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Welcome to the Old Head of Kinsale, here on the south coast of Ireland, | 0:00:18 | 0:00:22 | |
and a relaxing start to a great journey, and some remarkable stories. | 0:00:22 | 0:00:27 | |
Heading eastward, this coast is famous for its great ports, harbours and estuaries. | 0:00:31 | 0:00:37 | |
On our Irish Odyssey, Alice discovers the secrets of glass-making. | 0:00:39 | 0:00:44 | |
It's starting to bubble now. Yeah, I've got them. OK. | 0:00:44 | 0:00:47 | |
Miranda seeks out a rare and special visitor to this coast. | 0:00:47 | 0:00:51 | |
And you can even hear the hum of the wing. This is just magical. | 0:00:51 | 0:00:55 | |
Dick Strawbridge reveals how Brunel | 0:00:55 | 0:00:58 | |
wrestled with one of Ireland's toughest challenges to build a railway. | 0:00:58 | 0:01:01 | |
It is a cracking ride. | 0:01:01 | 0:01:04 | |
Hermione starts her own earthquake. | 0:01:05 | 0:01:08 | |
Fantastic! | 0:01:11 | 0:01:13 | |
It's a snug fit! | 0:01:13 | 0:01:14 | |
And I get to join the Irish Navy on manoeuvres. | 0:01:14 | 0:01:17 | |
Action stations. | 0:01:17 | 0:01:19 | |
This from the south-east corner of Ireland, is Coast. | 0:01:25 | 0:01:30 | |
From the coast of South Wales, we've travelled to southern Ireland. | 0:01:57 | 0:02:00 | |
Our journey takes us to the great maritime city of Cork, to Waterford, | 0:02:00 | 0:02:05 | |
Rosslare, Wexford and all the way up to Dublin. | 0:02:05 | 0:02:10 | |
But we're teeing off here at the Old Head of Kinsale, an exposed headland and a golf course | 0:02:10 | 0:02:16 | |
with an infamous 12th hole that eats golf balls for breakfast. | 0:02:16 | 0:02:19 | |
They come from all over to play here. | 0:02:23 | 0:02:26 | |
Tiger Woods, me, of course, and someone else who's had a unique and spectacular view of this course. | 0:02:27 | 0:02:33 | |
Have you ever imagined what it would be like to see the world as something small | 0:02:33 | 0:02:38 | |
like a golf ball, so you could almost reach out and touch it? | 0:02:38 | 0:02:42 | |
Well, American NASA astronaut Dan Tani has done, | 0:02:42 | 0:02:45 | |
and he comes here to play golf. | 0:02:45 | 0:02:50 | |
I could do with Dan's help playing the 12th hole | 0:02:50 | 0:02:55 | |
because not only did he marry one of the staff, he's photographed the entire course from space. | 0:02:55 | 0:03:02 | |
And he's on the line now from NASA HQ in Houston, Texas. | 0:03:02 | 0:03:06 | |
The Old Head is so easy to see, because the Old Head is | 0:03:06 | 0:03:10 | |
such a distinctive shape on the coast of Ireland. You're moving at 17,000 miles an hour. | 0:03:10 | 0:03:15 | |
I have a piece of video to show you it, | 0:03:15 | 0:03:17 | |
and then once you find the Old Head, | 0:03:17 | 0:03:20 | |
you put the big telephoto lens on the camera and snap as many pictures as possible. | 0:03:20 | 0:03:25 | |
I can only imagine what it's like standing there on the 12th tee, | 0:03:25 | 0:03:28 | |
and I really envy that you get a chance to be there. | 0:03:28 | 0:03:31 | |
'Well, I mean, I envy you.' | 0:03:31 | 0:03:33 | |
To change the subject, what advice would you give | 0:03:33 | 0:03:36 | |
to a complete novice confronted by the apocalyptic horror that is the 12th tee? | 0:03:36 | 0:03:42 | |
The advice on the tee is to stay right, more right than you think, there's an aiming stone there, | 0:03:42 | 0:03:47 | |
and you're so tempted to bite off a little bit of the dogleg, go left, | 0:03:47 | 0:03:51 | |
but there's 200-300 feet of cliffs. | 0:03:51 | 0:03:53 | |
I'm sure there are a couple million golf balls down there, | 0:03:53 | 0:03:56 | |
people who thought they could bite off more than they can chew. I love that hole - | 0:03:56 | 0:04:00 | |
if I can play a hole over and over, that would certainly be one of them. | 0:04:00 | 0:04:03 | |
Dan, thanks very much for talking to me, it's been a real treat. | 0:04:03 | 0:04:07 | |
-Enjoy your stay there, bye now. -Thank you, bye-bye. | 0:04:07 | 0:04:10 | |
With the guidance of astronaut Dan Tani, Neil Oliver steadies himself as he faces the dreaded 12th hole. | 0:04:10 | 0:04:17 | |
Nerves of steel, this man. | 0:04:17 | 0:04:21 | |
From the Old Head of Kinsale, we travel past Kinsale itself and on to the great port of Cork. | 0:04:30 | 0:04:37 | |
As Cork Harbour comes into view, one thing strikes you immediately. | 0:04:47 | 0:04:52 | |
It's huge. | 0:04:52 | 0:04:54 | |
It's also one of the finest natural harbours in the world. | 0:04:54 | 0:05:00 | |
For centuries, it's been a haven for shipping. | 0:05:00 | 0:05:03 | |
Even today, with its deepwater channels and proximity to | 0:05:03 | 0:05:07 | |
the main shipping lanes, ships come here from all over the world. | 0:05:07 | 0:05:11 | |
At the harbour's heart lies Cobh. | 0:05:11 | 0:05:14 | |
Over the years, Cobh has played host to many fine ships. | 0:05:17 | 0:05:22 | |
Just recently, the QE2 was moored here on her last voyage before being converted into a hotel in Dubai. | 0:05:22 | 0:05:29 | |
Hardly surprising, the public were out in force with their cameras | 0:05:30 | 0:05:34 | |
to capture this historic moment for themselves. | 0:05:34 | 0:05:37 | |
There's barely a news programme these days, without so-called amateur footage of something or other, | 0:05:40 | 0:05:46 | |
but it's not an invention of the modern media age. | 0:05:46 | 0:05:49 | |
There's nothing new about amateur coverage of historical events. | 0:05:49 | 0:05:54 | |
Many years ago on the quayside at Cobh, | 0:05:56 | 0:05:59 | |
a set of unique photographs was taken. The date, 11th April 1912. | 0:05:59 | 0:06:05 | |
Outside the White Star Line's ticket office, an excited crowd gathered, | 0:06:05 | 0:06:09 | |
waiting to board the White Star's latest and greatest liner on her maiden voyage. | 0:06:09 | 0:06:16 | |
That liner was about to become the most famous ship in history, bar none... The Titanic. | 0:06:16 | 0:06:21 | |
She'd already set sail from Southampton, crossed the Channel to Cherbourg. | 0:06:25 | 0:06:29 | |
And now, her very last port of call before crossing the Atlantic to New York was Cork. | 0:06:29 | 0:06:36 | |
On board the Titanic, waiting to disembark as she moored out in Cork harbour, | 0:06:36 | 0:06:41 | |
was a young local man, a keen photographer and theology student, Frank Browne. | 0:06:41 | 0:06:46 | |
His uncle and guardian had forked out for Frank to travel on the Titanic 1st class from Southampton to Cork. | 0:06:46 | 0:06:53 | |
But no further. | 0:06:53 | 0:06:54 | |
123 people joined the Titanic at Cobh. | 0:06:55 | 0:06:58 | |
From that now neglected and decaying wooden jetty right over there, they got aboard two tenders | 0:06:58 | 0:07:04 | |
that ferried them out to the liner herself further out in the harbour. | 0:07:04 | 0:07:08 | |
Only seven people disembarked, and a bitterly disappointed Frank Browne was one of them. | 0:07:08 | 0:07:14 | |
On the way to Cork, he'd befriended by a wealthy American couple | 0:07:14 | 0:07:17 | |
who'd offered to pay the remainder of his passage to New York. | 0:07:17 | 0:07:21 | |
He'd sent a telegraph to his Jesuit superior at the college asking for permission. | 0:07:21 | 0:07:27 | |
The reply he got was terse and unequivocal: "Get off that ship. | 0:07:27 | 0:07:32 | |
"Signed, Principal." | 0:07:32 | 0:07:33 | |
Of course, with hindsight, Frank Browne was one of the luckiest people alive. | 0:07:37 | 0:07:42 | |
Ordered off a ship that was about to sail from Cork to an icy Atlantic grave. | 0:07:42 | 0:07:48 | |
The images Frank Browne recorded on his camera as he watched the Titanic leave | 0:07:49 | 0:07:54 | |
instantly made the front page of newspapers worldwide. | 0:07:54 | 0:07:58 | |
Today they remain a priceless record, not just of the most famous ship in history, | 0:07:58 | 0:08:04 | |
but also an evocation of the joy, the sadness, and excitement | 0:08:04 | 0:08:09 | |
of Titanic's passengers as they embarked on their tragic journey. | 0:08:09 | 0:08:14 | |
Cork Harbour may have seen tragedy, but it's also witnessed a lot of Irish fun. | 0:08:38 | 0:08:45 | |
For starters, it's home to the Royal Cork Yacht Club, founded in 1720. | 0:08:45 | 0:08:49 | |
That makes it the oldest yacht club on the planet. | 0:08:49 | 0:08:53 | |
It's moved HQ several times over the centuries, | 0:08:53 | 0:08:56 | |
before anchoring in Cross Haven, on the western side of the harbour. | 0:08:56 | 0:09:01 | |
Now, old, it might be, stuffy, it isn't, | 0:09:01 | 0:09:03 | |
and people flock here to be part of the biennial regatta known the world over as Cork Week. | 0:09:03 | 0:09:09 | |
My name is Eddie English. I run a sailing school in Cobh, on the other side of the harbour. | 0:09:20 | 0:09:24 | |
I've been involved with Cork Week since its inception. | 0:09:24 | 0:09:27 | |
I'm fortunate enough to have done regattas all over the world, and to me, this is the best one. | 0:09:27 | 0:09:33 | |
My family are from Cobh and my grandfather and father grew up | 0:09:35 | 0:09:39 | |
with the water literally lapping onto the front door, and since I was very small I went sailing. | 0:09:39 | 0:09:45 | |
Since the early '90s I've sailed with Oyster Catcher, and it's very much a social thing | 0:09:47 | 0:09:53 | |
as much as a sailing thing with our crew. | 0:09:53 | 0:09:56 | |
There's four brothers in the family, and there are three of us full-time involved in sailing as a career, | 0:09:56 | 0:10:02 | |
and our children have continued on that tradition. | 0:10:02 | 0:10:06 | |
My own kids are very small, but they're involved in sailing so they'll be watching today. | 0:10:06 | 0:10:11 | |
You can go to a football match, and there could be 20,000 people watching that game, | 0:10:11 | 0:10:17 | |
but there's less than 30 people out on the pitch. With Cork Week, | 0:10:17 | 0:10:21 | |
you can have 20,000 people involved, there's going to be 8,000 people | 0:10:21 | 0:10:25 | |
participating and racing, and everyone stays involved right the way through the week. | 0:10:25 | 0:10:30 | |
As the great yachts cross the finishing line, they also pass | 0:10:32 | 0:10:35 | |
the very first home of the Royal Cork Yacht Club on Haulbowline Island. | 0:10:35 | 0:10:40 | |
For centuries, Haulbowline was a strategically vital base for the British Royal Navy, | 0:10:40 | 0:10:46 | |
then in 1938, it became - and remains to this day - | 0:10:46 | 0:10:51 | |
the command centre for the Irish Naval Service. | 0:10:51 | 0:10:54 | |
And I've been invited to join them on an exercise on the flagship patrol vessel, the LE Eithne. | 0:10:54 | 0:11:02 | |
WHISTLING | 0:11:02 | 0:11:04 | |
First off, I have a bit of a confession to make to Captain Hugh Tully. | 0:11:06 | 0:11:12 | |
I must admit I didn't realise that Ireland had a Navy. | 0:11:12 | 0:11:16 | |
Well, you wouldn't be the first person to say that. | 0:11:16 | 0:11:19 | |
We're a relatively young navy, and I suppose we're sort of out of sight, out of mind. | 0:11:19 | 0:11:24 | |
A lot of our time is spent way offshore, so it's difficult to have a profile. | 0:11:24 | 0:11:28 | |
What is the remit of the Irish Naval Service? | 0:11:28 | 0:11:31 | |
Our main job is maritime surveillance, so that can be | 0:11:31 | 0:11:34 | |
fishing protection, search and rescue, drug interdiction. | 0:11:34 | 0:11:37 | |
With eight patrol vessels and one of the largest maritime zones in Europe to patrol, | 0:11:37 | 0:11:42 | |
the Irish Navy is a serious proposition. | 0:11:42 | 0:11:45 | |
Sir, if I can interrupt you there one moment, we've just received an intelligence report. | 0:11:45 | 0:11:50 | |
A Maritime Surveillance aircraft has come across a commercial tug, | 0:11:50 | 0:11:53 | |
with the description of an Irish vessel in the Oyster Bank. | 0:11:53 | 0:11:56 | |
'And as 2nd in command, Lieutenant Olan O'Keefe outlines the position of a suspect vessel, something clicks. | 0:11:56 | 0:12:03 | |
'When the Naval Service invited me on an exercise, they didn't mean | 0:12:03 | 0:12:07 | |
'twice round the harbour and back to the Officers' Mess for a swift half. | 0:12:07 | 0:12:11 | |
'Their training looks deadly serious.' | 0:12:11 | 0:12:14 | |
-If you'd like to join me there. -Excellent. 'As we go down to the Operations Room, | 0:12:14 | 0:12:18 | |
'Olan explains we're about to conduct what they call | 0:12:18 | 0:12:21 | |
'a compliant boarding of the suspect tug, and I'm to be part of that boarding team.' | 0:12:21 | 0:12:25 | |
I've a target bearing 040 degrees. | 0:12:25 | 0:12:28 | |
Target bearing is 040 degrees. | 0:12:28 | 0:12:30 | |
From here we have to positively track the Oyster Bank. | 0:12:30 | 0:12:34 | |
Once he's tracked on our radar, we'll have our weapons sensors directed on the vessel also. | 0:12:34 | 0:12:39 | |
From there, the gunnery officer will recommend to the Captain that the vessel is in our sensors. | 0:12:39 | 0:12:44 | |
So what capability have you got sat here? | 0:12:44 | 0:12:47 | |
Well, I'm Gunnery Officer on board, so I'm in charge of all the weapons. | 0:12:47 | 0:12:51 | |
This screen is giving me what the digital camera is actually seeing. | 0:12:51 | 0:12:55 | |
I've daylight TV and infrared systems. | 0:12:55 | 0:12:58 | |
And at this point you're capable of doing anything you want | 0:12:58 | 0:13:01 | |
to that vessel, should the situation arise? | 0:13:01 | 0:13:04 | |
Yes, should it arise and once we have everything confirmed, the Captain can give the order, | 0:13:04 | 0:13:09 | |
and then we can control the main weapons from here. | 0:13:09 | 0:13:12 | |
Command WD, target confirmed, target, merchant vessel, Oyster Bank. | 0:13:12 | 0:13:20 | |
Neil, we'll join the Captain and bridge team, as we close this vessel. | 0:13:20 | 0:13:24 | |
-We can make our way straight to the bridge now. -Right. | 0:13:24 | 0:13:28 | |
-Starboard 20. -Starboard 20. | 0:13:29 | 0:13:31 | |
Request close for visual confirmation over. | 0:13:31 | 0:13:36 | |
'Roger, we're closing down their position now.' | 0:13:36 | 0:13:39 | |
Action stations. Action stations, action stations. | 0:13:42 | 0:13:46 | |
HE BLOWS WHISTLE | 0:13:46 | 0:13:48 | |
Neil, we've just gone to our highest state of readiness here now, | 0:13:48 | 0:13:53 | |
so the naval boarding team are going to muster in the hangar, put on their kit and their weapons. | 0:13:53 | 0:13:58 | |
The Boarding Officer is going to contact the Oyster Bank and ask a series of questions. | 0:13:58 | 0:14:02 | |
-If you'd like to join me now, we'll go down to the hangar. -OK. | 0:14:02 | 0:14:05 | |
Neil, we have your kit here. | 0:14:08 | 0:14:10 | |
What is the IMO number of your vessel? | 0:14:10 | 0:14:13 | |
'Roger, my IMO is 172.' | 0:14:13 | 0:14:18 | |
OK. It's a snug fit. | 0:14:18 | 0:14:20 | |
What is your next port of call? | 0:14:20 | 0:14:23 | |
My next port of call is Cork. | 0:14:23 | 0:14:25 | |
Sir, I intend to board your vessel with a Naval boarding team, and my team will be armed. | 0:14:27 | 0:14:33 | |
We will board from the port side, | 0:14:33 | 0:14:36 | |
just far of this clear here. | 0:14:36 | 0:14:38 | |
Weapons, the H&K, 9mm pistol. | 0:14:38 | 0:14:40 | |
Code words for today, situation turning hostile is Catfish, and team withdrawing is Rebound. | 0:14:40 | 0:14:46 | |
-And what should I do? -Just stick with me. | 0:14:46 | 0:14:49 | |
When you see men with balaclavas coming, they must know it's not going to be a good day though. | 0:15:08 | 0:15:13 | |
Did you tell the crew to be visible for the approach? | 0:15:25 | 0:15:28 | |
Yeah, yeah, I tell them on the radio. | 0:15:28 | 0:15:30 | |
-Right. You want them to see you when you arrive. -Exactly, yeah. | 0:15:30 | 0:15:33 | |
Come forward. | 0:15:33 | 0:15:35 | |
I would like you to get down on both knees. | 0:15:44 | 0:15:47 | |
I'm with you. | 0:15:47 | 0:15:49 | |
Put your hands in the air, put your hands in the air. | 0:15:49 | 0:15:53 | |
Bridge clear! Roger. | 0:15:53 | 0:15:54 | |
It's amazing to me that this kind of work is going on day and night, | 0:15:56 | 0:15:59 | |
year round, to try and make sure that the coast is as safe as possible. | 0:15:59 | 0:16:03 | |
Now this was just an exercise, there's no bullets in their guns, | 0:16:03 | 0:16:08 | |
but there's something about seeing armed men, something about seeing guns being pointed at people. | 0:16:08 | 0:16:13 | |
It's intimidating, and it's frightening, but I suppose it should be. | 0:16:13 | 0:16:17 | |
Just days after I joined the boarding crew, a news report confirms the importance of the exercise. | 0:16:19 | 0:16:25 | |
The haul of cocaine discovered on board a yacht off the Cork coast was put on display today. | 0:16:25 | 0:16:32 | |
Much of it was almost certainly destined for the UK and mainland Europe. | 0:16:32 | 0:16:36 | |
In a hazardous night time operation, | 0:16:36 | 0:16:39 | |
the Irish Naval Service seized over £600 million worth of cocaine | 0:16:39 | 0:16:44 | |
in a raid on a yacht, the biggest drugs haul in Irish history. | 0:16:44 | 0:16:48 | |
Heading east from Cork, we're brought to a sudden halt | 0:17:11 | 0:17:16 | |
by a massive 100ft exclamation mark on the coast at Ardmore. | 0:17:16 | 0:17:21 | |
One of Ireland's famous and mysterious round towers. | 0:17:21 | 0:17:26 | |
That is just incredible. | 0:17:28 | 0:17:30 | |
And it's just as much an icon of Ireland as any shamrock or harp. | 0:17:35 | 0:17:40 | |
There's about 60 of these round towers scattered through the Irish landscape, and over the years | 0:17:40 | 0:17:45 | |
they've bred all manner of weird and wonderful theories as to exactly what they're for. | 0:17:45 | 0:17:53 | |
The most popular explanation is that the round towers were bolt-holes for priests in times of invasion. | 0:17:55 | 0:18:02 | |
But there have been other less plausible theories, everything from druidic observatories, | 0:18:02 | 0:18:08 | |
to more recently the idea that they concentrate paramagnetic energy from the stars to help the crops. | 0:18:08 | 0:18:16 | |
The truth is probably a little more prosaic than that, | 0:18:17 | 0:18:21 | |
and there's a big clue in that the little church just down the hill doesn't have a tower of its own. | 0:18:21 | 0:18:27 | |
That's its bell tower, just like an Italian campanile, and they were | 0:18:27 | 0:18:32 | |
built from the 9th-12th centuries to call the faithful to prayer. | 0:18:32 | 0:18:37 | |
But there's supposed to be something even more mysterious | 0:18:37 | 0:18:40 | |
than the round tower here at Ardmore that's really sparked my curiosity, | 0:18:40 | 0:18:45 | |
something that dates back centuries before either the tower or the church were built. | 0:18:45 | 0:18:50 | |
What I want to see is a stone, and on it an ancient Irish way of writing, called Ogham. | 0:18:50 | 0:18:56 | |
Orla Murphy from Cork University is an expert in this ancient script. | 0:18:56 | 0:19:01 | |
This is the Ogham stone then. | 0:19:01 | 0:19:03 | |
-So that's writing. -This is the earliest Irish writing. | 0:19:03 | 0:19:08 | |
-Is it runes? -No, it's like the Runic, in that it's incised in lines, | 0:19:08 | 0:19:12 | |
but it's completely different, and the different shapes | 0:19:12 | 0:19:18 | |
obviously mean different things. | 0:19:18 | 0:19:20 | |
So here, on this section, | 0:19:20 | 0:19:23 | |
you have the name, L, and the three scores, | 0:19:23 | 0:19:29 | |
U-G-U-D-E-C-C-A-S, | 0:19:29 | 0:19:36 | |
so it's Lugudeccas all the way up, | 0:19:36 | 0:19:39 | |
then unfortunately it got chopped at some point when it was being used for building. | 0:19:39 | 0:19:44 | |
What's the date of this? When did people actually start writing Ogham? | 0:19:44 | 0:19:47 | |
It dates from about the 5th century, | 0:19:47 | 0:19:50 | |
maybe the 4th, but probably the 5th century, so it's very early. | 0:19:50 | 0:19:54 | |
Why do you think people started writing on stone at this time? | 0:19:54 | 0:19:57 | |
Probably because they met with Christianity, | 0:19:57 | 0:19:59 | |
and with Christianity came writing, and perhaps they'd used stones as memoria before, | 0:19:59 | 0:20:05 | |
but now they were able to translate that, | 0:20:05 | 0:20:08 | |
using this technology of writing, of matching sounds to visual symbols. | 0:20:08 | 0:20:15 | |
And they've come up with something unique, and something that's Irish, and this is it. It's Ogham. | 0:20:15 | 0:20:22 | |
Orla, it's remarkable that you can read this. Can you write it as well? | 0:20:22 | 0:20:25 | |
Yes, we can. We can write it as well. | 0:20:25 | 0:20:28 | |
-Shall we go and try? -Yes. | 0:20:28 | 0:20:31 | |
Shall we just have a go in the sand then? | 0:20:31 | 0:20:34 | |
Yes. So, what's happening is we're going to write it either side of a stave, | 0:20:34 | 0:20:38 | |
just like as if we were going to write on the edge of a stone. | 0:20:38 | 0:20:42 | |
-On an upright stone. -An upright stone. | 0:20:42 | 0:20:45 | |
Or it's sometimes on the flat, but just having an edge is important. | 0:20:45 | 0:20:50 | |
OK, so, | 0:20:50 | 0:20:52 | |
here we go. | 0:20:52 | 0:20:53 | |
So reading from the bottom up we're going to have a notch for your A... | 0:20:53 | 0:20:59 | |
..two lines for your L... | 0:21:01 | 0:21:03 | |
..one, two, three, four for your I. | 0:21:06 | 0:21:10 | |
Five actually, for your I. | 0:21:15 | 0:21:17 | |
One, two, three, four for your C... | 0:21:17 | 0:21:21 | |
..and one, two, three, four for your E. | 0:21:22 | 0:21:28 | |
E. I wouldn't want to write a particularly long word in this, I have to say. | 0:21:28 | 0:21:32 | |
No, you could be there for a long time, you could. | 0:21:32 | 0:21:35 | |
I'm going to have a go myself. | 0:21:35 | 0:21:37 | |
So, first of all the line which is the edge of the stone then. | 0:21:37 | 0:21:42 | |
A... | 0:21:42 | 0:21:44 | |
'So vowels are notches on the edge of the stone or stave.' | 0:21:44 | 0:21:48 | |
..I. 'And consonants are lines on the sides. I get it!' | 0:21:48 | 0:21:52 | |
..C...E. | 0:21:52 | 0:21:57 | |
-Perfect. -My name in Ogham. | 0:21:57 | 0:22:00 | |
Monumental masonry, graffiti, the idea of logging on to the landscape | 0:22:01 | 0:22:07 | |
and leaving your name for posterity seems ageless. | 0:22:07 | 0:22:10 | |
But it all started here in Ireland, more than 1,600 years ago with Ogham. | 0:22:10 | 0:22:17 | |
The sea cliffs here aren't massive, but they can be lethal. | 0:22:34 | 0:22:38 | |
On the headland at Tramore, The Metal Man was raised as a warning to shipping | 0:22:38 | 0:22:44 | |
after The Seahorse ran aground here in 1816, with the loss of almost 400 lives. | 0:22:44 | 0:22:51 | |
Tramore. Most of the places we've visited so far have had Irish names. | 0:22:53 | 0:22:58 | |
Tramore is simply Irish for big beach. Good name. | 0:22:58 | 0:23:02 | |
But as we approach Waterford, | 0:23:02 | 0:23:04 | |
the second of the great ports on our journey, things change drastically. | 0:23:04 | 0:23:08 | |
Because Waterford isn't an Irish name. | 0:23:08 | 0:23:11 | |
Nor is it English. It's Viking. | 0:23:11 | 0:23:14 | |
It comes from the Old Norse, Vedrarfjord | 0:23:14 | 0:23:17 | |
meaning, "the haven from the windy sea", | 0:23:17 | 0:23:20 | |
signalling the first in a chain of major trading ports | 0:23:20 | 0:23:23 | |
established by the Vikings in virtually every estuary from here to Dublin. | 0:23:23 | 0:23:28 | |
Today, Waterford is virtually synonymous the world over with lead crystal, glass. | 0:23:28 | 0:23:36 | |
And that's given Alice an idea. | 0:23:36 | 0:23:38 | |
I'm just walking along the beach here picking up | 0:23:41 | 0:23:45 | |
these really beautiful little water-worn pebbles of glass. | 0:23:45 | 0:23:50 | |
But what is this stuff? | 0:23:50 | 0:23:52 | |
I think most of us know it's got something to do with silica, | 0:23:52 | 0:23:56 | |
and that it could possibly be made by heating up sand. | 0:23:56 | 0:24:01 | |
But is that all there is to it? | 0:24:01 | 0:24:04 | |
In the interests of science, and for the sheer fun of it, I've decided to see if we can make glass from sand. | 0:24:04 | 0:24:11 | |
Oh, and try to do it on a beach. | 0:24:11 | 0:24:14 | |
If anybody's going to succeed, it's going to be Waterford Crystal's chief scientist Richard Lloyd. | 0:24:14 | 0:24:19 | |
-This bit? -Perfect. | 0:24:19 | 0:24:22 | |
So, Richard, would any old sand do? | 0:24:22 | 0:24:25 | |
It's got to have a component of quartz in it, a form of silica. | 0:24:25 | 0:24:28 | |
Silica doesn't need any other ingredient to make glass other than heat energy. | 0:24:28 | 0:24:32 | |
But you think this looks all right? | 0:24:32 | 0:24:34 | |
-This looks fine. -Let's go and make some glass. | 0:24:34 | 0:24:38 | |
This is Tony. | 0:24:38 | 0:24:40 | |
-He's the man that's going to provide the heat for us today. -Hello, Tony. | 0:24:40 | 0:24:44 | |
So exactly how much heat are we going to need? | 0:24:44 | 0:24:46 | |
In its present form we'll need 1,800 Celsius to melt this, | 0:24:46 | 0:24:50 | |
but we're going to mix it with some potash, which helps the sand to melt. | 0:24:50 | 0:24:55 | |
So how much does the potash bring down the melting point of the quartz? | 0:24:55 | 0:25:00 | |
By about 600 Celsius. | 0:25:00 | 0:25:01 | |
So we can then achieve melting temperatures with Tony's burner. | 0:25:01 | 0:25:05 | |
so we're going to pop it on there... | 0:25:05 | 0:25:07 | |
The crucible is already glowing bright red. | 0:25:12 | 0:25:15 | |
Red heat is only 600 Celsius. | 0:25:15 | 0:25:18 | |
-Red heat is 600? -Approximately. | 0:25:18 | 0:25:21 | |
-And it's starting to bubble now. -Yes, | 0:25:24 | 0:25:27 | |
that's the potash releasing its carbon dioxide, | 0:25:27 | 0:25:31 | |
and then it starts to react with the sand grains to form the glass. | 0:25:31 | 0:25:34 | |
So, Richard, how does this on the beach relate to actually what goes on in the factories? | 0:25:34 | 0:25:41 | |
Essentially, the technology underlying the things we've done on the beach is the same as the factory. | 0:25:41 | 0:25:48 | |
And often this glass is talked about as being lead crystal. Do you actually add lead to it? | 0:25:48 | 0:25:54 | |
We do, yeah, in the form of lead oxide. This makes it sparkle. | 0:25:54 | 0:25:58 | |
It also allows the glass to be worked over a longer temperature range, | 0:26:00 | 0:26:04 | |
which lets the blowers do their magic. | 0:26:04 | 0:26:07 | |
It takes years to achieve this level of skill. | 0:26:12 | 0:26:15 | |
Believe me, it isn't easy. | 0:26:15 | 0:26:16 | |
I've just had a go myself. | 0:26:16 | 0:26:20 | |
One way or another, glass has been made here for hundreds of years. | 0:26:21 | 0:26:26 | |
These skills are ancient. | 0:26:26 | 0:26:28 | |
This is Waterford Museum's famous kite brooch of Irish Viking design. | 0:26:29 | 0:26:35 | |
Exquisite gold filigree, and the tiniest beads of glass. | 0:26:35 | 0:26:41 | |
It functioned as a cloak fastener | 0:26:41 | 0:26:43 | |
and was very much like the Irish ring pins that became an essential part of Viking haute couture. | 0:26:43 | 0:26:49 | |
When this brooch was made 1,000 years ago, the glass beads were treated like diamonds. | 0:26:49 | 0:26:55 | |
Glass was a precious, hard-won material. | 0:26:55 | 0:26:59 | |
Glass is a very special substance. | 0:26:59 | 0:27:01 | |
It's not like other solids, it's got no definite melting point. | 0:27:01 | 0:27:04 | |
It just gets softer and softer as it gets hotter and hotter. | 0:27:04 | 0:27:08 | |
It has no crystals, that's why you can see through it. | 0:27:08 | 0:27:11 | |
Once the quartz has formed the glass, the molecules | 0:27:11 | 0:27:13 | |
can't rotate and orientate themselves into regular patterns, | 0:27:13 | 0:27:17 | |
which a crystal is, so they're trapped in irregular shapes. That's what keeps the glass clear. | 0:27:17 | 0:27:22 | |
I'll get it. You clear off that way, yeah? | 0:27:23 | 0:27:25 | |
Oh. Oh, wow. | 0:27:27 | 0:27:29 | |
There we have glass from the beach. | 0:27:29 | 0:27:31 | |
There is something really wonderful about being able to make glass from sand. | 0:27:31 | 0:27:37 | |
And it's really green. | 0:27:37 | 0:27:39 | |
That's because the sand we've used has got a lot of iron in it, which makes it brown. | 0:27:39 | 0:27:45 | |
When it forms a glass, the iron changes chemically to form the green compound. | 0:27:45 | 0:27:49 | |
Most of the sand in the beaches around the world will have iron in it. | 0:27:49 | 0:27:53 | |
So our beaches are rusty. | 0:27:53 | 0:27:56 | |
'What a great day. Not only have we succeeded | 0:27:56 | 0:28:00 | |
'in making glass from sand, but the craftsmen of Waterford Crystal | 0:28:00 | 0:28:05 | |
'have made something that harkens back to the very foundation of Waterford itself, | 0:28:05 | 0:28:09 | |
'a Viking ring pin.' | 0:28:09 | 0:28:12 | |
That is beautiful. | 0:28:12 | 0:28:14 | |
Oh, Richard, that really is lovely. | 0:28:15 | 0:28:17 | |
That's got designs all the way along it, | 0:28:18 | 0:28:22 | |
and it's like a symbol of Waterford, isn't it? | 0:28:22 | 0:28:26 | |
The Vikings and the glass. | 0:28:26 | 0:28:29 | |
Leaving County Waterford, our journey continues to County Wexford, via the Passage East ferry. | 0:28:33 | 0:28:39 | |
On the far shore lies Ballyhack, | 0:28:39 | 0:28:42 | |
base camp for the 140-mile Sli Charman, or Wexford Coastal Path. | 0:28:42 | 0:28:47 | |
Travelling up the peninsula towards Hook Head, there's a little inlet known as Herrylock, | 0:28:53 | 0:28:58 | |
where beach and cliff face are made up of layers of old red sandstone. | 0:28:58 | 0:29:03 | |
And all over the beach, there are these strange regular bowls in the rock. | 0:29:04 | 0:29:10 | |
You could walk past this and think it was natural, you could just overlook it. | 0:29:11 | 0:29:16 | |
It was maybe cut by the sea or the wind, | 0:29:16 | 0:29:19 | |
and if you look really closely you start to pick out strange marks, cut marks. | 0:29:19 | 0:29:24 | |
These are the marks left by tools that have been used to cut something out. | 0:29:24 | 0:29:29 | |
Once you get your eye in, you realise they're all over the place around here. | 0:29:34 | 0:29:39 | |
Now, I'm not going to pretend I don't know why these holes are here. | 0:29:42 | 0:29:46 | |
These are the remains left behind by quarrying for millstones which are used to grind flour, | 0:29:46 | 0:29:52 | |
and right up until the end of the 19th century, Herrylock was famous for the quality for its millstones. | 0:29:52 | 0:29:59 | |
The incredibly hard, gritty Herrylock sandstone was ideal for millstones. They were sold all over Ireland. | 0:29:59 | 0:30:06 | |
But how did they manage to extract the stones intact from the rock? | 0:30:06 | 0:30:09 | |
To find out, I'm meeting up with local stonemason Paul O'Hara. | 0:30:09 | 0:30:13 | |
-Hello, Paul. -Hello, Neil. | 0:30:13 | 0:30:15 | |
Paul has a fascination with the old stonemasons' techniques. | 0:30:15 | 0:30:19 | |
I'm just working on a bit of the stone here. | 0:30:19 | 0:30:23 | |
What is the process then? | 0:30:23 | 0:30:25 | |
How do you start with a piece of bedrock and end up with a millstone that's free? | 0:30:25 | 0:30:28 | |
Well, initially you'd mark it out. | 0:30:30 | 0:30:32 | |
Roughly a 4ft diameter is | 0:30:32 | 0:30:34 | |
the stone that's been quarried here, then you score around your shape, | 0:30:34 | 0:30:39 | |
skirting down along it, and follow the channel all the way around the circle. | 0:30:39 | 0:30:43 | |
They would have gone down maybe 16 inches. | 0:30:43 | 0:30:46 | |
How long will that take with a hammer and chisel? | 0:30:46 | 0:30:48 | |
I'd say roughly three weeks, they would have taken. | 0:30:48 | 0:30:51 | |
-Three weeks. -To take out. | 0:30:51 | 0:30:53 | |
And once you've cut this gutter | 0:30:53 | 0:30:54 | |
around the millstone, how do you get it off the bedrock? | 0:30:54 | 0:30:58 | |
How do you get it free? | 0:30:58 | 0:31:00 | |
You would bore a hole, again using your hammer and chisel, | 0:31:00 | 0:31:03 | |
then fit a timber wedge, and maybe a willow timber, cos willow has a great absorption. | 0:31:03 | 0:31:07 | |
The sea would have come on in, flooded the channel... | 0:31:07 | 0:31:11 | |
..the timber would then expand, and the stone would have lifted. | 0:31:13 | 0:31:17 | |
So as the wood expands with the moisture, that is enough force to crack this? | 0:31:17 | 0:31:23 | |
That would have been enough force, yes. | 0:31:23 | 0:31:26 | |
I dunno, I've got a lovely picture of the actual, the scene here. | 0:31:27 | 0:31:31 | |
Up beyond there was ten houses or so, | 0:31:31 | 0:31:34 | |
there must have been great comradeship between them. | 0:31:34 | 0:31:36 | |
And then when the conversation went dead, | 0:31:36 | 0:31:39 | |
the only thing you would actually hear | 0:31:39 | 0:31:41 | |
would be maybe the clanging of the hammer and the stone. | 0:31:41 | 0:31:45 | |
By the late 1800s, the Herrylock chisels sang no more. | 0:31:50 | 0:31:54 | |
Cast iron replaced old red sandstone as the perfect material for making millstones. | 0:31:54 | 0:32:00 | |
Is it just me, but I feel a little sad this ancient industry came to an end? | 0:32:00 | 0:32:06 | |
Cutting a millstone like this one involved some of the hardest physical labour imaginable. | 0:32:07 | 0:32:13 | |
But what makes it such a satisfying story is that the secret ingredient was human genius, | 0:32:13 | 0:32:18 | |
using the power of wood swollen by water to break these free from the bedrock, | 0:32:18 | 0:32:25 | |
so the final tool that they had in their armoury was the power of the sea. | 0:32:25 | 0:32:29 | |
Placid as it might appear, this peninsula has a terrifying reputation for mangling ships. | 0:32:39 | 0:32:44 | |
No surprise to find a lighthouse then. | 0:32:46 | 0:32:49 | |
But it's perhaps the oldest intact operational lighthouse in the world. | 0:32:49 | 0:32:54 | |
In fact, historian and author Billy Colfer believes it dates back 800 years. | 0:32:56 | 0:33:03 | |
Now this, I've got to see. | 0:33:03 | 0:33:06 | |
Well, Billy, it does look like it's taken a pounding over the years, | 0:33:06 | 0:33:09 | |
but how do you know it's as old as you say it is? | 0:33:09 | 0:33:12 | |
-Let's go inside, Neil, and I'll show you. -OK. | 0:33:12 | 0:33:16 | |
Now, Neil, if you look up, you'll get your first impression of a medieval building. | 0:33:22 | 0:33:27 | |
Right, oh, yeah, it's like a castle keep or a cathedral. | 0:33:27 | 0:33:31 | |
-It's so massive. -Exactly, they used castle technology to build the place, | 0:33:31 | 0:33:35 | |
that's the reason for the roof vaulting. | 0:33:35 | 0:33:37 | |
-Castle technology. -Exactly. | 0:33:37 | 0:33:39 | |
And why is it black? | 0:33:39 | 0:33:41 | |
It's black with Welsh coal, because for 500 years the light was | 0:33:41 | 0:33:47 | |
kept burning mostly with coal, and this was the coal store. OK? | 0:33:47 | 0:33:51 | |
The three chambers are similar, | 0:33:55 | 0:33:57 | |
each vaulted. The stone vault can be seen as a fireproofing feature. | 0:33:57 | 0:34:01 | |
If you have a big fire burning on top of your building, you don't want wooden floors. | 0:34:01 | 0:34:07 | |
Over 500 years, that big fire to create the light meant importing thousands of tons of Welsh coal. | 0:34:09 | 0:34:15 | |
Whoever built this place had a lot of clout. | 0:34:15 | 0:34:20 | |
The first historic record of the building come from the Pembroke Estate papers in the 1240s, | 0:34:20 | 0:34:26 | |
when the monks of the monastery of Rinn Dubhain are given money for the maintenance of the building. | 0:34:26 | 0:34:33 | |
So, was the tower built by a monastic order, is that whose idea it was? | 0:34:33 | 0:34:37 | |
No. They were financed by one of the most powerful knights in England, William Marshall, | 0:34:37 | 0:34:42 | |
who controlled this area. | 0:34:42 | 0:34:45 | |
-Hook weather. -Some view. | 0:34:45 | 0:34:48 | |
William Marshall, the builder of this lighthouse, was one of the new breed | 0:34:48 | 0:34:53 | |
of adventurers, really, who came to Ireland, one of the Anglo-Normans. | 0:34:53 | 0:34:57 | |
He had this lighthouse constructed at this extremity of the Hook Peninsula to guide his shipping | 0:34:57 | 0:35:04 | |
up Waterford Harbour to his new port of Ross, which he was determined to make into a financial success. | 0:35:04 | 0:35:11 | |
So, this was a practical addition to the landscape by a businessman on the make? | 0:35:11 | 0:35:15 | |
Yes, it was highly practical and functional, but it was also a highly visible symbol | 0:35:15 | 0:35:19 | |
of Marshall's power and status, which became an iconic feature in the Irish landscape. | 0:35:19 | 0:35:26 | |
The lighthouse's builder, William Marshall, had powerful connections. | 0:35:32 | 0:35:36 | |
It was his father-in-law, Strongbow, who first landed a Norman army on Irish soil, | 0:35:36 | 0:35:41 | |
just beyond the lighthouse at Baginbun and Bannow Bay. | 0:35:41 | 0:35:44 | |
The irony is the Normans first came here as mercenaries, not invaders. | 0:35:44 | 0:35:49 | |
They were invited. But they liked what they saw. | 0:35:49 | 0:35:52 | |
They settled. And they dominated Irish history for centuries. | 0:35:52 | 0:35:57 | |
This is Carnsore Point. | 0:36:02 | 0:36:05 | |
From now on we're heading north. | 0:36:05 | 0:36:07 | |
Next stop, Rosslare. | 0:36:07 | 0:36:10 | |
Rosslare has thrived since the need arose for a harbour with a deep enough passage for steam ships. | 0:36:11 | 0:36:18 | |
Yet it's so well positioned facing the UK, you'd expect to find a far more ancient port here. | 0:36:18 | 0:36:24 | |
And there is one, a couple of miles up the coast. | 0:36:24 | 0:36:28 | |
Wexford. | 0:36:28 | 0:36:30 | |
To the Vikings, Waiesfjord. | 0:36:33 | 0:36:36 | |
A wide shallow harbour. | 0:36:36 | 0:36:38 | |
To another invader, Oliver Cromwell, the town of Wexford was a Catholic thorn in his side. | 0:36:38 | 0:36:43 | |
In 1649, his New Model Army wiped out all Catholic resistance | 0:36:46 | 0:36:50 | |
and replaced them with a new wave of settlers, the so-called New English. | 0:36:50 | 0:36:56 | |
The town is one thing, but he who would be master of Wexford's harbour | 0:36:59 | 0:37:04 | |
must do battle with a constant natural foe. | 0:37:04 | 0:37:07 | |
Sand. | 0:37:07 | 0:37:09 | |
As the tide ebbs, the entire estuary is filled with continuously shifting ridges of sand. | 0:37:11 | 0:37:18 | |
Deep-draughted ocean-going vessels can't cope with the perils of the sandbanks. | 0:37:23 | 0:37:29 | |
But there is a very ancient type of boat that can. | 0:37:29 | 0:37:32 | |
Flat-bottomed, and traditionally with a pointed bow and stern, it's the Wexford Cot. | 0:37:32 | 0:37:38 | |
Larry Duggan is my name, and I have been making Wexford Cots for 60 years, of all types. | 0:37:38 | 0:37:44 | |
Our whole family have been in it for hundreds of years, father and my grandfather, | 0:37:44 | 0:37:50 | |
and my great-grandfather, great- great-grandfather were making these | 0:37:50 | 0:37:54 | |
in the early part of the 18th century. | 0:37:54 | 0:37:56 | |
I suppose it's nice to be able to say that you're able to do something that comes natural to you. | 0:37:56 | 0:38:02 | |
That's quite good now, Richard. | 0:38:02 | 0:38:04 | |
Wexford's the only place that we get cots. | 0:38:04 | 0:38:07 | |
It's the estuary that makes the cots suitable for what it is, | 0:38:07 | 0:38:10 | |
or the cot is suitable for the estuary, however you want to put it. | 0:38:10 | 0:38:14 | |
That boat would push out in six inches of water. | 0:38:14 | 0:38:17 | |
You wouldn't get near the beach with a keel boat - | 0:38:17 | 0:38:21 | |
the keel would be in the mud before you get near the shore. | 0:38:21 | 0:38:24 | |
That's clinker. Clinker is one board lapped over another. | 0:38:24 | 0:38:27 | |
I think the Vikings brought that to this part of the country, | 0:38:27 | 0:38:31 | |
because all the Viking boats are all clinker-built. Apart from the cots, I've made shooting punts. | 0:38:31 | 0:38:37 | |
I became an expert on building punts - no matter who wanted a punt, they came to Larry's yard. | 0:38:37 | 0:38:43 | |
Traditional punt is only ten inches high and she's 15, 16 or 17 feet long. | 0:38:45 | 0:38:49 | |
You push it along with a pole. | 0:38:50 | 0:38:52 | |
A good punter turns on his side this way, and he's able to just glide along. | 0:38:53 | 0:38:57 | |
It's loaded from the muzzle, usually six ounces of shot to every ounce of powder. | 0:38:57 | 0:39:05 | |
And my big one takes four ounces of powder, 24 ounce of shot. | 0:39:05 | 0:39:10 | |
GUNFIRE | 0:39:10 | 0:39:12 | |
When it comes to the good shots, | 0:39:12 | 0:39:14 | |
there have been hellish good shots. | 0:39:14 | 0:39:16 | |
I got 166 golden plover in one shot... | 0:39:16 | 0:39:20 | |
way back in 1952. | 0:39:20 | 0:39:23 | |
There was a great market for them, I mean, all during the war years you couldn't get enough of them. | 0:39:24 | 0:39:29 | |
England, that's where they were all going, to feed them all in the war. | 0:39:29 | 0:39:33 | |
Shooting wildfowl using a punt can be lethally effective. | 0:39:37 | 0:39:41 | |
But it's also licensed and very strictly controlled. | 0:39:41 | 0:39:45 | |
Out of range of ancient gunshot, on the north side of Wexford Harbour lie the Wexford Slobs. | 0:39:45 | 0:39:51 | |
Now slob is simply the Irish word for muddy land, which this entire area was until the 1840s, | 0:39:51 | 0:39:57 | |
when it was drained and reclaimed. | 0:39:57 | 0:39:59 | |
For the past 30 years or more, around 500 acres of slobland have become a wildlife reserve | 0:39:59 | 0:40:05 | |
and over-wintering site for a huge variety of wild birds, | 0:40:05 | 0:40:10 | |
and as Wexford sleeps, Miranda's going in search of one very special species. | 0:40:10 | 0:40:16 | |
It's about an hour before first light, and Paddy and I | 0:40:37 | 0:40:40 | |
are setting off to a place called Raven Point | 0:40:40 | 0:40:43 | |
at the north end of Wexford harbour. | 0:40:43 | 0:40:44 | |
If we're very lucky, we might just catch a glimpse of | 0:40:44 | 0:40:47 | |
a rare and very beautiful visitor to this part of the Irish coast. | 0:40:47 | 0:40:51 | |
Lights out? | 0:40:51 | 0:40:53 | |
My guide out to Raven Point is wildlife warden Paddy O'Sullivan. | 0:40:56 | 0:41:00 | |
Apparently, our success is going to rely on keeping chat and movement to a minimum. | 0:41:00 | 0:41:06 | |
I wish I'd bought a flask of tea. | 0:41:06 | 0:41:10 | |
Suddenly, out of the darkness, an unforgettable call - "nedleck, nedleck", | 0:41:10 | 0:41:17 | |
and against the early morning sky, long strings of silhouetted birds start to appear. | 0:41:17 | 0:41:23 | |
Magical. It's brilliant. | 0:41:26 | 0:41:27 | |
Fantastic, just the sheer numbers of them, | 0:41:32 | 0:41:36 | |
the beauty of the call. | 0:41:36 | 0:41:38 | |
You can even hear the hum of the wings. This is just magical. | 0:41:45 | 0:41:50 | |
This is probably the best spot to be, because right here you get over a third of the world's population | 0:41:50 | 0:41:55 | |
of Greenland white-fronted geese. | 0:41:55 | 0:41:57 | |
BIRDS CHATTER NOISILY | 0:42:00 | 0:42:04 | |
It's now 7:30am and it's a real November morning. | 0:42:15 | 0:42:20 | |
These birds have spent the night out on freezing cold exposed sandbanks. | 0:42:20 | 0:42:24 | |
Now, in the safety of daylight, it's time for a hearty breakfast in the nearby stubble fields. | 0:42:27 | 0:42:32 | |
For me, a day in the life of the Greenland white-fronted geese has just begun. | 0:42:37 | 0:42:42 | |
Getting closer to them, one of the more obvious questions is answered - | 0:42:44 | 0:42:48 | |
why they're called white-fronted geese. | 0:42:48 | 0:42:52 | |
Their need to feed is paramount now. | 0:42:52 | 0:42:55 | |
Each and every one of these birds has flown here all the way | 0:42:55 | 0:42:59 | |
from their breeding grounds on the west coast of Greenland, | 0:42:59 | 0:43:03 | |
an incredible calorie-busting journey of over 1,800 miles. | 0:43:03 | 0:43:08 | |
'For some years, the Wildlife Trust's scientific officer Alyn Walsh has observed a marked decline | 0:43:12 | 0:43:18 | |
'in Greenland white-fronted geese overwintering on the Wexford Slobs. | 0:43:18 | 0:43:23 | |
'And there's only one way of recording the numbers.' | 0:43:23 | 0:43:25 | |
Two, four, six, eight, ten, two, four, six, eight, 20, two, four, six, eight, 30... | 0:43:25 | 0:43:30 | |
'Alyn and the team are extremely anxious to monitor the decline, and they repeat this wild goose count | 0:43:30 | 0:43:37 | |
'time and time again during the winter months to collect accurate data. | 0:43:37 | 0:43:42 | |
'It's a vast area, so we need to drive and the cars also act as a mobile hide. | 0:43:43 | 0:43:50 | |
'The geese don't seem fazed by our vehicle. | 0:43:50 | 0:43:54 | |
'But if we got out, the entire flock would be airborne in seconds and we'd have to start counting again.' | 0:43:54 | 0:44:02 | |
Several of the geese have got neck collars. | 0:44:02 | 0:44:04 | |
There was a "K9Z", and a "K5U". Do we know anything about those birds? | 0:44:04 | 0:44:08 | |
Yes, K9Z and K5U have been together for a number of years now. | 0:44:08 | 0:44:11 | |
I don't think they've any goslings this year, | 0:44:11 | 0:44:13 | |
-but they probably will in very soon. -So, they're a breeding pair? | 0:44:13 | 0:44:17 | |
They're a breeding pair, and that's sort of typical because we know that | 0:44:17 | 0:44:21 | |
pairs are not producing young until at least their sixth year now. | 0:44:21 | 0:44:24 | |
When you get to know the geese you can see that they're actually | 0:44:24 | 0:44:28 | |
broken up into very discreet little family groups. | 0:44:28 | 0:44:31 | |
If we look at this group here in the field, you can see there's a group - | 0:44:31 | 0:44:34 | |
they're almost certainly related. | 0:44:34 | 0:44:37 | |
-So both on the ground and in the air they stay within a family group? -Yeah. Normally, | 0:44:37 | 0:44:41 | |
if they fly from one area to another, it's for water. | 0:44:41 | 0:44:44 | |
If they're grazing, they would definitely have to have water every two to three hours. | 0:44:44 | 0:44:49 | |
They eat a lot of vegetative matter, and because their digestive system is poor, | 0:44:49 | 0:44:53 | |
they poop every three minutes. | 0:44:53 | 0:44:55 | |
Now, I only came here to see the geese, | 0:44:55 | 0:44:59 | |
but it's clear you've got a huge number of bird species | 0:44:59 | 0:45:01 | |
that are travelling here from all over the place. | 0:45:01 | 0:45:04 | |
The white-fronted geese don't have it all to themselves. | 0:45:04 | 0:45:08 | |
Wexford is a very special place. | 0:45:08 | 0:45:10 | |
It's like an international airport, a hub for a huge range of species. | 0:45:10 | 0:45:14 | |
We've got in excess of 200 species that come to Wexford. | 0:45:14 | 0:45:18 | |
Probably the most notable ones would be Brent. | 0:45:18 | 0:45:21 | |
We have 3,500 Brent that come from the High Arctic of Canada. | 0:45:21 | 0:45:26 | |
We have Hooper Swans from Iceland, | 0:45:26 | 0:45:28 | |
we've got Snipe which again come from Iceland and from Europe. | 0:45:28 | 0:45:33 | |
We've got Wigeon which can come in from Siberia, | 0:45:33 | 0:45:37 | |
Golden Plover from Iceland, and Curlews that come Europe as well. | 0:45:37 | 0:45:41 | |
By late afternoon there's a change of mood on the Wexford Slobs, a new sense of anticipation. | 0:45:43 | 0:45:49 | |
There's a stirring amongst the geese. | 0:45:59 | 0:46:02 | |
A quick shake of the head mirrored by other family or group members | 0:46:02 | 0:46:05 | |
is a clear indication of an intention to fly. | 0:46:05 | 0:46:09 | |
Soon family after family, squadron after squadron of geese | 0:46:15 | 0:46:20 | |
from across the entire 2,000 acres of Wexford Slobs | 0:46:20 | 0:46:24 | |
is airborne and heading back out to sea for the relative safety | 0:46:24 | 0:46:28 | |
of the Wexford sandbanks. | 0:46:28 | 0:46:30 | |
What an incredible end to the day. | 0:46:42 | 0:46:45 | |
The sun's just setting, and behind me the sky is absolutely black | 0:46:45 | 0:46:50 | |
with geese coming in from every direction to roost for the evening. | 0:46:50 | 0:46:54 | |
It's a truly unforgettable experience. | 0:46:54 | 0:46:58 | |
From Wexford we head north along a huge long beach. | 0:47:03 | 0:47:07 | |
This is Curracloe. | 0:47:07 | 0:47:09 | |
Because of its resemblance to the Normandy beaches, | 0:47:09 | 0:47:12 | |
Curracloe was chosen by Steven Spielberg as the location | 0:47:12 | 0:47:16 | |
for the bloody opening sequence of his film, Saving Private Ryan, | 0:47:16 | 0:47:20 | |
which recreated the American assault on Omaha Beach. | 0:47:20 | 0:47:23 | |
The actors have long since gone, but a battle still rages. | 0:47:25 | 0:47:30 | |
From here almost all the way to Dublin the coast is vulnerable, | 0:47:33 | 0:47:38 | |
crumbling, glacial sediment that has been constantly gnawed by the sea and weather. | 0:47:38 | 0:47:43 | |
No wonder that there's little trace of settlement, ancient or modern, until we get to Arklow, then Wicklow. | 0:47:43 | 0:47:51 | |
Even here for safe measure there have been three lighthouses, | 0:47:51 | 0:47:55 | |
just to be sure, to be sure, to be sure. | 0:47:55 | 0:47:59 | |
From Wicklow we travel north to Greystones, where the Wicklow hills | 0:48:07 | 0:48:11 | |
dip a mountainous granite toe into the Irish Sea. | 0:48:11 | 0:48:15 | |
Here engineer, Dick Strawbridge, is exploring one of the most remarkable, | 0:48:15 | 0:48:19 | |
but little-known achievements of one of his heroes. | 0:48:19 | 0:48:22 | |
Engineers don't get much greater than Isambard Kingdom Brunel, | 0:48:24 | 0:48:28 | |
and one of his greatest challenges was here on the Irish coast. | 0:48:28 | 0:48:31 | |
Imagine trying to build a railway through that! | 0:48:31 | 0:48:34 | |
TRAIN HORN | 0:48:35 | 0:48:38 | |
Bray Head. | 0:48:38 | 0:48:40 | |
Precipitous granite cliffs to tunnel through, deep gorges to cross. | 0:48:40 | 0:48:45 | |
Railway engineer, Michael Barry, has no doubts as to the formidable | 0:48:49 | 0:48:52 | |
obstacles Brunel faced, or to the brilliance of his solutions. | 0:48:52 | 0:48:56 | |
I would call it heroic engineering. | 0:48:56 | 0:48:59 | |
We have ramparts out over the sea, which have to stand up to the heavy waves. | 0:48:59 | 0:49:05 | |
The rock is extremely hard, it was extremely difficult to tunnel, | 0:49:05 | 0:49:09 | |
but it also is unstable and you get rock falls from time to time. | 0:49:09 | 0:49:16 | |
Digging through that kind of rock, it would be a really very difficult engineering job to do it today. | 0:49:16 | 0:49:23 | |
Since it opened in 1855, generations of engineers have re-routed, re-built and altered sections | 0:49:24 | 0:49:31 | |
of the railway line through and around Bray Head, but you can still find evidence of the master's work. | 0:49:31 | 0:49:37 | |
Down there you can just see some old stone piers. | 0:49:37 | 0:49:40 | |
That's all that's left of Brunel's once-elegant bridge work. | 0:49:40 | 0:49:44 | |
This was just one of the aerial bridges he built to cross a void, giving passengers an all too real | 0:49:45 | 0:49:51 | |
sensation that there was little between them and the sea below. | 0:49:51 | 0:49:55 | |
This wasn't a railway, it was a rollercoaster, and inevitably the thrills led to spills. | 0:49:55 | 0:50:01 | |
On the 23rd April 1865 the first class carriage of the Dublin train simply left the rails | 0:50:01 | 0:50:07 | |
and teetered on the edge of the viaduct 100ft above sea level. | 0:50:07 | 0:50:11 | |
The driver kept his nerve and pushed on, pulling the carriages from the brink. | 0:50:12 | 0:50:18 | |
But two years later, two passengers did die | 0:50:18 | 0:50:21 | |
and 20 more were injured when three carriages left the rails and fell 30ft from one of Brunel's bridges. | 0:50:21 | 0:50:27 | |
But the bridges weren't the only part of his line to take a battering. | 0:50:27 | 0:50:31 | |
Bray Head's unstable rock fell so often, | 0:50:32 | 0:50:35 | |
the company began selling it to contractors laying Dublin's roads. | 0:50:35 | 0:50:40 | |
And the sea took its toll too. | 0:50:40 | 0:50:42 | |
Storm damage was all too frequent. | 0:50:42 | 0:50:46 | |
Brunel's railway through and around Bray Head proved | 0:50:52 | 0:50:56 | |
so horrendously expensive to build, rebuild and maintain, it's even been called Brunel's Folly. | 0:50:56 | 0:51:02 | |
But, in defence of my engineering hero, I have this one thing to say. | 0:51:02 | 0:51:06 | |
It is a cracking ride. | 0:51:07 | 0:51:09 | |
As we emerge from the tunnels we get our first glimpse of what's been nicknamed Ireland's Bay of Naples. | 0:51:19 | 0:51:27 | |
Framing the scene is Killiney Beach, | 0:51:27 | 0:51:30 | |
where Hermione is uncovering the story of a remarkable man and a revolutionary experiment. | 0:51:30 | 0:51:36 | |
In the autumn of 1849, a group of workmen came down to this beach | 0:51:39 | 0:51:43 | |
on an extraordinary mission. | 0:51:43 | 0:51:46 | |
They'd been set the task of creating an earthquake. | 0:51:46 | 0:51:49 | |
Now this earth-shattering plan was the brainchild | 0:51:49 | 0:51:53 | |
of Victorian businessman and scientist, Robert Mallet. | 0:51:53 | 0:51:58 | |
Robert Mallet was a Dublin-born scientist whose experiments on this | 0:51:58 | 0:52:03 | |
tranquil beach began to explain the inner workings of the Earth. | 0:52:03 | 0:52:07 | |
Mallet founded a science and christened it seismology, the study of earthquakes. | 0:52:07 | 0:52:14 | |
Nearly 160 years after Mallet created an earthquake on this beach, | 0:52:14 | 0:52:20 | |
we're going to try the same thing. | 0:52:20 | 0:52:22 | |
At a time when no-one really knew what caused tremors in the ground, | 0:52:24 | 0:52:29 | |
Mallet wanted to test his revolutionary new theory that potentially | 0:52:29 | 0:52:33 | |
devastating amounts of energy travel as waves through the Earth. | 0:52:33 | 0:52:37 | |
In the experiment, he blew up 25lb of gunpowder at one end of the beach. His earthquake. | 0:52:37 | 0:52:45 | |
Precisely half a mile away, he positioned himself with specially made equipment | 0:52:45 | 0:52:50 | |
to see if shockwaves would register and how long they took to reach him from the explosion. | 0:52:50 | 0:52:56 | |
Mallet's ambition was to pinpoint and map the epicentre | 0:52:56 | 0:53:00 | |
of all the world's earthquakes and, if possible, save lives. | 0:53:00 | 0:53:05 | |
Given there are several hundred small earthquakes every day, | 0:53:06 | 0:53:10 | |
and a major earthquake every 18 months or so, | 0:53:10 | 0:53:13 | |
Mallet's ambition is shared around the world to this day. | 0:53:13 | 0:53:18 | |
But in paying homage to Mallet's original experiment, | 0:53:18 | 0:53:22 | |
I've hit a few snags. | 0:53:22 | 0:53:24 | |
Everyone's been lovely, the local authority, the Gardai, the Irish Police. | 0:53:24 | 0:53:29 | |
But, well, they don't want their beach blown to bits, so I've had to scale things down | 0:53:29 | 0:53:33 | |
to two kilograms of plastic explosive, and retire to a safe distance of 100 metres. | 0:53:33 | 0:53:39 | |
And there's another but, and it's a big one. | 0:53:39 | 0:53:41 | |
As if explosives weren't enough for us to cope with today, we've also got to deal with this. | 0:53:41 | 0:53:48 | |
Mercury. | 0:53:49 | 0:53:51 | |
Now, mercury is wonderful stuff, but extremely poisonous, | 0:53:51 | 0:53:56 | |
so that's why we've got it sealed inside this dish. | 0:53:56 | 0:53:59 | |
Robert Mallet's apparatus involved projecting cross-hairs onto | 0:53:59 | 0:54:04 | |
a pool of mercury which he viewed through a microscope. | 0:54:04 | 0:54:07 | |
If his theory was right, he could time and record how long it took for | 0:54:07 | 0:54:12 | |
energy waves from his earthquake to register as ripples in the mercury. | 0:54:12 | 0:54:16 | |
Rather like that. | 0:54:18 | 0:54:20 | |
Now, today we're going to be standing a safe distance away | 0:54:20 | 0:54:23 | |
from the blast, and away from the mercury, so we've set up this | 0:54:23 | 0:54:26 | |
video camera here in the hope that it will record any reaction | 0:54:26 | 0:54:31 | |
that we get from our explosion. | 0:54:31 | 0:54:33 | |
Whether or not it will work, well, that remains to be seen. | 0:54:33 | 0:54:37 | |
That's the other thing. I'm really worried our explosion | 0:54:39 | 0:54:42 | |
won't be big enough to register the shockwaves in the mercury 100 metres away, so I've called in some help. | 0:54:42 | 0:54:49 | |
Scientists from the Dublin Institute who will measure the explosion using | 0:54:49 | 0:54:53 | |
a sensitive 21st century seismometer. | 0:54:53 | 0:54:56 | |
Cheating? I don't think so, because this experiment by Robert Mallet 160 years ago was the mother of the idea | 0:54:56 | 0:55:04 | |
that led to the invention of seismometers. | 0:55:04 | 0:55:06 | |
But does seismologist, Tom Blake, think our experiment using mercury will work? | 0:55:06 | 0:55:11 | |
Yes, I'm very confident that it will. | 0:55:11 | 0:55:15 | |
We have the ghost of Robert Mallet behind us I'm sure. | 0:55:15 | 0:55:18 | |
Yes, we're ready to go, yes. | 0:55:23 | 0:55:25 | |
OK, well, Dave when you're ready, do the honours. | 0:55:26 | 0:55:30 | |
BOOMING | 0:55:33 | 0:55:35 | |
-Oh, yes. Look it's very good. -You could really see it. Oh, fantastic! | 0:55:35 | 0:55:39 | |
Excellent. very, very good. | 0:55:39 | 0:55:40 | |
You missed the blast though, that was fantastic. | 0:55:40 | 0:55:43 | |
-So, this is the modern technology working. -Exactly. | 0:55:47 | 0:55:50 | |
-What do you think about the mercury? -Let's go and check it. | 0:55:50 | 0:55:52 | |
Let's see what the camera shows us. | 0:55:52 | 0:55:55 | |
Just go back a bit. | 0:55:55 | 0:55:57 | |
-Oh, yes. Wow. -That's the one. | 0:56:00 | 0:56:03 | |
That's really impressive, yes. | 0:56:03 | 0:56:05 | |
I want to see it again. | 0:56:05 | 0:56:07 | |
-That's very good. -The concentric rings coming in and out. | 0:56:10 | 0:56:13 | |
Exactly, yes. Very, very good. | 0:56:13 | 0:56:14 | |
And from that, Mallet basically kick-started seismology. | 0:56:14 | 0:56:19 | |
Yes, he did his first measurements purely and simply | 0:56:19 | 0:56:21 | |
with a simple mercury dish like this and a chronometer. | 0:56:21 | 0:56:24 | |
After his first experiment here on Killiney Beach, Robert Mallet attempted to | 0:56:26 | 0:56:30 | |
map the distribution and intensity of the world's known earthquakes. | 0:56:30 | 0:56:35 | |
He was within a whisker of a discovery which would take | 0:56:35 | 0:56:38 | |
over a century to fully realise, that the Earth's crust is made up | 0:56:38 | 0:56:43 | |
of constantly shifting plates, and that it's their movement that causes earthquakes. | 0:56:43 | 0:56:48 | |
The germ of that understanding was formed in Ireland, on Killiney Beach. | 0:56:48 | 0:56:53 | |
It's around 160 years since Robert Mallet conducted his ground-breaking experiment. | 0:56:55 | 0:57:01 | |
# Hallelujah! Hallelujah... # | 0:57:01 | 0:57:04 | |
It's over 260 years since the Hallelujah Chorus | 0:57:04 | 0:57:07 | |
was first heard here in Dublin at the world premiere of Handel's Messiah. | 0:57:07 | 0:57:12 | |
From first footings by the Vikings, almost 1,200 years ago, | 0:57:14 | 0:57:19 | |
Dublin has grown into a vibrant capital city | 0:57:19 | 0:57:22 | |
and a cultural and commercial nerve centre. | 0:57:22 | 0:57:25 | |
But like all the major ports we've visited on this coast, from Cork | 0:57:25 | 0:57:28 | |
to Waterford, and from Wexford to Wicklow, Dublin was founded and has | 0:57:28 | 0:57:34 | |
flourished by being connected to its neighbours and the rest of the world, | 0:57:34 | 0:57:39 | |
by the sea. | 0:57:39 | 0:57:41 | |
But for now, Go n-Oirigh an bothar leat, may your journey be swift and easy. | 0:57:42 | 0:57:47 | |
Until we met again on the next stretch of Coast, slan! | 0:57:47 | 0:57:51 | |
Farewell. | 0:57:51 | 0:57:53 |