Browse content similar to King's Lynn to Felixstowe. Check below for episodes and series from the same categories and more!
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Down there is the mouth of the Ouse, | 0:00:17 | 0:00:21 | |
and spread out all around me are the dramatic sandy beaches, | 0:00:21 | 0:00:24 | |
mudflats and salt marshes of East Anglia, the most eastern edge of the country. | 0:00:24 | 0:00:29 | |
It's a coast where land and sea merge. | 0:00:30 | 0:00:34 | |
This is a mysterious landscape that doesn't easily yield its secrets. | 0:00:34 | 0:00:38 | |
Helping me to unearth them is our usual team of experts. | 0:00:38 | 0:00:44 | |
Nick Crane is coming back to his home county to explore the biggest threat to this part of the coast. | 0:00:44 | 0:00:51 | |
Hermione Cockburn uncovers the forgotten history of the people | 0:00:52 | 0:00:57 | |
who intercepted enemy radio messages during the Second World War. | 0:00:57 | 0:01:02 | |
Mark Horton's going to the most easterly point of Britain | 0:01:02 | 0:01:06 | |
to discover the history, and the future, of the great British pier. | 0:01:06 | 0:01:12 | |
And me? I'm investigating a top secret site of Cold War espionage. | 0:01:12 | 0:01:18 | |
Welcome to Coast. | 0:01:19 | 0:01:21 | |
On this journey, I'm tracing the coast of East Anglia. | 0:01:47 | 0:01:51 | |
The 130-mile journey will take me from King's Lynn | 0:01:51 | 0:01:54 | |
along the most easterly edge of Britain, to Felixstowe. | 0:01:54 | 0:01:58 | |
Norfolk and Suffolk are often regarded as remote, even isolated. | 0:02:01 | 0:02:05 | |
On this journey I'm going to explore how being away from prying eyes | 0:02:05 | 0:02:09 | |
has affected every single aspect of life on this coast. | 0:02:09 | 0:02:14 | |
My adventure starts here, in the ancient port of King's Lynn. | 0:02:19 | 0:02:24 | |
Today, King's Lynn may not seem like a vibrant metropolis. | 0:02:25 | 0:02:29 | |
It may not even seem that coastal. | 0:02:29 | 0:02:32 | |
But for over 600 years it was both. | 0:02:32 | 0:02:35 | |
In the time before we, as a nation, were in thrall to the New World in America, in the west, | 0:02:35 | 0:02:40 | |
the fascination lay with Europe in the east, | 0:02:40 | 0:02:44 | |
and King's Lynn became the port connecting Britain to the known world, | 0:02:44 | 0:02:49 | |
and bringing the best of Europe to us. | 0:02:49 | 0:02:53 | |
Unlike today, 800 years ago King's Lynn sat on a wide estuary, | 0:02:53 | 0:02:58 | |
with easy access to the bustling trade routes out in the North Sea. | 0:02:58 | 0:03:04 | |
It's hard to imagine, but from the 12th century, | 0:03:04 | 0:03:07 | |
Lynn was one of the most important international ports in the country. | 0:03:07 | 0:03:11 | |
These figures give an indication of the kind of money we're talking about. | 0:03:11 | 0:03:16 | |
Between July 1322 and October 1323, | 0:03:16 | 0:03:19 | |
over £6,000 worth of goods passed through the port. | 0:03:19 | 0:03:24 | |
That may not sound like much, but 800 years ago | 0:03:25 | 0:03:29 | |
those figures meant that King's Lynn ranked as Britain's third port. | 0:03:29 | 0:03:34 | |
And such was its status that, along with only seven other ports in the country, | 0:03:34 | 0:03:38 | |
the most significant international trade organisation of the day, | 0:03:38 | 0:03:42 | |
the Hanseatic League, began operating from here. | 0:03:42 | 0:03:45 | |
Like a medieval precursor to the EU, the Hanseatic League | 0:03:48 | 0:03:51 | |
linked traders in the major Baltic cities of Europe, | 0:03:51 | 0:03:54 | |
and stretched as far east as Novgorod in Russia. | 0:03:54 | 0:03:59 | |
Offering protection from piracy and negotiations on trade agreements, | 0:04:00 | 0:04:04 | |
being part of the league was big-time. | 0:04:04 | 0:04:06 | |
In the 15th century, this lane would have been thronging | 0:04:09 | 0:04:13 | |
with traders selling everything from timber to fish. | 0:04:13 | 0:04:16 | |
For over 800 years, King's Lynn played host to traders from all over Europe, | 0:04:19 | 0:04:23 | |
and today there are still echoes of that illustrious past. | 0:04:23 | 0:04:27 | |
It's just that sometimes you have to look pretty hard to find them. | 0:04:29 | 0:04:33 | |
But it's not only King's Lynn where things aren't quite what they seem. | 0:04:35 | 0:04:40 | |
The intricate patterns of salt marsh and the stretches of sandy beach look peaceful today, | 0:04:43 | 0:04:49 | |
yet they hide a history of flooding. | 0:04:49 | 0:04:51 | |
One terrible night in 1953, a catastrophic flood | 0:04:55 | 0:04:59 | |
devastated communities all along the east coast, | 0:04:59 | 0:05:02 | |
from as far north as the Humber Estuary all the way to Deal in Kent. | 0:05:02 | 0:05:08 | |
More than 300 people lost their lives. | 0:05:08 | 0:05:13 | |
In Old Hunstanton, Nick Crane is investigating | 0:05:17 | 0:05:20 | |
what causes this benign-looking coast to turn nasty. | 0:05:20 | 0:05:24 | |
In September 2006, television news reported that catastrophic floods | 0:05:27 | 0:05:32 | |
like those in 1953 were threatening to hit north Norfolk again. | 0:05:32 | 0:05:38 | |
-NEWSREADER: -Parts of the Norfolk coast are at particularly high risk of flooding, | 0:05:40 | 0:05:44 | |
according to the Environment Agency. | 0:05:44 | 0:05:46 | |
50 flood sirens across Norfolk were tested this morning. | 0:05:46 | 0:05:50 | |
Volunteer flood wardens, like Dave Bocking, | 0:05:51 | 0:05:54 | |
were mobilised on the days between the 6th and the 13th of September. | 0:05:54 | 0:05:57 | |
Residents waited anxiously. | 0:05:57 | 0:06:00 | |
With the same high tides predicted as those in 1953, | 0:06:00 | 0:06:04 | |
disaster seemed a very real possibility. | 0:06:04 | 0:06:07 | |
This is a first trial of the high tide warnings. | 0:06:07 | 0:06:11 | |
It looks as though we're going to get away with it. | 0:06:11 | 0:06:15 | |
But, as everybody knows, the seas can change very quickly. | 0:06:15 | 0:06:19 | |
This is Monday, and the tide is now full in again. | 0:06:20 | 0:06:27 | |
And it is completely unbelievable | 0:06:27 | 0:06:30 | |
that we've got a tide of this size, and it's so calm. | 0:06:30 | 0:06:34 | |
To investigate why this coast didn't suffer the catastrophic floods that many had predicted, | 0:06:35 | 0:06:40 | |
tidal expert Philip Woodworth has brought some high-tech equipment from his lab. | 0:06:40 | 0:06:46 | |
-Nice to meet you. -Nice to meet you. | 0:06:46 | 0:06:48 | |
Why was coastal Norfolk on high alert? | 0:06:48 | 0:06:51 | |
It was on a high alert because there was a predicted high tide | 0:06:51 | 0:06:54 | |
from the moon and the sun. | 0:06:54 | 0:06:56 | |
But what people were really worried about | 0:06:56 | 0:06:59 | |
was the bit that comes on top. | 0:06:59 | 0:07:02 | |
That's due to the weather, and that's the bit which cannot be predicted a long time in advance. | 0:07:02 | 0:07:07 | |
Philip's promised me that a bucket, a hosepipe and some water | 0:07:07 | 0:07:11 | |
are enough to show the dramatic effect of weather on sea level. | 0:07:11 | 0:07:15 | |
-That's probably enough. -Right. | 0:07:17 | 0:07:20 | |
-So if you can put your foot on the tube there, Nick. -OK. | 0:07:20 | 0:07:23 | |
And we'll invent the manometer, or water barometer. | 0:07:23 | 0:07:27 | |
-So you're tipping in North Sea. -I'm tipping in part of the North Sea. | 0:07:27 | 0:07:30 | |
-It's rising up the other side. -That's probably enough. -OK, there it is. -Excellent. | 0:07:30 | 0:07:34 | |
-So the water's at the same height in both sides of the tube. -That's right. | 0:07:34 | 0:07:39 | |
-Suck at this end of the tube. -What will that be representing, by sucking into that? | 0:07:39 | 0:07:44 | |
That will reduce the pressure in this part of the tube. | 0:07:44 | 0:07:48 | |
And if you can put your thumb over the end when you feel ready. | 0:07:48 | 0:07:52 | |
OK, excellent. We have here a difference in the water level here, | 0:07:52 | 0:07:57 | |
in this part of the tube down to here, of a good 50 centimetres. | 0:07:57 | 0:08:01 | |
Now this corresponds almost exactly to 50 millibars. | 0:08:01 | 0:08:04 | |
A millibar is the unit of air pressure. | 0:08:04 | 0:08:06 | |
-So it's one centimetre per millibar. -It's an accident of units, almost. An easy thing to remember. | 0:08:06 | 0:08:11 | |
Now the same effect will happen in the ocean. | 0:08:11 | 0:08:15 | |
And as the air pressure drops, as it does during storms in the winter, | 0:08:15 | 0:08:19 | |
the air pressure alone will cause the sea level to rise. | 0:08:19 | 0:08:24 | |
Or conversely, as the air pressure gets higher, | 0:08:24 | 0:08:27 | |
that will lower the sea level because it pushes it somewhere else. | 0:08:27 | 0:08:30 | |
And that's exactly what happened to prevent the predicted floods of 2006. | 0:08:30 | 0:08:36 | |
The weather was good, atmospheric pressure was comparatively high, | 0:08:36 | 0:08:40 | |
pushing the sea level down, | 0:08:40 | 0:08:41 | |
counteracting the effects of the very high tide. | 0:08:41 | 0:08:46 | |
In January 1953, the opposite was true. | 0:08:46 | 0:08:50 | |
A higher than usual tide coincided with low air pressure | 0:08:50 | 0:08:54 | |
due to a deep depression out in the North Sea. | 0:08:54 | 0:08:56 | |
It was the resulting sea level rise, | 0:08:56 | 0:08:58 | |
combined with storm-force onshore winds, which caused the flooding disaster. | 0:08:58 | 0:09:05 | |
Dave Bocking was 18 years old when the flood hit his village, Snettisham. | 0:09:09 | 0:09:15 | |
It's an awesome feeling, to be involved in it. | 0:09:15 | 0:09:20 | |
Not a good feeling, don't get me wrong. | 0:09:20 | 0:09:22 | |
It's terrifying, very very terrifying. | 0:09:22 | 0:09:26 | |
And I think that's one of the terrifyingest things | 0:09:26 | 0:09:31 | |
you could ever come across, because the sea has no friends. | 0:09:31 | 0:09:36 | |
You know, it will take whatever's in its path. | 0:09:36 | 0:09:40 | |
A lot of my best friends all got drowned. | 0:09:40 | 0:09:43 | |
29 people got drowned down here. | 0:09:43 | 0:09:46 | |
This was why I became a flood warden, because I had seen it before. | 0:09:46 | 0:09:51 | |
I come down sometimes, | 0:09:51 | 0:09:53 | |
and sit and cry. | 0:09:53 | 0:09:56 | |
I've done that many a time. | 0:09:57 | 0:09:59 | |
For the time being, the flood warning sirens stay silent. | 0:10:02 | 0:10:07 | |
But meteorologists predict that a high tide and a low-pressure weather system | 0:10:07 | 0:10:11 | |
coincide at least once every 250 years. | 0:10:11 | 0:10:15 | |
It's clear that this land is borrowed from the sea. | 0:10:17 | 0:10:20 | |
One day soon, she may be back to claim it. | 0:10:20 | 0:10:24 | |
Along most of the coastline of Britain, the break between the land and the sea is really stark. | 0:10:37 | 0:10:43 | |
Steep cliffs and crashing waves, that kind of thing. | 0:10:43 | 0:10:45 | |
But here in Norfolk, it's completely different. | 0:10:45 | 0:10:48 | |
The line between the land and sea is changing all the time. | 0:10:48 | 0:10:51 | |
Every time you turn around here, it's moved and crept up behind you. | 0:10:51 | 0:10:55 | |
Sometimes it feels hard to say where the one ends and the other begins. | 0:10:55 | 0:11:00 | |
And that's what lends this part of Norfolk its unique character. | 0:11:00 | 0:11:05 | |
The villages, like here at Wells-next-the-Sea, | 0:11:06 | 0:11:10 | |
are often set a long way back, with inlet harbours their only link to the coast. | 0:11:10 | 0:11:16 | |
Because of the fast-moving tide, | 0:11:21 | 0:11:23 | |
much of this stretch is dangerous to investigate on foot. | 0:11:23 | 0:11:27 | |
But, from the next harbour along, | 0:11:29 | 0:11:31 | |
countless boat trips take visitors out to explore the landscape and wildlife round here. | 0:11:31 | 0:11:36 | |
Amongst the tourists is Tim Collins from English Nature. | 0:11:42 | 0:11:46 | |
This is one of the most fantastic places in the whole country | 0:11:48 | 0:11:51 | |
for wildlife. It's got a rich mosaic of habitats. | 0:11:51 | 0:11:55 | |
Although there's a lot of yachts and boats, the coast here is actually | 0:11:55 | 0:11:59 | |
not tamed by man in the same way we see in a lot of other places. | 0:11:59 | 0:12:02 | |
This is what's called a barrier coast. | 0:12:02 | 0:12:05 | |
There's a long line of sandy islands with salt marshes behind them, | 0:12:05 | 0:12:09 | |
and it's that juxtaposition, | 0:12:09 | 0:12:11 | |
the different types of habitat, that have brought the wildlife in. | 0:12:11 | 0:12:15 | |
-So far the wildlife and the visitors are co-existing? -Absolutely. | 0:12:15 | 0:12:19 | |
Seals are naturally curious. They like seeing people. | 0:12:19 | 0:12:22 | |
They stick their heads up and have a look! | 0:12:22 | 0:12:24 | |
And it's the promise of seeing seals that draws many of the visitors here. | 0:12:24 | 0:12:29 | |
Wow, look! There's hundreds of them. | 0:12:32 | 0:12:35 | |
I thought they'd all just go in the water as soon as we turned up. But they're not bothered. | 0:12:35 | 0:12:40 | |
Not bothered in the slightest. | 0:12:40 | 0:12:44 | |
The colony that lives and breeds here numbers around 500. | 0:12:44 | 0:12:47 | |
Unusually, it's made up of both common and the larger grey seals. | 0:12:47 | 0:12:52 | |
It's rare to find them living in the same place, so seeing them together is a treat. | 0:12:52 | 0:12:57 | |
From the nature reserve here, my journey continues east. | 0:13:03 | 0:13:07 | |
The sandbanks give way to shingle and miles more salt marsh... | 0:13:10 | 0:13:14 | |
..and at Sherringham, even some small cliffs. | 0:13:17 | 0:13:20 | |
The elevated position of Beeston Hump makes it a dominant feature of the landscape. | 0:13:22 | 0:13:28 | |
But during the Second World War this vantage point had a very practical purpose. | 0:13:28 | 0:13:34 | |
Hermione Cockburn is uncovering the story of a group of forgotten war heroes. | 0:13:35 | 0:13:41 | |
It is hard to imagine today that on this hill overlooking the sea | 0:13:43 | 0:13:47 | |
there was a top-secret military listening post | 0:13:47 | 0:13:51 | |
that was vital to our success in the Second World War. | 0:13:51 | 0:13:53 | |
During the war, the waters off this coast were patrolled by Nazi ships | 0:13:55 | 0:14:00 | |
and the position of Sheringham made it an ideal spot to spy on them. | 0:14:00 | 0:14:06 | |
That spying was done using radio listening posts known as Y stations. | 0:14:08 | 0:14:13 | |
Today, there's almost no physical evidence of what was here, | 0:14:15 | 0:14:19 | |
but with the help of experts from the Open University, | 0:14:19 | 0:14:22 | |
and military communication specialist Malcolm Howard, | 0:14:22 | 0:14:25 | |
I'm going to discover what it must have been like up here during the war. | 0:14:25 | 0:14:29 | |
It would have looked like that. | 0:14:32 | 0:14:34 | |
A wooden tower, 12 feet across at the base and about 30 feet high. | 0:14:34 | 0:14:38 | |
The concrete base it was fixed to was exactly the same as over there. | 0:14:38 | 0:14:43 | |
That octagonal shape? | 0:14:43 | 0:14:44 | |
Yes, exactly the same. | 0:14:44 | 0:14:46 | |
This is an ideal place for it to be, | 0:14:46 | 0:14:49 | |
because these listening towers needed height to get the distance. | 0:14:49 | 0:14:54 | |
Knowing what it looked like is one thing, but I want to understand how it worked too. | 0:14:54 | 0:15:00 | |
While Fraser Robertson and Peter Seabrook from the Open University | 0:15:00 | 0:15:04 | |
set up their modern day Y station antenna, | 0:15:04 | 0:15:07 | |
I want to talk to someone who actually worked at Beeston Hump during the war. | 0:15:07 | 0:15:13 | |
Not far from Sherringham lives former Y station operator, Joy Hale. | 0:15:13 | 0:15:18 | |
So Joy, tell me what did you do in the war? | 0:15:18 | 0:15:22 | |
Oh, that's a long story. | 0:15:22 | 0:15:24 | |
You all know, of course, about Bletchley Park | 0:15:26 | 0:15:29 | |
and how they broke the Enigma code | 0:15:29 | 0:15:31 | |
so that they could read all the German secret signals, | 0:15:31 | 0:15:35 | |
but they never said where they got the secret signals from, did they? | 0:15:35 | 0:15:39 | |
That was what we did. | 0:15:39 | 0:15:41 | |
It was our job to intercept the Germans' radio signals, | 0:15:41 | 0:15:45 | |
write these signals down and get them to the right place for action. | 0:15:45 | 0:15:50 | |
So you were literally listening in to what the Germans were doing? | 0:15:50 | 0:15:54 | |
-Day and night. -What were you listening for? | 0:15:54 | 0:15:56 | |
What did you actually hear? | 0:15:56 | 0:15:58 | |
-Morse. -Right, so it wasn't language? -Oh yes, language as well. | 0:15:58 | 0:16:03 | |
With the E-boats, the fast motor boats that the Germans sent over, didn't use the codes, | 0:16:03 | 0:16:09 | |
so when they operated, they used as a call sign | 0:16:09 | 0:16:14 | |
the Christian name of the commanding officer. | 0:16:14 | 0:16:17 | |
So you'd get "Friedrich, this is Gunther." | 0:16:17 | 0:16:21 | |
"Gunther, this is Wolfgang," you see. | 0:16:21 | 0:16:24 | |
From that you knew who they were and how many there were. | 0:16:24 | 0:16:28 | |
You also had to listen to what they were saying and find out what they were doing, you see. | 0:16:28 | 0:16:33 | |
If they talked about torpedoes and things, | 0:16:33 | 0:16:36 | |
you knew they were waiting for the convoy to come and set about them. | 0:16:36 | 0:16:40 | |
If they talked about mines then there was obviously no convoy around | 0:16:40 | 0:16:43 | |
and they were gonna plant the mines down on the convoy route | 0:16:43 | 0:16:47 | |
so they bumped into them next time round. | 0:16:47 | 0:16:50 | |
So it was very important that we should get it right. | 0:16:50 | 0:16:53 | |
Joy and others like her supplied vital information to military command | 0:16:53 | 0:16:59 | |
and the code breakers at Bletchley Park. | 0:16:59 | 0:17:02 | |
But Y stations were about more than just intercepting messages. | 0:17:02 | 0:17:06 | |
They could also pinpoint the location from where they were sent. | 0:17:06 | 0:17:10 | |
Back on Beeston Hump, Open University scientists Fraser and Peter | 0:17:12 | 0:17:17 | |
have finished constructing their modern day H aerial. | 0:17:17 | 0:17:21 | |
They're going to show me how, in addition to listening in to an enemy broadcast, | 0:17:21 | 0:17:25 | |
you can find out where it's coming from. | 0:17:25 | 0:17:28 | |
What the H aerial does is combine two aerials, | 0:17:29 | 0:17:32 | |
and the signals from the two aerials are phased together | 0:17:32 | 0:17:36 | |
such they add in one direction and subtract in the other direction. | 0:17:36 | 0:17:39 | |
In fact I've got a plot of the aerial here. | 0:17:39 | 0:17:42 | |
The plot of the aerial's performance | 0:17:42 | 0:17:44 | |
shows that there are two definite points, known as nulls, | 0:17:44 | 0:17:48 | |
where its reception is weakest. | 0:17:48 | 0:17:50 | |
These are the best points to use for direction-finding, | 0:17:50 | 0:17:53 | |
because you adjust the aerial for the minimum signal rather than the maximum signal. | 0:17:53 | 0:17:57 | |
To demonstrate the operation of the direction-finding aerial, Fraser and Peter | 0:17:57 | 0:18:03 | |
are going to listen for the signal from a radio transmitter. | 0:18:03 | 0:18:08 | |
Right, we're all set up here. | 0:18:08 | 0:18:10 | |
Our transmitter is broadcasting a simple tone. | 0:18:10 | 0:18:15 | |
Turn the aerial, please, and I'll look for the null on the receiver. | 0:18:15 | 0:18:18 | |
By turning the H aerial away from the direction of the transmitter, | 0:18:18 | 0:18:24 | |
the reception gets weaker. | 0:18:24 | 0:18:26 | |
OK, just come back a bit. | 0:18:26 | 0:18:29 | |
The received signal is weakest at the null point, where the aerial is | 0:18:31 | 0:18:35 | |
pointing at right angles to where the transmission is coming from. | 0:18:35 | 0:18:39 | |
Right, that's about there. | 0:18:39 | 0:18:40 | |
I make that bearing one-zero-five. | 0:18:42 | 0:18:45 | |
One-zero-five, OK. So, if I get that on the compass, then line up the grid. There we are. | 0:18:45 | 0:18:53 | |
-Some we know that the signal is coming from somewhere along this line in that direction. -That's right. | 0:18:53 | 0:18:59 | |
But how do you know where? | 0:18:59 | 0:19:00 | |
To triangulate, what in fact we do, we have another DF station. | 0:19:00 | 0:19:07 | |
-So that's another Y station? -Another one, that gives us another | 0:19:07 | 0:19:10 | |
bearing on the same transmission and where they cross, that indicates the position of the transmitter. | 0:19:10 | 0:19:17 | |
So, to get an exact fix, you need at least two direction-finding stations. | 0:19:17 | 0:19:21 | |
On this stretch of coast alone, there were nine Y stations | 0:19:21 | 0:19:28 | |
relaying bearings to a team in regional headquarters. | 0:19:28 | 0:19:31 | |
-This is the Triangulation Table. -So that's the equivalent of our map, essentially? | 0:19:31 | 0:19:35 | |
Yes, we have five plotters. Each one has a string connecting | 0:19:35 | 0:19:40 | |
to the various directional finding stations, all pulling the strings out on the bearings given, | 0:19:40 | 0:19:45 | |
and where they all cross, | 0:19:45 | 0:19:47 | |
it fixes the position of the hostile aircraft or boat out at sea. | 0:19:47 | 0:19:52 | |
During the Second World War, | 0:19:52 | 0:19:55 | |
nearly 8,000 men and women worked in Y stations, | 0:19:55 | 0:20:00 | |
both in the UK and around the world. | 0:20:00 | 0:20:02 | |
Their work provided vital information about the location of the enemy | 0:20:03 | 0:20:07 | |
and the raw material for the code breakers at Bletchley Park. | 0:20:07 | 0:20:12 | |
After the war, in the interests of national security, the Y stations | 0:20:12 | 0:20:17 | |
were deliberately dismantled, leaving little evidence that they'd ever existed. | 0:20:17 | 0:20:22 | |
Today, Bletchley Park keeps a list of where former Y stations were, | 0:20:25 | 0:20:31 | |
but they're not sure it's complete. | 0:20:31 | 0:20:34 | |
So what's needed is for more people to come forward and tell their stories | 0:20:34 | 0:20:38 | |
so these forgotten bits of history can be remembered. | 0:20:38 | 0:20:42 | |
Cromer is believed to have had the first pier in the country, built in 1391. | 0:20:50 | 0:20:55 | |
This one, dating from 1901, is home to another great coastal tradition, | 0:20:58 | 0:21:04 | |
the crabbing competition. | 0:21:04 | 0:21:06 | |
My name's Tony Shipp and I'm chairman of the Cromer Carnival Committee. | 0:21:06 | 0:21:11 | |
I've been running the crab competition now for 35 years. | 0:21:11 | 0:21:16 | |
OVER MEGAPHONE: It's carnival week, we've got cash prizes this morning. So, well worth going for. | 0:21:16 | 0:21:22 | |
First prize will be £10 and the second £5. | 0:21:22 | 0:21:25 | |
So we'll make a start with the competition. | 0:21:25 | 0:21:29 | |
HOOTER SOUNDS | 0:21:29 | 0:21:31 | |
The first two groups are for handlines only. | 0:21:32 | 0:21:36 | |
Class 3 is for anyone fishing with a net. | 0:21:36 | 0:21:43 | |
The exciting bit is seeing children who come down for the first time actually pull a crab out of the sea, | 0:21:43 | 0:21:48 | |
something that's living that they've probably never seen before. | 0:21:48 | 0:21:53 | |
Where's the fish bait? | 0:21:53 | 0:21:55 | |
They're put in a bucket of sea water. | 0:21:55 | 0:21:57 | |
When the bucket starts to get a bit too full we put them back in the sea | 0:21:57 | 0:22:02 | |
I expect some of them are caught several times over this morning. | 0:22:02 | 0:22:06 | |
You do have to watch out for cheating, I'm afraid. | 0:22:06 | 0:22:09 | |
Not only from the children but also from the adults. | 0:22:09 | 0:22:14 | |
OK, folks, you've got one minute now to get your crabs down to the table. | 0:22:14 | 0:22:20 | |
The winners of our net class are Hannah and Olivia with 102 crabs. | 0:22:22 | 0:22:28 | |
APPLAUSE | 0:22:28 | 0:22:30 | |
Catching crabs off Cromer Pier, I can't ever see stopping because, I think, it's one of | 0:22:30 | 0:22:34 | |
those things that is part of the seaside and coming down to Cromer. | 0:22:34 | 0:22:39 | |
It's the hunter instinct in the human race which will go on forever, I'm sure. | 0:22:39 | 0:22:43 | |
Leaving north Norfolk behind, the nature of this coast really begins to change. | 0:22:49 | 0:22:54 | |
Beyond Cromer, the traditional ribbon of tourist-friendly beaches | 0:22:56 | 0:23:00 | |
is very different from the wide open expanse of north Norfolk sand. | 0:23:00 | 0:23:05 | |
Of all the holiday resorts along this coast, without doubt, Great Yarmouth must be the most famous. | 0:23:08 | 0:23:15 | |
Pleasant though this is, all the fun of the fair wouldn't | 0:23:15 | 0:23:19 | |
normally be enough to entice me down from Scotland, but 60 years ago, Scotsmen and women were drawn to | 0:23:19 | 0:23:26 | |
Yarmouth in droves and they weren't coming for the Kiss Me Quick hats or a walk along the pier either. | 0:23:26 | 0:23:31 | |
Squeezed along the mouth of the river Yar, Yarmouth wasn't always for the tourists. | 0:23:32 | 0:23:38 | |
By the early 1900s, it was part of the largest herring fishery in the world. | 0:23:38 | 0:23:43 | |
Sam Smith remembers how the lives of local people, and my fellow Scots, | 0:23:45 | 0:23:49 | |
were inextricably linked to those of the herring. | 0:23:49 | 0:23:53 | |
The boats would probably go away and fish up as far as the Shetlands and | 0:23:53 | 0:23:58 | |
then come south, as the shoals used to come south, | 0:23:58 | 0:24:02 | |
so by the end of the summer the herring are | 0:24:02 | 0:24:05 | |
starting to come into the North Sea. | 0:24:05 | 0:24:07 | |
The whole Scottish fleet would come down to Yarmouth | 0:24:07 | 0:24:11 | |
and Yarmouth would be chock-a-block with Scotsmen, Englishmen, a good mix, you know. | 0:24:11 | 0:24:17 | |
This part here would be full of fishing boats - drifters. | 0:24:17 | 0:24:20 | |
Probably 1,000 boats, you know. | 0:24:20 | 0:24:22 | |
Ten men in a crew, can you imagine? All ships both sides of the river. | 0:24:22 | 0:24:26 | |
There were so many boats that they couldn't lay flat to the quay so they put their noses to the quay. | 0:24:26 | 0:24:31 | |
Yarmouth boats were more or less company owned, but the Scotsmen, they were family boats, you know. | 0:24:31 | 0:24:36 | |
Their boats were precious to the crew. | 0:24:36 | 0:24:39 | |
If you damaged them trying to push yourself in... | 0:24:39 | 0:24:42 | |
Would there be a frank exchange of views? | 0:24:42 | 0:24:45 | |
That pub used to be like John Wayne, you know. | 0:24:45 | 0:24:48 | |
They used to have swinging doors there and they used to be flying out the doors. | 0:24:48 | 0:24:53 | |
Big wellie boots on, you know. | 0:24:53 | 0:24:55 | |
On a Saturday morning this was the best place to be, you know. | 0:24:55 | 0:24:58 | |
Talking to Sam, it's clear that when his dad was fishing here, | 0:24:58 | 0:25:02 | |
every aspect of life in Yarmouth revolved around the herring. | 0:25:02 | 0:25:06 | |
But the fishermen's growing skill in catching fish | 0:25:09 | 0:25:12 | |
hid the fact that herring stocks couldn't last forever. | 0:25:12 | 0:25:15 | |
# And he cried, "Drifting's finished so who'll pay the rent?" | 0:25:15 | 0:25:20 | |
# In this windy old weather | 0:25:20 | 0:25:23 | |
# Stormy old weather... # | 0:25:23 | 0:25:25 | |
The end of a whole way of life comes down to this. | 0:25:25 | 0:25:29 | |
A story told by numbers on a balance sheet. | 0:25:29 | 0:25:32 | |
In 1913, the total number of herring landing in Yarmouth | 0:25:32 | 0:25:37 | |
was 820,000 crans, or baskets. | 0:25:37 | 0:25:40 | |
In 1957, that figure had fallen by almost 750,000 baskets. | 0:25:40 | 0:25:46 | |
With the fish gone, the herring industry collapsed and this once-thriving quayside fell silent. | 0:25:47 | 0:25:54 | |
But not for long... | 0:25:54 | 0:25:57 | |
AMERICAN ACCENT: This port was a dead pigeon six months ago. | 0:25:57 | 0:26:00 | |
Where we're standing now was a derelict herring reduction plant | 0:26:00 | 0:26:05 | |
that had been beyond operation some ten years. | 0:26:05 | 0:26:09 | |
To understand how American accents came to replace the Scottish ones in Yarmouth | 0:26:09 | 0:26:13 | |
I met up with local engineer, Chris Nolan. | 0:26:13 | 0:26:16 | |
1965 was the first find of gas off Great Yarmouth. | 0:26:16 | 0:26:20 | |
There was a massive influx of Americans, of equipment, | 0:26:20 | 0:26:25 | |
over the next few years and money. | 0:26:25 | 0:26:27 | |
It was the new frontier. We're out there exploring. | 0:26:27 | 0:26:31 | |
It's in the North Sea. It's a hostile environment and here we are to bring home the gas and it was exciting. | 0:26:31 | 0:26:37 | |
It was exciting at the time. | 0:26:37 | 0:26:39 | |
If we had a really big strike off the east coast here, | 0:26:39 | 0:26:42 | |
it would look very similar to the Gulf of Mexico. | 0:26:42 | 0:26:45 | |
It could look like a continuous city from Great Yarmouth | 0:26:45 | 0:26:49 | |
to the Hook of Holland and the Norwegian coast. | 0:26:49 | 0:26:51 | |
That massive find never came. | 0:26:51 | 0:26:54 | |
But today there are still more than 100 platforms scattered across the southern North Sea. | 0:26:54 | 0:27:01 | |
You've got this place located in the middle of a sea. It's isolated. | 0:27:02 | 0:27:07 | |
So everything that it needs in terms to run it, from toilet paper, | 0:27:07 | 0:27:11 | |
to the drill pipe that they put down, food... | 0:27:11 | 0:27:15 | |
everything that goes to an offshore platform comes from onshore. Including the newspapers. | 0:27:15 | 0:27:19 | |
So the local newsagents would benefit. | 0:27:19 | 0:27:22 | |
There is in excess of 100 sailings a month out to the platforms in the southern North Sea. | 0:27:22 | 0:27:27 | |
So Great Yarmouth is the hub for what is happening out there? | 0:27:27 | 0:27:30 | |
It is. Very much so. | 0:27:30 | 0:27:31 | |
Today, the harbour that once teemed with myriad small fishing boats | 0:27:34 | 0:27:39 | |
is dominated by the big supply ships. | 0:27:39 | 0:27:42 | |
But a few fishermen like Paul Lines still fight on. | 0:27:44 | 0:27:48 | |
I'm almost surprised to find myself on a fishing boat out of Yarmouth. | 0:27:54 | 0:27:58 | |
Well, there is an active fishing fleet left in Yarmouth. | 0:27:58 | 0:28:01 | |
But if we can get other work, we take it. | 0:28:01 | 0:28:04 | |
We know we're going to get a wage from that. | 0:28:04 | 0:28:07 | |
Fishing is still a precarious business. | 0:28:07 | 0:28:09 | |
Instead of herring, much of Paul's earnings now come from servicing North Sea gas rigs. | 0:28:09 | 0:28:16 | |
And these. | 0:28:16 | 0:28:18 | |
I've only ever seen these things from a distance. | 0:28:18 | 0:28:20 | |
And to be right up close and underneath that turbine blade when | 0:28:20 | 0:28:24 | |
it's coming round, it is breathtaking. | 0:28:24 | 0:28:28 | |
We really opposed that wind farm because we thought it was going to disrupt our fishing. | 0:28:28 | 0:28:33 | |
But we naturally found that we lent ourself to doing that sort of work, | 0:28:33 | 0:28:37 | |
and my boat was taking people out there and doing survey work | 0:28:37 | 0:28:40 | |
and there was a whole new ball game for us. | 0:28:40 | 0:28:43 | |
Given the various ways of making a living from the sea, what would you rather be doing? | 0:28:43 | 0:28:48 | |
I'd rather be fishing every day. I love fishing. I always have loved it. | 0:28:48 | 0:28:53 | |
And I think I always will. | 0:28:53 | 0:28:54 | |
But to put bread on the table, you have to do other things. | 0:28:54 | 0:28:58 | |
Time and again, I've heard that story of pragmatism. | 0:28:59 | 0:29:02 | |
People finding different ways of making their living from the sea. | 0:29:02 | 0:29:07 | |
It seems that the key to Yarmouth's survival is adaptability. | 0:29:07 | 0:29:11 | |
And even if the locals are a little unwilling at first, | 0:29:11 | 0:29:14 | |
their ability to make the best of new arrivals and their new ideas. | 0:29:14 | 0:29:19 | |
Beyond Great Yarmouth, we leave Norfolk behind and arrive in Suffolk. | 0:29:30 | 0:29:35 | |
"The land of the south folk". | 0:29:35 | 0:29:37 | |
And the other half of this great East Anglian journey. | 0:29:37 | 0:29:40 | |
In Lowestoft, Mark Horton is up with the larks | 0:29:42 | 0:29:46 | |
to investigate the perilous state of one of the British seaside's most beloved institutions - the pier. | 0:29:46 | 0:29:53 | |
Lowestoft is the most easterly point of our islands. | 0:29:56 | 0:30:01 | |
Every morning the sun hits this bit of the country first. | 0:30:01 | 0:30:05 | |
And when you actually get out here, you want to go out and greet the sun! | 0:30:06 | 0:30:11 | |
Being at the seaside, the easiest way of getting that little bit closer is by going to the end of a pier. | 0:30:13 | 0:30:20 | |
For the last 150 years, they have been a vital part of our seaside architecture. | 0:30:22 | 0:30:28 | |
But we're losing them fast. | 0:30:30 | 0:30:33 | |
Since the 1970s, 11 piers have been lost completely. | 0:30:33 | 0:30:37 | |
While others, like Lowestoft's Claremont pier, still struggle on. | 0:30:37 | 0:30:43 | |
To find out exactly what state it's in, the owner, David Scott, offered to give me a guided tour. | 0:30:43 | 0:30:50 | |
Hello, David! Can we go inside your pier? | 0:30:50 | 0:30:53 | |
Come on in! | 0:30:53 | 0:30:55 | |
How many generations has it been in your family? | 0:30:55 | 0:30:58 | |
Three generations, Mark, actually. | 0:30:58 | 0:31:01 | |
-A real responsibility! -Huge responsibility! | 0:31:01 | 0:31:04 | |
-Surely these machines make sackloads of money? -Not bags of money, Mark. | 0:31:04 | 0:31:08 | |
It used to be bags of money! | 0:31:08 | 0:31:10 | |
Was it?! | 0:31:10 | 0:31:11 | |
It's coming to life! | 0:31:11 | 0:31:14 | |
While David's arcade is still open for business, | 0:31:14 | 0:31:18 | |
the pier itself has been closed to the public since 1982. | 0:31:18 | 0:31:22 | |
-It's so wonderful to be out here! -It's an unusual experience, isn't it? | 0:31:25 | 0:31:29 | |
Having the sea below you like this. It's just fantastic. | 0:31:29 | 0:31:32 | |
-But so sad! -Very, very sad, actually. | 0:31:32 | 0:31:35 | |
Very sad indeed. It's a shame. | 0:31:35 | 0:31:37 | |
It's not always been like this. | 0:31:37 | 0:31:39 | |
What was this pier like in its Edwardian heyday? | 0:31:39 | 0:31:42 | |
Absolutely wonderful. | 0:31:42 | 0:31:43 | |
I mean, obviously a sense of occasion coming on to a pier. | 0:31:43 | 0:31:46 | |
Everyone dressed smartly. There were theatres. | 0:31:46 | 0:31:49 | |
-Punters promenading up and down? -Yes, absolutely packed! | 0:31:49 | 0:31:52 | |
-Coming down to take the steamer off the end there. -Hang on - how could a steamer dock up there? | 0:31:52 | 0:31:57 | |
Obviously it used to be a lot longer than it is now. | 0:31:57 | 0:32:00 | |
With a T-piece on the end as well to moor up against. | 0:32:00 | 0:32:03 | |
I can show you some old archive photographs. | 0:32:03 | 0:32:06 | |
Oh look, there it is! | 0:32:06 | 0:32:08 | |
The steamer would stop off on the way to London and ferry people back. | 0:32:08 | 0:32:11 | |
It wasn't just a pleasure Pier? It had a commercial function? | 0:32:11 | 0:32:15 | |
-Absolutely. -So what happened to the T-piece? | 0:32:15 | 0:32:17 | |
Time and tide have taken it away. | 0:32:17 | 0:32:19 | |
Seeing Claremont like this, it's easy to forget that it, like many of our piers, had a real working past. | 0:32:20 | 0:32:28 | |
Like the Victorian equivalent of an airport. | 0:32:29 | 0:32:32 | |
They were arrival points for passengers visiting the seaside. | 0:32:32 | 0:32:36 | |
But unlike an airport, piers combined function with fun! | 0:32:36 | 0:32:41 | |
The saucy shows and funfairs meant that they soon became leisure destinations in themselves. | 0:32:44 | 0:32:49 | |
No self-respecting seaside resort could be without one. | 0:32:50 | 0:32:55 | |
In the 50 years between 1860 and 1910, | 0:32:56 | 0:33:00 | |
78 piers were built around the country. | 0:33:00 | 0:33:04 | |
But today, many of the 54 that still stand are in as bad or worse condition than Claremont. | 0:33:04 | 0:33:11 | |
The end of David's pier is now just too dangerous to walk on. | 0:33:13 | 0:33:17 | |
So architect and National Pier Society member Tim Phillips has offered to give me | 0:33:17 | 0:33:22 | |
a different perspective on the state of Britain's piers. | 0:33:22 | 0:33:26 | |
Well, a pier like this, for example, | 0:33:26 | 0:33:29 | |
where all the amusements are at the landward end, | 0:33:29 | 0:33:32 | |
there's not much incentive for the owner perhaps to spend money. | 0:33:32 | 0:33:36 | |
If it's a dangerous structure, | 0:33:36 | 0:33:38 | |
you can't get even the fishermen on there paying you money. | 0:33:38 | 0:33:42 | |
-Are they not protected, or listed or anything? -Not in this case. -No statutory protection? -No, no. | 0:33:42 | 0:33:47 | |
If you were a private owner, why would you want to spend money | 0:33:47 | 0:33:51 | |
on a structure that doesn't earn you anything? | 0:33:51 | 0:33:53 | |
They all need maintenance and if there's no revenue, no maintenance. | 0:33:53 | 0:33:57 | |
From this angle, it's obvious to see the problems | 0:33:59 | 0:34:03 | |
that pier owners like David Scott face. | 0:34:03 | 0:34:05 | |
Without the revenue from paddle steamers and their passengers, | 0:34:05 | 0:34:09 | |
many piers ended up as endangered buildings housing arcade games and little else. | 0:34:09 | 0:34:15 | |
But there are glimmers of hope. | 0:34:16 | 0:34:19 | |
Just down the coast in Southwold, | 0:34:19 | 0:34:22 | |
over a million pounds has been spent renovating their pier - | 0:34:22 | 0:34:27 | |
and the visitors are coming back. | 0:34:27 | 0:34:29 | |
With the cost of air travel likely to increase over time, | 0:34:29 | 0:34:34 | |
more of us may choose to holiday at home. | 0:34:34 | 0:34:37 | |
So let's just hope that some of that new tourist cash gets spent on Britain's piers. | 0:34:37 | 0:34:45 | |
10 miles beyond Southwold sits the idyllic resort of Thorpeness. | 0:34:56 | 0:35:02 | |
The village was built by a Scottish railway entrepreneur | 0:35:05 | 0:35:08 | |
who wanted to create the ideal place for a healthy and peaceful holiday. | 0:35:08 | 0:35:12 | |
Completed in 1932, it was designed to look like a typical English village... | 0:35:14 | 0:35:19 | |
..albeit a rather eccentric one. | 0:35:19 | 0:35:22 | |
Not long after Thorpeness was complete, just down the coast | 0:35:25 | 0:35:29 | |
at Aldeburgh another great vision of Englishness was being created. | 0:35:29 | 0:35:34 | |
Finished in 1945 by local boy Benjamin Britten, Peter Grimes | 0:35:37 | 0:35:41 | |
is now widely regarded as the most important British Opera ever written. | 0:35:41 | 0:35:46 | |
# Peter Grimes We are here to investigate | 0:35:48 | 0:35:50 | |
# The cause of death of your apprentice William Spode | 0:35:50 | 0:35:54 | |
# Whose body you put ashore from your boat... # | 0:35:54 | 0:35:57 | |
Based on a poem by a local author Peter Grimes is set in a small seaside town called the Borough. | 0:36:02 | 0:36:09 | |
One man who knows how much this coast influenced the writing of the opera | 0:36:15 | 0:36:21 | |
is Jonathan Reekie, director of the Aldeburgh festival. | 0:36:21 | 0:36:26 | |
You can hear the coast, you can hear the sea, | 0:36:26 | 0:36:30 | |
the wind, the birds, the scrunch of the pebbles in that piece. | 0:36:30 | 0:36:34 | |
So it's actually got an active role in the music? | 0:36:34 | 0:36:38 | |
Absolutely and the piece is structured with these four sea interludes | 0:36:38 | 0:36:43 | |
and it's so vivid. It's very hard once you've heard Peter Grimes | 0:36:43 | 0:36:47 | |
to stand on this beach and not hear it. | 0:36:47 | 0:36:50 | |
How much of the world that Britain portrayed still survives today? | 0:36:57 | 0:37:03 | |
Well, I think very little. Literally there are specific things | 0:37:03 | 0:37:08 | |
in Peter Grimes, like the place where Peter Grimes' hut was that have gone - | 0:37:08 | 0:37:13 | |
been washed away by the sea. | 0:37:13 | 0:37:14 | |
And, of course, the fishing industry is hanging on by its fingertips. | 0:37:14 | 0:37:18 | |
If you're on this beach you still hear the sea. | 0:37:18 | 0:37:21 | |
The sea hasn't changed. It's wonderful to think that | 0:37:21 | 0:37:24 | |
Peter Grimes is performed in opera houses all over the world | 0:37:24 | 0:37:28 | |
in places like Buenos Aires and Santiago and Australia. | 0:37:28 | 0:37:32 | |
There are audiences sitting in the opera house listening to the North Sea. It's amazing. | 0:37:32 | 0:37:38 | |
At the south end of Aldeburgh is the river that gave the village its name. | 0:37:46 | 0:37:50 | |
And five miles down the Alde, is Orford Harbour. | 0:37:52 | 0:37:56 | |
Today the area is very peaceful... | 0:37:57 | 0:37:59 | |
..but across the river the shingle spit of Orford Ness has had quite a past. | 0:38:00 | 0:38:07 | |
Ian Tickle's promised to show me round what was once one of Britain's most secret military installations. | 0:38:09 | 0:38:17 | |
'The only official entrance is via an RAF ferry from the tiny village of Orford. | 0:38:17 | 0:38:21 | |
'When you get there the men in charge aren't giving much away.' | 0:38:21 | 0:38:25 | |
This is a joint Royal Air Force, United States Air Force research | 0:38:25 | 0:38:30 | |
programme into the problems of long-range HF communications. | 0:38:30 | 0:38:35 | |
Has it anything to do with early warning defence systems? | 0:38:35 | 0:38:38 | |
It could. | 0:38:38 | 0:38:41 | |
And, in fact, it did. | 0:38:41 | 0:38:43 | |
In the Cold War year of 1967, the ever-present threat of nuclear war with the Soviet Union loomed large | 0:38:45 | 0:38:53 | |
and Orford Ness became home to Cobra Mist, an ambitious scheme | 0:38:53 | 0:38:57 | |
to spy deep into the eastern bloc, using an experimental form of radar. | 0:38:57 | 0:39:02 | |
'The masts on the 700-acre site are as high as 180 feet. | 0:39:06 | 0:39:11 | |
'The RAF were happy for them to be filmed. | 0:39:11 | 0:39:13 | |
'The control building was something else though. | 0:39:13 | 0:39:16 | |
'Everything about it is secret.' | 0:39:16 | 0:39:20 | |
Where does this lead? | 0:39:20 | 0:39:21 | |
Ah, right, I'll show you. | 0:39:21 | 0:39:23 | |
It's a massive, heavy door. | 0:39:23 | 0:39:25 | |
It's actually going down to the nerve centre of the operation. | 0:39:25 | 0:39:30 | |
Who was allowed in and who was kept out? | 0:39:30 | 0:39:32 | |
It would have been US personnel only. | 0:39:32 | 0:39:34 | |
There would have been an armed guard at a doorway here. It doesn't exist anymore. | 0:39:34 | 0:39:39 | |
-An American armed guard on British soil? -Yeah, very much so. | 0:39:39 | 0:39:44 | |
-Good grief, what's in there? -There would have been operators sitting at terminals with displays | 0:39:45 | 0:39:50 | |
showing them possible positions and sightings of signals back from the radar. | 0:39:50 | 0:39:55 | |
A board at the back and then a viewing gallery where the top brass watched everything going on. | 0:39:55 | 0:40:00 | |
It's a sort of place James Bond gets brought. | 0:40:00 | 0:40:03 | |
-That's right. -When he's been caught! | 0:40:03 | 0:40:05 | |
Another serious door here. | 0:40:06 | 0:40:09 | |
Quite a stiff door. | 0:40:09 | 0:40:10 | |
The Cold War is easily to imagine in dark, windowless rooms, isn't it? | 0:40:14 | 0:40:19 | |
Than outside in the sunshine. | 0:40:19 | 0:40:20 | |
-This is a picture taken in its heyday. -It's fantastic. | 0:40:20 | 0:40:24 | |
There's our building. This is where we are here. | 0:40:24 | 0:40:27 | |
This whole are that you see in front of you would have been the aerial system of the radar. | 0:40:27 | 0:40:31 | |
It would've looked awesome from here, surely. | 0:40:31 | 0:40:34 | |
The whole structure would have had towers | 0:40:34 | 0:40:36 | |
getting bigger and bigger as they came out | 0:40:36 | 0:40:39 | |
towards the back end of the fan and all suspended with fibreglass poles. | 0:40:39 | 0:40:44 | |
There was red-coloured insulators. | 0:40:44 | 0:40:46 | |
The fibreglass was white so it must have lit up when the sun was on it. | 0:40:46 | 0:40:50 | |
It must have been quite spectacular, especially from this viewpoint as well. | 0:40:50 | 0:40:54 | |
What was it supposed to do? | 0:40:54 | 0:40:56 | |
It was supposed to be like a normal radar | 0:40:56 | 0:40:59 | |
but it could see over the horizon. | 0:40:59 | 0:41:02 | |
It would have bounced its signal off the atmosphere and any signal scattered back from a missile | 0:41:02 | 0:41:10 | |
or an aeroplane would have been reflected back and picked up by the aerial that sent the first signal. | 0:41:10 | 0:41:17 | |
-What do you gain? -You gain more time. | 0:41:17 | 0:41:20 | |
You are almost able to see round the corner. | 0:41:20 | 0:41:23 | |
And during the Cold War, getting advance warning of a nuclear strike seemed like a good idea. | 0:41:23 | 0:41:29 | |
The only problem was, despite impeccable science, Cobra Mist never actually worked. | 0:41:31 | 0:41:37 | |
After nearly six years and around 150 million | 0:41:37 | 0:41:42 | |
the signal received was just too full of interference to be useful. | 0:41:42 | 0:41:47 | |
There were all sorts of rumours, of course, as to where this noise was coming from. | 0:41:47 | 0:41:51 | |
Possibly the interfering signal - the noise, so to speak, | 0:41:51 | 0:41:56 | |
was manufactured perhaps by | 0:41:56 | 0:41:58 | |
a Russian trawler off the coast. | 0:41:58 | 0:42:01 | |
Just enough to be out of sight, but near enough to cause enough | 0:42:01 | 0:42:05 | |
interference to wipe this whole set-up out. | 0:42:05 | 0:42:08 | |
Today, a small bit of the building is still in use, | 0:42:09 | 0:42:12 | |
but they're not spying into Eastern Europe anymore, | 0:42:12 | 0:42:16 | |
they're broadcasting BBC World Service to it instead. | 0:42:16 | 0:42:19 | |
The final miles of my journey take me to the very end of Suffolk. | 0:42:26 | 0:42:30 | |
My journey through East Anglia began at King's Lynn, | 0:42:44 | 0:42:47 | |
a port that was internationally important in the past | 0:42:47 | 0:42:50 | |
and it ends here at Felixstowe, a port that's still important today. | 0:42:50 | 0:42:56 | |
The industry of Felixstowe dock comes as a bit of a shock | 0:42:57 | 0:43:00 | |
after the peace and quiet splendour of this stretch of coast. | 0:43:00 | 0:43:04 | |
From the fragility of the wide open spaces | 0:43:06 | 0:43:09 | |
to our changing relationship with the sea | 0:43:09 | 0:43:12 | |
this journey has been a revelation. | 0:43:12 | 0:43:15 | |
It's a coast whose stories are told through history, | 0:43:17 | 0:43:21 | |
through dreams and imagination and through the drama of the shoreline. | 0:43:21 | 0:43:26 | |
When I started, I expected isolation | 0:43:28 | 0:43:31 | |
but instead I discovered a surprising and gentle beauty. | 0:43:31 | 0:43:35 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 | |
E-mail [email protected] | 0:43:49 | 0:43:52 |