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We're in South Australia where the icy winds and towering grey waves | 0:00:18 | 0:00:22 | |
of the great Southern Ocean crash into this island continent. | 0:00:22 | 0:00:25 | |
We're here to examine the stories that shaped its history. | 0:00:27 | 0:00:30 | |
Of those long since passed and those who live here now, | 0:00:30 | 0:00:34 | |
drawn by an intangible connection to this dramatic and timeless coast. | 0:00:34 | 0:00:38 | |
Joining me on this journey, | 0:00:40 | 0:00:42 | |
Professor Emma Johnston dives deep into ancient coastal caves. | 0:00:42 | 0:00:46 | |
So, we just swam through a 5 million-year-old Gothic cathedral? | 0:00:46 | 0:00:50 | |
-That's right, yeah. -Absolutely stunning. | 0:00:50 | 0:00:52 | |
A close encounter for Professor Tim Flannery. | 0:00:52 | 0:00:55 | |
For the Europeans of 200 years ago, this coastline here | 0:00:55 | 0:00:59 | |
was about as unknown as the dark side of the moon. | 0:00:59 | 0:01:01 | |
Dr Alice Garner gets a taste of the gold rush. | 0:01:03 | 0:01:06 | |
This is California all over again. | 0:01:06 | 0:01:09 | |
While I take to the air to search and destroy. | 0:01:09 | 0:01:12 | |
Can we go and attack a submarine now? | 0:01:12 | 0:01:14 | |
LAUGHTER | 0:01:14 | 0:01:15 | |
This is Coast Australia. | 0:01:15 | 0:01:18 | |
In Coast's first trip to South Australia | 0:01:50 | 0:01:52 | |
we journey from Port Adelaide, around Kangaroo Island, | 0:01:52 | 0:01:56 | |
down through the Coorong, | 0:01:56 | 0:01:57 | |
to the Limestone Coast. | 0:01:57 | 0:01:59 | |
Historically, its distance from Europe shaped Australia's destiny. | 0:02:01 | 0:02:06 | |
Now the future of this island continent is tied to Asia. | 0:02:06 | 0:02:10 | |
And with 60,000km of coastline, | 0:02:12 | 0:02:14 | |
the tyranny of distance is a boon and a curse. | 0:02:14 | 0:02:18 | |
It's a challenge that requires sophisticated eyes and ears. | 0:02:25 | 0:02:29 | |
Not so much on the land but on the sea and in the air | 0:02:29 | 0:02:32 | |
and that's where I'm going to investigate. | 0:02:32 | 0:02:34 | |
In South Australia, | 0:02:37 | 0:02:39 | |
the Royal Australian Air Force has two roles to play. | 0:02:39 | 0:02:43 | |
One, defence. And the other, rescue. | 0:02:43 | 0:02:46 | |
Key to their success is the Orion P-3. | 0:02:46 | 0:02:48 | |
Capable of flying 3,600 nautical miles in a single mission | 0:02:50 | 0:02:54 | |
it's recognised as the best maritime surveillance plane in the world. | 0:02:54 | 0:02:58 | |
Today, I get to go up in one of these magnificent machines, | 0:02:59 | 0:03:03 | |
giving me a glimpse of the colossal responsibility | 0:03:03 | 0:03:06 | |
that is Australia's coastal defence. | 0:03:06 | 0:03:08 | |
That's us, then. Ready for the off. | 0:03:10 | 0:03:12 | |
Where can I plug this in? | 0:03:18 | 0:03:19 | |
For a maritime nation like Australia, | 0:03:32 | 0:03:35 | |
attack by submarine is a real threat. | 0:03:35 | 0:03:37 | |
First up in today's training exercise | 0:03:38 | 0:03:40 | |
is a drill to locate underwater invaders | 0:03:40 | 0:03:43 | |
using the Orion's state-of-the-art sonar and radar. | 0:03:43 | 0:03:47 | |
So, the idea is that somewhere in this area there's a submarine | 0:03:48 | 0:03:51 | |
and you need to know where it is and what it's doing? | 0:03:51 | 0:03:53 | |
That's right. So we're using radar, primarily, to find | 0:03:53 | 0:03:57 | |
where the submarine is, track it and hopefully achieve a mission kill. | 0:03:57 | 0:04:01 | |
OK. | 0:04:01 | 0:04:02 | |
'Once deployed, the Orions operate well below | 0:04:03 | 0:04:06 | |
'the standard cruising altitude of 35,000ft.' | 0:04:06 | 0:04:09 | |
-Are we the double white circle? -That's right. | 0:04:09 | 0:04:11 | |
So, this circle here - there's a line coming off, | 0:04:11 | 0:04:13 | |
which is the way that we're pointing | 0:04:13 | 0:04:15 | |
and the pilot's operating. That's quite a low level. | 0:04:15 | 0:04:18 | |
What do you call low level? | 0:04:18 | 0:04:20 | |
A really low level is about 100ft and that's quite sporting. | 0:04:20 | 0:04:24 | |
-I would do that operationally. -Will we do that today? | 0:04:24 | 0:04:27 | |
-Perhaps, yeah, hopefully. Definitely. -Great. | 0:04:27 | 0:04:29 | |
The squadron's motto is, "Shepherd or destroy." | 0:04:33 | 0:04:37 | |
So, along with torpedoes to sink the enemy, the Orions carry | 0:04:37 | 0:04:40 | |
critical gear for search and rescue missions. | 0:04:40 | 0:04:43 | |
101ft of wingspan, we're only 100ft above the waves, | 0:04:44 | 0:04:47 | |
so somewhere out there the wingtip is just above the water. | 0:04:47 | 0:04:50 | |
The sea is close enough to touch. | 0:04:51 | 0:04:53 | |
To mark the position of survivors, | 0:04:56 | 0:04:58 | |
smoke canisters are fired into the sea. | 0:04:58 | 0:05:01 | |
Yep, there's the smoke. Clear as day, trailing from right to left. | 0:05:03 | 0:05:06 | |
So that would be marking the position of someone or something | 0:05:06 | 0:05:09 | |
in the water, the smoke makes it easy to find again. | 0:05:09 | 0:05:11 | |
60 seconds. Clear to open the door, stand by the drop. | 0:05:15 | 0:05:18 | |
In a highly co-ordinated manoeuvre, the crew open the cabin door. | 0:05:18 | 0:05:22 | |
Door open. | 0:05:22 | 0:05:24 | |
Drop now. | 0:05:27 | 0:05:28 | |
And throw out a specially packaged life raft and supplies. | 0:05:28 | 0:05:32 | |
-BOTH: -Door's closed. | 0:05:34 | 0:05:36 | |
Back in surveillance mode, these firing tubes | 0:05:40 | 0:05:43 | |
double as launchers for sonobuoys, | 0:05:43 | 0:05:45 | |
sensitive listening devices that work in tandem with the radar. | 0:05:45 | 0:05:49 | |
Stand by buoy. Buoy away, now. | 0:05:49 | 0:05:52 | |
Two buoys. | 0:05:54 | 0:05:55 | |
So, as soon as one of those is in the water you can eavesdrop | 0:05:55 | 0:05:58 | |
on whatever's going on on the vessel that it's beside? | 0:05:58 | 0:06:00 | |
Sort of. We're listening to all the mechanical noises, | 0:06:00 | 0:06:03 | |
pumps of engines and propellers, all that sort of stuff. | 0:06:03 | 0:06:05 | |
From that we can determine what sort of vessel it is | 0:06:05 | 0:06:08 | |
and how fast it's going. | 0:06:08 | 0:06:09 | |
Copy, radar, check. | 0:06:09 | 0:06:11 | |
Our vessel of interest, | 0:06:11 | 0:06:13 | |
pilot's intentions will be to do a recon on this content. | 0:06:13 | 0:06:16 | |
'Along with submarine hunting, | 0:06:16 | 0:06:17 | |
'the crew monitors surface vessels, as well...' | 0:06:17 | 0:06:20 | |
Stand by. | 0:06:20 | 0:06:22 | |
'..tagging suspected vessels with a specialised long-range camera.' | 0:06:22 | 0:06:26 | |
Did those ships know that you were coming? | 0:06:26 | 0:06:29 | |
-Had you given them advance warning? -No. | 0:06:29 | 0:06:31 | |
As a matter of routine you just go | 0:06:31 | 0:06:33 | |
-and have a look at vessels that are in Australian waters? -Absolutely. | 0:06:33 | 0:06:37 | |
-Just see what they're doing? -Yep. | 0:06:37 | 0:06:38 | |
They could be a vessel that's polluting or suspected of polluting, | 0:06:38 | 0:06:41 | |
things like that are obviously quite important | 0:06:41 | 0:06:43 | |
cos you don't want pollution in the waters around here, obviously. | 0:06:43 | 0:06:46 | |
As a pilot, how do you rate this aircraft? | 0:06:48 | 0:06:52 | |
I think it's fantastic. | 0:06:52 | 0:06:53 | |
-Why? -Just beautiful aircraft to fly. | 0:06:53 | 0:06:55 | |
Far as a pilot goes, this is back down to basics, you know, | 0:06:55 | 0:06:58 | |
this is raw flying which you just don't get a lot of. | 0:06:58 | 0:07:02 | |
'As if to prove his point, | 0:07:02 | 0:07:04 | |
'Crew Captain Daniel Evans blindsides me...' | 0:07:04 | 0:07:06 | |
You're in a nice position, I'm going to hand over to you. | 0:07:06 | 0:07:09 | |
So, when I say handing over, I'm going to get you to take the yoke. | 0:07:09 | 0:07:12 | |
'..and hands over control of the aircraft to me.' | 0:07:12 | 0:07:15 | |
-Am I now flying this plane? -You are. | 0:07:15 | 0:07:17 | |
It's holding itself level at the moment so you can turn it | 0:07:17 | 0:07:19 | |
left and right, it's just like driving a car. | 0:07:19 | 0:07:21 | |
To the right. | 0:07:21 | 0:07:23 | |
-So, this is not a trick, this is me doing this? -No, | 0:07:23 | 0:07:26 | |
this is you doing it. | 0:07:26 | 0:07:27 | |
Wow. I wasn't expecting to be in charge of something like this today. | 0:07:28 | 0:07:32 | |
DANIEL CHUCKLES | 0:07:32 | 0:07:34 | |
You're sure this is legal? Can we go and attack a submarine now? | 0:07:34 | 0:07:37 | |
HE LAUGHS | 0:07:37 | 0:07:39 | |
If there are any around. | 0:07:39 | 0:07:40 | |
-I'm just going to take over again. -That's fantastic, OK. | 0:07:43 | 0:07:45 | |
Just release the yoke. | 0:07:45 | 0:07:47 | |
And then, right, so, I've got control of the aircraft again. | 0:07:47 | 0:07:51 | |
-Amazing. -Good fun? -Well, I've never done that before. | 0:07:51 | 0:07:55 | |
Not many people have. | 0:07:55 | 0:07:56 | |
Well, when I got out of bed this morning I was not expecting to spend | 0:08:02 | 0:08:06 | |
part of the day at the controls of a fully tooled-up military aircraft. | 0:08:06 | 0:08:11 | |
So, there you go. A definite first. And there's another thing. | 0:08:11 | 0:08:14 | |
These aircraft are coming to the end of many long years | 0:08:14 | 0:08:17 | |
of distinguished service. | 0:08:17 | 0:08:19 | |
But when the day comes, | 0:08:19 | 0:08:20 | |
and they finally go over the hill into history | 0:08:20 | 0:08:23 | |
and fly no more, I'll be able to say that, | 0:08:23 | 0:08:26 | |
if only for a few moments, I, too, once flew an Orion. | 0:08:26 | 0:08:31 | |
Were it not for a remarkable coincidence, | 0:08:46 | 0:08:49 | |
the towns and landmark along the rugged coast of South Australia | 0:08:49 | 0:08:53 | |
might not bear the names they do today. | 0:08:53 | 0:08:55 | |
In 1802, just off the coast here, | 0:08:59 | 0:09:03 | |
two of the world's greatest navigators met by chance. | 0:09:03 | 0:09:06 | |
At that time, their respective empires, France and England, | 0:09:09 | 0:09:13 | |
were fighting the Napoleonic Wars. | 0:09:13 | 0:09:15 | |
But this encounter was peaceful and even cooperative. | 0:09:15 | 0:09:19 | |
Professor Tim Flannery is setting out to investigate why. | 0:09:19 | 0:09:23 | |
In early April 1802, | 0:09:23 | 0:09:26 | |
this was still unexplored country. | 0:09:26 | 0:09:28 | |
But the great navigator Matthew Flinders | 0:09:28 | 0:09:30 | |
was fast approaching from the west. | 0:09:30 | 0:09:33 | |
He was the man that gave Australia its name. While from the east | 0:09:33 | 0:09:36 | |
there was a grand French expedition led by Captain Nicolas Baudin, | 0:09:36 | 0:09:40 | |
the greatest scientific exploring expedition of the 19th century. | 0:09:40 | 0:09:43 | |
The two were destined to meet just out there, | 0:09:44 | 0:09:47 | |
in a place that's been known ever since as Encounter Bay. | 0:09:47 | 0:09:50 | |
I'm here to meet an old mate, Adam Wynn, | 0:09:50 | 0:09:53 | |
and we've got a bit of a deal going about hats. | 0:09:53 | 0:09:56 | |
Unbeknownst to one another, both Flinders | 0:09:58 | 0:10:01 | |
and Baudin were exploring Australia's coast at the same time. | 0:10:01 | 0:10:05 | |
It was the race to chart Terra Australis. | 0:10:05 | 0:10:09 | |
At stake, a claim to this vast island continent | 0:10:09 | 0:10:13 | |
and all its many resources. | 0:10:13 | 0:10:15 | |
Monsieur la Captain. | 0:10:19 | 0:10:20 | |
HE GREETS HIM IN FRENCH | 0:10:20 | 0:10:22 | |
'His hat may look like French Captain Baudin's, | 0:10:22 | 0:10:26 | |
'but my mate Adam Wynn is as Aussie as they come.' | 0:10:26 | 0:10:28 | |
-It's fantastic to see you again, Adam. -Nice to see you. | 0:10:28 | 0:10:31 | |
It's so wonderful. It's been so long. I know, 200 years, | 0:10:31 | 0:10:34 | |
I can't believe it went so quickly. | 0:10:34 | 0:10:35 | |
'Adam's a talented winemaker with a penchant for history.' | 0:10:35 | 0:10:39 | |
So, Adam, this is Encounter Bay. Why have you brought me here? | 0:10:39 | 0:10:44 | |
Well, this is where an extraordinary meeting took place | 0:10:44 | 0:10:47 | |
over 200 years ago between Flinders and Baudin, | 0:10:47 | 0:10:50 | |
-rivals, from rival countries. -Was it right here, do you think, or...? | 0:10:50 | 0:10:53 | |
It was just about at this spot. | 0:10:53 | 0:10:55 | |
There was probably no two groups of people further from home, | 0:10:55 | 0:10:58 | |
when you think about it, and it would be like the Russians | 0:10:58 | 0:11:00 | |
bumping into the Americans on Mars. "What are you guys doing here?" | 0:11:00 | 0:11:04 | |
Just complete surprise and, of course, | 0:11:04 | 0:11:07 | |
at the time, the two countries were at war. | 0:11:07 | 0:11:09 | |
In the golden age of exploration, | 0:11:10 | 0:11:12 | |
charts and navigational knowledge were currency. | 0:11:12 | 0:11:15 | |
Highly-prized technology, that was the intel of the day. | 0:11:15 | 0:11:18 | |
But instead of killing one another, | 0:11:18 | 0:11:21 | |
Flinders and Baudin chose, rather, to exchange information courteously. | 0:11:21 | 0:11:26 | |
Flinders, of course, had already charted a great area | 0:11:26 | 0:11:29 | |
from the start of the bight to where we are now. | 0:11:29 | 0:11:32 | |
Baudin had charted unknown land from near the Victorian border | 0:11:32 | 0:11:36 | |
to where we are now, and they compared notes. | 0:11:36 | 0:11:38 | |
And it must have come as a bit of a disappointment to Baudin, really, | 0:11:38 | 0:11:42 | |
because he was charged with charting | 0:11:42 | 0:11:44 | |
the area that Flinders had just visited. | 0:11:44 | 0:11:45 | |
-Yes, so, you can just see on these maps. -Ah, yes. | 0:11:45 | 0:11:49 | |
These maps, Adam, are of particular importance, aren't they? | 0:11:49 | 0:11:52 | |
Very much so, the information was vital for | 0:11:52 | 0:11:55 | |
so many things at that time. | 0:11:55 | 0:11:56 | |
The ships at those times plied the seas with fairly limited | 0:11:56 | 0:11:59 | |
navigational aids and often foundered, | 0:11:59 | 0:12:02 | |
often were lost, you know, | 0:12:02 | 0:12:03 | |
at huge expense to the merchants involved. | 0:12:03 | 0:12:05 | |
So the more accurate the charts, | 0:12:05 | 0:12:07 | |
the more easy was your flow of commerce | 0:12:07 | 0:12:09 | |
and the wealthier you became as a nation. | 0:12:09 | 0:12:12 | |
Imagine if Baudin had got there first and a stake had been made | 0:12:12 | 0:12:15 | |
on the colony, what do you think South Australia would be like today? | 0:12:15 | 0:12:18 | |
Well, it's fascinating to contemplate, isn't it? | 0:12:18 | 0:12:21 | |
South Australia could have been the Quebec of Australia. | 0:12:21 | 0:12:23 | |
What a huge difference that would have made to our history. | 0:12:23 | 0:12:26 | |
-What an intriguing thought, a French South Australia. -Yes. -Marvellous. | 0:12:26 | 0:12:30 | |
-Vive la difference! -Vive la difference, mon Capitan. | 0:12:30 | 0:12:33 | |
Flinders and Baudin reached a gentleman's agreement to respect | 0:12:42 | 0:12:46 | |
the place names each had assigned to the territories they chartered. | 0:12:46 | 0:12:50 | |
Flash forward six years and Baudin is dead of tuberculosis, | 0:12:52 | 0:12:57 | |
Flinders, captured by the French, is detained in Mauritius - | 0:12:57 | 0:13:01 | |
their agreement broken. | 0:13:01 | 0:13:03 | |
All because Francois Peron and Louis de Freycinet, | 0:13:05 | 0:13:08 | |
two surviving members of Baudin's team, | 0:13:08 | 0:13:11 | |
neglected to mention the agreement back in France | 0:13:11 | 0:13:14 | |
and replaced Flinders' English names | 0:13:14 | 0:13:16 | |
with French ones on their map. | 0:13:16 | 0:13:18 | |
But France lost the Napoleonic Wars | 0:13:19 | 0:13:22 | |
and in 1836, | 0:13:22 | 0:13:24 | |
the British Empire proclaimed | 0:13:24 | 0:13:26 | |
South Australia as a colony. | 0:13:26 | 0:13:28 | |
Flinders' English names prevailed. | 0:13:29 | 0:13:31 | |
But because of that chance meeting and gentleman's agreement, | 0:13:31 | 0:13:35 | |
South Australia today has more French place names than | 0:13:35 | 0:13:38 | |
anywhere else on the continent. | 0:13:38 | 0:13:40 | |
Flinders and Baudin would never meet again | 0:13:42 | 0:13:44 | |
and Flinders died the very day that his great work, | 0:13:44 | 0:13:48 | |
A Voyage To Terra Australis, was finally published, | 0:13:48 | 0:13:51 | |
but the great tragedy of the expedition, I think, lies right here. | 0:13:51 | 0:13:55 | |
This is the Murray river-mouth and Flinders had been specifically | 0:13:55 | 0:13:59 | |
tasked by Sir Joseph Banks to find the great inland river of Australia. | 0:13:59 | 0:14:04 | |
He never saw the river-mouth, | 0:14:04 | 0:14:06 | |
neither did Baudin and so the chance for even further greatness | 0:14:06 | 0:14:10 | |
and exploration slipped from their grasp. | 0:14:10 | 0:14:12 | |
The mighty Murray is Australia's longest river. | 0:14:25 | 0:14:29 | |
Over 2,500 kilometres, | 0:14:29 | 0:14:31 | |
it's the gateway to three states, | 0:14:31 | 0:14:34 | |
traversing New South Wales, | 0:14:34 | 0:14:36 | |
Victoria, and South Australia. | 0:14:36 | 0:14:38 | |
But the shifting sands of the Murray mouth make this channel | 0:14:40 | 0:14:43 | |
impractical for shipping. | 0:14:43 | 0:14:45 | |
And even newly-invented, flat-bottomed paddle steamers | 0:14:48 | 0:14:52 | |
found the crossing extremely treacherous. | 0:14:52 | 0:14:54 | |
So here, the last bend before the river reaches the sea, | 0:14:56 | 0:15:00 | |
was selected as the place where the riverboats would unload | 0:15:00 | 0:15:03 | |
the cargoes, mostly bales of wool, | 0:15:03 | 0:15:05 | |
for transfer onto the ocean-going ships | 0:15:05 | 0:15:08 | |
out of Port Elliot and later Victor Harbour. | 0:15:08 | 0:15:10 | |
And a new era of commerce had begun. | 0:15:11 | 0:15:14 | |
Heading east from the Murray Mouth, | 0:15:22 | 0:15:24 | |
the coastline sweeps south along a 130km-long stretch | 0:15:24 | 0:15:28 | |
of desolate beach-fronted dunes and salt water lagoons. | 0:15:28 | 0:15:32 | |
This is the Coorong - one of Australia's largest wetlands, | 0:15:35 | 0:15:39 | |
immortalised in the classic feature film Storm Boy. | 0:15:39 | 0:15:43 | |
Based on the novel | 0:15:50 | 0:15:51 | |
by South Australian author Colin Thiele, | 0:15:51 | 0:15:54 | |
Storm Boy is a moving and evocative tale | 0:15:54 | 0:15:57 | |
that Brendan Moar remembers well. | 0:15:57 | 0:15:59 | |
Storm Boy was released in 1976, | 0:15:59 | 0:16:02 | |
and I remember first seeing it when I was seven years old. | 0:16:02 | 0:16:05 | |
I will never forget that infinite stretch of coastline, | 0:16:05 | 0:16:08 | |
those menacing, scary storm clouds and that sense of isolation. | 0:16:08 | 0:16:13 | |
It was the complete opposite of the stereotypical sun-bronzed Aussie. | 0:16:13 | 0:16:18 | |
This was a reflective, brooding coast. | 0:16:18 | 0:16:20 | |
The film charts the special bond between an isolated young boy | 0:16:24 | 0:16:27 | |
and the pelicans that breed here. | 0:16:27 | 0:16:30 | |
Want to see what Mr Percival can do? | 0:16:30 | 0:16:32 | |
This is my first visit to the Coorong, | 0:16:41 | 0:16:43 | |
and I wanted to see for myself what it is about this place | 0:16:43 | 0:16:47 | |
that inspired both the book and the film. | 0:16:47 | 0:16:49 | |
Storm Boy was photographed by Geoff Burton. | 0:16:54 | 0:16:57 | |
'He's one of Australia's most renowned cinematographers, | 0:16:57 | 0:17:00 | |
'and this moody film launched his international career.' | 0:17:00 | 0:17:04 | |
How important was the Coorong as a character in the film? | 0:17:04 | 0:17:07 | |
It's important in a story that is as wide-ranging | 0:17:07 | 0:17:10 | |
as the length of the events that occur in Storm Boy | 0:17:10 | 0:17:13 | |
to be able to see this landscape as threatening. | 0:17:13 | 0:17:16 | |
But at the same time, | 0:17:16 | 0:17:17 | |
using that same landscape in the context of beauty. | 0:17:17 | 0:17:20 | |
And, yet, it's the same pile of sand and the same bushes | 0:17:20 | 0:17:23 | |
and the same sky above. | 0:17:23 | 0:17:26 | |
Did you have any idea when you were making the film | 0:17:26 | 0:17:28 | |
you were effectively making an ode to this beautiful environment? | 0:17:28 | 0:17:33 | |
There was a period when there was a serious water shortage | 0:17:33 | 0:17:37 | |
in the Murray. | 0:17:37 | 0:17:38 | |
The pelicans were the first to go. | 0:17:38 | 0:17:40 | |
It looked as though at that stage | 0:17:40 | 0:17:42 | |
the Coorong was under serious threat. | 0:17:42 | 0:17:44 | |
I thought, "Storm Boy may end up being evidence of an environment | 0:17:44 | 0:17:49 | |
"that will no longer exist. | 0:17:49 | 0:17:51 | |
"This could be the best the Coorong is ever going to look in history." | 0:17:51 | 0:17:55 | |
Fortunately, the rains came and the whole thing was averted, | 0:17:55 | 0:17:59 | |
and water flowed down the Murray as it does. | 0:17:59 | 0:18:03 | |
Almost overnight, the pelicans came back and rookery was re-established. | 0:18:03 | 0:18:07 | |
The Coorong pelicans hold spiritual significance | 0:18:09 | 0:18:12 | |
for the local Aboriginal people, who claim them as a totem. | 0:18:12 | 0:18:16 | |
Storm Boy. You run like a black fella. | 0:18:16 | 0:18:20 | |
Like the wind. | 0:18:20 | 0:18:22 | |
The relationship between young Mike and Fingerbone Bill, | 0:18:22 | 0:18:25 | |
played by legendary indigenous actor David Gulpilil, | 0:18:25 | 0:18:29 | |
is another ground-breaking aspect of Storm Boy. | 0:18:29 | 0:18:31 | |
He was a man who had spiritual ownership of this land. | 0:18:33 | 0:18:36 | |
His story is the pelican's story. | 0:18:36 | 0:18:38 | |
That, sort of, concept had never been put | 0:18:38 | 0:18:40 | |
to Australian audiences before. | 0:18:40 | 0:18:42 | |
The film changed perspectives on the natural world, | 0:18:47 | 0:18:50 | |
and this was the 1970s, way before the environment became a hot topic. | 0:18:50 | 0:18:55 | |
Capturing this ethereal costal landscape on film | 0:18:55 | 0:18:58 | |
was a triumph for Australia's blossoming screen industry, | 0:18:58 | 0:19:02 | |
and, of course, its principal star - the Coorong. | 0:19:02 | 0:19:05 | |
Storm Boy captured this coastline in fiction. | 0:19:12 | 0:19:17 | |
100km west of here in Adelaide, | 0:19:17 | 0:19:19 | |
there's a real life maritime history waiting to be preserved. | 0:19:19 | 0:19:23 | |
While the colonies of New South Wales and Tasmania | 0:19:23 | 0:19:27 | |
were established as convict settlements, | 0:19:27 | 0:19:30 | |
in 1836, the founders of South Australia | 0:19:30 | 0:19:33 | |
proclaimed a different vision. | 0:19:33 | 0:19:35 | |
They imagined a colony of religious and political freedom, | 0:19:35 | 0:19:38 | |
and all of it supported by business and pastoral investment. | 0:19:38 | 0:19:42 | |
So unlike the rest of the continent, | 0:19:45 | 0:19:47 | |
South Australia would be built not by convicts but by free men. | 0:19:47 | 0:19:52 | |
Advertisements were placed in the British press | 0:19:52 | 0:19:55 | |
to attract the great and the good. | 0:19:55 | 0:19:57 | |
"Free emigration to Port Adelaide, South Australia. | 0:19:57 | 0:20:00 | |
"Married agricultural labourers, shepherds, blacksmiths | 0:20:00 | 0:20:04 | |
"wheelwrights, sawyers, tailors, shoe-makers, brick-makers, | 0:20:04 | 0:20:07 | |
"builders, and all persons engaged in useful occupations | 0:20:07 | 0:20:11 | |
"may obtain a free passage." | 0:20:11 | 0:20:13 | |
Strangely, they don't mention archaeologists. | 0:20:13 | 0:20:16 | |
But even if the travel costs were covered, | 0:20:19 | 0:20:21 | |
free settlers could hardly be expected to sail on convict barques. | 0:20:21 | 0:20:26 | |
So in 1862, a group of wealthy Adelaide merchants | 0:20:26 | 0:20:30 | |
commissioned a more enticing vessel. | 0:20:30 | 0:20:32 | |
Built in Sunderland and aptly named the City Of Adelaide, | 0:20:34 | 0:20:38 | |
she was a three-masted composite clipper, and the first of her kind. | 0:20:38 | 0:20:42 | |
-Peter, how are you? -Hi. Good to see you. | 0:20:47 | 0:20:49 | |
Good to see you, and to see the City Of Adelaide. | 0:20:49 | 0:20:51 | |
Isn't it magnificent? | 0:20:51 | 0:20:52 | |
You do get that sudden sense, that shock | 0:20:52 | 0:20:55 | |
of how big a construction she is. | 0:20:55 | 0:20:57 | |
'Maritime enthusiast Peter Christopher | 0:20:57 | 0:20:59 | |
'is committed to preserving this iconic remnant | 0:20:59 | 0:21:02 | |
'of South Australia's maritime history.' | 0:21:02 | 0:21:05 | |
Genealogists have calculated | 0:21:05 | 0:21:07 | |
that about a quarter of a million people in Australia today | 0:21:07 | 0:21:10 | |
can trace their heritage back to this actual vessel. | 0:21:10 | 0:21:13 | |
From a technical point of view, then, | 0:21:13 | 0:21:15 | |
what is a composite clipper and why is it important? | 0:21:15 | 0:21:19 | |
Prior to this ship being built, ships were made wholly of wood. | 0:21:19 | 0:21:24 | |
The construction of this had an iron frame with wood over that. | 0:21:24 | 0:21:28 | |
That meant the ship was much more streamlined, | 0:21:28 | 0:21:31 | |
it could actually travel much faster. | 0:21:31 | 0:21:33 | |
Between 1864 and 1886, | 0:21:34 | 0:21:37 | |
the City Of Adelaide made 23 round trips, | 0:21:37 | 0:21:40 | |
carrying British and European migrants to South Australia, | 0:21:40 | 0:21:44 | |
returning to Britain with copper, wool and wheat. | 0:21:44 | 0:21:47 | |
This ship was so fast it was capable of cutting | 0:21:47 | 0:21:49 | |
a month off the journey to Australia. | 0:21:49 | 0:21:52 | |
A month off a journey that was how long anyway? | 0:21:52 | 0:21:54 | |
Some of the early ships took four, four-and-a-half months. | 0:21:54 | 0:21:57 | |
This ship could do it in under three. | 0:21:57 | 0:21:58 | |
That's like a quantum leap. | 0:21:58 | 0:22:01 | |
Superseded only by the age of steam, the City's sailing ended in 1893, | 0:22:01 | 0:22:07 | |
and she languished in a Glasgow dock for almost 100 years, | 0:22:07 | 0:22:11 | |
before finally sinking. | 0:22:11 | 0:22:12 | |
Raised, she was doomed to decay in a Scottish backwater | 0:22:12 | 0:22:16 | |
until Peter championed a lengthy and expensive rescue mission. | 0:22:16 | 0:22:21 | |
Peter, I have to ask - why go to all this effort for her? | 0:22:21 | 0:22:25 | |
In terms of maritime history, | 0:22:25 | 0:22:27 | |
this is one of the ten or so most iconic ships in the world. | 0:22:27 | 0:22:30 | |
So this is the mother ship for Adelaide. | 0:22:30 | 0:22:32 | |
It's very much the mother ship, yeah. | 0:22:32 | 0:22:34 | |
It's a grand old lady. | 0:22:34 | 0:22:37 | |
It took 14 years and 4 million | 0:22:39 | 0:22:42 | |
before the hull of this regal, old clipper | 0:22:42 | 0:22:45 | |
could finally be hoisted on to a purpose-built steel cradle | 0:22:45 | 0:22:48 | |
and transported by heavy-lift carrier back to Port Adelaide | 0:22:48 | 0:22:52 | |
and the city she helped build. | 0:22:52 | 0:22:55 | |
It's almost an uncomfortable feeling | 0:22:55 | 0:22:58 | |
being up against a ship's hull like this. | 0:22:58 | 0:23:02 | |
It ought to be in the water. | 0:23:02 | 0:23:04 | |
You're also reminded all the time that it was the work of people. | 0:23:04 | 0:23:07 | |
Every inch of this would have been touched at some point | 0:23:07 | 0:23:10 | |
as people either built it or maintained it | 0:23:10 | 0:23:13 | |
or put on the copper cladding. | 0:23:13 | 0:23:15 | |
I don't know. | 0:23:15 | 0:23:16 | |
You can hear the voices, because it represents the people | 0:23:16 | 0:23:19 | |
who built her and the people who were carried inside her. | 0:23:19 | 0:23:23 | |
You get a sense of them. | 0:23:23 | 0:23:25 | |
Pam Whittle is a descendent, a very special one. | 0:23:26 | 0:23:29 | |
This is the first time she's seen the City here in Adelaide. | 0:23:29 | 0:23:34 | |
-Hi, Pam, how are you? -Hello, Neil! Good to see you. | 0:23:34 | 0:23:37 | |
Lovely to see you too. | 0:23:37 | 0:23:39 | |
How do you feel seeing this grand lady | 0:23:39 | 0:23:42 | |
for the first time in Australia? | 0:23:42 | 0:23:44 | |
I'm feeling absolutely amazed, very emotional. | 0:23:44 | 0:23:50 | |
-Mm-hmm. -And... | 0:23:50 | 0:23:52 | |
I just feel it's almost a dream. | 0:23:52 | 0:23:55 | |
Pam's great-grandfather, David Bruce, | 0:23:56 | 0:23:58 | |
commissioned the building of this majestic old clipper. | 0:23:58 | 0:24:02 | |
This ship wouldn't exist without your ancestor. | 0:24:02 | 0:24:05 | |
I don't think it would have. | 0:24:05 | 0:24:06 | |
'In pride of place in photo albums | 0:24:06 | 0:24:08 | |
'are shots of her and her husband in Glasgow | 0:24:08 | 0:24:12 | |
'where, in the '80s, the City Of Adelaide served | 0:24:12 | 0:24:15 | |
'as a naval officer's club. | 0:24:15 | 0:24:17 | |
'Pam had the rare opportunity to spend a couple of nights on board.' | 0:24:17 | 0:24:21 | |
I can't get over the fact that you, as a descendant of the man | 0:24:23 | 0:24:25 | |
who commissioned and had the ship built, has actually slept aboard. | 0:24:25 | 0:24:30 | |
Yes. That makes me feel very shivery. | 0:24:30 | 0:24:32 | |
I imagine my great-grandfather David Bruce watching over me. | 0:24:34 | 0:24:38 | |
I had this feeling that there's some link. | 0:24:38 | 0:24:42 | |
Well, more than some. A lot of links. | 0:24:42 | 0:24:44 | |
Mm. | 0:24:47 | 0:24:48 | |
More money is needed to fully restore the City Of Adelaide, | 0:24:50 | 0:24:54 | |
and so, after 150 years, this hulking relic | 0:24:54 | 0:24:59 | |
of the golden age of maritime history | 0:24:59 | 0:25:01 | |
waits patiently in her new dock. | 0:25:01 | 0:25:03 | |
And for the descendents of the passengers who arrived aboard her, | 0:25:04 | 0:25:08 | |
her homecoming here is a new chapter. | 0:25:08 | 0:25:10 | |
It's about history being brought to life for a whole new generation. | 0:25:10 | 0:25:14 | |
In the footsteps of great explorers, like Flinders and Baudin, | 0:25:20 | 0:25:24 | |
humans have domesticated much of this wild and rugged landscape. | 0:25:24 | 0:25:28 | |
But the primal forces that gave this ancient coastline birth | 0:25:30 | 0:25:34 | |
are far, far greater than any of mankind's endeavours. | 0:25:34 | 0:25:38 | |
Hidden right here at Discovery Bay | 0:25:41 | 0:25:44 | |
on South Australia's remote Limestone Coast, | 0:25:44 | 0:25:46 | |
marine ecologist Professor Emma Johnston | 0:25:46 | 0:25:49 | |
is about to uncover one of nature's best kept secrets. | 0:25:49 | 0:25:52 | |
I'm here in South Australia on the very border with Victoria. | 0:25:56 | 0:26:01 | |
There's surf, sand, shore birds - all very typical. | 0:26:01 | 0:26:05 | |
But what's unusual, something I have never seen before, is this - | 0:26:05 | 0:26:11 | |
water bubbling out of the sand. | 0:26:11 | 0:26:14 | |
'To help me make sense of it is geomorphologist Grant Pearce, | 0:26:18 | 0:26:22 | |
'who's studying this natural phenomenon.' | 0:26:22 | 0:26:25 | |
-Grant. -Hey, Emma. How are you going? Good to see you. -Yeah, good, good. | 0:26:25 | 0:26:29 | |
-Hey, what's this? -What's happening here, Emma, | 0:26:29 | 0:26:31 | |
is that these little bubbles coming out of here, | 0:26:31 | 0:26:33 | |
that's ground water coming up through the sand. | 0:26:33 | 0:26:36 | |
-Ah, this is fresh. -It's lovely, fresh water. If you have a taste... | 0:26:36 | 0:26:40 | |
-Oh, it is. -Apart from the sand, it's quite nice. | 0:26:40 | 0:26:43 | |
THEY LAUGH | 0:26:43 | 0:26:45 | |
So where has this come from? | 0:26:45 | 0:26:47 | |
Well, the rainfall that generates this | 0:26:47 | 0:26:49 | |
falls inland about 100km away from where we are. | 0:26:49 | 0:26:52 | |
And it's sunk into the earth? | 0:26:52 | 0:26:54 | |
It sinks into the earth. | 0:26:54 | 0:26:56 | |
It can take between 5,000 and 35,000 years to come out of this place. | 0:26:56 | 0:27:01 | |
I could be drinking 35,000-year-old water. | 0:27:01 | 0:27:04 | |
Fossil water. Yeah. | 0:27:04 | 0:27:05 | |
While these bubbling springs have taken 35,000 years | 0:27:08 | 0:27:12 | |
to travel through the ground to the beach, | 0:27:12 | 0:27:15 | |
their true origin began millions of years ago | 0:27:15 | 0:27:18 | |
when Tasmania split away from South Australia. | 0:27:18 | 0:27:21 | |
The great Southern Ocean rolled in over this Mount Gambier region, | 0:27:22 | 0:27:26 | |
littering the seabed with shells and decaying crustaceans. | 0:27:26 | 0:27:30 | |
These shells fossilised. | 0:27:31 | 0:27:32 | |
And over millennia, | 0:27:32 | 0:27:34 | |
increasing volcanic activity and gaseous venting | 0:27:34 | 0:27:37 | |
created the series of caves | 0:27:37 | 0:27:39 | |
that is South Australia's spectacular Limestone Coast. | 0:27:39 | 0:27:43 | |
This whole region is like a Swiss cheese of cove fixtures | 0:27:45 | 0:27:49 | |
all the way around this coastline. | 0:27:49 | 0:27:51 | |
So when we have a look into some of those coves, we can see the water, | 0:27:51 | 0:27:55 | |
which is what's sitting in there, which comes from further up north. | 0:27:55 | 0:27:59 | |
So behind us, behind this beach, | 0:27:59 | 0:28:01 | |
you'll find a landscape which is full of holes? | 0:28:01 | 0:28:04 | |
Absolutely, yeah. | 0:28:04 | 0:28:06 | |
Let's go and have a look. | 0:28:06 | 0:28:07 | |
So the secrets to this landscape are in fresh water, | 0:28:10 | 0:28:13 | |
but on a scale I wasn't expecting. | 0:28:13 | 0:28:16 | |
We've just come from the beach, | 0:28:16 | 0:28:18 | |
and now we're in what looks like a reedy grassland. | 0:28:18 | 0:28:22 | |
Yeah, we're entering one of Australia's most unique wetlands. | 0:28:22 | 0:28:26 | |
EMMA GASPS | 0:28:26 | 0:28:28 | |
Look at what we've got here. | 0:28:28 | 0:28:30 | |
That's stunning. | 0:28:30 | 0:28:31 | |
So this is Piccaninnie Ponds. | 0:28:31 | 0:28:33 | |
Unlike most wetlands, which are fed by surface water, | 0:28:34 | 0:28:38 | |
Piccaninnie Ponds is unique. | 0:28:38 | 0:28:41 | |
Here, the ground water seeps in from below, | 0:28:41 | 0:28:44 | |
eroding the limestone above it. | 0:28:44 | 0:28:46 | |
And when the thinning surface layer collapses, | 0:28:46 | 0:28:49 | |
spectacular sinkholes, or deep-water ponds, are formed. | 0:28:49 | 0:28:53 | |
The water is about 14 degrees Celsius, | 0:28:56 | 0:28:59 | |
'and I'm joining Grant for an afternoon dive.' | 0:28:59 | 0:29:02 | |
'Besides being a hazard to the passing drover and his dog, | 0:29:07 | 0:29:10 | |
'sinkholes were only ever a curiosity for snorkelers, | 0:29:10 | 0:29:14 | |
'until the invention of scuba and the Aqua-lung in the '60s. | 0:29:14 | 0:29:19 | |
'Since then, curious divers like Grant | 0:29:19 | 0:29:22 | |
'have taken to exploring these underwater caverns.' | 0:29:22 | 0:29:26 | |
How deep is this cave? | 0:29:26 | 0:29:27 | |
This cave goes down to about 110 metres. | 0:29:27 | 0:29:30 | |
'Like Flinders and Baudin, who first mapped the coastline, | 0:29:31 | 0:29:34 | |
'Grant and his colleagues are the new cartographers, | 0:29:34 | 0:29:38 | |
'continuing the explorers' legacy, probing the secrets | 0:29:38 | 0:29:42 | |
'of Mount Gambier's magnificent subterranean caves.' | 0:29:42 | 0:29:45 | |
Are we at risk of losing | 0:29:49 | 0:29:51 | |
these fresh-water ecosystems close to the coast? | 0:29:51 | 0:29:54 | |
Provided that they're managed properly, | 0:29:54 | 0:29:56 | |
this site will be able to be maintained well into the future. | 0:29:56 | 0:29:59 | |
'Placed here by cave divers, | 0:30:00 | 0:30:02 | |
'these tubular salinity probes monitor levels of salt | 0:30:02 | 0:30:05 | |
'at the fresh and sea water interface. | 0:30:05 | 0:30:08 | |
'This information is fed back to a station at Mount Gambier. | 0:30:08 | 0:30:12 | |
'where scientists use it to formulate water-management plans | 0:30:12 | 0:30:15 | |
'to protect these wetlands.' | 0:30:15 | 0:30:17 | |
How many years ago did that form? | 0:30:17 | 0:30:19 | |
We think that that formed about five million years ago. | 0:30:19 | 0:30:23 | |
So, we just swam through a five million-year-old Gothic cathedral?! | 0:30:23 | 0:30:27 | |
-That's right! -Absolutely stunning. | 0:30:27 | 0:30:29 | |
Just inland from Piccaninnie Ponds | 0:30:32 | 0:30:35 | |
is the deep and mysterious | 0:30:35 | 0:30:37 | |
Kilsby Sinkhole. | 0:30:37 | 0:30:39 | |
The water is so clear. | 0:30:43 | 0:30:45 | |
-Why is it so clear? -The limestone acts like a giant coffee filter | 0:30:45 | 0:30:49 | |
and it just filters out any of the impurities in the organics | 0:30:49 | 0:30:52 | |
and what you see here | 0:30:52 | 0:30:53 | |
is water that we can drink. | 0:30:53 | 0:30:55 | |
'And as science follows the cave divers, | 0:30:55 | 0:30:58 | |
'who knows what incredible breakthroughs might emerge, | 0:30:58 | 0:31:01 | |
'as modern-day explorers, like Grant, | 0:31:01 | 0:31:03 | |
'uncover sacred wonders, in these subterranean cathedrals of light.' | 0:31:03 | 0:31:09 | |
Just 200 years in the writing | 0:31:22 | 0:31:24 | |
and Australia's colonial history is rich with the achievements | 0:31:24 | 0:31:28 | |
of a tenacious people who have made a life most splendid along this | 0:31:28 | 0:31:32 | |
glimmering coast. | 0:31:32 | 0:31:33 | |
But behind this success story is a dark and ugly shadow. | 0:31:34 | 0:31:39 | |
Historian, Dr Alice Garner, | 0:31:40 | 0:31:43 | |
has come to the port town of Robe, 160 kilometres | 0:31:43 | 0:31:46 | |
from the Victorian border, to explore how one colony's | 0:31:46 | 0:31:49 | |
xenophobic tax was the making of another's coastal town. | 0:31:49 | 0:31:53 | |
In the 1840s and '50s, | 0:31:56 | 0:31:58 | |
Imperial China was fighting Britain and France | 0:31:58 | 0:32:00 | |
in the Opium Wars. It was a time of great economic deprivation | 0:32:00 | 0:32:05 | |
and political instability for the Chinese people. | 0:32:05 | 0:32:08 | |
And, for many, life was so grim that, in order to ensure the survival | 0:32:08 | 0:32:12 | |
of their family, they had to leave home, to seek work overseas. | 0:32:12 | 0:32:16 | |
In America, | 0:32:19 | 0:32:20 | |
the gold rush was winding down. | 0:32:20 | 0:32:23 | |
Word filtered through that the next El Dorado was in Australia - | 0:32:23 | 0:32:27 | |
specifically, Victoria. | 0:32:27 | 0:32:29 | |
Seeking better prospects, desperate Chinese left their remote villages | 0:32:31 | 0:32:35 | |
in droves, sailed on junks to Hong Kong and boarded European ships | 0:32:35 | 0:32:40 | |
to Australia. | 0:32:40 | 0:32:41 | |
But the Victorian government considered the influx | 0:32:41 | 0:32:44 | |
of Chinese fossikers a threat and, in 1855, imposed a £10 poll, | 0:32:44 | 0:32:50 | |
or head tax, on all Chinese landing | 0:32:50 | 0:32:53 | |
in Victoria - an attempt to keep them out of the colony. | 0:32:53 | 0:32:58 | |
It was a blatant act of racism, | 0:32:58 | 0:32:59 | |
because it applied only to the Chinese. | 0:32:59 | 0:33:02 | |
In response, Hong Kong shipping agents redirected their vessels | 0:33:02 | 0:33:06 | |
to South Australia, | 0:33:06 | 0:33:08 | |
where there was no Chinese landing tax - at least, not yet - | 0:33:08 | 0:33:11 | |
and unloaded their pasengers here, at Guichen Bay. | 0:33:11 | 0:33:15 | |
And so, in January 17th, 1857, | 0:33:16 | 0:33:20 | |
the sleepy town of Robe awoke to find a British ship | 0:33:20 | 0:33:23 | |
anchored in the bay. | 0:33:23 | 0:33:25 | |
265 Chinese disembarked that morning, the first of some 15,000 to pass | 0:33:27 | 0:33:32 | |
through Robe in the coming year. | 0:33:32 | 0:33:34 | |
When they set foot on dry land, they discovered they would have to walk | 0:33:34 | 0:33:39 | |
to the Victorian gold fields. That is more than 400 kilometres away. | 0:33:39 | 0:33:45 | |
'Writer and researcher Liz Harfull is the full book on Robe | 0:33:48 | 0:33:51 | |
'and its history.' | 0:33:51 | 0:33:52 | |
Liz! | 0:33:52 | 0:33:54 | |
Hello, Alice. Welcome to Flagstaff Hill. | 0:33:54 | 0:33:57 | |
This is the hub of where it all started for Robe. | 0:33:57 | 0:33:59 | |
Over here, we have Nicolas Baudin and Matthew Flinders, | 0:33:59 | 0:34:03 | |
the two individuals that charted the coast. | 0:34:03 | 0:34:05 | |
Can you paint me a picture of Robe at the time the Chinese miners arrived? | 0:34:05 | 0:34:09 | |
It was a very small and isolated port at the furthest end | 0:34:09 | 0:34:12 | |
of the British Empire. | 0:34:12 | 0:34:13 | |
Less than 200 people lived here at that time. | 0:34:13 | 0:34:17 | |
-Were they welcomed into Robe? -On the whole, they were, | 0:34:17 | 0:34:19 | |
because the locals soon worked out it was a fabulous | 0:34:19 | 0:34:22 | |
business opportunity. | 0:34:22 | 0:34:23 | |
Were they mainly men or were there women and children on board? | 0:34:23 | 0:34:26 | |
Overwhelmingly, men. In fact, census records show there are only | 0:34:26 | 0:34:30 | |
three women on the Victorian gold fields, well into the gold rush. | 0:34:30 | 0:34:33 | |
The Victorian gold rush was a jackpot for the townsfolk of Robe. | 0:34:36 | 0:34:40 | |
The Celestials, a name given to the Chinese, | 0:34:43 | 0:34:46 | |
needed to eat, sleep and prepare | 0:34:46 | 0:34:48 | |
for their arduous journey to the gold fields of Ballarat. | 0:34:48 | 0:34:52 | |
Robe locals were able to charge exhorbitant prices for goods | 0:34:53 | 0:34:57 | |
and services and, when the cash ran out, | 0:34:57 | 0:35:00 | |
there were exotic possessions to barter. | 0:35:00 | 0:35:03 | |
The local government even levied a 5% customs duty on opium - | 0:35:03 | 0:35:07 | |
legal, at the time - brought in to Australia by the Chinese miners. | 0:35:07 | 0:35:12 | |
I've got some essential supplies here, the kind of things | 0:35:16 | 0:35:18 | |
that the Chinese miners might have taken with them | 0:35:18 | 0:35:21 | |
for their walk. Of course, they also would have needed mining supplies | 0:35:21 | 0:35:26 | |
or equipment. | 0:35:26 | 0:35:27 | |
Oh! But I think this is heavy enough. | 0:35:28 | 0:35:30 | |
And now, having sailed from southern China... | 0:35:31 | 0:35:35 | |
..the journey is only just beginning. | 0:35:36 | 0:35:39 | |
It's over 400 kilometres to Victoria. | 0:35:39 | 0:35:42 | |
And so, burdened with kit, | 0:35:46 | 0:35:47 | |
they trekked to the Central Victorian gold fields, | 0:35:47 | 0:35:50 | |
over swampy trade tracks and in blistering 40-degree heat. | 0:35:50 | 0:35:55 | |
Tough times awaited the Chinese on the Victorian gold fields. | 0:35:56 | 0:35:59 | |
Most eventually went home, if they could afford it. | 0:35:59 | 0:36:02 | |
But many chose to carve out a life here and prospered | 0:36:02 | 0:36:05 | |
and changed this immigrant country of ours for ever. | 0:36:05 | 0:36:08 | |
Ferry journeys like this | 0:36:33 | 0:36:35 | |
are so reminiscent of so many journeys that I have made around | 0:36:35 | 0:36:38 | |
the British Isles, particularly in the west of Scotland, | 0:36:38 | 0:36:41 | |
but in fact, I couldn't be further from home. | 0:36:41 | 0:36:43 | |
We're heading for Kangaroo Island, 15 kilometres off the coast, | 0:36:46 | 0:36:49 | |
earmarked by Matthew Flinders | 0:36:49 | 0:36:52 | |
as a suitable location for the first settlement | 0:36:52 | 0:36:54 | |
of South Australia. | 0:36:54 | 0:36:56 | |
But the inclement conditions | 0:36:57 | 0:36:59 | |
forced those first settlers to abandon the island | 0:36:59 | 0:37:02 | |
and move to Adelaide. | 0:37:02 | 0:37:04 | |
There is a hidden history here, | 0:37:06 | 0:37:08 | |
swept over by the icy winds on this desolate shore. | 0:37:08 | 0:37:12 | |
And I have come to dig it out. | 0:37:12 | 0:37:14 | |
At least a decade before Flinders, Kangaroo Island was already a haven | 0:37:18 | 0:37:23 | |
for a community of wildmen - tough, flinty-eyed crewmen | 0:37:23 | 0:37:27 | |
who had jumped ship to escape appalling working conditions, | 0:37:27 | 0:37:30 | |
seeking refuge on islands like this. | 0:37:30 | 0:37:33 | |
They were hunting whales and seals, for oil and fur. | 0:37:36 | 0:37:40 | |
but it was another furry beast that gave this island its name. | 0:37:43 | 0:37:46 | |
In March, 1802, hungry and short on supplies, | 0:37:47 | 0:37:50 | |
Matthew Flinders and his crew on the Investigator docked here. | 0:37:50 | 0:37:54 | |
In fact, Flinders wrote that Kangaroo Island was so named | 0:37:56 | 0:37:59 | |
because it was these animals which saved them. | 0:37:59 | 0:38:02 | |
He was here for about six weeks and, during that time, his crew | 0:38:02 | 0:38:06 | |
augmented their diet by slaughtering | 0:38:06 | 0:38:08 | |
and eating over 30 of these poor beasts. | 0:38:08 | 0:38:11 | |
So, replenished, the Investigator sailed on, but as you can see, | 0:38:11 | 0:38:15 | |
the kangaroos remained, to provide a great deal of fascination | 0:38:15 | 0:38:19 | |
for Flinders' French counterpart, Nicolas Baudin, who was so | 0:38:19 | 0:38:22 | |
senamoured of these bizarre creatures that he took two of them | 0:38:22 | 0:38:25 | |
back to France, as presents for none other than Josephine Bonaparte. | 0:38:25 | 0:38:30 | |
Joined by escaped convicts, bringing abducted | 0:38:32 | 0:38:35 | |
Aboriginal women with them, the renegade wild men of Kangaroo Island | 0:38:35 | 0:38:40 | |
sold seal skins and oil to passing ships, | 0:38:40 | 0:38:43 | |
for rum, tobacco, firearms, tools | 0:38:43 | 0:38:46 | |
and other necessities. | 0:38:46 | 0:38:48 | |
It was the beginning of a profitable fur trade, | 0:38:48 | 0:38:52 | |
but easy pickings on the island | 0:38:52 | 0:38:53 | |
plunged seal numbers to the point of extinction. | 0:38:53 | 0:38:56 | |
Dr Keryn Walshe is an archaeologist who has been uncovering | 0:38:56 | 0:39:00 | |
some startling new evidence about this early colonial time. | 0:39:00 | 0:39:04 | |
Hi, Keryn! | 0:39:07 | 0:39:08 | |
Was there an Aboriginal population | 0:39:09 | 0:39:12 | |
on Kangaroo Island when the Europeans arrived? | 0:39:12 | 0:39:15 | |
-No, but they had been here. -How do we know that? | 0:39:15 | 0:39:17 | |
Because of the stone tools that were left here by them. | 0:39:17 | 0:39:21 | |
And how recent... When did they leave? | 0:39:21 | 0:39:23 | |
Probably about 5,000 years ago. | 0:39:23 | 0:39:26 | |
'Keryn recently made a remarkable discovery - one that unlocks | 0:39:26 | 0:39:31 | |
'a previously unknown piece of the fur trade puzzle.' | 0:39:31 | 0:39:35 | |
So, you were just walking through here, just seeing what there was | 0:39:35 | 0:39:38 | |
-to be seen? -Yes, that's right. I was looking for stone tools, really, | 0:39:38 | 0:39:41 | |
the record stone tools left on the surface by Aboriginal people, | 0:39:41 | 0:39:45 | |
-but instead, what I came across was this site... -Uh-huh. | 0:39:45 | 0:39:49 | |
..which was covered in animal bone. | 0:39:49 | 0:39:51 | |
Bone does not last long on the surface, | 0:39:51 | 0:39:54 | |
so it had to be a recent site, which made me immediately think about | 0:39:54 | 0:39:58 | |
the whaling and sealing industry that was happening here | 0:39:58 | 0:40:01 | |
on Kangaroo Island, from roughly 1800, if not a bit earlier. | 0:40:01 | 0:40:03 | |
-But you could see right away that it was not seal bone? -That's right. | 0:40:03 | 0:40:07 | |
It was not seal bone, so I was quite flummoxed by it in the beginning. | 0:40:07 | 0:40:10 | |
'Keryn had discovered an archaeological treasure trove | 0:40:10 | 0:40:14 | |
'of wallaby bones - brand-new evidence to prove | 0:40:14 | 0:40:18 | |
'that the wild men of Kangaroo Island | 0:40:18 | 0:40:20 | |
'adapted to declining seal populations | 0:40:20 | 0:40:22 | |
'by hunting wallabies for their fur.' | 0:40:22 | 0:40:25 | |
And why were they worth harvesting? | 0:40:27 | 0:40:29 | |
What is good about a wallaby? | 0:40:29 | 0:40:31 | |
The wallaby furs are quite good in themselves | 0:40:31 | 0:40:34 | |
but here on Kangaroo Island the fur is extra, extra thick | 0:40:34 | 0:40:37 | |
-because it's such a cold, exposed place. -Right. | 0:40:37 | 0:40:40 | |
And so the furs from this island were preferred in the fur industry. | 0:40:40 | 0:40:44 | |
How does this compare to other sites of this sort elsewhere | 0:40:44 | 0:40:48 | |
in this part of the world? | 0:40:48 | 0:40:50 | |
This is the only site that I'm aware of in the whole | 0:40:50 | 0:40:52 | |
of the Southern Hemisphere. This is it. | 0:40:52 | 0:40:54 | |
I cover so many different kinds of stories on Coast | 0:40:56 | 0:40:59 | |
and it's always a pleasure, therefore, when I stumble across | 0:40:59 | 0:41:02 | |
something like this which is a story for an archaeologist. | 0:41:02 | 0:41:06 | |
It took someone like Keryn walking through this landscape, | 0:41:06 | 0:41:10 | |
trying to understand the archaeology of this place, | 0:41:10 | 0:41:14 | |
to notice the significance of a bone like this. | 0:41:14 | 0:41:17 | |
What she has unearthed is an industry that appeared | 0:41:17 | 0:41:20 | |
spontaneously in this part of the world | 0:41:20 | 0:41:23 | |
as people in extremis struggled to make a living and to survive | 0:41:23 | 0:41:29 | |
and to triumph over their circumstances on the coast. | 0:41:29 | 0:41:32 | |
The remarkable rocks fairly live up to their name. | 0:41:48 | 0:41:51 | |
Here we're in the presence of a masterpiece | 0:41:51 | 0:41:54 | |
on display in the world's most spectacular natural gallery. | 0:41:54 | 0:41:58 | |
But this rock art isn't the work of Picasso, | 0:42:04 | 0:42:06 | |
or even Salvador Dali. | 0:42:06 | 0:42:09 | |
The master sculptors here are sea, wind and rain, | 0:42:09 | 0:42:13 | |
a relentless trio who have burrowed, pounded and swept | 0:42:13 | 0:42:17 | |
around the 500 million-year-old granite, | 0:42:17 | 0:42:19 | |
smoothing its edges and elevating its form over function. | 0:42:19 | 0:42:23 | |
500 million years ago these remarkable rocks developed | 0:42:25 | 0:42:30 | |
inside the earth's crust | 0:42:30 | 0:42:31 | |
and their sculpted forms are unique to Kangaroo Island. | 0:42:31 | 0:42:35 | |
Island dwellers tend to value their independence. | 0:42:37 | 0:42:41 | |
I suppose it's something to do with the reassurance | 0:42:41 | 0:42:44 | |
of knowing there's a barrier between you and the rest of the world, | 0:42:44 | 0:42:47 | |
between you and authority. | 0:42:47 | 0:42:49 | |
That's why islands and islanders are just that little bit different. | 0:42:49 | 0:42:53 | |
The renegade wild sealers of Kangaroo Island | 0:42:55 | 0:42:57 | |
were a case in point. | 0:42:57 | 0:42:59 | |
They built a profitable fur trade in this harsh wilderness | 0:42:59 | 0:43:03 | |
but at great cost to the indigenous wildlife. | 0:43:03 | 0:43:07 | |
In just over 30 years, between 1803 and 1834, | 0:43:07 | 0:43:11 | |
at least 100,000 seal skins were harvested on Kangaroo Island alone | 0:43:11 | 0:43:16 | |
for export to Europe and Asia. | 0:43:16 | 0:43:19 | |
Here on the island the species was almost wiped out. | 0:43:19 | 0:43:22 | |
I'm joining sea lion specialist Dr Simon Goldsworthy | 0:43:28 | 0:43:31 | |
and ranger Clarence Kennedy | 0:43:31 | 0:43:33 | |
on a field trip to count the current population. | 0:43:33 | 0:43:36 | |
These are all sea lions, there's no seals here? | 0:43:36 | 0:43:38 | |
Sea lions are seals. | 0:43:38 | 0:43:40 | |
Is the species effectively still trying to compensate | 0:43:40 | 0:43:43 | |
for that big hit that was taken in the 19th century? | 0:43:43 | 0:43:46 | |
Yeah, exactly. | 0:43:46 | 0:43:47 | |
The first seals which were taken in huge numbers around Kangaroo Island | 0:43:47 | 0:43:51 | |
have undergone quite a spectacular recovery in Southern Australia | 0:43:51 | 0:43:54 | |
since about the late 1970s | 0:43:54 | 0:43:56 | |
but sea lions haven't undergone a recovery as we've seen... | 0:43:56 | 0:43:59 | |
So all these animals we can see here are sea lions | 0:43:59 | 0:44:02 | |
and that's the species that's struggling to bounce back? | 0:44:02 | 0:44:05 | |
That's right. | 0:44:05 | 0:44:06 | |
It's estimated that there are fewer than 15,000 Australian | 0:44:07 | 0:44:11 | |
sea lions alive. | 0:44:11 | 0:44:13 | |
85% of them live in South Australia | 0:44:13 | 0:44:16 | |
and Seal Bay is one of the largest breeding sites. | 0:44:16 | 0:44:20 | |
To track the colony's population, | 0:44:21 | 0:44:22 | |
the sea lions of Seal Bay are microchipped. | 0:44:22 | 0:44:26 | |
Here's a sub adult male. | 0:44:26 | 0:44:28 | |
Simon and Clarence monitor population growth every two months, | 0:44:30 | 0:44:33 | |
scanning the whole colony to identify newborns. | 0:44:33 | 0:44:37 | |
What is it, do you think, that's attracting | 0:44:37 | 0:44:40 | |
the sea lions and the seals to Kangaroo Island? | 0:44:40 | 0:44:44 | |
Why do the sea lions particularly like Seal Bay? | 0:44:44 | 0:44:47 | |
You don't find sea lions breeding on the mainland | 0:44:47 | 0:44:50 | |
-where humans can hunt them. -Right. | 0:44:50 | 0:44:52 | |
So offshore islands are their domain. | 0:44:52 | 0:44:55 | |
We're just really fortunate that this site, | 0:44:55 | 0:44:57 | |
was a place that was very inaccessible, | 0:44:57 | 0:44:59 | |
and this is where they've hung on, basically. | 0:44:59 | 0:45:01 | |
But while hunting is no longer a threat to this protected | 0:45:03 | 0:45:06 | |
sea lion colony, human impact remains a clear and present danger. | 0:45:06 | 0:45:11 | |
Over the last 25 years here, | 0:45:11 | 0:45:13 | |
this population has declined by over 30%. | 0:45:13 | 0:45:16 | |
We discard seven billion tonnes of debris | 0:45:18 | 0:45:20 | |
into the oceans every year | 0:45:20 | 0:45:22 | |
and, furthermore, | 0:45:22 | 0:45:24 | |
sea lions get caught up in huge trawling gillnets. | 0:45:24 | 0:45:28 | |
Now what's happened in the last five years, | 0:45:28 | 0:45:30 | |
there's been some major changes in the way that fisheries operated. | 0:45:30 | 0:45:35 | |
Many animals would come ashore with gillnet wrapped around their necks. | 0:45:35 | 0:45:38 | |
So there's a ban of gillnet fishing to protect this colony. | 0:45:38 | 0:45:42 | |
So here's yet another species that has suffered so much | 0:45:43 | 0:45:47 | |
from contact with humankind. | 0:45:47 | 0:45:49 | |
It feels as if the cards are stacked against them. | 0:45:51 | 0:45:53 | |
It's why a place like Seal Bay on Kangaroo Island is so important | 0:45:55 | 0:45:59 | |
because it's at least a safe haven for some of the sea lions. | 0:45:59 | 0:46:04 | |
I'm not a train spotter, as such, | 0:46:26 | 0:46:28 | |
but there's no denying the romance of a railway that runs along | 0:46:28 | 0:46:32 | |
beside the sea, and this one's made even more intriguing by the fact | 0:46:32 | 0:46:36 | |
it's called The Cockle Express. | 0:46:36 | 0:46:39 | |
So I'm looking forward to a good lunch, as well. | 0:46:39 | 0:46:41 | |
Linking the seaside towns of Victor Harbour and Port Elliot, | 0:46:43 | 0:46:47 | |
to the mouth of the River Murray, | 0:46:47 | 0:46:48 | |
The Cockle Express is the oldest steel railed railway in Australia. | 0:46:48 | 0:46:53 | |
In the days before steam, a horse-drawn train would bring | 0:46:56 | 0:46:58 | |
the cockle hunters to Goolwa | 0:46:58 | 0:47:01 | |
and the little saltwater clams, or pipis, | 0:47:01 | 0:47:03 | |
are so highly prized that the tradition continues to this day. | 0:47:03 | 0:47:07 | |
The sandy beaches near the Murray River mouth are the perfect place | 0:47:15 | 0:47:19 | |
to find cockles, or pipis. | 0:47:19 | 0:47:21 | |
And Alf here is about to teach me the pipis dance. | 0:47:22 | 0:47:26 | |
So this is how you do cockling Australian style, yeah? | 0:47:26 | 0:47:29 | |
-This is the cockle shuffle. -The cockle shuffle? -Yeah. | 0:47:29 | 0:47:32 | |
-It looks more like the twist to me. -It's the twist, the shuffle. | 0:47:32 | 0:47:34 | |
Does that just to disturb them? | 0:47:34 | 0:47:36 | |
-It lifts them up and you can feel them under your feet. -Ah-ha. | 0:47:36 | 0:47:39 | |
Beautiful, good size. | 0:47:39 | 0:47:41 | |
-Millions of them coming up. -Ah-ha. -Millions of them. | 0:47:41 | 0:47:44 | |
Have the Australians always made food out of these? | 0:47:44 | 0:47:46 | |
Well, they've probably been popular for the last 20,000 years | 0:47:46 | 0:47:49 | |
for our local indigenous Aborigines up here. | 0:47:49 | 0:47:52 | |
The Italians came along and we perfected the recipe, I think. | 0:47:52 | 0:47:55 | |
-We introduced pasta. -Ah. | 0:47:55 | 0:47:56 | |
So it's the Italian influence. | 0:47:56 | 0:47:58 | |
I get you, right. | 0:47:58 | 0:48:00 | |
-Right, shall we cook some of these? -I'd love to. | 0:48:00 | 0:48:02 | |
-There's garlic and chilli in there. -Yeah, lovely. | 0:48:07 | 0:48:09 | |
You can smell it. The pasta's looking good. | 0:48:09 | 0:48:12 | |
-For al dente. -Al dente. | 0:48:12 | 0:48:15 | |
There's something brilliant about food you collect yourself | 0:48:15 | 0:48:17 | |
and cook yourself outdoors. | 0:48:17 | 0:48:19 | |
-There's just something... -It's delicious, it's fresh. | 0:48:19 | 0:48:22 | |
Nature's gift. Cheers. | 0:48:22 | 0:48:24 | |
Oh, look at that. | 0:48:27 | 0:48:28 | |
-Oh, fantastic. -Yeah, it's good. | 0:48:32 | 0:48:34 | |
-That is really good. -That is beautiful. | 0:48:34 | 0:48:36 | |
Next time on Coast... | 0:48:38 | 0:48:40 | |
We visit Northern and New South Wales. | 0:48:40 | 0:48:42 | |
Dr Alice Garner goes to visit a most extraordinary jail. | 0:48:42 | 0:48:46 | |
There was a hive of activity. | 0:48:46 | 0:48:48 | |
There was a barber's shop, a tailor, a cobbler... | 0:48:48 | 0:48:52 | |
Tim Flannery uncovers a little-known tale of heroism | 0:48:53 | 0:48:56 | |
and exploration. | 0:48:56 | 0:48:59 | |
12 men, small rafts, total isolation for six months. | 0:48:59 | 0:49:03 | |
It takes a special kind of person to survive that. | 0:49:03 | 0:49:05 | |
While I discover the personal cost of a secret war. | 0:49:07 | 0:49:11 | |
The government certainly didn't want it to be public knowledge | 0:49:11 | 0:49:14 | |
in case the populace got panicked. | 0:49:14 | 0:49:16 |