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This programme contains some strong language. | 0:00:03 | 0:00:07 | |
..to which I replied, "I was just lactating." | 0:00:27 | 0:00:30 | |
A lot of people just need someone to talk to. | 0:00:30 | 0:00:33 | |
Loneliness. It's everywhere. | 0:00:33 | 0:00:36 | |
It's a sort of invisible plague in the inner city. | 0:00:36 | 0:00:38 | |
You know... Where DO all the lonely people come from? | 0:00:38 | 0:00:42 | |
It's... It's awful. | 0:00:42 | 0:00:45 | |
Oh, don't take it off. | 0:00:48 | 0:00:49 | |
Well, we're going to eat soon. | 0:00:51 | 0:00:52 | |
I find it tends to put people off their food. | 0:00:52 | 0:00:54 | |
I'm sure this lot could do with some spiritual leadership. | 0:00:54 | 0:00:57 | |
-Will you be saying grace later? -I don't think my wife would be very happy if I did that. | 0:00:57 | 0:01:02 | |
She's the fun one over there. | 0:01:02 | 0:01:04 | |
They've just employed her to head up their newly expanded Legal Aid department. | 0:01:04 | 0:01:07 | |
Do you work here too? | 0:01:07 | 0:01:09 | |
Er, no. | 0:01:09 | 0:01:10 | |
-What's your what's your line of...? -Er, I'm an artist. | 0:01:10 | 0:01:12 | |
Oh, I see. Oh, well, the sensitive types are huddling in the corner. | 0:01:12 | 0:01:16 | |
What sort of stuff? | 0:01:16 | 0:01:17 | |
All sorts. Sculpture, mostly, at the moment. | 0:01:17 | 0:01:20 | |
This lot have commissioned me to do a piece for their large foyer, | 0:01:20 | 0:01:22 | |
so I'm kind of obliged to turn up and say hello... | 0:01:22 | 0:01:25 | |
I see. What sort of thing? | 0:01:25 | 0:01:27 | |
Oh, it's pretty kitsch, really. | 0:01:27 | 0:01:29 | |
It's a taxidermied piece | 0:01:29 | 0:01:30 | |
where the jaws of increasingly aggressive animals | 0:01:30 | 0:01:32 | |
swallow each other, ending with a man | 0:01:32 | 0:01:34 | |
with a knife and fork tucking into a tiger's head. | 0:01:34 | 0:01:37 | |
But I think, this lot, they just kinda like the title... | 0:01:37 | 0:01:39 | |
-Which is? -Natural Law. | 0:01:39 | 0:01:42 | |
Oh! | 0:01:42 | 0:01:43 | |
Mike. Mike Tobin. | 0:01:46 | 0:01:48 | |
Adam. Adam Smallbone. | 0:01:48 | 0:01:49 | |
Hang on... Are you Mike Tobin who won the Turner Prize? | 0:01:53 | 0:01:56 | |
-THE Mike Tobin. -Oh, that was a few years ago now. | 0:01:56 | 0:01:59 | |
How often do you pray? | 0:01:59 | 0:02:01 | |
-Um. Quite a lot, actually. -It fascinates me. | 0:02:01 | 0:02:04 | |
Is it formal? I mean, do you have a routine? | 0:02:04 | 0:02:07 | |
You get down on your knees? | 0:02:07 | 0:02:09 | |
Sorry. I'm just...really interested in this stuff. | 0:02:09 | 0:02:11 | |
No. It's lovely to be asked. It can be at anytime and any place | 0:02:11 | 0:02:13 | |
and about anything. In my case, it's often a bit of a moan... | 0:02:13 | 0:02:16 | |
Adam, I'm going to ask you something straight. | 0:02:16 | 0:02:18 | |
Has anyone ever exhibited in St Saviour's? | 0:02:18 | 0:02:20 | |
-Because I'm looking for a church. -Are you? -Yeah. | 0:02:20 | 0:02:24 | |
Well, we just have a school art competition every year... | 0:02:24 | 0:02:26 | |
Come on, quick, you two! Time to eat. What a bunch of wankers! | 0:02:26 | 0:02:29 | |
Not you two. | 0:02:29 | 0:02:30 | |
This is your moment, isn't it? | 0:02:34 | 0:02:35 | |
Come to St Saviour's on Sunday. | 0:02:35 | 0:02:37 | |
I will. I'd love to. | 0:02:37 | 0:02:39 | |
GLASS CLINKS | 0:02:42 | 0:02:44 | |
Hello, everyone. | 0:02:44 | 0:02:46 | |
As well as being Alex's very, very proud husband, | 0:02:46 | 0:02:50 | |
I am also a priest, and I just wanted to offer a short grace, | 0:02:50 | 0:02:53 | |
if nobody minds. | 0:02:53 | 0:02:55 | |
Benedict Domine nos et donna tua... | 0:02:56 | 0:02:59 | |
So embarrassing! No-one knew where to look. | 0:02:59 | 0:03:02 | |
I've said I'm sorry. | 0:03:02 | 0:03:03 | |
And why in Latin? You were just showing off. | 0:03:03 | 0:03:05 | |
Ut illis salubriter nutriti tibi debitum... | 0:03:05 | 0:03:07 | |
No. I don't need to hear it again! | 0:03:07 | 0:03:09 | |
-You love it when I speak Latin... -No. -Yes, you do. | 0:03:09 | 0:03:12 | |
-You're a big shot now. I'm so proud of you. -No, I'm not. | 0:03:12 | 0:03:16 | |
You're so powerful. It's frightening but it's also very sexy... | 0:03:16 | 0:03:20 | |
-Is it? -Yeah. | 0:03:20 | 0:03:22 | |
BABY CRIES OVER MONITOR | 0:03:22 | 0:03:24 | |
Oh, bollocks. | 0:03:24 | 0:03:26 | |
Why is she so loud?! | 0:03:26 | 0:03:28 | |
She wants your boobs... | 0:03:28 | 0:03:31 | |
-I'll go. -No, I'll go. | 0:03:31 | 0:03:34 | |
TECHNO MUSIC PLAYS IN CAR | 0:03:43 | 0:03:46 | |
Erm, excuse me... | 0:03:48 | 0:03:51 | |
I think you dropped this? | 0:03:52 | 0:03:54 | |
Oh, did I? | 0:03:54 | 0:03:56 | |
Woops. Looks like I dropped that, as well. Pick it up, ladyboy! | 0:03:56 | 0:04:00 | |
YOUNG MEN LAUGH | 0:04:00 | 0:04:02 | |
Oh, bollocks. | 0:04:04 | 0:04:06 | |
No, Ellie, I wish I hadn't told you now... | 0:04:06 | 0:04:08 | |
They're going to close the church and you weren't going to tell me. | 0:04:08 | 0:04:11 | |
MIGHT close the church, and I just did! | 0:04:11 | 0:04:12 | |
I just hadn't had a chance with your divorce and everything. | 0:04:12 | 0:04:15 | |
Look, it's not actually going to happen. | 0:04:15 | 0:04:17 | |
I only need about 60 grand. | 0:04:17 | 0:04:18 | |
I just have to tell you in case you want to talk to the | 0:04:18 | 0:04:21 | |
Diosossossosso... | 0:04:21 | 0:04:23 | |
Sorry, not funny. The Diocesan Board for schools. | 0:04:23 | 0:04:26 | |
And see what my options are? Great, Adam, thanks. | 0:04:26 | 0:04:29 | |
Now, listen, on my way here, I had to have some stern words | 0:04:29 | 0:04:32 | |
with a group of lads who were chucking stuff out of a car window | 0:04:32 | 0:04:34 | |
and it made me think, | 0:04:34 | 0:04:36 | |
have you ever done a litter pick with the children? | 0:04:36 | 0:04:38 | |
Don't change the subject. I will obviously get stuck | 0:04:38 | 0:04:41 | |
with either halitosis-ridden Father Winters at St Art's | 0:04:41 | 0:04:44 | |
or grinning Nick Archdale from St Botolph's, won't I? | 0:04:44 | 0:04:47 | |
I think I'd rather put up with your disorganised shambles | 0:04:47 | 0:04:50 | |
-than face either of them. -Oh, thanks(!) | 0:04:50 | 0:04:52 | |
-No, Adam, I don't mean that. -No, I know. | 0:04:52 | 0:04:54 | |
We understand, don't we, Katie? | 0:04:54 | 0:04:56 | |
Yes. | 0:04:56 | 0:04:58 | |
I just thought we should do a St Saviour's litter pick, that's all. | 0:04:58 | 0:05:01 | |
Kids, parents, you, me. | 0:05:01 | 0:05:03 | |
Start at the church, Honeycombe Estate, | 0:05:03 | 0:05:05 | |
down to the canal, back to the church. Fun. | 0:05:05 | 0:05:08 | |
As long as you provide the gloves and special tongs. | 0:05:09 | 0:05:11 | |
-I'm not touching anything. -Oh, well, great, that was easy. | 0:05:11 | 0:05:15 | |
Anyway, look, they can't just kick me out. | 0:05:15 | 0:05:17 | |
I'd have to retire or something, which is out of the question. | 0:05:17 | 0:05:20 | |
Have some faith. The Good Lord will provide. | 0:05:20 | 0:05:23 | |
Well, you'd be terribly missed here by the children. | 0:05:23 | 0:05:27 | |
Just the children? | 0:05:27 | 0:05:29 | |
And by me, of course. | 0:05:29 | 0:05:30 | |
Oh, really? Why? | 0:05:30 | 0:05:32 | |
-Oh, for goodness sake, don't be pathetic. -Why will you miss me? | 0:05:32 | 0:05:35 | |
-REALLY why? -Yeah. | 0:05:35 | 0:05:38 | |
Because you do what you're told. | 0:05:38 | 0:05:41 | |
Mike Tobin does conceptual stuff mostly. | 0:05:47 | 0:05:49 | |
Quite bold and shocking, some of it. | 0:05:49 | 0:05:51 | |
Is it? Or is it bullshit? | 0:05:51 | 0:05:53 | |
But in a way, all art is an attempt, at some level, | 0:05:55 | 0:05:59 | |
to describe creation, | 0:05:59 | 0:06:01 | |
so you could argue that it's always a religious act. | 0:06:01 | 0:06:06 | |
I was a life model for a bit. | 0:06:15 | 0:06:16 | |
-Were you, Colin? -It was a wonderful time for me. | 0:06:16 | 0:06:20 | |
That's good to hear. | 0:06:21 | 0:06:23 | |
People came to the classes and, you know, they liked me. | 0:06:24 | 0:06:28 | |
Did they? | 0:06:28 | 0:06:30 | |
Yeah, it's just that, well, I'm quite big, Adam. Down there. | 0:06:30 | 0:06:34 | |
Are you? | 0:06:35 | 0:06:37 | |
It's where I get all my confidence from. | 0:06:37 | 0:06:40 | |
And all these people... | 0:06:40 | 0:06:41 | |
they used to gather in this lovely room every week... | 0:06:41 | 0:06:44 | |
and I'd get undressed... | 0:06:44 | 0:06:47 | |
and they'd study it... | 0:06:47 | 0:06:50 | |
then draw it. | 0:06:50 | 0:06:52 | |
I see. | 0:06:52 | 0:06:54 | |
It was the most sexually dynamic period of my life, Adam. | 0:06:54 | 0:06:58 | |
They could smell it on me. They wanted me. | 0:06:58 | 0:07:01 | |
Do you and Alex do it much now or does she prefer breastfeeding? | 0:07:07 | 0:07:11 | |
ORGAN MUSIC PLAYS | 0:07:12 | 0:07:14 | |
# Did such love and sorrow meet | 0:07:14 | 0:07:20 | |
# Or thorns compose | 0:07:20 | 0:07:24 | |
# So rich a crown... # | 0:07:24 | 0:07:28 | |
Where is Chris today, Ellie? | 0:07:29 | 0:07:31 | |
I don't know, Adoha. | 0:07:31 | 0:07:32 | |
Oh, I am sorry not to see him here today. | 0:07:32 | 0:07:34 | |
I'm not. We're getting divorced. | 0:07:34 | 0:07:37 | |
What a space. | 0:07:37 | 0:07:39 | |
Sort of distressed Georgian. | 0:07:39 | 0:07:40 | |
It's like a huge metaphor for our degraded culture. | 0:07:40 | 0:07:42 | |
You know, I would love to do a piece right here. | 0:07:42 | 0:07:45 | |
Something bold, simple. | 0:07:45 | 0:07:49 | |
CAMERA CLICKS Do you mind if I take a few photos? | 0:07:49 | 0:07:51 | |
No, no, help yourself. | 0:07:51 | 0:07:53 | |
Don't be shy. | 0:07:54 | 0:07:56 | |
Oh, great. | 0:07:56 | 0:07:57 | |
Always gets me, this First World War stuff. | 0:07:58 | 0:08:00 | |
Me too. | 0:08:00 | 0:08:02 | |
Are you a regular church goer, Mike? | 0:08:02 | 0:08:04 | |
I started going a couple of years ago... | 0:08:04 | 0:08:06 | |
when I stopped drinking... | 0:08:06 | 0:08:08 | |
after my wife died. | 0:08:08 | 0:08:10 | |
Oh, I'm so sorry. | 0:08:10 | 0:08:12 | |
Thank you. Yeah, it was a mellowing period. | 0:08:12 | 0:08:16 | |
Adam, could I have a word? | 0:08:16 | 0:08:17 | |
Yes, Nigel. Excuse me, Mike. | 0:08:17 | 0:08:19 | |
Do I gather that you are proposing to let Michael Tobin, | 0:08:22 | 0:08:25 | |
the so-called artist, exhibit in this church? | 0:08:25 | 0:08:27 | |
It's Mike. Possibly, I think it could be wonderful for us. | 0:08:27 | 0:08:30 | |
Michael Tobin who came to prominence | 0:08:30 | 0:08:31 | |
-displaying his dead parents embracing in an open coffin? -Yes. | 0:08:31 | 0:08:34 | |
-We get on really well. -Michael Tobin who did a portrait of the Queen | 0:08:34 | 0:08:37 | |
-with a penis instead of a face? -Yes. But he's mellowed, he's quite spiritual now. It's Mike. | 0:08:37 | 0:08:41 | |
-How much are you charging him? -Nigel, please don't be mercenary. | 0:08:41 | 0:08:44 | |
We need £60,000, Adam, by the next Deanery Synod in two months. It's not going away. | 0:08:44 | 0:08:48 | |
Look, in the first instance, this is a creative collaboration | 0:08:48 | 0:08:51 | |
between St Saviour's and a celebrated artist, | 0:08:51 | 0:08:53 | |
and secondly, everyone knows the last thing you do with rich people is talk about money. | 0:08:53 | 0:08:57 | |
They absolutely hate it. | 0:08:57 | 0:08:58 | |
Hopeless. | 0:09:00 | 0:09:01 | |
Listen, Mike, it's obviously a huge honour | 0:09:01 | 0:09:04 | |
to have you here at St Saviour's and probably far too early | 0:09:04 | 0:09:06 | |
to see anything, but do you have any sense of what sort of thing | 0:09:06 | 0:09:09 | |
it might actually be, at this point, | 0:09:09 | 0:09:11 | |
-in the broadest possible sense? -I don't know yet. -No, of course not. | 0:09:11 | 0:09:14 | |
At all? | 0:09:14 | 0:09:16 | |
Sculpture, probably. Human form. | 0:09:16 | 0:09:18 | |
In a state of grace, somehow. | 0:09:18 | 0:09:20 | |
Oh, yes. | 0:09:20 | 0:09:22 | |
I don't want you to worry. | 0:09:22 | 0:09:24 | |
You won't be getting a Mike Tobin shock rock. | 0:09:24 | 0:09:26 | |
For me, the Church is all about... Well, it's about redemption. | 0:09:26 | 0:09:30 | |
Me too. Well, I can't say I'm not relieved to hear it. | 0:09:30 | 0:09:33 | |
-I'm sure it'll be absolutely brilliant. -I like paintings, Mike. | 0:09:33 | 0:09:36 | |
Will it be a painting of Jesus? | 0:09:36 | 0:09:37 | |
-Er, I don't really do paintings. -(Too difficult.) -What? | 0:09:37 | 0:09:41 | |
Michael, can I just say that, thrilled as we all are | 0:09:41 | 0:09:44 | |
at the prospect of your exhibit, | 0:09:44 | 0:09:46 | |
our church is in dire straits financially, | 0:09:46 | 0:09:49 | |
and I think I speak for all of us when I say that anything | 0:09:49 | 0:09:51 | |
-you could give us in the way of a donation... -Mike, I'm so sorry, would excuse us for one second? | 0:09:51 | 0:09:56 | |
Will you shut up? What's the matter with you? | 0:09:56 | 0:09:58 | |
-That was incredibly rude. -I'm trying to help. | 0:09:58 | 0:10:00 | |
If you want to help, pick up the service sheets, | 0:10:00 | 0:10:03 | |
or do some hoovering instead of making a scene. | 0:10:03 | 0:10:05 | |
I'm sick of being treated like a skivvy | 0:10:05 | 0:10:07 | |
while you jeopardise everything I love! | 0:10:07 | 0:10:09 | |
I've had enough! | 0:10:09 | 0:10:11 | |
Mike, what's the name of that photographer that done | 0:10:11 | 0:10:14 | |
the tennis player scratching her arse? | 0:10:14 | 0:10:15 | |
Sorry about that, Mike, I can only apologise for Nigel. Extraordinary. | 0:10:15 | 0:10:19 | |
It's fine, honestly. In fact, erm, I'd love to make a donation... | 0:10:19 | 0:10:23 | |
That is incredibly kind of you | 0:10:23 | 0:10:25 | |
but we couldn't possibly accept anything from you. | 0:10:25 | 0:10:27 | |
The life and inspiration that you are bringing into our lives | 0:10:27 | 0:10:30 | |
-is a huge gift in itself. -How much do you need? | 0:10:30 | 0:10:32 | |
Oh, well... Ha... About 60 grand...ish. | 0:10:32 | 0:10:35 | |
Yeah, OK, so that should be fine. | 0:10:35 | 0:10:37 | |
-Um... -I'll have my foundation organise it. | 0:10:37 | 0:10:40 | |
That's... | 0:10:40 | 0:10:41 | |
-Thanks. -Hey, Mike? Who done this one? | 0:10:43 | 0:10:47 | |
Bye! | 0:10:50 | 0:10:52 | |
Wow. What a cultured and extraordinary man. | 0:10:52 | 0:10:55 | |
I said the Good Lord would provide and he actually has. | 0:10:55 | 0:10:58 | |
BIRDS CAW ABOVE | 0:10:58 | 0:11:00 | |
Listen, Colin, can you hear them? | 0:11:00 | 0:11:02 | |
-What? -Seaside holiday sounds, here in the inner city. | 0:11:02 | 0:11:06 | |
You don't expect it, somehow. | 0:11:06 | 0:11:08 | |
Do you think they could be angels, Adam? | 0:11:09 | 0:11:11 | |
ADAM CHUCKLES | 0:11:11 | 0:11:14 | |
They could be, Colin... | 0:11:14 | 0:11:17 | |
they could be. | 0:11:17 | 0:11:19 | |
I'm home! | 0:11:20 | 0:11:21 | |
Oh, we know who that is, don't we? | 0:11:21 | 0:11:23 | |
That's Mumsy-wumsy just come back on a Sunday. | 0:11:23 | 0:11:27 | |
Hello, darling! Is Daddy still talking to you | 0:11:27 | 0:11:30 | |
in that incredibly irritating baby voice? | 0:11:30 | 0:11:33 | |
Did you remember to pick up dishwasher tablets? | 0:11:34 | 0:11:36 | |
Oh, bollocks. Sorry, I forgot. | 0:11:36 | 0:11:39 | |
Have you fed her? | 0:11:39 | 0:11:40 | |
-I was just about to. -Well, what with? | 0:11:40 | 0:11:42 | |
Everything's filthy. Honestly, Adam! | 0:11:42 | 0:11:44 | |
Come here. You look lovely. | 0:11:46 | 0:11:48 | |
No. I'm cross. You're hopeless. | 0:11:48 | 0:11:51 | |
Alex, something's amazing's happened. | 0:11:51 | 0:11:53 | |
Mike Tobin is offering us a donation of £60,000 | 0:11:53 | 0:11:56 | |
in return for using the church on the 15th. I know! | 0:11:56 | 0:12:00 | |
Nothing certain yet, obviously, but it would save our bacon. | 0:12:00 | 0:12:03 | |
Oh, that's wonderful. | 0:12:03 | 0:12:04 | |
I can't really believe it. It's like a miracle. | 0:12:04 | 0:12:07 | |
-Manna from heaven. -Yes! -Did you say on the 15th? | 0:12:07 | 0:12:10 | |
Yes, you are coming, aren't you? | 0:12:10 | 0:12:12 | |
Adam, I can't, I've got a client dinner that night. | 0:12:12 | 0:12:14 | |
Oh, right, OK. | 0:12:14 | 0:12:16 | |
Actually, it isn't, really. | 0:12:18 | 0:12:20 | |
-What? -Alex, I know you have this big important job | 0:12:20 | 0:12:23 | |
and you hate the fact that I'm looking after our daughter this week | 0:12:23 | 0:12:26 | |
and you've always been very vocal about how annoying it is | 0:12:26 | 0:12:29 | |
being married to a vicar, but, on this occasion, | 0:12:29 | 0:12:31 | |
after a quite long and quite stressful period, | 0:12:31 | 0:12:33 | |
something actually miraculous has happened | 0:12:33 | 0:12:35 | |
-and it... -DOOR BELL RINGS | 0:12:35 | 0:12:37 | |
It would be really lovely to be married to someone | 0:12:37 | 0:12:39 | |
-who appeared to give a shit! -Listen! -And also, it would be great | 0:12:39 | 0:12:42 | |
if we actually had sex once in a while. | 0:12:42 | 0:12:45 | |
-Mick? -Nah, nah, nah. | 0:12:50 | 0:12:53 | |
Sonata. | 0:12:53 | 0:12:55 | |
Oh, right, I see. Hello, Sonata. | 0:12:55 | 0:12:58 | |
Yeah, that's it. | 0:12:58 | 0:13:00 | |
Want some action, sweetheart? | 0:13:00 | 0:13:03 | |
Erm, no, not really. | 0:13:03 | 0:13:05 | |
You don't know what you're missing. | 0:13:05 | 0:13:07 | |
I've got a pretty good idea. | 0:13:07 | 0:13:08 | |
I'll be yours all night for 2,000. | 0:13:08 | 0:13:11 | |
You can take me to the opera, up the West End, | 0:13:11 | 0:13:15 | |
dinner with your friends... | 0:13:15 | 0:13:17 | |
-No, thanks. -You so sexy. | 0:13:17 | 0:13:19 | |
Give you full service - £150... | 0:13:19 | 0:13:22 | |
No! | 0:13:22 | 0:13:23 | |
-£50? -No! | 0:13:23 | 0:13:25 | |
-£30? -No, Sonata, I'm not interested. | 0:13:25 | 0:13:28 | |
-£5? -Please stop doing that, Sonata, | 0:13:28 | 0:13:30 | |
I'm not going to pay you to have sex. | 0:13:30 | 0:13:33 | |
Why not? I'll lend you the money. | 0:13:33 | 0:13:35 | |
Sorry, Mick, we're in the middle of a row at the moment | 0:13:35 | 0:13:37 | |
and we'd quite like to get back to it, if that's all right. | 0:13:37 | 0:13:39 | |
If you need me anytime...just call Sonata. | 0:13:39 | 0:13:43 | |
Bye-bye, sweetie. | 0:13:43 | 0:13:45 | |
Well, there you go. I don't know what you're complaining about. | 0:13:46 | 0:13:49 | |
Run, you might catch her. | 0:13:49 | 0:13:51 | |
Alexandria was here, like this... | 0:13:53 | 0:13:54 | |
Yes, I know... | 0:13:54 | 0:13:55 | |
"Aaah! Aaah!", and I lay there, in her liquids... | 0:13:55 | 0:13:59 | |
-Uh-huh... -and I brought your daughter into this world. | 0:13:59 | 0:14:03 | |
Yes, we have been over this. | 0:14:03 | 0:14:05 | |
Yes, but I did it. Not you. And I saw everything. | 0:14:05 | 0:14:09 | |
And that's why you can't christen her. I understand. | 0:14:10 | 0:14:12 | |
It's just because we haven't had time yet. | 0:14:12 | 0:14:14 | |
But £60,000! You really are quite something. | 0:14:14 | 0:14:18 | |
-No, don't tease me. -Yes. -No. | 0:14:18 | 0:14:21 | |
Who'd have thought it? A Mike Tobin Pop-up at St Saviour's. | 0:14:21 | 0:14:24 | |
-It's more of a private view, actually. -Oh, what is it? | 0:14:24 | 0:14:27 | |
Um...it's a one-off before it gets donated to the Tate. | 0:14:27 | 0:14:30 | |
I'm sure. Have you seen it? | 0:14:30 | 0:14:31 | |
Sculpture. It's redemptive in some way. | 0:14:31 | 0:14:33 | |
-You haven't seen it. -Not the absolutely finished article, no. | 0:14:33 | 0:14:37 | |
Wonderful(!) | 0:14:37 | 0:14:38 | |
You're displaying a piece you haven't seen by an artist | 0:14:38 | 0:14:40 | |
famous for his depictions of sexual depravity. | 0:14:40 | 0:14:43 | |
How clever you are(!) | 0:14:43 | 0:14:44 | |
But I'm not worried. He's mellowed, his wife died, | 0:14:44 | 0:14:47 | |
-and he's actually a churchgoer now. -How moving(!) | 0:14:47 | 0:14:49 | |
I've got the Diocesan Secretary breathing down my neck, | 0:14:49 | 0:14:52 | |
and you're on her shit list, as you know. | 0:14:52 | 0:14:55 | |
But if Mike Tobin can actually make you solvent, she can't touch you. | 0:14:55 | 0:14:59 | |
-Great. -Mess it up and it'll be like watching a killer whale | 0:14:59 | 0:15:01 | |
toss a baby seal in the surf. | 0:15:01 | 0:15:03 | |
Now. What about my tickets? I want to come. | 0:15:03 | 0:15:07 | |
Shall I slip in the back entrance? | 0:15:07 | 0:15:09 | |
I'll see what I can do. | 0:15:09 | 0:15:10 | |
Would it help if I dropped you at the church? | 0:15:10 | 0:15:12 | |
Driver, the failing old church on the high street, please. | 0:15:12 | 0:15:15 | |
-Quick as you can. -Thank you. | 0:15:15 | 0:15:18 | |
Nigel, where have you been? I've been trying to get hold of you | 0:15:19 | 0:15:21 | |
-to tell you about Mike Tobin's donation. It's amazing. -PHONE BEEPING | 0:15:21 | 0:15:24 | |
The phone's going off the hook for the show. | 0:15:24 | 0:15:26 | |
And he's sent us a huge bottle of champagne, | 0:15:26 | 0:15:28 | |
which I can't wait to share with you. | 0:15:28 | 0:15:30 | |
Also, I'm really sorry about yesterday. Please, let's talk. | 0:15:30 | 0:15:33 | |
Oh, and also that light has come on the photocopier again | 0:15:33 | 0:15:36 | |
-which I think is low ink, isn't it? -PHONES BEEPING / RINGING | 0:15:36 | 0:15:38 | |
Anyway, can you call me? Bye. | 0:15:38 | 0:15:40 | |
-Is Katie here? -Hello, Colin! -MULTIPLE PHONES RINGING | 0:15:40 | 0:15:43 | |
Hello, St Saviour's? | 0:15:43 | 0:15:45 | |
-Well, it's by invitation only... -BABY CRIES | 0:15:45 | 0:15:48 | |
..through the Michael Tobin Foundation. Yes. Bye. | 0:15:48 | 0:15:50 | |
I think I'm going to have to leave a message. | 0:15:50 | 0:15:53 | |
-AUTOMATED VOICE: -Announcement one. | 0:15:53 | 0:15:55 | |
You have reached the offices of St Saviour's. | 0:15:55 | 0:15:58 | |
Any enquiries about the Mike Tobin event should be directed... | 0:15:58 | 0:16:00 | |
-BABY CRIES -Colin, this is hopeless. | 0:16:00 | 0:16:02 | |
Don't worry, Vicarage. I'll walk her round the church. | 0:16:02 | 0:16:05 | |
PHONE RINGS | 0:16:05 | 0:16:07 | |
# Rock a bye baby | 0:16:07 | 0:16:10 | |
# On the tree top... # | 0:16:10 | 0:16:12 | |
"One rules, justly over men, | 0:16:12 | 0:16:16 | |
-"ruling in..." -BABY CRIES | 0:16:16 | 0:16:18 | |
Oh, it's not very good, is it? | 0:16:18 | 0:16:20 | |
# Onward Christian Soldiers... # | 0:16:20 | 0:16:24 | |
Oh, for God's sake. Katie, can't you shut the fuck up?! | 0:16:24 | 0:16:28 | |
Let's try this. | 0:16:28 | 0:16:30 | |
CRYING STOPS | 0:16:35 | 0:16:37 | |
Ah! You like that, don't you, eh? | 0:16:37 | 0:16:41 | |
Just like her mum. | 0:16:41 | 0:16:44 | |
There you go. | 0:16:44 | 0:16:45 | |
Honestly, this is the worst bit of the whole area. | 0:16:49 | 0:16:52 | |
Colin... | 0:16:52 | 0:16:54 | |
I've found some dog poo, miss. | 0:16:54 | 0:16:56 | |
Don't sniff it, Simon! That's disgusting! | 0:16:57 | 0:17:00 | |
Leave it to an adult. | 0:17:00 | 0:17:01 | |
So, how's single life, Miss Patman? | 0:17:01 | 0:17:04 | |
-Met anyone nice? -Not really. | 0:17:04 | 0:17:08 | |
I shagged my Pilates instructor. | 0:17:08 | 0:17:10 | |
Really? | 0:17:10 | 0:17:12 | |
-Fun? -Physically, yeah. | 0:17:12 | 0:17:14 | |
Well, you're looking good on it. | 0:17:16 | 0:17:18 | |
I found some more! | 0:17:18 | 0:17:19 | |
Don't move, Simon, | 0:17:19 | 0:17:21 | |
Reverend Smallbone's coming to help you. | 0:17:21 | 0:17:23 | |
SOUNDTRACK - CHILDREN SINGING: # One more step along the world I go | 0:17:28 | 0:17:32 | |
# One more step along the world I go | 0:17:32 | 0:17:36 | |
# From the old things to the new | 0:17:36 | 0:17:40 | |
# Keep me travelling along with you | 0:17:40 | 0:17:44 | |
# From the old, I travel to the new | 0:17:44 | 0:17:48 | |
# Keep me travelling along with you | 0:17:48 | 0:17:52 | |
# Round the corner of the world I turn | 0:17:52 | 0:17:56 | |
# More and more about the world I learn | 0:17:56 | 0:18:00 | |
# All the new things that I see | 0:18:00 | 0:18:04 | |
# You'll be looking at along with... # | 0:18:04 | 0:18:07 | |
HARD TECHNO MUSIC | 0:18:07 | 0:18:10 | |
Unbelievable. They're doing it again. | 0:18:10 | 0:18:12 | |
Excuse me. We talked about this before, didn't we? | 0:18:12 | 0:18:15 | |
YOUTH: Back up, man! | 0:18:16 | 0:18:18 | |
Keep calm, Ellie. Sometimes you've got to stand up for what's right. | 0:18:19 | 0:18:22 | |
-Little bitch. What?! -Put it in your ball sack. -What? What you gonna do?! | 0:18:26 | 0:18:30 | |
Lick it off the dirty bitch. | 0:18:30 | 0:18:31 | |
What you doing?! | 0:18:36 | 0:18:38 | |
Give me that, Simon. | 0:18:39 | 0:18:41 | |
Come on then! Don't you want it? Cos I LIKE IT! | 0:18:44 | 0:18:47 | |
No... | 0:18:47 | 0:18:49 | |
Ellie... | 0:18:49 | 0:18:50 | |
Sorry about that...everyone. | 0:18:59 | 0:19:01 | |
Wow. | 0:19:04 | 0:19:06 | |
Are you OK? | 0:19:06 | 0:19:07 | |
Never better. | 0:19:09 | 0:19:11 | |
I've got some champagne in the vestry. | 0:19:12 | 0:19:14 | |
My clothes are disgusting. Have you got anything I can borrow? | 0:19:17 | 0:19:20 | |
Um... Only some cassocks and some overalls, I'm afraid. | 0:19:20 | 0:19:26 | |
Here it is... | 0:19:26 | 0:19:28 | |
-Courtesy of Mike Tobin. -Excellent. | 0:19:28 | 0:19:30 | |
That really suits you. | 0:19:37 | 0:19:39 | |
Would you like to try this hat on, as well? | 0:19:43 | 0:19:47 | |
-You've still got a bit of dried milkshake in your hair. -Have I? | 0:19:56 | 0:19:59 | |
May I? | 0:19:59 | 0:20:01 | |
Thank you for being so kind, Adam. | 0:20:05 | 0:20:07 | |
You were great today. | 0:20:07 | 0:20:09 | |
-Was I? -Mm-hmm. | 0:20:09 | 0:20:11 | |
So were you. | 0:20:11 | 0:20:13 | |
Is it out now? | 0:20:16 | 0:20:18 | |
Almost. | 0:20:18 | 0:20:19 | |
Sorry. | 0:20:44 | 0:20:46 | |
It's OK. | 0:20:46 | 0:20:47 | |
But we better stop now. | 0:20:49 | 0:20:51 | |
STAIRS CREAK / MAN CLEARS THROAT | 0:20:52 | 0:20:55 | |
-Hello? -Hello. | 0:20:55 | 0:20:57 | |
-Are you playing a game? -We're just changing. | 0:20:57 | 0:21:00 | |
Your faculty permission has arrived for your pop-up. | 0:21:03 | 0:21:06 | |
But you've got to sign this letter of indemnity | 0:21:06 | 0:21:08 | |
to protect the 'art'. | 0:21:08 | 0:21:10 | |
I use the term loosely. | 0:21:10 | 0:21:11 | |
Oh, brilliant. Shall I do that now, then? | 0:21:11 | 0:21:14 | |
Haven't seen you for a couple of days. Are you OK? | 0:21:18 | 0:21:21 | |
Would you like some champagne? | 0:21:23 | 0:21:25 | |
'Dear Lord, I'm such a fool, I'm such a fool. | 0:21:32 | 0:21:34 | |
'What have I done? | 0:21:34 | 0:21:35 | |
'Did Nigel see Ellie and me? | 0:21:35 | 0:21:37 | |
'He did, didn't he? | 0:21:37 | 0:21:38 | |
'He could have done, then crept down the stairs, | 0:21:38 | 0:21:41 | |
'coughed and come up again... | 0:21:41 | 0:21:42 | |
'It's the worst thing I've ever done in my entire life, isn't it? | 0:21:42 | 0:21:45 | |
'Yes, it is. I feel sick. | 0:21:45 | 0:21:48 | |
'Should I kill myself? | 0:21:49 | 0:21:51 | |
'But how bad was it, really? | 0:21:52 | 0:21:54 | |
'You still hate extramarital sex, don't you? But just kissing? | 0:21:54 | 0:21:58 | |
'No, I know. | 0:21:58 | 0:21:59 | |
'I've given to Ellie what I swore to give all my life | 0:21:59 | 0:22:02 | |
'in a blessed sacrament to Alex. | 0:22:02 | 0:22:04 | |
'And look at Katie, so innocent, so helpless, and I am disgusting. | 0:22:04 | 0:22:10 | |
'How can I atone? What should I do? Tell me. | 0:22:10 | 0:22:13 | |
'Please. I'll do anything. Anything at all...' | 0:22:13 | 0:22:16 | |
-COCKNEY ACCENT: -Excuse me, young lady, this is a hard hat area. | 0:22:26 | 0:22:30 | |
Adam, what on earth are you doing? | 0:22:30 | 0:22:32 | |
I've come to repair your lift. | 0:22:32 | 0:22:35 | |
OK, right... Oh! | 0:22:37 | 0:22:39 | |
Is the hard hat a fantasy thing? | 0:22:39 | 0:22:41 | |
Oh, Adam, you're very sweet... | 0:22:43 | 0:22:45 | |
Take it off, come on. Come to bed. | 0:22:45 | 0:22:47 | |
I'm sorry I've been so horrid recently. | 0:22:52 | 0:22:55 | |
You're lovely and sexy and I'm awful and grumpy. | 0:22:55 | 0:22:58 | |
-No, you're not. -Yes, I am. -No, you're not. -Yes, I am. | 0:22:58 | 0:23:01 | |
Come on then, Reverend Bigbone. | 0:23:01 | 0:23:03 | |
Thank you for changing your plans, Alex. | 0:23:15 | 0:23:17 | |
This'll be much more fun than a client dinner. | 0:23:17 | 0:23:21 | |
What's the matter? | 0:23:21 | 0:23:23 | |
I love you so much. That's all. | 0:23:23 | 0:23:25 | |
There's no need to look so miserable about it. Come on. | 0:23:26 | 0:23:29 | |
Hello. | 0:23:33 | 0:23:34 | |
Thank you. | 0:23:34 | 0:23:36 | |
And what are you calling this? | 0:23:36 | 0:23:38 | |
Beyond Belief. | 0:23:38 | 0:23:40 | |
Hello. | 0:23:40 | 0:23:41 | |
Hello, Adoha. Isn't it wonderful, all these people? | 0:23:42 | 0:23:48 | |
-How is little Katie? -She's fine. Pooing like a St Bernard. | 0:23:48 | 0:23:51 | |
-Do you want to look after her? -Oh, yes, please. | 0:23:51 | 0:23:54 | |
I wish it was her christening, though. | 0:23:54 | 0:23:57 | |
Oh, good, there's Ellie. | 0:23:58 | 0:24:00 | |
Hi! | 0:24:02 | 0:24:03 | |
-All right, Vicarage, this is great, innit? -Yes... | 0:24:03 | 0:24:06 | |
Oh, you've got...a whole bottle. Well done. | 0:24:06 | 0:24:09 | |
I remember seeing his end of year show at Camberwell years ago. | 0:24:09 | 0:24:13 | |
He was experimenting with concepts of cannibalism | 0:24:13 | 0:24:15 | |
in the communion ritual. | 0:24:15 | 0:24:17 | |
Sounds awful. | 0:24:17 | 0:24:19 | |
No, no, I loved it. | 0:24:19 | 0:24:21 | |
Good evening, ladies and gentlemen. | 0:24:21 | 0:24:23 | |
Can I just say how proud we are to have Mike Tobin here. | 0:24:23 | 0:24:27 | |
He's given us the huge honour of unveiling his new sculpture | 0:24:30 | 0:24:33 | |
here at St Saviour's and so, without further ado, | 0:24:33 | 0:24:36 | |
if you're happy, Mike? | 0:24:36 | 0:24:38 | |
Oh, yes, sorry. Yes, the music, yeah. | 0:24:38 | 0:24:40 | |
DRAMATIC ORCHESTRAL MUSIC | 0:24:40 | 0:24:43 | |
Gosh, it's all quite exciting, isn't it? | 0:24:45 | 0:24:47 | |
Ladies and gentlemen, this is Beyond Belief. | 0:24:51 | 0:24:54 | |
CROWD GASP | 0:24:56 | 0:24:59 | |
APPLAUSE | 0:24:59 | 0:25:02 | |
(It's not true, it's not true, it's not true.) | 0:25:20 | 0:25:23 | |
Why are you doing this? What are you trying to say? | 0:25:32 | 0:25:35 | |
I thought we were friends! | 0:25:35 | 0:25:37 | |
I give you my church, a place of worship and community, | 0:25:37 | 0:25:40 | |
and you just use... | 0:25:40 | 0:25:41 | |
You photograph me and you exploit me for this pornographic crap... | 0:25:41 | 0:25:44 | |
It's not personal, Adam. | 0:25:47 | 0:25:48 | |
CROWD GASP | 0:25:48 | 0:25:50 | |
Beyond belief?! | 0:25:52 | 0:25:53 | |
What's beyond belief is that this sort of bollocks | 0:25:53 | 0:25:55 | |
gets any credence at all. | 0:25:55 | 0:25:57 | |
-Get out! Get out now! -Adam! | 0:25:57 | 0:25:59 | |
Get out of my church! | 0:25:59 | 0:26:01 | |
Oh, dear, it seems we're casting the money lenders out of the temple. | 0:26:01 | 0:26:04 | |
He wasn't lending it, he was giving it. | 0:26:04 | 0:26:06 | |
-Adam! -Get out! -Adam! Stop! | 0:26:06 | 0:26:09 | |
I spend my life in this place trying to do the right thing, | 0:26:09 | 0:26:12 | |
and you put my face on that... | 0:26:12 | 0:26:14 | |
That shit. | 0:26:14 | 0:26:15 | |
-What? -I am not perfect, God knows, but I am not THAT MAN. | 0:26:15 | 0:26:19 | |
What are you talking about? It's not your face. | 0:26:19 | 0:26:22 | |
It's not your face, Adam. | 0:26:24 | 0:26:26 | |
-It's not your face, darling. -It's not your face, Adam. | 0:26:26 | 0:26:28 | |
-What? -Yeah, it's his face. | 0:26:28 | 0:26:31 | |
-Is it? -Yeah. | 0:26:32 | 0:26:35 | |
Oh, dear. | 0:26:35 | 0:26:36 | |
It's my face, Adam. I'm the priest. | 0:26:37 | 0:26:40 | |
And that woman is my wife. | 0:26:40 | 0:26:42 | |
(Pretentious.) | 0:26:42 | 0:26:43 | |
My dead wife. | 0:26:43 | 0:26:45 | |
So it is. | 0:26:46 | 0:26:48 | |
Right. Gosh. Right. Umm... | 0:26:48 | 0:26:52 | |
How...embarrassing. | 0:26:52 | 0:26:54 | |
I'm so terribly, terribly sorry. | 0:26:55 | 0:26:57 | |
I've made a bit of a scene for no real reason. | 0:26:57 | 0:27:02 | |
I shall of course make it up to you. | 0:27:02 | 0:27:04 | |
Erm... How much was it? | 0:27:04 | 0:27:07 | |
Well, don't worry about the sculpture. It's a cast, anyway. | 0:27:07 | 0:27:11 | |
And I won't worry about the donation, if that's OK. | 0:27:11 | 0:27:13 | |
No...of course not, in the circumstances. | 0:27:15 | 0:27:17 | |
Brilliant(!) | 0:27:17 | 0:27:19 | |
Shall we go? | 0:27:26 | 0:27:28 |