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Imagine yourself on a windswept hill, nothing around you apart from towering peaks and river torrents. | 0:00:15 | 0:00:21 | |
In the early 1900s, that was the scenery that people craved. | 0:00:21 | 0:00:25 | |
So many lived in cities that they longed | 0:00:25 | 0:00:27 | |
for the wild and the beautiful, but to find it they needed a map. | 0:00:27 | 0:00:31 | |
The Bartholomew's Reduced Survey for Tourists and Cyclists was an answer to a prayer - | 0:00:33 | 0:00:39 | |
37 maps, all in colour, | 0:00:39 | 0:00:41 | |
that could lead you to a pastoral idyll anywhere in England and Wales. | 0:00:41 | 0:00:46 | |
They sold in thousands. | 0:00:46 | 0:00:47 | |
Many of those intrepid travellers set off on one of these, the classic roadster bicycle. | 0:00:50 | 0:00:56 | |
Bikes were new then and were intended to deal with everything. | 0:00:56 | 0:00:59 | |
On my journey I'll be facing dirt roads, | 0:00:59 | 0:01:03 | |
deep rivers and mountain passes. | 0:01:03 | 0:01:05 | |
What I'd like to find out is, | 0:01:05 | 0:01:07 | |
can I use THIS map | 0:01:07 | 0:01:09 | |
to get THIS bicycle | 0:01:09 | 0:01:10 | |
deep into the heart of England's most romantic landscape - | 0:01:10 | 0:01:14 | |
Wordsworth's country, the Lake District? | 0:01:14 | 0:01:17 | |
Bartholomew's half-inch maps - | 0:01:45 | 0:01:46 | |
the Bart's maps, as they came to be known - | 0:01:46 | 0:01:49 | |
just looked like the countryside they depicted. | 0:01:49 | 0:01:52 | |
Decked out in browns and greens, | 0:01:52 | 0:01:54 | |
they gave an immediate sense of being away from it all. | 0:01:54 | 0:01:58 | |
But they were extremely practical too. | 0:01:59 | 0:02:03 | |
Bart's aimed for greater accuracy and more information than any of their rivals. | 0:02:03 | 0:02:09 | |
A cyclist with just one map could follow it for over 100 miles. | 0:02:09 | 0:02:13 | |
And where better to test out a cyclist's map | 0:02:16 | 0:02:19 | |
than the Lake District, Edwardian England's favourite playground? | 0:02:19 | 0:02:24 | |
Tourists started coming to the Lake District in the 19th century. | 0:02:30 | 0:02:34 | |
They were attracted by what they'd read and seen in the poetry and painting of the Romantics. | 0:02:34 | 0:02:39 | |
They would arrive by train at Windermere | 0:02:39 | 0:02:41 | |
and continue by horse and carriage, or bicycle, | 0:02:41 | 0:02:44 | |
crossing Lake Windermere on the steamer. | 0:02:44 | 0:02:46 | |
The Bartholomew's map of the Lake District | 0:02:51 | 0:02:54 | |
shows how all the lakes radiate out from a central mountainous hub. | 0:02:54 | 0:02:58 | |
The modern motor roads wriggle all the way round the outside, making very long detours. | 0:02:58 | 0:03:04 | |
What I'd like to do is to get into this incredibly rugged heartland. | 0:03:04 | 0:03:08 | |
The question is, can the routes on this map get me from where I am, | 0:03:08 | 0:03:12 | |
Lake Windermere, | 0:03:12 | 0:03:14 | |
all the way to the Queen of the Lakes, Derwentwater? | 0:03:14 | 0:03:18 | |
And, just as important, is my classic 1930 roadster bicycle. | 0:03:18 | 0:03:23 | |
It's 50% heavier than a modern mountain bike. | 0:03:23 | 0:03:27 | |
Can it survive five mountain passes | 0:03:27 | 0:03:31 | |
and 65 miles of tough winter cycling? | 0:03:31 | 0:03:34 | |
This could be crazy. | 0:03:34 | 0:03:37 | |
Someone who knows all about cycling in this area is Guy Fitzgerald. | 0:03:41 | 0:03:46 | |
He's going to give me a few tips and, I suspect, a few warnings. | 0:03:46 | 0:03:50 | |
-This was a state-of-the-art machine when it was built. -Really? Wow. | 0:03:50 | 0:03:54 | |
-British-made. -A British-made bike. | 0:03:54 | 0:03:56 | |
-How old is this, can I ask? -It's only about 70. | 0:03:56 | 0:03:59 | |
70 years old, wow. | 0:03:59 | 0:04:00 | |
I might just check the brakes over. | 0:04:00 | 0:04:03 | |
The... The rear brake... | 0:04:03 | 0:04:07 | |
is not actually working very well, I'm afraid. | 0:04:07 | 0:04:11 | |
-No, it's not a modern system, rods! -It's not, no. | 0:04:11 | 0:04:14 | |
I'd advise controlling your speed very carefully and don't let yourself get out of control. | 0:04:14 | 0:04:20 | |
And the heels of my boots on corners. | 0:04:20 | 0:04:22 | |
Possibly, as a last resort, it's an option. | 0:04:22 | 0:04:25 | |
Another thing to watch out for is the tyres. | 0:04:25 | 0:04:27 | |
There's not much tread on there, so you're not gonna get much grip. | 0:04:27 | 0:04:32 | |
-Well, it was very good when it was new. -Absolutely! | 0:04:32 | 0:04:35 | |
Now, what about the saddle? It seems to have a bit of movement in it. | 0:04:35 | 0:04:39 | |
Is it meant to do that? That's not a primitive suspension system, is it? | 0:04:39 | 0:04:43 | |
It's not, no, that is actually supposed to be secure and fixed level in one position, | 0:04:43 | 0:04:48 | |
so I'd advise you to get that tightened up, which I'll be happy to do before you set off. | 0:04:48 | 0:04:53 | |
So, marks out of ten? | 0:04:53 | 0:04:54 | |
For doing a very technical route, like you're taking on, | 0:04:54 | 0:04:59 | |
I'd probably give it a two. | 0:04:59 | 0:05:01 | |
Two out of ten? Is that all you'll give it? | 0:05:01 | 0:05:03 | |
A two out of ten on a difficult technical circuit like you're doing. | 0:05:03 | 0:05:08 | |
It's difficult on a bike of this nature. | 0:05:08 | 0:05:10 | |
'Hmm, it doesn't sound too encouraging.' | 0:05:10 | 0:05:13 | |
Stretching west of me is the most inhospitable terrain in England. | 0:05:22 | 0:05:27 | |
I'm heading for Langdale, one of the Lakes' most beautiful valleys, | 0:05:27 | 0:05:31 | |
and the first problem I've got is finding the route. | 0:05:31 | 0:05:35 | |
Some of the Bart's roads are minuscule. | 0:05:35 | 0:05:37 | |
The people who first rode these iron horses must have been a breed apart. | 0:05:40 | 0:05:45 | |
They were dubbed devotees of the wheel | 0:05:45 | 0:05:48 | |
and there was no shortage of them - men and women in search of a bit of wild rural bliss. | 0:05:48 | 0:05:54 | |
This was a brief period between the horse and the car when the bicycle was king. | 0:05:55 | 0:06:01 | |
Bart's realised that the Ordnance Survey maps, on which their new leisure maps were based, | 0:06:03 | 0:06:09 | |
were no good for cyclists. They lacked detail, the surveying was 50 years old, | 0:06:09 | 0:06:14 | |
and they were no longer accurate. | 0:06:14 | 0:06:17 | |
So Bart's turned for help to the obvious people - the cyclists. | 0:06:17 | 0:06:23 | |
From 1898 right up to the 1970s, | 0:06:23 | 0:06:25 | |
the Cyclists' Touring Club, | 0:06:25 | 0:06:28 | |
or CTC, provided information about landmarks and dangers | 0:06:28 | 0:06:32 | |
to the map makers at Bart's. | 0:06:32 | 0:06:35 | |
This looks like a bump in the road! | 0:06:35 | 0:06:38 | |
'They also described the condition of the cycle routes.' | 0:06:38 | 0:06:42 | |
Amazingly, there are 11 different grades of road and track on this map. | 0:06:42 | 0:06:46 | |
At the top end, some of the roads, like this one here, | 0:06:46 | 0:06:50 | |
are rated first class. | 0:06:50 | 0:06:52 | |
But some, like this one here, are not recommended at all. | 0:06:52 | 0:06:57 | |
For cyclists, this map could make the difference between a good, safe holiday and a disaster. | 0:06:57 | 0:07:03 | |
So what's the difference between a route that's not recommended and one that is? | 0:07:04 | 0:07:10 | |
This track goes north from High Tilberthwaite to Little Langdale. | 0:07:10 | 0:07:14 | |
The Bart's map describes it as, "Indifferent, passable." | 0:07:14 | 0:07:18 | |
But it looks like a good short cut. | 0:07:18 | 0:07:20 | |
There's a slate quarry marked on it, which should mean | 0:07:22 | 0:07:26 | |
that there's a reasonable track for moving the slate out of the valley. | 0:07:26 | 0:07:30 | |
On the other hand, there's a ford through a river up here and that could be a problem. | 0:07:30 | 0:07:35 | |
So let's just see. | 0:07:35 | 0:07:36 | |
The bike doesn't seem too bad at the moment, | 0:07:39 | 0:07:42 | |
no punctures yet, though I can't say I'm too thrilled by these brakes. | 0:07:42 | 0:07:47 | |
According to the map, there should be a slate quarry on the right, | 0:07:49 | 0:07:53 | |
and there it is, that's the slate that used to roof Edwardian England. | 0:07:53 | 0:07:57 | |
Oh, that's amazing! Right down here... | 0:07:57 | 0:07:59 | |
in the bedrock of the track, | 0:07:59 | 0:08:01 | |
there's some cuts caused by wagon wheels | 0:08:01 | 0:08:03 | |
taking the slate down the valley. | 0:08:03 | 0:08:06 | |
Those are just ordinary cracks in the rock, | 0:08:06 | 0:08:09 | |
but this line here is where a metal-rimmed wheel | 0:08:09 | 0:08:12 | |
has cut into the bedrock, and it's along here, too. | 0:08:12 | 0:08:15 | |
So this road was being used by industry | 0:08:15 | 0:08:17 | |
long before it was a cycle track. | 0:08:17 | 0:08:19 | |
But if it was a road also used by civilian traffic, | 0:08:19 | 0:08:22 | |
I should find some signs further up there | 0:08:22 | 0:08:25 | |
of some kind of engineering to keep it in good repair. | 0:08:25 | 0:08:28 | |
So far, I'd say this was a cyclist's dream - | 0:08:31 | 0:08:35 | |
a firm surface, well maintained. | 0:08:35 | 0:08:37 | |
I can't imagine why you'd call it, "Indifferent, passable." | 0:08:37 | 0:08:41 | |
That sounds very second-rate. | 0:08:41 | 0:08:42 | |
Yep, just as I thought! | 0:08:50 | 0:08:52 | |
This is absolutely wonderful. | 0:08:56 | 0:08:58 | |
There's a culvert underneath the track here, | 0:08:58 | 0:09:01 | |
and this river has had its flow broken by this weir here, | 0:09:01 | 0:09:04 | |
so that when the river's in spate, | 0:09:04 | 0:09:07 | |
it doesn't rise up and wash away this bridge. | 0:09:07 | 0:09:10 | |
The river's also been channelled to direct the current underneath the road and then on top... | 0:09:10 | 0:09:15 | |
Here we've got a huge slab of slate | 0:09:15 | 0:09:18 | |
that's been carried from the quarry above here. | 0:09:18 | 0:09:20 | |
Now, the thing is, it's a very, very good piece of engineering, | 0:09:20 | 0:09:25 | |
and in the early 1900s this would have been one of the better roads in the Lake District. | 0:09:25 | 0:09:29 | |
Well, why isn't it one of the top-grade roads on Bart's, | 0:09:29 | 0:09:33 | |
the first-class category? Very puzzling. | 0:09:33 | 0:09:36 | |
'Hmm, so maybe there's worse up ahead.' | 0:09:36 | 0:09:39 | |
That's a pretty scary sight. | 0:09:51 | 0:09:53 | |
When I saw the ford marked on the map, | 0:09:53 | 0:09:56 | |
I thought I'd be able to ride the bicycle through it. | 0:09:56 | 0:09:59 | |
But this river is in spate, all this heavy rain's swollen the river, | 0:09:59 | 0:10:04 | |
and it looks pretty... a pretty fearsome sight. | 0:10:04 | 0:10:07 | |
On the map, the nearest bridge is a mile that way, | 0:10:07 | 0:10:10 | |
or a mile that way, so what would an Edwardian cyclist have done? | 0:10:10 | 0:10:14 | |
Pressed on right through the water, I think. | 0:10:14 | 0:10:17 | |
I'm so wet from this rain, it's not gonna make any difference, | 0:10:17 | 0:10:20 | |
so here goes - fortune favours the brave. | 0:10:20 | 0:10:22 | |
God, this is... oh, absolutely freezing! | 0:10:27 | 0:10:31 | |
It's quite deep, too. You can't tell from the bank... | 0:10:32 | 0:10:36 | |
..how deep it is. | 0:10:37 | 0:10:39 | |
And the current's quite strong, because the river's in flood, and it's pushing the bike. | 0:10:39 | 0:10:45 | |
Those Edwardians certainly had a wonderful spirit of adventure... | 0:10:45 | 0:10:50 | |
because this is a recommended cycling route. | 0:10:50 | 0:10:53 | |
Great guys! | 0:10:53 | 0:10:55 | |
'Recommended but definitely not first class.' | 0:10:57 | 0:11:01 | |
When cyclists in the 1900s stepped out of rivers like this, | 0:11:03 | 0:11:07 | |
they'd have been wearing heavy, waterlogged tweeds, | 0:11:07 | 0:11:10 | |
and what they needed was somewhere warm they could go and get dry. | 0:11:10 | 0:11:14 | |
So the CTC asked Bartholomew's to mark on their maps inns and hotels, | 0:11:14 | 0:11:20 | |
and that is where I'm going now. | 0:11:20 | 0:11:22 | |
Well, I've got to Langdale, but it's taken me all day, | 0:11:37 | 0:11:42 | |
and if it is beautiful, there's no way of telling at this hour. | 0:11:42 | 0:11:46 | |
The most exciting thing about this map is that it's coloured. | 0:11:51 | 0:11:54 | |
At the time, most British maps, | 0:11:54 | 0:11:56 | |
like this Ordnance Survey one, were black and white. | 0:11:56 | 0:11:59 | |
Which would you rather have? | 0:11:59 | 0:12:00 | |
This multi-coloured work of art, or this monochrome map here? | 0:12:00 | 0:12:05 | |
So perhaps it's not surprising | 0:12:05 | 0:12:06 | |
that Bart's could sell 10,000 copies of a map like this | 0:12:06 | 0:12:11 | |
and the Ordnance Survey just 1,000. | 0:12:11 | 0:12:13 | |
Now, the first thing you have to decide when you're making a map | 0:12:13 | 0:12:17 | |
is which scale to use. | 0:12:17 | 0:12:18 | |
Bart's chose a scale of half-an-inch to the mile, | 0:12:18 | 0:12:22 | |
or about one to 127,000. | 0:12:22 | 0:12:23 | |
And that reflects the kinds of distance a cyclist could cover in any one day, quite large distances. | 0:12:23 | 0:12:29 | |
Now, just one Bart's map would cover the whole of the Lake District, | 0:12:29 | 0:12:33 | |
whereas you'd need nine Ordnance Survey maps to do the same job. | 0:12:33 | 0:12:37 | |
So Bart's is much, much cheaper. | 0:12:37 | 0:12:39 | |
The amazing thing is that, despite the small scale, | 0:12:39 | 0:12:42 | |
Bart's managed to cram on more detail | 0:12:42 | 0:12:44 | |
than many of the Ordnance Survey maps. | 0:12:44 | 0:12:47 | |
It has everything you need to know as a cyclist. | 0:12:47 | 0:12:49 | |
It's got hotels, it's got inns, | 0:12:49 | 0:12:52 | |
we've got the footpaths up Scafell Pike. | 0:12:52 | 0:12:55 | |
All of that detail was only possible because the engravers | 0:12:55 | 0:12:59 | |
that Bartholomew's employed were incredibly skilled, | 0:12:59 | 0:13:02 | |
and miniaturised the place-names so a huge amount of detail's visible. | 0:13:02 | 0:13:07 | |
But what makes this a major milestone in British map-making | 0:13:07 | 0:13:11 | |
is a technique that Bart's used called layer colouring. | 0:13:11 | 0:13:14 | |
Down here you've got 16 different colours | 0:13:14 | 0:13:18 | |
from deep green through light green, light brown to dark brown. | 0:13:18 | 0:13:22 | |
And each of those colours represents a different altitude or contour. | 0:13:22 | 0:13:26 | |
What that means is you can get an overview of the Lake District | 0:13:26 | 0:13:29 | |
as if you're looking down from space and you can see the terrain. | 0:13:29 | 0:13:33 | |
It was the first time it had ever been used on a British map, | 0:13:33 | 0:13:37 | |
and it's absolutely brilliant. | 0:13:37 | 0:13:39 | |
Well, I'll be glad of some rest tonight | 0:13:40 | 0:13:43 | |
because my journey is about to turn extreme. | 0:13:43 | 0:13:46 | |
Tomorrow I have to ride over the Rhinos and Hardknott Passes | 0:13:46 | 0:13:51 | |
and then somehow cross the mountains to Buttermere, | 0:13:51 | 0:13:54 | |
so it's as well I get some expert advice. | 0:13:54 | 0:13:57 | |
Pete Collins trains people in abseiling and gorge scrambling | 0:13:59 | 0:14:04 | |
and he's involved in mountain rescue work. | 0:14:04 | 0:14:06 | |
The first thing to know is what the weather's going to do. | 0:14:06 | 0:14:09 | |
Things that can get you are the cold, the wind, erm... | 0:14:09 | 0:14:13 | |
rain or snow and... | 0:14:13 | 0:14:16 | |
also cloud. | 0:14:16 | 0:14:18 | |
If the cloud's low, you'll have real difficulties with navigation. | 0:14:18 | 0:14:22 | |
So have you got a map and compass? | 0:14:22 | 0:14:24 | |
I've got a map and a compass. My map is 100 years old. | 0:14:24 | 0:14:27 | |
It's a Bartholomew's half-inch to the mile map. | 0:14:27 | 0:14:30 | |
No contours to speak of. | 0:14:30 | 0:14:31 | |
It gives you an idea, but you're gonna struggle in bad weather to navigate with that map. | 0:14:31 | 0:14:37 | |
-What else do I need? -Waterproof clothing. | 0:14:37 | 0:14:39 | |
-Ah, well, I've got this. This is waterproof. -Is it? -Yep. -OK. | 0:14:39 | 0:14:44 | |
And I've got a spare, er... warm jacket here. | 0:14:44 | 0:14:48 | |
-Have you got waterproof trousers? -I don't believe in the trousers, I've got windproof trousers. | 0:14:48 | 0:14:53 | |
Windproof's all right if you keep moving. | 0:14:53 | 0:14:56 | |
And...a spare pair of socks there. | 0:14:56 | 0:14:58 | |
Right, for river crossings. | 0:14:58 | 0:14:59 | |
-Have you got gloves? -I've got gloves. | 0:14:59 | 0:15:02 | |
Cos socks, when you have to stop, you can stick on instead of gloves | 0:15:02 | 0:15:05 | |
or put them over your gloves, so they've got two uses. | 0:15:05 | 0:15:09 | |
-The other thing that's concerning, you're taking a bike. -I am. | 0:15:09 | 0:15:12 | |
-Have you got anything to fix problems with the bike? -Well, I do have a toolkit here. | 0:15:12 | 0:15:17 | |
If the chain breaks, would you be able to fix that? | 0:15:17 | 0:15:19 | |
Er...I'd have trouble if the chain broke, | 0:15:19 | 0:15:22 | |
but I have got a rope with me just in case I have to lower the bike over cliffs or anything like that. | 0:15:22 | 0:15:28 | |
Yeah, I wouldn't trust myself to it cos I don't think it's enough. | 0:15:28 | 0:15:32 | |
No, it's not a human-lowering rope, but it'll carry the weight of a bicycle. | 0:15:32 | 0:15:36 | |
On to the next leg of my journey and Rhinos, | 0:15:49 | 0:15:52 | |
the first of my mountain passes. | 0:15:52 | 0:15:55 | |
Ahead, you can see the road rises very steeply, | 0:15:57 | 0:16:00 | |
and this is making me a little anxious | 0:16:00 | 0:16:03 | |
because the map isn't telling me what I'm seeing on the ground. | 0:16:03 | 0:16:06 | |
According to the Bart's map, I should be on a gentle decline. | 0:16:06 | 0:16:10 | |
Which this clearly isn't! | 0:16:11 | 0:16:13 | |
Rhinos Bottom! | 0:16:18 | 0:16:20 | |
Sounds like something an Edwardian cyclist gets after a week in the saddle. | 0:16:20 | 0:16:26 | |
Over the bridge now and into the second pass, Hardknott, | 0:16:29 | 0:16:33 | |
which is about the same height as Rhinos - | 0:16:33 | 0:16:36 | |
just short of 1,300 feet - but it's considerably steeper. | 0:16:36 | 0:16:41 | |
The weather's changing every five minutes. | 0:16:41 | 0:16:44 | |
And when it rains, boy, does it rain! | 0:16:44 | 0:16:48 | |
The Lake District gets up to 140 inches of rain a year, | 0:16:53 | 0:16:57 | |
more than anywhere else in England. | 0:16:57 | 0:17:00 | |
Well, I've covered only about eight miles, | 0:17:02 | 0:17:05 | |
but the sheer weight of this bike | 0:17:05 | 0:17:07 | |
makes it feel like a week's worth of cycling! | 0:17:07 | 0:17:11 | |
I've a long way to go. I've just got to find a quicker route. | 0:17:11 | 0:17:15 | |
If I can take a short cut across the mountains | 0:17:18 | 0:17:20 | |
to Lake Buttermere, I'm going to save myself an awful lot of pedalling. | 0:17:20 | 0:17:24 | |
The Bart's map shows a very thin black dotted line | 0:17:24 | 0:17:27 | |
crossing two mountain passes - Black Sail and Scarth Gap. | 0:17:27 | 0:17:31 | |
The question is, can I cross those passes and get down before dark? | 0:17:31 | 0:17:35 | |
And the weather is terrible! | 0:17:35 | 0:17:38 | |
Mountain passes can be dangerous places, especially in winter. | 0:17:39 | 0:17:44 | |
It used to be said that people take their bikes over Black Sail | 0:17:44 | 0:17:47 | |
and never come back. | 0:17:47 | 0:17:49 | |
THUNDER RUMBLES | 0:17:49 | 0:17:51 | |
This pass rises to nearly 2,000 feet, | 0:17:51 | 0:17:55 | |
and if the map's anything to go by, | 0:17:55 | 0:17:57 | |
the road is a thin path that I could lose at any time. | 0:17:57 | 0:18:01 | |
In the past, a narrow track like this would have been the quickest, | 0:18:02 | 0:18:06 | |
safest route for pack horses crossing the mountains. | 0:18:06 | 0:18:10 | |
The shepherds and the drivers of the pack trains | 0:18:13 | 0:18:15 | |
that used to cross this mountain pass | 0:18:15 | 0:18:18 | |
knew a thing or two about using the lie of the land. | 0:18:18 | 0:18:22 | |
The path they cut created a series of zigzags in the mountain side, | 0:18:22 | 0:18:27 | |
so that they could climb steadily and gently, | 0:18:27 | 0:18:31 | |
the idea, of course, being to conserve the energy of man | 0:18:31 | 0:18:36 | |
and the energy of the beasts of burden. | 0:18:36 | 0:18:39 | |
The trouble is that nowadays not everybody's prepared to take the long route | 0:18:41 | 0:18:45 | |
and you can see here where modern mountain walkers have been taking short cuts | 0:18:45 | 0:18:50 | |
up and down the mountain side by cutting off all the zigzags. | 0:18:50 | 0:18:54 | |
And their boot prints have scarred the mountain side, | 0:18:54 | 0:18:57 | |
water's collected in those prints | 0:18:57 | 0:18:59 | |
and created a gully running down here. | 0:18:59 | 0:19:01 | |
The National Trust have had to put these huge boulders along here | 0:19:01 | 0:19:05 | |
to keep walkers on the old zigzags. | 0:19:05 | 0:19:07 | |
And if the National Trust hadn't done that, | 0:19:07 | 0:19:09 | |
this gully would have widened with flash floods | 0:19:09 | 0:19:12 | |
and the whole mountain side would have slithered into the ravine. | 0:19:12 | 0:19:15 | |
At 1,800 feet, it's fairly alarming | 0:19:29 | 0:19:32 | |
in this cloud and mist... | 0:19:32 | 0:19:34 | |
and the cold. | 0:19:34 | 0:19:36 | |
No matter how good your clothing, | 0:19:36 | 0:19:39 | |
the cold always gets through eventually. | 0:19:39 | 0:19:42 | |
I was warned I'd have trouble navigating this with a Bart's map, | 0:19:42 | 0:19:46 | |
but I must surely be at the top of Black Sail by now. | 0:19:46 | 0:19:50 | |
They must have been absolutely determined, those cyclists, simply to get over this pass. | 0:19:56 | 0:20:02 | |
The way down is even worse in parts than the way up. | 0:20:02 | 0:20:05 | |
The Bartholomew's half-inch to the mile map is a wonderful map | 0:20:32 | 0:20:37 | |
if you're cycling on roads and good tracks, | 0:20:37 | 0:20:40 | |
but it's not such a great map if you go mountaineering | 0:20:40 | 0:20:43 | |
because at that scale, it doesn't show obstacles | 0:20:43 | 0:20:47 | |
like rivers that are too big to ford, | 0:20:47 | 0:20:49 | |
or big mountain crags you've got to climb down. | 0:20:49 | 0:20:52 | |
So if you go mountaineering with Bart's, | 0:20:52 | 0:20:55 | |
you're gonna find yourself | 0:20:55 | 0:20:57 | |
coming across lots of obstacles... and this is one of them. | 0:20:57 | 0:21:01 | |
I've got a rock step here, and I'm going to lower the bike over it | 0:21:03 | 0:21:07 | |
on a length of rope I've brought with me for just this purpose. | 0:21:07 | 0:21:10 | |
It sounds a slightly eccentric thing to do, but actually it's a much safer way of getting down | 0:21:10 | 0:21:16 | |
this very greasy wet rock | 0:21:16 | 0:21:17 | |
because I don't want to try walking down it with a bicycle around my neck. | 0:21:17 | 0:21:22 | |
This way, if the bicycle slips, it doesn't take me with it. | 0:21:22 | 0:21:25 | |
If you wanted to come here on a bike, you had to have quite a lot of initiative | 0:21:29 | 0:21:34 | |
and obviously be very fit as well... | 0:21:34 | 0:21:36 | |
because it's not an ordinary kind of bike ride. | 0:21:36 | 0:21:40 | |
Now I'm headed over to Scarth Gap. | 0:21:42 | 0:21:44 | |
Not sure the light's going to hold, though. | 0:21:44 | 0:21:46 | |
The bicycle as we know it was invented in 1888. | 0:21:56 | 0:22:01 | |
It transformed Victorian leisure. | 0:22:01 | 0:22:04 | |
By 1904, there were over one million machines on the road. | 0:22:04 | 0:22:08 | |
The bicycle had so much going for it. | 0:22:08 | 0:22:11 | |
It cost less than a horse, it didn't need food or a stable overnight, | 0:22:11 | 0:22:16 | |
and, generally, you could cover more ground on a bike than a horse. | 0:22:16 | 0:22:21 | |
Well, maybe not going over mountains. | 0:22:21 | 0:22:23 | |
THUNDER RUMBLES | 0:22:27 | 0:22:29 | |
Growing darker now. | 0:22:33 | 0:22:34 | |
With this mist, it's still impossible to know | 0:22:34 | 0:22:37 | |
how far it is to the top of the second pass. | 0:22:37 | 0:22:40 | |
Every time I think I'm getting near it, there's another slope to climb. | 0:22:40 | 0:22:44 | |
If I don't reach the top soon, I'll be climbing down to Buttermere in the pitch black. | 0:22:44 | 0:22:50 | |
I just hope this is it. | 0:22:54 | 0:22:56 | |
Wow, that's fantastic! | 0:23:00 | 0:23:02 | |
Just look at that mountain! Everywhere there are huge drops, | 0:23:02 | 0:23:06 | |
towering peaks, fantastic slabs of rock! | 0:23:06 | 0:23:10 | |
It's absolutely wonderful! | 0:23:10 | 0:23:12 | |
Over there's Fleetwith Pike. | 0:23:12 | 0:23:14 | |
I wonder what the view's like from up there. | 0:23:14 | 0:23:16 | |
It's like being up in the heavens, looking down on the wrinkled, | 0:23:16 | 0:23:20 | |
detailed surface of the planet - a map-maker's view. | 0:23:20 | 0:23:23 | |
And down there is Lake Buttermere, where I'm going next. | 0:23:23 | 0:23:28 | |
So, I've made it, | 0:23:28 | 0:23:29 | |
and just in time to get down to the lake before nightfall. | 0:23:29 | 0:23:34 | |
The final day of my journey. | 0:23:40 | 0:23:43 | |
The route I've been cycling and climbing | 0:23:43 | 0:23:45 | |
is a semi-circular tour of the Lakes | 0:23:45 | 0:23:48 | |
and now I'm 80% of the way round, | 0:23:48 | 0:23:51 | |
but there's just one more thing I have to do. | 0:23:51 | 0:23:54 | |
Derwentwater's only about ten miles away now, | 0:23:54 | 0:23:57 | |
but before I get there later, I've set myself a little challenge. | 0:23:57 | 0:24:02 | |
A hundred years ago, most cyclists coming to the Lake District | 0:24:02 | 0:24:06 | |
wouldn't have left before climbing a decent peak, | 0:24:06 | 0:24:08 | |
and I saw a great one yesterday from the top of Scarth Gap. | 0:24:08 | 0:24:11 | |
It's called Fleetwith Pike, and it's this monster up ahead. | 0:24:11 | 0:24:15 | |
The mountains and lakes on Bart's | 0:24:18 | 0:24:20 | |
look a bit like the spokes of a wheel on my bicycle. | 0:24:20 | 0:24:23 | |
That's a result of the glaciation that created the landscape. | 0:24:23 | 0:24:28 | |
And one man who knows all about that is geologist Alan Smith. | 0:24:28 | 0:24:32 | |
The Lake District has been subjected to glaciations, | 0:24:32 | 0:24:35 | |
cold climate conditions, for nearly two and a half million years. | 0:24:35 | 0:24:41 | |
The ice was moving out in all directions, | 0:24:41 | 0:24:43 | |
and standing here looking down at Buttermere | 0:24:43 | 0:24:46 | |
and Crummock Water, this was one of the main routes that the ice was taking. | 0:24:46 | 0:24:50 | |
So we have to imagine Buttermere Valley | 0:24:50 | 0:24:53 | |
-filled to the brim with ice creeping down towards the sea. -Yes. | 0:24:53 | 0:24:56 | |
The ice was over the top of the highest fells. | 0:24:56 | 0:25:00 | |
What you've got in front of us now | 0:25:00 | 0:25:03 | |
are these two lakes in the floor of the valley, steep sides. | 0:25:03 | 0:25:06 | |
The reason why the left-hand side is steeper than the other side | 0:25:06 | 0:25:11 | |
is that the rocks are different. | 0:25:11 | 0:25:13 | |
On the left volcanic rocks | 0:25:13 | 0:25:15 | |
and a fine-grained granite, whereas, on the other side, | 0:25:15 | 0:25:18 | |
we've got slatey, shaley rocks | 0:25:18 | 0:25:20 | |
which break down easily | 0:25:20 | 0:25:22 | |
and streams are able to carry material away from those. | 0:25:22 | 0:25:26 | |
And you can see the effects of that | 0:25:26 | 0:25:28 | |
with the way the alluvial fans are building out into the lake | 0:25:28 | 0:25:32 | |
and the way the alluvial fan has built right across the valley | 0:25:32 | 0:25:36 | |
and separated what we call Buttermere from Crummock Water. | 0:25:36 | 0:25:40 | |
The two used to be one continuous sheet of water. | 0:25:40 | 0:25:43 | |
And the whole of this skyline in the heart of the Lake District is so rugged, what caused that? | 0:25:43 | 0:25:48 | |
Well, it's partly a reflection of these hard volcanic rocks, | 0:25:48 | 0:25:53 | |
but the ice, you've got to remember, was streaming over this landscape, | 0:25:53 | 0:25:57 | |
picking material up and carrying it away - | 0:25:57 | 0:25:59 | |
sandpapering the landscape, if you like. | 0:25:59 | 0:26:02 | |
And it's left behind these rocky knolls and rocky hillocks, | 0:26:02 | 0:26:06 | |
so the whole area is an ice-roughened landscape. | 0:26:06 | 0:26:09 | |
Last leg now and, true to form, | 0:26:14 | 0:26:16 | |
the Lake District is throwing at me every one of those 140 inches of annual rainfall. | 0:26:16 | 0:26:22 | |
I can't get over how changeable the weather is! | 0:26:22 | 0:26:25 | |
This has to be as bad as it gets - | 0:26:25 | 0:26:27 | |
icy rain straight in the face and a wind to blow your head off. | 0:26:27 | 0:26:33 | |
55 miles done. | 0:26:40 | 0:26:42 | |
I started by crossing the largest lake, Windermere, | 0:26:42 | 0:26:46 | |
I cycled past the deepest, Wast Water, | 0:26:46 | 0:26:48 | |
and now, all being well, | 0:26:48 | 0:26:50 | |
I should be about to see the one they call the Queen of the Lakes. | 0:26:50 | 0:26:54 | |
Here I am, the edge of the lake, Derwentwater! | 0:27:00 | 0:27:03 | |
Why is this the Queen of the Lakes? | 0:27:03 | 0:27:05 | |
Because, to many people, this is the most beautiful of them all, | 0:27:05 | 0:27:09 | |
and I can't wait to get out there. | 0:27:09 | 0:27:11 | |
In the middle of the lake is St Herbert's Island, | 0:27:11 | 0:27:14 | |
once occupied by a monk of that name in the seventh century. | 0:27:14 | 0:27:18 | |
And, much later, it was home to Beatrix Potter's character Squirrel Nutkin. | 0:27:18 | 0:27:23 | |
And it's on Bart's half-inch map. | 0:27:23 | 0:27:26 | |
Sadly, the Bart's map in the form I have it didn't last. | 0:27:31 | 0:27:37 | |
Bart's soon fell in love with the motor car. | 0:27:37 | 0:27:39 | |
By 1904, there were already 8,500 cars on the road. | 0:27:39 | 0:27:45 | |
The Bart's map, so easily adapted for motorists, | 0:27:45 | 0:27:48 | |
began to ignore specific cycling information, | 0:27:48 | 0:27:52 | |
and the special relationship between cyclists and Bart's came to an end. | 0:27:52 | 0:27:56 | |
But all is not lost. | 0:27:59 | 0:28:02 | |
The great news is that cycling and cyclists' maps are booming again. | 0:28:02 | 0:28:07 | |
A century after Bart's, an organisation called Sustrans | 0:28:07 | 0:28:11 | |
has just opened a 10,000-mile network of cycling routes, | 0:28:11 | 0:28:15 | |
and they're mapped on maps like this - | 0:28:15 | 0:28:18 | |
layer coloured with cyclists' information and recommended routes. | 0:28:18 | 0:28:22 | |
And the scale on these new maps is one to 100,000, | 0:28:22 | 0:28:26 | |
the close metric equivalent of half-an-inch to the mile. | 0:28:26 | 0:28:29 | |
So the old Bart's half-inch never died, it just had a 100-year rest! | 0:28:29 | 0:28:35 | |
Subtitles by Laura Jones BBC Broadcast 2005 | 0:28:47 | 0:28:50 | |
E-mail us at [email protected] | 0:28:50 | 0:28:54 |