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During centuries of sea voyages, the South West of Australia | 0:00:18 | 0:00:22 | |
was often the first or the last sighting | 0:00:22 | 0:00:25 | |
of the great island continent beyond. | 0:00:25 | 0:00:28 | |
This has been country for the Noongar people for 50,000 years. | 0:00:31 | 0:00:36 | |
More recently, the first European colony | 0:00:36 | 0:00:38 | |
on the western seaboard took root here. | 0:00:38 | 0:00:41 | |
The southwest corner of Australia is resolute as it is remote, | 0:00:42 | 0:00:46 | |
where the warm expanse of the Indian Ocean | 0:00:46 | 0:00:49 | |
crashes into the menacing swell of the Southern Ocean. | 0:00:49 | 0:00:52 | |
Joining me on this journey, | 0:00:54 | 0:00:56 | |
historian Alice Garner discovers a faithful link | 0:00:56 | 0:00:59 | |
between two villages forged in war. | 0:00:59 | 0:01:02 | |
The Germans knew the monks were harbouring Allies. | 0:01:03 | 0:01:06 | |
But they wouldn't touch the monks, | 0:01:06 | 0:01:07 | |
but they certainly slaughtered a lot of Cretan people. | 0:01:07 | 0:01:10 | |
Landscape architect Brendan Moar | 0:01:10 | 0:01:12 | |
unearths the incredible life of an intrepid botanical collector. | 0:01:12 | 0:01:16 | |
The lords and ladies back in England | 0:01:16 | 0:01:18 | |
were going wild wanting the stuff that she'd sent. | 0:01:18 | 0:01:23 | |
Professor Tim Flannery hunts for terroir with a note of coast. | 0:01:23 | 0:01:27 | |
I don't know quite what it is about it, | 0:01:27 | 0:01:28 | |
but something about it reminds me of the sea. | 0:01:28 | 0:01:31 | |
And for me, the bizarre true story of high drama on the high seas. | 0:01:31 | 0:01:36 | |
"You fire on us, you're firing on America. | 0:01:36 | 0:01:38 | |
"Do you want to start a war?" | 0:01:38 | 0:01:40 | |
This is Coast Australia! | 0:01:40 | 0:01:43 | |
Our journey along Western Australia's southwest coast | 0:02:09 | 0:02:13 | |
takes us from Perth to Rockingham, | 0:02:13 | 0:02:15 | |
down to Margaret River, | 0:02:15 | 0:02:17 | |
and its most southerly point, Augusta. | 0:02:17 | 0:02:19 | |
Hey, hey, hey, hey. | 0:02:27 | 0:02:32 | |
This elegant little square-rigger is a replica of the Duyfken - | 0:02:33 | 0:02:37 | |
the first known European ship to visit Australia. | 0:02:37 | 0:02:40 | |
She's the most accurate seagoing duplicate of a 16th century vessel. | 0:02:43 | 0:02:48 | |
With a shallow hull, | 0:02:49 | 0:02:51 | |
and at 25 metres from beakhead to stern, | 0:02:51 | 0:02:54 | |
it was shorter, more manoeuvrable and faster | 0:02:54 | 0:02:57 | |
than other ships of its day. | 0:02:57 | 0:02:58 | |
To think that in 1606 a dauntless little vessel like this one | 0:02:59 | 0:03:04 | |
sighted and charted the northern cape of this vast continent. | 0:03:04 | 0:03:09 | |
Dutch explorers rode the Roaring Forties east | 0:03:11 | 0:03:14 | |
from the Cape of Good Hope, then north to Batavia | 0:03:14 | 0:03:17 | |
in the lucrative pursuit of spices and gold. | 0:03:17 | 0:03:21 | |
Landfalls along this arid, desolate coast were inevitable, | 0:03:21 | 0:03:25 | |
even if unplanned, | 0:03:25 | 0:03:27 | |
and thus, the beginnings of New Holland | 0:03:27 | 0:03:29 | |
and, eventually, the map of Australia. | 0:03:29 | 0:03:32 | |
This reproduction is testament to the dedication | 0:03:35 | 0:03:38 | |
of passionate individuals who relish a challenge. | 0:03:38 | 0:03:41 | |
-Haul it. -Good job. | 0:03:41 | 0:03:44 | |
Well done. | 0:03:44 | 0:03:45 | |
'Renowned Western Australian sailor John Longley is one such man. | 0:03:46 | 0:03:50 | |
'As well as being an America's Cup racing veteran, | 0:03:50 | 0:03:53 | |
'he's also chairman of the Duyfken Replica Foundation.' | 0:03:53 | 0:03:57 | |
How authentic is this vessel? | 0:03:57 | 0:04:00 | |
Well, she's incredibly authentic. | 0:04:00 | 0:04:04 | |
This ship has been built by the same techniques | 0:04:04 | 0:04:06 | |
that were used in the 16th century, | 0:04:06 | 0:04:09 | |
which is this plank first method of construction. | 0:04:09 | 0:04:11 | |
So you don't build a skeleton and flesh it - | 0:04:11 | 0:04:14 | |
you build the skin, | 0:04:14 | 0:04:16 | |
and then, if you need an internal skeleton, you do that last. | 0:04:16 | 0:04:19 | |
That's right, so the concept of building the internal skeleton | 0:04:19 | 0:04:22 | |
was a development after the construction of this vessel. | 0:04:22 | 0:04:26 | |
What do you learn from being on board a vessel like this | 0:04:26 | 0:04:30 | |
that you don't learn from any other kind of sailing? | 0:04:30 | 0:04:33 | |
We're so much in the 21st century, | 0:04:33 | 0:04:35 | |
if we need to go somewhere we get on a plane - whisht! - | 0:04:35 | 0:04:37 | |
get in the car - whewtt! - whatever. | 0:04:37 | 0:04:39 | |
On a ship like this, you just cannot go where you want to go | 0:04:39 | 0:04:44 | |
until the sea and the wind allows you to go. | 0:04:44 | 0:04:46 | |
So, there's that whole concept of patience | 0:04:46 | 0:04:50 | |
and letting things flow, and the natural order of things. | 0:04:50 | 0:04:53 | |
Does it reset your clock? | 0:04:55 | 0:04:56 | |
It absolutely resets your clock - | 0:04:56 | 0:04:58 | |
it's very good for your soul. | 0:04:58 | 0:05:00 | |
When you first encounter a vessel like this one, | 0:05:03 | 0:05:05 | |
it can seem like a relic - | 0:05:05 | 0:05:06 | |
an artefact from a much more primitive era. | 0:05:06 | 0:05:10 | |
But if you spend any time aboard, you gradually realise | 0:05:10 | 0:05:13 | |
that it was the absolute cutting edge of technology, | 0:05:13 | 0:05:17 | |
this is the space shuttle of its time, | 0:05:17 | 0:05:19 | |
and that the people aboard were travelling to the very limits | 0:05:19 | 0:05:24 | |
of human imagination - and even beyond. | 0:05:24 | 0:05:26 | |
Sweeping south from the port of Fremantle, | 0:05:34 | 0:05:36 | |
Cockburn Sound hooks around to Garden Island. | 0:05:36 | 0:05:39 | |
A large ocean inlet, | 0:05:39 | 0:05:41 | |
it hosts Australia's biggest naval base | 0:05:41 | 0:05:43 | |
and many of Perth's maritime industries. | 0:05:43 | 0:05:46 | |
One of which is a pioneering energy project | 0:05:48 | 0:05:51 | |
that marine ecologist Professor Emma Johnston is eager to investigate | 0:05:51 | 0:05:55 | |
at its source. | 0:05:55 | 0:05:57 | |
Never been a great surfer, | 0:06:08 | 0:06:10 | |
but even moderate success in the surf is exhilarating | 0:06:10 | 0:06:14 | |
for the power that you're tapping into. | 0:06:14 | 0:06:16 | |
Harnessing that energy | 0:06:16 | 0:06:18 | |
and converting it into electricity is the next logical step. | 0:06:18 | 0:06:21 | |
But how does one go about it - | 0:06:21 | 0:06:24 | |
and how do you do it at a commercial scale? | 0:06:24 | 0:06:27 | |
I'm about to find out with an engineer who's doing just that | 0:06:27 | 0:06:31 | |
not far from here. | 0:06:31 | 0:06:33 | |
How to tap into the perpetual ebb and flow of waves? | 0:06:36 | 0:06:40 | |
That's what Jonathan Fievez has been working on, | 0:06:40 | 0:06:43 | |
and he's using a model to show me | 0:06:43 | 0:06:45 | |
that it's not about the swaying back and forth, | 0:06:45 | 0:06:48 | |
but the up and down motion that counts. | 0:06:48 | 0:06:50 | |
The wave itself has pressure, | 0:06:50 | 0:06:53 | |
which pushes down on the buoy and pulls up on the buoy. | 0:06:53 | 0:06:55 | |
Ah, I can see it's moving. | 0:06:55 | 0:06:57 | |
-As it pushes down, the rod retracts... -Mm-hm. | 0:06:57 | 0:07:00 | |
..and so, you can see, as the waves push and pull on the buoy, | 0:07:00 | 0:07:04 | |
we get this pumping action, which pumps the fluid back to shore | 0:07:04 | 0:07:09 | |
and turns the turbine which generates the electricity. | 0:07:09 | 0:07:11 | |
I'll just show you how this is going to work. | 0:07:11 | 0:07:13 | |
-So, the wave will have transmitted the energy? -Exactly. | 0:07:13 | 0:07:16 | |
-And that will pump the fluid through the piston? -That's right. | 0:07:16 | 0:07:18 | |
Back onto land. You're doing that? | 0:07:18 | 0:07:20 | |
Yep. And we're turning our turbine, | 0:07:20 | 0:07:22 | |
and our turbine's generating the electricity. | 0:07:22 | 0:07:24 | |
You're actually getting electricity here! | 0:07:24 | 0:07:27 | |
That's right. | 0:07:27 | 0:07:28 | |
And here, at the Australian Maritime Complex, is the real deal. | 0:07:30 | 0:07:34 | |
The giant wave energy capture machine, called Ceto, | 0:07:34 | 0:07:37 | |
after the Greek goddess of the sea. | 0:07:37 | 0:07:40 | |
11 metres in diameter and five metres high, | 0:07:42 | 0:07:46 | |
these huge buoys are made of steel, with internal float chambers. | 0:07:46 | 0:07:50 | |
The company is deploying three buoys as a test to provide energy | 0:07:52 | 0:07:56 | |
for the WA naval base at Garden Island. | 0:07:56 | 0:07:59 | |
If it works, large wave energy farms would comprise of 25 buoys or more - | 0:07:59 | 0:08:04 | |
all bobbing around just below the waterline. | 0:08:04 | 0:08:08 | |
How much power can this unit generate? | 0:08:08 | 0:08:10 | |
This has a capacity of 240 kilowatts. | 0:08:10 | 0:08:14 | |
To give you an idea of how that would translate, | 0:08:14 | 0:08:16 | |
if you had a kilometre of coastline, | 0:08:16 | 0:08:19 | |
there's enough energy hitting the coastline to power 20,000 homes. | 0:08:19 | 0:08:24 | |
-Phenomenal. -Yeah. | 0:08:24 | 0:08:26 | |
Wind and solar energy industry, we've heard a lot about. | 0:08:26 | 0:08:28 | |
Is it harder to actually capture wave energy? | 0:08:28 | 0:08:32 | |
It's a very challenging environment. | 0:08:32 | 0:08:34 | |
You know, in the salt seawater, with the ocean waves, huge forces. | 0:08:34 | 0:08:39 | |
Er, you know, difficult to access from a maintenance point of view. | 0:08:39 | 0:08:42 | |
So, I think all those things | 0:08:42 | 0:08:43 | |
are the challenges that made it quite a slow process. | 0:08:43 | 0:08:47 | |
A slow start in modern times, but the blueprints for wave energy | 0:08:47 | 0:08:52 | |
have been around for a long time. | 0:08:52 | 0:08:55 | |
It was Napoleonic Paris | 0:08:55 | 0:08:57 | |
where the first patent for a wave energy machine was reportedly lodged. | 0:08:57 | 0:09:02 | |
Since then, the idea of capturing the sea's infinite supply of energy | 0:09:02 | 0:09:06 | |
has fired the minds of inventors the world over. | 0:09:06 | 0:09:10 | |
This Western Australian innovation | 0:09:13 | 0:09:15 | |
will be the world's first wave farm | 0:09:15 | 0:09:17 | |
using large scale wave energy convertors. | 0:09:17 | 0:09:21 | |
The great thing about the West Australian coast in this area | 0:09:21 | 0:09:24 | |
is that the oceans swells are coming from thousands of kilometres away | 0:09:24 | 0:09:27 | |
near Antarctica, and so they're high energy swells, | 0:09:27 | 0:09:30 | |
and it also never stops, | 0:09:30 | 0:09:32 | |
so at night-time, of course, we continue producing. | 0:09:32 | 0:09:36 | |
With a successful test, the wave farm should have a prolonged future | 0:09:36 | 0:09:40 | |
harnessing an endless supply of energy from nature. | 0:09:40 | 0:09:44 | |
Now THAT is making the most of the coast. | 0:09:44 | 0:09:47 | |
Western Australia's epic coastline | 0:09:54 | 0:09:56 | |
is distinguished by long stretches of desolate beauty | 0:09:56 | 0:10:00 | |
and the finite wonders of human enterprise. | 0:10:00 | 0:10:02 | |
Burdened by distance and an unforgiving environment, | 0:10:04 | 0:10:07 | |
WA's feats of engineering are therefore all the more significant - | 0:10:07 | 0:10:11 | |
evidence of the ambitious reach of a few resolute visionaries. | 0:10:11 | 0:10:15 | |
I've come to Fremantle | 0:10:19 | 0:10:21 | |
to find out about one of them... | 0:10:21 | 0:10:23 | |
..and his story of professional triumph and personal tragedy. | 0:10:24 | 0:10:28 | |
Fremantle's role as a port | 0:10:30 | 0:10:32 | |
began with the foundation of the Swan River Colony in 1829 | 0:10:32 | 0:10:36 | |
by explorer Captain James Stirling. | 0:10:36 | 0:10:39 | |
Now, at that time, the mouth of the Swan River | 0:10:39 | 0:10:41 | |
was partially blocked by a limestone bar | 0:10:41 | 0:10:44 | |
that made the entrance virtually impassable for seagoing vessels, | 0:10:44 | 0:10:47 | |
and made cargo handling on the long jetty impractical. | 0:10:47 | 0:10:51 | |
One ship's captain of the time wrote the following - | 0:10:54 | 0:10:57 | |
"It is no place to put a vessel - | 0:10:57 | 0:10:58 | |
"certainly the worst place I or anyone else ever saw. | 0:10:58 | 0:11:02 | |
"No place to send a ship of this size. | 0:11:02 | 0:11:04 | |
"Any man who would come or send a ship a second time is a damned ass." | 0:11:04 | 0:11:08 | |
By the 1890s, | 0:11:11 | 0:11:12 | |
population and prosperity flowing from WA's gold rush | 0:11:12 | 0:11:16 | |
demanded that Perth provide a sheltered harbour | 0:11:16 | 0:11:19 | |
and safe anchorage. | 0:11:19 | 0:11:20 | |
Western Australia's first premier John Forrest | 0:11:24 | 0:11:27 | |
hired an engineer for the job - | 0:11:27 | 0:11:29 | |
Irishman Charles Yelverton O'Connor. | 0:11:29 | 0:11:32 | |
I've joined Fremantle harbour master Captain Allan Gray | 0:11:33 | 0:11:37 | |
to find out about the formidable challenges that faced O'Connor. | 0:11:37 | 0:11:40 | |
So, what path did ships try to take in those days, | 0:11:40 | 0:11:45 | |
you know, to get into the shelter that was available? | 0:11:45 | 0:11:49 | |
They would come from the southwest, | 0:11:49 | 0:11:50 | |
and they would try and take a turn | 0:11:50 | 0:11:53 | |
close to the southern side of the harbour. | 0:11:53 | 0:11:55 | |
They had to take quite a dramatic turn | 0:11:55 | 0:11:57 | |
to get around both sets of rocky outcrops. | 0:11:57 | 0:11:59 | |
But when you've got severe winds, breaking seas, | 0:11:59 | 0:12:02 | |
that's a difficult manoeuvre under sail. | 0:12:02 | 0:12:04 | |
O'Connor's design did away with the rocky outcrops | 0:12:07 | 0:12:10 | |
that were damaging ships | 0:12:10 | 0:12:12 | |
and implemented two massive breakwaters known as moles. | 0:12:12 | 0:12:16 | |
They get a safe entrance, and it protects them, | 0:12:16 | 0:12:18 | |
the swell from coming in, and affecting ships alongside. | 0:12:18 | 0:12:21 | |
It's quite simple what he was wanting to do, | 0:12:21 | 0:12:24 | |
but what did he have to achieve? | 0:12:24 | 0:12:27 | |
Well, many of the engineers at the time | 0:12:27 | 0:12:29 | |
reckoned it was the sheer cost of the exercise back in that time. | 0:12:29 | 0:12:33 | |
He had to get rid of that rocky bar, | 0:12:33 | 0:12:34 | |
and that meant blasting and then dredging after that, | 0:12:34 | 0:12:38 | |
so it was an engineering task, | 0:12:38 | 0:12:40 | |
it wasn't a simple task of just removing some sand. | 0:12:40 | 0:12:43 | |
After much criticism of the plan, | 0:12:47 | 0:12:49 | |
work began in 1892, | 0:12:49 | 0:12:51 | |
and five years later, the official opening of the inner harbour | 0:12:51 | 0:12:55 | |
was celebrated with the entry of the oceangoing steamer SS Sultan, | 0:12:55 | 0:13:00 | |
Premier John Forrest's wife at the helm. | 0:13:00 | 0:13:03 | |
It was a new era for shipping in Western Australia. | 0:13:04 | 0:13:07 | |
O'Connor wasn't finished with big public works. | 0:13:08 | 0:13:12 | |
When Premier Forrest had offered him the job of chief engineer | 0:13:12 | 0:13:15 | |
back in 1891, O'Connor asked what the job would entail, | 0:13:15 | 0:13:19 | |
and the telegram back from Forrest | 0:13:19 | 0:13:20 | |
said, "Railways, harbours, everything." | 0:13:20 | 0:13:24 | |
They were building a state, and CY O'Connor relished the challenge. | 0:13:24 | 0:13:28 | |
His next task took him inland, | 0:13:31 | 0:13:34 | |
to the barren desert centre that was Kalgoorlie's booming goldfields. | 0:13:34 | 0:13:38 | |
His plan? | 0:13:38 | 0:13:40 | |
Merely to pipe water 530 kilometres from Perth - uphill. | 0:13:40 | 0:13:46 | |
I've come here to meet Mike Lefroy, great-grandson of CY O'Connor | 0:13:46 | 0:13:51 | |
on a beach named in honour of his famous ancestor. | 0:13:51 | 0:13:54 | |
It was a huge project - in fact, probably still | 0:13:57 | 0:14:00 | |
the longest steel pipeline in the world, | 0:14:00 | 0:14:02 | |
and the longest freshwater pipeline in the world. | 0:14:02 | 0:14:04 | |
O'Connor copped prolonged criticism by the press | 0:14:04 | 0:14:08 | |
and local parliamentarians. | 0:14:08 | 0:14:10 | |
These were expensive projects, | 0:14:10 | 0:14:12 | |
and having lost his staunch supporter John Forrest | 0:14:12 | 0:14:15 | |
to federal politics, | 0:14:15 | 0:14:17 | |
O'Connor took the politically motivated flak personally. | 0:14:17 | 0:14:20 | |
His critics accused them of misuse of funds, extravagance - | 0:14:22 | 0:14:26 | |
is there any evidence that he was guilty of any of that? | 0:14:26 | 0:14:29 | |
There's none whatsoever, and when he died, | 0:14:29 | 0:14:32 | |
all that criticism just faded away very quickly. | 0:14:32 | 0:14:35 | |
He died with less than £200 to his name. | 0:14:35 | 0:14:38 | |
And what do we know, precisely, | 0:14:38 | 0:14:40 | |
about the circumstances of his death? | 0:14:40 | 0:14:43 | |
Well, we know the pressure was building up to a point | 0:14:43 | 0:14:45 | |
where something had to break. | 0:14:45 | 0:14:47 | |
He wasn't sleeping. Huge anxiety was racking him. | 0:14:47 | 0:14:50 | |
As a way of shredding that anxiety, he used to ride. | 0:14:50 | 0:14:53 | |
He'd ride every morning to this point here, which is Robb Jetty. | 0:14:53 | 0:14:57 | |
It appears what happened then... | 0:14:57 | 0:14:59 | |
that he stopped his horse, | 0:14:59 | 0:15:01 | |
he got off the horse, | 0:15:01 | 0:15:04 | |
he let the horse go. | 0:15:04 | 0:15:06 | |
Ever the economist and the engineer, | 0:15:06 | 0:15:08 | |
he took his false teeth out of his mouth, put them in his pocket, | 0:15:08 | 0:15:11 | |
took out his revolver and shot himself. | 0:15:11 | 0:15:14 | |
Just a man at the end of his rope? | 0:15:16 | 0:15:18 | |
That's right. | 0:15:18 | 0:15:19 | |
He was only here for 11 years, | 0:15:19 | 0:15:21 | |
and it's remarkable, even in today's terms, the way projects are done, | 0:15:21 | 0:15:25 | |
remarkable what he achieved in those 11 years. | 0:15:25 | 0:15:28 | |
In 1903, the "pipe dream" became a reality | 0:15:29 | 0:15:33 | |
when fresh water gushed into Kalgoorlie's arid goldfields. | 0:15:33 | 0:15:37 | |
Like the success of Fremantle Harbour, | 0:15:37 | 0:15:40 | |
the pipeline is still in operation today, | 0:15:40 | 0:15:42 | |
delivering water to mines, farms and more than 100,000 people - | 0:15:42 | 0:15:48 | |
engineering feats that are tributes to O'Connor's foresight and skill. | 0:15:48 | 0:15:53 | |
Named by explorer Nicolas Baudin in 1801, | 0:16:04 | 0:16:07 | |
tranquil Geographe Bay and Cape Naturaliste are reminders | 0:16:07 | 0:16:11 | |
of the Napoleonic French chapter in this region's history. | 0:16:11 | 0:16:14 | |
Dunsborough sits towards the cape's point, | 0:16:15 | 0:16:18 | |
where anthropologist Dr Xanthe Mallett | 0:16:18 | 0:16:20 | |
is using her forensic experience for an unusual dive mission. | 0:16:20 | 0:16:25 | |
Today I'm working with a very special division | 0:16:25 | 0:16:28 | |
of WA police on a very specific training exercise - | 0:16:28 | 0:16:32 | |
body recovery underwater. | 0:16:32 | 0:16:34 | |
-Good morning, gentlemen. -Morning, Xanthe, how are you going? | 0:16:34 | 0:16:37 | |
-Good to see you. -Welcome aboard. -Thank you very much. | 0:16:37 | 0:16:39 | |
'The dive squad from Fremantle Water Police | 0:16:39 | 0:16:42 | |
'is here for operational training, | 0:16:42 | 0:16:45 | |
'to test new technology | 0:16:45 | 0:16:46 | |
'and hone their skills in a challenging environment. | 0:16:46 | 0:16:49 | |
'We're on our way to the wreck of HMAS Swan, | 0:16:50 | 0:16:53 | |
'two nautical miles offshore from Eagle Bay. | 0:16:53 | 0:16:55 | |
'After 27 years of service with the Royal Australian Navy, | 0:16:57 | 0:17:00 | |
'the ship was scuttled in 1997. | 0:17:00 | 0:17:03 | |
'Now she sits in 31 metres of water, and is a purpose-built dive site | 0:17:05 | 0:17:11 | |
'perfect for training operations. | 0:17:11 | 0:17:14 | |
'Sergeant Rod Veal is heading up this exercise.' | 0:17:14 | 0:17:17 | |
What kind of incidents would the water police attend out here? | 0:17:17 | 0:17:20 | |
A lot of our time is spent recovering evidence | 0:17:20 | 0:17:22 | |
such as knives and firearms | 0:17:22 | 0:17:25 | |
and jewellery from burglaries and things like that, | 0:17:25 | 0:17:28 | |
but also we do get involved | 0:17:28 | 0:17:30 | |
with the investigation of deceased persons - | 0:17:30 | 0:17:32 | |
whether it be suicide, or whether it be some sort of foul play. | 0:17:32 | 0:17:35 | |
So that could be, what, a ferry disaster, | 0:17:35 | 0:17:37 | |
it could be a shipwreck, it could be a plane, it could be a swimmer? | 0:17:37 | 0:17:40 | |
Exactly. It could be a diver that's trapped in a wreck, | 0:17:40 | 0:17:42 | |
like we're simulating today. | 0:17:42 | 0:17:44 | |
'Collecting evidence for the coroner and investigating authorities | 0:17:45 | 0:17:49 | |
'is crucial - and, just like land-based police, | 0:17:49 | 0:17:52 | |
'this elite team are trained to observe every detail underwater. | 0:17:52 | 0:17:57 | |
'Using a dummy and a simulated scenario, | 0:17:58 | 0:18:01 | |
'the team will test their equipment, and their mettle - | 0:18:01 | 0:18:03 | |
'and I'm going down for a closer look. | 0:18:03 | 0:18:06 | |
'Helmets are fitted with microphones and cameras | 0:18:09 | 0:18:12 | |
'allowing the topside crew to monitor the operation.' | 0:18:12 | 0:18:16 | |
Topside, diver one. Penetrate wreck when ready. | 0:18:16 | 0:18:21 | |
Roger, topside entering now. Over. | 0:18:21 | 0:18:25 | |
Topside, diver one, do you see the deceased? | 0:18:25 | 0:18:29 | |
Topside, deceased located. Over. | 0:18:29 | 0:18:33 | |
'24 metres below, | 0:18:33 | 0:18:35 | |
'the divers have to move carefully inside the wreck to avoid snags. | 0:18:35 | 0:18:39 | |
'Then they go about collecting forensic evidence in situ. | 0:18:39 | 0:18:43 | |
'The body has been located and the evidence checked - | 0:18:43 | 0:18:46 | |
'but you can see that conditions aren't great today. | 0:18:46 | 0:18:49 | |
'A lot of silt's been kicked up which complicates the body's retrieval.' | 0:18:49 | 0:18:54 | |
Topside. Diver one and two, you can now recover the body. | 0:18:54 | 0:19:00 | |
'Back on deck for a closer look at the corpse.' | 0:19:07 | 0:19:09 | |
-So, there's our deceased diver, Xanthe. -Mm-hm. -Or our dummy. | 0:19:11 | 0:19:14 | |
The first thing I would look for is the contents gauge. | 0:19:14 | 0:19:16 | |
Immediately we can see that there's no air in that cylinder, | 0:19:16 | 0:19:19 | |
so it gives me the indication that either a line's ruptured, | 0:19:19 | 0:19:22 | |
or someone's turned off the gauge, | 0:19:22 | 0:19:23 | |
or something drastically has gone wrong | 0:19:23 | 0:19:25 | |
to cause that air to be depleted. | 0:19:25 | 0:19:28 | |
The regulator's a very important piece of kit to look at, as well, | 0:19:28 | 0:19:30 | |
to make sure that air is coming through the regulator. | 0:19:30 | 0:19:33 | |
But another indicator is on this mouthpiece piece, here - | 0:19:33 | 0:19:35 | |
if there's bite marks on that mouthpiece, | 0:19:35 | 0:19:37 | |
it gives me the indication that he's been in a stress situation. | 0:19:37 | 0:19:40 | |
'Established in 1958, | 0:19:41 | 0:19:43 | |
'WA's police divers have a coastline beat of 13,000 kilometres. | 0:19:43 | 0:19:48 | |
'They can spend more than a third of the year underwater, | 0:19:48 | 0:19:51 | |
'averaging seven hours a day in the gloom below | 0:19:51 | 0:19:55 | |
'searching for missing persons and probing the macabre results | 0:19:55 | 0:19:58 | |
'of major crimes, including murder.' | 0:19:58 | 0:20:01 | |
We turn the body over, | 0:20:01 | 0:20:03 | |
and we can see that we've got a cylinder on the back here - | 0:20:03 | 0:20:05 | |
well, it's only a seven kilo cylinder for that 24 metre depth - | 0:20:05 | 0:20:08 | |
it's probably not a lot of air. | 0:20:08 | 0:20:10 | |
So, little things like that can go wrong very quickly. | 0:20:10 | 0:20:12 | |
Well, it was a great learning experience for me. | 0:20:12 | 0:20:14 | |
I've seen body recovery all over the world | 0:20:14 | 0:20:16 | |
from lots of different environments - | 0:20:16 | 0:20:17 | |
-never anything like that, so it's certainly been an eye-opener. -Yeah. | 0:20:17 | 0:20:20 | |
Fremantle was the location | 0:20:30 | 0:20:32 | |
for Australia's most audacious prison break. | 0:20:32 | 0:20:35 | |
In 1876, an elaborate plan was set in motion. | 0:20:35 | 0:20:39 | |
It had taken seven years to organise, | 0:20:39 | 0:20:41 | |
it was spread over three continents, | 0:20:41 | 0:20:43 | |
and it's remembered by history as the Catalpa Rescue. | 0:20:43 | 0:20:47 | |
In the 1860s, the British prison system was buckling under the weight | 0:20:50 | 0:20:55 | |
of Irish political prisoners from the Fenian Brotherhood. | 0:20:55 | 0:20:58 | |
The Brotherhood was engaged in an armed struggle | 0:20:58 | 0:21:01 | |
with the British Establishment over question of Home Rule. | 0:21:01 | 0:21:05 | |
When hundreds of soldiers and civilians were tried and convicted | 0:21:05 | 0:21:09 | |
of conspiracy and treason, many of them found themselves | 0:21:09 | 0:21:13 | |
aboard transport ships bound for Western Australia. | 0:21:13 | 0:21:16 | |
Famed writer John Boyle O'Reilly was among them. | 0:21:17 | 0:21:20 | |
In 1866 he was convicted and sentenced to death, | 0:21:20 | 0:21:24 | |
which was then commuted. | 0:21:24 | 0:21:26 | |
As an Irish Nationalist, a Fenian who had served in the British Army, | 0:21:27 | 0:21:31 | |
he was given a life sentence to be spent here in Fremantle Prison. | 0:21:31 | 0:21:36 | |
Hello, Luke. | 0:21:38 | 0:21:39 | |
-Hi, Neil, how are you? -Very well. | 0:21:39 | 0:21:41 | |
'Luke Donegan's in charge of heritage conservation here.' | 0:21:41 | 0:21:45 | |
So, the Irish arrived, and you had this small group of educated men | 0:21:45 | 0:21:49 | |
with a bunch of, you know, murderers, violent criminals, | 0:21:49 | 0:21:52 | |
who weren't getting their pardons, | 0:21:52 | 0:21:54 | |
and they didn't want to be in this building with those guys. | 0:21:54 | 0:21:57 | |
You probably, by our standards, | 0:21:57 | 0:21:59 | |
-we would call them prisoners of conscience now, wouldn't we? -Yeah. | 0:21:59 | 0:22:02 | |
They were here for disagreeing with the British government, essentially. | 0:22:02 | 0:22:06 | |
At capacity, a thousand people were packed in here. | 0:22:07 | 0:22:10 | |
Their cells, as you can see, were very, very cramped. | 0:22:10 | 0:22:13 | |
-I mean, it's not much bigger than a grave. -Exactly. | 0:22:13 | 0:22:16 | |
They were facing the prospect of the rest of their lives... | 0:22:16 | 0:22:19 | |
-Yeah. -..for much of their time, in a space like that. | 0:22:19 | 0:22:21 | |
Essentially, yeah. | 0:22:21 | 0:22:23 | |
As a trusted prisoner, John Boyle O'Reilly was permitted | 0:22:26 | 0:22:30 | |
to go on work gangs where he made connections with free Irish citizens | 0:22:30 | 0:22:34 | |
who eventually helped him to escape by boat to America. | 0:22:34 | 0:22:38 | |
As a result, security tightened on the other Fenian prisoners. | 0:22:38 | 0:22:43 | |
Conditions were getting quite bad for these guys. | 0:22:45 | 0:22:48 | |
One of them wrote a letter to a man called John Devoy | 0:22:48 | 0:22:52 | |
who was the head of the Clan na Gael in America. | 0:22:52 | 0:22:56 | |
So that's the Irish independence movement transplanted to America? | 0:22:56 | 0:23:00 | |
Yes, and at that point John Devoy got in touch | 0:23:00 | 0:23:03 | |
with John Boyle O'Reilly, and together they planned | 0:23:03 | 0:23:06 | |
how they could help these Fenians still here get out. | 0:23:06 | 0:23:11 | |
They used the emotive letter by James Wilson | 0:23:13 | 0:23:16 | |
to raise money for a rescue mission | 0:23:16 | 0:23:18 | |
that involved a whaleboat called Catalpa. | 0:23:18 | 0:23:21 | |
Here at Rockingham Beach, | 0:23:23 | 0:23:24 | |
about 20-odd kilometres south of Fremantle, | 0:23:24 | 0:23:27 | |
the plan was that James Wilson and the others | 0:23:27 | 0:23:29 | |
would meet with Captain George Anthony - | 0:23:29 | 0:23:32 | |
a Quaker, and a man who believed in justice. | 0:23:32 | 0:23:35 | |
Author and educator Joy Lefroy has spent 11 years | 0:23:40 | 0:23:44 | |
researching the daring escape from the work gang, | 0:23:44 | 0:23:47 | |
and the gripping aftermath. | 0:23:47 | 0:23:48 | |
Once the Fremantle six run away from their work gangs, what happens? | 0:23:51 | 0:23:55 | |
OK, when they actually came out, | 0:23:55 | 0:23:57 | |
there was this mad race through this bush down here - | 0:23:57 | 0:24:00 | |
cos this was all bushland at the time. | 0:24:00 | 0:24:01 | |
And what awaited them here? | 0:24:01 | 0:24:03 | |
Yeah, so meanwhile, Captain Antony is sitting onshore here | 0:24:03 | 0:24:06 | |
with a little whaleboat, | 0:24:06 | 0:24:08 | |
and he was waiting for these people to come through the bush | 0:24:08 | 0:24:11 | |
in their carriages to pick up the men, put them into the whaleboat | 0:24:11 | 0:24:15 | |
and row them out to Catalpa, | 0:24:15 | 0:24:17 | |
which is out behind the island over there. | 0:24:17 | 0:24:19 | |
The police were in hot pursuit. | 0:24:20 | 0:24:22 | |
Shots were fired from shore, and the weather was closing in, | 0:24:22 | 0:24:25 | |
but Captain Anthony and the escapees needed to get to the Catalpa, | 0:24:25 | 0:24:29 | |
moored much further out in international waters. | 0:24:29 | 0:24:32 | |
After rowing through a storm for a good 20 hours, they finally make it. | 0:24:35 | 0:24:39 | |
And the Fenians, once they're on board, | 0:24:39 | 0:24:42 | |
they go, "Yep, fabulous, now we'll have a meal proper meal, | 0:24:42 | 0:24:45 | |
"we'll celebrate, it's all wonderful." | 0:24:45 | 0:24:47 | |
But their jubilation was short-lived. | 0:24:47 | 0:24:50 | |
The Georgette, | 0:24:50 | 0:24:52 | |
a steamship commandeered by Police Superintendent Stone, | 0:24:52 | 0:24:55 | |
had caught up with the Catalpa, and there ensued a dramatic stand-off. | 0:24:55 | 0:25:00 | |
Superintendent Stone on the Georgette comes up and says, | 0:25:00 | 0:25:03 | |
"OK, we know you've got these prisoners, hand them over." | 0:25:03 | 0:25:06 | |
Superintendent Stone says, "I'll give you 15 minutes to think about this, | 0:25:06 | 0:25:09 | |
"and then we're putting a cannonball through your mast." | 0:25:09 | 0:25:12 | |
So, Antony points up to the Stars and Stripes, | 0:25:12 | 0:25:15 | |
which are up on the mast at the back of the ship, | 0:25:15 | 0:25:18 | |
and says, "This is the American flag. | 0:25:18 | 0:25:19 | |
"You fire on us you're firing on America. | 0:25:19 | 0:25:22 | |
"Do you want to start a war?" Words to that effect. | 0:25:22 | 0:25:24 | |
So, it had the potential to turn into something violent? | 0:25:24 | 0:25:28 | |
Oh, extremely, it could have done. | 0:25:28 | 0:25:30 | |
But as it was, the luck of the Irish proved true. | 0:25:30 | 0:25:34 | |
The Georgette ran out of steam, the wind changed and Catalpa got away. | 0:25:34 | 0:25:39 | |
Four months later, she arrived in New York to a hero's welcome. | 0:25:41 | 0:25:45 | |
This memorial of geese in flight remembers those Irishmen | 0:25:46 | 0:25:50 | |
who escaped from here all the way to the United States of America. | 0:25:50 | 0:25:54 | |
Like many stories that have a happy ending, | 0:25:54 | 0:25:56 | |
it's dependent in equal parts on bravery and pure good luck. | 0:25:56 | 0:26:01 | |
But were those Irishmen | 0:26:01 | 0:26:02 | |
heroes who threw off the yoke of tyranny, | 0:26:02 | 0:26:05 | |
or were they criminals who evaded justice? | 0:26:05 | 0:26:07 | |
Three hours south of Perth, the Margaret River region | 0:26:21 | 0:26:24 | |
sits within a square-faced peninsula that juts into the Indian Ocean. | 0:26:24 | 0:26:28 | |
Topped and tailed by two capes, | 0:26:30 | 0:26:32 | |
this hundred kilometre ocean stretch | 0:26:32 | 0:26:34 | |
is known as | 0:26:34 | 0:26:35 | |
the Leeuwin-Naturaliste ridge. | 0:26:35 | 0:26:37 | |
Its beautiful, surging coastline belies an unforgiving hinterland | 0:26:39 | 0:26:43 | |
of towering stands of karri and jarrah hardwoods. | 0:26:43 | 0:26:47 | |
Nowadays, the Margaret River is known | 0:26:57 | 0:26:59 | |
for great wine and great surfing. | 0:26:59 | 0:27:02 | |
But the intrepid pioneers who made their way here in the 1920s | 0:27:02 | 0:27:05 | |
faced an altogether different and daunting prospect. | 0:27:05 | 0:27:08 | |
After World War I, English migrants flocked here, | 0:27:10 | 0:27:14 | |
lured by the promise of ready-made farms, | 0:27:14 | 0:27:16 | |
in what was known as the Group Settlement Scheme. | 0:27:16 | 0:27:19 | |
While the scheme was designed to reduce Western Australia's reliance | 0:27:19 | 0:27:23 | |
on imports, it also had an unspoken agenda of keeping Australia white. | 0:27:23 | 0:27:28 | |
But it was a disaster. | 0:27:30 | 0:27:32 | |
Instead of rolling pastures, new settlers were confronted | 0:27:32 | 0:27:35 | |
by vast swathes of intractable virgin forest. | 0:27:35 | 0:27:39 | |
On top of that, most migrants lacked farming experience | 0:27:41 | 0:27:44 | |
and struggled to eke out an existence. | 0:27:44 | 0:27:47 | |
When the Depression hit, people abandoned their properties, | 0:27:48 | 0:27:52 | |
and the scheme was abolished in 1930. | 0:27:52 | 0:27:54 | |
It would be another 30 years | 0:27:54 | 0:27:56 | |
before Margaret River truly came to life. | 0:27:56 | 0:27:59 | |
Tim Flannery is investigating | 0:28:10 | 0:28:12 | |
how this one-time agricultural wasteland | 0:28:12 | 0:28:15 | |
has become premium winemaking country. | 0:28:15 | 0:28:18 | |
In the world of viticulture, | 0:28:19 | 0:28:21 | |
the French word "terroir" refers to all of the factors | 0:28:21 | 0:28:24 | |
in the natural world that influence a wine as it's being produced. | 0:28:24 | 0:28:28 | |
That includes the topography, the climate and the soils. | 0:28:28 | 0:28:32 | |
In the 1960s, Perth-based agronomist Dr John Gladstones | 0:28:34 | 0:28:38 | |
noted similarities between Margaret River's climate | 0:28:38 | 0:28:41 | |
and that of France's legendary wine region, Bordeaux. | 0:28:41 | 0:28:46 | |
Ironically, the infertile Precambrian soils | 0:28:46 | 0:28:49 | |
that defeated the first settlers, | 0:28:49 | 0:28:51 | |
when combined with this maritime climate, | 0:28:51 | 0:28:53 | |
proved perfect for growing grapes. | 0:28:53 | 0:28:55 | |
What was needed now was risk-takers. | 0:28:58 | 0:29:01 | |
Enter, stage right, a trio of GPs. | 0:29:01 | 0:29:04 | |
Tom Cullity took up the challenge with first plantings in 1965, | 0:29:06 | 0:29:10 | |
along with Bill Pannell and the Cullens, Kevin and Diana. | 0:29:10 | 0:29:14 | |
In their favour was a familiarity with European wines, | 0:29:16 | 0:29:20 | |
their strong scientific background, and, importantly, off-farm incomes. | 0:29:20 | 0:29:25 | |
Vanya Cullen grew up among her parents' vines, | 0:29:26 | 0:29:29 | |
eventually taking over their winery in 1989. | 0:29:29 | 0:29:32 | |
So, I'm guessing, in the early days, | 0:29:32 | 0:29:34 | |
there would have been quite a bit of scepticism | 0:29:34 | 0:29:36 | |
about growing grapes down here - but no-one had ever tried it before. | 0:29:36 | 0:29:39 | |
Yeah, I mean, Mum's comment that everyone said, | 0:29:39 | 0:29:41 | |
"What are you doing, putting those sticks in the ground?" | 0:29:41 | 0:29:44 | |
We planted in 1971, and it took... | 0:29:44 | 0:29:46 | |
1979 before we really got a decent amount of crops, | 0:29:46 | 0:29:50 | |
so, you know, "How do you make a small fortune?" | 0:29:50 | 0:29:53 | |
It's, "Start a vineyard with a large one." | 0:29:53 | 0:29:56 | |
So, given the atrocious conditions they faced in the early days, | 0:29:56 | 0:30:00 | |
what was it that got your parents to stick with it? | 0:30:00 | 0:30:02 | |
The three doctors really had a great dream to make great wine, | 0:30:02 | 0:30:05 | |
and you read the letters that they wrote to one another | 0:30:05 | 0:30:08 | |
and about great wine, and, you know, the potential for Margaret River - | 0:30:08 | 0:30:11 | |
I think they were very, very passionate. | 0:30:11 | 0:30:13 | |
It's the most isolated wine-making region in the world, | 0:30:15 | 0:30:18 | |
blessed with an equitable climate. | 0:30:18 | 0:30:20 | |
This place is really unique. | 0:30:20 | 0:30:22 | |
I mean, this Leeuwin current here - | 0:30:22 | 0:30:24 | |
it's the only warm current coming down the west coast of the continent, | 0:30:24 | 0:30:28 | |
and it buffers this place almost like a layer of cotton wool, | 0:30:28 | 0:30:30 | |
you know, it moderates everything. | 0:30:30 | 0:30:32 | |
Yeah, the climate here is Mediterranean maritime - | 0:30:32 | 0:30:35 | |
it's very even temperatures throughout the year, | 0:30:35 | 0:30:37 | |
and that makes it very good for quality grape growing. | 0:30:37 | 0:30:39 | |
And one of the most unique things is the purity of environment, | 0:30:39 | 0:30:42 | |
you know, the quality of the air. | 0:30:42 | 0:30:44 | |
There's nothing in between here and Reunion Island except the ocean, | 0:30:44 | 0:30:48 | |
and that pure air and pure rain comes all that way | 0:30:48 | 0:30:51 | |
and, um, we bask in it. | 0:30:51 | 0:30:54 | |
And this extraordinary ancient soil that's derived from rocks | 0:30:54 | 0:30:58 | |
that were laid down before there was any complex life on earth. | 0:30:58 | 0:31:01 | |
It's quite an amazing coincidence of factors, really. | 0:31:01 | 0:31:04 | |
'At Vanya's vineyard, I'm keen to take a closer look | 0:31:07 | 0:31:11 | |
'at this prehistoric soil...' | 0:31:11 | 0:31:12 | |
It's quite stony soil, isn't it? | 0:31:12 | 0:31:14 | |
It is, and that's part of why it's so great for growing vines, | 0:31:14 | 0:31:18 | |
is cos the rocks give it drainage. | 0:31:18 | 0:31:21 | |
'..and understand its role in the process from vine to wine.' | 0:31:21 | 0:31:26 | |
That's the 500 million-year-old sort of soil, | 0:31:26 | 0:31:29 | |
and that's an ironstone, or laterite, | 0:31:29 | 0:31:31 | |
which makes it great for growing Cabernet Sauvignon. | 0:31:31 | 0:31:33 | |
So the vines get their taproots right through the topsoil | 0:31:33 | 0:31:36 | |
into the ironstone and then into the clay, | 0:31:36 | 0:31:39 | |
and the clay gives the water, | 0:31:39 | 0:31:41 | |
and the ironstone gives a flavour to the wine which we can see later. | 0:31:41 | 0:31:45 | |
So this is all essential to what people call a terroir of a region? | 0:31:50 | 0:31:55 | |
The terroir is everything. | 0:31:55 | 0:31:57 | |
-It's the soil, it's the vine, it's the air - it's the sea air. -Yes. | 0:31:57 | 0:32:01 | |
It's the people, the insects, it's everything. | 0:32:01 | 0:32:03 | |
-The context, almost. -The context - terroir is a wonderful word, cos... | 0:32:03 | 0:32:06 | |
-It is. -..it's about connection, | 0:32:06 | 0:32:08 | |
-and about everything that goes to make a place. -Mm. Mm. | 0:32:08 | 0:32:13 | |
Context is important but, ultimately, | 0:32:13 | 0:32:16 | |
can I detect this coastal terroir in the wine? | 0:32:16 | 0:32:19 | |
On a blind tasting, | 0:32:19 | 0:32:20 | |
I'm going to try and identify Vanya's red from another, inland, wine. | 0:32:20 | 0:32:25 | |
-Oh, that's interesting. -Mm-hm. | 0:32:26 | 0:32:29 | |
See, I think - now I'm only guessing, | 0:32:29 | 0:32:31 | |
but, to me, that might have a sea... a slight coastal thing. | 0:32:31 | 0:32:36 | |
I don't know quite what it is about it, | 0:32:36 | 0:32:38 | |
-whether it's... -Mm-hm. | 0:32:38 | 0:32:40 | |
..but something about it reminds me of the sea. | 0:32:40 | 0:32:42 | |
-It feels like the sea, yeah. -Yeah. | 0:32:42 | 0:32:44 | |
Yeah. Do I tell you whether you are correct or not?! | 0:32:44 | 0:32:46 | |
Oh, well, please! | 0:32:46 | 0:32:48 | |
-Well, you are. Yeah. -Oh, OK. | 0:32:48 | 0:32:50 | |
It's also got that ironstone, too. | 0:32:50 | 0:32:52 | |
Some people say iodine, | 0:32:52 | 0:32:54 | |
which is also, like, it's a seaweed sort of... | 0:32:54 | 0:32:57 | |
-So that's possibly a sea association as well. -Exactly. | 0:32:57 | 0:33:00 | |
So, the next one is from a different place in Australia. | 0:33:00 | 0:33:05 | |
OK. | 0:33:05 | 0:33:06 | |
Wow, that is SO different. | 0:33:09 | 0:33:10 | |
I don't know anything about this wine, | 0:33:10 | 0:33:12 | |
but it does taste to me more of the inland, | 0:33:12 | 0:33:14 | |
-it doesn't have the sense of the ocean that... -Mm-hm. | 0:33:14 | 0:33:17 | |
..the flavours of the earlier one. | 0:33:17 | 0:33:19 | |
-This one has got the dust of the inland plains... -Yeah. | 0:33:19 | 0:33:22 | |
-..in it, I think. -Uh, huh. Nice. | 0:33:22 | 0:33:24 | |
This one, crispness. I don't know, the ocean, maybe. | 0:33:24 | 0:33:27 | |
Yeah. Oh, beautiful. | 0:33:27 | 0:33:28 | |
The industry that Vanya's parents helped create here | 0:33:31 | 0:33:33 | |
has well and truly taken root and flourished. | 0:33:33 | 0:33:36 | |
Today, Margaret River produces 20% of Australia's premium wines, | 0:33:38 | 0:33:43 | |
with over 150 winemakers, and 5,000 hectares under vine. | 0:33:43 | 0:33:47 | |
This southwest coast of Australia can be a harsh, even a violent place. | 0:33:48 | 0:33:53 | |
It defeated the first pioneers that came here. | 0:33:53 | 0:33:57 | |
But, paradoxically, it also fostered a unique wine industry | 0:33:57 | 0:34:01 | |
that's thrived year after year on the stable climatic conditions | 0:34:01 | 0:34:05 | |
that have allowed it to produce some of the best wine in the world. | 0:34:05 | 0:34:09 | |
The small township of Prevelly lies at the mouth of the Margaret River, | 0:34:22 | 0:34:26 | |
and Dr Alice Garner has come here to investigate a history | 0:34:26 | 0:34:30 | |
that binds this coast to one in the Mediterranean. | 0:34:30 | 0:34:33 | |
20 years ago, while travelling around the island of Crete in Greece, | 0:34:36 | 0:34:39 | |
I visited an unforgettable place. | 0:34:39 | 0:34:42 | |
It was the Monastery at Preveli. | 0:34:42 | 0:34:45 | |
Today I've come to another Prevelly in Western Australia | 0:34:45 | 0:34:49 | |
near Margaret River to find out about one Australian soldier's homage | 0:34:49 | 0:34:55 | |
to a monastery on the other side of the world. | 0:34:55 | 0:34:57 | |
Young Geoffrey Edwards' family migrated to Western Australia | 0:35:05 | 0:35:09 | |
from the UK in 1923, | 0:35:09 | 0:35:11 | |
and settled in Peel Estate on the Margaret River coast. | 0:35:11 | 0:35:15 | |
On 11th November 1939, | 0:35:16 | 0:35:18 | |
at the age of 21 and looking for adventure, | 0:35:18 | 0:35:22 | |
Geoff Edwards joined the war effort. | 0:35:22 | 0:35:24 | |
Private Edwards, machine gunner in the 2/11th Battalion, | 0:35:25 | 0:35:29 | |
Australian Army. | 0:35:29 | 0:35:30 | |
His first posting was Greece. | 0:35:30 | 0:35:33 | |
20th May, 1941, and World War II | 0:35:35 | 0:35:40 | |
spilled into the Eastern Mediterranean | 0:35:40 | 0:35:42 | |
in what became known as the Battle of Crete. | 0:35:42 | 0:35:45 | |
Germany's invasion of the island of Crete | 0:35:46 | 0:35:49 | |
marked the final phase of the conquest of the Balkans. | 0:35:49 | 0:35:52 | |
Under the command of General Kurt Student, | 0:35:54 | 0:35:56 | |
the Luftwaffe's Flieger Parachute Division landed on Crete. | 0:35:56 | 0:36:01 | |
At the time, it was the largest airborne attack in history. | 0:36:01 | 0:36:06 | |
One Allied commander watching them parachute down | 0:36:06 | 0:36:09 | |
described them as, "Tumbling lines of little dolls." | 0:36:09 | 0:36:13 | |
These "dolls" were, in fact, elite paratroopers | 0:36:13 | 0:36:16 | |
who eventually took the island | 0:36:16 | 0:36:18 | |
after heavy fighting and many casualties on both sides. | 0:36:18 | 0:36:22 | |
In the early hours of June 1st, 1941, | 0:36:23 | 0:36:26 | |
Gunner Geoff Edwards found himself a prisoner of war on Crete. | 0:36:26 | 0:36:31 | |
But it wasn't long before he started to plan his escape... | 0:36:32 | 0:36:35 | |
..with best mate Bill McCarrey, pictured here, to the left of Geoff. | 0:36:36 | 0:36:40 | |
-Sam, hello. -Hi. | 0:36:41 | 0:36:42 | |
Later in life, Geoff recounted their daring escape | 0:36:42 | 0:36:45 | |
to close friend Sam Naomis. | 0:36:45 | 0:36:47 | |
In the prisoner of war camp, | 0:36:47 | 0:36:48 | |
they made their escape with only biscuits, a water bottle, | 0:36:48 | 0:36:52 | |
a haversack and a rough map of Crete, | 0:36:52 | 0:36:55 | |
and their plan was to go down to the Monastery of Preveli | 0:36:55 | 0:36:57 | |
on the south coast of Crete, | 0:36:57 | 0:36:59 | |
cos they'd heard that the monks had been harbouring Allies down there. | 0:36:59 | 0:37:03 | |
It was an amazing journey - | 0:37:03 | 0:37:04 | |
I mean, they had to go over the snow-capped mountains, | 0:37:04 | 0:37:07 | |
the White Mountains, which is 2,500 metres high | 0:37:07 | 0:37:11 | |
on goat tracks, basically, so it was really rugged country, | 0:37:11 | 0:37:13 | |
aided by shepherds and village people | 0:37:13 | 0:37:16 | |
who looked after them, sheltered them. | 0:37:16 | 0:37:18 | |
When they finally arrived at the Monastery of Preveli, | 0:37:18 | 0:37:21 | |
the monastery itself was the headquarters | 0:37:21 | 0:37:22 | |
of the Greek underground, | 0:37:22 | 0:37:24 | |
and there was about 200 Allies holed up in the caves | 0:37:24 | 0:37:28 | |
around the monastery, surrounding villages, | 0:37:28 | 0:37:30 | |
and the womenfolk and children | 0:37:30 | 0:37:32 | |
and men of those villages would take them food at night. | 0:37:32 | 0:37:35 | |
Did the villagers suffer | 0:37:35 | 0:37:36 | |
for the risks they'd taken in helping the men? | 0:37:36 | 0:37:39 | |
The Germans knew that the monks were harbouring Allies, | 0:37:39 | 0:37:42 | |
but they wouldn't touch the monks - | 0:37:42 | 0:37:44 | |
but they certainly slaughtered a lot of Cretan people. | 0:37:44 | 0:37:48 | |
Records show that something like 8,000 men, women and children | 0:37:48 | 0:37:52 | |
were killed. | 0:37:52 | 0:37:53 | |
On the night of 28th July, 1941, Geoff Edwards was one of a lucky few | 0:37:56 | 0:38:01 | |
who escaped Crete on a British submarine. | 0:38:01 | 0:38:04 | |
About that night he wrote this - | 0:38:04 | 0:38:07 | |
"Now came the time to say goodbye to our Cretan friends | 0:38:07 | 0:38:10 | |
"who had come down to see us off. | 0:38:10 | 0:38:13 | |
"There were emotional scenes as we thanked them | 0:38:13 | 0:38:16 | |
"for what they had done for us. | 0:38:16 | 0:38:18 | |
"They had proved true and trusted friends | 0:38:18 | 0:38:21 | |
"as they had so little, yet they had shared it willingly with us. | 0:38:21 | 0:38:25 | |
"We had nothing to offer them, | 0:38:25 | 0:38:27 | |
"yet they had risked their very lives for us. | 0:38:27 | 0:38:31 | |
"I promised them that I would never forget them." | 0:38:31 | 0:38:35 | |
And he didn't. | 0:38:37 | 0:38:39 | |
After the war, Geoff married and came home to coastal Margaret River. | 0:38:39 | 0:38:44 | |
He bought a parcel of land and named it Prevelly Park Holiday Resort, | 0:38:44 | 0:38:49 | |
and overlooking it, he built this chapel. | 0:38:49 | 0:38:53 | |
His daughter, Marilyn Sadleir, was three years old when they moved here. | 0:38:56 | 0:39:01 | |
I grew up here. And it was a very lonely, remote place in those days, | 0:39:01 | 0:39:05 | |
just a fishing track in here, initially. | 0:39:05 | 0:39:08 | |
but it was just a beautiful childhood. | 0:39:08 | 0:39:10 | |
What does this place mean to you now? | 0:39:10 | 0:39:13 | |
Oh! | 0:39:13 | 0:39:16 | |
Um, it's really quite emotional, | 0:39:16 | 0:39:18 | |
because it's the achievement of what my parents did, | 0:39:18 | 0:39:20 | |
and my father's vision, | 0:39:20 | 0:39:23 | |
and the desire to thank the Cretan people, | 0:39:23 | 0:39:27 | |
and to thank the monks at the Monastery of Preveli. | 0:39:27 | 0:39:31 | |
Today's a special day at this chapel. | 0:39:39 | 0:39:42 | |
We're commemorating the Battle of Crete, | 0:39:42 | 0:39:44 | |
and the congregation has gathered to remember and give thanks. | 0:39:44 | 0:39:48 | |
CONGREGATION SINGS | 0:39:51 | 0:39:54 | |
There's not enough that we could do to thank Geoff | 0:40:06 | 0:40:10 | |
and all those, of course, who fought and fell in the Second World War. | 0:40:10 | 0:40:15 | |
After the service, in true Greek style, there's food, wine and talk. | 0:40:19 | 0:40:24 | |
Freedom or Death - Eleftheria i Thanatos. | 0:40:27 | 0:40:31 | |
It's the old rallying cry of the Cretan resistance fighters. | 0:40:31 | 0:40:34 | |
And this chapel is Geoff Edwards' tribute | 0:40:34 | 0:40:37 | |
to the extraordinarily brave villagers | 0:40:37 | 0:40:39 | |
who lived that creed literally, who risked everything | 0:40:39 | 0:40:42 | |
to feed, shelter and befriend Edwards and his mates. | 0:40:42 | 0:40:46 | |
Prevelly Chapel, | 0:40:46 | 0:40:48 | |
where the Margaret River meets the Indian Ocean, | 0:40:48 | 0:40:51 | |
keeps those memories alive - | 0:40:51 | 0:40:52 | |
those acts of friendship forged under fire. | 0:40:52 | 0:40:56 | |
After establishing the Swan River Colony in 1829, | 0:41:04 | 0:41:08 | |
Captain James Stirling turned his gaze 300 kilometres south, | 0:41:08 | 0:41:11 | |
to land a second colony at Augusta. | 0:41:11 | 0:41:14 | |
Brendan Moar is casting his own expert eye on the landscape | 0:41:18 | 0:41:22 | |
and its effect on the short but remarkable life of one woman. | 0:41:22 | 0:41:26 | |
When Captain John Molloy and his young wife Georgiana | 0:41:28 | 0:41:32 | |
left the UK bound for Western Australia in 1829, | 0:41:32 | 0:41:36 | |
neither could have guessed that she would claim a unique place | 0:41:36 | 0:41:39 | |
in Australian history. | 0:41:39 | 0:41:41 | |
When Georgiana Molloy arrived aboard the Emily Taylor in May 1830, | 0:41:44 | 0:41:48 | |
the water's edge was dense coastal scrub just like this. | 0:41:48 | 0:41:51 | |
That was the least of her worries. | 0:41:53 | 0:41:56 | |
After bouts of dysentery, mosquitoes and the heat, | 0:41:56 | 0:41:59 | |
she landed here nine months pregnant and tragically lost her first child | 0:41:59 | 0:42:03 | |
a few days after birth on the beach - | 0:42:03 | 0:42:06 | |
a tough new life for these strangers in a strange land. | 0:42:06 | 0:42:10 | |
But Georgiana was built of sterner stuff, | 0:42:11 | 0:42:13 | |
as author and historian Bernice Barry tells me. | 0:42:13 | 0:42:17 | |
The first urgent thing was to clear land to grow crops. | 0:42:17 | 0:42:20 | |
She dug potatoes, she fed the pigs, she trimmed the vines, | 0:42:20 | 0:42:25 | |
she collected fruit, she made all the clothes that they wore. | 0:42:25 | 0:42:31 | |
More tragedy followed. | 0:42:33 | 0:42:35 | |
Her second child, her only son, drowned, | 0:42:35 | 0:42:39 | |
and she suffered a further miscarriage. | 0:42:39 | 0:42:41 | |
Through all the heartbreak, her passion for gardens remained strong, | 0:42:41 | 0:42:45 | |
and, indeed, intensified. | 0:42:45 | 0:42:48 | |
In 1836, English naval captain and botanical collector James Mangles | 0:42:48 | 0:42:52 | |
asked that specimens of Western Australia's native flora | 0:42:52 | 0:42:56 | |
be collected and sent back to London. | 0:42:56 | 0:42:59 | |
Georgiana accepted the challenge - | 0:42:59 | 0:43:01 | |
even though she felt local flowers didn't compare well | 0:43:01 | 0:43:04 | |
with her memories of British blooms. | 0:43:04 | 0:43:07 | |
She really, basically, found them not very interesting, | 0:43:07 | 0:43:10 | |
because there were only three or four that actually had any fragrance | 0:43:10 | 0:43:14 | |
and it really wasn't until she began collecting for Mangles | 0:43:14 | 0:43:17 | |
that she became fascinated with their beauty. | 0:43:17 | 0:43:20 | |
You didn't think I was | 0:43:21 | 0:43:22 | |
going to see it, did you? | 0:43:22 | 0:43:23 | |
I hoped you'd notice it. | 0:43:23 | 0:43:24 | |
There you go. | 0:43:24 | 0:43:25 | |
That's a White Bunny orchid. | 0:43:25 | 0:43:27 | |
-Eriochilus dilatatus. -Yes. | 0:43:27 | 0:43:29 | |
From Georgiana's point of view - | 0:43:29 | 0:43:31 | |
this would have been the first orchid that she would see, | 0:43:31 | 0:43:34 | |
because this exactly the time | 0:43:34 | 0:43:35 | |
of year that she arrived. | 0:43:35 | 0:43:36 | |
Quickly her name began to appear | 0:43:40 | 0:43:42 | |
in botanical books and publications, | 0:43:42 | 0:43:44 | |
and botanists and growers and gardeners and lords and ladies | 0:43:44 | 0:43:48 | |
back in England were going wild, wanting the stuff that she'd sent. | 0:43:48 | 0:43:53 | |
'Finding plants and seeds was one thing - | 0:43:55 | 0:43:58 | |
'transporting delicate specimens like this | 0:43:58 | 0:44:01 | |
'to London's Royal Botanic Gardens at Kew was another challenge. | 0:44:01 | 0:44:05 | |
'Its Herbarium has the largest collection | 0:44:05 | 0:44:08 | |
'of historical plant specimens in the world. | 0:44:08 | 0:44:11 | |
'Kew Gardens is about as prestigious as it gets in the plant world. | 0:44:11 | 0:44:16 | |
'And I'm meeting former director - and Kew's first non-British CEO - | 0:44:16 | 0:44:19 | |
'Western Australian botanist Professor Stephen Hopper.' | 0:44:19 | 0:44:23 | |
What sort of collector was Georgiana? | 0:44:23 | 0:44:25 | |
Georgiana was outstanding for the 1830s. | 0:44:25 | 0:44:30 | |
She was meticulous in terms of the specimens she collected. | 0:44:30 | 0:44:33 | |
They were beautifully pressed, | 0:44:33 | 0:44:35 | |
and preserved under very difficult circumstances. | 0:44:35 | 0:44:38 | |
Georgiana relied on 500-year-old technology | 0:44:42 | 0:44:45 | |
to preserve those specimens. | 0:44:45 | 0:44:47 | |
Each plant placed between paper sheets and heavy boards | 0:44:47 | 0:44:51 | |
and left to dry. | 0:44:51 | 0:44:53 | |
Was this a difficult thing to do? | 0:44:53 | 0:44:55 | |
In her day, absolutely. | 0:44:55 | 0:44:57 | |
Now, just consider, paper in colonial Western Australia | 0:44:57 | 0:45:00 | |
in the 1830s - very hard to come by, | 0:45:00 | 0:45:03 | |
and paper is essential for drying the specimens. | 0:45:03 | 0:45:06 | |
So, her attention to detail was without par. | 0:45:06 | 0:45:08 | |
She became one of the best collectors | 0:45:08 | 0:45:10 | |
that Australia has produced. | 0:45:10 | 0:45:13 | |
In fact, many plants she collected remain perfectly preserved | 0:45:14 | 0:45:18 | |
at Kew Herbarium to this day. | 0:45:18 | 0:45:19 | |
Western Australia has 8,000 plant species, | 0:45:23 | 0:45:27 | |
half of which are found nowhere else on earth. | 0:45:27 | 0:45:30 | |
'This nondescript-looking tree is one of them.' | 0:45:33 | 0:45:36 | |
Why is this tree so important? | 0:45:36 | 0:45:38 | |
It's a flowering mistletoe, | 0:45:38 | 0:45:39 | |
and the aborigines here, the Noongar people, know it as Mooja, | 0:45:39 | 0:45:43 | |
it's a very special and sacred tree to them. | 0:45:43 | 0:45:45 | |
It's special because in 1627 a Dutch ship sailed along the south coast | 0:45:45 | 0:45:49 | |
of Western Australia, | 0:45:49 | 0:45:51 | |
and from off shore saw splashes of gold on the hills, | 0:45:51 | 0:45:54 | |
and what they were viewing was this tree in full flower. | 0:45:54 | 0:45:57 | |
It's called the Western Australian Christmas Tree, | 0:45:57 | 0:45:59 | |
because, in December through February, it flowers, | 0:45:59 | 0:46:02 | |
-and it flowers like this. -Wow, look at that! | 0:46:02 | 0:46:05 | |
With the help of local Aboriginal women, | 0:46:06 | 0:46:09 | |
Georgiana Molloy became the first person | 0:46:09 | 0:46:12 | |
to collect the seeds of this vibrant species. | 0:46:12 | 0:46:15 | |
But tragically, her work would be cut short. | 0:46:15 | 0:46:18 | |
In April 1843, aged only 37, | 0:46:18 | 0:46:22 | |
after embarking on what had become her life's work, | 0:46:22 | 0:46:25 | |
Georgiana Molloy died | 0:46:25 | 0:46:27 | |
a few months after giving birth to her seventh child. | 0:46:27 | 0:46:31 | |
I think this tree represents the botanical gold | 0:46:31 | 0:46:34 | |
that is South Western Australia, | 0:46:34 | 0:46:36 | |
and Georgiana as a young woman from Cumberland | 0:46:36 | 0:46:39 | |
coming here, settling in Augusta, married to a man twice her age, | 0:46:39 | 0:46:43 | |
going through the tragedy of losing her infant son from a drowning, | 0:46:43 | 0:46:47 | |
was looking for something to do that could rejuvenate her, | 0:46:47 | 0:46:52 | |
and the native flora just captured her heart | 0:46:52 | 0:46:54 | |
in the same way that Noongar people regard it as fundamental | 0:46:54 | 0:46:58 | |
to caring for country. | 0:46:58 | 0:47:00 | |
It is part of them. | 0:47:00 | 0:47:02 | |
It's a very tight spiritual connection - | 0:47:02 | 0:47:04 | |
partly because you can't find anything else like this on earth, | 0:47:04 | 0:47:08 | |
except here. | 0:47:08 | 0:47:09 | |
After all of Georgiana Molloy's contribution to botany | 0:47:11 | 0:47:14 | |
it was only recently, in the last 40 years, | 0:47:14 | 0:47:16 | |
that her work was officially recognised. | 0:47:16 | 0:47:18 | |
And in her honour this species was named after her. | 0:47:18 | 0:47:22 | |
It's Boronia molloyae. | 0:47:22 | 0:47:24 | |
It has a beautiful pink red flower, | 0:47:24 | 0:47:26 | |
and it grows in the sand soils of the southwest coastal regions | 0:47:26 | 0:47:29 | |
of Western Australia - and that was the place that Georgiana called home. | 0:47:29 | 0:47:33 | |
Journey's end at Cape Leeuwin, | 0:47:43 | 0:47:46 | |
with its stark and untroubled aspect. | 0:47:46 | 0:47:49 | |
You can understand those who cherish a life | 0:47:49 | 0:47:51 | |
independent from the noise and certainty of urban backdrops. | 0:47:51 | 0:47:56 | |
At this point, there's nothing between me and Africa | 0:47:56 | 0:47:59 | |
but several kilometres of open ocean. | 0:47:59 | 0:48:03 | |
This coastline posed the heartbreaking challenge | 0:48:03 | 0:48:06 | |
for the first settlers. | 0:48:06 | 0:48:07 | |
It demanded of them nothing less | 0:48:07 | 0:48:09 | |
than the utmost tenacity and stubbornness. | 0:48:09 | 0:48:12 | |
But those who gained a foothold and put down permanent roots | 0:48:12 | 0:48:16 | |
realised at the end that they had found for themselves another Eden. | 0:48:16 | 0:48:21 | |
Next time, we're off to the Torres Strait. | 0:48:26 | 0:48:29 | |
Professor Tim Flannery enters the realm of the head-hunters... | 0:48:29 | 0:48:33 | |
Under each shell is meant to have a skull. | 0:48:33 | 0:48:36 | |
Right, a human skull under every one, wow. | 0:48:36 | 0:48:39 | |
..Dr Xanthe Mallet examines an infamous maritime disaster... | 0:48:39 | 0:48:43 | |
This must have been terrifying. | 0:48:48 | 0:48:50 | |
Unim... Unimaginable. | 0:48:50 | 0:48:51 | |
..Dr Alice Garner is on a different kind of border patrol... | 0:48:51 | 0:48:56 | |
No X-rays or scanners here. | 0:48:56 | 0:48:58 | |
..and I find out what happened when war came to paradise. | 0:48:58 | 0:49:02 | |
This was the only indigenous battalion | 0:49:02 | 0:49:04 | |
ever formed by the Australian Army. | 0:49:04 | 0:49:06 |