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Welcome to the Old Head of Kinsale, here on the south coast of Ireland, | 0:00:18 | 0:00:22 | |
and a relaxing start to a great journey, and some remarkable stories. | 0:00:22 | 0:00:27 | |
They come from all over to play here. Tiger Woods, | 0:00:55 | 0:00:59 | |
me, of course, and someone else | 0:00:59 | 0:01:02 | |
who's had a unique and spectacular view of this course. | 0:01:02 | 0:01:05 | |
Have you ever imagined what it would be like to see the world as something small, | 0:01:05 | 0:01:11 | |
like a golf ball, so you could almost reach out and touch it? | 0:01:11 | 0:01:15 | |
Well, American NASA astronaut Dan Tani has done, | 0:01:15 | 0:01:19 | |
and he comes here to play golf. | 0:01:19 | 0:01:21 | |
I could do with Dan's help playing the 12th hole, | 0:01:22 | 0:01:27 | |
because not only did he marry one of the staff, he's photographed | 0:01:27 | 0:01:30 | |
the entire course from space. And he's on the line now, | 0:01:30 | 0:01:34 | |
from NASA HQ in Houston, Texas. | 0:01:34 | 0:01:38 | |
The Old Head is so easy to see, because the Old Head is | 0:01:38 | 0:01:42 | |
such a distinctive shape on the coast of Ireland. You're moving at 17,000 miles an hour. | 0:01:42 | 0:01:47 | |
I have a piece of video to show you what it looks like, | 0:01:47 | 0:01:49 | |
and then once you find the Old Head, you put the big telephoto lens | 0:01:49 | 0:01:52 | |
on the camera and snap as many pictures as possible. | 0:01:52 | 0:01:57 | |
I can only imagine what it's like standing there on the 12th tee, | 0:01:57 | 0:02:00 | |
and I really envy that you get a chance to be there. | 0:02:00 | 0:02:03 | |
'Well, I mean, I envy you.' | 0:02:03 | 0:02:05 | |
To change the subject, what advice would you give | 0:02:05 | 0:02:08 | |
to a complete novice confronted by the apocalyptic horror that is the 12th tee? | 0:02:08 | 0:02:14 | |
The advice on the tee is to stay right, more right than you think, there's an aiming stone there, | 0:02:14 | 0:02:20 | |
and you're so tempted to bite off a bit of the dogleg and go left, | 0:02:20 | 0:02:23 | |
-but there's 200-300 feet of cliffs... -Painfully aware of them. -I'm sure there are a couple... | 0:02:23 | 0:02:27 | |
Yeah! ..of million golf balls down there, people who thought | 0:02:27 | 0:02:29 | |
they could bite off more than they can chew. I love that hole - | 0:02:29 | 0:02:32 | |
if I can play a hole over and over, that would certainly be one of them. | 0:02:32 | 0:02:35 | |
Dan, thanks very much for talking to me, it's been a real treat. | 0:02:35 | 0:02:39 | |
-Enjoy your stay there, bye now. -Thank you, bye-bye. | 0:02:39 | 0:02:41 | |
From the Old Head of Kinsale, we travel past Kinsale itself and on to the great port of Cork. | 0:02:45 | 0:02:52 | |
As Cork Harbour comes into view, one thing strikes you immediately. | 0:03:02 | 0:03:07 | |
It's huge! | 0:03:07 | 0:03:09 | |
It's also one of the finest natural harbours in the world. | 0:03:09 | 0:03:15 | |
For centuries, it's been a haven for shipping. | 0:03:15 | 0:03:18 | |
Even today, with its deepwater channels and proximity to | 0:03:18 | 0:03:22 | |
the main shipping lanes, ships come here from all over the world. | 0:03:22 | 0:03:27 | |
At the harbour's heart lies Cobh. | 0:03:27 | 0:03:29 | |
Over the years, Cobh has played host to many fine ships. | 0:03:32 | 0:03:37 | |
Just recently, the QE2 was moored here on her last voyage, | 0:03:37 | 0:03:41 | |
before being converted into a hotel in Dubai. | 0:03:41 | 0:03:44 | |
Hardly surprising, the public were out in force with their cameras | 0:03:45 | 0:03:49 | |
to capture this historic moment for themselves. | 0:03:49 | 0:03:52 | |
There's barely a news programme these days without so-called amateur footage of something or other, | 0:03:55 | 0:04:01 | |
but it's not an invention of the modern media age. | 0:04:01 | 0:04:04 | |
There's nothing new about amateur coverage of historical events. | 0:04:04 | 0:04:09 | |
Many years ago, on the quayside at Cobh, | 0:04:11 | 0:04:14 | |
a unique set of photographs was taken. The date, 11th April 1912. | 0:04:14 | 0:04:20 | |
Outside the White Star Line's ticket office, an excited crowd gathered, | 0:04:20 | 0:04:24 | |
waiting to board the White Star's latest and greatest liner on her maiden voyage. | 0:04:24 | 0:04:31 | |
That liner was about to become the most famous ship in history, bar none... The Titanic. | 0:04:31 | 0:04:36 | |
She'd already set sail | 0:04:40 | 0:04:41 | |
from Southampton, crossed the Channel to Cherbourg, | 0:04:41 | 0:04:44 | |
and now, her very last port of call before crossing the Atlantic | 0:04:44 | 0:04:48 | |
to New York was Cork. On board the Titanic, | 0:04:48 | 0:04:52 | |
waiting to disembark as she moored out in Cork harbour, | 0:04:52 | 0:04:56 | |
was a young local man, a keen photographer and theology student, Frank Browne. | 0:04:56 | 0:05:01 | |
His uncle and guardian had forked out for Frank to travel on the Titanic 1st class from Southampton to Cork, | 0:05:01 | 0:05:08 | |
but no further. | 0:05:08 | 0:05:09 | |
123 people joined the Titanic at Cobh. | 0:05:10 | 0:05:13 | |
From that now neglected and decaying wooden jetty right over there, they got aboard two tenders | 0:05:13 | 0:05:19 | |
that ferried them out to the liner herself further out in the harbour. | 0:05:19 | 0:05:23 | |
Only seven people disembarked, and a bitterly disappointed Frank Browne was one of them. | 0:05:23 | 0:05:29 | |
On the way to Cork, he'd been befriended by a wealthy American couple | 0:05:29 | 0:05:32 | |
who'd offered to pay the remainder of his passage to New York. | 0:05:32 | 0:05:36 | |
He'd sent a telegraph to his Jesuit superior at the college asking for permission. | 0:05:36 | 0:05:42 | |
The reply he got was terse and unequivocal: "Get off that ship." | 0:05:42 | 0:05:47 | |
Signed, "Principal." | 0:05:47 | 0:05:48 | |
Of course, with hindsight, Frank Browne was one of the luckiest people alive. | 0:05:52 | 0:05:57 | |
Ordered off a ship that was about to sail from Cork to an icy Atlantic grave. | 0:05:57 | 0:06:03 | |
The images Frank Browne recorded on his camera as he watched the Titanic leave | 0:06:04 | 0:06:10 | |
instantly made the front page of newspapers worldwide. | 0:06:10 | 0:06:14 | |
Today, they remain a priceless record, | 0:06:14 | 0:06:16 | |
not just of the most famous ship in history, | 0:06:16 | 0:06:19 | |
but also an evocation of the joy, | 0:06:19 | 0:06:22 | |
the sadness, and excitement | 0:06:22 | 0:06:24 | |
of Titanic's passengers as they embarked on their tragic journey. | 0:06:24 | 0:06:29 | |
Cork Harbour may have seen tragedy, but it's also witnessed a lot of Irish fun. For starters, | 0:06:39 | 0:06:46 | |
it's home to the Royal Cork Yacht Club, founded in 1720. | 0:06:46 | 0:06:50 | |
That makes it the oldest yacht club on the planet. | 0:06:50 | 0:06:54 | |
It's moved HQ several times over the centuries, | 0:06:54 | 0:06:57 | |
before anchoring in Cross Haven, on the western side of the harbour. | 0:06:57 | 0:07:02 | |
Now, old, it might be, stuffy, it isn't, | 0:07:02 | 0:07:04 | |
and people flock here to be part of the biennial regatta known the world over as Cork Week. | 0:07:04 | 0:07:11 | |
My name is Eddie English. I run a sailing school in Cobh, on the other side of the harbour. | 0:07:16 | 0:07:21 | |
I've been involved with Cork Week since its inception. | 0:07:21 | 0:07:24 | |
I'm fortunate enough to have done regattas all over the world, | 0:07:24 | 0:07:28 | |
and to me, this is the best one. | 0:07:28 | 0:07:30 | |
My family are from Cobh and my grandfather and father grew up | 0:07:32 | 0:07:35 | |
with the water literally lapping onto the front door, | 0:07:35 | 0:07:39 | |
and since I was very small, I went sailing. | 0:07:39 | 0:07:42 | |
Since the early '90s, | 0:07:44 | 0:07:45 | |
I've sailed with Oyster Catcher, and it's very much a social thing | 0:07:45 | 0:07:50 | |
as much as a sailing thing with our crew. | 0:07:50 | 0:07:53 | |
There's four brothers in the family, and there are three of us full-time involved in sailing as a career, | 0:07:53 | 0:07:59 | |
and our children have continued on that tradition. | 0:07:59 | 0:08:03 | |
My own kids are very small, but they're involved in sailing, so they'll be watching today. | 0:08:03 | 0:08:07 | |
You can go to a football match and there could be 20,000 people watching that game, | 0:08:09 | 0:08:14 | |
but there's less than 30 people out on the pitch. With Cork Week, | 0:08:14 | 0:08:18 | |
you might have 20,000 people involved, but there's going to be 8,000 people | 0:08:18 | 0:08:22 | |
participating and racing, | 0:08:22 | 0:08:24 | |
and everyone stays involved right the way through the week. | 0:08:24 | 0:08:27 | |
As the great yachts cross the finishing line, | 0:08:29 | 0:08:32 | |
they also pass the very first home of the Royal Cork Yacht Club, on Haulbowline Island. | 0:08:32 | 0:08:37 | |
For centuries, Haulbowline was a strategically vital base for the British Royal Navy, | 0:08:37 | 0:08:43 | |
then in 1938, it became - and remains to this day - | 0:08:43 | 0:08:47 | |
the command centre for the Irish Naval Service. | 0:08:47 | 0:08:51 | |
And I've been invited to join them on an exercise | 0:08:51 | 0:08:54 | |
on the flagship patrol vessel the LE Eithne. | 0:08:54 | 0:08:58 | |
WHISTLING | 0:08:58 | 0:09:01 | |
First off, I have a bit of a confession to make to Captain Hugh Tully. | 0:09:03 | 0:09:09 | |
I must admit, I didn't realise that Ireland had a navy. | 0:09:09 | 0:09:13 | |
Well, you wouldn't be the first person to say that. | 0:09:13 | 0:09:15 | |
We're a relatively young navy, and I suppose we're sort of | 0:09:15 | 0:09:19 | |
out of sight, out of mind. | 0:09:19 | 0:09:20 | |
A lot of our time is spent way offshore, so it's difficult to have a profile. | 0:09:20 | 0:09:25 | |
What is the remit of the Irish Naval Service? | 0:09:25 | 0:09:28 | |
Our main job is maritime surveillance, so that can be | 0:09:28 | 0:09:30 | |
fishing protection, search and rescue, drug interdiction. | 0:09:30 | 0:09:34 | |
With eight patrol vessels and one of the largest maritime zones in Europe to patrol, | 0:09:34 | 0:09:39 | |
the Irish Navy is a serious proposition. | 0:09:39 | 0:09:41 | |
Sir, if I can interrupt you there one moment, we've just received an intelligence report. | 0:09:41 | 0:09:47 | |
A Maritime Surveillance aircraft has come across a commercial tug, | 0:09:47 | 0:09:50 | |
with the description of an Irish vessel in the Oyster Bank. | 0:09:50 | 0:09:53 | |
'And as 2nd in command, Lieutenant Olan O'Keefe outlines the position of a suspect vessel, something clicks. | 0:09:53 | 0:10:00 | |
'When the Naval Service invited me on an exercise, they didn't mean | 0:10:00 | 0:10:04 | |
'twice round the harbour and back to the Officers' Mess for a swift half. | 0:10:04 | 0:10:08 | |
'Their training looks deadly serious.' | 0:10:08 | 0:10:10 | |
-If you'd like to join me there. -Excellent. OK. | 0:10:10 | 0:10:12 | |
'As we go down to the Operations Room, | 0:10:12 | 0:10:14 | |
'Olan explains we're about to conduct what they call | 0:10:14 | 0:10:18 | |
'a compliant boarding of the suspect tug, and I'm to be part of that boarding team.' | 0:10:18 | 0:10:22 | |
I've a target bearing 040 degrees. | 0:10:22 | 0:10:25 | |
Target bearing is 040 degrees. | 0:10:25 | 0:10:27 | |
From here, we have to positively track the Oyster Bank. | 0:10:27 | 0:10:30 | |
Once he's tracked on our radar, we'll have our weapon sensors directed on the vessel also. | 0:10:30 | 0:10:35 | |
From there, the gunnery officer will recommend to the Captain that the vessel is in our sensors. | 0:10:35 | 0:10:41 | |
So, what capability have you got sat here? | 0:10:41 | 0:10:43 | |
Well, I'm Gunnery Officer on board, so I'm in charge of all the weapons. | 0:10:43 | 0:10:48 | |
This screen is giving me what the digital camera is actually seeing. | 0:10:48 | 0:10:51 | |
I've daylight TV and infrared systems. | 0:10:51 | 0:10:55 | |
And at this point, you're capable of doing anything you want | 0:10:55 | 0:10:58 | |
to that vessel, should the situation arise? | 0:10:58 | 0:11:01 | |
Yes, should it arise and once we have everything confirmed, | 0:11:01 | 0:11:04 | |
the Captain can give the order, | 0:11:04 | 0:11:05 | |
and then we can control the main weapons from here. | 0:11:05 | 0:11:09 | |
Command WD, | 0:11:09 | 0:11:12 | |
target confirmed, target, merchant vessel, Oyster Bank. | 0:11:12 | 0:11:17 | |
Neil, we'll join the Captain and the bridge team, as we close this vessel. | 0:11:17 | 0:11:20 | |
-So, we can make our way straight to the bridge now. -Right. | 0:11:20 | 0:11:23 | |
-Starboard 20. -Starboard 20. | 0:11:26 | 0:11:28 | |
Request close for visual confirmation, over. | 0:11:29 | 0:11:32 | |
'Roger, we're closing down their position now.' | 0:11:32 | 0:11:35 | |
Action stations. Action stations, action stations. | 0:11:39 | 0:11:42 | |
HE BLOWS WHISTLE | 0:11:42 | 0:11:45 | |
Action stations, action stations. | 0:11:45 | 0:11:47 | |
Neil, we've just gone to our highest state of readiness there now, | 0:11:47 | 0:11:50 | |
so the naval boarding team are going to muster in the hangar, don their kit and their weapons. | 0:11:50 | 0:11:54 | |
The Boarding Officer is going to contact the Oyster Bank and ask a series of questions. | 0:11:54 | 0:11:59 | |
-If you'd like to join me now, we'll go down to the hangar. -OK. | 0:11:59 | 0:12:02 | |
OK, Neil, we have your kit here. | 0:12:05 | 0:12:07 | |
What is the IMO number of your vessel? | 0:12:07 | 0:12:10 | |
'Roger, my IMO is 172.' | 0:12:10 | 0:12:15 | |
-OK, just... -It's a snug fit. | 0:12:15 | 0:12:17 | |
What is your next port of call? | 0:12:17 | 0:12:19 | |
'My next port of call is Cork.' | 0:12:19 | 0:12:22 | |
Sir, I intend to board your vessel with a Naval boarding team, and my team will be armed. | 0:12:23 | 0:12:30 | |
We will board on the port side, | 0:12:30 | 0:12:33 | |
just far of this, here. | 0:12:33 | 0:12:34 | |
Weapons, the H&K, 9mm pistol. | 0:12:34 | 0:12:37 | |
Code words for today, situation turning hostile is Catfish, and team withdrawing is Rebound. | 0:12:37 | 0:12:43 | |
-And what should I do? -Just stick with me. | 0:12:43 | 0:12:46 | |
When you see men in balaclavas coming, they must know it's not going to be a good day though! | 0:12:57 | 0:13:02 | |
Did you tell the crew to be visible for your approach? | 0:13:10 | 0:13:13 | |
Yeah, yeah, I tell them on the radio. | 0:13:13 | 0:13:15 | |
-Right. You want them to see you when you arrive? -Exactly, yeah. | 0:13:15 | 0:13:19 | |
Come forward. | 0:13:23 | 0:13:25 | |
I would like you to get down on both knees. | 0:13:29 | 0:13:32 | |
-I'm with you. -Put your hands in the air, | 0:13:32 | 0:13:36 | |
put your hands in the air! Bridge clear! | 0:13:36 | 0:13:39 | |
Can I just get your log book, please? | 0:13:39 | 0:13:41 | |
It's amazing to me that this kind of work is going on day and night, | 0:13:41 | 0:13:46 | |
year round, to try and make sure that the coast is as safe as possible. | 0:13:46 | 0:13:50 | |
Now, this was just an exercise, there's no bullets in their guns, | 0:13:50 | 0:13:53 | |
but there's something about seeing armed men, something about seeing guns being pointed at people. | 0:13:53 | 0:13:58 | |
It's intimidating, and it's frightening, but I suppose it should be. | 0:13:58 | 0:14:03 | |
Just days after I joined the boarding crew, a news report confirms | 0:14:04 | 0:14:08 | |
the importance of the exercise. | 0:14:08 | 0:14:11 | |
'The haul of cocaine discovered on board a yacht off the Cork coast was put on display today.' | 0:14:11 | 0:14:17 | |
Much of it was almost certainly destined for the UK and mainland Europe. | 0:14:17 | 0:14:21 | |
In a hazardous night-time operation, the Irish Naval Service seized over £600 million pounds' worth of cocaine | 0:14:21 | 0:14:29 | |
in a raid on a yacht, the biggest drugs haul in Irish history. | 0:14:29 | 0:14:33 | |
Heading east from Cork, we're brought to a sudden halt | 0:14:45 | 0:14:48 | |
by a massive 100ft | 0:14:48 | 0:14:50 | |
exclamation mark on the coast at Ardmore. | 0:14:50 | 0:14:54 | |
One of Ireland's famous and mysterious round towers. | 0:14:54 | 0:14:59 | |
There's about 60 of these round towers scattered | 0:15:00 | 0:15:04 | |
through the Irish landscape, and over the years, | 0:15:04 | 0:15:06 | |
they've bred all manner of weird and wonderful theories | 0:15:06 | 0:15:11 | |
as to exactly what they're for. | 0:15:11 | 0:15:14 | |
The most popular explanation is that the round towers were bolt-holes | 0:15:16 | 0:15:20 | |
for priests in times of invasion. | 0:15:20 | 0:15:23 | |
But there have been other less plausible theories, everything from druidic observatories to, | 0:15:23 | 0:15:29 | |
more recently, the idea that they concentrate | 0:15:29 | 0:15:33 | |
paramagnetic energy from the stars to help the crops. | 0:15:33 | 0:15:37 | |
The truth is probably a little more prosaic than that, | 0:15:38 | 0:15:42 | |
and there's a big clue in that the little church just down the hill doesn't have a tower of its own. | 0:15:42 | 0:15:48 | |
That's its bell tower, just like an Italian campanile, and they were | 0:15:48 | 0:15:53 | |
built from the 9th-12th centuries to call the faithful to prayer. | 0:15:53 | 0:15:58 | |
But there's supposed to be something even more mysterious | 0:15:58 | 0:16:01 | |
than the round tower here at Ardmore that's really sparked my curiosity, | 0:16:01 | 0:16:06 | |
something that dates back centuries before either the tower or the church were built. | 0:16:06 | 0:16:11 | |
What I want to see is a stone, and on it, an ancient Irish way of writing called Ogham. | 0:16:11 | 0:16:17 | |
Orla Murphy, from Cork University, is an expert in this ancient script. | 0:16:17 | 0:16:22 | |
This is the Ogham stone then. | 0:16:22 | 0:16:24 | |
-So, that's writing. -This is the earliest Irish writing. | 0:16:24 | 0:16:29 | |
-Is it runes? -No, it's like the Runic, in that it's incised | 0:16:29 | 0:16:34 | |
in lines, but it's completely different, and the different shapes | 0:16:34 | 0:16:39 | |
obviously mean different things. | 0:16:39 | 0:16:41 | |
So here, on this section, | 0:16:41 | 0:16:44 | |
you have the name, L, and the three scores, | 0:16:44 | 0:16:50 | |
U-G-U-D-E-C-C-A-S, | 0:16:50 | 0:16:57 | |
so it's Lugudeccas all the way up, | 0:16:57 | 0:17:00 | |
then unfortunately, it got chopped at some point when it was being used for building. | 0:17:00 | 0:17:05 | |
What's the date of this? When did people actually start writing Ogham? | 0:17:05 | 0:17:08 | |
It dates from about the 5th century, | 0:17:08 | 0:17:11 | |
maybe the 4th, but probably the 5th century, so it's very early. | 0:17:11 | 0:17:15 | |
Why do you think people started writing on stone at this time? | 0:17:15 | 0:17:18 | |
Probably because they met with Christianity, | 0:17:18 | 0:17:20 | |
and with Christianity came writing, and perhaps they'd used stones as memoria before, | 0:17:20 | 0:17:26 | |
but now they were able to translate that, | 0:17:26 | 0:17:30 | |
using this technology of writing, of matching sounds to visual symbols. | 0:17:30 | 0:17:36 | |
And they've come up with something unique, and something that's Irish, and this is it. It's Ogham. | 0:17:36 | 0:17:43 | |
Orla, it's remarkable that you can read this. Can you write it as well? | 0:17:43 | 0:17:46 | |
Yes, we can. We can write it as well. | 0:17:46 | 0:17:49 | |
-Shall we go and try? -Yes. | 0:17:49 | 0:17:51 | |
Shall we just have a go in the sand then? | 0:17:53 | 0:17:55 | |
Yes. So, what's happening is, we're going to write it either side of a stave, | 0:17:55 | 0:18:00 | |
just like as if we were going to write on the edge of a stone. | 0:18:00 | 0:18:04 | |
-On an upright stone? -On an upright stone. | 0:18:04 | 0:18:06 | |
Or, it's sometimes on the flat, but just on an edge is important. | 0:18:06 | 0:18:11 | |
OK, so, | 0:18:11 | 0:18:13 | |
here we go. | 0:18:13 | 0:18:14 | |
So, reading from the bottom up, we're going to have a notch for your A... | 0:18:14 | 0:18:20 | |
..two lines for your L... | 0:18:22 | 0:18:24 | |
..one, two, three, four for your I. | 0:18:27 | 0:18:33 | |
Five, actually, for your I. | 0:18:36 | 0:18:38 | |
One, two, three, four for your C... | 0:18:38 | 0:18:42 | |
..and one, two, three, four for your E. | 0:18:43 | 0:18:49 | |
E. I wouldn't want to write | 0:18:49 | 0:18:51 | |
a particularly long word in that, I have to say. | 0:18:51 | 0:18:53 | |
No, you could be there for a long time, you could. | 0:18:53 | 0:18:56 | |
I'm going to have a go myself. | 0:18:56 | 0:18:58 | |
-So, first of all, the line, which is the edge of the stone then. -Yes. | 0:18:58 | 0:19:03 | |
-A... -Yep. | 0:19:03 | 0:19:05 | |
'So, vowels are notches on the edge of the stone or stave.' | 0:19:05 | 0:19:09 | |
..I. 'And consonants are lines on the sides. I get it!' | 0:19:09 | 0:19:13 | |
..C...E. | 0:19:13 | 0:19:18 | |
-Perfect. -My name in Ogham. | 0:19:18 | 0:19:21 | |
Monumental masonry, graffiti, the idea of logging on to the landscape | 0:19:23 | 0:19:28 | |
and leaving your name for posterity seems ageless. | 0:19:28 | 0:19:31 | |
But it all started here in Ireland, more than 1,600 years ago, with Ogham. | 0:19:31 | 0:19:38 | |
Subtitles by Red Bee Media Ltd | 0:19:38 | 0:19:42 | |
E-mail [email protected] | 0:19:42 | 0:19:45 |