Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
What a beautiful day it's
been here in Sherborne. | 0:00:08 | 0:00:10 | |
Some autumn sun bursting through. | 0:00:10 | 0:00:12 | |
It has brought out the very best of
our birds. But at night something | 0:00:12 | 0:00:17 | |
has been flashing through. Our
cameras have picked up on some | 0:00:17 | 0:00:22 | |
surprise visitors. What are they?
We've got magic, we've got mystery, | 0:00:22 | 0:00:27 | |
we've got Autumnwatch. | 0:00:27 | 0:00:32 | |
Hello and welcome to Autumnwatch
2017 coming to you from the National | 0:00:50 | 0:00:54 | |
Trust Sherbourne Park estate appear
in Gloucestershire. | 0:00:54 | 0:00:55 | |
Trust Sherbourne Park estate appear
in Gloucestershire. We've been | 0:00:55 | 0:00:59 | |
bringing you the very best of
British wildlife. We started last | 0:00:59 | 0:01:03 | |
night brilliantly with a live mouse.
Tonight I think we can do a little | 0:01:03 | 0:01:09 | |
bit better. We're going to try the
mouse because tonight we've got | 0:01:09 | 0:01:12 | |
something more exciting than our
live camera, not that a mouse isn't, | 0:01:12 | 0:01:15 | |
but I think you'll like this even
more. This... A mouse and a badger. | 0:01:15 | 0:01:21 | |
Where is the badger? He's really
well camouflaged. Look at that! I | 0:01:21 | 0:01:28 | |
promise you, literally. Look at his
head, the leaves rustling, Michaela. | 0:01:28 | 0:01:33 | |
Seconds before we came on air it was
the perfect shot of a badger. The | 0:01:33 | 0:01:38 | |
mouse jumped as well! Mouse and
badger, absolutely fantastic. Just | 0:01:38 | 0:01:44 | |
before we came on air we saw
something else. Amazing thing. Let's | 0:01:44 | 0:01:48 | |
have a look at it. Owl, tawny owl.
That's nice. It's very close to | 0:01:48 | 0:01:55 | |
where we're sitting, probably not
more than 100 yards and we keep | 0:01:55 | 0:01:59 | |
hearing them. Through the programme
you might hear them too. It | 0:01:59 | 0:02:02 | |
definitely trumped the badger in the
bush. Listen, listen. Keep your ears | 0:02:02 | 0:02:10 | |
pinned because there was a lot of
tawny owl activity going on all | 0:02:10 | 0:02:15 | |
around us. A good start. Badger,
mouse, tawny owl, what could be | 0:02:15 | 0:02:20 | |
better? What about that mystery
animal that we teased you with in | 0:02:20 | 0:02:23 | |
the pre-titles, as we call them?
Let's take a look again. This was | 0:02:23 | 0:02:30 | |
caught on camera covering our badger
set, dashing through. It's a weasel | 0:02:30 | 0:02:35 | |
or stoats like animal, but much
larger and darker. When it passes | 0:02:35 | 0:02:39 | |
the fence you get quite a good few
of its face. It doesn't stop for | 0:02:39 | 0:02:44 | |
long. Disappears behind the tree.
But if we rewind it, look at the | 0:02:44 | 0:02:50 | |
very distinct facial markings on
this animal. It looks very much like | 0:02:50 | 0:02:55 | |
a polecat. Could it be a polecat?
They were once widespread across the | 0:02:55 | 0:03:00 | |
UK. After years of persecution they
disappeared pretty much into the | 0:03:00 | 0:03:03 | |
Welsh marches, then expanded their
population from there. Have they | 0:03:03 | 0:03:12 | |
reached Sherbourne? We asked Lizzie
Cruise from the Vincent wildlife | 0:03:12 | 0:03:18 | |
trust and she said this is part of
their core area, there was a good | 0:03:18 | 0:03:21 | |
chance it could be a polecat. The
ambiguity is there are lots of feral | 0:03:21 | 0:03:25 | |
ferret out there and ferrets were
domesticated from polecat about 2000 | 0:03:25 | 0:03:29 | |
years ago and escape into the
countryside and often they hybridise | 0:03:29 | 0:03:33 | |
with real polecats. We seem to think
we're in a core area, so there was a | 0:03:33 | 0:03:37 | |
good chance there could be real
ones. We would have to DNA test them | 0:03:37 | 0:03:41 | |
to absolutely prove it. They've been
seen before he haven't they? Sadly | 0:03:41 | 0:03:45 | |
they've been picked up on the road,
that's how we've noticed the polecat | 0:03:45 | 0:03:49 | |
has been moving out of this area it
was hemmed into and spreading across | 0:03:49 | 0:03:54 | |
England and Wales. Because people
see them knocked over on the road, | 0:03:54 | 0:03:57 | |
sadly. Fantastic so, to see. Very
exciting. If you were watching last | 0:03:57 | 0:04:03 | |
night you'll know we had lots of
activity by the river. Tawny owls | 0:04:03 | 0:04:08 | |
hunting rats and mice. We went down
this morning and put a new camera on | 0:04:08 | 0:04:11 | |
that leaning blog. Grace Krul
arrived pretty promptly. Rooting | 0:04:11 | 0:04:16 | |
around. Finding food this time of
year to cash it away. Lots of | 0:04:16 | 0:04:27 | |
activity from the ground rats. More
rat activity. But I've got to say, | 0:04:27 | 0:04:38 | |
for all of that, we watched all
night long and there was no tawny | 0:04:38 | 0:04:41 | |
owl action. No tawny owl action
there, Chris, but we did have tawny | 0:04:41 | 0:04:47 | |
owl action in the garden, our garden
camera. We don't know if it was the | 0:04:47 | 0:04:55 | |
same tawny owl. It flies off and
lands on some of our filming | 0:04:55 | 0:04:59 | |
equipment. It's obviously looking at
something and if you look down by | 0:04:59 | 0:05:03 | |
the bench, look very closely, this
is the owl's eye view because he's | 0:05:03 | 0:05:10 | |
sitting on top of the camera. The
camera focuses in, can you see just | 0:05:10 | 0:05:15 | |
as the camera gets it the owl also
spots that mouse on the grass. Flies | 0:05:15 | 0:05:20 | |
down... That was close. Tries to
catch it. If we look at that | 0:05:20 | 0:05:27 | |
again... It's a near miss, not a
successful hunt this time. That | 0:05:27 | 0:05:31 | |
little mouse lives another day. And
it flies off. Once it flies off, | 0:05:31 | 0:05:36 | |
though, there's quite a lot of noise
going on, there's a lot of | 0:05:36 | 0:05:40 | |
vocalisation. As you were saying,
Martin Kaymer at the beginning, at | 0:05:40 | 0:05:45 | |
this time of the year you hear that.
Listen to that, listen to that. -- | 0:05:45 | 0:05:50 | |
as you were saying, Martin, at the
beginning. You are a bit hard of | 0:05:50 | 0:05:57 | |
hearing, but we can hear it. Now
we've got something really exciting | 0:05:57 | 0:06:04 | |
to show you, we saw this last night.
If you take a look we don't know | 0:06:04 | 0:06:09 | |
what it is, we almost thought it
could be a rabbit or a hair until | 0:06:09 | 0:06:12 | |
you look closer, you can clearly see
that these are two deer. You were | 0:06:12 | 0:06:22 | |
focusing yesterday on fallow deer,
but these ones are roe deer. They | 0:06:22 | 0:06:29 | |
are not adult males, not writing as
such, because it's not the right | 0:06:29 | 0:06:33 | |
time of year, but what are they
doing it is a false note, the Rodeo | 0:06:33 | 0:06:41 | |
what is generally over by August.
It's young males, 18 months old, | 0:06:41 | 0:06:46 | |
bursting with hormones, this is them
sort of practising. By golly they | 0:06:46 | 0:06:49 | |
were really going at it. You can see
how hot they've got with this | 0:06:49 | 0:06:54 | |
thermal camera. Look closely around
the head. He's panting away. The | 0:06:54 | 0:06:59 | |
blood vessels around the ears and
head have violated and all the blood | 0:06:59 | 0:07:03 | |
has gone to the periphery to try and
cool down. No way you'd see that | 0:07:03 | 0:07:07 | |
without the thermal camera.
Extraordinary. Incredible they do | 0:07:07 | 0:07:10 | |
that at night, that they can see
each other well enough to have a | 0:07:10 | 0:07:15 | |
fight at night. I don't get this
deer at night thing, Chris, in the | 0:07:15 | 0:07:19 | |
pitch black it's almost as if they
can see. They've got very large | 0:07:19 | 0:07:23 | |
eyes, roe -, maybe they're nocturnal
vision is quite good. It's not | 0:07:23 | 0:07:28 | |
really pitch Black, there is so much
light pollution. They really were | 0:07:28 | 0:07:32 | |
going at it. I'm glad I don't have
to fight like that for access to my | 0:07:32 | 0:07:36 | |
wife. Anyway, moving on. That is
black and white stuff, what about in | 0:07:36 | 0:07:42 | |
colour? Let's have some brightness
and go to the bird feeder. We have a | 0:07:42 | 0:07:47 | |
bird feeder full of peanuts and
garden birds like tips coming in to | 0:07:47 | 0:07:50 | |
feast. And their woodpecker, great
spotted woodpecker, you'd probably | 0:07:50 | 0:07:57 | |
get those on your feeders at home.
It's taking the food away and | 0:07:57 | 0:08:06 | |
feeding immediately. In it comes,
the nuthatch, it won't eat here, | 0:08:06 | 0:08:12 | |
takes the peanut away. It does some
feeding, then something interesting | 0:08:12 | 0:08:16 | |
happens. It picks up some moss
Orbach and it cashes the remain of | 0:08:16 | 0:08:23 | |
the nuts. -- caches. The J is a
legendary cache. They can cache up | 0:08:23 | 0:08:37 | |
to 5000 acorns in a day. They take
them away, they can carry up to nine | 0:08:37 | 0:08:41 | |
in their gizzard and buried in the
ground. This one puts a bit of moss | 0:08:41 | 0:08:45 | |
there, takes it in. And put a leaf
on top which is really silly because | 0:08:45 | 0:08:50 | |
it'll blow straightaway. It's a nice
touch, though. He is the fascinating | 0:08:50 | 0:08:56 | |
thing, it has been shown that some
jays are able to remember where they | 0:08:56 | 0:09:03 | |
have put 75% of the nuts they
buried. There are 5000 and they can | 0:09:03 | 0:09:08 | |
remember where 75% are. How many you
remember? Three. You would remember | 0:09:08 | 0:09:14 | |
loads because you've got that sort
of memory. I'm not as wise as the | 0:09:14 | 0:09:20 | |
jay. Good memory but can't hear a
word you're saying. Called selective | 0:09:20 | 0:09:25 | |
memory. We've been concerned about
the plight of Britain's sea birds. | 0:09:25 | 0:09:29 | |
Some seasons they fail to produce
young in some colonies and some | 0:09:29 | 0:09:32 | |
species are on the brink of
extinction. We were asking for your | 0:09:32 | 0:09:35 | |
help in a brilliant project called
sea bird watch. It couldn't be | 0:09:35 | 0:09:40 | |
simpler to do. If you visit our
website will link you to the sea | 0:09:40 | 0:09:44 | |
bird watch website. There were six
to 1000 photographs. What you've got | 0:09:44 | 0:09:49 | |
to do is click on all of the birds
that you see. One at a time. These | 0:09:49 | 0:09:54 | |
are kittiwakes. We want you to count
guillemots and their young and any | 0:09:54 | 0:09:58 | |
other species you will see. Now the
photographs come from the UK, the | 0:09:58 | 0:10:04 | |
Pharaohs, from Iceland and from
Svalbard. -- the Faroe s. Those | 0:10:04 | 0:10:12 | |
photographs start from 2014 through
to 2017. Couldn't be simpler, very | 0:10:12 | 0:10:18 | |
easy to do, generate good data that
could inform effective conservation. | 0:10:18 | 0:10:21 | |
There is just one problem. Only 11%
of them have been done. 11, 11%, | 0:10:21 | 0:10:28 | |
you've only done 11%. It's not very
good at all, is it, really. Can I | 0:10:28 | 0:10:33 | |
ask you when the programme finishes
rather than having a cup of tea or | 0:10:33 | 0:10:36 | |
turning over and watching some in
facile on the other side, you sit | 0:10:36 | 0:10:41 | |
down and click through a few photos
for us, it'll make a difference for | 0:10:41 | 0:10:44 | |
sea birds. If you don't they could
die in their thousands. I don't want | 0:10:44 | 0:10:48 | |
to get on your conscience but they
could die in their thousands. Go to | 0:10:48 | 0:10:51 | |
the website... | 0:10:51 | 0:10:53 | |
could die in their thousands. Go to
the website... | 0:10:53 | 0:10:57 | |
Please don't upset him, he wants to
get this figure right up. Let's join | 0:10:58 | 0:11:02 | |
in. When it comes to wildlife we
very quick to celebrate the quick, | 0:11:02 | 0:11:07 | |
bold and beautiful. But as we seen
so many times on watches, it's often | 0:11:07 | 0:11:12 | |
the little guys who are so
fascinating. We're going to give you | 0:11:12 | 0:11:17 | |
a glimpse into the weird and
wonderful world of life in a dried | 0:11:17 | 0:11:22 | |
up puddle. Don't prejudge, open your
eyes! Be ready to be amazed. | 0:11:22 | 0:11:28 | |
It's summer 's end, and the land is
parched. As autumn rain is beginning | 0:11:36 | 0:11:45 | |
to fall, the caked mud softens and
long hidden secrets emerge from the | 0:11:45 | 0:11:49 | |
earth itself. | 0:11:49 | 0:11:54 | |
Desiccated eggs, dormant all summer
in the dry substrate begin to hatch | 0:11:57 | 0:12:03 | |
in the vernal pool. Here life
multiplies rapidly. Tiny daphnia | 0:12:03 | 0:12:25 | |
dance in shafts of life while in the
darkness of the creatures 12. -- | 0:12:25 | 0:12:32 | |
shafts of light.
-- in the darkness other creatures | 0:12:32 | 0:12:41 | |
dwell. | 0:12:41 | 0:12:44 | |
The tadpole shrimp. Triops. These
crustaceans appeared on Earth over | 0:12:52 | 0:12:58 | |
200 million years ago. They've
evolved to thrive in low oxygen | 0:12:58 | 0:13:02 | |
pools and have heightened levels of
haemoglobin, giving them a red hue. | 0:13:02 | 0:13:07 | |
But they must grow quickly in this,
the most temporary of homes. With | 0:13:07 | 0:13:16 | |
voracious determination, they begin
to feed. Moving across the rocks | 0:13:16 | 0:13:25 | |
with their undulating gills, these
omnivores feed on anything they can | 0:13:25 | 0:13:29 | |
find. | 0:13:29 | 0:13:36 | |
In the waters above, hang fairy
shrimp. The males, with tusk like | 0:13:44 | 0:13:53 | |
appendages, hunt for females. | 0:13:53 | 0:13:59 | |
They, too, must act quickly, because
a fairy shrimp would make a tasty | 0:14:00 | 0:14:04 | |
meal for the Widnes. The males chase
down any females they see. -- a | 0:14:04 | 0:14:12 | |
tasty meal for the triops. | 0:14:12 | 0:14:15 | |
And after mating the female produces
eggs, which she keeps in a special | 0:14:20 | 0:14:27 | |
abdominal sac until spreading them
around the pool where they will | 0:14:27 | 0:14:30 | |
hatch into a new generation of fairy
shrimp. As the season progresses, | 0:14:30 | 0:14:40 | |
the pool fills with autumn spoil.
Meanwhile, the triops have almost | 0:14:40 | 0:14:53 | |
doubled in size, taking on a
greenish hue. There are floating | 0:14:53 | 0:14:57 | |
skins, ghosts of their former
selves. As the pool begins to dry | 0:14:57 | 0:15:05 | |
up, the triops are running out of
time. They must lay their eggs | 0:15:05 | 0:15:11 | |
before it's too late. Luckily, they
don't need to make, they can self | 0:15:11 | 0:15:18 | |
fertilise their eggs, which they lay
in their thousands. Mixing them with | 0:15:18 | 0:15:24 | |
the sediment ensures their safety. | 0:15:24 | 0:15:32 | |
With no new rain for weeks,
conditions are getting tougher. | 0:15:45 | 0:15:50 | |
Food is becoming scarce. | 0:15:54 | 0:15:59 | |
So in desperation, the triops resort
to cannibalism. | 0:16:04 | 0:16:12 | |
But it's no use. The unrelenting sun
leaves the last of the triops | 0:16:22 | 0:16:29 | |
helpless. | 0:16:29 | 0:16:31 | |
And as the land returned to its
apparently barren state, it harbours | 0:16:38 | 0:16:43 | |
a secret store of eggs once more.
And when the rains finally returned, | 0:16:43 | 0:16:49 | |
so will this alien world. | 0:16:49 | 0:16:53 | |
Remarkable, aren't they, triops? I
really like them, they are one of | 0:17:01 | 0:17:04 | |
those animals that you always hear
people say they've been around since | 0:17:04 | 0:17:07 | |
the dinosaurs but it is not strictly
true, those sorts of animals might | 0:17:07 | 0:17:11 | |
have been around from the time of
the dinosaurs but not the same | 0:17:11 | 0:17:14 | |
species but in the case of the
triops and a number of species | 0:17:14 | 0:17:17 | |
around the world, one of them has
been around unchanged as a single | 0:17:17 | 0:17:20 | |
species for millions of years.
Absolutely phenomenal but it looks | 0:17:20 | 0:17:24 | |
very alien, it has an alien look
about it but it's not the only | 0:17:24 | 0:17:28 | |
animal that takes advantage of those
vernal or temporary pools. So does | 0:17:28 | 0:17:34 | |
this creature, the natterjack toad.
He uses a similar strategy in vernal | 0:17:34 | 0:17:41 | |
pools found in sandy soil, like sand
dunes and things but for them it is | 0:17:41 | 0:17:45 | |
a race against time to complete the
whole breeding cycle from reading to | 0:17:45 | 0:17:49 | |
laying eggs, to hatching the
tadpoles, to becoming toadlets | 0:17:49 | 0:17:57 | |
before the pond dries out. It is a
slight risk but there are huge | 0:17:57 | 0:18:02 | |
advantages because in a vernal pool,
there are less predators, no fish or | 0:18:02 | 0:18:07 | |
dragonfly larvae so it has more
chance of growing into one of those | 0:18:07 | 0:18:11 | |
fantastic adults and after that show
-- natterjack toads. And a bizarre | 0:18:11 | 0:18:15 | |
instance, John Buckley, who was my
biology teacher, was responsible for | 0:18:15 | 0:18:19 | |
lots of effective natterjack toad
conservation and came into the | 0:18:19 | 0:18:22 | |
classroom Monday with a packet of
mud. He told me to put it in a | 0:18:22 | 0:18:26 | |
bucket and it had been scooped up
from a pond in the new Forest where | 0:18:26 | 0:18:31 | |
triops live and they hatched the
eggs in the bucket and I got to keep | 0:18:31 | 0:18:33 | |
them time. Fantastic. Because they
are only found in places. The new | 0:18:33 | 0:18:39 | |
Forest and Blackrock recently. A man
who is also happy to be messing | 0:18:39 | 0:18:44 | |
around in the mud is Martin.
Thanks, Chris. Here's a little quiz | 0:18:44 | 0:18:51 | |
for you, this is a quote from
Charles Darwin, none other than | 0:18:51 | 0:18:55 | |
Charles Darwin, describing a
particular sort of animal. I wonder | 0:18:55 | 0:18:58 | |
if you can guess what it is? "It May
be doubted whether there are many | 0:18:58 | 0:19:03 | |
other animals who have played a more
important part in the history of the | 0:19:03 | 0:19:07 | |
world". He said that in 1881. What
do you think it was? It was worms | 0:19:07 | 0:19:13 | |
and at this time of year, worms are
critically important because what | 0:19:13 | 0:19:16 | |
they do is they will drag the leaves
that are falling from the trees all | 0:19:16 | 0:19:20 | |
around us now under the ground and
start the whole process of rotting | 0:19:20 | 0:19:24 | |
them down and recycling the
nutrients. Here comes one, look at | 0:19:24 | 0:19:30 | |
that, going under, dragging it under
the ground. Fantastic images. Look | 0:19:30 | 0:19:35 | |
at this, that is going on all around
us now, as the leaves come down, | 0:19:35 | 0:19:40 | |
under the cover of darkness, the
worms tidy them up. Just to give | 0:19:40 | 0:19:45 | |
UNIDO of just how important they
are, we have been filming, well, | 0:19:45 | 0:19:49 | |
somebody filmed them for 15 weeks.
Watch this. Those are the leaves and | 0:19:49 | 0:19:56 | |
the mud. 15 weeks, time-lapse, and
you can see what is happening to the | 0:19:56 | 0:20:00 | |
leaves, they are being broken up
into little pieces by the worms and | 0:20:00 | 0:20:04 | |
other invertebrates and the whole
pile is sinking down into the | 0:20:04 | 0:20:06 | |
ground. If we didn't have worms, by
the end of the autumn, we would be | 0:20:06 | 0:20:14 | |
walking around with leaves up to
year. They are absolutely brilliant | 0:20:14 | 0:20:17 | |
and they don't just recycle the mud
and detritus. They are a crucial | 0:20:17 | 0:20:22 | |
food resource for lots of the
animals we feature on the Watches. | 0:20:22 | 0:20:27 | |
This is Jimmy buzzard, eating worms.
Up to 20% of the buzzard's diet can | 0:20:27 | 0:20:33 | |
be invertebrates like worms. The bad
job, up to 80% of the badger's diet | 0:20:33 | 0:20:40 | |
can be worms, Fox is a lot less,
maybe only 4% but they are still | 0:20:40 | 0:20:45 | |
important to foxes. That is out in
the countryside. Those animals are | 0:20:45 | 0:20:51 | |
not munching the worms here but
there are worms in the city as well. | 0:20:51 | 0:20:55 | |
They are just as important to
animals there. Have you seen a | 0:20:55 | 0:20:59 | |
seagull doing this, paddling like
this? What do you think they are | 0:20:59 | 0:21:01 | |
doing? By doing the paddling, they
are making noise like falling rain. | 0:21:01 | 0:21:10 | |
What happens is that if the worm's
hole in the ground fills up with | 0:21:10 | 0:21:15 | |
water, they might start to lose
oxygen to quickly and that makes | 0:21:15 | 0:21:18 | |
them come up to the surface so by
paddling and mimicking the rain, the | 0:21:18 | 0:21:23 | |
seagulls hope the worms will come to
the surface. An amazing stat, for | 0:21:23 | 0:21:29 | |
some gulls, worms are 90% of their
diet. OK, what we are going to do | 0:21:29 | 0:21:33 | |
now is start the Sherborne worm
grunting event. A car alarm is going | 0:21:33 | 0:21:41 | |
off over there! What we are going to
try to do is bring the worms are up | 0:21:41 | 0:21:46 | |
from under the ground. The first way
we are going to do it is by | 0:21:46 | 0:21:50 | |
grunting, this is a genuine thing.
What you have got to do is... Do | 0:21:50 | 0:21:56 | |
this, and if I keep going with this,
eventually, some worms might come | 0:21:56 | 0:22:01 | |
up. That is grunting. I always get
this wrong, it is not twerking, it | 0:22:01 | 0:22:10 | |
is twanging. Get a fork in the
garden and do it like this. It is | 0:22:10 | 0:22:15 | |
not twerking, is it? It is worm
twanging and if you keep doing that, | 0:22:15 | 0:22:19 | |
with a bit of luck, the worms will
turn up and there's another amazing | 0:22:19 | 0:22:23 | |
way of trying to get hold of worms.
What we need is a bassoon player. If | 0:22:23 | 0:22:27 | |
only we had one. Oh! | 0:22:27 | 0:22:32 | |
Now, you may laugh but Charles
Darwin's own son used to sit in the | 0:22:39 | 0:22:45 | |
garden and play the bassoon like
that because those deep vibrations | 0:22:45 | 0:22:48 | |
would bring up worms. It is called
worm charming. I'm going to go back | 0:22:48 | 0:22:54 | |
to the twerking... No, it's not
twerking, and try to get some worms | 0:22:54 | 0:22:58 | |
up and we will examine the types of
worms that thereafter in Sherborne | 0:22:58 | 0:23:02 | |
in a lot more detail because there's
a lot more than one species. See you | 0:23:02 | 0:23:06 | |
later.
I think the only chance he's got | 0:23:06 | 0:23:12 | |
getting any worms is if he assumes
Darwin's Sun using the fork and get | 0:23:12 | 0:23:16 | |
him back on the bassoon. I want to
see Hugh Graham twerking! What are | 0:23:16 | 0:23:23 | |
thought! When it comes to nature, we
have an enormous admiration for it | 0:23:23 | 0:23:26 | |
and when it comes to exercising our
creativity, we draw upon the beauty | 0:23:26 | 0:23:30 | |
of nature and we try to replicate it
and we do that through painting, | 0:23:30 | 0:23:35 | |
photography and perhaps the most
difficult medium, if you like, | 0:23:35 | 0:23:37 | |
writing. Trying to transform all of
this and distil it into words and | 0:23:37 | 0:23:43 | |
make it just as beautiful is
incredibly hard. Having said that, | 0:23:43 | 0:23:46 | |
we are enjoying a bit of a
renaissance in the UK at the moment | 0:23:46 | 0:23:50 | |
when it comes to top-quality nature
writers. Today is the launch of a | 0:23:50 | 0:23:55 | |
national survey to find out the
nation's favourite nature book. | 0:23:55 | 0:23:59 | |
Either written by British author or
about British and nature. They want | 0:23:59 | 0:24:04 | |
to know what your favourite book is
and why in 100 words or less. All | 0:24:04 | 0:24:09 | |
the details for that are on our
website. The survey | 0:24:09 | 0:24:13 | |
the details for that are on our
website. The survey will be open | 0:24:13 | 0:24:14 | |
until the 30th of November and then
a panel will would let down to the | 0:24:14 | 0:24:17 | |
most popular ten and then there will
be an online vote in January and we | 0:24:17 | 0:24:22 | |
will announce the winner, | 0:24:22 | 0:24:23 | |
be an online vote in January and we
will announce the winner, the | 0:24:23 | 0:24:24 | |
nation's favourite nature book, on
Winterwatch. Very exciting. Great | 0:24:24 | 0:24:30 | |
idea from the arts and humanities
research Council. To launch this | 0:24:30 | 0:24:34 | |
thing, we thought, why can't we get
hold of the best nature writer we | 0:24:34 | 0:24:37 | |
have got in the UK, perhaps Robert
McFarlane, author of The Wild | 0:24:37 | 0:24:43 | |
Places, a commit is also, and find
out what inspired him to first pick | 0:24:43 | 0:24:47 | |
up the pen?
25 years ago, I read a book that | 0:24:47 | 0:24:54 | |
changed the way I see the world.
That book was The Peregrine by JA | 0:24:54 | 0:25:04 | |
Baker. It gripped me in its talons
then and it shows no sign of letting | 0:25:04 | 0:25:07 | |
go. This extraordinary text was
written by a seemingly ordinary man. | 0:25:07 | 0:25:16 | |
Baker worked for much of his life at
the automobile Association offices | 0:25:16 | 0:25:20 | |
in Chelmsford, Essex. But he had a
secret obsession. For around ten | 0:25:20 | 0:25:28 | |
years, from the mid-19 50s, Baker
compulsively followed the peregrines | 0:25:28 | 0:25:34 | |
that wintered among the salt
marshes, power stations and | 0:25:34 | 0:25:37 | |
woodlands of coastal Essex. | 0:25:37 | 0:25:41 | |
Autumn begins my season of hawk
hunting, he wrote. "Spring Ends it | 0:25:46 | 0:25:52 | |
and wintered glitters between like
the arch of Orion" | 0:25:52 | 0:25:55 | |
and wintered glitters between like
the arch of Orion". | 0:25:55 | 0:25:57 | |
I was fascinated by Baker's longing
to become a bird, to transform into | 0:26:03 | 0:26:07 | |
a peregrine. His quest spoke to my
own dreams then of flight and of | 0:26:07 | 0:26:12 | |
wildness. But it was Baker's
startling prose style above all that | 0:26:12 | 0:26:18 | |
seized me. Reading his descriptions,
I was enraptured. "Autumn Rises into | 0:26:18 | 0:26:28 | |
the bright sky. Corn is down. Fields
shine after harvest. Over orchards | 0:26:28 | 0:26:35 | |
smelling of filigree windfalls, a
peregrine glides to a perch in the | 0:26:35 | 0:26:40 | |
river bank all the". He describes
how a barn owl turns in wonderment, | 0:26:40 | 0:26:49 | |
the dark, prune like guys shining
through the sad full's mask of | 0:26:49 | 0:26:54 | |
feathers. -- prune like eyes. Of a
falcon hunts, the sky shredded up | 0:26:54 | 0:27:02 | |
was torn by whirling birds. The
beaches flared and roared with | 0:27:02 | 0:27:06 | |
salvos of white wings. Like the
peregrines themselves, Baker's | 0:27:06 | 0:27:12 | |
sentences stoop, swerve and shock. | 0:27:12 | 0:27:15 | |
His writing not only opened my eyes
to peregrines, it also transformed | 0:27:20 | 0:27:25 | |
the southern English landscape in my
imagination. Seen through his | 0:27:25 | 0:27:31 | |
language, Essex, much maligned
Essex, became a place as wild to me | 0:27:31 | 0:27:35 | |
as the Arctic or the Himalayas. It
was as if he had given me | 0:27:35 | 0:27:41 | |
binoculars. Nature leopard forwards,
filled with a vivid new energy and | 0:27:41 | 0:27:45 | |
strangeness. His words rewilded my
everyday world. Unlike some of what | 0:27:45 | 0:27:56 | |
we might call nature writing, The
Peregrine cannot be passively | 0:27:56 | 0:28:02 | |
consumed, it surprises the eye,
sticks in the craw, raked the mind. | 0:28:02 | 0:28:08 | |
In the mid-19 60s, when Baker was
writing, pesticide contamination was | 0:28:13 | 0:28:18 | |
so serious that the peregrine
population was crashing towards | 0:28:18 | 0:28:20 | |
extinction. Eggshell thinning caused
by DDT was preventing raptor X from | 0:28:20 | 0:28:26 | |
hatching. We are the killers, Rob
Baker. A man embarrassed by the | 0:28:26 | 0:28:35 | |
capacity of his species for harm.
"We Stink of death" | 0:28:35 | 0:28:38 | |
capacity of his species for harm.
"We Stink of death". | 0:28:38 | 0:28:41 | |
The Peregrine was published 50 years
ago this year but it still speaks | 0:28:46 | 0:28:50 | |
ringing lead to loss of our
contemporary predicament. In its | 0:28:50 | 0:28:55 | |
furious vision, there exists an odd
kind of hope. For Baker's peregrines | 0:28:55 | 0:29:01 | |
did not go extinct. Pesticide use
was restricted, public awareness | 0:29:01 | 0:29:07 | |
grew of the chemical threat.
Peregrine numbers began to rise | 0:29:07 | 0:29:13 | |
again. Now peregrines, though
persecuted in the uplands, are back | 0:29:13 | 0:29:22 | |
in number in our cities, nesting on
our cathedrals, office blocks and | 0:29:22 | 0:29:26 | |
power stations. They are now nesting
in the heart of my city, Cambridge, | 0:29:26 | 0:29:32 | |
and they take my breath away daily.
Baker shows us that the best writing | 0:29:32 | 0:29:42 | |
about the natural world is not
dastardly out of date -- dastardly | 0:29:42 | 0:29:47 | |
out of date. It is vital, urgent,
powerful, hard-wired into the wonder | 0:29:47 | 0:29:53 | |
of wild nature. It works through
beauty and anger to change the world | 0:29:53 | 0:29:58 | |
and change the way we see it. | 0:29:58 | 0:30:01 | |
Isn't it fantastic, that such an
amazing book has inspired an amazing | 0:30:07 | 0:30:12 | |
wildlife author? We want to know
what has inspired you, so head to | 0:30:12 | 0:30:16 | |
the website for all the details. We
love hearing from you as always and | 0:30:16 | 0:30:21 | |
there are lots of ways you can get
in touch. The easiest way to reach | 0:30:21 | 0:30:26 | |
us is go online and be our friend on
social media. You can like us on | 0:30:26 | 0:30:31 | |
Facebook, and in your pictures and
comments to our page. Follow us on | 0:30:31 | 0:30:36 | |
Instagram and tag us in your
photographs, or treat us your | 0:30:36 | 0:30:39 | |
questions. If you still can't get
enough our website is full of | 0:30:39 | 0:30:47 | |
exclusive videos, in-depth articles
and links to extra information. The | 0:30:47 | 0:30:52 | |
Last couple of nights Gillian has
been in Bournemouth looking at urban | 0:30:52 | 0:30:56 | |
foxes. Not just looking at them,
putting them to the test, seeing if | 0:30:56 | 0:31:00 | |
she can measure how bright and
intelligent they are. We thought | 0:31:00 | 0:31:03 | |
we'd contrast the foxes in
Bournemouth with those appear at | 0:31:03 | 0:31:06 | |
Sherborne. We took the same piece of
appointment, the Perspex box, and | 0:31:06 | 0:31:11 | |
put it out in the woods. Let's see
what happened. Here is the box with | 0:31:11 | 0:31:16 | |
two chunks of chicken out front.
And... So far no foxes at all, which | 0:31:16 | 0:31:24 | |
is as we suspected, the foxes out
here are very shy. They are near | 0:31:24 | 0:31:28 | |
phobic, afraid of new things. It may
take them longer to get used the box | 0:31:28 | 0:31:33 | |
but there were some creatures who
couldn't help but rush in and help | 0:31:33 | 0:31:37 | |
themselves. -- neophobic. The
ubiquity was wood mouse, the star of | 0:31:37 | 0:31:45 | |
Autumnwatch 2017 comes in and helped
itself to a massive chunk of | 0:31:45 | 0:31:48 | |
chicken. I don't blame it, this time
of year they are out eating acorns, | 0:31:48 | 0:31:53 | |
beach and sycamore seeds. They will
eat meat, insects, centipedes, | 0:31:53 | 0:32:01 | |
caterpillars, worms, those sorts of
things. If they happen across a | 0:32:01 | 0:32:05 | |
great big chunk of protein like that
I can't blame them for carrying it | 0:32:05 | 0:32:08 | |
away. Didn't want the second one,
full up. The mouse is thinking, this | 0:32:08 | 0:32:12 | |
is an easy mouse maze this year, it
was harder last year. There is that. | 0:32:12 | 0:32:18 | |
While Gillian was in that garden
they had a cat in the garden so she | 0:32:18 | 0:32:21 | |
sent this clip. This cat looks
absolutely enormous through the | 0:32:21 | 0:32:26 | |
Perspex. We can see it is enormous,
quite a large cat. It knows | 0:32:26 | 0:32:33 | |
something is in the box, it's
looking at what it has to do, but | 0:32:33 | 0:32:39 | |
this is what I love about cats,
you've got to admire them, it's | 0:32:39 | 0:32:42 | |
like, I'm not playing your game, not
going to do your experiment, I'm | 0:32:42 | 0:32:46 | |
going to put my fat pour in there
and get the food out, thank you very | 0:32:46 | 0:32:50 | |
much. I mean you've got to love a
cat, they are clever. You've got to | 0:32:50 | 0:32:56 | |
love the cat, I've always said that.
You've always been a champion of the | 0:32:56 | 0:33:01 | |
cat. We asked you to send in clips
of clever animals in your garden. | 0:33:01 | 0:33:06 | |
Thank you very much for those that
did, let's show you a couple. Look | 0:33:06 | 0:33:11 | |
at this, this is a bird feeder with
a cage on it and that is to stop | 0:33:11 | 0:33:15 | |
things like pigeons getting in, but
it isn't going to stop this intrepid | 0:33:15 | 0:33:18 | |
little hedgehog in Sherry Smith's
garden. I love this name, Pat | 0:33:18 | 0:33:26 | |
sparrowhawk sent this in. This is a
blackbird. There is food underneath | 0:33:26 | 0:33:31 | |
the plant pot. The blackbird is
sussing it out, goes round and round | 0:33:31 | 0:33:35 | |
the plant pot. Sits on top, things,
what do we do to get the food out? | 0:33:35 | 0:33:41 | |
I'm not a stupid blackbird, I can
tip that over and gobble laptop. | 0:33:41 | 0:33:46 | |
Thank you very much for the little
tip. It doesn't surprise you, does | 0:33:46 | 0:33:50 | |
it? Blackbirds, thrushes in general,
frequently turn things over to find | 0:33:50 | 0:33:56 | |
food, you'll see them flicking
leaves overlooking for worms, | 0:33:56 | 0:33:59 | |
turning over small twigs, pieces of
bark, obviously knew the food was | 0:33:59 | 0:34:05 | |
there, so quite an easy task. If you
have any more clever animals in your | 0:34:05 | 0:34:10 | |
garden, we'd love to see them. We
can go live to a badger I believe. | 0:34:10 | 0:34:15 | |
There it is in one of the sets we've
got out here. We seem to be animals | 0:34:15 | 0:34:19 | |
this evening while we've been
wittering on about other things. | 0:34:19 | 0:34:23 | |
That is nice to see, it looks like a
sour badger, narrow neck, long body. | 0:34:23 | 0:34:28 | |
Can't see the tail but we might see
a long tail. -- it looks like a sow. | 0:34:28 | 0:34:37 | |
A better view than we got at the
beginning. Lovely to see. From a | 0:34:37 | 0:34:41 | |
badger in the dark to a charming man
in the dark. The leather is smooth | 0:34:41 | 0:34:48 | |
and his passenger seat but let's see
if nature has made a man of him yet. | 0:34:48 | 0:34:53 | |
Thanks, Chris, we've been trying to
use all sorts of techniques through | 0:34:53 | 0:34:56 | |
the day to try to find worms here at
Sherwood. This is the planning | 0:34:56 | 0:35:01 | |
method, some of you may use it at
home if you are a fisherman. Go | 0:35:01 | 0:35:05 | |
backwards and forwards and the
vibrations are meant to bring up | 0:35:05 | 0:35:08 | |
worms. We've not had much luck but
we've had luck with other | 0:35:08 | 0:35:11 | |
techniques. We've managed to find
some worms and they are crucially | 0:35:11 | 0:35:15 | |
important to the health of the soil
and to lots of the animals that feed | 0:35:15 | 0:35:19 | |
on them. We found the worms and
found a world-class expert here. | 0:35:19 | 0:35:25 | |
We've got Emma Sherlock, chair of
the free-living worms Department. | 0:35:25 | 0:35:33 | |
Chair of the earthworm society.
Curator of the free-living worms | 0:35:33 | 0:35:40 | |
department at the Natural History
Museum, but it right at last. She is | 0:35:40 | 0:35:42 | |
a world expert. We're going to look
at some of the worms we've got here. | 0:35:42 | 0:35:48 | |
You can take us through. Many
different species are there? In the | 0:35:48 | 0:35:52 | |
UK we've got 29 different species of
earthworm so a lot more than people | 0:35:52 | 0:35:57 | |
think. 29? Before we have a look,
why do some of those techniques, | 0:35:57 | 0:36:04 | |
putting those vibrations in the
ground, charming with the bassoon, | 0:36:04 | 0:36:07 | |
why might it work bringing the worms
up from underground? What are you | 0:36:07 | 0:36:12 | |
doing, especially with grunting and
twanging, putting lots of vibrations | 0:36:12 | 0:36:17 | |
deep into the soil. The earthworm
sends these vibrations and they | 0:36:17 | 0:36:22 | |
think a predator is coming. In
particular moles. So they think, | 0:36:22 | 0:36:29 | |
cranky, a mole is coming for me, and
they come up to the surface. It's | 0:36:29 | 0:36:34 | |
not the joke, that really works. It
does, it's brilliant. And different | 0:36:34 | 0:36:40 | |
species, you say? Yeah. Already I
can see a very familiar character. | 0:36:40 | 0:36:46 | |
This one you can see has got a deep
redhead, very large. If you give it | 0:36:46 | 0:36:51 | |
a tap it has a bit of a saddle like
shape. If flattened down tail. This | 0:36:51 | 0:36:57 | |
looks very much like one I would
find in the garden. Exactly. This is | 0:36:57 | 0:37:04 | |
the nightcrawler, the one that comes
to the surface and pulls leaves down | 0:37:04 | 0:37:09 | |
into its burrow. Exactly as we saw
in the film. This one does that. | 0:37:09 | 0:37:14 | |
It's a beautiful thing, it's
gorgeous. Sometimes some animals | 0:37:14 | 0:37:19 | |
have difficulty getting worms out of
the ground. They pull and you think, | 0:37:19 | 0:37:23 | |
it would be easy to get this out.
Why is that? No, they are cleverly | 0:37:23 | 0:37:29 | |
adapted. Basically when these come
up at night, this end will come out | 0:37:29 | 0:37:33 | |
of the borough, looking for leaves
to pull down, but this speech like | 0:37:33 | 0:37:38 | |
tail it makes, that stays in the
baroque and they have little hairs, | 0:37:38 | 0:37:43 | |
I don't know if you can feel them,
little hairs... A little bit | 0:37:43 | 0:37:47 | |
bristly. If anything tries to get
them they can retract themselves | 0:37:47 | 0:37:52 | |
really quickly back into their
baroque. They can grip onto the mud. | 0:37:52 | 0:37:56 | |
Yes. -- back into that Arroyo. | 0:37:56 | 0:38:03 | |
This is really stripey. When it
stretches out in particular can use | 0:38:05 | 0:38:13 | |
either stripes? Zebra stripes... Not
zebra... Yes, I see them. Is this | 0:38:13 | 0:38:20 | |
the one I would find in my compost
heap? Exactly coming must have been | 0:38:20 | 0:38:25 | |
found around the estate in compost.
They are really nice worms to find. | 0:38:25 | 0:38:33 | |
How do they manage to lead? They've
got no teeth, how do they choose a | 0:38:33 | 0:38:38 | |
compost in my compost heap? Really
good question. These worms like | 0:38:38 | 0:38:42 | |
deep, thick organic matter. They
will ingest it. Then they have a | 0:38:42 | 0:38:48 | |
dessert, like a bird, that is why
people ask you to put eggshells in | 0:38:48 | 0:38:52 | |
the compost, so they have something
to take down and used to grind, to | 0:38:52 | 0:38:55 | |
grind up that food. As it goes down
the gut they also have symbiotic | 0:38:55 | 0:39:00 | |
relationships with bacteria and
things that help break it down and | 0:39:00 | 0:39:05 | |
make it wonderful when it comes out
the event. Kind of like my chickens. | 0:39:05 | 0:39:10 | |
That's amazing. Anything else? Then
we've got these kind of smaller, | 0:39:10 | 0:39:15 | |
grey, pink coloured worms. These are
your soil feeders, these ones rarely | 0:39:15 | 0:39:22 | |
come to the surface. Instead of
having vertical boroughs like that | 0:39:22 | 0:39:27 | |
big one, these have horizontal
burrows. They convert all the | 0:39:27 | 0:39:36 | |
nutrients to a lovely form. For
plans. Breaking up the soil, making | 0:39:36 | 0:39:42 | |
it a wonderful texture. You
fascinated the whole crew the whole | 0:39:42 | 0:39:47 | |
day, you make the earthworm so
interesting, I want to join the | 0:39:47 | 0:39:50 | |
earthworm society, may I join?
Absolutely, please do. We'll talk | 0:39:50 | 0:39:55 | |
about subs later on. You can see
once again a lowly, apparently, life | 0:39:55 | 0:40:00 | |
form, is crucially important to the
whole of life on planet Earth. | 0:40:00 | 0:40:06 | |
Gillian has been showing us the
foxes in Dorset over the past couple | 0:40:06 | 0:40:10 | |
of days. She is coming tomorrow to
give a final update. She also went | 0:40:10 | 0:40:13 | |
down to Cornwall to focus in on a
really fascinating new conservation | 0:40:13 | 0:40:18 | |
project. | 0:40:18 | 0:40:21 | |
Ecosystems are complex. Trying to
unpick how all these elements | 0:40:31 | 0:40:33 | |
connect and interact is incredibly
difficult. Especially when you're | 0:40:33 | 0:40:39 | |
trying to measure the impact of one
single animal. Here in Cornwall we | 0:40:39 | 0:40:45 | |
have just that. A keystone species
that has been reintroduced and given | 0:40:45 | 0:40:49 | |
us the chance to study them.
Beavers. Originally indigenous to | 0:40:49 | 0:40:53 | |
Britain they were hunted to
extinction almost 400 years ago. | 0:40:53 | 0:40:59 | |
These large rodents are incredible
habitat modifiers. Their dam | 0:40:59 | 0:41:01 | |
building activity changing water
flow and sculpting the landscape. | 0:41:01 | 0:41:08 | |
Skills that could be put to good use
here in Cornwall where flash floods | 0:41:08 | 0:41:12 | |
have caused devastation to homes and
villages. In June this year, a | 0:41:12 | 0:41:17 | |
parent beavers were released
upstream of one of the worst hit | 0:41:17 | 0:41:19 | |
areas. The site was carefully chosen
for a unique scientific study, could | 0:41:19 | 0:41:26 | |
these two individuals really make a
difference? Richard Brazier is a | 0:41:26 | 0:41:32 | |
hydrologist from the University of
Exeter. He joined the project over a | 0:41:32 | 0:41:36 | |
year ago to monitor water flow and
quality before the beaver release. | 0:41:36 | 0:41:41 | |
Tumbles from a recent storm in able
Richard to show me the staggering | 0:41:41 | 0:41:48 | |
difference the beavers have made.
This is a sample from the storm last | 0:41:48 | 0:41:51 | |
night, water that has flowed into
the site. If we give it a shake, it | 0:41:51 | 0:41:55 | |
has quite a lot of sediment in
there. Quite a lot of nutrients | 0:41:55 | 0:41:58 | |
associated with diffuse pollutants
from farmland upstream of the beaver | 0:41:58 | 0:42:03 | |
dams. This is a sample from
downstream. The one on the other | 0:42:03 | 0:42:07 | |
side. Taken from exactly the same
time. Immediately easy it is clearer | 0:42:07 | 0:42:13 | |
water, not as polluted, because the
beaver dams have filtered out the | 0:42:13 | 0:42:16 | |
poor water quality. I know you've
got to take it and analyse it but | 0:42:16 | 0:42:20 | |
even to the eye it is such a
noticeable difference, amazing, it | 0:42:20 | 0:42:24 | |
really is. The other important thing
here is slowing the flow. We've got | 0:42:24 | 0:42:29 | |
water flowing rapidly of the
farmland upstream. It enters this | 0:42:29 | 0:42:33 | |
site that has five beaver dams.
Water ponds, the flow has slowed and | 0:42:33 | 0:42:40 | |
released very gently downstream. So
we don't see a flood wave moving | 0:42:40 | 0:42:45 | |
through the site as we did before
the animals started building these | 0:42:45 | 0:42:50 | |
dams. An incredible success story in
just four months. It's a nature | 0:42:50 | 0:42:56 | |
-based solution to a man-made
problem. Or some, I love it. The | 0:42:56 | 0:43:00 | |
project will be closely monitored
for the next five years and the hope | 0:43:00 | 0:43:05 | |
is that this pair will breed next
spring. This would have been | 0:43:05 | 0:43:09 | |
possible without serious commitment
from farmer and landowner Chris | 0:43:09 | 0:43:13 | |
Jones, who has championed this
project from the start. As nocturnal | 0:43:13 | 0:43:18 | |
animals, the best time to see the
beavers at work is at night, so | 0:43:18 | 0:43:22 | |
we've brought along our thermal
imaging camera to try and capture | 0:43:22 | 0:43:25 | |
them in action. I've never seen a
wild beaver before, I'm really | 0:43:25 | 0:43:29 | |
excited. It's pitch black out here
but we've got this thermal imaging | 0:43:29 | 0:43:35 | |
camera that we can see on this
monitor and straightaway we've | 0:43:35 | 0:43:38 | |
picked up a brown rat out there, got
a little bit excited but it isn't | 0:43:38 | 0:43:42 | |
the beaver, is it? I have not seen
it like this, this is absolutely | 0:43:42 | 0:43:48 | |
phenomenal. There it is. Fabulous.
Oh my gosh, that's it. That is it. | 0:43:48 | 0:43:59 | |
That's an actual, adult, European
beaver. Right there. Look at that. | 0:43:59 | 0:44:06 | |
And it's getting something to read.
That's the first thing they do. Oh | 0:44:06 | 0:44:15 | |
my God, unmistakable, isn't it? This
is so exciting. It looks like it's | 0:44:15 | 0:44:23 | |
gnawing away at some branches.
Putting some branches down, little | 0:44:23 | 0:44:27 | |
twigs, it'll slip those off and find
a comfortable place to sit, then | 0:44:27 | 0:44:31 | |
it'll slowly strip the bark off
those. The sticks, often they leave | 0:44:31 | 0:44:37 | |
them there, but sometimes they will
stick them in the dam. He's bobbing | 0:44:37 | 0:44:42 | |
his nose up and down, having a good
smell. This is a working farm with | 0:44:42 | 0:44:48 | |
dogs and cattle, I mean... Heading
towards us. Turning around. | 0:44:48 | 0:44:56 | |
Patrolling. That was a little tail
slap. Probably only ten metres away | 0:44:56 | 0:45:03 | |
from it. Maybe closer. That's
amazing. You can see it blinking at | 0:45:03 | 0:45:08 | |
the moment. This pair have only been
here four months and already we've | 0:45:08 | 0:45:14 | |
seen this incredible activity and
you've seen real changes. It's been | 0:45:14 | 0:45:19 | |
superb. We knew what they were
capable of, but we had no idea that | 0:45:19 | 0:45:24 | |
they would get down and start
working almost as soon as they | 0:45:24 | 0:45:27 | |
arrived. Creating a habitat for
fish, and amphibians, and for a | 0:45:27 | 0:45:34 | |
whole host of insects, bats. I can
just see this becoming like an | 0:45:34 | 0:45:39 | |
island of intense biodiversity. What
I'd like to think is we'll be able | 0:45:39 | 0:45:45 | |
to demonstrate how these animals can
just... Be a part of the British | 0:45:45 | 0:45:51 | |
landscape. Why not? Absolutely, why
not? | 0:45:51 | 0:45:58 | |
Great to see Gillian so excited to
see a beaver. It is a brilliant | 0:46:00 | 0:46:04 | |
project because it has baseline data
and that means they have gathered | 0:46:04 | 0:46:09 | |
information about flooding, about
water flow and about species numbers | 0:46:09 | 0:46:12 | |
from a year before the Beavers were
introduced, which means they can | 0:46:12 | 0:46:17 | |
have accurate information on before
and after. I mean, it's really | 0:46:17 | 0:46:24 | |
important. They have already got
that in the form of biodiversity, | 0:46:24 | 0:46:27 | |
they looked at the aquatic
invertebrates before, 14 species in | 0:46:27 | 0:46:31 | |
the area where the beaver dams are
and the year afterwards, 41 species. | 0:46:31 | 0:46:38 | |
Immediately, the Beavers have
increased the biodiversity, the | 0:46:38 | 0:46:41 | |
species of life there. They are not
just about improving things for | 0:46:41 | 0:46:44 | |
other types of light. They are
ecosystem engineers who could help | 0:46:44 | 0:46:48 | |
us as well and we have a model which
we have built over here which shows | 0:46:48 | 0:46:52 | |
a cross-section of the British
countryside. You have got the | 0:46:52 | 0:46:57 | |
uplands, no trees, we have
deforested them in many places, | 0:46:57 | 0:47:00 | |
sadly, and no trees on the slope,
either, and we have drained this | 0:47:00 | 0:47:05 | |
area. Let's see what happens when we
have an extreme weather event with | 0:47:05 | 0:47:10 | |
lots of very heavy rain, as we are
seeing with climate change. This is | 0:47:10 | 0:47:16 | |
Storm Strachan racing down, getting
overly houses. It gets to Compton at | 0:47:16 | 0:47:21 | |
the bottom and submerges it and
immediately, the whole of all of the | 0:47:21 | 0:47:31 | |
firefighters are rushing out of the
fire station to help the village. | 0:47:31 | 0:47:35 | |
I'm game to try to rebuild the
village and we're going to change | 0:47:35 | 0:47:38 | |
the landscape by adding Beavers. I
have to get the water out. Do that | 0:47:38 | 0:47:43 | |
but I will start adding the Beavers.
When I said extreme weather... Did I | 0:47:43 | 0:47:50 | |
overdo it, storm Strachan got
carried away! In goes the Beavers, | 0:47:50 | 0:47:54 | |
quite a big beaver, look at the size
of it! It is not to scale. It is as | 0:47:54 | 0:48:00 | |
big as the houses. There's another
one, another dam that the beaver has | 0:48:00 | 0:48:05 | |
built which will go in there. I
think we have drained it. Pretty | 0:48:05 | 0:48:11 | |
much. It is not to scale. And the
water that came out on that occasion | 0:48:11 | 0:48:18 | |
was very silky because it was
eroding the land it was rushing | 0:48:18 | 0:48:21 | |
through. Now we have the beaver dams
in place and we have transformed the | 0:48:21 | 0:48:25 | |
landscape and if I just get the
glass ready, off you go. An extreme | 0:48:25 | 0:48:29 | |
weather event. But what happens? The
beaver dams are holding up the | 0:48:29 | 0:48:36 | |
water, slowing the flow, it is
merely trickling down and then two, | 0:48:36 | 0:48:44 | |
the drains are overloaded on the
streets but it's not around your | 0:48:44 | 0:48:46 | |
washing machine and savour. It is
still a bit silky but in real life, | 0:48:46 | 0:48:50 | |
it certainly wouldn't be. Getting
serious for a moment, we've had a | 0:48:50 | 0:48:54 | |
laugh with the model but when we
have these kind of events, it ruins | 0:48:54 | 0:48:58 | |
peoples lives and costs the economy
billions of pounds but we have the | 0:48:58 | 0:49:03 | |
potential for an logical solution.
Beavers can make a difference, they | 0:49:03 | 0:49:06 | |
slow down the water flow through the
system that is being monitored down | 0:49:06 | 0:49:10 | |
on the farm there by up to 30% and
the 13 beaver dams he has got on his | 0:49:10 | 0:49:15 | |
farm hold-up 1 million litres of
water. Beavers really can make a | 0:49:15 | 0:49:21 | |
difference. I think we ought to
salute Chris Jones as being one of | 0:49:21 | 0:49:27 | |
the foremost forward-thinking
farmers in the UK in his interest in | 0:49:27 | 0:49:31 | |
bringing back Beavers. What I like,
as it said in the film, a natural | 0:49:31 | 0:49:35 | |
solution to a man-made problem and
I've got to say, it went better than | 0:49:35 | 0:49:39 | |
we expected, didn't it? Pretty much!
Now it's time for an update on a | 0:49:39 | 0:49:45 | |
really beautiful but rare visitor to
the UK, a bird called the Montagu 's | 0:49:45 | 0:49:51 | |
Harrier. They are right at the limit
of their range here but they do | 0:49:51 | 0:49:55 | |
breed occasionally and I was lucky
enough last year to actually join a | 0:49:55 | 0:50:00 | |
team that were catching and
satellite tagging them. We caught | 0:50:00 | 0:50:05 | |
one and her name was Sally. It is
amazing, B Harrier looks quite big | 0:50:05 | 0:50:11 | |
in the air but in the hand, they are
tiny and really liked, and we | 0:50:11 | 0:50:16 | |
managed to get the satellite tag on
and once it was on, we were ready to | 0:50:16 | 0:50:21 | |
let her go. Three, two, one. Zero.
There you go, Sally. Fantastic. We | 0:50:21 | 0:50:32 | |
knew that Sally had successfully
bred for two years in the past with | 0:50:32 | 0:50:37 | |
her partner, Roger. But now we had
the satellite tag, we could track | 0:50:37 | 0:50:42 | |
exactly where she was going to go
and it was quite an extraordinary | 0:50:42 | 0:50:46 | |
journey. She left the UK, went all
the way across France, shot across | 0:50:46 | 0:50:52 | |
the Mediterranean, went to Tunisia
and then swept across here to the | 0:50:52 | 0:50:56 | |
Western Sahara and ended up down
here in Ghana. Quite a story. As far | 0:50:56 | 0:51:03 | |
as anyone knows, that is the
furthest south any Montagu's Harrier | 0:51:03 | 0:51:07 | |
has ever flown, Sally is a record
breaker. Of course, having done the | 0:51:07 | 0:51:12 | |
journey, earlier this year, she
started off coming all the way back | 0:51:12 | 0:51:16 | |
again and hopefully meeting up with
her partner, Roger, to breed this | 0:51:16 | 0:51:20 | |
year but sadly, that didn't happen.
Unexpectedly, suddenly, and | 0:51:20 | 0:51:28 | |
unexpectedly, her satellite tags
stopped transmitting on the 6th of | 0:51:28 | 0:51:30 | |
August. That was a very surprising
event. It is almost certain that | 0:51:30 | 0:51:37 | |
Sally is dead. And the fact that she
disappeared like that suddenly is | 0:51:37 | 0:51:43 | |
very suspicious. Also, three years
ago, another Montagu's Harrier was | 0:51:43 | 0:51:49 | |
killed in exactly the same area. It
is very sad news. It is but I have | 0:51:49 | 0:51:55 | |
some good news, in 2004, I went out
in the south-west and I helped to | 0:51:55 | 0:52:01 | |
wring some Montagu's Harrier is, as
you can see here. It's fingers | 0:52:01 | 0:52:07 | |
crossed these Montagu's Harriers
will not only be successful now and | 0:52:07 | 0:52:09 | |
fledge but also comeback and have
some broods of their own. Fingers | 0:52:09 | 0:52:14 | |
crossed they would come back and the
RSPB went out this year, similar | 0:52:14 | 0:52:17 | |
kind of area, and they caught two
adult Montagu's Harriers, and when | 0:52:17 | 0:52:22 | |
they looked at the rings, they were
two of the female birds from the | 0:52:22 | 0:52:26 | |
brood that we ringed 13 years ago.
That's impossible because they | 0:52:26 | 0:52:31 | |
surely don't live 13 years? We prove
they do, we put the satellite tag | 0:52:31 | 0:52:35 | |
them and we calculate if they were
to migrate back to Senegal like | 0:52:35 | 0:52:39 | |
usual, that is a distance of over
100,000 kilometres, 65,000 miles. | 0:52:39 | 0:52:45 | |
What about that? Astonishing. Five
pairs trying to breed this year, | 0:52:45 | 0:52:50 | |
four were successful and they had 12
young this year. That's very | 0:52:50 | 0:52:55 | |
impressive. I don't like it, Chris,
there's a bit of the slope on the | 0:52:55 | 0:52:59 | |
floor and I know you are a bit
taller than me but I feel really | 0:52:59 | 0:53:02 | |
short and I want an orange box! Now,
and Autumnwatch special because | 0:53:02 | 0:53:07 | |
Chris and I are going head-to-head,
testing the abilities of two massive | 0:53:07 | 0:53:13 | |
migratory birds, swans and geese. In
fact, we're going to try to find out | 0:53:13 | 0:53:16 | |
which one is top gun. The hooper
swan and the greylag goose. Supreme | 0:53:16 | 0:53:29 | |
migratory birds from Iceland. Both
top birds. But who is the champion | 0:53:29 | 0:53:37 | |
flyer? We have come to Abingdon
airfield to find out. Now, this is | 0:53:37 | 0:53:43 | |
Maisie. She is a greylag goose. She
is about five years old and she | 0:53:43 | 0:53:49 | |
weighs 2.8 kilograms and with a
wingspan of about 1.6 metres, she is | 0:53:49 | 0:53:54 | |
a superb flyer. For me, Maisie,
you're the one. This is Earth, the | 0:53:54 | 0:54:03 | |
hooper swan and she is 12 years old.
If they were open, you could see she | 0:54:03 | 0:54:09 | |
has a wingspan of 214 centimetres.
She weighs 8.6 kilograms which makes | 0:54:09 | 0:54:16 | |
her three times heavier than Maisie
the greylag goose. Nevertheless, | 0:54:16 | 0:54:20 | |
there is no doubt at all that hooper
swans like this are fantastic | 0:54:20 | 0:54:24 | |
long-distance migrants. I've got to
agree, this species has earned its | 0:54:24 | 0:54:30 | |
wings. To put these two species to
the test... We have come to meet | 0:54:30 | 0:54:40 | |
bird handlers Lloyd and Rose Buck.
They will be scoring the birds on | 0:54:40 | 0:54:47 | |
their take-off, flight speed and
agility in this, the toughest of | 0:54:47 | 0:54:50 | |
flight schools. Test one, take-off.
The number of steps to take off | 0:54:50 | 0:54:57 | |
made? Number of steps? Our fingers
will have to be pretty nippy. Let's | 0:54:57 | 0:55:02 | |
give it a go. I'm feeling nippy.
First up, the goose. Come on! How | 0:55:02 | 0:55:12 | |
many steps is that? LAUGHTER | 0:55:12 | 0:55:17 | |
Three. Three steps. Three steps and
she was off. She's liked and agile. | 0:55:29 | 0:55:35 | |
I'm going to win. If the wind picks
up we are in with a chance. Well, | 0:55:35 | 0:55:43 | |
let's find out, it is time for
Eartha's run. | 0:55:43 | 0:55:50 | |
Oh, come on. It was 16. You've got a
nervous twitch. You've got 11, it | 0:55:54 | 0:56:02 | |
was 16, mate, you can't cheat by
letting your finger slide off the | 0:56:02 | 0:56:05 | |
button. It was 16. My finger was
always on the button. We will look | 0:56:05 | 0:56:12 | |
at the action replay. Post-fight
analysis reveals Eartha takes 13 | 0:56:12 | 0:56:17 | |
steps to get airborne. It is
understandable as this weighty bird | 0:56:17 | 0:56:20 | |
needs to use its speed to generate
enough lift to take-off. 1-0 to the | 0:56:20 | 0:56:25 | |
goose. Let's see if the Swan fares
better in test two, flight speed. | 0:56:25 | 0:56:30 | |
The quickest birds down one-mile
runway wings. It is all very well | 0:56:30 | 0:56:34 | |
getting into the air, taking off.
Yes. It is what you do in the air | 0:56:34 | 0:56:41 | |
that counts. Good point. You would
your goose can disappear down the | 0:56:41 | 0:56:46 | |
end of the runway. I'm going to stay
on the starting with this post. You | 0:56:46 | 0:56:54 | |
drive a. And the wind the goose
takes off, I will say go. I will | 0:56:54 | 0:56:58 | |
start the stopwatch and then we will
do it with this one. The Swan! This | 0:56:58 | 0:57:03 | |
is going to be so easy. Him in his
goose, honestly. First up, Maisie. | 0:57:03 | 0:57:10 | |
Lloyd will be driving alongside her
but she will be dictating the speed. | 0:57:10 | 0:57:15 | |
Go, go. The goose is apparently
airborne. Look at this! Amazing. | 0:57:15 | 0:57:27 | |
Good girl, Maisie! Look at our go!
She is drawing checks her body can | 0:57:27 | 0:57:38 | |
cash! Woe! This bird can fly like
that 600 miles from Iceland to us. | 0:57:38 | 0:57:47 | |
Unbelievable. Not much chance of a
sonic boom, is there? Look at that, | 0:57:47 | 0:57:59 | |
keep going, Maisie, good girl. A bit
faster. LAUGHTER | 0:57:59 | 0:58:03 | |
45 seconds. | 0:58:03 | 0:58:06 | |
You've heard of a lame duck. Come
on, girl, feel the need, the need | 0:58:09 | 0:58:16 | |
for speed. Good girl! 1:36.80 one.
12. She is stalling, spilling out of | 0:58:16 | 0:58:31 | |
the air. That is a winning run if
ever I saw one. Did you pause for a | 0:58:31 | 0:58:39 | |
Breen en route. It went like the
others, that Bordeaux-Begles | 0:58:39 | 0:58:41 | |
beautiful to see. What did it do?
1:36.80 one. A spread. It did not | 0:58:41 | 0:58:49 | |
feel like that, mate. Do you want
50p on this to make this | 0:58:49 | 0:58:55 | |
readjusting? 50p, of the Queens
currency? One of those newfangled | 0:58:55 | 0:58:59 | |
pound I will go that far. Will the
Swan bigwig or will I have to become | 0:58:59 | 0:59:05 | |
pie? Out tomorrow. You won't want to
miss the conclusion of Swan against | 0:59:05 | 0:59:12 | |
goose tomorrow. It will literally
take your breath away. Stay with us | 0:59:12 | 0:59:16 | |
for Facebook live immediately after
this. We will be back for the final | 0:59:16 | 0:59:22 | |
show tomorrow at 8pm and Gillian
will be with us. See you then. | 0:59:22 | 0:59:25 | |
Goodbye. | 0:59:25 | 0:59:27 |