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Ladies and gentlemen, welcome to the celebrity showbiz quiz, Shooting Stars. | 0:00:07 | 0:00:13 | |
And here are your hosts for this evening, Vic Reeves and Bob Mortimer! | 0:00:13 | 0:00:19 | |
# Sly Stallone | 0:00:24 | 0:00:26 | |
# Is all alone | 0:00:27 | 0:00:29 | |
# On his own | 0:00:31 | 0:00:33 | |
# Sly Stallone | 0:00:33 | 0:00:35 | |
# Suddenly he changes channel | 0:00:37 | 0:00:40 | |
# And looks at his potato | 0:00:40 | 0:00:44 | |
# Stares out of the window | 0:00:44 | 0:00:46 | |
# And looks back at his potato | 0:00:46 | 0:00:49 | |
# Cos Sly Stallone | 0:00:50 | 0:00:52 | |
# Is all alo-o-one | 0:00:52 | 0:01:00 | |
# So come along and let's start Shooting Stars! # | 0:01:00 | 0:01:07 | |
Right! | 0:01:08 | 0:01:10 | |
Ladies and gentlemen X Factor finalist, it's Scott Mills! | 0:01:14 | 0:01:20 | |
CHEERING AND APPLAUSE | 0:01:20 | 0:01:22 | |
Mr Rock and Roll! | 0:01:23 | 0:01:26 | |
John Humphrys. | 0:01:26 | 0:01:28 | |
CHEERING AND APPLAUSE | 0:01:28 | 0:01:31 | |
Miss Sticky Tape, 2002! | 0:01:32 | 0:01:35 | |
It's Ulrika! | 0:01:35 | 0:01:38 | |
Ka-ka-ka-ka-ka-ka! | 0:01:38 | 0:01:41 | |
The Jack Dee Soft Toy Cuddling Club. | 0:01:48 | 0:01:52 | |
Diet guru, | 0:01:55 | 0:01:57 | |
Brian Butterfield. | 0:01:57 | 0:01:59 | |
APPLAUSE | 0:01:59 | 0:02:01 | |
From Hell! | 0:02:06 | 0:02:08 | |
Lisa Snowdon! | 0:02:08 | 0:02:10 | |
CHEERING AND APPLAUSE | 0:02:10 | 0:02:12 | |
BOB CHANTS | 0:02:15 | 0:02:17 | |
Good evening, ladies and gentlemen, and welcome to Shooting Stars. | 0:02:17 | 0:02:22 | |
Ah... | 0:02:22 | 0:02:23 | |
..choo! | 0:02:23 | 0:02:25 | |
Atchoo! | 0:02:25 | 0:02:27 | |
-Do you get that free on the NHS? -No. No, you have to pay. -No... | 0:02:35 | 0:02:40 | |
I don't have to pay. YOU have "to-pay"! | 0:02:42 | 0:02:46 | |
Yes, ladies and gentlemen, welcome to Shooting Stars. | 0:02:47 | 0:02:51 | |
But we don't have a show without him because he keeps the scores. It's Angelos! | 0:02:51 | 0:02:57 | |
BHANGRA MUSIC | 0:02:58 | 0:03:00 | |
-Hup! Hup! Hup! -Angelos! A little bit of bhangra! What's that all about? | 0:03:17 | 0:03:23 | |
It's Bhangra Week! | 0:03:23 | 0:03:26 | |
You're looking lively. | 0:03:26 | 0:03:29 | |
-I mean business. -Ha ha! So, Round One. The first round. Turning first to... | 0:03:29 | 0:03:35 | |
Scott! Radio DJ, Radio One. | 0:03:35 | 0:03:38 | |
-Yeah. -I like your shirts, what you're wearing. | 0:03:38 | 0:03:42 | |
We're co-ordinated. | 0:03:42 | 0:03:45 | |
PLAYS HOEDOWN MUSIC | 0:03:45 | 0:03:47 | |
I just had it lined up. | 0:03:48 | 0:03:51 | |
-Scott, you recently did that walk across the desert, 100 miles, for Comic Relief. -Mm-hm. | 0:03:51 | 0:03:57 | |
Did you not think of maybe walking another 20 miles and keeping that extra money for yourself? | 0:03:57 | 0:04:04 | |
LAUGHTER | 0:04:04 | 0:04:06 | |
-Why didn't you drive it? -Yeah. -That wasn't... It was a desert trek. | 0:04:06 | 0:04:12 | |
-Who? -A desert trek. -A desert trek? | 0:04:12 | 0:04:15 | |
-To raise money for Comic Relief. -That's up to you, innit? | 0:04:15 | 0:04:19 | |
Scott, true or false - the Illiterate Book club meet once a week to judge a book by its cover. | 0:04:19 | 0:04:25 | |
-True. -True is a correct answer. | 0:04:27 | 0:04:30 | |
John Humphrys. John from - I suppose we know you from Mastermind. How long have you been doing it? | 0:04:32 | 0:04:39 | |
-Eight years. -You see, I watch Mastermind and I often wake up in the morning thinking about you. | 0:04:39 | 0:04:47 | |
-You're thinking about a Humphry? -Well, yes. | 0:04:47 | 0:04:51 | |
I did a drawing of what I imagine you look like | 0:04:51 | 0:04:55 | |
when you've done a hard day's work at Mastermind | 0:04:55 | 0:04:59 | |
and you're just climbing into bed. Am I close? | 0:04:59 | 0:05:03 | |
LISA: Oh, my God! It's so wrong! | 0:05:03 | 0:05:05 | |
That's how I imagine you, anyway. | 0:05:05 | 0:05:08 | |
And then perhaps a bit of that. | 0:05:09 | 0:05:12 | |
TRUMPET PLAYS What's that?! | 0:05:12 | 0:05:16 | |
Oh, no! | 0:05:16 | 0:05:18 | |
I know that that doesn't happen. That's just my imagination. | 0:05:18 | 0:05:23 | |
-Do you think you should worry about your imagination? -I can only dream, John. | 0:05:23 | 0:05:29 | |
TRUMPET PLAYS | 0:05:30 | 0:05:32 | |
It's just a dream, John. | 0:05:37 | 0:05:40 | |
Now then, John, you were born in Splott. | 0:05:40 | 0:05:44 | |
-That's true, isn't it? -So far. -You were born in Splott, but can you tell me where is Splatt? | 0:05:44 | 0:05:50 | |
It's in the dictionary, just ahead of Splott. | 0:05:50 | 0:05:55 | |
-It is. Where is it? -Oh, I know. I'm just not telling you. | 0:05:55 | 0:05:59 | |
Watch him, John. | 0:06:05 | 0:06:06 | |
He gets like that if you misbehave and you are misbehaving, John. | 0:06:12 | 0:06:16 | |
-Where is Splatt? -I don't know! -It's in Devon! -It's in Devon! | 0:06:16 | 0:06:22 | |
In Devon, John! | 0:06:22 | 0:06:24 | |
-Well, he didn't get it. It's... Where? -Devon. -Splatt in Devon. | 0:06:24 | 0:06:28 | |
Ulrika, give kindly to the little boy. | 0:06:28 | 0:06:32 | |
Give kindly to the little boy. | 0:06:33 | 0:06:36 | |
-'Thank you. Now do you mind if I pop a little something in your slot?' -Peter! | 0:06:38 | 0:06:44 | |
-Ulrika, how much did you put in? -5p. | 0:06:44 | 0:06:47 | |
'Tight arse!' | 0:06:47 | 0:06:49 | |
-Ulrika, I have a question. I'll go over here and get it. -OK. | 0:06:49 | 0:06:54 | |
A question for you. True or false - Zoe Ball and The Apprentice's Stuart Baggs | 0:06:54 | 0:07:00 | |
have formed a detective agency called Ball Baggs? | 0:07:00 | 0:07:05 | |
True or false? | 0:07:05 | 0:07:07 | |
APPLAUSE | 0:07:07 | 0:07:10 | |
-False. -It IS false! It's called Bag of Balls, obviously. | 0:07:11 | 0:07:16 | |
Jack, with your face like a Turkish fiddling cup, | 0:07:16 | 0:07:20 | |
with your face like Scooby-Doo's Xmas dump. | 0:07:21 | 0:07:26 | |
LAUGHTER | 0:07:26 | 0:07:28 | |
Jack, with your face like a... | 0:07:30 | 0:07:33 | |
half-buttered bollock. | 0:07:33 | 0:07:36 | |
How can you even dream of talking to me like that? You're a disgrace to show business dressed like that. | 0:07:37 | 0:07:43 | |
Like a retarded tractor driver. | 0:07:43 | 0:07:45 | |
Who's to say I'm not? To be honest. | 0:07:45 | 0:07:49 | |
We'll give you a question anyway. | 0:07:49 | 0:07:52 | |
-KLAXON -That klaxon simply means | 0:07:52 | 0:07:55 | |
that this question will be asked by Angelos! | 0:07:55 | 0:07:59 | |
-Let's have your question. -OK. | 0:07:59 | 0:08:01 | |
Here it comes, Jack, for one point. A very simple question. | 0:08:01 | 0:08:05 | |
Can you tell me what is the best | 0:08:05 | 0:08:09 | |
of the three main things? | 0:08:09 | 0:08:12 | |
LAUGHTER | 0:08:13 | 0:08:15 | |
APPLAUSE | 0:08:18 | 0:08:20 | |
What is the best of the three main things? | 0:08:22 | 0:08:27 | |
-I don't know. The first one. -Don't be ridiculous. | 0:08:27 | 0:08:32 | |
You could have had cork or iron, but not balls. Simple. | 0:08:32 | 0:08:36 | |
Hard luck, Jack. | 0:08:36 | 0:08:39 | |
Turning to a very special guest, Mr Brian Butterfield, ladies and gentlemen. | 0:08:39 | 0:08:44 | |
Yes! | 0:08:44 | 0:08:46 | |
APPLAUSE | 0:08:46 | 0:08:48 | |
-It's a pleasure to have you here. -Which camera am I on? | 0:08:48 | 0:08:52 | |
-See that one over there? With the light on. -Oh, the light on. | 0:08:52 | 0:08:56 | |
-Would you mind if I just said happy birthday to a special somebody? -Yes, of course. | 0:08:56 | 0:09:02 | |
Happy birthday, Brian. | 0:09:03 | 0:09:06 | |
LAUGHTER | 0:09:07 | 0:09:09 | |
I'm recording this programme and I'll watch it on my birthday. | 0:09:09 | 0:09:13 | |
-Good idea! -APPLAUSE | 0:09:15 | 0:09:17 | |
-You need a question. -Yes. -It's true or false, Brian. | 0:09:21 | 0:09:26 | |
True or false - all fat people are lazy? | 0:09:26 | 0:09:29 | |
It's true and I know it to be true. | 0:09:31 | 0:09:34 | |
Well done, you! | 0:09:34 | 0:09:36 | |
Thank you! | 0:09:36 | 0:09:38 | |
Right, Lisa... Lisa Snowdon. | 0:09:38 | 0:09:41 | |
Yes! | 0:09:41 | 0:09:43 | |
Ooh! | 0:09:43 | 0:09:44 | |
Wow. | 0:09:46 | 0:09:47 | |
-Lisa... -Hot! | 0:09:47 | 0:09:50 | |
-Now that we're going out... -Yeah? | 0:09:50 | 0:09:52 | |
..you'll be moving into my flat. I'd like to show you a little vignette | 0:09:52 | 0:09:58 | |
-of what life's going to be like from now on. -Together? -Yeah. | 0:09:58 | 0:10:02 | |
-In our flat. -Nice. I can see that. | 0:10:02 | 0:10:06 | |
Oh, I can't wait. | 0:10:06 | 0:10:08 | |
Oh, no! What's going to happen?! | 0:10:08 | 0:10:11 | |
You just imagine, Lisa, it's two o'clock in the afternoon. I've just gotten out of bed. | 0:10:19 | 0:10:25 | |
Ohhh(!) | 0:10:27 | 0:10:28 | |
-Uh-uh! What do you want me to do? -Just hold it. | 0:10:28 | 0:10:33 | |
Thanks(!) | 0:10:33 | 0:10:35 | |
Gross. | 0:10:43 | 0:10:46 | |
-You and me, Lisa. You and me. -Oh, yeah. Bring it on. | 0:10:51 | 0:10:56 | |
-So, Lisa, your question... -Yes. -..comes from my good friend Doctor Who. It's Tom Baker. | 0:10:56 | 0:11:04 | |
Which is longer - a Curly Wurly or a Peperami? | 0:11:07 | 0:11:12 | |
Bleurgh! | 0:11:12 | 0:11:14 | |
-A Curly Wurly or a Peperami? -Curly Wurly or Peperami. I think... | 0:11:14 | 0:11:19 | |
-I think a Curly Wurly might be longer. -Let's find out. | 0:11:21 | 0:11:25 | |
I have a Curly Wurly, the most elaborate of all the chocolate bars, and a Peperami. | 0:11:25 | 0:11:31 | |
The answer is...Curly Wurly! | 0:11:35 | 0:11:38 | |
Bleurgh! | 0:11:38 | 0:11:40 | |
-It is! You nailed it, Lisa. -Yay! | 0:11:42 | 0:11:45 | |
-It's so lovely to see Tom Baker. It really is. -Yes. -LAUGHTER | 0:11:45 | 0:11:51 | |
Well done, Lisa. That's the end of the first round. So what are the scores, Angelos? | 0:11:52 | 0:11:59 | |
ELECTRONIC WAILING | 0:11:59 | 0:12:02 | |
DANCE BEAT BEGINS | 0:12:07 | 0:12:10 | |
KILLS THE MUSIC | 0:12:17 | 0:12:19 | |
Angelos, control your rig! | 0:12:23 | 0:12:25 | |
That's the Mexicans for you! | 0:12:25 | 0:12:28 | |
What are the scores, Angelos? | 0:12:28 | 0:12:31 | |
Hang on. So then, Humphrys, you reckon you're the Mastermind? | 0:12:31 | 0:12:37 | |
Well, I reckon I'm the Mastermind. So let's have a go. | 0:12:37 | 0:12:40 | |
Here's me questions. Bung the music on. | 0:12:40 | 0:12:44 | |
MASTERMIND THEME | 0:12:44 | 0:12:46 | |
Angelos Neil Epithemiou, you have 30 seconds on your specialist subject - Things Wot You Get Up To. | 0:12:52 | 0:12:58 | |
Yes. | 0:12:58 | 0:13:00 | |
30 seconds starting now. In 2002, you buried something behind Terry's caravan. What was it? | 0:13:00 | 0:13:06 | |
-Kenny's whistle, Kenny's flute and Kenny's cat. -Last week, you hid Terry's fags. | 0:13:06 | 0:13:12 | |
-Why? -He was blowing smoke in my face. It drives me up the bloody wall! | 0:13:12 | 0:13:16 | |
When you left the house... BEEP | 0:13:16 | 0:13:18 | |
..did you lock the door? | 0:13:18 | 0:13:21 | |
Yes. No! Shit! | 0:13:21 | 0:13:24 | |
No! I didn't do that! No! Give me them! | 0:13:24 | 0:13:28 | |
-Angelos, Angelos! -What? -Don't go! | 0:13:28 | 0:13:31 | |
-What? -The door will have to wait. | 0:13:31 | 0:13:34 | |
I don't have a door, actually. I come in through the tunnel. | 0:13:34 | 0:13:39 | |
-What are the scores, Angelos? -Jack's got 1, Ulrika's got 3! | 0:13:40 | 0:13:45 | |
Vic? Vic? | 0:13:52 | 0:13:54 | |
What the hell is that?! | 0:13:55 | 0:13:57 | |
It's Philip, my buzzard. Don't frighten him. | 0:13:57 | 0:14:01 | |
He lost all his confidence after you assaulted him last time. | 0:14:01 | 0:14:05 | |
-He's got his confidence back just recently. -What cured him? | 0:14:05 | 0:14:10 | |
Well, he's become a Christian. He gets a lot of solace from Christian fellowship. | 0:14:10 | 0:14:16 | |
He's had all the flooring replaced in his new house. | 0:14:16 | 0:14:20 | |
He's got that wood-effect laminate. It's not real wood. | 0:14:20 | 0:14:25 | |
Like he says, it's hard to tell the difference, though. | 0:14:25 | 0:14:29 | |
-You'd have to be an expert, wouldn't you? -Yeah. He's really coming on. -Oh, good. | 0:14:29 | 0:14:34 | |
Is that a toupee? Is he a bald eagle? | 0:14:34 | 0:14:37 | |
LAUGHTER | 0:14:37 | 0:14:39 | |
Give him a chance. He's trying to get his confidence back. | 0:14:40 | 0:14:44 | |
Oh, yeah. Would he like a chip? | 0:14:44 | 0:14:47 | |
Would you like a chip, Philip? | 0:14:47 | 0:14:49 | |
-He'd love a chip, yeah. -Would he? -Yeah. | 0:14:49 | 0:14:53 | |
There. | 0:14:55 | 0:14:57 | |
Why did you do that? | 0:14:59 | 0:15:01 | |
I hate his guts. | 0:15:01 | 0:15:03 | |
He's a terrible man, isn't he? I'm sorry, Philip. His confidence is shot to pieces now. | 0:15:05 | 0:15:11 | |
-The next round is the Clips Round. We'll show a clip... -The next round can change someone's life for ever. | 0:15:11 | 0:15:18 | |
It's an extract from a new detective series called Ambrosia Road. | 0:15:18 | 0:15:24 | |
-Hello, sir. The victim... -All right, Maureen. We'll take over from here. | 0:15:29 | 0:15:33 | |
All right. Yes, of course, sir. | 0:15:33 | 0:15:36 | |
Let's examine this corpse. | 0:15:36 | 0:15:38 | |
A cup of coffee, sir? | 0:15:38 | 0:15:40 | |
I don't want a cup of coffee! | 0:15:40 | 0:15:43 | |
-Are you ready, sir? -I'm ready. | 0:15:48 | 0:15:51 | |
Are you ready, John? OK, play it. | 0:15:51 | 0:15:53 | |
JINGLE PLAYS | 0:15:54 | 0:15:56 | |
-Anything, sir? -I don't know. Ask John. | 0:16:04 | 0:16:07 | |
Did you find anything, John? | 0:16:07 | 0:16:09 | |
-No. Do you mind if Barry has a go, sir? -Be my guest. | 0:16:10 | 0:16:15 | |
JINGLE PLAYS | 0:16:16 | 0:16:18 | |
Find anything? | 0:16:25 | 0:16:27 | |
Nothing. | 0:16:27 | 0:16:29 | |
It's him. | 0:16:30 | 0:16:32 | |
-What have you got for me? -Nothing, sir. We've hit a brick wall. -Let me take a look. | 0:16:32 | 0:16:37 | |
LIVELY TUNE PLAYS | 0:16:39 | 0:16:41 | |
THEY MIME WHISTLING ALONG | 0:16:45 | 0:16:48 | |
Anything, sir? | 0:16:55 | 0:16:57 | |
-So, sir, what is it? -It's just a big, long bag of bread. | 0:17:02 | 0:17:06 | |
-Thank God for that! -Let's go back to the station. -I'll join you, boys. | 0:17:06 | 0:17:11 | |
Oi, son! Get us a nice plate of biscuits and I'll take that coffee now. | 0:17:11 | 0:17:16 | |
APPLAUSE | 0:17:17 | 0:17:19 | |
So a clip there from the new detective series Ambrosia Road. | 0:17:19 | 0:17:23 | |
-I'll ask a question first to you, Team A. -OK. | 0:17:23 | 0:17:27 | |
We've got the results of a celebrity autopsy. Look at your monitors where you'll see the celebrity autopsy. | 0:17:27 | 0:17:33 | |
Now, the clues as to whose autopsy it is are in the room. | 0:17:33 | 0:17:38 | |
Can you tell from those clues whose is the celebrity autopsy? | 0:17:39 | 0:17:43 | |
Have a look at their autopsy. | 0:17:43 | 0:17:46 | |
There's the torso. The arms and legs have been removed as they are in all autopsies. | 0:17:46 | 0:17:51 | |
At the bottom are the clues to who is that body. | 0:17:51 | 0:17:55 | |
There's a pair of Cuban-heeled boots, cigarettes and a lovely lady. | 0:17:55 | 0:17:59 | |
-Could that be his girlfriend? -Naomi Campbell. | 0:17:59 | 0:18:02 | |
Why would you think it's Naomi Campbell? That's not her head. They're the clues. | 0:18:02 | 0:18:07 | |
-They're the clues, John. -Who smokes Marlboro? | 0:18:07 | 0:18:11 | |
-Is it Simon Cowell? -Simon Cowell? What do you say over here? | 0:18:11 | 0:18:16 | |
- I think it's Osama Bin Laden. - Oh! | 0:18:16 | 0:18:19 | |
LAUGHTER | 0:18:19 | 0:18:22 | |
-Are you all right? -Yes. -Your chair's broken as well. Have you got another chair for Brian? | 0:18:26 | 0:18:32 | |
I don't mind kneeling. Sorry, it's embarrassing. | 0:18:32 | 0:18:35 | |
-So, Brian, Ulrika, Scott... Are you OK? -I'm fine. | 0:18:35 | 0:18:40 | |
-Who do you think it was? -Scott said Simon Cowell. -Why do you say Simon Cowell? | 0:18:40 | 0:18:44 | |
-Who is the lovely lady in the corner? -Sinitta. -It is Sinitta. | 0:18:44 | 0:18:49 | |
-Shall we find out who it is? -Yeah. | 0:18:49 | 0:18:51 | |
-Go on then. -It's Simon Cowell! | 0:18:51 | 0:18:53 | |
LAUGHTER | 0:18:54 | 0:18:57 | |
-So what are the scores, Angelos? -Hold on. -Oh, 'ey up! | 0:18:57 | 0:19:01 | |
Hello, Lisa. | 0:19:01 | 0:19:03 | |
-Hello. -Listen, I know about you. All right? | 0:19:03 | 0:19:07 | |
And you hang out with Hollywood people and Clooney and all that sort of stuff. I know that. | 0:19:07 | 0:19:13 | |
Which is why I've got my teeth done today. | 0:19:13 | 0:19:16 | |
-Yeah, they're a good colour cos they're not too white. -Yeah, I've got 'em just right. | 0:19:16 | 0:19:22 | |
Just because you've gone out with Clooney, it doesn't give you the right, OK, | 0:19:22 | 0:19:27 | |
-just to assume that you can bang me. -OK. | 0:19:27 | 0:19:30 | |
OK? All right? | 0:19:30 | 0:19:32 | |
Just stay off it cos I've seen you looking over there in my office. | 0:19:32 | 0:19:36 | |
All right? I have got nothing to give you, OK? | 0:19:36 | 0:19:40 | |
Ulrika's my girl, even though she's on the turn. That's the sort of thing I like. | 0:19:40 | 0:19:45 | |
-So you leave it out. -I'll back off. -Yes, do back off. | 0:19:45 | 0:19:48 | |
-Any scores, Angelos? -Yeah, all right. Jack's got 2 and Ulrika's got 4. | 0:19:49 | 0:19:54 | |
APPLAUSE | 0:19:54 | 0:19:57 | |
The next round is the Dove From Above Round, | 0:20:00 | 0:20:03 | |
so help me beckon down the beautiful, plump dove from above | 0:20:03 | 0:20:06 | |
and let's see what questions he brings with him this week. Come on! | 0:20:06 | 0:20:10 | |
-Come on down! -Down he comes, his feathers glistening, spouting his bullshit, but no-one's listening. | 0:20:10 | 0:20:17 | |
Scott, choose a category from the Dove From Above. | 0:20:17 | 0:20:21 | |
I'll have Air, please. | 0:20:21 | 0:20:23 | |
Air. Your question's coming, | 0:20:23 | 0:20:25 | |
but first of all, watch this transaction that takes place at a boot sale | 0:20:25 | 0:20:30 | |
-and the question follows. -OK. | 0:20:30 | 0:20:32 | |
-Hello there. -Oh, hello. -Is this your stall? -Yeah. | 0:20:32 | 0:20:36 | |
-Have you sold much? -A little bit, but not a lot. | 0:20:36 | 0:20:40 | |
-There's quite a lot of fanny here. -LAUGHTER | 0:20:40 | 0:20:43 | |
But down to business then, yeah? | 0:20:43 | 0:20:46 | |
-Well, I think, yes... -How much is that? -50p. | 0:20:46 | 0:20:50 | |
-I'll give you 30. -40. -It's a deal. What is it? -I don't know. | 0:20:50 | 0:20:54 | |
-I don't either, but I'm glad I've got it. -I'm glad to get rid of it. -See you then. -You won't see me. Bye. | 0:20:55 | 0:21:01 | |
-Scott, that was a transaction direct from a boot sale. -Yeah. -I hope you were listening carefully. | 0:21:01 | 0:21:08 | |
Can you tell me what was my opening offer for the item I purchased? | 0:21:08 | 0:21:13 | |
-I think it was 50p. -50p... Unlucky. | 0:21:13 | 0:21:16 | |
My opening bid was 30p. | 0:21:16 | 0:21:19 | |
Do I get a bonus point for recognising that it was a scene from the film Avatar? | 0:21:20 | 0:21:26 | |
LAUGHTER | 0:21:26 | 0:21:30 | |
-Are you OK? -Actually, I have to admit I'm... | 0:21:30 | 0:21:33 | |
I'm feeling devastated because I didn't know that Simon Cowell had died. | 0:21:33 | 0:21:38 | |
But... | 0:21:38 | 0:21:40 | |
-No, Brian... -But actually, now you...now I come to think of it, maybe I did read something about it. | 0:21:40 | 0:21:47 | |
Was he a member of Al-Qaeda? | 0:21:47 | 0:21:49 | |
No, no, no. | 0:21:49 | 0:21:52 | |
So, Lisa, would you like to pick a category from the Dove? | 0:21:52 | 0:21:55 | |
-I guess I'll have Pong, please. -Pong. You'll have Pong. | 0:21:55 | 0:21:59 | |
That is Angelos's Variety Palladium. You'll see a performance by Angelos. | 0:21:59 | 0:22:04 | |
Take a look at this. The question follows. | 0:22:04 | 0:22:08 | |
-SOFT MUSIC PLAYS -Thank you. | 0:22:08 | 0:22:11 | |
Just bung them on. | 0:22:12 | 0:22:14 | |
Hello. | 0:22:15 | 0:22:17 | |
Good evening. | 0:22:17 | 0:22:19 | |
DRUM ROLL | 0:22:21 | 0:22:23 | |
It's a kiwi fruit. | 0:22:26 | 0:22:28 | |
LAUGHTER | 0:22:28 | 0:22:30 | |
DRUM ROLL | 0:22:32 | 0:22:34 | |
APPLAUSE | 0:22:38 | 0:22:41 | |
LAUGHTER | 0:22:48 | 0:22:50 | |
-APPLAUSE -Excellent. | 0:22:54 | 0:22:57 | |
Fabulous. | 0:22:57 | 0:22:58 | |
Wow, Lisa, wasn't that fabulous? | 0:22:59 | 0:23:02 | |
That was, of course, a kiwi fruit which is a kind of fruit... sport's ball. | 0:23:04 | 0:23:09 | |
But can you tell me, Lisa, what sport uses the smallest balls? | 0:23:09 | 0:23:14 | |
- I think it's ping-pong. - Table tennis? Is there anything smaller? | 0:23:14 | 0:23:19 | |
-What are you going for? -Marbles. -What? -Marbles. | 0:23:19 | 0:23:23 | |
-Is the correct answer! -APPLAUSE | 0:23:23 | 0:23:26 | |
Although, Bob, you play football, don't you? | 0:23:30 | 0:23:33 | |
Yeah, but the question was, "What sport has the smallest balls?" | 0:23:33 | 0:23:37 | |
Not "what sportsman has the smallest balls?" | 0:23:37 | 0:23:41 | |
So that's the end of the Dove From Above Round. What's the scores, Angelos? | 0:23:41 | 0:23:47 | |
Jack's got 3, Ulrika's got 4. | 0:23:47 | 0:23:50 | |
APPLAUSE | 0:23:50 | 0:23:52 | |
The next round is the final round. It's... What are you doing? | 0:23:53 | 0:23:57 | |
Jesus! | 0:24:00 | 0:24:01 | |
The next round is the... | 0:24:03 | 0:24:06 | |
-You haven't got anything to sprinkle on it? -Salad or something? -Yeah, it's a bit dry. | 0:24:11 | 0:24:17 | |
What about some cress? | 0:24:17 | 0:24:20 | |
There. | 0:24:22 | 0:24:24 | |
-Any better? -Hmm, that's livened it up! That's beautiful. Thank you. Oh, terrific! | 0:24:24 | 0:24:30 | |
It's the Quickfire Round. Fingers on the buzzers. When the time's up, you'll hear this noise. | 0:24:30 | 0:24:37 | |
Steak and chips! | 0:24:37 | 0:24:39 | |
True or false... Fingers on buzzers. Graham Norton's wife is notoriously camera-shy? | 0:24:39 | 0:24:45 | |
-BUZZER -Who is that? Humphrys? | 0:24:45 | 0:24:49 | |
-True. -"True" is a correct answer. -How many bartrels can you fit in a Dunlop? | 0:24:49 | 0:24:54 | |
-BUZZER -That's Butterfield. -I don't know. | 0:24:54 | 0:24:58 | |
Is the correct answer. | 0:24:58 | 0:25:01 | |
What is the average length of a quintrel? | 0:25:01 | 0:25:04 | |
-BUZZER -That's Dee. | 0:25:04 | 0:25:06 | |
-It's four, isn't it? -Yes, it's four. | 0:25:06 | 0:25:08 | |
True or false - if you sneeze, cough and fart at the same time, it's possible to reverse time? | 0:25:08 | 0:25:15 | |
-BUZZER -That's Humphrys. | 0:25:15 | 0:25:18 | |
-It's certainly true. -Of course it's true, John! | 0:25:18 | 0:25:21 | |
-Steak and chips. -Whoa, whoa! Steak and chips, that's the end of the Quickfire Round. | 0:25:21 | 0:25:27 | |
What are the final scores, Angelos? | 0:25:27 | 0:25:30 | |
This week's winner is Jack! | 0:25:30 | 0:25:32 | |
-APPLAUSE -Unlucky, Brian. | 0:25:32 | 0:25:36 | |
Well done. Well done. | 0:25:36 | 0:25:38 | |
Jack, you're tonight's winner and, Jack, I'm going to ask, in fact, insist | 0:25:40 | 0:25:46 | |
that you do the punishment tonight because it's a little beauty. | 0:25:46 | 0:25:51 | |
-Are you willing to take tonight's final challenge? -You said "punishment". -Well, yeah. | 0:25:51 | 0:25:56 | |
-Jack, it's the end game. Will you come and join me? -All right. -Jack Dee, ladies and gentlemen! | 0:25:56 | 0:26:02 | |
-APPLAUSE -Thank you, Jack. | 0:26:02 | 0:26:04 | |
You'll immediately recognise this as a pram. Your prize is actually in the pram, | 0:26:04 | 0:26:09 | |
so the first thing I'll ask you to do is climb into the pram. Are you happy to do that? | 0:26:09 | 0:26:15 | |
Somewhere in the pram we've hidden... | 0:26:15 | 0:26:19 | |
Make yourself comfortable, Jack. | 0:26:19 | 0:26:21 | |
Somewhere in the pram, we've hidden a pound. You've got to find it. | 0:26:24 | 0:26:28 | |
If you find that pound, you'll win a very special prize. Here's Mr Reeves with details of that prize. | 0:26:28 | 0:26:33 | |
Here's the wonderful prize. You could win this fantastic creature. | 0:26:33 | 0:26:39 | |
It's a duglet, which we've bred for use in the brewing industry. | 0:26:39 | 0:26:43 | |
He really is a very cheerful little chap, | 0:26:43 | 0:26:46 | |
although I may say a little yeasty. | 0:26:46 | 0:26:49 | |
Right, now, you're going to have a limited amount of time to find that pound | 0:26:49 | 0:26:54 | |
and, as always, Jack, when it comes to our end games, there is a twist. | 0:26:54 | 0:26:59 | |
-Mr Reeves? -Here's the twist, Jack. | 0:26:59 | 0:27:02 | |
-We've loaded your pram with dynamite, C4... -Gelignite. | 0:27:02 | 0:27:07 | |
-Gelignite, nitrous oxide. -The big four. -The big four. It's gonna blow, baby. It's gonna blow! | 0:27:07 | 0:27:13 | |
-We'll light the fuse. -What if I don't find the pound? -We're going to give you a countdown. | 0:27:13 | 0:27:19 | |
-When we get to about five-ish, if you haven't found it, I would nick off. -Get out quick. | 0:27:19 | 0:27:25 | |
-Jack, are you ready for us to light the fuse? -Yeah, OK. | 0:27:25 | 0:27:29 | |
-Good luck. -So I start looking? -Yeah, look for the pound. It's going! | 0:27:29 | 0:27:34 | |
-For Christ's sake, Jack! -Has he found it yet? -I can't feel anything. -It's in there somewhere. | 0:27:34 | 0:27:40 | |
-Has he found the pound? -No, I can't... -Search about and find it! -Start the countdown. | 0:27:40 | 0:27:45 | |
VIC AND BOB: Ten, nine, eight, seven, | 0:27:45 | 0:27:49 | |
six, five... | 0:27:49 | 0:27:51 | |
-Jack, get out! -..four, three... | 0:27:51 | 0:27:54 | |
-Jack, get out! -..two, one... | 0:27:54 | 0:27:56 | |
Oh, my God, it really was! | 0:27:59 | 0:28:02 | |
-APPLAUSE -Did you find the pound, Jack? | 0:28:02 | 0:28:06 | |
-He got the pound! -He did find the pound. -CHEERING | 0:28:06 | 0:28:10 | |
So he wins the beautiful duglet. | 0:28:10 | 0:28:12 | |
-He got a pound and a duglet! -For use in the brewing industry. | 0:28:12 | 0:28:17 | |
Come and join us. Come on! | 0:28:17 | 0:28:20 | |
-Come on. -Good night from Shooting Stars. | 0:28:20 | 0:28:23 | |
Oh, my God, well done! | 0:28:25 | 0:28:28 | |
# Goodbye from Shooting Stars Goodbye, whoever you are... # | 0:28:28 | 0:28:31 | |
Our special breeding programme allowed us to produce that beautiful duglet. | 0:28:38 | 0:28:43 | |
Don't try interfering with your own pet. We know what we're doing. | 0:28:43 | 0:28:47 | |
Good night from Shooting Stars! | 0:28:47 | 0:28:50 |