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City life. It's too much. | 0:00:14 | 0:00:16 | |
Get me to the coast! | 0:00:17 | 0:00:18 | |
Getting away from the daily grind | 0:00:22 | 0:00:24 | |
and going on a seaside holiday | 0:00:24 | 0:00:27 | |
is a ritual that we know and love. | 0:00:27 | 0:00:30 | |
Escape, adventure, rest or play... | 0:00:34 | 0:00:37 | |
..they all offer a quick pick-me-up on our Holiday Coast. | 0:00:39 | 0:00:43 | |
Being by the sea is one of the greatest joys of my life. | 0:00:51 | 0:00:55 | |
This is me aged nine on one of our annual family holidays. | 0:00:55 | 0:00:59 | |
Happy memories. | 0:00:59 | 0:01:01 | |
But why do our salty margins make us feel good? | 0:01:01 | 0:01:05 | |
As I head coastward from London for the answer, | 0:01:05 | 0:01:08 | |
the team are on their own holiday quests. | 0:01:08 | 0:01:12 | |
In North Wales, Miranda's camping. Her aim? To be at one with nature. | 0:01:12 | 0:01:18 | |
Everybody's bedding down for the night, but not me. I'm going out. | 0:01:18 | 0:01:23 | |
Ruth's investigating a crime that set the seaside alight. | 0:01:24 | 0:01:29 | |
They were about to unleash a terror | 0:01:29 | 0:01:31 | |
that would reverberate around the globe. | 0:01:31 | 0:01:33 | |
Oh! | 0:01:34 | 0:01:36 | |
And aeronautical engineer Brendan Walker is flying high | 0:01:36 | 0:01:41 | |
in pursuit of a holiday attraction with a difference. | 0:01:41 | 0:01:44 | |
Oh! Yes! | 0:01:44 | 0:01:47 | |
Suitcase packed, knotted hanky optional, | 0:01:49 | 0:01:52 | |
this is the Holiday Coast. | 0:01:52 | 0:01:54 | |
As an island nation, our beaches are our playground. | 0:02:26 | 0:02:31 | |
We revel in the pleasure of sun, sand and salty air. | 0:02:31 | 0:02:35 | |
But are our seaside holidays doing more than making us feel good? | 0:02:37 | 0:02:41 | |
I'm on a mission to find out. | 0:02:44 | 0:02:46 | |
Is our beeline for the beach biological? | 0:02:46 | 0:02:49 | |
I'll be taking on as much city stress as I can | 0:02:50 | 0:02:55 | |
before escaping to the coast to test the theory. | 0:02:55 | 0:02:58 | |
The tidal Thames sweeps to the sea and back twice a day, | 0:03:00 | 0:03:04 | |
but with eight million people ebbing and flowing through this city, | 0:03:04 | 0:03:09 | |
London couldn't feel further from the coast. | 0:03:09 | 0:03:13 | |
The rush hour, a heaving mass of commuters. | 0:03:13 | 0:03:16 | |
It's bedlam! Even I, as a hardened Londoner, find this stressful. | 0:03:18 | 0:03:23 | |
It's easy to see why we crave the peace and quiet of the beach. | 0:03:25 | 0:03:30 | |
But is our hankering for a holiday all in the mind? | 0:03:30 | 0:03:35 | |
I'm meeting human geographer Jon Anderson to find out. | 0:03:35 | 0:03:39 | |
'He's got a nifty bit of kit to take care of the science.' | 0:03:40 | 0:03:44 | |
By using a small piece of technology we can measure how your body | 0:03:44 | 0:03:46 | |
responds to the different environments that you're in. | 0:03:46 | 0:03:49 | |
It measures the electro-dermal activity of your skin | 0:03:49 | 0:03:51 | |
-and it attaches to your wrist... -OK. -..like a straightforward wristwatch. | 0:03:51 | 0:03:55 | |
-So it's like a stress meter. -That's exactly what it is. | 0:03:55 | 0:03:57 | |
OK, Nick. We've set you up now, so your mission, if you chose to | 0:03:57 | 0:04:00 | |
accept it, is to go off into the city and see how your body responds | 0:04:00 | 0:04:03 | |
to the different stresses that are around in an urban environment, | 0:04:03 | 0:04:07 | |
and then we'll meet you later at the coast to look at the results. | 0:04:07 | 0:04:09 | |
-See you later. -See you later, bye. | 0:04:09 | 0:04:11 | |
HEARTBEAT | 0:04:14 | 0:04:17 | |
'Above and below ground, London's packed.' | 0:04:21 | 0:04:24 | |
It's going to be very interesting to see whether | 0:04:26 | 0:04:28 | |
John's machine is detecting any stress levels yet. | 0:04:28 | 0:04:32 | |
'But swapping two feet for two wheels is a true test of nerve.' | 0:04:32 | 0:04:37 | |
Riding a bike around Trafalgar Square, | 0:04:39 | 0:04:41 | |
my heart rate has gone through the roof. | 0:04:41 | 0:04:44 | |
HEART BEATS FASTER | 0:04:44 | 0:04:45 | |
Well, I wonder if that was stressful enough to show up on John's meter. | 0:04:47 | 0:04:51 | |
'Right now I certainly feel the need to escape the city.' | 0:04:51 | 0:04:55 | |
Next stop, the coast. | 0:04:57 | 0:04:58 | |
I'm following a route London holiday-makers have been taking | 0:05:00 | 0:05:03 | |
for centuries, | 0:05:03 | 0:05:05 | |
heading out of the capital for Margate | 0:05:05 | 0:05:08 | |
on the Thanet coast. | 0:05:08 | 0:05:10 | |
Southend-on-Sea will be my first stop. | 0:05:10 | 0:05:13 | |
'But our love affair with the seaside started much further north | 0:05:14 | 0:05:18 | |
'at Scarborough, 400 years ago.' | 0:05:18 | 0:05:21 | |
This is a fascinating view, there's a hugely long sandy beach. | 0:05:23 | 0:05:28 | |
You've got what looks like a spa, a bathing machine | 0:05:28 | 0:05:31 | |
and some people floundering in the sea | 0:05:31 | 0:05:33 | |
and the whole scene's been painted by this artist here. | 0:05:33 | 0:05:36 | |
He's looking at what would then have been a very unusual scene. | 0:05:36 | 0:05:40 | |
But it was royalty who made the seaside fashionable to the masses. | 0:05:40 | 0:05:44 | |
This is George IV, who visited Brighton in 1783. | 0:05:44 | 0:05:48 | |
Where the King went, others followed. | 0:05:49 | 0:05:53 | |
The holiday resort was born and quickly bred, | 0:05:53 | 0:05:58 | |
fuelled by the growth of the railways. | 0:05:58 | 0:06:01 | |
At Southend, I'm winding down with a shoreline stroll | 0:06:03 | 0:06:07 | |
before meeting Jon for the test results. | 0:06:07 | 0:06:09 | |
-HE SNIFFS THE AIR -The coast! | 0:06:13 | 0:06:15 | |
'I'm eager to know if the difference between city and sea | 0:06:19 | 0:06:23 | |
'is reflected in the science.' | 0:06:23 | 0:06:25 | |
-Hi, Nick. -Good to see you again. -How was your walk? | 0:06:25 | 0:06:28 | |
It was great, I feel very relaxed. | 0:06:28 | 0:06:29 | |
Shall I give you the stress-o-meter? | 0:06:29 | 0:06:31 | |
-Fantastic. So we'll just take it off you there. -There you go. | 0:06:31 | 0:06:34 | |
And we'll plug it into the computer and upload the data. | 0:06:34 | 0:06:36 | |
When we see this depicted on this graph, | 0:06:36 | 0:06:39 | |
we can see actually when you're just ambling through | 0:06:39 | 0:06:41 | |
the streets of London it's pretty low, | 0:06:41 | 0:06:43 | |
-we're talking less than one here. -Right. | 0:06:43 | 0:06:45 | |
But as soon as you cross a heavy road, | 0:06:45 | 0:06:48 | |
congestion, engaging with traffic, | 0:06:48 | 0:06:50 | |
-you get an immediate spike. -Yeah! | 0:06:50 | 0:06:51 | |
So we have two immediate spikes there, which are doubling | 0:06:51 | 0:06:54 | |
and sometimes tripling the nervous energy that your body is | 0:06:54 | 0:06:56 | |
giving off at that period of time. | 0:06:56 | 0:06:59 | |
This point here coincides directly with you beginning to get | 0:06:59 | 0:07:01 | |
on the London Underground. | 0:07:01 | 0:07:03 | |
We're up to about three or four there, greater than what it was | 0:07:03 | 0:07:07 | |
when you were crossing the busy streets. | 0:07:07 | 0:07:09 | |
Something serious happens here. | 0:07:09 | 0:07:11 | |
-Well, you're getting ready to go cycling at that point. -Right. | 0:07:11 | 0:07:14 | |
And then we see an immediate peak when you actually engage with | 0:07:14 | 0:07:17 | |
that traffic, and we are talking a serious rise. 10, 11, 12, 14. | 0:07:17 | 0:07:22 | |
-How interesting. -And not simply | 0:07:22 | 0:07:24 | |
is it going up in terms of its magnitude, | 0:07:24 | 0:07:26 | |
it's peaking and troughing at a rapid rate. | 0:07:26 | 0:07:28 | |
Yeah. | 0:07:28 | 0:07:30 | |
'But what about walking along a beach? | 0:07:32 | 0:07:35 | |
'Are the sands at Southend really so soothing?' | 0:07:35 | 0:07:38 | |
OK, so the data is saying here that there is something | 0:07:39 | 0:07:42 | |
about the physical environment of the coast that is really | 0:07:42 | 0:07:45 | |
calming for you, we're talking less than one here. | 0:07:45 | 0:07:47 | |
Your body was actually far less stressed than it was | 0:07:47 | 0:07:49 | |
in an urban environment. | 0:07:49 | 0:07:50 | |
Does that echo in your own experiences of it? | 0:07:50 | 0:07:52 | |
Absolutely, yeah, I mean I think it's the sound of the waves, | 0:07:52 | 0:07:57 | |
hypnotic and soothing, it's the feel of the sand under my feet, | 0:07:57 | 0:08:01 | |
it's the breeze. So I guess it's a combination of all of those | 0:08:01 | 0:08:04 | |
natural elements kind of washing through the soul. | 0:08:04 | 0:08:07 | |
What's interesting is that we have a cultural idea | 0:08:07 | 0:08:10 | |
that going to the coast is good for you, | 0:08:10 | 0:08:11 | |
but actually we can measure that here, we can put | 0:08:11 | 0:08:13 | |
a quantifiable figure to the feelings that you've experienced. | 0:08:13 | 0:08:16 | |
So, there we are. | 0:08:18 | 0:08:19 | |
The desire to escape the daily grind and head off on holiday | 0:08:19 | 0:08:24 | |
is a powerful part of our psyche, and, so it seems, our biology. | 0:08:24 | 0:08:30 | |
# Down by the seaside | 0:08:39 | 0:08:42 | |
# See the boats go sailing... # | 0:08:44 | 0:08:48 | |
For most holiday-makers, getting away from it all | 0:08:48 | 0:08:51 | |
is all that matters. | 0:08:51 | 0:08:53 | |
But when we do, we're not alone. | 0:09:01 | 0:09:04 | |
Down by the sea, we're at one with nature. | 0:09:05 | 0:09:09 | |
We share our holiday coast with a cast of thousands | 0:09:09 | 0:09:13 | |
day and night. | 0:09:13 | 0:09:16 | |
And there's nowhere better to see them than our campsites. | 0:09:17 | 0:09:21 | |
Miranda's taking to the great outdoors | 0:09:21 | 0:09:24 | |
at Shell Island in North West Wales. | 0:09:24 | 0:09:27 | |
Her mission, to unearth a natural world that operates | 0:09:27 | 0:09:31 | |
under cover of darkness. | 0:09:31 | 0:09:33 | |
At the height of the summer, | 0:09:37 | 0:09:39 | |
up to 3,000 visitors pitch their tents in these sand dunes. | 0:09:39 | 0:09:44 | |
This is Europe's largest wild campsite. | 0:09:44 | 0:09:47 | |
You know I've been camping for as long as I can remember. I've got | 0:09:49 | 0:09:53 | |
a picture here of me and my mum and my brother. There was something | 0:09:53 | 0:09:56 | |
really magical about just a thin sheet between you and the stars. | 0:09:56 | 0:10:00 | |
But today I'm on a holiday with a difference, a dusk-till-dawn safari. | 0:10:00 | 0:10:05 | |
So when my neighbours are wriggling into their sleeping bags, I want to | 0:10:05 | 0:10:08 | |
find out what's coming out to play on the other side of the canvas. | 0:10:08 | 0:10:11 | |
'We aren't the only ones making the most of the holiday coast. | 0:10:14 | 0:10:18 | |
'With just a few hours before the sun goes down, I'm heading out | 0:10:18 | 0:10:22 | |
'to get the lie of the land.' | 0:10:22 | 0:10:23 | |
This place is a microcosm of every coastal habitat. | 0:10:26 | 0:10:30 | |
Half a square mile of wildlife heaven. | 0:10:30 | 0:10:33 | |
Shell is a tidal island, | 0:10:41 | 0:10:44 | |
a stunning mix of sand dunes, | 0:10:44 | 0:10:48 | |
salt marshes and mudflats, | 0:10:48 | 0:10:51 | |
with a breathtaking rocky beach too. | 0:10:51 | 0:10:53 | |
And the name? | 0:10:55 | 0:10:57 | |
Well, in the spring up to 200 different types of shell | 0:10:57 | 0:11:00 | |
can be found washed up on the shore here, | 0:11:00 | 0:11:02 | |
and some of them are so tiny. | 0:11:02 | 0:11:04 | |
Just look how many you can fit on a 5p piece. | 0:11:04 | 0:11:06 | |
Nature's all around us here, but I'm on the hunt for the creatures | 0:11:10 | 0:11:14 | |
that normally stay hidden on our holiday coast. | 0:11:14 | 0:11:17 | |
'Richard Workman's family run the campsite. | 0:11:20 | 0:11:23 | |
'They have proof that the rich pickings provided | 0:11:23 | 0:11:26 | |
'by campers are a magnet for wildlife, like this weasel. | 0:11:26 | 0:11:30 | |
'It has little body fat so has to feed frequently.' | 0:11:30 | 0:11:35 | |
How brilliant is that? | 0:11:35 | 0:11:37 | |
-And he just runs out. -MIRANDA LAUGHS | 0:11:37 | 0:11:40 | |
It's a great place to hide. | 0:11:40 | 0:11:41 | |
-There he is, sticking his head up. -Bold as brass! | 0:11:41 | 0:11:44 | |
Very cheeky little fellow. | 0:11:44 | 0:11:46 | |
Every day there's something different. | 0:11:46 | 0:11:48 | |
You've got the badger setts. | 0:11:48 | 0:11:49 | |
It's really unusual to have a badger sett right by the sea. | 0:11:49 | 0:11:52 | |
Yeah, you get people coming in about food | 0:11:52 | 0:11:54 | |
getting robbed out of their tents. | 0:11:54 | 0:11:56 | |
When you ask them was there any beer or anything stolen, | 0:11:56 | 0:11:58 | |
they say no, and you know then straight away it's the badgers, cos | 0:11:58 | 0:12:01 | |
people won't go into the tents and take food and not the beer as well. | 0:12:01 | 0:12:05 | |
MIRANDA LAUGHS Haven't worked out how to get the tops off yet. | 0:12:05 | 0:12:08 | |
'So, why have the badgers come here to the coast? | 0:12:10 | 0:12:13 | |
'Wildlife expert Brian McDonald is taking me to their sett.' | 0:12:14 | 0:12:18 | |
-What a lovely spot. -The badgers' summer home. | 0:12:19 | 0:12:23 | |
It's amazing to be in this location, really. | 0:12:23 | 0:12:25 | |
Why on earth are they digging a sett here, right on the coast? | 0:12:25 | 0:12:28 | |
Well, several reasons. It's easy to dig in this light soil, but more | 0:12:28 | 0:12:32 | |
importantly cos the campsite is behind, so lots of grassland, | 0:12:32 | 0:12:35 | |
lots of worms, lots of cockchafers | 0:12:35 | 0:12:37 | |
and lots of campers' food. | 0:12:37 | 0:12:39 | |
They're omnivores like us, and they do eat a big range of food. | 0:12:39 | 0:12:43 | |
The Welsh name for them translates as earth pig, | 0:12:43 | 0:12:45 | |
and you've only got to hear them snuffling and grunting. And the grip | 0:12:45 | 0:12:48 | |
they've got in their jaws is just very reminiscent of pigs. Yeah. | 0:12:48 | 0:12:53 | |
Seaside badgers. That's one for the family album. | 0:12:54 | 0:12:58 | |
But I'll have to go hi-tech. | 0:12:58 | 0:13:00 | |
Like any holiday-maker I want to make sure | 0:13:00 | 0:13:02 | |
I go home with some holiday snaps to remember. | 0:13:02 | 0:13:05 | |
Infrared cameras will record their behaviour, as badgers come out | 0:13:07 | 0:13:11 | |
between dusk and dawn. | 0:13:11 | 0:13:13 | |
'I'll put another camera in the tent, | 0:13:14 | 0:13:16 | |
'and in the morning we'll see what's been going on.' | 0:13:16 | 0:13:20 | |
It's really quiet here on the campsite. | 0:13:26 | 0:13:29 | |
Everybody's bedding down for the night. But not me, I'm going out. | 0:13:29 | 0:13:34 | |
After dark this holiday coast comes alive. | 0:13:36 | 0:13:39 | |
But what is the wildlife getting up to? | 0:13:39 | 0:13:42 | |
First stop, the rock pools. | 0:13:42 | 0:13:44 | |
I love going rock pooling, but I have never ever done it at night. | 0:13:46 | 0:13:49 | |
I've got a UV light cos a lot of the things in the rock pools | 0:13:55 | 0:13:58 | |
actually fluoresce under UV. | 0:13:58 | 0:14:01 | |
Loads of the seaweed just lights up. | 0:14:01 | 0:14:03 | |
It's just the maddest thing, there's all sorts of things glowing. | 0:14:04 | 0:14:08 | |
Just look at these snakelocks anemones down here, look. | 0:14:10 | 0:14:13 | |
Woo-hoo! It's disco! | 0:14:13 | 0:14:15 | |
This light show is caused by proteins. | 0:14:16 | 0:14:19 | |
For the natural world it's just like the illuminations. | 0:14:19 | 0:14:22 | |
And those little brown shrimp, they've just gone green! | 0:14:24 | 0:14:27 | |
And his gut, orange. | 0:14:27 | 0:14:29 | |
'The glow is created by chlorophyll in the algae shrimps eat. | 0:14:31 | 0:14:35 | |
'Just a little way down the shore, another natural spectacle. | 0:14:38 | 0:14:42 | |
'The performers? Sandhoppers.' | 0:14:42 | 0:14:45 | |
Thousands come out at night to perform this aerial ballet. | 0:14:51 | 0:14:56 | |
Marine biologist David Wilcockson knows all about these tiny | 0:14:57 | 0:15:01 | |
crustaceans. Amphipods living between shore and sea. | 0:15:01 | 0:15:05 | |
They are everywhere, aren't they? | 0:15:05 | 0:15:07 | |
Yep, in the weed line. OK. | 0:15:07 | 0:15:11 | |
-Oh! -There you go. -SHE LAUGHS | 0:15:11 | 0:15:13 | |
There's...There's too many! | 0:15:13 | 0:15:15 | |
And why is it important they come out at night? | 0:15:15 | 0:15:17 | |
At night-time of course there's no sun, | 0:15:17 | 0:15:19 | |
so they don't dry out. They don't desiccate. | 0:15:19 | 0:15:21 | |
And this jumping behaviour, | 0:15:21 | 0:15:23 | |
I mean, if they were a human, how high would they be jumping? | 0:15:23 | 0:15:26 | |
I did some rough calculations and I reckon about 25-50 metres, | 0:15:26 | 0:15:32 | |
so they're pretty athletic. | 0:15:32 | 0:15:33 | |
Jumping keeps them one step ahead of predators. | 0:15:36 | 0:15:39 | |
Flexing their curved tail propels them forward to cover huge ground. | 0:15:39 | 0:15:44 | |
Around about dusk they move down and feed on all the washed-up seaweed. | 0:15:44 | 0:15:49 | |
They're very important in clearing the beach of all this detritus, | 0:15:49 | 0:15:53 | |
they're called detritivores. | 0:15:53 | 0:15:54 | |
Sandhoppers aren't the only creatures that clean up at night. | 0:16:07 | 0:16:12 | |
Badgers are opportunistic hunters, seeking out high-energy foods. | 0:16:12 | 0:16:16 | |
But have they been caught on camera? | 0:16:16 | 0:16:19 | |
SHE LAUGHS Oh, no. | 0:16:23 | 0:16:25 | |
Something's been at my biscuits. | 0:16:25 | 0:16:28 | |
Look at this, I've been robbed. | 0:16:28 | 0:16:31 | |
I've got a good idea who that might be. | 0:16:31 | 0:16:33 | |
Those are definitely all gone. | 0:16:33 | 0:16:34 | |
SHE LAUGHS Brilliant. | 0:16:34 | 0:16:38 | |
Right, the moment of truth. I'm going to play | 0:16:38 | 0:16:40 | |
some of the clips from the stealth cameras and see what we've got. | 0:16:40 | 0:16:43 | |
SHE LAUGHS | 0:16:43 | 0:16:45 | |
And we've definitely got badgers. Oh, yeah. | 0:16:45 | 0:16:48 | |
Sniffing around, walking right in front of the camera. | 0:16:48 | 0:16:52 | |
It's absolutely brilliant. | 0:16:54 | 0:16:56 | |
We've got one or two larger ones who look very well fed. | 0:16:57 | 0:17:00 | |
Of course badgers are social mammals | 0:17:03 | 0:17:05 | |
so they have quite a sophisticated range of vocalisation | 0:17:05 | 0:17:08 | |
so they can communicate effectively with each other. | 0:17:08 | 0:17:11 | |
There's a whole list of different sounds that they can make. | 0:17:11 | 0:17:15 | |
There's a cluck... | 0:17:15 | 0:17:16 | |
CLUCK | 0:17:16 | 0:17:18 | |
..and that's made during play | 0:17:18 | 0:17:20 | |
and when they're grooming each other. | 0:17:20 | 0:17:23 | |
And then they've got this sound called kecker which is a long single | 0:17:23 | 0:17:27 | |
harmonic sound... | 0:17:27 | 0:17:28 | |
KECKER | 0:17:28 | 0:17:30 | |
..and that's like a threat sound. | 0:17:30 | 0:17:33 | |
It's great. Such an insight into what they're doing | 0:17:33 | 0:17:35 | |
when we're all tucked up in bed. | 0:17:35 | 0:17:38 | |
Oh, he's going in the tent! He's going in the tent. | 0:17:38 | 0:17:41 | |
SHE CHUCKLES | 0:17:41 | 0:17:43 | |
There's one seeing the other one off. Like, "This is my territory, | 0:17:46 | 0:17:49 | |
"this is my food source." | 0:17:49 | 0:17:51 | |
SHE LAUGHS He's in the tent, | 0:17:51 | 0:17:53 | |
he's grabbed the whole thing of biscuits and exited. | 0:17:53 | 0:17:57 | |
Didn't even stop to eat them. | 0:17:57 | 0:17:59 | |
Perfect. Oh, that's so brilliant. | 0:17:59 | 0:18:02 | |
Nature thrives on and sustains our holiday coast. | 0:18:17 | 0:18:22 | |
Witnessing magical moments, from a beach of shells | 0:18:22 | 0:18:26 | |
to biscuit-eating badgers, makes us feel pretty good too. | 0:18:26 | 0:18:29 | |
Our coast is awash with spectacular campsites, | 0:18:31 | 0:18:35 | |
but for me it's outside the tent where you see the real | 0:18:35 | 0:18:37 | |
holiday attractions. Nature just quietly getting on with it. | 0:18:37 | 0:18:42 | |
Nature's adorned our coast with a wealth of wonders. | 0:19:05 | 0:19:09 | |
Beauty is an obvious lure. | 0:19:15 | 0:19:17 | |
Basalt columns in the Hebrides and the Giant's Causeway in Ireland. | 0:19:19 | 0:19:24 | |
But some resorts create their own attractions. | 0:19:29 | 0:19:32 | |
In the 19th century, every seaside town worth its salt wanted a pier, | 0:19:34 | 0:19:40 | |
an elegant architectural extension stretching out into the sea. | 0:19:40 | 0:19:45 | |
It took an impressive feat of engineering to connect | 0:19:46 | 0:19:49 | |
Southend-on-Sea to the London holiday crowds. | 0:19:49 | 0:19:53 | |
At almost a mile-and-a-half, | 0:19:59 | 0:20:01 | |
this is the longest pleasure pier in the world. | 0:20:01 | 0:20:06 | |
Why did they build this whopper HERE? | 0:20:13 | 0:20:17 | |
The answer lies in Southend's geology. | 0:20:18 | 0:20:21 | |
'The tidal estuary is made up of silt, sand and London Clay. | 0:20:24 | 0:20:29 | |
'At low tide, more than a mile of this slippery stuff | 0:20:31 | 0:20:35 | |
'lies between the water's edge and dry land.' | 0:20:35 | 0:20:39 | |
Even at high tide the shallow bay is never more than six metres - | 0:20:39 | 0:20:43 | |
or 20 feet deep. | 0:20:43 | 0:20:45 | |
Until the pier was built, large passenger boats carrying Londoners | 0:20:47 | 0:20:51 | |
out of the city simply sailed straight past. | 0:20:51 | 0:20:56 | |
The solution? | 0:20:56 | 0:20:58 | |
An engineering triumph that trumped the troublesome geography | 0:20:58 | 0:21:02 | |
and put this unapproachable place squarely on the holiday-makers' map. | 0:21:02 | 0:21:07 | |
'But Southend didn't need a pier to take people out to sea - | 0:21:11 | 0:21:15 | |
'they needed it to bring people in.' | 0:21:15 | 0:21:18 | |
The boats might have sailed away, but the pier is no relic of history. | 0:21:20 | 0:21:24 | |
'The locals keep it alive. Peggy Dowie's passionate about it.' | 0:21:25 | 0:21:30 | |
It's a love affair really I've had with the pier, coming up here. | 0:21:31 | 0:21:36 | |
Perhaps riding the train back, the noise of the train, the smell | 0:21:36 | 0:21:40 | |
of the pier, and to walk right to the end and watch the boats go by | 0:21:40 | 0:21:43 | |
it was like being in another world. You know, it was really lovely. | 0:21:43 | 0:21:47 | |
Like any love affair, Peggy and the pier have had turbulent times. | 0:21:49 | 0:21:54 | |
In 1980, the council actually decided | 0:21:54 | 0:21:58 | |
the pier was to close indefinitely | 0:21:58 | 0:22:01 | |
and so, you know, all of us that were there we said, "No we've got | 0:22:01 | 0:22:04 | |
"to do something," and so my husband and I formed a committee. | 0:22:04 | 0:22:09 | |
We put on a festival and once the word went out | 0:22:09 | 0:22:12 | |
people were coming in from all over | 0:22:12 | 0:22:14 | |
offering their help, and we stopped the pier from closing. | 0:22:14 | 0:22:18 | |
You're looking as if you're loving being out here. | 0:22:18 | 0:22:20 | |
Yes, we were both very happy to be doing what we could for the pier. | 0:22:20 | 0:22:25 | |
Do you think one of the reasons people love piers so much | 0:22:25 | 0:22:28 | |
is that they're really quite romantic, aren't they? | 0:22:28 | 0:22:31 | |
Well, they are, because people meet on the end of the pier | 0:22:31 | 0:22:34 | |
and someone said that they were conceived on the end | 0:22:34 | 0:22:37 | |
of the pier by their parents. | 0:22:37 | 0:22:40 | |
Did you spend time courting out here with your husband? | 0:22:40 | 0:22:43 | |
We used to come up here quite often, have a little kiss and a cuddle... | 0:22:43 | 0:22:46 | |
-NICK LAUGHS -..in the corner, a few corners, you know? | 0:22:46 | 0:22:50 | |
And it was lovely because in the evening sometimes | 0:22:50 | 0:22:54 | |
when it was off-season | 0:22:54 | 0:22:55 | |
you'd be quite cold and it was a good excuse to have a cuddle. | 0:22:55 | 0:22:59 | |
The love of piers is powerful. | 0:23:01 | 0:23:04 | |
You get to the edge of land | 0:23:04 | 0:23:06 | |
and have the option to carry on. | 0:23:06 | 0:23:08 | |
'Walking on water is otherworldly.' | 0:23:09 | 0:23:12 | |
And what I love about this pier is not only its audacious length | 0:23:15 | 0:23:19 | |
but what it means to the people of Southend-on-Sea. | 0:23:19 | 0:23:23 | |
John Betjeman describes it perfectly. | 0:23:23 | 0:23:26 | |
"The pier is Southend, and Southend is the pier." | 0:23:26 | 0:23:30 | |
This extension into the sea made Southend | 0:23:31 | 0:23:35 | |
a quick and easy destination for Londoners. | 0:23:35 | 0:23:37 | |
'At the end of the pier I'm hitching a lift, | 0:23:39 | 0:23:42 | |
'just as city visitors of old, for the next leg of my journey.' | 0:23:42 | 0:23:46 | |
I'm heading for the main attraction, Margate. | 0:23:47 | 0:23:50 | |
'All around our coast it was by sea that early holiday-makers | 0:23:53 | 0:23:57 | |
'reached our first resorts.' | 0:23:57 | 0:23:59 | |
Later, railways connected city and seaside. | 0:24:01 | 0:24:04 | |
Scots headed for Stonehaven. | 0:24:07 | 0:24:09 | |
Cromer pulled in Norfolk's crowds. | 0:24:11 | 0:24:13 | |
On Cornwall's Atlantic coast there was Newquay. | 0:24:15 | 0:24:19 | |
And in Wales, Llandudno took its share of the tourist trade. | 0:24:20 | 0:24:24 | |
But for Midlanders wanting some sea air, Weston-super-Mare beckoned. | 0:24:27 | 0:24:34 | |
A destination of dreams... | 0:24:38 | 0:24:41 | |
..where generations first saw the sea and smiled. | 0:24:46 | 0:24:50 | |
In 1963, the NSPCC filmed a trip from Birmingham. | 0:24:53 | 0:24:57 | |
50 years on, the McArdles, | 0:24:59 | 0:25:01 | |
sisters Ronnie, | 0:25:01 | 0:25:04 | |
Carole | 0:25:04 | 0:25:06 | |
and the eldest, June, are recreating the experience. | 0:25:06 | 0:25:09 | |
We were all excited and happy and clapping and singing. | 0:25:10 | 0:25:15 | |
# My bonnie lies over the ocean... # | 0:25:15 | 0:25:19 | |
We was a family that hadn't got anything, but we had each other, | 0:25:19 | 0:25:23 | |
and you made your fun with your family. | 0:25:23 | 0:25:25 | |
-We were playing in the street all the time. -Yeah, yeah. | 0:25:25 | 0:25:29 | |
# Oh bring back my bonnie to me... | 0:25:29 | 0:25:33 | |
# Bring back, bring back | 0:25:33 | 0:25:37 | |
# Oh bring back my bonnie to me. # | 0:25:37 | 0:25:40 | |
-Do you remember? -Yes! | 0:25:41 | 0:25:44 | |
The day before we came I don't think any of us slept that night properly. | 0:25:44 | 0:25:48 | |
-No, no. -No. | 0:25:48 | 0:25:49 | |
Because all we could think of is coming to the sea. | 0:25:49 | 0:25:52 | |
We were just so excited, weren't we? | 0:25:52 | 0:25:54 | |
-Yeah. -We'd never seen the sea. | 0:25:54 | 0:25:56 | |
When you got to Weston it was like a different world. There was | 0:25:59 | 0:26:04 | |
all this sea and all these children just running about, | 0:26:04 | 0:26:07 | |
just really having fun. | 0:26:07 | 0:26:09 | |
To feel the sea under our feet, it was absolutely lovely. So excited. | 0:26:12 | 0:26:16 | |
You didn't think about how cold it felt or nothing. | 0:26:16 | 0:26:18 | |
It was absolutely marvellous. | 0:26:18 | 0:26:20 | |
You know, it was just huge. | 0:26:20 | 0:26:22 | |
You didn't know where it was going to end. | 0:26:22 | 0:26:24 | |
It was an adventure, weren't it, the donkeys? | 0:26:26 | 0:26:28 | |
-I mean we'd never been near a donkey, had we? -No, no. | 0:26:28 | 0:26:31 | |
We had our little buckets and spades, | 0:26:48 | 0:26:50 | |
that's something else we had. | 0:26:50 | 0:26:51 | |
We were just so happy with these buckets and spades | 0:26:51 | 0:26:54 | |
cos a sandcastle to us was just like, you know, | 0:26:54 | 0:26:56 | |
a wonderful thing to do. | 0:26:56 | 0:26:58 | |
When we came here it wasn't just a day trip to us. | 0:27:00 | 0:27:03 | |
It was a big adventure | 0:27:03 | 0:27:04 | |
and a big holiday. | 0:27:04 | 0:27:05 | |
Weston's always special, isn't it, now? | 0:27:07 | 0:27:09 | |
Oh, it is special, yeah. | 0:27:09 | 0:27:11 | |
Because of that day. | 0:27:11 | 0:27:13 | |
That day affected me, the excitement of it, | 0:27:13 | 0:27:16 | |
and I wanted to share that with my family | 0:27:16 | 0:27:20 | |
'and I still talk about the sea and that with the grandchildren.' | 0:27:20 | 0:27:24 | |
-It was a lovely time, wasn't it? -It was, yeah, yeah. You know. | 0:27:24 | 0:27:27 | |
Beautiful, nice memories. | 0:27:27 | 0:27:28 | |
# Oh, I do like to be beside the seaside | 0:27:30 | 0:27:34 | |
# Oh, I do like to be beside the sea... # | 0:27:34 | 0:27:38 | |
This is the Holiday Coast. | 0:27:55 | 0:27:57 | |
'Year-round, our great British resorts call us to the edges | 0:28:01 | 0:28:04 | |
'of our island. | 0:28:04 | 0:28:05 | |
'On this seaside sojourn we're exploring why | 0:28:07 | 0:28:10 | |
'being beside the seaside really does make us feel better.' | 0:28:10 | 0:28:14 | |
Something many resorts have claimed over time. | 0:28:15 | 0:28:18 | |
Long before its illuminations, Blackpool advertised | 0:28:19 | 0:28:22 | |
the health-giving properties of its shores. | 0:28:22 | 0:28:24 | |
And on offer in Pembrokeshire, the benefits of getting close to nature. | 0:28:27 | 0:28:31 | |
I'm on my way to Margate, on Kent's Thanet coast. | 0:28:34 | 0:28:37 | |
This place was a curative cut above the rest. | 0:28:40 | 0:28:43 | |
'I'm here to investigate why people came to Margate as a last resort | 0:28:48 | 0:28:51 | |
'to literally save their lives.' | 0:28:51 | 0:28:55 | |
Back in the 18th century it was the ultimate life-saving holiday. | 0:28:57 | 0:29:01 | |
Making the voyage down from London weren't tourists but patients, | 0:29:01 | 0:29:06 | |
and they were heading here for a very special treatment. | 0:29:06 | 0:29:09 | |
The exodus was thanks to this man, | 0:29:09 | 0:29:12 | |
Dr John Coakley Lettsom. | 0:29:12 | 0:29:16 | |
Margate's fresh air and clean water were the perfect ingredients | 0:29:19 | 0:29:23 | |
for a new treatment. | 0:29:23 | 0:29:25 | |
Sea bathing. | 0:29:26 | 0:29:28 | |
And in 1791, he founded the Royal Sea Bathing Hospital | 0:29:28 | 0:29:33 | |
here in Margate. | 0:29:33 | 0:29:36 | |
The hospital's aim? | 0:29:36 | 0:29:38 | |
To treat the scrofulous poor of London. | 0:29:38 | 0:29:41 | |
'But what is scrofula, and why was it so rife among London's poor?' | 0:29:43 | 0:29:47 | |
-Hello, Shirley. -Hello. | 0:29:47 | 0:29:49 | |
'I'm meeting nurse Shirley Bowskill to find out more.' | 0:29:49 | 0:29:53 | |
Scrofula is tuberculosis of the lymph glands, | 0:29:53 | 0:29:57 | |
so you had boils in your neck, under your arms, in your groins | 0:29:57 | 0:30:01 | |
and anywhere that you would actually find a lymph gland. | 0:30:01 | 0:30:04 | |
Most of the patients that came down to the Sea Bathing | 0:30:04 | 0:30:07 | |
were actually quite young, from the East End of London. | 0:30:07 | 0:30:10 | |
I have a book, which is the medical register | 0:30:10 | 0:30:12 | |
of the Sea Bathing Hospital, dated 1828, | 0:30:12 | 0:30:15 | |
and if we have a look we have five patients coming in from a workhouse. | 0:30:15 | 0:30:20 | |
This child, who's 12, | 0:30:20 | 0:30:22 | |
has enlargement on the right side of his face, | 0:30:22 | 0:30:25 | |
and most of these you see have gone home with great benefit. | 0:30:25 | 0:30:29 | |
They were bathed once a day for a quarter of an hour, | 0:30:29 | 0:30:33 | |
they had three square meals and they weren't all crammed together | 0:30:33 | 0:30:37 | |
in the slums of the East End of London. | 0:30:37 | 0:30:39 | |
With the disease running riot, this sea bathing treatment | 0:30:49 | 0:30:53 | |
was a lifeline for desperate patients. | 0:30:53 | 0:30:56 | |
This is one of the open-air wards. Its roof of cast iron and glass | 0:30:58 | 0:31:03 | |
is still intact, and this is all the patients had to protect themselves | 0:31:03 | 0:31:08 | |
from the elements as they lay out here for months at a time. | 0:31:08 | 0:31:11 | |
Doctors were trying to harness the power of vitamin D | 0:31:12 | 0:31:16 | |
from the sun to help tubercular joints, | 0:31:16 | 0:31:19 | |
and cleanse dirt-ridden London lungs with the fresh sea air. | 0:31:19 | 0:31:24 | |
This is rather beautiful. It's very peaceful, | 0:31:26 | 0:31:30 | |
and the building itself is still standing strong. | 0:31:30 | 0:31:33 | |
Over here is the all-important walkway to the sea | 0:31:33 | 0:31:37 | |
where patients were wheeled in their beds down to the water. | 0:31:37 | 0:31:42 | |
'I want to experience what it was like for those first patients | 0:31:45 | 0:31:49 | |
'taking the plunge in Margate's bracing seas. | 0:31:49 | 0:31:53 | |
'I'm meeting retired orthopaedic surgeon Ian Stephen. | 0:31:53 | 0:31:56 | |
'He knows all about the Sea Bathing Hospital | 0:31:56 | 0:31:59 | |
'and has studied the use of this treatment.' | 0:31:59 | 0:32:02 | |
Right, this had better work, Ian. | 0:32:02 | 0:32:03 | |
Well, I'll come with you as far as the water's edge, but no further. | 0:32:03 | 0:32:07 | |
'I've a feeling this isn't going to be a routine consultation.' | 0:32:07 | 0:32:11 | |
Now, how far did they used to go? Up to neck, head under? | 0:32:11 | 0:32:14 | |
Full immersion. | 0:32:14 | 0:32:15 | |
Is this deep enough, Ian? | 0:32:19 | 0:32:21 | |
Yes, but get right under. | 0:32:21 | 0:32:22 | |
HE CRIES OUT | 0:32:26 | 0:32:28 | |
Oh! | 0:32:28 | 0:32:29 | |
Ian, it's very cold! | 0:32:30 | 0:32:32 | |
That's to be expected. It's the North Sea. | 0:32:32 | 0:32:35 | |
What exactly is the water doing to my body | 0:32:35 | 0:32:39 | |
apart from giving me hypothermia? | 0:32:39 | 0:32:41 | |
The salt water is washing out your open sores and helping them to heal. | 0:32:41 | 0:32:47 | |
I can't feel my body, does that mean its working? | 0:32:47 | 0:32:50 | |
I think it's probably time you came in. | 0:32:50 | 0:32:53 | |
'With the London grime washed away I might well have felt some benefit, | 0:32:54 | 0:32:57 | |
'once I'd warmed up. | 0:32:57 | 0:33:00 | |
'But it wasn't a cure.' | 0:33:00 | 0:33:01 | |
TB continued to be a scourge | 0:33:05 | 0:33:08 | |
until the development of antibiotics in 1944. | 0:33:08 | 0:33:11 | |
Meanwhile, Margate pioneered new treatments for a different form | 0:33:13 | 0:33:17 | |
of the disease, | 0:33:17 | 0:33:18 | |
tuberculosis of the joints. | 0:33:18 | 0:33:20 | |
So these dolls were used to teach... | 0:33:22 | 0:33:25 | |
To show the patients what was involved, | 0:33:25 | 0:33:27 | |
and also to teach nurses what was going to happen. | 0:33:27 | 0:33:30 | |
This looks excruciatingly uncomfortable, | 0:33:30 | 0:33:33 | |
-what this model is being subjected to. -Well, | 0:33:33 | 0:33:35 | |
it WAS pretty uncomfortable, that's quite right. | 0:33:35 | 0:33:37 | |
What exactly is this strange cover? | 0:33:37 | 0:33:40 | |
-This is splintage of the spine. -The whole-body splintage? | 0:33:40 | 0:33:44 | |
A whole-body splintage, it's called a plaster bed, | 0:33:44 | 0:33:47 | |
and in order to prevent sores on the body, the patient | 0:33:47 | 0:33:50 | |
had to be turned regularly from the front to the back. | 0:33:50 | 0:33:54 | |
-In the whole splint? -In the whole splint. | 0:33:54 | 0:33:56 | |
Forgive me for asking an obvious question, | 0:33:56 | 0:33:58 | |
but were you ever allowed out of the splint to go to the loo, or... | 0:33:58 | 0:34:00 | |
No. No, it was a full-time splintage. | 0:34:00 | 0:34:05 | |
The principle was that in order to allow the bone to heal | 0:34:05 | 0:34:09 | |
or the joint to heal, you had to splint it 24 hours a day. | 0:34:09 | 0:34:13 | |
-For how long? -Probably about two years. | 0:34:13 | 0:34:16 | |
-Two years locked in that? -Two years, that's right. | 0:34:16 | 0:34:19 | |
It was what was referred to | 0:34:19 | 0:34:22 | |
as long-stay, low-technology treatment. | 0:34:22 | 0:34:25 | |
What contribution do you think the coast made to the treatment? | 0:34:25 | 0:34:29 | |
Would it have made any difference, do you think? | 0:34:29 | 0:34:31 | |
They'd have got the view, the fresh air. The sea air and the winds | 0:34:31 | 0:34:35 | |
very much helped the psychological treatment, as well. | 0:34:35 | 0:34:40 | |
Do you really believe that, as a medic, that actually the location | 0:34:40 | 0:34:43 | |
of your ward, the ambience of the ward, that does make a difference? | 0:34:43 | 0:34:46 | |
Absolutely. I'm absolutely convinced of it. | 0:34:46 | 0:34:49 | |
Full-body splints were used into the 1940s | 0:34:51 | 0:34:54 | |
until antibiotics took over. | 0:34:54 | 0:34:57 | |
And the hospital? | 0:34:58 | 0:34:59 | |
It continued to thrive up to the 1990s. | 0:34:59 | 0:35:02 | |
'Medicinal Margate, recreating body, mind | 0:35:05 | 0:35:09 | |
'and care-worn spirit. | 0:35:09 | 0:35:11 | |
'Here, the seaside really was good for you.' | 0:35:11 | 0:35:15 | |
We're exploring our holiday coast, | 0:35:33 | 0:35:35 | |
finding out how the seaside can improve our health | 0:35:35 | 0:35:38 | |
and raise our spirits. | 0:35:38 | 0:35:40 | |
But while most come to the seaside to put troubles behind them, | 0:35:50 | 0:35:54 | |
some seek out trouble. | 0:35:54 | 0:35:56 | |
In 1913, the seaside became the front line | 0:35:58 | 0:36:01 | |
in an extraordinary episode | 0:36:01 | 0:36:03 | |
of explosive politics. | 0:36:03 | 0:36:05 | |
World events shattered the peace of Edwardian St Leonards, | 0:36:05 | 0:36:09 | |
part of Hastings in Sussex. | 0:36:09 | 0:36:11 | |
Ruth's investigating a visitor who hid among the holiday crowds. | 0:36:12 | 0:36:17 | |
100 years ago, St Leonards, with its fun and frivolity, | 0:36:24 | 0:36:29 | |
was where all manner of visitors rubbed shoulders. | 0:36:29 | 0:36:32 | |
The strict social boundaries of the time forgotten. | 0:36:33 | 0:36:37 | |
And among the holiday-makers, someone was using this bustling anonymity | 0:36:40 | 0:36:45 | |
as perfect cover. | 0:36:45 | 0:36:47 | |
A mysterious stranger with dark intentions had arrived | 0:36:51 | 0:36:54 | |
in this unsuspecting seaside town. | 0:36:54 | 0:36:58 | |
They were about to unleash a terror that would reverberate | 0:36:58 | 0:37:00 | |
around the globe. | 0:37:00 | 0:37:02 | |
There's little left to show now. | 0:37:04 | 0:37:06 | |
'The scene of the crime has a new life as a smart block | 0:37:06 | 0:37:10 | |
'of upmarket flats. But on the 15th of April 1913, | 0:37:10 | 0:37:15 | |
'dark deeds were afoot. | 0:37:15 | 0:37:17 | |
'The target? | 0:37:18 | 0:37:19 | |
'Levetleigh, one of the town's most prestigious mansions | 0:37:19 | 0:37:23 | |
'and home to the local MP, Arthur Du Cros.' | 0:37:23 | 0:37:26 | |
In the still small hours someone crept up to the windows and smeared | 0:37:28 | 0:37:32 | |
them with jam and brown paper to stifle the sound of smashing glass. | 0:37:32 | 0:37:38 | |
Once they were inside they set fire after fire in room after room. | 0:37:38 | 0:37:43 | |
Soon the flames broke through the roof, illuminating the night. | 0:37:43 | 0:37:47 | |
The hungry fire devoured everything in its path. | 0:37:50 | 0:37:53 | |
In the cold light of dawn crowds gathered | 0:37:54 | 0:37:57 | |
clamouring for the answer to one question. | 0:37:57 | 0:37:59 | |
Who did it? | 0:38:01 | 0:38:02 | |
It seems they left their calling card. | 0:38:02 | 0:38:04 | |
Suffragettes. | 0:38:06 | 0:38:08 | |
News that a holiday resort, of all places, had been targeted | 0:38:09 | 0:38:13 | |
sent shock waves across the world. | 0:38:13 | 0:38:15 | |
Reports spread that the long-running campaign for women's votes | 0:38:17 | 0:38:21 | |
had brought violence to the holiday coast. | 0:38:21 | 0:38:24 | |
So why did this new style of suffragette attack happen here | 0:38:26 | 0:38:30 | |
in sleepy St Leonards? | 0:38:30 | 0:38:32 | |
And who was the woman or women who carried it out? | 0:38:32 | 0:38:35 | |
'St Leonards has a little-known past as a hotbed | 0:38:39 | 0:38:44 | |
'of formidable female campaigners. | 0:38:44 | 0:38:46 | |
'There were even suffragette meetings on the beach.' | 0:38:53 | 0:38:56 | |
'But by 1912 they were losing patience. | 0:39:02 | 0:39:06 | |
'They had lobbied their MP, Arthur du Cros, to back votes for women | 0:39:06 | 0:39:09 | |
'in Parliament. When he failed, they accused him of breaking promises. | 0:39:09 | 0:39:14 | |
'There was a bitter war of words, | 0:39:16 | 0:39:18 | |
'and yet local campaigners were never questioned about the attack.' | 0:39:18 | 0:39:23 | |
It seems that the local ladies of St Leonards and Hastings | 0:39:26 | 0:39:29 | |
didn't have the resolve for an arson attack. | 0:39:29 | 0:39:32 | |
So who did? Who hid in the holiday crowds? | 0:39:34 | 0:39:38 | |
Perhaps someone who'd been here before? | 0:39:38 | 0:39:41 | |
I'm meeting historian Fern Ridell. She's studied the attack | 0:39:41 | 0:39:45 | |
and has a prime suspect. | 0:39:45 | 0:39:48 | |
-Hi, Fern. -Hi, Ruth. | 0:39:48 | 0:39:50 | |
Hiya. So who do you think carried out these arson attacks? | 0:39:50 | 0:39:54 | |
Well, for me, the evidence points to really just one person | 0:39:54 | 0:39:56 | |
and that's Kitty Marion. | 0:39:56 | 0:39:58 | |
-Gosh, she's rather glamorous, isn't she? -Isn't she? | 0:39:58 | 0:40:01 | |
She was a militant suffragette and a music hall star from London. | 0:40:01 | 0:40:04 | |
And did she have any links to St Leonards? | 0:40:04 | 0:40:06 | |
Yes, well, she actually performed on the pier behind us | 0:40:06 | 0:40:09 | |
for a benefit in 1910, | 0:40:09 | 0:40:12 | |
but part of her life as a music hall star would have been travelling | 0:40:12 | 0:40:15 | |
around the country, so she obviously had time to make links to Hastings. | 0:40:15 | 0:40:19 | |
Kitty had been appalled by her experience of the casting couch | 0:40:22 | 0:40:25 | |
when she toured with end-of-the-pier shows and reviews. | 0:40:25 | 0:40:28 | |
'She became a committed activist and increasingly militant.' | 0:40:28 | 0:40:32 | |
And this is not her first act of militancy? | 0:40:34 | 0:40:36 | |
No, before this point Kitty is doing something that all | 0:40:36 | 0:40:39 | |
the militant suffragettes are doing and that's breaking windows, | 0:40:39 | 0:40:42 | |
she is cutting telegraph and telephone wires, | 0:40:42 | 0:40:44 | |
she's really doing everything that she can to be socially disruptive. | 0:40:44 | 0:40:47 | |
And has she been in trouble for this? Has she been prosecuted? | 0:40:47 | 0:40:50 | |
She has. She's had a number of prosecutions relating to | 0:40:50 | 0:40:53 | |
those sort of offences, and so she's been through the horrific, | 0:40:53 | 0:40:57 | |
the absolutely awful experience of force-feeding. | 0:40:57 | 0:41:01 | |
Suffragettes went on hunger strike as a protest against arrest. | 0:41:02 | 0:41:07 | |
Force-feeding was the brutal response. | 0:41:07 | 0:41:10 | |
But could that drive someone like Kitty to violence? | 0:41:12 | 0:41:16 | |
I'm meeting Professor June Purvis to find out. | 0:41:16 | 0:41:19 | |
I have here some of the original apparatus | 0:41:20 | 0:41:23 | |
so you can see what it was like. | 0:41:23 | 0:41:25 | |
Your mouth would be held open with clamps, | 0:41:25 | 0:41:28 | |
and then these tubes were stuck into you. | 0:41:28 | 0:41:32 | |
They were either put up your nose or down your throat, | 0:41:32 | 0:41:37 | |
which was the most horrible process, | 0:41:37 | 0:41:40 | |
and the women often experienced it as a form of rape, | 0:41:40 | 0:41:45 | |
because of the overpowering physical force that accompanied the very act. | 0:41:45 | 0:41:49 | |
-Kitty Marion, for example, she was forcibly fed 232 times. -Gee. | 0:41:49 | 0:41:55 | |
Kitty wrote about this experience in her autobiography. | 0:41:57 | 0:42:01 | |
"At times I felt I should go stark staring mad. | 0:42:01 | 0:42:05 | |
"The agony was so intense. | 0:42:05 | 0:42:07 | |
"It made me wrench my head. Now I'm a physical wreck." | 0:42:07 | 0:42:11 | |
So Kitty had a motive, and the ferocity of the attack in this | 0:42:12 | 0:42:16 | |
sleepy resort certainly put votes for women centre stage. | 0:42:16 | 0:42:20 | |
But there's another question. | 0:42:21 | 0:42:23 | |
How on earth did these women know how to cause such destruction? | 0:42:23 | 0:42:28 | |
Dr Sidney Alford is an explosives expert. | 0:42:29 | 0:42:32 | |
Using police reports he's reconstructed devices | 0:42:32 | 0:42:35 | |
from suffragette attacks. | 0:42:35 | 0:42:37 | |
This is a bomb. It's a container of gunpowder capable of causing | 0:42:37 | 0:42:42 | |
very serious damage to a building. | 0:42:42 | 0:42:44 | |
So these sorts of things were really quite widely available then? | 0:42:44 | 0:42:47 | |
Widely available, | 0:42:47 | 0:42:49 | |
but not everyone of course was conversant with their use. | 0:42:49 | 0:42:52 | |
I noticed in the reports here that we've also got mention | 0:42:52 | 0:42:55 | |
of things other than gunpowder. | 0:42:55 | 0:42:56 | |
We've got this rather strange "mixture of lycopodium and pepper". | 0:42:56 | 0:43:00 | |
-Ah, yes. -What on earth is that? | 0:43:00 | 0:43:04 | |
Lycopodium, it is a very, very fine powder, which I'll show you, | 0:43:04 | 0:43:08 | |
and it burns quite spectacularly. Indeed that is actually what | 0:43:08 | 0:43:12 | |
used to be used to herald the arrival or departure of a devil | 0:43:12 | 0:43:16 | |
from a stage. Remember on a stage in Victorian times it would be dark. | 0:43:16 | 0:43:20 | |
Like flash powder? | 0:43:20 | 0:43:21 | |
In a dark room, | 0:43:21 | 0:43:23 | |
if you puffed that across a flame, it gives a spectacular flash. | 0:43:23 | 0:43:27 | |
Oh! | 0:43:28 | 0:43:29 | |
Now, this is an ingredient Kitty, as an actress, would have known about. | 0:43:32 | 0:43:36 | |
Their devices were so concocted that they could cause serious | 0:43:36 | 0:43:41 | |
damage to the right sort of target structure. | 0:43:41 | 0:43:44 | |
So it's not an explosive as such? | 0:43:44 | 0:43:47 | |
Not really. | 0:43:47 | 0:43:48 | |
Killing people was almost certainly not the primary intention | 0:43:48 | 0:43:53 | |
of these weapons, but it was a political campaign | 0:43:53 | 0:43:56 | |
and they wanted to scare people, no doubt. | 0:43:56 | 0:43:58 | |
'Striking at a seaside town shook society, | 0:44:01 | 0:44:04 | |
'and in St Leonards it sparked other acts of violence.' | 0:44:04 | 0:44:07 | |
No-one was ever charged with the MP's house bombing, but Kitty is the | 0:44:09 | 0:44:14 | |
prime suspect and Fern's uncovered one final piece of evidence. | 0:44:14 | 0:44:19 | |
When she's arrested for a later attack, she's found to have pictures | 0:44:19 | 0:44:23 | |
of Arthur Du Cros' house in her possession. | 0:44:23 | 0:44:25 | |
She also keeps a scrapbook in which she puts newspaper cuttings | 0:44:25 | 0:44:29 | |
and references and other pictures of all of her attacks in, | 0:44:29 | 0:44:33 | |
and she keeps Arthur Du Cros' house in amongst that. | 0:44:33 | 0:44:38 | |
Kitty's actions created stark headlines. | 0:44:39 | 0:44:42 | |
Ironic then, that just months later a greater conflict overtook | 0:44:43 | 0:44:48 | |
the campaign of terror. | 0:44:48 | 0:44:49 | |
World War I. In the run-up to the Great War the suffragettes' | 0:44:50 | 0:44:54 | |
campaign of violence had been escalating, | 0:44:54 | 0:44:57 | |
but now the political landscape was to change completely. | 0:44:57 | 0:45:01 | |
Their fight, and backing for the war effort, paid off. | 0:45:01 | 0:45:06 | |
In 1918, some women over 30 won their suffrage. | 0:45:06 | 0:45:11 | |
By then, Kitty had fled to America. | 0:45:11 | 0:45:13 | |
'But the bombing on this holiday coast had played its part | 0:45:15 | 0:45:19 | |
'in re-shaping society. | 0:45:19 | 0:45:22 | |
'Women now had a voice | 0:45:22 | 0:45:24 | |
'and a vote.' | 0:45:24 | 0:45:26 | |
Across Britain's holiday coast even resorts that helped | 0:45:36 | 0:45:40 | |
make our history have seen their fortunes wax and wane. | 0:45:40 | 0:45:44 | |
Over time tastes change. | 0:45:48 | 0:45:51 | |
Resorts must change too or lose their appeal. | 0:45:51 | 0:45:54 | |
Margate's first visitors came to improve their health. | 0:45:56 | 0:45:59 | |
But more recently it's the town itself that's needed a little TLC | 0:46:02 | 0:46:07 | |
to restore flagging fortunes. | 0:46:07 | 0:46:09 | |
It was cheap foreign travel that stole the glamour | 0:46:11 | 0:46:14 | |
from towns like Margate. | 0:46:14 | 0:46:15 | |
The British holiday may have been down, | 0:46:18 | 0:46:21 | |
but it wasn't out for the count. | 0:46:21 | 0:46:23 | |
The seaside resort had to reinvent itself for a new generation. | 0:46:23 | 0:46:27 | |
'So how do you teach an old resort new tricks?' | 0:46:32 | 0:46:36 | |
Here they blend the old with the new. | 0:46:36 | 0:46:39 | |
And to help me navigate the old town, | 0:46:42 | 0:46:44 | |
there's nothing like a bit of local knowledge. | 0:46:44 | 0:46:47 | |
Shall we go? | 0:46:47 | 0:46:48 | |
Stan the local rickshaw man knows what's bringing tourists here today. | 0:46:52 | 0:46:57 | |
In the summer, Margate gets absolutely flooded. | 0:46:57 | 0:47:00 | |
It's the beach mainly, | 0:47:00 | 0:47:02 | |
the beach brings people from all over the place. | 0:47:02 | 0:47:04 | |
It has a ripple effect out into the town. | 0:47:04 | 0:47:08 | |
It's very pretty, isn't it? | 0:47:08 | 0:47:09 | |
It's lovely. It's the heart really of Margate, the old town. | 0:47:09 | 0:47:12 | |
You get a lot of tourism from London. | 0:47:12 | 0:47:14 | |
-Londoners coming down for the day out? -Yeah, it's all happened because of the Turner, I think. | 0:47:14 | 0:47:18 | |
It just shows that Margate's on the map, really. | 0:47:18 | 0:47:21 | |
The Turner Contemporary is the seafront art gallery | 0:47:23 | 0:47:27 | |
dedicated to the artist who loved this town most, JMW Turner, | 0:47:27 | 0:47:32 | |
one of our foremost painters of seascapes. | 0:47:32 | 0:47:35 | |
He came here when the coast called, and in return the town's | 0:47:38 | 0:47:43 | |
taken him as inspiration for their newest holiday attraction. | 0:47:43 | 0:47:47 | |
Born in the heart of London, Turner was inspired | 0:47:51 | 0:47:54 | |
by Margate's ever-changing light. | 0:47:54 | 0:47:56 | |
He said, "The skies over Thanet | 0:47:59 | 0:48:03 | |
"are the loveliest in all Europe." | 0:48:03 | 0:48:06 | |
Three centuries on, | 0:48:09 | 0:48:11 | |
Turner and those skies are still drawing visitors | 0:48:11 | 0:48:15 | |
to this holiday coast. | 0:48:15 | 0:48:17 | |
# Go down to the sea | 0:48:29 | 0:48:32 | |
# And tell me what it is that you want to be... # | 0:48:34 | 0:48:37 | |
Beyond sea and sand, | 0:48:40 | 0:48:42 | |
resorts carve their niche to capture the holiday crowds. | 0:48:42 | 0:48:47 | |
From the picture-postcard perfection of the Isle of Mull | 0:48:48 | 0:48:52 | |
to the ride of your life in Blackpool. | 0:48:52 | 0:48:55 | |
It's all about escaping the drudgery of daily life | 0:49:00 | 0:49:04 | |
and getting your coastal kicks. | 0:49:04 | 0:49:06 | |
When post-war holiday-makers flocked to Worthing on the south coast | 0:49:08 | 0:49:13 | |
they weren't after peace and quiet. They wanted thrills, | 0:49:13 | 0:49:18 | |
and they found them, in the sky. | 0:49:18 | 0:49:20 | |
Aeronautical engineer Brendan Walker is investigating an aerial | 0:49:22 | 0:49:26 | |
extravaganza that would open up new horizons for holiday-makers. | 0:49:26 | 0:49:31 | |
If you were walking on this beach in the 1950s you would have | 0:49:34 | 0:49:37 | |
witnessed a glimpse of the future. | 0:49:37 | 0:49:40 | |
High above the heads of holiday-makers, | 0:49:40 | 0:49:42 | |
daredevil pilots pushed sleek new jets to their limits. | 0:49:42 | 0:49:46 | |
Their aim? To set a new world airspeed record. | 0:49:48 | 0:49:53 | |
Propeller planes were old hat. This was the dawn of the jet age. | 0:49:53 | 0:49:57 | |
Now I'm on my own mission to uncover who set the records, | 0:49:58 | 0:50:02 | |
how they did it, and why it all happened here. | 0:50:02 | 0:50:04 | |
It was an irresistible draw. | 0:50:07 | 0:50:09 | |
'People came here on holiday to watch the drama unfold.' | 0:50:09 | 0:50:14 | |
An extraordinary experience for Barry Sprules and Mary Taylor. | 0:50:14 | 0:50:18 | |
We were always seeing jets whizzing up and down the beach, | 0:50:18 | 0:50:21 | |
and as a boy of course this was amazing, you know? | 0:50:21 | 0:50:24 | |
On holiday, and you could see an air show at the same time. | 0:50:24 | 0:50:27 | |
Have you seen this? It's wonderful. | 0:50:27 | 0:50:29 | |
That's a group of the people who were watching. | 0:50:29 | 0:50:31 | |
There it goes, look. | 0:50:31 | 0:50:32 | |
-Wow, what a fantastic photograph. -Isn't that a wonderful photograph? | 0:50:32 | 0:50:35 | |
The fact was it was almost the entire length... | 0:50:35 | 0:50:37 | |
Yes, of course, where you | 0:50:37 | 0:50:39 | |
happened to live, you came to the nearest part of the beach to stand | 0:50:39 | 0:50:41 | |
and watch it, and then when it came we all waved to it. | 0:50:41 | 0:50:44 | |
-THEY LAUGH -It was just excitement, you know? | 0:50:44 | 0:50:48 | |
"Is he going to do it?" "I'm sure he is," you know. | 0:50:48 | 0:50:50 | |
It was that sort of expectation. | 0:50:50 | 0:50:53 | |
But who was the man in the plane hoping to steal | 0:50:57 | 0:51:00 | |
the record back from America? | 0:51:00 | 0:51:02 | |
Neville Duke. In the summer of 1953, Duke and his record attempts | 0:51:04 | 0:51:09 | |
were the star attraction holiday-makers flocked to see. | 0:51:09 | 0:51:12 | |
A decorated war veteran before his 22nd birthday, Duke was a cool, | 0:51:13 | 0:51:18 | |
calculating risk-taker. | 0:51:18 | 0:51:21 | |
But every time test pilots pushed these prototype jets | 0:51:21 | 0:51:24 | |
to their limits, they put their lives on the line. | 0:51:24 | 0:51:27 | |
Idolised as a Boy's Own hero, Duke had the drive and desire | 0:51:29 | 0:51:33 | |
to be the fastest man in the air. | 0:51:33 | 0:51:35 | |
I've come to RAF Tangmere, just a stone's throw from the coast. | 0:51:47 | 0:51:51 | |
Now a museum, its home to Duke's custom-designed red | 0:51:53 | 0:51:57 | |
Mk III Hawker Hunter. | 0:51:57 | 0:52:00 | |
Tangmere had played a vital role in the Battle of Britain. | 0:52:07 | 0:52:11 | |
Post-war, it was the home of the RAF high-speed flight, | 0:52:11 | 0:52:15 | |
a team of ace pilots and engineers. | 0:52:15 | 0:52:17 | |
To find out why they chose this stretch of coastline, I'm meeting | 0:52:23 | 0:52:26 | |
aviation expert Andy Saunders. | 0:52:26 | 0:52:29 | |
The optimum conditions that are required were often to be found | 0:52:29 | 0:52:32 | |
on this particular bit of coast. You know, nice sunny skies, | 0:52:32 | 0:52:36 | |
calm seas. Conditions were perfect. | 0:52:36 | 0:52:38 | |
The best conditions in the UK | 0:52:38 | 0:52:40 | |
for flying a world airspeed record. | 0:52:40 | 0:52:43 | |
So what was the exact course that they flew? | 0:52:43 | 0:52:45 | |
Well, it was basically between here and the other side of Littlehampton, | 0:52:45 | 0:52:49 | |
and I've actually got a map here. | 0:52:49 | 0:52:50 | |
It was a 3km course | 0:52:50 | 0:52:52 | |
so the aircraft would have flown around here, right past Worthing pier | 0:52:52 | 0:52:56 | |
and then the actual measured course is this bit here. And it had | 0:52:56 | 0:53:00 | |
to be a perfectly level flight, | 0:53:00 | 0:53:02 | |
because obviously if they went into a dive | 0:53:02 | 0:53:04 | |
then they could build up extra speed and that would be cheating. | 0:53:04 | 0:53:08 | |
But what was behind the air speed record? Was it just a bit of fun? | 0:53:08 | 0:53:12 | |
It was deadly serious. This was, you know, the dawn of the Cold War, | 0:53:13 | 0:53:17 | |
so we wanted to show the Russians that we'd got the fastest | 0:53:17 | 0:53:19 | |
and the best fighters, but there were also commercial reasons, | 0:53:19 | 0:53:22 | |
because if they had the aeroplane that was going | 0:53:22 | 0:53:26 | |
the fastest in the world, then that was a very good sales point. | 0:53:26 | 0:53:29 | |
So there's a clear reason why this coast is ideal for setting records. | 0:53:31 | 0:53:36 | |
It's the same reason why holiday-makers are attracted here, | 0:53:36 | 0:53:38 | |
the wonderful summer weather. | 0:53:38 | 0:53:41 | |
Cloudless skies mean great visibility, | 0:53:41 | 0:53:44 | |
and the warm temperature means drier air, | 0:53:44 | 0:53:46 | |
so fewer sound waves building up to slow the aeroplane down. | 0:53:46 | 0:53:50 | |
-ARCHIVE: -From Tangmere airfield in Sussex, Duke takes off to make four runs | 0:53:50 | 0:53:54 | |
across a 3km course between Rustington and Kingston Gore. | 0:53:54 | 0:53:58 | |
But with each electrifying record-breaking attempt came danger. | 0:53:58 | 0:54:03 | |
It's the 1st September 1953. | 0:54:03 | 0:54:07 | |
Duke accelerates to 550 knots over the coast. | 0:54:07 | 0:54:11 | |
But as he turns on his afterburners he hears a sickening bang. | 0:54:13 | 0:54:17 | |
BANGING | 0:54:17 | 0:54:20 | |
The plane goes into a spin. | 0:54:20 | 0:54:23 | |
A force of 6.5G crashed down on my ribs and nearly blacked me out. | 0:54:23 | 0:54:28 | |
Beach and sea were coming closer every second. | 0:54:28 | 0:54:31 | |
The plane's undercarriage had ripped through the wing. It took all Duke's | 0:54:31 | 0:54:36 | |
skills to pull the plane up and limp back to base, landing on one wheel. | 0:54:36 | 0:54:41 | |
Undeterred, just six days later he was ready to try again. | 0:54:44 | 0:54:48 | |
Summer was ending and the Cold War was hotting up. | 0:54:52 | 0:54:56 | |
National pride got Neville Duke back in the cockpit. | 0:54:56 | 0:54:59 | |
What was it like for those early pilots? | 0:55:00 | 0:55:03 | |
'I want to understand how it felt to race ever faster | 0:55:03 | 0:55:06 | |
'in those prototype jets.' | 0:55:06 | 0:55:08 | |
That's why I'm heading up in a Hawker Hunter myself. | 0:55:10 | 0:55:13 | |
Even 60 years on, this is a truly impressive piece of engineering. | 0:55:18 | 0:55:23 | |
-RADIO: -The speed we're picking up is just incredible. | 0:55:29 | 0:55:33 | |
I wish the camera could see just how much I was smiling right now. | 0:55:33 | 0:55:36 | |
THEY LAUGH | 0:55:36 | 0:55:37 | |
And away we go. | 0:55:42 | 0:55:44 | |
BRENDAN LAUGHS | 0:55:44 | 0:55:46 | |
Ah, this is fantastic. | 0:55:46 | 0:55:48 | |
Immediately you can feel the G-force just pushing you | 0:55:48 | 0:55:51 | |
into the chair, and we're so close to the ground. | 0:55:51 | 0:55:54 | |
HE LAUGHS | 0:55:54 | 0:55:56 | |
'Pilots like Duke coped with immense pressures, making split-second | 0:55:57 | 0:56:02 | |
'decisions that not only set records but could cost them their lives.' | 0:56:02 | 0:56:06 | |
Picking up some speed now, putting the full power on. | 0:56:08 | 0:56:10 | |
-You can hear that. It's fantastic. -Yep. | 0:56:10 | 0:56:13 | |
Ah... | 0:56:13 | 0:56:15 | |
That's 4G now. | 0:56:15 | 0:56:17 | |
-I'm trying to put my hand out there. -HE LAUGHS | 0:56:17 | 0:56:20 | |
'At 4G I'm losing my ability to react, | 0:56:21 | 0:56:24 | |
'and we're way off the pace of Neville Duke.' | 0:56:24 | 0:56:27 | |
'There are no crowds on the coast today for us, but when Duke set out | 0:56:32 | 0:56:36 | |
'on that last record-breaking run, holiday-makers lined the route.' | 0:56:36 | 0:56:40 | |
Here comes the Hunter. | 0:56:42 | 0:56:43 | |
'So what did Duke feel flying above those holiday crowds?' | 0:56:48 | 0:56:52 | |
O-o-o-o-oh, yes...! | 0:56:53 | 0:56:56 | |
HE LAUGHS GLEEFULLY | 0:56:56 | 0:56:59 | |
'Sheer pleasure.' | 0:56:59 | 0:57:00 | |
Now it has been revealed that the shy, modest young pilot has | 0:57:04 | 0:57:07 | |
recaptured the World Speed Record for Britain with an average | 0:57:07 | 0:57:10 | |
of 727.6 miles an hour. | 0:57:10 | 0:57:12 | |
Beating the Americans by just 12mph. | 0:57:13 | 0:57:16 | |
The record was Britain's once more. | 0:57:17 | 0:57:20 | |
Above these very beaches a battle had been won. | 0:57:20 | 0:57:23 | |
The quest for speed and air supremacy had become | 0:57:23 | 0:57:27 | |
a holiday attraction for the whole of Britain. | 0:57:27 | 0:57:30 | |
Now we take the jet age for granted, flying off on holiday on a whim... | 0:57:31 | 0:57:36 | |
..all thanks to the pioneers who pushed the limits here | 0:57:38 | 0:57:41 | |
on our holiday coast. | 0:57:41 | 0:57:43 | |
We're drawn to our holiday coast for restoration and recreation, | 0:57:59 | 0:58:06 | |
to refresh body and mind. | 0:58:06 | 0:58:08 | |
The coast really is good for us. | 0:58:10 | 0:58:12 | |
'No wonder, then, that we do like to be beside the seaside.' | 0:58:17 | 0:58:21 | |
But the essence of the coast isn't to be found in the crowds | 0:58:24 | 0:58:27 | |
and the attractions and the gimmicks. | 0:58:27 | 0:58:28 | |
For me, it's in the simple pleasure of walking along a beach feeling | 0:58:28 | 0:58:33 | |
the warmth of the sun and listening to the rustle of the ocean. | 0:58:33 | 0:58:37 | |
Wish you were here. | 0:58:38 | 0:58:39 |