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Millions dream of fame, success and a life in the spotlight. | 0:00:02 | 0:00:06 | |
But few realise what it takes to make it to the top. | 0:00:07 | 0:00:10 | |
Heart and soul, do you understand? You either want it or you don't. | 0:00:10 | 0:00:13 | |
We're back... | 0:00:13 | 0:00:15 | |
Huh! Huh! Huh! | 0:00:15 | 0:00:16 | |
..inside one of the most famous stage schools in Britain... | 0:00:16 | 0:00:19 | |
Flapper, flapper... | 0:00:19 | 0:00:21 | |
..London's Italia Conti Academy of Theatre Arts. | 0:00:21 | 0:00:24 | |
Where, for some pupils, dreams of a career on screen | 0:00:29 | 0:00:32 | |
and stage really can come true. | 0:00:32 | 0:00:35 | |
If I see it like that again, I'm going to start cutting people. | 0:00:35 | 0:00:38 | |
This is what life is like for those seeking the big time. | 0:00:38 | 0:00:42 | |
This is the School For Stars. | 0:00:47 | 0:00:50 | |
Previously on School For Stars, | 0:00:55 | 0:00:58 | |
Jade injured her leg and her dance teacher wasn't happy. | 0:00:58 | 0:01:01 | |
-You have ruined everything, Jade! -I'm sorry! | 0:01:01 | 0:01:04 | |
But that's nothing compared to having let down her little sister. | 0:01:04 | 0:01:08 | |
After years of bleeding hands and struggles on the hoops, | 0:01:08 | 0:01:11 | |
Marni takes on her biggest challenge yet. | 0:01:11 | 0:01:13 | |
I just really want to do well to show the agents, | 0:01:13 | 0:01:17 | |
and then hopefully I can get signed. | 0:01:17 | 0:01:18 | |
And just as Max and Luca are starting to make it in music... | 0:01:18 | 0:01:22 | |
..could romance get in the way of the band? | 0:01:23 | 0:01:26 | |
They're like the new us, Max! | 0:01:26 | 0:01:28 | |
-They're not. -No, they're cooler. | 0:01:28 | 0:01:31 | |
For those that can't attend the main school full-time, | 0:01:37 | 0:01:40 | |
there are classes at associate schools around the country. | 0:01:40 | 0:01:43 | |
Then we're going to go boom, boom. | 0:01:46 | 0:01:49 | |
Amber is Jade's little sister. | 0:01:49 | 0:01:52 | |
She's a really good big sister. | 0:01:52 | 0:01:53 | |
She's not one of those mean type of girls. | 0:01:53 | 0:01:56 | |
She's been going to these sessions three times a week | 0:01:57 | 0:01:59 | |
while she auditions to get into the main school. | 0:01:59 | 0:02:02 | |
Jade was due to dance with her at this school's summer show. | 0:02:02 | 0:02:06 | |
But her leg injury may have spoiled her chances. | 0:02:06 | 0:02:10 | |
Jade's injured herself, | 0:02:10 | 0:02:11 | |
so I'll be really disappointed if I can't do it with Jade. | 0:02:11 | 0:02:15 | |
-I go back to the hospital on Monday. -Yeah. | 0:02:15 | 0:02:17 | |
And I'll have another X-ray, hopefully everything's fine. | 0:02:17 | 0:02:20 | |
If it is a fracture or a hairline fracture, | 0:02:20 | 0:02:22 | |
they won't let you dance on it. | 0:02:22 | 0:02:24 | |
I was planning on taking it off for Saturday... | 0:02:24 | 0:02:26 | |
-No, I don't think so. -..but I don't think so. | 0:02:26 | 0:02:28 | |
It's not worth it, because the problem is | 0:02:28 | 0:02:30 | |
when you dance on an injury, whatever the injury may be, | 0:02:30 | 0:02:33 | |
you're prolonging the problem. | 0:02:33 | 0:02:36 | |
And then you'll have it into your adult life, into your career. | 0:02:36 | 0:02:39 | |
-I don't want that. -It's not worth it. -No. | 0:02:39 | 0:02:41 | |
A few of my teachers have been saying, | 0:02:45 | 0:02:47 | |
"This could be, like, career threatening," | 0:02:47 | 0:02:50 | |
and I was like, "No, it can't, no, it can't!" | 0:02:50 | 0:02:52 | |
Hopefully not, but I am really, really nervous, | 0:02:52 | 0:02:54 | |
because I guess it is a serious thing cos your ankles are weak, | 0:02:54 | 0:02:58 | |
and if my ankle is weak when I'm older, | 0:02:58 | 0:03:00 | |
bye-bye, pointe, bye-bye, dancing. | 0:03:00 | 0:03:03 | |
I really want to dance, it's horrible. | 0:03:04 | 0:03:06 | |
With Jade fully aware of the consequences, she's forced to make | 0:03:10 | 0:03:13 | |
a tough decision to let her sister down and sit out of the summer show. | 0:03:13 | 0:03:17 | |
Like Jade and Amber, Max and Luca are used to putting in extra hours | 0:03:22 | 0:03:26 | |
at weekends to follow their dreams. | 0:03:26 | 0:03:28 | |
They're planning their first big gig, | 0:03:28 | 0:03:30 | |
so they're taken to Essex to check out a venue. | 0:03:30 | 0:03:33 | |
-I'm Max. -Hello, Max. | 0:03:33 | 0:03:35 | |
Hi, I'm Luca. Nice to meet you. | 0:03:35 | 0:03:37 | |
-It holds 120 people. -Great. -That's OK, yeah. | 0:03:37 | 0:03:41 | |
And we've got a fantastic sound system. | 0:03:41 | 0:03:44 | |
-Oooh. -All these controls, my gosh. | 0:03:44 | 0:03:47 | |
-Stage door. -Stage door, yeah? | 0:03:47 | 0:03:49 | |
This is the stage door. In you go. | 0:03:49 | 0:03:51 | |
-It's pretty cool, isn't it? -It's great. | 0:03:55 | 0:03:57 | |
It would be cool, especially with the drums and Loretti on guitar. | 0:03:57 | 0:04:02 | |
-Drums, you know, you here on, like, your keys. -My keyboard. | 0:04:02 | 0:04:07 | |
Look at the lighting, that is great. | 0:04:07 | 0:04:09 | |
Look at that, "bands only". | 0:04:09 | 0:04:12 | |
Bands only, this is so cool. | 0:04:12 | 0:04:15 | |
Look at that. We could do this place up how we want. | 0:04:15 | 0:04:18 | |
Stick our sticker on the wall. | 0:04:18 | 0:04:21 | |
Yeah. Get like a poster.... | 0:04:21 | 0:04:23 | |
..there. | 0:04:25 | 0:04:27 | |
-Yeah. But should we go and have one more look at the stage? -Let's go. | 0:04:27 | 0:04:30 | |
I'll have my keyboard here. | 0:04:30 | 0:04:33 | |
# But if you close your eyes... # | 0:04:33 | 0:04:36 | |
Mate, it's going to be great. | 0:04:37 | 0:04:39 | |
-Yeah, mate. -Good job, man, awesome, let's go. | 0:04:39 | 0:04:42 | |
Let's go, man. | 0:04:42 | 0:04:43 | |
-This is going to be so good. -I'm well excited. | 0:04:45 | 0:04:47 | |
That is vintage legit. | 0:04:47 | 0:04:49 | |
This final term is packed. | 0:04:56 | 0:04:58 | |
As well as shows and auditions, there are heaps of exams. | 0:04:58 | 0:05:02 | |
Okey-doke. | 0:05:02 | 0:05:03 | |
14-year-old Sophie is taking her Grade 7 acting exam, | 0:05:03 | 0:05:06 | |
and she's meant to have learned her lines by now. | 0:05:06 | 0:05:09 | |
Cos I'm doing Grade 7, it's like a really high grade. | 0:05:09 | 0:05:12 | |
It's normally like 16, 17-year-olds that do it, | 0:05:12 | 0:05:15 | |
so Miss Evaristo did say that it's really high for my age. | 0:05:15 | 0:05:18 | |
But acting teacher Mr Turnbull | 0:05:18 | 0:05:20 | |
soon discovers she hasn't done homework. | 0:05:20 | 0:05:22 | |
Right, once through, let's see what you do with it. | 0:05:22 | 0:05:25 | |
What am I doing with a man's coat? Straight off to the police station... | 0:05:25 | 0:05:28 | |
then in came Nuala... Bleh... | 0:05:28 | 0:05:32 | |
When did you get the piece? | 0:05:33 | 0:05:35 | |
-A month ago. -A month ago. | 0:05:35 | 0:05:38 | |
So what do you know about the play? | 0:05:38 | 0:05:40 | |
Have you done anything about the play? | 0:05:40 | 0:05:42 | |
-No. -No. OK. There's your answer. | 0:05:42 | 0:05:45 | |
I want you to do this, I think you can do it. | 0:05:45 | 0:05:48 | |
And if I'm giving you a tough time, | 0:05:48 | 0:05:49 | |
it's only cos I think you're worth giving a tough time. | 0:05:49 | 0:05:52 | |
So, be good, I will see you next week. | 0:05:54 | 0:05:56 | |
Learn it, learn it, learn it, learn it. | 0:05:56 | 0:05:59 | |
Thank you. | 0:05:59 | 0:06:00 | |
Sophie has a choice of two scripts for her exam. | 0:06:00 | 0:06:04 | |
After struggling in Mr Turnbull's class, | 0:06:04 | 0:06:06 | |
she's keen to see what Miss Evaristo has in mind for her. | 0:06:06 | 0:06:10 | |
Right, guys, please can you stop twittering, | 0:06:10 | 0:06:13 | |
and put that drink away. | 0:06:13 | 0:06:15 | |
You seem to forget where you are sometimes. | 0:06:15 | 0:06:17 | |
If you carry on the way you are, | 0:06:17 | 0:06:19 | |
you won't be singing in that rain, you'll be crying in that rain. | 0:06:19 | 0:06:22 | |
LAUGHTER | 0:06:22 | 0:06:24 | |
OK, dearie, it's this one and I think it might be better for you, | 0:06:24 | 0:06:29 | |
because she's nearer your age, she's northern, too. | 0:06:29 | 0:06:32 | |
She's always been in trouble since she was little, | 0:06:32 | 0:06:35 | |
and she can be quite sneaky, as well. | 0:06:35 | 0:06:38 | |
Go and sit outside and have a read of it, | 0:06:38 | 0:06:40 | |
and then I'll call you in in about 20 minutes or so | 0:06:40 | 0:06:43 | |
and I'll have a stab at hearing you. | 0:06:43 | 0:06:45 | |
This is much better than the one I got given before. | 0:06:46 | 0:06:49 | |
I can just relate to this one much more. | 0:06:49 | 0:06:52 | |
Sophie may have found a speech she likes, | 0:06:52 | 0:06:54 | |
but time is running out for her to learn it before her exam. | 0:06:54 | 0:06:58 | |
Flavour, flavour, sharp, sharp. | 0:07:02 | 0:07:04 | |
Now that aspiring rock stars Max and Luca have found a venue | 0:07:06 | 0:07:10 | |
for their first ever gig, they need a support act. | 0:07:10 | 0:07:13 | |
Molly, Amber and Bessy are keen to get involved. | 0:07:13 | 0:07:16 | |
Hello, come in. | 0:07:20 | 0:07:23 | |
-Hi. -Hi. | 0:07:23 | 0:07:25 | |
Have you guys been rehearsing a lot, or...? | 0:07:25 | 0:07:27 | |
Yeah, we have. | 0:07:27 | 0:07:29 | |
-So can we hear you? -Yeah. | 0:07:29 | 0:07:32 | |
How many songs are you doing? | 0:07:32 | 0:07:33 | |
We've got three at the moment, kind of all together. | 0:07:33 | 0:07:36 | |
-Are they all covers, or...? -No. -One isn't, the other two are. | 0:07:36 | 0:07:39 | |
Right, OK. | 0:07:39 | 0:07:41 | |
PIANO PLAYING | 0:07:41 | 0:07:43 | |
-# We need to take it back in time -# When music made us all unite! | 0:07:43 | 0:07:46 | |
# And it wasn't low blows | 0:07:46 | 0:07:48 | |
# Am I the only one getting tired? | 0:07:48 | 0:07:51 | |
-# Wasn't low blows -# No video hoes | 0:07:51 | 0:07:54 | |
-# Am I the only one getting tired? -# When music made us all unite | 0:07:54 | 0:07:57 | |
# It's not about the money, money, money | 0:07:57 | 0:08:00 | |
# We don't need your money, money, money | 0:08:00 | 0:08:02 | |
# We just wanna make the world dance | 0:08:02 | 0:08:04 | |
# Forget about the price tag | 0:08:04 | 0:08:06 | |
# Ain't about the cha-ching, cha-ching | 0:08:06 | 0:08:08 | |
# Ain't about the ba-bling, ba-bling | 0:08:08 | 0:08:10 | |
# Wanna make the world dance | 0:08:10 | 0:08:12 | |
# Forget about the price tag. # | 0:08:12 | 0:08:15 | |
-Nice. -Wicked. | 0:08:16 | 0:08:17 | |
Guys, that was, like, really good, so I'd really like you guys | 0:08:17 | 0:08:20 | |
to sing alongside us, that would be really fun. | 0:08:20 | 0:08:22 | |
That'd be really cool, thank you. | 0:08:22 | 0:08:24 | |
Hopefully you'll enjoy it and so will we. | 0:08:24 | 0:08:26 | |
-Cool. Thank you. -Thank you. -See you later. -See you, bye. | 0:08:26 | 0:08:29 | |
It went really well, to be honest, I think. Hope. | 0:08:31 | 0:08:34 | |
I think they sounded awesome, | 0:08:34 | 0:08:35 | |
their harmonies were really crisp and stuff, they were spot-on. | 0:08:35 | 0:08:38 | |
Hello, hello, hello. | 0:08:56 | 0:08:58 | |
Sophie has learned her new speech for the acting exam. | 0:08:58 | 0:09:01 | |
Do that again, and this time look like you actually want to be there. | 0:09:01 | 0:09:04 | |
-However you feel inside... -I know, I do want to be here. | 0:09:04 | 0:09:07 | |
-Well, then show it. -I ain't going back to no school. | 0:09:07 | 0:09:09 | |
If them in schools knew what it was like to be expelled, | 0:09:09 | 0:09:12 | |
they'd all be getting expelled. | 0:09:12 | 0:09:13 | |
Schools would be empty, teachers would be out of work. | 0:09:13 | 0:09:16 | |
You won't get me nowhere near. | 0:09:16 | 0:09:17 | |
You think when you hear the word expelled it means something terrible, | 0:09:17 | 0:09:20 | |
but it's a big con. | 0:09:20 | 0:09:22 | |
-You lost it. -Yeah. | 0:09:23 | 0:09:25 | |
And it's also physically a bit stuck. | 0:09:25 | 0:09:27 | |
Let's give you an Andrea. Who wants to be Andrea? | 0:09:27 | 0:09:29 | |
You should always come from somewhere. | 0:09:33 | 0:09:35 | |
So, where are you coming from? | 0:09:35 | 0:09:38 | |
-Bring it with you. -All right, OK. | 0:09:38 | 0:09:40 | |
-Where have you been? -To the shop. | 0:09:40 | 0:09:42 | |
To the shop. What did you buy? | 0:09:42 | 0:09:44 | |
-Some Haribos. -Do you like Haribos? -I love them. | 0:09:44 | 0:09:46 | |
It's Haribos, Haribos as you come in, | 0:09:46 | 0:09:49 | |
then I need something from you. | 0:09:49 | 0:09:51 | |
-A change of attitude. -OK. -Yeah? Try that. | 0:09:51 | 0:09:54 | |
Eat Haribos, think about the shop, then see her. | 0:09:56 | 0:09:59 | |
Debbie nicked that knife off Miss Lever. | 0:10:02 | 0:10:05 | |
It goes in the cupboard. | 0:10:05 | 0:10:07 | |
Now she's come, she'll try and get Kelly back. | 0:10:07 | 0:10:10 | |
And I'll be on my own, again. | 0:10:10 | 0:10:12 | |
I was a bit stressed with it all, really, | 0:10:12 | 0:10:14 | |
cos it's been, like, such short notice. | 0:10:14 | 0:10:16 | |
Work it some more, doing what I've said. | 0:10:16 | 0:10:18 | |
I feel a lot more confident with this one, | 0:10:18 | 0:10:20 | |
I just need a bit more stage direction, then I'll be fine. | 0:10:20 | 0:10:22 | |
Sophie's confidence has grown, but will that be enough | 0:10:22 | 0:10:25 | |
to get her the grade she wants in her exam, now just days away? | 0:10:25 | 0:10:29 | |
Ah-ha-ha! | 0:10:33 | 0:10:34 | |
It's not just the acting exams that help these students | 0:10:38 | 0:10:41 | |
get work in the industry. They need an agent. | 0:10:41 | 0:10:44 | |
During their time at the school, the agency helps them to get work, | 0:10:45 | 0:10:49 | |
but when the senior students graduate and leave, | 0:10:49 | 0:10:52 | |
they need to get their own agent, and competition for these is tough. | 0:10:52 | 0:10:56 | |
So, the students put on a showcase to show off their talents | 0:10:57 | 0:11:00 | |
to a variety of agents in the hope of being spotted. | 0:11:00 | 0:11:03 | |
Showcase basically is for the graduating students | 0:11:04 | 0:11:09 | |
to show their talent. | 0:11:09 | 0:11:10 | |
And that's what they're training for, | 0:11:12 | 0:11:14 | |
to not only go on and find work, | 0:11:14 | 0:11:16 | |
but to find an agent that will help them find work. | 0:11:16 | 0:11:18 | |
And, regardless of what year they're in, | 0:11:18 | 0:11:20 | |
every pupil recognises the importance of bagging an agent. | 0:11:20 | 0:11:24 | |
It's definitely good to get your agent there. | 0:11:24 | 0:11:26 | |
I think the scariest part about leaving is trying to get an agent. | 0:11:26 | 0:11:29 | |
Yeah, cos that's the whole point of it. | 0:11:29 | 0:11:32 | |
Otherwise, if you haven't got that, you've got nothing. | 0:11:32 | 0:11:34 | |
I really hope that we all get what we deserve. | 0:11:34 | 0:11:37 | |
The day of the showcase has arrived, and all of the seniors | 0:11:42 | 0:11:46 | |
have relocated to the school's own theatre. | 0:11:46 | 0:11:49 | |
And the importance of the day is on everyone's mind. | 0:11:49 | 0:11:52 | |
We are finally at our third year showcase, | 0:11:52 | 0:11:55 | |
and already everyone's stressed very much. | 0:11:55 | 0:11:58 | |
I don't think I've ever been so nervous | 0:11:58 | 0:12:00 | |
for anything in my whole life. | 0:12:00 | 0:12:02 | |
After three years of training, to try and get representation today | 0:12:02 | 0:12:05 | |
to go out in the big, bad world of working... | 0:12:05 | 0:12:08 | |
Yeah, it's scary. | 0:12:08 | 0:12:10 | |
Before the agents arrive, there's just enough time | 0:12:11 | 0:12:14 | |
to perfect their routines in a last-minute rehearsal. | 0:12:14 | 0:12:17 | |
And senior Marni knows this performance | 0:12:18 | 0:12:21 | |
is crucial to getting noticed. | 0:12:21 | 0:12:23 | |
This is like the penultimate show, really, for my time at Conti's. | 0:12:32 | 0:12:37 | |
This is where I show everyone what I've learned | 0:12:37 | 0:12:40 | |
and how I have grown as a person and a performer, | 0:12:40 | 0:12:43 | |
and I just really want to do well to show the agents | 0:12:43 | 0:12:46 | |
and then, hopefully, I can get signed. | 0:12:46 | 0:12:49 | |
Do we look to the side? Side! | 0:12:51 | 0:12:53 | |
'There's a lot of casting agents, and directors.' | 0:12:53 | 0:12:56 | |
There's some really big names, | 0:12:56 | 0:12:58 | |
so I just want to impress them, and fingers crossed. | 0:12:58 | 0:13:00 | |
'The pressure is definitely on.' | 0:13:05 | 0:13:07 | |
I'm trying to stay cool, but it's, like, bubbling away underneath. | 0:13:07 | 0:13:12 | |
ALL: One. | 0:13:13 | 0:13:15 | |
One! | 0:13:15 | 0:13:16 | |
One person who knows just how important it is for the agents | 0:13:22 | 0:13:25 | |
to spot potential talent is school principal, Anne. | 0:13:25 | 0:13:29 | |
I often say, you know when you see a chorus line | 0:13:29 | 0:13:31 | |
and everybody can be doing exactly the same thing, | 0:13:31 | 0:13:35 | |
why is your focus pulled to one person | 0:13:35 | 0:13:37 | |
and not the other 11 or 15, or whatever? | 0:13:37 | 0:13:41 | |
That one person just has that extra something | 0:13:41 | 0:13:43 | |
that the others don't have. | 0:13:43 | 0:13:45 | |
One will stand out. | 0:13:45 | 0:13:47 | |
With rehearsals now well under way, | 0:13:54 | 0:13:56 | |
Marni's doing her best to fine-tune her routine. | 0:13:56 | 0:13:59 | |
But only seconds into the practice run and she's forced to stop, | 0:14:04 | 0:14:09 | |
and can only watch as her sister completes | 0:14:09 | 0:14:11 | |
the demanding routine on her own. | 0:14:11 | 0:14:13 | |
I strained my hip flexor on the hoop, | 0:14:15 | 0:14:18 | |
so I can't kick my leg very high without it hurting. | 0:14:18 | 0:14:21 | |
It's stopping me doing a lot of my dance moves, | 0:14:22 | 0:14:24 | |
and because I'm a righty, so I use my right leg all the time, | 0:14:24 | 0:14:28 | |
that's my main trick leg, and I can't really lift it | 0:14:28 | 0:14:31 | |
past a couple of inches off the floor now. | 0:14:31 | 0:14:33 | |
So it's stopping me performing to my best. | 0:14:33 | 0:14:36 | |
She's trying to rest, but obviously she can't fully rest | 0:14:40 | 0:14:42 | |
cos she needs to work things out, she what she's going to do | 0:14:42 | 0:14:45 | |
instead if she can't do a move or anything, | 0:14:45 | 0:14:47 | |
so hopefully she'll be OK. | 0:14:47 | 0:14:49 | |
Hi. Do you mind if I can heat my beanies for my hip flexors? | 0:14:50 | 0:14:54 | |
Thank you! | 0:14:54 | 0:14:56 | |
'Just put oat beanbags in the microwave' | 0:14:58 | 0:15:00 | |
and they heat up so that I can warm up my ligaments | 0:15:00 | 0:15:04 | |
and keep them nice and supple. | 0:15:04 | 0:15:06 | |
I'm just going to literally stuff it down my trousers | 0:15:06 | 0:15:08 | |
and hang it over the top, so I'll be walking around with beanies on. | 0:15:08 | 0:15:12 | |
With Marni desperately trying to limit the damage to her injury, | 0:15:12 | 0:15:15 | |
the prospect of not being able to perform in the showcase | 0:15:15 | 0:15:18 | |
has become a real possibility. | 0:15:18 | 0:15:20 | |
It's not all about work for the juniors. | 0:15:29 | 0:15:31 | |
There's always time for a gossip, | 0:15:31 | 0:15:33 | |
and today's hot topic is about two very special people... | 0:15:33 | 0:15:36 | |
..Ella and Luca. | 0:15:40 | 0:15:42 | |
-Luca and Ella have been getting closer. -Closer! | 0:15:44 | 0:15:47 | |
I'm really shocked, it's like the new Max and Jade, isn't it? | 0:15:47 | 0:15:51 | |
Luca and Ella are like the next golden couple of Year 10. | 0:15:51 | 0:15:54 | |
-They're like the new us, Max! -No, they're not. | 0:15:54 | 0:15:58 | |
No, they're cooler. | 0:15:58 | 0:15:59 | |
They're still just being a bit flirty, aren't they? | 0:16:00 | 0:16:02 | |
-They're not actually... -Yeah, it's cute, though. | 0:16:02 | 0:16:04 | |
They totally have something going on, but I don't think | 0:16:04 | 0:16:07 | |
they want people to know, but they make it really obvious. | 0:16:07 | 0:16:10 | |
-They're really cute. -They are cute. | 0:16:10 | 0:16:12 | |
Cute, yes, | 0:16:12 | 0:16:13 | |
but for Luca, dancing with Ella may soon be a thing of the past. | 0:16:13 | 0:16:17 | |
The showcase is now less than an hour away | 0:16:20 | 0:16:22 | |
and the agents have started to arrive. | 0:16:22 | 0:16:25 | |
It's nearly time for the students to focus | 0:16:27 | 0:16:29 | |
and put all their years of training into practice. | 0:16:29 | 0:16:32 | |
The students... Well, they're feeling the pressure today. | 0:16:32 | 0:16:35 | |
I've just been downstairs with them and they're very nervous, | 0:16:35 | 0:16:38 | |
but trying to contain it. | 0:16:38 | 0:16:40 | |
But for Marni, the only thing on her mind is her injury. | 0:16:40 | 0:16:44 | |
'It's all come down to this, | 0:16:44 | 0:16:46 | |
'this is your third year showcase to get an agent, | 0:16:46 | 0:16:48 | |
'and it's very important, and...' | 0:16:48 | 0:16:51 | |
not being able to perform at my peak, | 0:16:51 | 0:16:53 | |
cos I've trained so hard for it, as well, is really worrying, | 0:16:53 | 0:16:56 | |
cos I just want to let them know how well I can do | 0:16:56 | 0:16:59 | |
and I'm not going to be able to be as good as I can. | 0:16:59 | 0:17:02 | |
I'm just going to have to keep dancing, just keep going through | 0:17:02 | 0:17:05 | |
the pain and hopefully it'll be all right by the end of the show. | 0:17:05 | 0:17:08 | |
-With the show only minutes away... -Good luck, my darlings. | 0:17:10 | 0:17:13 | |
Knock 'em dead, guys! | 0:17:13 | 0:17:15 | |
..backstage, the nerves are running high. | 0:17:15 | 0:17:18 | |
It's one of the most nervous days of my life. | 0:17:18 | 0:17:20 | |
I woke up this morning and I was, like, shaking. | 0:17:20 | 0:17:22 | |
But the students will have to control their nerves, | 0:17:22 | 0:17:25 | |
as it's finally show time. | 0:17:25 | 0:17:27 | |
# 90 little minutes to survive | 0:17:30 | 0:17:34 | |
# In front of 20 million people... | 0:17:34 | 0:17:42 | |
# Tonight... # | 0:17:42 | 0:17:48 | |
With every senior giving it their all and trying to impress, | 0:17:48 | 0:17:52 | |
it's time for Marni to take to the stage. | 0:17:52 | 0:17:55 | |
My hip flexor's feeling all right at the moment. | 0:17:55 | 0:17:58 | |
I'll see how it goes through the rest of the show. | 0:17:58 | 0:18:00 | |
Hopefully it holds out. | 0:18:00 | 0:18:02 | |
And first, it's her solo dance routine. | 0:18:03 | 0:18:05 | |
That hurt it, so it's a bit hurt now, it's a bit teary. | 0:18:10 | 0:18:15 | |
With Marni's hip starting to buckle under the strain, | 0:18:15 | 0:18:18 | |
it's time for her biggest test - | 0:18:18 | 0:18:21 | |
the hoop routine. | 0:18:21 | 0:18:22 | |
Against the odds, Marni's hip has held out during the show. | 0:18:40 | 0:18:43 | |
I think that went really well. | 0:18:47 | 0:18:49 | |
I'm so pleased with everything, I think. | 0:18:49 | 0:18:51 | |
-Are you? -Yeah, I think it went really well. | 0:18:51 | 0:18:54 | |
My hip flexor was OK, like, it held out. | 0:18:54 | 0:18:57 | |
Good, I'm so proud of you. | 0:18:57 | 0:18:59 | |
So, everyone's had their time in the spotlight, | 0:18:59 | 0:19:02 | |
and now all that's left is the grand finale. | 0:19:02 | 0:19:05 | |
# She's the one | 0:19:06 | 0:19:13 | |
# One! # | 0:19:16 | 0:19:18 | |
APPLAUSE | 0:19:20 | 0:19:23 | |
With Marni nearing the end of her school journey, | 0:19:24 | 0:19:26 | |
will her years of hard work result in getting the agent | 0:19:26 | 0:19:29 | |
she so badly needs to start her showbiz career? | 0:19:29 | 0:19:32 | |
For Year 9 Sophie, the day of her exam as arrived. | 0:19:41 | 0:19:46 | |
Today I've got my Grade 7 LAMDA exam, | 0:19:46 | 0:19:48 | |
and I'm going to be doing three pieces. | 0:19:48 | 0:19:51 | |
I'm really excited, and I think it's going to actually | 0:19:51 | 0:19:55 | |
quite work, the performance. | 0:19:55 | 0:19:56 | |
(You're just going to listen for the bell.) | 0:19:58 | 0:20:00 | |
(Ding-aling-aling!) | 0:20:00 | 0:20:02 | |
(When the bell rings, then you go in.) | 0:20:02 | 0:20:04 | |
For my third piece, she's got a really weird name, | 0:20:04 | 0:20:08 | |
she's called Therese McQueen. | 0:20:08 | 0:20:10 | |
The bell calls Sophie in. | 0:20:10 | 0:20:12 | |
-Hello. -Hiya. -How are you, Sophie? | 0:20:13 | 0:20:15 | |
20 minutes later, | 0:20:18 | 0:20:20 | |
and teacher Miss Evaristo is keen to know how the exam went. | 0:20:20 | 0:20:24 | |
How did it go? | 0:20:24 | 0:20:25 | |
They didn't seem very happy. | 0:20:25 | 0:20:27 | |
Like, I don't know if that's just cos it's him, | 0:20:27 | 0:20:30 | |
but I tried my best, and that's all that matters. | 0:20:30 | 0:20:32 | |
-You can only do your best. -Yeah. That's what the piece is about. | 0:20:32 | 0:20:36 | |
-Do you know when I was doing that Tokens Of Affection? -Yes? | 0:20:37 | 0:20:41 | |
I don't think he liked that one. | 0:20:41 | 0:20:43 | |
Well, that's just personal choice, isn't it? | 0:20:43 | 0:20:46 | |
He kept on going like... He kept on doing that. | 0:20:46 | 0:20:48 | |
That's just his reaction to, you know, the story, isn't it? | 0:20:48 | 0:20:52 | |
Yeah, I guess so. | 0:20:52 | 0:20:54 | |
They pulled some funny faces, | 0:20:54 | 0:20:55 | |
I don't know what I actually thought of it. | 0:20:55 | 0:20:57 | |
But, at the end of the day, I tried my best, | 0:20:57 | 0:21:00 | |
and that's all that really matters. | 0:21:00 | 0:21:01 | |
Senior Marni pushed through the pain barrier | 0:21:05 | 0:21:08 | |
during her final showcase performance. | 0:21:08 | 0:21:11 | |
But the work isn't over yet. | 0:21:11 | 0:21:13 | |
Well done! Well done. | 0:21:13 | 0:21:15 | |
Now she has to mingle with the invited agents, | 0:21:16 | 0:21:19 | |
which can be just as daunting. | 0:21:19 | 0:21:21 | |
I feel like I need to go introduce myself. I don't know... | 0:21:22 | 0:21:25 | |
Are we allowed to go up and approach people? | 0:21:25 | 0:21:27 | |
I know they're there, I don't know how to say hi. | 0:21:28 | 0:21:31 | |
With only a limited time to impress them, | 0:21:32 | 0:21:35 | |
Marni needs to overcome her shyness, and quickly. | 0:21:35 | 0:21:39 | |
I just, I don't know what to do with myself, like, wooo! | 0:21:40 | 0:21:44 | |
Nice. | 0:21:44 | 0:21:45 | |
Sensing her moment is slipping away, | 0:21:49 | 0:21:51 | |
Marni swallows her fear and approaches her first agent. | 0:21:51 | 0:21:55 | |
Sorry, I'm Marni, nice to meet you. | 0:21:55 | 0:21:57 | |
-You look good in a suit. -Well, thank you! -It's all right. | 0:21:57 | 0:22:00 | |
Oh, look at her. Flattery will get you everywhere. | 0:22:00 | 0:22:03 | |
It helped going up to someone and just speaking to them. | 0:22:03 | 0:22:07 | |
It sort of got rid of the nerves, and I just did it, | 0:22:07 | 0:22:10 | |
so now I can go talk to anyone. | 0:22:10 | 0:22:11 | |
What I'll do is I'll e-mail you | 0:22:11 | 0:22:13 | |
-and you can send any video clips of you. -Yeah, that's fine. | 0:22:13 | 0:22:16 | |
And, with her confidence boosted, | 0:22:16 | 0:22:18 | |
she finally gains the interest of a top agent. | 0:22:18 | 0:22:21 | |
Thank you. | 0:22:21 | 0:22:23 | |
I just met the choreographer of The Streets, a new musical. | 0:22:23 | 0:22:26 | |
He said he wants me to send over some clips of me. | 0:22:26 | 0:22:28 | |
My style's more contemporary commercial. | 0:22:28 | 0:22:30 | |
Yeah, I love, like, contemporary commercial. | 0:22:30 | 0:22:33 | |
It was definitely worth all the pain. | 0:22:33 | 0:22:35 | |
It's not only the seniors who are busy this term. | 0:22:41 | 0:22:43 | |
The juniors are getting ready for the end of year show... | 0:22:43 | 0:22:46 | |
Let's go from the beginning. | 0:22:46 | 0:22:47 | |
..and Karen has given Reece the special job of dance captain | 0:22:47 | 0:22:50 | |
to help her out. | 0:22:50 | 0:22:52 | |
It is hard to try to get the respect of the kids. | 0:22:52 | 0:22:55 | |
Guys, stop talking. | 0:22:55 | 0:22:58 | |
You don't want to come across like you're being too big for your boots | 0:22:58 | 0:23:01 | |
and trying to boss them about. | 0:23:01 | 0:23:02 | |
Guys, everybody listen, don't cut him off. | 0:23:02 | 0:23:04 | |
But at the same time you're trying to | 0:23:04 | 0:23:07 | |
give them advice to try to help them. | 0:23:07 | 0:23:09 | |
Then two, three, four, five and six, so she steps into it. | 0:23:09 | 0:23:14 | |
It's going well, but rehearsals are about to be interrupted | 0:23:14 | 0:23:17 | |
by Luca dropping a massive bombshell. | 0:23:17 | 0:23:20 | |
I've got a fractured foot. | 0:23:24 | 0:23:26 | |
I hurt it dancing about two weeks ago | 0:23:26 | 0:23:29 | |
but I didn't think it was anything serious. | 0:23:29 | 0:23:30 | |
Now, two weeks later, I'm at risk of breakage | 0:23:30 | 0:23:33 | |
and if I mess up a tendon I could be dealing with problems for years. | 0:23:33 | 0:23:36 | |
Now Luca has to break the news to Karen that, | 0:23:36 | 0:23:39 | |
along with fellow injured schoolmate Jade, | 0:23:39 | 0:23:41 | |
he won't be able to dance in rehearsals. | 0:23:41 | 0:23:44 | |
-Are you serious? -Would you like me to come to the centre? | 0:23:45 | 0:23:49 | |
-No. -No? | 0:23:49 | 0:23:50 | |
With the class in Reece's capable hands, Karen can talk to Luca. | 0:23:52 | 0:23:56 | |
-So no dancing at all in the show? -Six weeks, so, no. | 0:23:59 | 0:24:02 | |
You're out for six weeks. | 0:24:02 | 0:24:04 | |
OK, so we have to be clever with staging. | 0:24:04 | 0:24:07 | |
How long's your cast on for? | 0:24:07 | 0:24:09 | |
Three weeks, it comes off two days before the show. | 0:24:09 | 0:24:11 | |
OK, so you need to be really sensible for me at the moment, OK? | 0:24:11 | 0:24:14 | |
And I want you to sit and watch and observe everything. | 0:24:14 | 0:24:17 | |
You move, you get up off your bottom, and I will send you home. | 0:24:17 | 0:24:21 | |
-OK. -Promise? -Promise. | 0:24:21 | 0:24:23 | |
So, Luca can only sit out and watch. | 0:24:31 | 0:24:35 | |
I'm watching all the guys dancing and I hate them, I hate them all. | 0:24:35 | 0:24:39 | |
It's not fun. Not fun to watch. | 0:24:39 | 0:24:42 | |
I just want to be dancing. | 0:24:42 | 0:24:45 | |
But Karen has some even worse news. | 0:24:45 | 0:24:48 | |
What they didn't know is I was also going to try | 0:24:48 | 0:24:51 | |
and put Luca together with Ella to do a little pas de deux section | 0:24:51 | 0:24:54 | |
that was going to be started today, so that's now been held, as well, | 0:24:54 | 0:24:58 | |
so we'll wait and see what happens. | 0:24:58 | 0:25:00 | |
At least Luca has some company in fellow hop-along Jade. | 0:25:01 | 0:25:04 | |
Luca, I've had a fabulous idea. | 0:25:11 | 0:25:13 | |
OK, sit on the chair. | 0:25:13 | 0:25:14 | |
I'm going to push you forward like this. | 0:25:17 | 0:25:20 | |
I'm going to have you coming forward, what do you think? | 0:25:20 | 0:25:22 | |
I think that could work. | 0:25:22 | 0:25:23 | |
Look, watch, you can dance and everything. | 0:25:23 | 0:25:26 | |
Can move you around, babe. I haven't got a problem with that. | 0:25:26 | 0:25:29 | |
Exactly. Do you know what's sad? I've done it before. | 0:25:29 | 0:25:33 | |
He's sad, guys. We need to cheer him up. Come on. | 0:25:35 | 0:25:38 | |
You need to be here because we've got to work out how we can | 0:25:41 | 0:25:44 | |
adapt everything for you, darling. | 0:25:44 | 0:25:47 | |
OK, so, guys, spread out. | 0:25:47 | 0:25:50 | |
Five, six, seven, eight, and one and two and three... | 0:25:50 | 0:25:54 | |
Did you just turn the wrong way, Reece?! | 0:25:54 | 0:25:56 | |
I feel sick. | 0:25:57 | 0:25:59 | |
# When you reach out for me, girl | 0:25:59 | 0:26:01 | |
# And the feeling is right | 0:26:01 | 0:26:03 | |
# Night fever, night fever... # | 0:26:03 | 0:26:06 | |
While Reece leads the routine Jade and Luca were meant to star in, | 0:26:08 | 0:26:11 | |
all they can do is watch. | 0:26:11 | 0:26:13 | |
MUSIC: "Not Giving In" by Rudimental | 0:26:15 | 0:26:19 | |
# Lost my heart and lost my soul... # | 0:26:20 | 0:26:23 | |
Sometimes bad luck can get you down... | 0:26:23 | 0:26:26 | |
# Now it's time that you all know... # | 0:26:26 | 0:26:30 | |
..and other times life just doesn't feel fair... | 0:26:30 | 0:26:33 | |
# Lost my mind and lost my goal... # | 0:26:33 | 0:26:37 | |
..but with determination... | 0:26:37 | 0:26:38 | |
# I'm not giving in... # | 0:26:38 | 0:26:40 | |
..and a little help from your friends... | 0:26:41 | 0:26:44 | |
# I'm not giving in... # | 0:26:44 | 0:26:45 | |
..things are rarely as bad as they might seem. | 0:26:47 | 0:26:49 | |
# I'm not giving in. # | 0:26:49 | 0:26:52 | |
Next time on School For Stars, | 0:26:54 | 0:26:57 | |
Layton lands a tough acting audition... | 0:26:57 | 0:26:59 | |
I can't believe what just happened. That was the hardest thing, | 0:26:59 | 0:27:02 | |
I think one of the hardest things I've ever done. | 0:27:02 | 0:27:05 | |
..it's make or break for one senior couple... | 0:27:05 | 0:27:07 | |
I feel really let down by Kieran, | 0:27:07 | 0:27:09 | |
cos he should be here, he's my partner. | 0:27:09 | 0:27:11 | |
No tears, we don't do tears. | 0:27:11 | 0:27:13 | |
..and Ella's gruelling rehearsal schedule has its ups... | 0:27:14 | 0:27:19 | |
and its downs. | 0:27:19 | 0:27:20 | |
# This time, I'm gonna be stronger | 0:27:24 | 0:27:27 | |
# I'm not giving in | 0:27:27 | 0:27:29 | |
# This time, I'm gonna be stronger | 0:27:29 | 0:27:33 | |
# I'm not giving in | 0:27:33 | 0:27:36 | |
# This time, I'm gonna be stronger | 0:27:36 | 0:27:38 | |
# I'm not giving in. # | 0:27:38 | 0:27:41 | |
Subtitles by Red Bee Media Ltd | 0:27:41 | 0:27:43 |