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Previously on Nurse Jackie... | 0:00:02 | 0:00:03 | |
This programme contains strong language | 0:00:03 | 0:00:06 | |
I've been in the States for just over two weeks with someone else. | 0:00:06 | 0:00:11 | |
I didn't want to tell Ellie that I'd been here | 0:00:11 | 0:00:13 | |
and not called her right away. | 0:00:13 | 0:00:15 | |
I get it. I really do get it. | 0:00:15 | 0:00:18 | |
Take your hands off me. | 0:00:18 | 0:00:21 | |
I... I wish that I could. | 0:00:21 | 0:00:24 | |
What is hospital policy on lost or found drugs? | 0:00:24 | 0:00:27 | |
-Don't worry, I'll take care of it. -Why so desperate? | 0:00:27 | 0:00:30 | |
Do you want to get your ass kicked? | 0:00:30 | 0:00:32 | |
You know this is pretend, right? | 0:00:34 | 0:00:37 | |
How long do I get to keep it on? | 0:00:37 | 0:00:39 | |
-Don't run so fast! -No! Ow, ow! | 0:00:39 | 0:00:43 | |
-Daddy! -Mum! | 0:00:43 | 0:00:44 | |
Real blood. | 0:00:44 | 0:00:47 | |
One of my nurses needs a paediatric psych referral. | 0:00:50 | 0:00:52 | |
-Which one? -She'd rather not say. | 0:00:52 | 0:00:55 | |
I don't make her anxious. I'm here. | 0:00:55 | 0:00:57 | |
Where the hell else are you going to be? | 0:00:57 | 0:00:59 | |
You're a fucking bartender! | 0:00:59 | 0:01:01 | |
I just... I need to take a breath. | 0:01:01 | 0:01:03 | |
Well, listen, take a couple. | 0:01:03 | 0:01:05 | |
Just don't think I'm, you know, sitting at home waiting by the phone. | 0:01:05 | 0:01:08 | |
'Yeah? Where are you now?' | 0:01:08 | 0:01:10 | |
Home. | 0:01:12 | 0:01:13 | |
BELL RINGS | 0:02:08 | 0:02:11 | |
Fiona, sweetheart, I want you to know you're not in any trouble | 0:02:22 | 0:02:25 | |
-and you haven't done anything wrong. -I know. | 0:02:25 | 0:02:28 | |
And you're in a safe place. | 0:02:28 | 0:02:29 | |
You can tell me anything, and you're still in a safe place. | 0:02:29 | 0:02:32 | |
-Do you understand? -Like what? | 0:02:32 | 0:02:34 | |
Well... What about your cast? | 0:02:34 | 0:02:37 | |
It's my show and tell. | 0:02:37 | 0:02:39 | |
It's got blood on it, real blood. Says so right there. | 0:02:39 | 0:02:44 | |
You want to tell me about that? | 0:02:44 | 0:02:45 | |
That's from my lip. I got stitches, see? | 0:02:45 | 0:02:49 | |
Look. | 0:02:49 | 0:02:50 | |
Whoa, those are good stitches. | 0:02:50 | 0:02:53 | |
Hey, what did they say at the doctor's office? | 0:02:53 | 0:02:56 | |
Did anybody talk to your mum and dad? | 0:02:56 | 0:02:58 | |
We didn't go to the doctor's office, we sewed it up in our kitchen. | 0:02:58 | 0:03:01 | |
In your kitchen? OK. | 0:03:02 | 0:03:05 | |
Fiona, honey, who knows you got hurt? Besides your mum and dad? | 0:03:07 | 0:03:11 | |
Of course not! | 0:03:14 | 0:03:16 | |
The arm's not broken! You know that, right? | 0:03:16 | 0:03:19 | |
I mean, jeez, it's just a cast, OK? | 0:03:19 | 0:03:22 | |
She wanted it for show and tell, her mother's a nurse. | 0:03:22 | 0:03:26 | |
Yes. All right, yeah, of course. I understand. | 0:03:27 | 0:03:31 | |
Look, listen, listen. | 0:03:32 | 0:03:34 | |
Let me talk to my wife, all right, before everybody goes nuts here. | 0:03:34 | 0:03:38 | |
OK, yeah. Good, fine. | 0:03:38 | 0:03:40 | |
Shit. | 0:03:41 | 0:03:42 | |
What can I tell you, people? | 0:03:42 | 0:03:44 | |
I'm working with one hand tied behind my back here. | 0:03:44 | 0:03:47 | |
The budget is the budget, can't do anything about that. | 0:03:47 | 0:03:50 | |
Be that as it may, | 0:03:50 | 0:03:52 | |
it's my job to squeeze every last bit out of my resources. | 0:03:52 | 0:03:55 | |
To that end, I'm assessing your performance. | 0:03:55 | 0:03:58 | |
And I'm not doing it privately. | 0:03:58 | 0:04:01 | |
Zoey... | 0:04:02 | 0:04:04 | |
Good. | 0:04:05 | 0:04:06 | |
Thor, improving. | 0:04:08 | 0:04:10 | |
Sam, you need work. | 0:04:11 | 0:04:13 | |
-Jackie... -Don't even think about it. -Wouldn't dream of it. | 0:04:13 | 0:04:17 | |
Jackie, Sam's going to shadow you this morning. | 0:04:17 | 0:04:20 | |
Watch and learn, young man. | 0:04:20 | 0:04:22 | |
Always watching, always learning. | 0:04:22 | 0:04:24 | |
Whatever it is, work it out. | 0:04:24 | 0:04:28 | |
-I do not like that guy. -I do not care. | 0:04:34 | 0:04:37 | |
Take it up with HR. | 0:04:37 | 0:04:39 | |
I'd be happy to go to HR. | 0:04:39 | 0:04:41 | |
-Shouldn't you be peeing in a cup somewhere? -Shouldn't you? -PHONE VIBRATES | 0:04:41 | 0:04:46 | |
-Hey, Kev, what's up? -Spagnolo wants us to explain the cast. | 0:04:46 | 0:04:50 | |
You've gotta be kidding me? | 0:04:50 | 0:04:52 | |
-Nope. -'Spagnolo needs to mind his own goddamn business.' | 0:04:52 | 0:04:55 | |
If every parent of every kid who showed up with a black eye or a chipped tooth | 0:04:55 | 0:04:59 | |
had to explain themselves when we were kids, can you fucking imagine? | 0:04:59 | 0:05:02 | |
I know, I'm with you. | 0:05:02 | 0:05:03 | |
-Oh, shit. -'What?' | 0:05:03 | 0:05:06 | |
I've got to take Grace to Dr Bowen at four. | 0:05:06 | 0:05:08 | |
Oh, fuck. The shrink, I forgot. | 0:05:08 | 0:05:11 | |
All right, let me take her, I'll take Grace. | 0:05:12 | 0:05:15 | |
OK, great. Yes, you handle Grace, I'll handle Fiona. | 0:05:15 | 0:05:18 | |
Jackie... | 0:05:18 | 0:05:19 | |
PHONE RINGS | 0:05:22 | 0:05:25 | |
-May I help you? -I need a town car and a saw. | 0:05:37 | 0:05:40 | |
-You're a real little day brightener, aren't you? -I try. -Right. | 0:05:40 | 0:05:44 | |
-Can you leave that on? -Can I? | 0:05:45 | 0:05:48 | |
And the lab coat and the badge. | 0:05:48 | 0:05:50 | |
Oh, it just gets better and better. | 0:05:50 | 0:05:53 | |
Did everybody see how carefully Dr O'Hara used her saw | 0:05:59 | 0:06:02 | |
to free Fiona's arm? | 0:06:02 | 0:06:04 | |
-ALL: -Yes. | 0:06:04 | 0:06:06 | |
The arm that was not actually broken. | 0:06:06 | 0:06:08 | |
Ca va? Ca va bien. | 0:06:08 | 0:06:12 | |
-How does it feel, Miss Fiona? -Itchy, tingly. | 0:06:17 | 0:06:22 | |
Now, children, had this been an actual broken bone, | 0:06:23 | 0:06:27 | |
Fiona's arm would be quite bruised, | 0:06:27 | 0:06:29 | |
and she wouldn't be able to wiggle her fingers like this. | 0:06:29 | 0:06:32 | |
Wiggle your fingers, sweetheart. | 0:06:33 | 0:06:35 | |
Are we satisfied? | 0:06:37 | 0:06:39 | |
Real blood, fake cast. | 0:06:39 | 0:06:42 | |
Here you go. | 0:06:42 | 0:06:45 | |
OK, everyone. Happy show and tell. | 0:06:45 | 0:06:48 | |
Lives to save. Shall we? | 0:06:48 | 0:06:51 | |
-ALL: -Bye-bye! -Bye! | 0:06:51 | 0:06:54 | |
PHONE RINGS | 0:06:57 | 0:07:00 | |
-Everything OK with you guys? -Oh, not really. | 0:07:06 | 0:07:09 | |
-And not now. -OK. | 0:07:09 | 0:07:12 | |
-It's not that I'm unwilling to discuss it, but not here. -Of course. | 0:07:12 | 0:07:16 | |
Jacks... | 0:07:16 | 0:07:18 | |
What if I came to Queens tonight? | 0:07:20 | 0:07:22 | |
And what if you and Kevin and I had a bottle of Scotch | 0:07:22 | 0:07:25 | |
and a plate of those little monkey bits? | 0:07:25 | 0:07:28 | |
-Buffalo wings? -Yeah. Fucking appalling. | 0:07:28 | 0:07:33 | |
You got it. | 0:07:33 | 0:07:34 | |
SHE LAUGHS | 0:07:38 | 0:07:39 | |
-You can stop laughing. -You... | 0:07:39 | 0:07:43 | |
You grabbed an old lady's breasts, and she keeled over and died! | 0:07:43 | 0:07:46 | |
It's pretty funny. | 0:07:46 | 0:07:47 | |
Remember that time in ninth grade when what's-her-face's mum waited up | 0:07:47 | 0:07:51 | |
until four in the morning, pissed, | 0:07:51 | 0:07:54 | |
standing in the doorway in a ratty old robe with a cup of coffee, | 0:07:54 | 0:07:57 | |
and you kept reaching for her tits and I kept having to hold your arm down. | 0:07:57 | 0:08:01 | |
What about you? | 0:08:06 | 0:08:07 | |
Hmm? What about me? | 0:08:07 | 0:08:09 | |
Cos I know this guy, a little bit older, smart, | 0:08:09 | 0:08:14 | |
likes all that indie crap you like. | 0:08:14 | 0:08:16 | |
Public radio, hmm? | 0:08:16 | 0:08:18 | |
Might go to plays, I'm not sure. Really cool. | 0:08:18 | 0:08:22 | |
BLEEP | 0:08:22 | 0:08:24 | |
-Ooh, gunshot coming in. -Wait, wait, wait. | 0:08:24 | 0:08:27 | |
This guy, is he anything like you? | 0:08:27 | 0:08:30 | |
Total opposite. | 0:08:30 | 0:08:31 | |
Count me in. | 0:08:31 | 0:08:33 | |
Great. I'll set you up. | 0:08:33 | 0:08:37 | |
24-year-old female found down Union Square, | 0:08:37 | 0:08:40 | |
witnessed to fall, came to. | 0:08:40 | 0:08:42 | |
Another skinny chick from Vogue passing out on the subway. | 0:08:42 | 0:08:45 | |
Pump her with fluids and get her out, | 0:08:45 | 0:08:46 | |
-we've got a gunshot coming. -I want the gunshot. | 0:08:46 | 0:08:49 | |
Excuse me, I'm your gunshot. | 0:08:49 | 0:08:51 | |
Assholes. | 0:08:51 | 0:08:52 | |
And, by the way, I'm at Allure, not Vogue, so fucking bite me. | 0:08:52 | 0:08:56 | |
I stand corrected. | 0:08:56 | 0:08:58 | |
So there was like a pop on the platform, | 0:08:58 | 0:09:02 | |
but I was halfway on the train, so I couldn't tell. | 0:09:02 | 0:09:05 | |
-Which train? -The six. -That's either way. Union Square? -Gramercy. | 0:09:05 | 0:09:08 | |
-Anyway... -Mind your business. -Quit picking on me. | 0:09:08 | 0:09:11 | |
-Just her way of showing she likes you. Been there, done that. -Sorry? -Excuse me... | 0:09:11 | 0:09:15 | |
Bullet in my head. | 0:09:15 | 0:09:17 | |
-Where are we at with CT? -Neuro's on it. | 0:09:17 | 0:09:20 | |
You need a CT to find the bullet? It's right here, frontal lobe. | 0:09:20 | 0:09:24 | |
We need to know exactly which vessels are affected. | 0:09:24 | 0:09:26 | |
We're trying to avoid a bleed. | 0:09:26 | 0:09:29 | |
Oh, my God. | 0:09:30 | 0:09:32 | |
New York mag, "If Looks Could Cure". | 0:09:32 | 0:09:35 | |
Oh, it took me until now... | 0:09:35 | 0:09:38 | |
If I make it out of surgery, want to get a drink? | 0:09:38 | 0:09:41 | |
Surgery's going to be a breeze. | 0:09:41 | 0:09:44 | |
Cool. | 0:09:44 | 0:09:45 | |
Do not make promises you cannot keep. | 0:09:45 | 0:09:48 | |
Dr Cooper, neuro's going to meet you in the OR. | 0:09:48 | 0:09:51 | |
-It is there anybody you want me to contact? -My mum. | 0:09:51 | 0:09:54 | |
I am so scared. | 0:09:59 | 0:10:01 | |
Lily, look at me. Do I look scared? | 0:10:03 | 0:10:06 | |
-No. -If I'm not scared, you shouldn't be scared. | 0:10:06 | 0:10:10 | |
There's a lot going on... | 0:10:11 | 0:10:13 | |
-I will be there when you wake up. OK? -Thank you. | 0:10:16 | 0:10:21 | |
HE BEATS A RHYTHM | 0:10:29 | 0:10:31 | |
Do you fucking mind? | 0:10:33 | 0:10:35 | |
I don't think he's a good candidate for tough love. | 0:10:39 | 0:10:41 | |
-I didn't ask. -Copy that. | 0:10:41 | 0:10:44 | |
-Excuse me, sir... -Can I help you? | 0:10:51 | 0:10:52 | |
My husband's in respiratory failure, | 0:10:52 | 0:10:54 | |
they wouldn't let me in the ambulance. I need to sit. | 0:10:54 | 0:10:57 | |
-Yes, you probably do. -Have you seen him? | 0:10:57 | 0:10:59 | |
-What's his name? -Marcus Frunk. -Where's Marcus Frunk? | 0:10:59 | 0:11:02 | |
-O'Hara, trauma one. -Right, come with me. | 0:11:02 | 0:11:05 | |
He was changing a lightbulb. Just changing a lightbulb. | 0:11:05 | 0:11:09 | |
-I'm John Decker. -Jackie Peyton, nice to meet you. | 0:11:09 | 0:11:12 | |
-You will thank me. -I will not thank you. | 0:11:12 | 0:11:15 | |
What on earth makes you think I need an assist? | 0:11:15 | 0:11:18 | |
I don't know. I'm doing it more for her than you. | 0:11:18 | 0:11:21 | |
I'm telling you, you're right up her alley. | 0:11:21 | 0:11:23 | |
Well, newsflash, I'm up a lot of girls' alleys. | 0:11:23 | 0:11:25 | |
-Did that come out wrong? -Actually, it did. | 0:11:26 | 0:11:29 | |
Point is, I'm good, Coop. I'm good. | 0:11:29 | 0:11:33 | |
But the question is, could you be better? Hmm? | 0:11:33 | 0:11:38 | |
The thing is, I am seeing someone. | 0:11:42 | 0:11:44 | |
To tell you the truth, sometimes it doesn't feel | 0:11:46 | 0:11:48 | |
like that much of a two-way street, if you get my drift. | 0:11:48 | 0:11:51 | |
Hmm, not sure that I do. | 0:11:53 | 0:11:55 | |
-Hey, what's up, All Saints? -What's up? | 0:11:55 | 0:11:58 | |
Can you believe that?! | 0:11:59 | 0:12:00 | |
Sadly, Coop, I do. | 0:12:02 | 0:12:04 | |
See, that's Georgia. | 0:12:08 | 0:12:11 | |
Just saying. | 0:12:11 | 0:12:13 | |
When was that taken? | 0:12:13 | 0:12:14 | |
This morning. | 0:12:14 | 0:12:16 | |
Right? Hmm? | 0:12:16 | 0:12:19 | |
-I'm in. -Yeah? -Yeah. | 0:12:20 | 0:12:23 | |
That chair belongs in Admitting. | 0:12:25 | 0:12:27 | |
Leave him alone, Gloria. He's not going anywhere. | 0:12:27 | 0:12:30 | |
Did I ask him to go anywhere? Sir, did I ask you to go anywhere? | 0:12:30 | 0:12:33 | |
No, ma'am, you did not. | 0:12:33 | 0:12:35 | |
-Excuse me. -Zoey, go around. | 0:12:39 | 0:12:42 | |
No, I meant "excuse me" because I thought I might bump into him, | 0:12:42 | 0:12:45 | |
not "excuse me" because I want him to move. | 0:12:45 | 0:12:48 | |
-Excuse me, I'm right here. -And I, for one, do not want you to move. | 0:12:48 | 0:12:51 | |
Can I get you anything? Diet Coke? meal tray? Ensure? | 0:12:51 | 0:12:57 | |
No, thank you. | 0:12:57 | 0:12:59 | |
Hospital's got a new handyman? | 0:13:04 | 0:13:06 | |
-No, he is a paper hanger. And his husband's in respiratory failure. -Oh. | 0:13:06 | 0:13:11 | |
-HE CLEARS HIS THROAT -I'm Dr Cooper. Welcome to All Saints. | 0:13:16 | 0:13:19 | |
John Decker. Uh, ordinarily I'd say "pleased to meet you," | 0:13:19 | 0:13:23 | |
but...I'm not pleased to meet anyone right now. | 0:13:23 | 0:13:25 | |
Got it. | 0:13:25 | 0:13:27 | |
It might comfort you to know that I have two moms. | 0:13:32 | 0:13:36 | |
-Comfort me why? -Because you're married... | 0:13:36 | 0:13:40 | |
..to a guy. | 0:13:41 | 0:13:43 | |
He's a mess. | 0:13:53 | 0:13:55 | |
And thank you for paving the way. | 0:13:55 | 0:14:00 | |
Can I not be gay right now? | 0:14:00 | 0:14:02 | |
Can I just be a guy whose spouse is dying? | 0:14:02 | 0:14:06 | |
Can I have that, please? | 0:14:06 | 0:14:09 | |
Uh, you're John? | 0:14:16 | 0:14:18 | |
I am. | 0:14:18 | 0:14:19 | |
-Could we have a word in my office? -What's wrong with right here? | 0:14:19 | 0:14:23 | |
Blocking the hallway. Not that it matters. | 0:14:23 | 0:14:26 | |
I want to stay nearby. 26 years. We got this far, right? | 0:14:26 | 0:14:30 | |
Hmm. Jackie? | 0:14:30 | 0:14:32 | |
Chest pains are not uncommon with these particular meds. | 0:14:33 | 0:14:36 | |
However, patient proceeded to go into respiratory failure, which... | 0:14:36 | 0:14:40 | |
Uh, I'm sorry, you just... My stomach got a little...when you called him "patient". | 0:14:40 | 0:14:44 | |
How about he's Marcus, until he's not? | 0:14:44 | 0:14:47 | |
My concern at this stage of the game is that the body's failing. | 0:14:52 | 0:14:56 | |
And the heart wants to follow suit, but the defib won't let it. | 0:14:56 | 0:15:00 | |
What I think is that you need to speak with Dr Hayes from Cardiology, | 0:15:00 | 0:15:04 | |
who may or may not broach the subject of deactivating your husband's defibrillator. | 0:15:04 | 0:15:09 | |
Well, Dr Hayes is going to have to come to us. We're not going to him. | 0:15:09 | 0:15:13 | |
-BOTH: -Her. | 0:15:13 | 0:15:15 | |
-What's he at? -Uh, his sat's at 80. | 0:15:16 | 0:15:19 | |
He's not in any pain, is he? | 0:15:19 | 0:15:22 | |
-No. -No. | 0:15:22 | 0:15:24 | |
He has more brains asleep than Einstein had awake... For the record. | 0:15:27 | 0:15:32 | |
Lily's out of surgery. | 0:15:35 | 0:15:38 | |
In a minute, Zoey. | 0:15:38 | 0:15:40 | |
They saved the bullet. Yuck. | 0:15:40 | 0:15:42 | |
Who takes the last glove and leaves the box on the counter? | 0:15:42 | 0:15:45 | |
My bad. "When you are wrong, promptly admit it." | 0:15:45 | 0:15:48 | |
That's from AA. | 0:15:48 | 0:15:50 | |
"You are deeply sober." | 0:15:51 | 0:15:53 | |
PHONE VIBRATES | 0:15:53 | 0:15:56 | |
How you doing over there, Mr Decker? | 0:16:10 | 0:16:13 | |
How do you think? | 0:16:13 | 0:16:15 | |
Who do you think made all these pictures? | 0:16:20 | 0:16:23 | |
I think her patients probably made 'em. | 0:16:25 | 0:16:27 | |
Am I a patient? | 0:16:30 | 0:16:32 | |
Well, let's see if we like Dr Bowen first. | 0:16:33 | 0:16:36 | |
I think it would be good to be a patient. | 0:16:41 | 0:16:43 | |
Those hard to change? | 0:16:48 | 0:16:50 | |
Catheter? No. It's very easy. | 0:16:50 | 0:16:52 | |
"Sing to him each spring to him and worship the trousers that cling to him." | 0:16:52 | 0:16:58 | |
That's Rodgers and Hart. You probably didn't know that. | 0:16:58 | 0:17:01 | |
No, I probably didn't. | 0:17:01 | 0:17:02 | |
Uh, Dr Hayes is on her way, EKG in hand. | 0:17:04 | 0:17:08 | |
He's quite elegant, isn't he? | 0:17:12 | 0:17:14 | |
You think it's crazy that a guy like him would spend his life with a guy like me, huh? | 0:17:14 | 0:17:18 | |
Don't think it's crazy at all. | 0:17:18 | 0:17:20 | |
I think it's a little crazy. | 0:17:25 | 0:17:27 | |
-Mr Decker... -OK, I will leave you two alone. -There are three of us. | 0:17:29 | 0:17:34 | |
Indeed there are. I'm sorry. | 0:17:34 | 0:17:37 | |
How'd it go with Dr Bowen? | 0:17:39 | 0:17:40 | |
-KEVIN: 'I think she likes her.' -Well, that's good, right? | 0:17:40 | 0:17:44 | |
-Can you put Gracie on? -'She doesn't want to talk to you, babe. I'm sorry. | 0:17:44 | 0:17:48 | |
'I don't know what to do. | 0:17:48 | 0:17:49 | |
'Do you want me to ask her again?' | 0:17:49 | 0:17:51 | |
No, let her be. | 0:17:51 | 0:17:54 | |
Bye. | 0:17:54 | 0:17:56 | |
You ever suddenly hate the way your hair stuff smells? | 0:18:06 | 0:18:08 | |
That looks about right. | 0:18:23 | 0:18:25 | |
So she's got other people in her life? You know, | 0:18:28 | 0:18:31 | |
what are you going to do? | 0:18:31 | 0:18:33 | |
For whatever it's worth, it is possible to love more than one person at a time. | 0:18:38 | 0:18:42 | |
I love Kevin. I love Eddie. | 0:18:43 | 0:18:46 | |
I might love Eddie. | 0:18:48 | 0:18:50 | |
I'd rather be dead than be Kevin or Eddie. | 0:18:52 | 0:18:55 | |
Don't get me wrong, I liked Sarah. | 0:19:00 | 0:19:02 | |
But I'm glad she's gone. | 0:19:02 | 0:19:04 | |
What can I say? | 0:19:07 | 0:19:09 | |
I like being your girl. | 0:19:09 | 0:19:11 | |
Jackie, I'm one short for half a shift. I need you. | 0:19:18 | 0:19:20 | |
You can't have me. What's going on? | 0:19:20 | 0:19:23 | |
Guy was a lawyer, he's got a DNR. | 0:19:23 | 0:19:25 | |
Husband signed for the deactivation, and now he's back-pedalling. | 0:19:25 | 0:19:28 | |
So he's not ready. | 0:19:28 | 0:19:30 | |
I've got an eighth grade cello recital in 45 minutes. | 0:19:30 | 0:19:33 | |
Same thing happened during the Christmas concert. | 0:19:33 | 0:19:36 | |
I just wanted to say good night. | 0:19:41 | 0:19:42 | |
Um, can I ask you something? | 0:19:42 | 0:19:45 | |
Sure. | 0:19:45 | 0:19:47 | |
How do they... | 0:19:47 | 0:19:49 | |
-You know, when... -The cardiologist didn't tell you? | 0:19:49 | 0:19:53 | |
I don't like her. | 0:19:53 | 0:19:55 | |
Well, Dr Hayes will wave a little device over his heart. | 0:19:55 | 0:20:01 | |
It just takes a couple of seconds. | 0:20:01 | 0:20:03 | |
And whatever he has in there, pacemaker, defibrillator... | 0:20:03 | 0:20:08 | |
-Record players, sewing machines. -Yes, it'll all be turned off. | 0:20:08 | 0:20:11 | |
And what if we leave it on? | 0:20:14 | 0:20:16 | |
Well, um, his body's failing. | 0:20:18 | 0:20:21 | |
And eventually his heart will stop beating but the defibrillator will shock it back to life. | 0:20:21 | 0:20:25 | |
So the heart will just continue to beat. | 0:20:25 | 0:20:27 | |
But the rest of him will be gone? | 0:20:27 | 0:20:30 | |
It's a quality of life thing. | 0:20:30 | 0:20:33 | |
My life's going to suck either way. | 0:20:33 | 0:20:35 | |
And if we deactivate it? | 0:20:38 | 0:20:40 | |
Well, he will go back to the heart he was born with. | 0:20:40 | 0:20:42 | |
Which is a shitty heart, you know what I mean? | 0:20:42 | 0:20:46 | |
More than you know. | 0:20:46 | 0:20:47 | |
OK, we're getting there. | 0:20:52 | 0:20:54 | |
Will it hurt when they turn it off? | 0:20:56 | 0:21:00 | |
No. | 0:21:02 | 0:21:03 | |
Just wondering how we're doing in here? | 0:21:06 | 0:21:09 | |
What's the matter, got some place else you gotta be? Am I keeping you? | 0:21:09 | 0:21:12 | |
Is he fucking with your schedule? | 0:21:12 | 0:21:14 | |
Lucky for you, this is going down on my timeline. | 0:21:14 | 0:21:17 | |
My timeline. | 0:21:17 | 0:21:19 | |
I say when, not you, not her, not them assholes still want their fucking chair back. | 0:21:19 | 0:21:24 | |
I say when. Me. John Decker. | 0:21:24 | 0:21:26 | |
I have four hours of overtime. | 0:21:28 | 0:21:30 | |
Going, going. | 0:21:30 | 0:21:32 | |
Who has seniority? | 0:21:32 | 0:21:34 | |
Zoey Barkow, you want the shift? | 0:21:37 | 0:21:40 | |
Oh, my God, I'm so flattered. | 0:21:40 | 0:21:42 | |
Don't be. All you did was get here first. | 0:21:42 | 0:21:45 | |
I'm still flattered. | 0:21:45 | 0:21:47 | |
The jell-o and the broth treating you all right? | 0:21:54 | 0:21:57 | |
Fine, thanks. | 0:21:57 | 0:21:59 | |
Hey, what'd I tell you? Surgery was a breeze. | 0:22:02 | 0:22:06 | |
Was I right or was I right? | 0:22:06 | 0:22:08 | |
Jackie, thought you left. | 0:22:11 | 0:22:12 | |
-I heard you saved the bullet. -Check it out. | 0:22:14 | 0:22:17 | |
-Are you afraid to touch it? -A little. | 0:22:19 | 0:22:22 | |
You owe me a drink. | 0:22:22 | 0:22:24 | |
Hmm. Top of my list. | 0:22:24 | 0:22:26 | |
May I? | 0:22:32 | 0:22:33 | |
That was in my brain. | 0:22:39 | 0:22:40 | |
Which is fine, by the way. | 0:22:42 | 0:22:44 | |
Yes, I heard. | 0:22:44 | 0:22:45 | |
You said you were going to be there when I woke up. | 0:22:49 | 0:22:54 | |
It was the only reason I didn't completely lose my shit. | 0:22:56 | 0:23:00 | |
I know, honey. | 0:23:01 | 0:23:02 | |
And then the day just sort of got away from me. I'm sorry. | 0:23:02 | 0:23:05 | |
Do you want me to get rid of this for you? | 0:23:07 | 0:23:10 | |
I want you to hang onto it. | 0:23:10 | 0:23:12 | |
Keep your fucking promises. | 0:23:14 | 0:23:16 | |
Monkey bits for the ladies. | 0:23:24 | 0:23:27 | |
Welcome to the Red Owl. | 0:23:27 | 0:23:28 | |
This may very well turn out to be my favourite place on the planet. | 0:23:28 | 0:23:32 | |
No Sarah tonight, huh? | 0:23:32 | 0:23:34 | |
What? I like her. She's great. | 0:23:36 | 0:23:38 | |
Oh, fuck. Sorry. | 0:23:40 | 0:23:42 | |
No. Nonsense, regarding apologies. | 0:23:42 | 0:23:45 | |
And double nonsense regarding putting that back on the shelf. | 0:23:45 | 0:23:48 | |
That stays right here. | 0:23:48 | 0:23:49 | |
No no, come on. You're my guest. | 0:23:50 | 0:23:52 | |
I drink a lot. | 0:23:52 | 0:23:53 | |
-I have a lot. -OK, then, so, you both win. | 0:23:53 | 0:23:57 | |
Here's to us. | 0:23:57 | 0:23:59 | |
You were a big hit with the second grade. | 0:24:04 | 0:24:06 | |
Probably helped us dodge a bullet from protective services. | 0:24:06 | 0:24:09 | |
Don't even kid. | 0:24:09 | 0:24:10 | |
-Yo, Eddie, what's up? -Hey. | 0:24:12 | 0:24:15 | |
Oh, my God, he's completely mad. | 0:24:15 | 0:24:18 | |
Kevin, Jackie, I want you to meet Georgia. | 0:24:18 | 0:24:21 | |
-Hi. -Hi. -Hey, I'm Eddie. | 0:24:21 | 0:24:25 | |
-You look familiar. -Oh, isn't that funny? | 0:24:25 | 0:24:29 | |
She's a friend of mine from work. There's no reason you would know her. | 0:24:29 | 0:24:32 | |
No. No. I know I know you. | 0:24:32 | 0:24:34 | |
Mm, I'm assuring you, you don't. | 0:24:34 | 0:24:36 | |
-He's just saying you look familiar. So what do we drink? -Scotch. | 0:24:36 | 0:24:41 | |
Somebody means business. | 0:24:41 | 0:24:43 | |
I'm not getting back on your bike if you drink. | 0:24:43 | 0:24:46 | |
Then I guess I'll have a coke and a smoke. | 0:24:46 | 0:24:49 | |
Can I have a large Coca-Cola with a lot of ice | 0:24:51 | 0:24:53 | |
and whatever the cutie is having. | 0:24:53 | 0:24:55 | |
I hate making out with smokers. | 0:24:57 | 0:25:00 | |
No-one's got a gun to your head. | 0:25:00 | 0:25:02 | |
How did you guys meet? | 0:25:02 | 0:25:05 | |
Oh, my buddy Coop introduced us. | 0:25:05 | 0:25:07 | |
Hey, Jackie, you know you work with a guy named Coop. | 0:25:07 | 0:25:11 | |
Oh, God, Jacks, do you know what? Oh, God, I completely forgot. | 0:25:11 | 0:25:15 | |
Um, it's really important. | 0:25:15 | 0:25:16 | |
Kev, it's been delightful as always. | 0:25:16 | 0:25:19 | |
You know what, honey, I should go with her, OK? It's been a rough day. | 0:25:19 | 0:25:23 | |
-Lovely to meet you, Georgia, is it? -Yes, yes. | 0:25:23 | 0:25:25 | |
Kev, your machine's broken. | 0:25:25 | 0:25:27 | |
You know what, it's only working with quarters. | 0:25:27 | 0:25:30 | |
Thanks, honey, I'll see you later. | 0:25:33 | 0:25:36 | |
Nice to meet you. | 0:25:36 | 0:25:38 | |
Take your cigs, take your girl, Get the fuck out of my bar. | 0:25:39 | 0:25:43 | |
Thanks, Jackie(!) | 0:25:43 | 0:25:44 | |
# I'll sing to him | 0:25:46 | 0:25:50 | |
# Each spring to him | 0:25:50 | 0:25:53 | |
# And worship the trousers that cling to him | 0:25:53 | 0:26:01 | |
# Bewitched, bothered and bewildered, am I. # | 0:26:01 | 0:26:10 | |
Subtitles by Red Bee Media Ltd | 0:26:45 | 0:26:48 | |
E-mail [email protected] | 0:26:48 | 0:26:51 |