every message. | 0:00:31 | 0:00:34 | |
I'm impressed he didn't take the remote by mistake. | 0:00:34 | 0:00:36 | |
How long is he at that conference for? | 0:00:36 | 0:00:39 | |
-A week. -Are you OK with that? | 0:00:39 | 0:00:41 | |
Well, I had hoped they could stretch it out to a fortnight. | 0:00:41 | 0:00:45 | |
PHONE BEEPS | 0:00:45 | 0:00:46 | |
Oh, no not again! This is really frustrating. | 0:00:46 | 0:00:49 | |
Well, this one makes no sense at all. | 0:00:50 | 0:00:52 | |
-What does it say? -"I miss u." | 0:00:52 | 0:00:56 | |
He's even used a little "u". Look. | 0:00:56 | 0:00:59 | |
What's that supposed to mean? | 0:00:59 | 0:01:00 | |
Maybe he misses you? | 0:01:00 | 0:01:02 | |
Don't be ridiculous! | 0:01:02 | 0:01:04 | |
Maybe his phone's been stolen. | 0:01:04 | 0:01:07 | |
Or he's been kidnapped! | 0:01:07 | 0:01:08 | |
PHONE BEEPS | 0:01:08 | 0:01:10 | |
Oh, he's got the predictive text wrong. He meant to say "I miss TV." | 0:01:12 | 0:01:16 | |
Well, that's a relief. | 0:01:16 | 0:01:19 | |
Isn't this nice? | 0:01:21 | 0:01:23 | |
A professional mother and daughter having a working lunch together. | 0:01:23 | 0:01:27 | |
-How mature. -What a minger! | 0:01:27 | 0:01:30 | |
Mum, she has seriously let herself go. | 0:01:30 | 0:01:33 | |
Darling, that's Peter Stringfellow. | 0:01:33 | 0:01:35 | |
Hi, Susan. | 0:01:37 | 0:01:38 | |
-Hi, Chris. -I'm just dropping off those sales figures. | 0:01:38 | 0:01:42 | |
-You might want to keep an eye out - Katie's on the prowl. -Thanks, Chris. | 0:01:42 | 0:01:46 | |
Mum. Hello? Mum, who is that? | 0:01:48 | 0:01:50 | |
He started here last week. | 0:01:50 | 0:01:52 | |
Ooh, potential romantic interest in the workplace, Mum? | 0:01:52 | 0:01:56 | |
Janey, please. I'm a happily married... | 0:01:56 | 0:01:59 | |
I'm a married woman, and a professional and prefer to be seen as such. | 0:01:59 | 0:02:03 | |
That is why I keep my personal and work life separate. | 0:02:03 | 0:02:05 | |
And that is why, madam, you should really consider investing in some art. | 0:02:05 | 0:02:09 | |
I have met your daughter before, Susan. | 0:02:09 | 0:02:11 | |
Oh, thank God! I thought I was going to have to buy some art. | 0:02:11 | 0:02:15 | |
-Sorry, I was getting back to work. -Relax, you're allowed a lunch break. | 0:02:15 | 0:02:18 | |
It should have finished five minutes ago. | 0:02:18 | 0:02:21 | |
Time flies when you're having flan. | 0:02:21 | 0:02:23 | |
I know it's fruit salad, but it didn't sound so... | 0:02:23 | 0:02:27 | |
-hilarious. -I need to talk to you about the new exhibition. | 0:02:27 | 0:02:30 | |
-Ah, did you like my display? -No. -Oh. | 0:02:30 | 0:02:33 | |
It has no flow, poor structure, a shambolic layout. | 0:02:33 | 0:02:37 | |
Ah, yes, that's what I was aiming for. | 0:02:37 | 0:02:39 | |
When you've finished not having flan, maybe you could redo the entire thing? | 0:02:39 | 0:02:43 | |
-But that'll take hours. -You can have all night to get it done if you like. | 0:02:43 | 0:02:47 | |
-How generous of you! -Chris can give you a hand. | 0:02:47 | 0:02:50 | |
Maybe he'll have a better take on it. | 0:02:50 | 0:02:52 | |
It wouldn't be hard. | 0:02:52 | 0:02:54 | |
Ciao. | 0:02:54 | 0:02:56 | |
Ciao. | 0:02:56 | 0:02:57 | |
-DOOR CLOSES -Cow. | 0:02:57 | 0:02:59 | |
Result! You get to spend all night with Chris, the hot new guy. | 0:02:59 | 0:03:02 | |
Yes, lucky me(!) I don't get nearly enough unpaid overtime. | 0:03:02 | 0:03:06 | |
You're welcome to stick around and help out. | 0:03:06 | 0:03:08 | |
Oh, sure, why not? | 0:03:08 | 0:03:10 | |
And by "help out", I mean hang paintings, not pout seductively for Chris's benefit. | 0:03:10 | 0:03:14 | |
Bye. | 0:03:14 | 0:03:16 | |
Hey, Kenzo, how was your day? | 0:03:24 | 0:03:27 | |
-Rubbish. -You know, just cos Grandad's away, you don't have to fill in for him. | 0:03:27 | 0:03:31 | |
We got our report cards at school, and mine sucks. | 0:03:31 | 0:03:35 | |
Oh, well. Looks like I'm still the clever one in the family. | 0:03:35 | 0:03:40 | |
Not that I need that to define who I am. | 0:03:40 | 0:03:43 | |
Hang on, these are all A's, you little... | 0:03:45 | 0:03:48 | |
..clever man. | 0:03:50 | 0:03:51 | |
No, I got a C for Art. | 0:03:51 | 0:03:55 | |
My teacher marked me down because he doesn't like me. | 0:03:55 | 0:03:58 | |
I'm sure that's not true. | 0:03:58 | 0:04:00 | |
Yes, it is. Mr Tilley's mean. | 0:04:00 | 0:04:03 | |
Mr Tilley? | 0:04:03 | 0:04:05 | |
He was MY art teacher. | 0:04:05 | 0:04:07 | |
He never liked me and gave me rubbish marks. | 0:04:07 | 0:04:10 | |
I bet he's got it in for you cos he hated me. | 0:04:10 | 0:04:13 | |
And all because I pulled a few pranks on him. | 0:04:13 | 0:04:16 | |
I thought you were good in school. | 0:04:16 | 0:04:18 | |
I was. | 0:04:18 | 0:04:20 | |
But there's a little part of me that hates being criticised, and lashes out at people because of it. | 0:04:20 | 0:04:25 | |
Did you get that from Grandad? | 0:04:25 | 0:04:27 | |
Afraid so. | 0:04:27 | 0:04:29 | |
And Mr Tilley got the brunt of it. | 0:04:30 | 0:04:32 | |
He made me feel like I'd never amount to anything. | 0:04:32 | 0:04:35 | |
Well, you don't have a job. | 0:04:35 | 0:04:38 | |
That's a bit harsh, Kenzo. | 0:04:38 | 0:04:40 | |
You know what? I'm going to give Tilley a piece of my mind. | 0:04:42 | 0:04:45 | |
Tell him to leave you alone. | 0:04:45 | 0:04:47 | |
Well, you've got the time. | 0:04:47 | 0:04:49 | |
It's not like you have to go to work. | 0:04:49 | 0:04:52 | |
Maybe Tilley's got a point about you. | 0:04:52 | 0:04:54 | |
I suppose Katie might be happy if we stick that piece over there. | 0:04:58 | 0:05:02 | |
I know where I'd rather stick it. | 0:05:02 | 0:05:05 | |
I can't believe Katie's making us work this late. | 0:05:05 | 0:05:07 | |
It's easier knowing there's a Chardonnay waiting. | 0:05:07 | 0:05:10 | |
-Yeah, it's a shame it has to wait, really. -What was that? | 0:05:10 | 0:05:13 | |
Have a glass with me. | 0:05:13 | 0:05:15 | |
-Are you sure about this? -It's fine. | 0:05:16 | 0:05:18 | |
I've got another bottle in the fridge. | 0:05:20 | 0:05:22 | |
And my husband's away, so I don't have to put anyone to bed when I get home. | 0:05:22 | 0:05:25 | |
So... | 0:05:26 | 0:05:28 | |
how's it looking? | 0:05:28 | 0:05:30 | |
It's good. You've got a real eye for art, Susan. | 0:05:30 | 0:05:34 | |
I could learn a lot from you. | 0:05:34 | 0:05:37 | |
Oh, you! | 0:05:37 | 0:05:38 | |
Yes, you probably could. | 0:05:40 | 0:05:41 | |
It's so easy to get excited by art. | 0:05:42 | 0:05:45 | |
This piece, for instance, is very evocative. | 0:05:45 | 0:05:49 | |
The simplicity of two lines intertwined, creating the image of embracing lovers. | 0:05:49 | 0:05:54 | |
To feel the physical bliss of sexual unity from basic shapes and angles. | 0:05:54 | 0:06:00 | |
It shows the true passion of the imagination, don't you think? | 0:06:00 | 0:06:04 | |
Yes. | 0:06:04 | 0:06:06 | |
Then again, it's just a silly painting. | 0:06:07 | 0:06:11 | |
-Well, you know what? I think I can finish up here on my own. -Really? | 0:06:11 | 0:06:15 | |
I don't mind...helping out. | 0:06:15 | 0:06:18 | |
Look, Chris, I think we've had a little misunderstanding here. | 0:06:18 | 0:06:21 | |
You're a very handsome man, and if I weren't married, | 0:06:21 | 0:06:24 | |
who knows what could happen... in all aspects of my life. | 0:06:24 | 0:06:27 | |
But I'm rambling now, but the point is I think you should leave. | 0:06:27 | 0:06:31 | |
-Maybe -I -should leave. | 0:06:31 | 0:06:33 | |
Yes, yes, that's it. I'll leave. | 0:06:33 | 0:06:36 | |
Well, thanks for the help, colleague. | 0:06:36 | 0:06:40 | |
Oh, here are the keys to lock up. No, no, no. There you are. | 0:06:41 | 0:06:45 | |
There are the keys. | 0:06:45 | 0:06:46 | |
-Let me help you with your coat. -No, no, no, I can manage. No, it's fine. Know what? | 0:06:46 | 0:06:50 | |
It's a mild evening, I don't really need my coat. Bye. | 0:06:50 | 0:06:54 | |
Still got it. | 0:07:03 | 0:07:04 | |
KNOCK ON DOOR | 0:07:06 | 0:07:08 | |
Morning, Susan. | 0:07:09 | 0:07:11 | |
-Hi, Katie. -Mind if I pop in? | 0:07:11 | 0:07:13 | |
Well, I'm a bit busy at the moment... | 0:07:13 | 0:07:15 | |
No, please, do take a seat. | 0:07:15 | 0:07:17 | |
How are you? | 0:07:17 | 0:07:19 | |
Concerned. You're smiling. | 0:07:19 | 0:07:20 | |
At me. Why? | 0:07:20 | 0:07:22 | |
No reason. No reason at all. | 0:07:22 | 0:07:25 | |
Oh, there was one tiny little thing. | 0:07:25 | 0:07:27 | |
You've been charged with sexual harassment. | 0:07:27 | 0:07:29 | |
What?! By who? | 0:07:31 | 0:07:32 | |
-Chris. -Oh, but that's ridiculous! | 0:07:32 | 0:07:35 | |
If anything, he harassed me. | 0:07:35 | 0:07:36 | |
Well, he says that you "plied him with alcohol". | 0:07:36 | 0:07:39 | |
-I gave him a glass of wine. -You said he was a "very handsome man". | 0:07:39 | 0:07:42 | |
-Yes, well, I did say that. -And you expressed a wish that you weren't married. | 0:07:42 | 0:07:47 | |
I've done that so many times before it's lost all meaning. | 0:07:47 | 0:07:51 | |
And anyway, he said things to me, too. | 0:07:51 | 0:07:53 | |
-Such as? -He said... | 0:07:53 | 0:07:56 | |
"Yes." No, no, wait. | 0:07:57 | 0:07:59 | |
He said... he said he didn't mind helping out. | 0:07:59 | 0:08:02 | |
I'm not sure I can reprimand someone for that. | 0:08:02 | 0:08:04 | |
No, but it was the way he said it. All icky. | 0:08:04 | 0:08:08 | |
Susan, this is a very serious matter, but we don't want to make any rash decisions. | 0:08:08 | 0:08:12 | |
Such as believing Chris and dismissing everything I say? | 0:08:12 | 0:08:15 | |
Until we're able to resolve the situation, I think it's better you avoided Chris. | 0:08:15 | 0:08:19 | |
Yes, of course. | 0:08:19 | 0:08:21 | |
What the hell do you think you are playing at? | 0:08:24 | 0:08:27 | |
-Ah, Susan. -I don't want to hear it. -I wasn't going to say anything else. | 0:08:27 | 0:08:31 | |
Well, good. | 0:08:31 | 0:08:33 | |
How could you say all those things about me? | 0:08:33 | 0:08:35 | |
My name is all I have, | 0:08:35 | 0:08:37 | |
and it's already spoilt because it's got Harper at the end of it. | 0:08:37 | 0:08:40 | |
Now everyone will think I'm some sort of...sex panther. | 0:08:40 | 0:08:44 | |
-"Sex panther"? -Well, they might not think that exactly, | 0:08:44 | 0:08:46 | |
but something in the randy cat area. | 0:08:46 | 0:08:49 | |
So do you know what we're going to do? | 0:08:49 | 0:08:51 | |
You and I are going to see Katie and tell her what really happened. | 0:08:51 | 0:08:55 | |
Oh, I'm not sure if I want to do that. | 0:08:55 | 0:08:57 | |
Oh, you don't understand. | 0:08:57 | 0:08:58 | |
We are going to do it. | 0:08:58 | 0:09:00 | |
I don't care if the whole gallery has to hear it, | 0:09:00 | 0:09:03 | |
I'm going to get what I want! | 0:09:03 | 0:09:04 | |
Oh, Katie. | 0:09:06 | 0:09:08 | |
This isn't what you meant by "stay away from Chris", is it? | 0:09:08 | 0:09:12 | |
KNOCK ON DOOR | 0:09:12 | 0:09:14 | |
Come in. | 0:09:14 | 0:09:15 | |
-Mr Tilley? -Yes? -Hi. | 0:09:16 | 0:09:20 | |
You probably don't recognise me. | 0:09:20 | 0:09:22 | |
I've...matured a lot since I was here. | 0:09:22 | 0:09:25 | |
Michael Harper, isn't it? | 0:09:25 | 0:09:27 | |
Yeah. | 0:09:29 | 0:09:30 | |
I was wondering if I could talk to you. | 0:09:30 | 0:09:32 | |
We're both adults now - we should be able to have a conversation on equal footing. | 0:09:32 | 0:09:36 | |
Of course, take a seat. | 0:09:36 | 0:09:38 | |
-The thing is... -Doing well for yourself, I see. | 0:09:45 | 0:09:47 | |
I assume you're out of work if you're able to make social calls during the day. | 0:09:47 | 0:09:51 | |
-How do you know this isn't my lunch break? -Is it? | 0:09:51 | 0:09:53 | |
No. | 0:09:54 | 0:09:56 | |
But the thing is... | 0:09:56 | 0:09:58 | |
Is that gum you're chewing? | 0:09:58 | 0:10:00 | |
Erm...yeah. | 0:10:01 | 0:10:04 | |
Out. | 0:10:06 | 0:10:07 | |
Can I speak now? | 0:10:13 | 0:10:14 | |
I don't know, Harper, can you? | 0:10:14 | 0:10:16 | |
MAY I... | 0:10:18 | 0:10:19 | |
Mr Tilley... | 0:10:20 | 0:10:21 | |
..my nephew is a student of yours. | 0:10:22 | 0:10:25 | |
Ah, yes. Kenzo. | 0:10:25 | 0:10:28 | |
And I'd hate to think he may be treated as unfairly as I was. | 0:10:28 | 0:10:31 | |
Unfairly? | 0:10:31 | 0:10:33 | |
As I recall, Harper, you slipped laxatives into my tea, | 0:10:34 | 0:10:38 | |
started the trend of calling me Silly Tilley, and exploded a stink bomb inside my Vauxhall Astra. | 0:10:38 | 0:10:43 | |
I never called you Silly Tilley. | 0:10:43 | 0:10:45 | |
And I may have caused occasional trouble, but I was still a good student. | 0:10:47 | 0:10:51 | |
It's funny you should say that. | 0:10:53 | 0:10:54 | |
When I saw I was teaching Kenzo, I thought I'd look back at your record. | 0:10:54 | 0:10:58 | |
It seems you never handed in your second year art course work. | 0:10:59 | 0:11:02 | |
-I didn't? -No. | 0:11:02 | 0:11:06 | |
Well, I'd best be off. | 0:11:06 | 0:11:08 | |
Walk, don't run. | 0:11:08 | 0:11:11 | |
Hi, Mum. | 0:11:16 | 0:11:18 | |
How was work? | 0:11:18 | 0:11:20 | |
I was accused of sexual harassment by that new guy, Chris. | 0:11:20 | 0:11:24 | |
Wow! | 0:11:24 | 0:11:26 | |
Good for you, Mum! | 0:11:26 | 0:11:28 | |
So where'd you do it? In the stationery cupboard? Fire escape? On the desk? | 0:11:28 | 0:11:31 | |
None of those. I didn't do it. | 0:11:31 | 0:11:33 | |
Oh. So what did you do? | 0:11:33 | 0:11:35 | |
All I did was offer him a glass of wine, flatter him, and talk passionately about art and... | 0:11:35 | 0:11:41 | |
sexual intimacy. | 0:11:41 | 0:11:43 | |
-It's not sounding good, Mum. -It isn't, is it? Oh, God. Well, maybe I did harass him. | 0:11:43 | 0:11:48 | |
Well, it's a proud move for feminism. | 0:11:48 | 0:11:50 | |
I might have to explain feminism to you some time. | 0:11:50 | 0:11:53 | |
So what happens now? | 0:11:53 | 0:11:55 | |
Katie's making me attend a course on sexual harassment. | 0:11:55 | 0:11:59 | |
Well, another qualification always helps. | 0:11:59 | 0:12:01 | |
Janey, just to confirm, you do actually believe I'm innocent, don't you? | 0:12:03 | 0:12:07 | |
Of course, Mum. I have total confidence in you. | 0:12:07 | 0:12:10 | |
Hey, what's going on? | 0:12:10 | 0:12:12 | |
Mum jumped a guy at work. | 0:12:12 | 0:12:13 | |
Hello. | 0:12:30 | 0:12:31 | |
Gosh, what a relief! | 0:12:33 | 0:12:34 | |
I thought I'd be the only woman here. | 0:12:34 | 0:12:37 | |
This is silly, isn't it? | 0:12:41 | 0:12:43 | |
A simple misunderstanding and we have to go through all this. | 0:12:43 | 0:12:46 | |
It's political correctness gone mad. | 0:12:46 | 0:12:48 | |
It's nice talking to you, too. | 0:12:51 | 0:12:52 | |
Oh! | 0:12:54 | 0:12:55 | |
You should watch yourself around Ange, she's a gooser. | 0:12:59 | 0:13:03 | |
I'm Patrick. | 0:13:03 | 0:13:04 | |
Sorry, I'm not exactly here to meet people. | 0:13:04 | 0:13:06 | |
This whole thing has been a terrible mistake and perverts like you sicken me. Excuse me. | 0:13:06 | 0:13:10 | |
Right. I am actually the course director. | 0:13:10 | 0:13:14 | |
Oh, my goodness, I am sorry. I'm Susan Harper. Sorry. | 0:13:14 | 0:13:17 | |
No, it's OK. There's nothing to be ashamed of here. This course is completely confidential. | 0:13:17 | 0:13:22 | |
"Confidential" suggests there IS something to be ashamed of. | 0:13:22 | 0:13:25 | |
Maybe you'd like to help me with an opening exercise. Hi, everyone, take a seat, please. | 0:13:25 | 0:13:29 | |
Thank you. Now, to get us started, Susan here has volunteered to take part in an activity | 0:13:29 | 0:13:35 | |
to show that improper communication is unacceptable in the workplace, | 0:13:35 | 0:13:39 | |
be it abusive, sexual, or merely calling someone a sickening pervert. | 0:13:39 | 0:13:44 | |
Susan is going to read out some phrases, | 0:13:44 | 0:13:47 | |
and the group will say whether they're appropriate or inappropriate. | 0:13:47 | 0:13:51 | |
Mrs Harper? | 0:13:51 | 0:13:52 | |
What happened to confidentiality? | 0:13:52 | 0:13:55 | |
Just read the cards. | 0:13:55 | 0:13:57 | |
"Hello, sexy." | 0:13:58 | 0:13:59 | |
-ALL: -Hello. | 0:13:59 | 0:14:01 | |
Just say "appropriate" or "inappropriate", please. | 0:14:01 | 0:14:04 | |
"Hello, sexy." | 0:14:04 | 0:14:06 | |
-ALL: -Inappropriate. | 0:14:06 | 0:14:08 | |
"I'm happy to help you." | 0:14:09 | 0:14:11 | |
-ALL: -Appropriate. | 0:14:11 | 0:14:12 | |
Now, surely that's open to interpretation. | 0:14:12 | 0:14:15 | |
It would be quite different if I said... | 0:14:15 | 0:14:17 | |
-SULTRY: -"I'm happy to help you". | 0:14:17 | 0:14:18 | |
-ALL: -Inappropriate. -See? See? | 0:14:18 | 0:14:21 | |
And it would be perfectly harmless if I said, "You're an attractive man". | 0:14:21 | 0:14:25 | |
-ALL: -Inappropriate. | 0:14:25 | 0:14:27 | |
This exercise isn't actually about interpretation. | 0:14:27 | 0:14:30 | |
-Well, then, it's a pretty stupid exercise, isn't it? -ALL: -Appropriate. | 0:14:30 | 0:14:34 | |
-Oh, shut up, the lot of you! -ALL: -Inappropriate. | 0:14:34 | 0:14:36 | |
Perhaps we should just take a small break. Susan, can I have a word, please? | 0:14:36 | 0:14:41 | |
I'm sorry, Patrick. | 0:14:41 | 0:14:42 | |
I know I'm not behaving well, but you have to understand. | 0:14:42 | 0:14:45 | |
I would never associate myself with the kind of people that come to this sort of course. | 0:14:45 | 0:14:50 | |
I just keep thinking what Ben would say. | 0:14:50 | 0:14:52 | |
Ben? Ben Harper? | 0:14:52 | 0:14:54 | |
Why does that name sound familiar? | 0:14:56 | 0:14:58 | |
Never mind. | 0:15:00 | 0:15:01 | |
Have you been avoiding me? | 0:15:08 | 0:15:10 | |
What makes you think that? | 0:15:10 | 0:15:12 | |
Did you speak to Mr Tilley? | 0:15:12 | 0:15:14 | |
To be honest, I've been very busy, Kenzo. | 0:15:14 | 0:15:18 | |
Yeah, right. | 0:15:18 | 0:15:19 | |
He said that you went to see him and ran away like a little boy. | 0:15:19 | 0:15:22 | |
That's rubbish. I ran away like a man! | 0:15:22 | 0:15:26 | |
Look, there's no talking to Tilley. | 0:15:26 | 0:15:29 | |
I think the best thing you can do is just take your C grade and forget about it. | 0:15:29 | 0:15:34 | |
Really? | 0:15:34 | 0:15:36 | |
Yeah, cos otherwise it'll eat away at you day after day, | 0:15:36 | 0:15:40 | |
gnawing at your insides until eventually, | 0:15:40 | 0:15:43 | |
you'll just be so angry that you'll want to take a paintbrush, | 0:15:43 | 0:15:46 | |
shove it down his throat and say, "How do you like that, Tilley? Is that art?!" | 0:15:46 | 0:15:50 | |
I'm sure that won't happen to you. | 0:15:55 | 0:15:57 | |
Hey, how was the course? | 0:16:01 | 0:16:03 | |
Terrible. | 0:16:03 | 0:16:04 | |
The amount of Old Spice wafting through that room... | 0:16:07 | 0:16:10 | |
has given me a migraine. | 0:16:10 | 0:16:12 | |
Well, at least it's all over. | 0:16:12 | 0:16:14 | |
I wish. I've got another four sessions to go. I can't take any more. | 0:16:14 | 0:16:18 | |
I hate to say it, but you'll have to grit your teeth until this whole mess goes away. | 0:16:18 | 0:16:22 | |
-I suppose you're right. -ANSWERPHONE: -'One new message'. | 0:16:22 | 0:16:26 | |
'Hello, Susan, Katie here. | 0:16:26 | 0:16:29 | |
'Just heard about your behaviour at the course today. | 0:16:29 | 0:16:31 | |
'I'm afraid you're suspended until further notice. Speak soon, ciao'. | 0:16:31 | 0:16:36 | |
Right, that's it! | 0:16:36 | 0:16:38 | |
I have to talk to Chris and convince him I did nothing wrong. | 0:16:38 | 0:16:41 | |
Are you sure that'll work? | 0:16:41 | 0:16:42 | |
Oh, I can be very persuasive. | 0:16:42 | 0:16:45 | |
I know it shouldn't, but everything you say now sounds really dirty. | 0:16:45 | 0:16:50 | |
Oh, hi. | 0:16:53 | 0:16:54 | |
You all right? | 0:16:56 | 0:16:57 | |
This thing with Kenzo's teacher is bothering me. | 0:16:57 | 0:17:00 | |
-Oh, listen, Mike, I know you didn't sort it out, but I believe you're doing Kenzo a service. -How? | 0:17:00 | 0:17:05 | |
It's good for kids to be disappointed once in a while. | 0:17:05 | 0:17:07 | |
-Thanks. -I mean, it's a good life lesson to pin all your hopes on one person and have them let you down. | 0:17:07 | 0:17:14 | |
OK, OK. I get your point. | 0:17:14 | 0:17:16 | |
I have a point? | 0:17:16 | 0:17:18 | |
DOORBELL RINGS | 0:17:18 | 0:17:19 | |
Oh, that'll be Chris. | 0:17:19 | 0:17:21 | |
-Chris? -Yeah, the gallery guy. | 0:17:21 | 0:17:24 | |
Mum's going to convince him to drop the charges. | 0:17:24 | 0:17:26 | |
So Mum's invited the man she harassed around to... | 0:17:26 | 0:17:30 | |
harass him into dropping the harassment charges? | 0:17:30 | 0:17:33 | |
Yep. | 0:17:33 | 0:17:35 | |
And what are you doing? | 0:17:35 | 0:17:37 | |
Oh, I thought I'd hang around and listen in, in case things get frisky. | 0:17:37 | 0:17:42 | |
What is wrong with the women in this family? | 0:17:42 | 0:17:45 | |
-SUSAN: -Come in, Chris. | 0:17:47 | 0:17:49 | |
Nice to see you again. | 0:17:49 | 0:17:51 | |
Not "nice" nice, platonic nice. | 0:17:51 | 0:17:53 | |
And when I say "see you", I don't mean ogle you. | 0:17:53 | 0:17:56 | |
Right. | 0:17:56 | 0:17:57 | |
Take a seat. | 0:17:57 | 0:17:59 | |
Thank you. | 0:17:59 | 0:18:00 | |
Drink? A soft one. I'm not trying to ply you with anything. I'm being... | 0:18:01 | 0:18:06 | |
appropriate. | 0:18:06 | 0:18:07 | |
-Nuts? -I'm fine, thank you. | 0:18:10 | 0:18:13 | |
So... | 0:18:15 | 0:18:16 | |
-..how's work? -Well... | 0:18:18 | 0:18:20 | |
Great, anyway, I was wondering if we might clear up our little misunderstanding. | 0:18:20 | 0:18:24 | |
Obviously, I apologise if anything I said to you | 0:18:24 | 0:18:27 | |
could be misconstrued, although to be honest, I made the mistake of thinking you were flirting with me. | 0:18:27 | 0:18:32 | |
-I was. -Right, I see. What? | 0:18:32 | 0:18:35 | |
You're a passionate woman, Susan. I like that. | 0:18:35 | 0:18:39 | |
And as for clearing the matter up, there is one very simple solution. | 0:18:39 | 0:18:42 | |
-There is? -Yes. | 0:18:42 | 0:18:45 | |
Sleep with me. | 0:18:46 | 0:18:47 | |
There's no allegations for me to make if it actually happened. | 0:18:49 | 0:18:54 | |
Right. Um, slightly fuzzy logic there, but I think I get the point. | 0:18:54 | 0:19:00 | |
Would you excuse me a moment? | 0:19:01 | 0:19:03 | |
Janey? | 0:19:08 | 0:19:09 | |
Janey, did you hear that? Janey?! | 0:19:09 | 0:19:12 | |
Hear what? | 0:19:12 | 0:19:14 | |
You're supposed to be a witness. | 0:19:14 | 0:19:15 | |
-Chris just said he would drop the charges if I slept with him. -Really? | 0:19:15 | 0:19:20 | |
Nice one! | 0:19:20 | 0:19:22 | |
Not "nice one". The man's a sleaze bucket. | 0:19:22 | 0:19:26 | |
Well, you're in luck, because I am an expert in lechy men. | 0:19:26 | 0:19:30 | |
In a situation like this, there are three options. | 0:19:31 | 0:19:34 | |
Bear in mind, I'm NOT going to sleep with him. | 0:19:34 | 0:19:36 | |
OK, two options. | 0:19:37 | 0:19:39 | |
First, tell Katie what happened and hope she believes you this time. | 0:19:39 | 0:19:42 | |
That's unlikely. | 0:19:42 | 0:19:44 | |
She still thinks I stole the stapler from work. | 0:19:44 | 0:19:47 | |
-Did you? -Yes. No, I borrowed it. | 0:19:47 | 0:19:49 | |
It's a stapler - who cares? | 0:19:49 | 0:19:52 | |
OK, then option two is call his bluff. | 0:19:52 | 0:19:53 | |
He can't be interested in you for anything more than a cheap and weird thrill. | 0:19:53 | 0:19:58 | |
-Thanks for that(!) -If you make him think you want something serious, he'll change his mind. | 0:19:58 | 0:20:02 | |
-The idea of a relationship with you will scare the life out of him. -Again, thank you. | 0:20:02 | 0:20:07 | |
-Honestly, Mum, he'll be out of that door so fast, you won't see him for dust. In fact... -Shut up, Janey. | 0:20:07 | 0:20:12 | |
-Hello. -Hello. | 0:20:17 | 0:20:18 | |
I've been thinking about your offer in the kitchen, and, er... | 0:20:20 | 0:20:25 | |
I've decided to say yes. | 0:20:25 | 0:20:27 | |
-Great! -However, we have to be realistic about this. | 0:20:27 | 0:20:31 | |
I'm not a "one night" kind of lady. | 0:20:31 | 0:20:34 | |
If anything were to occur between us, I would need a proper, long-term commitment. | 0:20:34 | 0:20:40 | |
OK. | 0:20:40 | 0:20:42 | |
You do realise I want a proper, monogamous relationship, right? | 0:20:42 | 0:20:47 | |
Yeah, that's totally reasonable. | 0:20:47 | 0:20:49 | |
Right, wonderful. | 0:20:49 | 0:20:52 | |
Of course, I'm married. | 0:20:55 | 0:20:57 | |
Me too. | 0:20:57 | 0:20:59 | |
-So you'd be worried about leaving your wife? -Meh. | 0:21:01 | 0:21:04 | |
I see. | 0:21:04 | 0:21:06 | |
That would mean we'd both have to move out and find a place together, which is a major commitment. | 0:21:07 | 0:21:12 | |
OK, let's do that. | 0:21:12 | 0:21:14 | |
Seriously? | 0:21:14 | 0:21:15 | |
Excellent. | 0:21:16 | 0:21:18 | |
Why don't we start looking tomorrow, then? I really want to be serious about this. | 0:21:19 | 0:21:23 | |
Sounds good to me. | 0:21:23 | 0:21:25 | |
Brilliant. | 0:21:25 | 0:21:27 | |
Well... | 0:21:28 | 0:21:30 | |
I look forward to us facing up to the crushing reality of a future together. | 0:21:30 | 0:21:35 | |
Me too. | 0:21:35 | 0:21:36 | |
Fabulous. | 0:21:38 | 0:21:40 | |
Yes, Harper? | 0:21:42 | 0:21:45 | |
Hi, me again. | 0:21:45 | 0:21:48 | |
I just thought I'd come back. | 0:21:48 | 0:21:49 | |
Making up for the numerous detentions you avoided? | 0:21:49 | 0:21:53 | |
No, I've got something important to tell you. | 0:21:53 | 0:21:56 | |
What, that you've finally managed to draw a rabbit that doesn't look like a frog? | 0:21:56 | 0:22:00 | |
No, I just... | 0:22:00 | 0:22:02 | |
Oh, come on, boy. Spit it out. | 0:22:03 | 0:22:05 | |
Clarity was never your forte. | 0:22:05 | 0:22:08 | |
It was, actually. | 0:22:08 | 0:22:10 | |
For your information, I swept through my GCSEs and A-levels, | 0:22:10 | 0:22:14 | |
got a first for my degree, and my tutor said my dissertation was one of the best he'd ever read. | 0:22:14 | 0:22:18 | |
-But you're right, I suppose that doesn't compare to a badly-drawn rabbit. -And your point is? | 0:22:18 | 0:22:24 | |
My point is, I'm sorry I gave you a hard time at school, | 0:22:24 | 0:22:29 | |
but if you'd believed in me for one second, it never would have happened. | 0:22:29 | 0:22:33 | |
But I'm fine now. I'm over it. | 0:22:33 | 0:22:34 | |
The thing that bothers me is you let our history affect Kenzo, | 0:22:34 | 0:22:37 | |
who deserves better than a petty, resentful C grade. | 0:22:37 | 0:22:41 | |
Would you like to see one of Kenzo's paintings? | 0:22:41 | 0:22:45 | |
You've been very generous. | 0:22:53 | 0:22:54 | |
So? How was the flat-hunting? | 0:23:00 | 0:23:02 | |
Well, you know, I was quite surprised at how much we could get for our money. | 0:23:02 | 0:23:07 | |
Oh, and Chris isn't backing down and this is a hideous living hell. | 0:23:07 | 0:23:10 | |
Just keep at it, Mum. Trust me, he has to be on the verge of cracking. | 0:23:10 | 0:23:14 | |
-Just keep calling his bluff. -I have no more bluffs to call. | 0:23:14 | 0:23:17 | |
I mentioned the idea of a nursery, and he barely batted an eyelid. | 0:23:19 | 0:23:23 | |
At this rate, I'll be leaving your father and moving into a bright, open-plan, second floor flat | 0:23:23 | 0:23:28 | |
in up-and-coming Bromley-by-Bow. | 0:23:28 | 0:23:30 | |
And your problem is? | 0:23:30 | 0:23:31 | |
OK, OK, OK. | 0:23:33 | 0:23:34 | |
We've got one more option, and this will make any man run for the hills. | 0:23:34 | 0:23:38 | |
Make him think you want to get married. | 0:23:38 | 0:23:41 | |
-Wow. -Smart, huh? | 0:23:41 | 0:23:43 | |
No, no, it's just suddenly dawned on me. | 0:23:43 | 0:23:45 | |
I'm taking advice from YOU. | 0:23:45 | 0:23:47 | |
Seriously, you. What on earth am I doing? | 0:23:47 | 0:23:51 | |
I'm not hearing enthusiasm for the new plan. | 0:23:51 | 0:23:53 | |
Because it's deranged. | 0:23:53 | 0:23:56 | |
Really? OK, then, tell me, how did Dad react when you first mentioned marriage to him? | 0:23:56 | 0:24:00 | |
Oh, it's hard to tell. | 0:24:00 | 0:24:02 | |
He disappeared for a fortnight. | 0:24:02 | 0:24:05 | |
DOORBELL RINGS | 0:24:17 | 0:24:18 | |
What am I doing? | 0:24:22 | 0:24:23 | |
Hello, love of my life. | 0:24:31 | 0:24:34 | |
It's a pleasure to see you, and this time I AM ogling you. | 0:24:39 | 0:24:44 | |
Thanks. | 0:24:44 | 0:24:45 | |
Oh, Chris, I know this has been a crazy, whirlwind affair. | 0:24:45 | 0:24:49 | |
Some might consider it entirely insane... | 0:24:49 | 0:24:52 | |
but I can't help feeling we may be ready to take an even bigger step. | 0:24:52 | 0:24:57 | |
Well, it's funny you should say that. | 0:24:57 | 0:24:59 | |
-It is? -Yes, because I've been doing some thinking, | 0:24:59 | 0:25:03 | |
and I've got a very important question I'd like to ask you. | 0:25:03 | 0:25:06 | |
Oh, my God. | 0:25:06 | 0:25:08 | |
Susan... | 0:25:09 | 0:25:10 | |
is it OK if we don't go through with our plans? | 0:25:10 | 0:25:14 | |
Oh, what?! Oh, no. | 0:25:14 | 0:25:17 | |
Including sleeping with each other? | 0:25:18 | 0:25:20 | |
Yes. | 0:25:20 | 0:25:21 | |
Oh, what a shame. | 0:25:21 | 0:25:24 | |
What we had was so special. | 0:25:24 | 0:25:27 | |
I suppose that means you'll be dropping those sexual harassment charges. | 0:25:28 | 0:25:33 | |
Of course I will. | 0:25:33 | 0:25:35 | |
Oh. | 0:25:36 | 0:25:38 | |
Well... | 0:25:38 | 0:25:40 | |
it's going to take me a long time to get over this one, I can tell you. | 0:25:40 | 0:25:44 | |
I suppose reality made our love far too impossible. | 0:25:45 | 0:25:49 | |
-Oh, no, that's not why I want to end it. -Sorry? | 0:25:49 | 0:25:53 | |
-I've met somebody else. -You what? | 0:25:53 | 0:25:56 | |
I know. It was so unexpected, but I'm just, like, head over heels. | 0:25:56 | 0:26:00 | |
She is the most amazing woman I have ever met. | 0:26:00 | 0:26:03 | |
Well, good for you. | 0:26:03 | 0:26:05 | |
It's just funny. You said the exact same thing to me three days ago. | 0:26:05 | 0:26:09 | |
Yeah, but you've got to understand. | 0:26:09 | 0:26:11 | |
This one - well, she's fun, and she's witty... | 0:26:11 | 0:26:14 | |
You don't think I'm fun? You don't think I'm witty? | 0:26:14 | 0:26:17 | |
-Susan... -We had a future. We made plans. We looked at apartments! | 0:26:17 | 0:26:21 | |
I know, but we couldn't afford one. | 0:26:21 | 0:26:24 | |
-You haven't even got a job. -That's your fault! | 0:26:24 | 0:26:26 | |
-Well, technically. -Not technically - actually! | 0:26:26 | 0:26:29 | |
My God. You know what? Of all the women I've accused of sexual harassment, | 0:26:29 | 0:26:33 | |
-you are by far the most mental. -"All the women"? What? | 0:26:33 | 0:26:36 | |
That's how I tend to meet people. | 0:26:36 | 0:26:38 | |
-But that's insane! -Well, it worked on you. We even looked at apartments together. | 0:26:38 | 0:26:43 | |
Get out of here! Go on, get out. | 0:26:43 | 0:26:45 | |
Go back to your wife, your girlfriend or whatever spaceship you came on. Go on, out! | 0:26:45 | 0:26:50 | |
Fine, but before I leave, I want the ring back. | 0:26:50 | 0:26:53 | |
-You didn't give me a ring. -Oh, sorry, that must have been somebody else! | 0:26:53 | 0:26:57 | |
Yes, darling, I'm back at work now. | 0:26:59 | 0:27:02 | |
Oh, the usual. | 0:27:02 | 0:27:04 | |
A younger man wanted to marry me, have my children and move to Bromley-by-Bow. | 0:27:04 | 0:27:08 | |
What's wrong with Bromley-by-Bow? | 0:27:10 | 0:27:13 | |
Oh, got to go, Katie's here. | 0:27:13 | 0:27:15 | |
Bye, darling. | 0:27:15 | 0:27:17 | |
Thanks for coming back, Susan. | 0:27:17 | 0:27:19 | |
You were right. Chris is insane. | 0:27:19 | 0:27:21 | |
Oh, he tried it on with you, too? | 0:27:21 | 0:27:24 | |
He wanted to look at apartments. I told him I'm not an idiot. | 0:27:24 | 0:27:27 | |
No, of course not. | 0:27:27 | 0:27:30 | |
-So to avoid any further problems, I've decided his replacement should be a woman. -Oh, very wise, Katie. | 0:27:30 | 0:27:35 | |
Meet your new assistant. Ange? | 0:27:35 | 0:27:38 | |
You two will be working late tonight. Ciao, ciao. | 0:27:42 | 0:27:45 | |
Inappropriate. | 0:27:48 | 0:27:50 | |
Subtitles by Red Bee Media Ltd | 0:28:14 | 0:28:17 | |
Email [email protected] | 0:28:17 | 0:28:20 |