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The north-west coast of France, | 0:00:06 | 0:00:10 | |
and a fortified city that repelled the British for centuries. | 0:00:10 | 0:00:14 | |
But the city walls represent a mere bad tempered blip | 0:00:15 | 0:00:20 | |
in a cosy cross-Channel relationship that spanned millennia. | 0:00:20 | 0:00:24 | |
After all, settlers from the British Isles gave this land its name. | 0:00:24 | 0:00:29 | |
In French, Great Britain is "Grande Bretagne", | 0:00:30 | 0:00:34 | |
but they call this place just "Bretagne." | 0:00:34 | 0:00:37 | |
You could say that, to the French, this is Little Britain. | 0:00:37 | 0:00:41 | |
We've crossed the Channel | 0:00:41 | 0:00:43 | |
to Brittany, like so many Britons before us. | 0:00:43 | 0:00:46 | |
A continual migration that shaped the landscape and language. | 0:00:50 | 0:00:54 | |
This is a coast of wild winds, | 0:00:57 | 0:01:00 | |
a home to free-spirited seafaring folk. | 0:01:00 | 0:01:03 | |
Nick is peeling back the layers of the French onion men. | 0:01:08 | 0:01:12 | |
-You wear the berets. -Of course. -And have the bike. | 0:01:12 | 0:01:14 | |
But all the English people ask me where is my striped T-shirt? | 0:01:14 | 0:01:18 | |
While Miranda gets to grips with a rare local seafood. | 0:01:20 | 0:01:24 | |
-It's an abalone back flip. -At the standing stones of Carnac, | 0:01:24 | 0:01:28 | |
Mark discovers their irresistible pull. | 0:01:28 | 0:01:31 | |
This is a stupid way of moving a stone, you know! | 0:01:32 | 0:01:36 | |
Alice uncovers the elemental nature of seaweed. | 0:01:36 | 0:01:39 | |
This stuff is amazing, it's like a tiny chemical factory. | 0:01:41 | 0:01:44 | |
And I'm off to the end of the Earth. | 0:01:44 | 0:01:47 | |
In Europe's darkest hour it gave us a shining light, | 0:01:47 | 0:01:51 | |
an island of unassuming heroes. | 0:01:51 | 0:01:54 | |
There's no heroes, we don't want that title. | 0:01:56 | 0:02:00 | |
We only did our duties. | 0:02:00 | 0:02:03 | |
This is Coast and beyond. | 0:02:06 | 0:02:09 | |
Look closely at this shoreline | 0:02:36 | 0:02:39 | |
and the name Brittany really begins to make sense. | 0:02:39 | 0:02:42 | |
The Celts of Cornwall and Wales | 0:02:44 | 0:02:47 | |
felt at home on these rugged rocks. | 0:02:47 | 0:02:50 | |
It's even got its own version of Lands End. | 0:02:51 | 0:02:54 | |
We followed age-old connections across the Channel. | 0:02:55 | 0:03:00 | |
We're heading for Southern Brittany and the salt marshes of Guerande. | 0:03:02 | 0:03:07 | |
But we begin our Breton adventure 400 miles up the coast at St Malo. | 0:03:08 | 0:03:13 | |
Even this grand fortress, once a thorn in Britain's side, | 0:03:16 | 0:03:20 | |
has Celtic origins. | 0:03:20 | 0:03:22 | |
This city is named after a Welsh saint, Malo, or Maclou, | 0:03:26 | 0:03:30 | |
who washed up here sometime in the sixth century | 0:03:30 | 0:03:33 | |
in search of a fresh start. | 0:03:33 | 0:03:34 | |
He was escaping the chaos in Britain after the Romans left. | 0:03:36 | 0:03:40 | |
But Malo wasn't alone in seeking safe haven in Brittany. | 0:03:43 | 0:03:46 | |
Migrants had been making the short hop across the Channel | 0:03:48 | 0:03:51 | |
for centuries, | 0:03:51 | 0:03:53 | |
and the stories of those Britons are written along this coast. | 0:03:53 | 0:03:57 | |
Just offshore, the island of d'Aval. | 0:04:00 | 0:04:03 | |
Local legend say it's the site of Avalon, | 0:04:04 | 0:04:07 | |
where Excalibur was forged, the last resting place of King Arthur. | 0:04:07 | 0:04:13 | |
On this coast of Celtic myth, ancient tales submerged by the sea | 0:04:15 | 0:04:20 | |
are revealed at low tide. | 0:04:20 | 0:04:23 | |
A memorial to another saint, this time from Ireland, | 0:04:27 | 0:04:32 | |
Saint Efflam. | 0:04:32 | 0:04:33 | |
It's said he was guided to this spot by the hand of God. | 0:04:33 | 0:04:37 | |
It's a leap of faith many cross-Channel mariners have made. | 0:04:39 | 0:04:43 | |
Celtic cousins bonded by the sea. | 0:04:43 | 0:04:46 | |
Brittany may be mainland France but the Bretons have, | 0:04:55 | 0:04:59 | |
at times, felt more at home with us. | 0:04:59 | 0:05:02 | |
On the road to Roscoff, Nick is following a cultural cross-over | 0:05:10 | 0:05:13 | |
which left a lasting impression. | 0:05:13 | 0:05:16 | |
It's an enduring image of the French - | 0:05:21 | 0:05:24 | |
bicycle riding, stripy topped. | 0:05:24 | 0:05:27 | |
All I need now is a string of onions! | 0:05:27 | 0:05:30 | |
Like a lot of people, I assumed this image was a myth. | 0:05:32 | 0:05:35 | |
But there may be something in it, just look at this photograph. | 0:05:36 | 0:05:41 | |
It was taken in the 1950's and it shows onion sellers | 0:05:41 | 0:05:44 | |
from this part of Brittany. They look every inch, | 0:05:44 | 0:05:47 | |
or rather the centimetre, the Frenchman, | 0:05:47 | 0:05:49 | |
I'm in search of what are known as the "Onion Johnnies". | 0:05:49 | 0:05:52 | |
I'm told there's a new generation of "Johnnies" and I'm going to meet one. | 0:05:52 | 0:05:57 | |
If I'm looking for the classic image of a Frenchman, | 0:05:57 | 0:06:01 | |
Emmanuel Le Noac'h doesn't disappoint. Hello, Emmanuel. | 0:06:01 | 0:06:04 | |
-Hello. -A great pleasure to meet you. | 0:06:04 | 0:06:06 | |
-Good afternoon. -You're already stringing onions. -Yeah, yeah, I'm starting my season. | 0:06:06 | 0:06:11 | |
Can you tell me what an Onion Johnnie is? | 0:06:11 | 0:06:14 | |
It's only a onion seller who goes to England, | 0:06:14 | 0:06:19 | |
and me particularly I'm going to London, but we really started | 0:06:19 | 0:06:23 | |
in Wales because of the language, because the Breton language | 0:06:23 | 0:06:28 | |
is nearly the same as the Welsh one. | 0:06:28 | 0:06:31 | |
-Celtic language. -As Celtic. -You're putting these onto the string | 0:06:31 | 0:06:35 | |
because this is how you have to show your... | 0:06:35 | 0:06:37 | |
It's not only to show, it's to keep it all the winter. | 0:06:37 | 0:06:41 | |
So you take your raffia, | 0:06:41 | 0:06:43 | |
you tie there with the neck, the air can't go through. | 0:06:43 | 0:06:47 | |
You can keep it 10-12 months. | 0:06:47 | 0:06:50 | |
So this is organic preservation? | 0:06:50 | 0:06:51 | |
It's organic preservation, exactly, yeah. | 0:06:51 | 0:06:55 | |
Now do tell me because some of these onion sellers | 0:06:55 | 0:06:57 | |
in the 1950s photograph are wearing berets. | 0:06:57 | 0:07:00 | |
How important is it to have an onion seller's costume to look French? | 0:07:00 | 0:07:04 | |
Yeah, it's like a costume, it's a bit like a business thing, | 0:07:04 | 0:07:08 | |
so with the beret against the rain is very good. | 0:07:08 | 0:07:11 | |
During the winter, I know they used to put newspaper in it. | 0:07:11 | 0:07:15 | |
-Keep your head warm. -Yes, but normally | 0:07:15 | 0:07:18 | |
you wear it like that, on one side. | 0:07:18 | 0:07:21 | |
Have you ever worn a stripy...? | 0:07:21 | 0:07:23 | |
I haven't got, but all the English people ask me where is my striped T-shirt! | 0:07:23 | 0:07:27 | |
Onion Johnnies have been coming to Britain for nearly 200 years, | 0:07:29 | 0:07:34 | |
sort of informal ambassadors, | 0:07:34 | 0:07:37 | |
toting a taste of France door to door. | 0:07:37 | 0:07:40 | |
It began in the 1820s as a bit of market research. | 0:07:42 | 0:07:47 | |
Local farmers crossed the Channel to see if the British | 0:07:47 | 0:07:50 | |
had an appetite for Roscoff onions. | 0:07:50 | 0:07:52 | |
We liked them so much, they've been coming back ever since. | 0:07:53 | 0:07:57 | |
In their heyday, around 1500 Onion Johnnies left their loved ones | 0:08:01 | 0:08:06 | |
behind at the end of each summer to spend up to six months in Britain. | 0:08:06 | 0:08:10 | |
Straight from Brittany, madam, feel the weight. | 0:08:12 | 0:08:15 | |
Roscoff is proud of its cross-Channel connections | 0:08:16 | 0:08:19 | |
and its onion growing tradition. | 0:08:19 | 0:08:21 | |
At the local museum, the Maison des Johnnies, | 0:08:22 | 0:08:26 | |
they organise regular tastings, | 0:08:26 | 0:08:29 | |
with lashings of local cider of course. | 0:08:29 | 0:08:32 | |
I'm surprised to find that the guests here are all French, | 0:08:33 | 0:08:38 | |
as curious as I am about the Onion Johnnies. | 0:08:38 | 0:08:41 | |
If you go to Rennes, it's not far, it's only 200km from here, | 0:08:41 | 0:08:45 | |
people don't know the onion men, none at all. | 0:08:45 | 0:08:49 | |
We're more well-known in Birmingham than in Rennes! | 0:08:50 | 0:08:53 | |
The guest of honour tonight is former onion seller Pierre. | 0:08:54 | 0:08:58 | |
-So this is you here. -That's me. | 0:08:59 | 0:09:01 | |
Was it necessary to wear an onion seller's uniform? | 0:09:01 | 0:09:05 | |
You should wear a beret, you always have a beret to do | 0:09:05 | 0:09:08 | |
door to door Frenchie. | 0:09:08 | 0:09:11 | |
It seems that from one small place in Brittany, we created our stereotype | 0:09:23 | 0:09:28 | |
of the French nation. | 0:09:28 | 0:09:29 | |
From Exeter to Glasgow, from Swansea to Newcastle, | 0:09:29 | 0:09:33 | |
they zigzag across Great Britain | 0:09:33 | 0:09:36 | |
with a little piece of France on a string. | 0:09:36 | 0:09:39 | |
It's certainly a romantic image, but what about the realities of life | 0:09:39 | 0:09:43 | |
on the road, away from your family for a large part of the year? | 0:09:43 | 0:09:47 | |
Sans glace, ni rien... | 0:09:47 | 0:09:49 | |
Olivier Seite and his wife Anne must have seen more tears than most. | 0:09:49 | 0:09:53 | |
Hello, very nice to meet you. | 0:09:53 | 0:09:56 | |
They were in the onion business for more than 40 years. | 0:09:56 | 0:10:00 | |
Olivier started selling at 14 with his dad, | 0:10:00 | 0:10:04 | |
and here he is in the 1960s. | 0:10:04 | 0:10:06 | |
-Want some onions? -Yes, we'll buy some please, how much are they? | 0:10:06 | 0:10:10 | |
-Same price, four and six a bunch. -How do you manage the English language? | 0:10:10 | 0:10:13 | |
Well, I know enough to sell my onions. | 0:10:13 | 0:10:17 | |
You don't find the Geordie accent baffling? | 0:10:17 | 0:10:19 | |
Oh, a little, but I'm used to it. | 0:10:19 | 0:10:21 | |
We travelled by boat, but after we were in England | 0:10:21 | 0:10:26 | |
we stayed six months and we find a place to storage the onions. | 0:10:26 | 0:10:31 | |
I mean, Olivier had a very hard life before, | 0:10:31 | 0:10:33 | |
they used to sleep on the onions with a sale cloth on over them. | 0:10:33 | 0:10:36 | |
Now Anne, you're not speaking with a very French accent, | 0:10:36 | 0:10:40 | |
-you sound as if you come from the north of England. -Ah yes, well... | 0:10:40 | 0:10:43 | |
Raised in Newcastle upon Tyne. | 0:10:43 | 0:10:45 | |
Two bunches, please. | 0:10:45 | 0:10:47 | |
For most Onion Johnnies, their job took them away | 0:10:47 | 0:10:51 | |
from their nearest and dearest, but for Olivier it led him to his. | 0:10:51 | 0:10:54 | |
He met and fell in love with Anne while on a night out in Newcastle. | 0:10:54 | 0:10:58 | |
You fell for a blond-haired blue-eyed boy to dance. | 0:10:58 | 0:11:02 | |
-Oh, I did, I did! -Did you know that your dancer was an onion seller? | 0:11:02 | 0:11:06 | |
I did not. I thought it was a myth - French onion men. | 0:11:06 | 0:11:09 | |
All my friends in the office, I said "I've just met this French onion man | 0:11:09 | 0:11:13 | |
"and I think this is the one", and they said, "A French onion man! | 0:11:13 | 0:11:17 | |
"Oh, trust you!" Cos I've always been different. | 0:11:17 | 0:11:21 | |
What's the most important quality an onion seller needs? | 0:11:21 | 0:11:25 | |
Persistence. | 0:11:27 | 0:11:29 | |
Just what is it about those onions that made it worth the Johnnies | 0:11:31 | 0:11:35 | |
travelling such eye-watering distances, some as far as Shetland? | 0:11:35 | 0:11:40 | |
And why would Brits prefer them to home-grown varieties? | 0:11:40 | 0:11:43 | |
On his farm overlooking Roscoff harbour, | 0:11:44 | 0:11:47 | |
I'm hoping veteran Onion Johnnie, Andre Quemener, can tell me. | 0:11:47 | 0:11:50 | |
Or better still show me. | 0:11:51 | 0:11:54 | |
See. | 0:11:56 | 0:11:57 | |
Are they good raw? | 0:11:57 | 0:11:59 | |
Yes, see. | 0:11:59 | 0:12:00 | |
-Very sweet. -Yes, it's sweet. | 0:12:03 | 0:12:05 | |
They are, delicious. They're not bitter or sharp. | 0:12:05 | 0:12:09 | |
No, no. | 0:12:09 | 0:12:10 | |
-You can eat them like an apple. -Yes. | 0:12:10 | 0:12:13 | |
What is special about the soil? I mean, it's very fine and rich. | 0:12:13 | 0:12:17 | |
Oh, yes, a lot of seaweed on it. | 0:12:17 | 0:12:20 | |
-You put seaweed on it? -Yes, every year. | 0:12:20 | 0:12:22 | |
-And does the seaweed fertilise the soil? -Yes, yes. | 0:12:22 | 0:12:25 | |
That's why they're so nice, you see. | 0:12:25 | 0:12:28 | |
Is there a future for Onion Johnnies selling onions in Britain? | 0:12:28 | 0:12:32 | |
Oh, yes, oh, yes, it'll be a few years yet to go. | 0:12:32 | 0:12:35 | |
-What about you, though? -Ah, well, it depends on my health now. | 0:12:35 | 0:12:39 | |
-You look pretty fit. -Oh, yes, but I'm 73 now! -Yeah? | 0:12:39 | 0:12:43 | |
-Do you still enjoy it? -Yes, oh, yes. | 0:12:43 | 0:12:45 | |
-What do you call it? Like a drug. -You're addicted to onions?! | 0:12:45 | 0:12:49 | |
Yes, yes! | 0:12:49 | 0:12:50 | |
All right, so we go for our cup of tea now? | 0:12:52 | 0:12:54 | |
Good, suits me just fine, Andre! | 0:12:54 | 0:12:56 | |
Andre's farmed and sold his own crops since 1951, | 0:12:56 | 0:13:00 | |
but when he hangs up his onion knife, | 0:13:00 | 0:13:02 | |
there'll only be 20 or so Onion Johnnies left. | 0:13:02 | 0:13:05 | |
While it seems the beret-wearing image is mostly | 0:13:07 | 0:13:10 | |
for the benefit of customers across the Channel, | 0:13:10 | 0:13:13 | |
it's that relationship with the British | 0:13:13 | 0:13:15 | |
that keeps the tradition alive. | 0:13:15 | 0:13:18 | |
Last string of onions on the handlebars. | 0:13:18 | 0:13:21 | |
I'm told by the Johnnies that, with all this weight | 0:13:21 | 0:13:24 | |
on the handlebars, you can't take the bike around corners. | 0:13:24 | 0:13:28 | |
And it's so heavy, it's like trying to peddle a Sherman tank! | 0:13:28 | 0:13:32 | |
Merci. Would you like some onions? | 0:13:37 | 0:13:40 | |
Some things haven't exported quite as well as the Onion Johnnies. | 0:13:48 | 0:13:52 | |
As coastal nations, we may share many pastimes, | 0:13:55 | 0:13:59 | |
but every summer Brittany rings out with a clatter of one we don't. | 0:13:59 | 0:14:03 | |
A sport created by the French that's part social occasion, | 0:14:07 | 0:14:11 | |
and the prestigious national championships are held on this coast. | 0:14:11 | 0:14:16 | |
It's called Petanque. | 0:14:18 | 0:14:20 | |
The name means "feet anchored to the ground". | 0:14:20 | 0:14:24 | |
It's a finely balanced game that requires a measured approach. | 0:14:24 | 0:14:29 | |
I'm Jonathan. | 0:14:31 | 0:14:32 | |
I'm playing Petanque since I have, er, six years old, | 0:14:34 | 0:14:37 | |
so 20 years now. | 0:14:37 | 0:14:39 | |
The team who has the nearest from the jack have a point. | 0:14:41 | 0:14:44 | |
If you have two balls near the jack you have two points. | 0:14:44 | 0:14:49 | |
You win the game when you have 13 points. | 0:14:49 | 0:14:53 | |
Sometimes you... | 0:14:53 | 0:14:54 | |
you have to throw your ball very high, | 0:14:54 | 0:14:59 | |
near the sky, yes, like that. | 0:14:59 | 0:15:01 | |
You can find different kinds of balls. | 0:15:08 | 0:15:12 | |
The smallest balls with marks, | 0:15:12 | 0:15:15 | |
and the heaviest one, | 0:15:15 | 0:15:17 | |
it allows to stay on the pitch... | 0:15:17 | 0:15:20 | |
a little one to avoid a smash from the opponent. | 0:15:20 | 0:15:24 | |
When you are a smasher, you use this one, no marks | 0:15:24 | 0:15:28 | |
on the ball, a big diameter. | 0:15:28 | 0:15:31 | |
You can play from seven or 77 years old. | 0:15:33 | 0:15:39 | |
There is a lot of young people who are playing football, | 0:15:40 | 0:15:44 | |
who are playing tennis, and here they are playing Petanque | 0:15:44 | 0:15:49 | |
because it's a very good game to teach you how to... | 0:15:49 | 0:15:54 | |
to behave yourself, OK. | 0:15:54 | 0:15:57 | |
The French gave us the idea that you are what you eat, | 0:16:09 | 0:16:13 | |
or at least what you grow. | 0:16:13 | 0:16:15 | |
They created "Appellation Controlle", a certificate of authenticity | 0:16:16 | 0:16:21 | |
to protect regional foods from cut-price imitators. | 0:16:21 | 0:16:24 | |
So whether it's Brittany onions or even Jersey potatoes, | 0:16:26 | 0:16:30 | |
we know our food is rooted in a sense of place. | 0:16:30 | 0:16:34 | |
In Plouguerneau, Miranda's looking for a local delicacy. | 0:16:38 | 0:16:42 | |
Brittany is famed for its produce | 0:16:50 | 0:16:51 | |
and a weekly market at Plouguerneau is packed with fresh fruit, | 0:16:51 | 0:16:55 | |
vegetables, and my particular favourite, cheese. | 0:16:55 | 0:17:00 | |
But I'm looking for one rather rare local foodstuff which | 0:17:04 | 0:17:09 | |
Sylvain Huchette has promised to show me, only we won't find it here. | 0:17:09 | 0:17:14 | |
We're looking for Abalone, a shellfish that would set you back | 0:17:16 | 0:17:20 | |
about £70 a plate in some of the world's top restaurants. | 0:17:20 | 0:17:24 | |
Brittany is one of the few places in the world | 0:17:28 | 0:17:31 | |
where you'll find Abalone in the wild. | 0:17:31 | 0:17:33 | |
Sylvain tells me it's the cool water that make the conditions ideal. | 0:17:39 | 0:17:42 | |
The seaweed provides an abundant source of food for the Abalone, | 0:17:42 | 0:17:47 | |
but it also makes it rather hard to spot them. | 0:17:47 | 0:17:50 | |
It's like swimming through a rain forest, lovely. | 0:17:51 | 0:17:54 | |
Abalone are in fact a form of mollusc | 0:17:56 | 0:18:00 | |
and I've been told to look for something that's a cross | 0:18:00 | 0:18:03 | |
between a large snail and a limpet, clinging to the underside of a rock. | 0:18:03 | 0:18:07 | |
Wow, look at that! | 0:18:16 | 0:18:19 | |
Oh, beautiful! | 0:18:19 | 0:18:20 | |
Well done. | 0:18:20 | 0:18:21 | |
There you have a juvenile Abalone there, and a big, big Abalone adult. | 0:18:23 | 0:18:29 | |
This is a really speedy little one, isn't it? | 0:18:30 | 0:18:33 | |
It's just not what I really expected. | 0:18:33 | 0:18:36 | |
I think I suppose something that didn't move around very much. | 0:18:36 | 0:18:39 | |
This is about three years old. | 0:18:41 | 0:18:43 | |
Look at that one go! I can't believe it, it's moving really fast. | 0:18:45 | 0:18:49 | |
This is a much bigger one. | 0:18:50 | 0:18:53 | |
It's an Abalone zoo down here. | 0:18:54 | 0:18:57 | |
Yeah, look at that muscular foot | 0:18:57 | 0:19:00 | |
curling it's way around, getting a purchase on my hand. Look at that! | 0:19:00 | 0:19:05 | |
Superb, that's an abalone back flip. | 0:19:05 | 0:19:09 | |
I'd say now it's time to put them back where we found them. | 0:19:09 | 0:19:12 | |
Abalone are also found in South Africa, New Zealand and Australia, | 0:19:16 | 0:19:20 | |
but they're rare in European waters. | 0:19:20 | 0:19:23 | |
so the French government has placed strict limits | 0:19:23 | 0:19:27 | |
on fishing them out of the wild. | 0:19:27 | 0:19:30 | |
That's why Sylvain has set up | 0:19:31 | 0:19:33 | |
Europe's first advanced Abalone hatchery and farm. | 0:19:33 | 0:19:37 | |
It all starts, you know, | 0:19:38 | 0:19:40 | |
with the larger animals like the one we saw in our diving. | 0:19:40 | 0:19:45 | |
We get them to spawn in the hatchery and produce small | 0:19:45 | 0:19:50 | |
spats and it takes about a year to bring a spat to your small juvenile. | 0:19:50 | 0:19:54 | |
Once they're big enough they come in this cage and these ones are | 0:19:54 | 0:19:58 | |
already three years old, and we basically try to replicate their | 0:19:58 | 0:20:02 | |
natural habitat. We keep the density quite low because abalone | 0:20:02 | 0:20:06 | |
are not happy at high density. | 0:20:06 | 0:20:08 | |
And they have to be happy for up to five years | 0:20:08 | 0:20:12 | |
to grow to sufficient size to be served in a restaurant. | 0:20:12 | 0:20:15 | |
I'm told they taste somewhere | 0:20:19 | 0:20:20 | |
between fine steak and wild mushrooms. | 0:20:20 | 0:20:24 | |
So let's see if it's been worth that wait. | 0:20:27 | 0:20:30 | |
-Bon appetit. -Merci beaucoup. | 0:20:32 | 0:20:34 | |
It's precious, what you're eating. | 0:20:34 | 0:20:37 | |
It's very, very mild, it's almost not seafoody. | 0:20:40 | 0:20:43 | |
How would you describe the taste? | 0:20:44 | 0:20:47 | |
Maybe a bit mushroomy, but only a hint of mushroom. | 0:20:47 | 0:20:51 | |
-That's difficult to describe. -Yeah. | 0:20:51 | 0:20:53 | |
Absolutely gorgeous, though. | 0:20:53 | 0:20:56 | |
As Cornwall is to England so Brittany is to France. | 0:21:05 | 0:21:09 | |
The people have their own coastal culture, | 0:21:12 | 0:21:15 | |
a fiercely independent lot, | 0:21:15 | 0:21:17 | |
and this stretch of shore does suddenly become awfully fearsome. | 0:21:17 | 0:21:21 | |
At the very tip of Brittany, | 0:21:24 | 0:21:25 | |
like a defiant finger pointing out at the Atlantic, | 0:21:25 | 0:21:29 | |
this is the district of Finistere. | 0:21:29 | 0:21:31 | |
With a smattering of schoolboy French, | 0:21:36 | 0:21:39 | |
you understand the meaning of the name. | 0:21:39 | 0:21:41 | |
"Finis" is the French word for the end, | 0:21:41 | 0:21:44 | |
and "tere" is earth, so Finistere - | 0:21:44 | 0:21:48 | |
the end of the earth. | 0:21:48 | 0:21:50 | |
The full fury of the Bay of Biscay unleashes itself here, | 0:21:54 | 0:21:59 | |
whipped up by the Atlantic airstream. | 0:21:59 | 0:22:01 | |
These aren't freak storms. | 0:22:04 | 0:22:06 | |
Often in the winter months, these waters boil. | 0:22:07 | 0:22:10 | |
Here, the mouth of the English Channel has swallowed many ships. | 0:22:11 | 0:22:16 | |
1967, the Torrey Canyon wrecked off the coast of Cornwall, | 0:22:17 | 0:22:23 | |
the world's first oil tanker disaster. | 0:22:23 | 0:22:25 | |
11 years later, the Amoco Cadiz lost control during a violent storm, | 0:22:28 | 0:22:33 | |
ran aground and was ripped in two all within sight of the Brittany coast. | 0:22:33 | 0:22:37 | |
And the whole world watched the aftermath on television. | 0:22:41 | 0:22:44 | |
Guillaume Le Ru lived 12 miles away, | 0:22:46 | 0:22:49 | |
but it wasn't the TV that alerted him to the disaster. | 0:22:49 | 0:22:53 | |
At the time, it was the worst oil spill in history. | 0:23:09 | 0:23:13 | |
220,000 tonnes of crude | 0:23:13 | 0:23:16 | |
spread over 200 miles of coast, covering beaches in a thick emulsion. | 0:23:16 | 0:23:21 | |
It's impact on the local environment lasted years. | 0:23:21 | 0:23:25 | |
This devilish sea has spawned an awful lot of lighthouses. | 0:23:38 | 0:23:42 | |
There was a time when I wanted to be a lighthouse keeper and people | 0:23:52 | 0:23:57 | |
used to say, "What a boring job," but I beg to differ. | 0:23:57 | 0:24:00 | |
Look at that lighthouse keeper, what can possibly be boring | 0:24:00 | 0:24:04 | |
about a life like that? | 0:24:04 | 0:24:06 | |
This photograph of La Jument lighthouse was taken in 1989. | 0:24:06 | 0:24:11 | |
It became one of the world's most reproduced images | 0:24:11 | 0:24:14 | |
and made a reluctant star out of the man at the eye of the storm. | 0:24:14 | 0:24:18 | |
A lot of people thought that he must have died just a few seconds after the photograph, | 0:24:21 | 0:24:26 | |
swamped by that wave, but he survived and I'm going to find out how. | 0:24:26 | 0:24:30 | |
Apparently, that lighthouse man has always wanted a signed copy | 0:24:30 | 0:24:34 | |
of the photo, so we're taking him one. | 0:24:34 | 0:24:37 | |
I'm hitching a lift with the man who made him famous, | 0:24:37 | 0:24:40 | |
-photographer Jean Guichard. | 0:24:40 | 0:24:43 | |
-How are you? -Very well. | 0:24:43 | 0:24:44 | |
In 1989, Jean set out to capture the end of an era. | 0:24:49 | 0:24:54 | |
La Jument was about to be automated, | 0:24:55 | 0:24:57 | |
as were all the lighthouses on both sides of the Channel. | 0:24:57 | 0:25:01 | |
This was a tough posting, so it was particularly poignant | 0:25:05 | 0:25:08 | |
to capture an image of its keeper for posterity. | 0:25:08 | 0:25:11 | |
On duty that day was Theadore Malgorn. | 0:25:19 | 0:25:23 | |
He now lives on a nearby island, having never really cashed in | 0:25:23 | 0:25:27 | |
on his fame. | 0:25:27 | 0:25:28 | |
I don't think you sign up to be a lighthouse keeper | 0:25:31 | 0:25:34 | |
so you can be famous. | 0:25:34 | 0:25:36 | |
But we've got a photo to deliver - | 0:25:37 | 0:25:39 | |
it's only taken 20 years! | 0:25:39 | 0:25:42 | |
I'm told Bretons are not known for great displays of emotion. | 0:25:44 | 0:25:48 | |
But I think he likes it. Time to try out that schoolboy French. | 0:25:53 | 0:25:57 | |
Signed and delivered. | 0:26:33 | 0:26:35 | |
Tres bien. Ca va suffire, tres bien. | 0:26:37 | 0:26:39 | |
But I'm curious to know what it feels like | 0:26:39 | 0:26:42 | |
to be possibly the most famous lighthouse keeper in the world. | 0:26:42 | 0:26:45 | |
How does it feel for you, Jean, to have created that image? | 0:26:52 | 0:26:56 | |
You know I feel to have the lucky photographer | 0:26:56 | 0:26:59 | |
who did a great picture and after that, | 0:26:59 | 0:27:02 | |
this is something which is not really my picture, | 0:27:02 | 0:27:05 | |
it's a picture of the lighthouse keeper and the lighthouse story in the world. | 0:27:05 | 0:27:09 | |
Now that way of life is gone. | 0:27:09 | 0:27:12 | |
And now all the keepers have gone from the lighthouse | 0:27:12 | 0:27:15 | |
and that's the end of a... of a story, you know. | 0:27:15 | 0:27:20 | |
There's nothing much but ocean between here and North America, | 0:27:33 | 0:27:38 | |
but beneath the waves, the Atlantic yields an abundant crop, | 0:27:38 | 0:27:43 | |
and it's a harvest that helped heal the world. | 0:27:43 | 0:27:46 | |
Alice Roberts is with the seaweed farmers of Lanildut | 0:27:51 | 0:27:55 | |
in search of a medical wonder plucked from the ocean floor. | 0:27:55 | 0:27:59 | |
They've been pulling kelp out of the sea here since the 17th century, | 0:28:04 | 0:28:09 | |
first by hand and now by hook. | 0:28:09 | 0:28:14 | |
The farmers only harvest one type of seaweed and it's this, Laminaria. | 0:28:14 | 0:28:18 | |
They do it with this bizarre crane called a Scooby Doo, which | 0:28:18 | 0:28:22 | |
plucks up the seaweed from the sea bed and then twirls it round | 0:28:22 | 0:28:25 | |
getting rid of excess water, but also flicking off unwanted varieties. | 0:28:25 | 0:28:30 | |
Lanildut is Europe's largest seaweed port, | 0:28:39 | 0:28:41 | |
but there's a tradition of harvesting it in Britain, too. | 0:28:41 | 0:28:45 | |
Like the French, we've used it for fertilizer, fuel, | 0:28:45 | 0:28:49 | |
and it's even played a part in glass making. | 0:28:49 | 0:28:53 | |
The current crop finds its way into goods as diverse as cosmetics and | 0:28:55 | 0:29:00 | |
toothpaste, but as a doctor I'm drawn here by a particular seaweed product. | 0:29:00 | 0:29:06 | |
It has saved countless lives around the world, | 0:29:07 | 0:29:10 | |
and was first discovered in seaweed on this coast. | 0:29:10 | 0:29:14 | |
This is iodine. | 0:29:14 | 0:29:17 | |
In a world before antibiotics, iodine played a vital part | 0:29:19 | 0:29:24 | |
in fighting infection in cuts and wounds. | 0:29:24 | 0:29:27 | |
Among the mud and dirt of the First World War trenches, | 0:29:29 | 0:29:32 | |
it was standard issue to the troops, | 0:29:32 | 0:29:36 | |
and it's still used in modern surgery. | 0:29:36 | 0:29:40 | |
But this lifesaving stuff was discovered by accident. | 0:29:40 | 0:29:43 | |
What scientists were actually looking for was a better way to kill. | 0:29:44 | 0:29:49 | |
At the start of the 19th century, France was desperate for gunpowder | 0:29:51 | 0:29:56 | |
for Napoleon's campaigns in Europe. | 0:29:56 | 0:29:59 | |
In particular, they needed a compound called Saltpetre. | 0:29:59 | 0:30:03 | |
In 1811, chemist and Saltpeter manufacturer Bernard Courtois | 0:30:03 | 0:30:09 | |
was given a job by Napoleon of finding a new source | 0:30:09 | 0:30:12 | |
for this vital component used in the manufacture of gunpowder. | 0:30:12 | 0:30:17 | |
Courtois knew that seaweed contained many of the chemicals he needed. | 0:30:18 | 0:30:23 | |
It was while he was experimenting on kelp from the Brittany coast | 0:30:23 | 0:30:26 | |
that he accidentally produced iodine. | 0:30:26 | 0:30:30 | |
Biochemist Philippe Potin is going to show me how he did it | 0:30:31 | 0:30:37 | |
by extracting iodine from this lump of dried burned seaweed. | 0:30:37 | 0:30:42 | |
I was expecting it to be soft ashes, but it's actually | 0:30:43 | 0:30:46 | |
grinding up bits of rock. | 0:30:46 | 0:30:48 | |
Now I will mix that... | 0:30:48 | 0:30:50 | |
..with very hot water, | 0:30:51 | 0:30:53 | |
it was exactly the process which was used by Courtois. | 0:30:53 | 0:30:56 | |
Back in 1811, it seems Courtois got a bit carried away with his chemicals. | 0:30:57 | 0:31:03 | |
He was probably too generous | 0:31:03 | 0:31:05 | |
with his experiments, he had too much acids. | 0:31:05 | 0:31:07 | |
-Oh, it's changing colour. -Changed the colour. | 0:31:07 | 0:31:10 | |
His happy accident produced a curious purple vapour. | 0:31:10 | 0:31:14 | |
Oh, you can see it, this is definitely purple iodine | 0:31:19 | 0:31:23 | |
vapour coming off that solution. | 0:31:23 | 0:31:26 | |
He didn't know it at the time, but Cortois had discovered a new element, | 0:31:26 | 0:31:32 | |
a basic building block of chemistry, and something vital to our wellbeing. | 0:31:32 | 0:31:36 | |
Around the turn of the 20th century, | 0:31:36 | 0:31:40 | |
doctors realised that we all need trace amounts of iodine in our diets. | 0:31:40 | 0:31:45 | |
Too little and it can lead to serious problems | 0:31:46 | 0:31:48 | |
with the production of hormones by the thyroid gland in the neck. | 0:31:48 | 0:31:52 | |
It swells up producing what's known as a goiter. | 0:31:52 | 0:31:56 | |
And this is where living by the coast can come in really handy, | 0:31:57 | 0:32:01 | |
because this stuff is naturally rich in iodine. | 0:32:01 | 0:32:06 | |
It's sea salt and, in fact, this particular sea salt | 0:32:06 | 0:32:10 | |
has got seaweed mixed in with it as well, so even more iodine. | 0:32:10 | 0:32:14 | |
Seaweed is full of surprises, each piece like a tiny chemical factory | 0:32:17 | 0:32:23 | |
containing an element we all need to stay healthy. | 0:32:23 | 0:32:27 | |
But the surprises don't stop there. | 0:32:28 | 0:32:32 | |
It influences our body's metabolism, | 0:32:32 | 0:32:34 | |
but could it also influence the weather? | 0:32:36 | 0:32:38 | |
Chemist Gordon McFiggans has been working with scientists in Brittany | 0:32:41 | 0:32:45 | |
and they've come up with a remarkable idea. | 0:32:45 | 0:32:49 | |
They think that iodine released by seaweed forms particles | 0:32:49 | 0:32:53 | |
that could make the coast more cloudy. | 0:32:53 | 0:32:56 | |
To understand this, Gordon is first going to show me how a cloud forms, | 0:32:58 | 0:33:03 | |
by getting the water vapour in this jar to condense | 0:33:03 | 0:33:05 | |
on some floating smoke particles. | 0:33:05 | 0:33:09 | |
So what we'll do now, we'll open this valve, | 0:33:09 | 0:33:12 | |
which will create an expansion in there, a drop in temperature, | 0:33:12 | 0:33:16 | |
and, hopefully, will form a cloud | 0:33:16 | 0:33:18 | |
-on those smoke particles. -OK. | 0:33:18 | 0:33:20 | |
Clouding... Oh, yes. | 0:33:22 | 0:33:25 | |
'Yes, it's a cloud.' | 0:33:25 | 0:33:27 | |
So, that's the sort of thing that will hopefully happen, but at a much | 0:33:27 | 0:33:34 | |
lower degree from the particles coming off the seaweed. | 0:33:34 | 0:33:36 | |
So now we've got air in the jar, which has come from the seaweed | 0:33:41 | 0:33:44 | |
and should contain those all important particles with the iodine. | 0:33:44 | 0:33:48 | |
That's right, yeah. OK. | 0:33:48 | 0:33:51 | |
Yes. Yep, it misted. | 0:33:53 | 0:33:54 | |
'But if you "mist it", here it is again.' | 0:33:56 | 0:33:58 | |
'So, maybe, making the coast cloudy | 0:34:03 | 0:34:05 | |
'is another of seaweed's many surprising by-products.' | 0:34:05 | 0:34:09 | |
I've got some seaweed delicacies here. | 0:34:09 | 0:34:12 | |
-There's these rather odd-looking haricot vert Marie. -Oh, lovely. | 0:34:12 | 0:34:18 | |
I don't like that. | 0:34:22 | 0:34:24 | |
-I wouldn't order it in a restaurant. -No. | 0:34:24 | 0:34:26 | |
And I've also got some seaweed beer. | 0:34:26 | 0:34:30 | |
Doesn't look too bad, at least it's not green. | 0:34:30 | 0:34:32 | |
-That's not so bad. -That's pretty good beer. | 0:34:37 | 0:34:40 | |
-Cheers! -Cheers! | 0:34:40 | 0:34:41 | |
Like the south west of England, this is a coast out on a limb. | 0:34:52 | 0:34:56 | |
The name for this area of Brittany, | 0:34:56 | 0:35:00 | |
Cornouaille, translates as Cornwall. | 0:35:00 | 0:35:02 | |
Out here, it would be easy to turn a blind eye | 0:35:04 | 0:35:07 | |
to the problems of the mainland, | 0:35:07 | 0:35:09 | |
but the Bretons pride themselves in helping those in distress, | 0:35:10 | 0:35:14 | |
answering a rescue call, | 0:35:14 | 0:35:16 | |
even if it comes from the other side of the Channel. | 0:35:16 | 0:35:19 | |
It's a heroic streak that runs deep | 0:35:20 | 0:35:23 | |
on the smallest of Brittany's outposts. | 0:35:23 | 0:35:26 | |
Five miles off the Pointe du Raz is the tiny Ile de Sein. | 0:35:26 | 0:35:31 | |
I'm on my way to a reunion | 0:35:34 | 0:35:36 | |
with two islanders who share a remarkable bond. | 0:35:36 | 0:35:39 | |
Both in their 80s, Louis Fuquet lives on mainland France, | 0:35:40 | 0:35:44 | |
while Francois Tanguy has travelled here from his home in Cardiff. | 0:35:44 | 0:35:48 | |
As teenagers, they took part | 0:35:50 | 0:35:53 | |
in an incredible act of self-sacrifice, one made by the entire island. | 0:35:53 | 0:35:58 | |
There it is, just clinging on | 0:35:59 | 0:36:01 | |
to the edge of the world, thin line on the horizon. | 0:36:01 | 0:36:04 | |
Apparently, there's not one part of the island | 0:36:04 | 0:36:06 | |
that's more than six metres above sea level. | 0:36:06 | 0:36:09 | |
In June 1940, this sliver of an island stood alone. | 0:36:11 | 0:36:16 | |
Hitler had launched his lightning war against Western Europe. | 0:36:16 | 0:36:20 | |
In little over six weeks, his troops overwhelmed the Lowlands and France. | 0:36:22 | 0:36:26 | |
The French government surrendered, | 0:36:26 | 0:36:28 | |
German forces lined the coast of Brittany. | 0:36:28 | 0:36:31 | |
The inhabitants of the tiny Ile de Sein could only look on, | 0:36:33 | 0:36:37 | |
wondering when the Nazis would come. | 0:36:37 | 0:36:40 | |
-So can we go up this one here? -Yes, I think it's the best way to go. | 0:36:42 | 0:36:45 | |
'Francois was just 17, | 0:36:45 | 0:36:47 | |
'he'd just returned to the island after exams on the mainland.' | 0:36:47 | 0:36:50 | |
'Everybody was looking forward for a good summer. | 0:36:52 | 0:36:58 | |
'The news from the Front was very, very good.' | 0:36:58 | 0:37:03 | |
And then, suddenly, there was Dunkirk, | 0:37:03 | 0:37:08 | |
who came along absolutely like a bombshell. | 0:37:08 | 0:37:13 | |
Charles de Gaulle had been a minister in the French government. | 0:37:14 | 0:37:17 | |
Just before the surrender, he'd flown to London. | 0:37:17 | 0:37:21 | |
He went on the BBC to rally his countrymen to join him in England | 0:37:21 | 0:37:27 | |
to fight in a free French force, but almost no-one heard de Gaulle. | 0:37:27 | 0:37:33 | |
There had been no trail of his broadcast. | 0:37:33 | 0:37:36 | |
A few days later, he tried again, | 0:37:36 | 0:37:39 | |
but this time the people of Isle de Sein had got wind of it. | 0:37:39 | 0:37:43 | |
The entire population gathered here, | 0:37:43 | 0:37:45 | |
on the quayside, to listen to the radio. | 0:37:45 | 0:37:48 | |
'On the very spot that de Gaulle's call to action was heard, | 0:37:50 | 0:37:54 | |
'Francois and Louis meet another veteran, Noel Meneux, | 0:37:54 | 0:37:58 | |
'who still lives on the island. | 0:37:58 | 0:37:59 | |
'It's been almost 70 years since de Gaulle's rallying call | 0:38:01 | 0:38:04 | |
'first rang out on this quayside. | 0:38:04 | 0:38:06 | |
It became known as L'Appel - | 0:38:48 | 0:38:51 | |
The Call. It was a defining moment for everyone. | 0:38:51 | 0:38:55 | |
Their message was heard, | 0:38:57 | 0:39:01 | |
what to do. | 0:39:01 | 0:39:04 | |
And the first person to speak... | 0:39:05 | 0:39:07 | |
Yes, he said, was the curate, | 0:39:13 | 0:39:16 | |
And he said that we must follow, but he said... | 0:39:18 | 0:39:22 | |
..and it was necessary to take measure locally immediately, | 0:39:27 | 0:39:31 | |
because the Germans were crossing the Channel. | 0:39:31 | 0:39:35 | |
Over three nights, almost every man | 0:39:35 | 0:39:38 | |
on the island between 16 and 55 boarded fishing boats | 0:39:38 | 0:39:41 | |
and small ferries to join de Gaulle's Free French in England. | 0:39:42 | 0:39:45 | |
Leaving here about 9 o'clock at night, | 0:39:47 | 0:39:52 | |
and we all arrived in UK, near Penzance, I think. | 0:39:52 | 0:39:58 | |
At just 14 years old, Louis was too young to go, | 0:39:58 | 0:40:02 | |
but he persuaded his dad to smuggle him off the island. | 0:40:02 | 0:40:06 | |
Our first place was the Olympia Hall in London. Yes, there. | 0:40:24 | 0:40:29 | |
And started our training practically within the week. | 0:40:29 | 0:40:35 | |
I joined the Navy, so I was sent to... | 0:40:35 | 0:40:39 | |
on board a French ship that had come from Cherbourg | 0:40:39 | 0:40:44 | |
in France to Portsmouth. | 0:40:44 | 0:40:47 | |
This tiny island sent 128 men, a quarter of all those who made | 0:40:49 | 0:40:56 | |
it to England in response to de Gaulle's initial call to action. | 0:40:56 | 0:40:59 | |
Francois was photographed with shipmates from the Free French Navy | 0:41:03 | 0:41:07 | |
out on the town in London, but serving on a warship | 0:41:07 | 0:41:11 | |
in the Atlantic was far removed from this breezy image. | 0:41:11 | 0:41:14 | |
Life in the Navy was inhuman, | 0:41:15 | 0:41:20 | |
the ship was looked after by the crew | 0:41:20 | 0:41:23 | |
and you had to be on there practically 24 hours a day awake. | 0:41:23 | 0:41:27 | |
And after two or three years, most of the people | 0:41:27 | 0:41:32 | |
couldn't do it any more. | 0:41:32 | 0:41:34 | |
'He was invalided out in 1942,' | 0:41:35 | 0:41:39 | |
and finally returned to Ile de Sein in 1945. | 0:41:39 | 0:41:42 | |
So, you three are heroes. | 0:41:43 | 0:41:45 | |
Er, only... It's not heroes, we don't want that title. | 0:41:46 | 0:41:52 | |
We only did our duties. | 0:41:52 | 0:41:54 | |
Of the 128 islanders, 18 where never to return, killed in action. | 0:41:58 | 0:42:03 | |
After the war, President de Gaulle | 0:42:03 | 0:42:06 | |
awarded the entire island The Cross of the Liberation, one of | 0:42:06 | 0:42:10 | |
just five districts in France to receive this high military honour. | 0:42:10 | 0:42:15 | |
Francois' career in the French diplomatic service | 0:42:16 | 0:42:19 | |
took him around the world. | 0:42:19 | 0:42:21 | |
But he returns to remember fallen friends | 0:42:22 | 0:42:26 | |
and reflect on their struggle. | 0:42:26 | 0:42:28 | |
It is difficult to analyse into words what it all means. | 0:42:30 | 0:42:34 | |
One feels satisfied to be on the right side. | 0:42:34 | 0:42:37 | |
There's no... Because one cannot contemplate the other side. | 0:42:38 | 0:42:44 | |
For some, the wild winds that blow in from the Bay of Biscay | 0:42:55 | 0:42:59 | |
are a reason to hunker down to wait out the storm. | 0:42:59 | 0:43:02 | |
For others, winds bring freedom. | 0:43:02 | 0:43:05 | |
The world's most difficult single-handed yacht race, | 0:43:07 | 0:43:11 | |
the Vendee Globe, launches from these waters. | 0:43:11 | 0:43:14 | |
And one Brit loves the challenge so much, she's made her home here. | 0:43:16 | 0:43:20 | |
My name is Sam Davies. | 0:43:22 | 0:43:25 | |
My job is my passion, and fitness training is really, really important. | 0:43:25 | 0:43:29 | |
To be here is the perfect place. | 0:43:29 | 0:43:32 | |
I race offshore all the time, mostly single-handed, | 0:43:36 | 0:43:39 | |
and I came fourth in the last Vendee Globe round-the-world race. | 0:43:39 | 0:43:43 | |
Here in Port la Foret, it's a base of all the | 0:43:43 | 0:43:46 | |
top racers in the world, basically, most of them being French, | 0:43:46 | 0:43:50 | |
and I realised that the only way to get as good as them and to beat them | 0:43:50 | 0:43:53 | |
was to come here and learn their secrets. | 0:43:53 | 0:43:55 | |
Sidney's a crew skipper. I'm actually out just looking at some sail trim. | 0:43:57 | 0:44:02 | |
I think I have become quite well-known in France, | 0:44:05 | 0:44:08 | |
because of the Vendee Globe. | 0:44:08 | 0:44:10 | |
Even people who've never ever been on a boat in their lives before | 0:44:10 | 0:44:13 | |
follow this race from all over France. | 0:44:13 | 0:44:16 | |
SHE SPEAKS FRENCH | 0:44:16 | 0:44:20 | |
She's very famous. She is. | 0:44:22 | 0:44:25 | |
I could see through videos that she was really enjoying what | 0:44:25 | 0:44:28 | |
she was doing, and that's what came off big time to the public. | 0:44:28 | 0:44:33 | |
These boats are designed to race offshore | 0:44:34 | 0:44:37 | |
in all conditions and cross oceans. | 0:44:37 | 0:44:39 | |
We're kind of on the doorstep of the famous Bay of Biscay. | 0:44:39 | 0:44:43 | |
For sailors, it's one of the most feared places, | 0:44:43 | 0:44:45 | |
almost just as much as Cape Horn. Not necessarily the biggest waves | 0:44:45 | 0:44:49 | |
in the world, but just the most boat-breaking. | 0:44:49 | 0:44:51 | |
There's some quite big waves. | 0:44:52 | 0:44:54 | |
I love the life in Brittany. All the French say, | 0:44:56 | 0:45:00 | |
"You're nearly French now". I say "No, I'm British". | 0:45:00 | 0:45:03 | |
And I'm really proud, cos Artemis has got a British flag | 0:45:03 | 0:45:06 | |
on the back of the boat. | 0:45:06 | 0:45:07 | |
Sidney doesn't like that there's no French flag. | 0:45:07 | 0:45:10 | |
The local guys here say, "Well, you're an adopted Breton now". | 0:45:10 | 0:45:13 | |
That's a real honour when the Bretons tell you that they will adopt you. | 0:45:13 | 0:45:18 | |
The wild west coast of Brittany | 0:45:26 | 0:45:28 | |
has captured the imagination of more than just sailors. | 0:45:28 | 0:45:31 | |
Writer and visionary Jules Verne grew up here. | 0:45:33 | 0:45:37 | |
In 1869, Verne wrote 20,000 Leagues Under The Sea. | 0:45:39 | 0:45:44 | |
He described a submarine, long before they were in practical use. | 0:45:44 | 0:45:49 | |
The author also realised its destructive potential. | 0:45:49 | 0:45:54 | |
70 years ago in Lorient, his vision took on a terrifying reality. | 0:45:56 | 0:46:00 | |
Verne wrote that whatever one man is capable of conceiving, | 0:46:03 | 0:46:06 | |
other men are able to achieve. | 0:46:06 | 0:46:09 | |
I wonder if he had anything like this in mind. | 0:46:10 | 0:46:12 | |
This giant is the Keroman U-boat base. | 0:46:23 | 0:46:27 | |
During the Second World War, it was at the centre of operations | 0:46:32 | 0:46:36 | |
for Hitler's deadly attacks | 0:46:36 | 0:46:38 | |
on supply convoys crossing the Atlantic. | 0:46:38 | 0:46:41 | |
The monolithic U-boat pens were an obvious target for Allied bombers, | 0:46:49 | 0:46:54 | |
and the Germans knew it, | 0:46:54 | 0:46:56 | |
so they were built to withstand just about anything. | 0:46:56 | 0:46:59 | |
This was done by creating a huge air pocket, | 0:47:01 | 0:47:04 | |
a gap between the outer and the inner skin to absorb the blast. | 0:47:04 | 0:47:09 | |
This buckling in the ceiling above my head is all the damage | 0:47:09 | 0:47:13 | |
that was inflicted by a direct hit. | 0:47:13 | 0:47:15 | |
Unable to destroy the pens, the Allies decided to isolate them | 0:47:17 | 0:47:22 | |
by bombing the surrounding city. | 0:47:22 | 0:47:23 | |
In the days before the attacks, leaflets were dropped | 0:47:26 | 0:47:29 | |
warning the people of Lorient to leave. | 0:47:29 | 0:47:31 | |
Then, 60,000 incendiary bombs flattened the city, | 0:47:33 | 0:47:38 | |
but the U-boats where here until the bitter end, | 0:47:40 | 0:47:42 | |
finally surrendering in May 1945. | 0:47:42 | 0:47:46 | |
They remain as a symbol of Hitler's tyranny, and how close | 0:47:50 | 0:47:53 | |
he came to cutting Britain's lifeline across the Atlantic. | 0:47:53 | 0:47:57 | |
We use concrete for our monumental building projects, | 0:48:06 | 0:48:09 | |
and the early people who colonised this coast | 0:48:09 | 0:48:12 | |
used the most resilient resource they could find... | 0:48:12 | 0:48:15 | |
Granite. | 0:48:18 | 0:48:21 | |
These enigmatic lines of stones were positioned around 2,000 years | 0:48:21 | 0:48:26 | |
before Stonehenge was even assembled. | 0:48:26 | 0:48:28 | |
They point to a link between Brittany and Britain. | 0:48:30 | 0:48:34 | |
At Carnac, Mark Horton is following an ancient thread. | 0:48:40 | 0:48:44 | |
They have an almost magnetic pull - standing stones | 0:48:50 | 0:48:55 | |
that mark a presence of a mysterious people. | 0:48:55 | 0:48:59 | |
We may not understand why the monuments are here | 0:49:01 | 0:49:04 | |
but they keep drawing us back for another look. | 0:49:04 | 0:49:08 | |
It's amazing to think that these stones | 0:49:11 | 0:49:15 | |
were being erected some 2,500 years | 0:49:15 | 0:49:19 | |
before the great pyramids of Egypt. | 0:49:19 | 0:49:21 | |
That makes this site around 7,000 years old. | 0:49:22 | 0:49:26 | |
Curious regimented lines | 0:49:28 | 0:49:31 | |
that attract visitors from around the world. | 0:49:31 | 0:49:34 | |
Today, it's like a megalithic theme park, | 0:49:37 | 0:49:41 | |
but at its heart, the big attraction - | 0:49:43 | 0:49:47 | |
a man-made hill, the Tumulus. | 0:49:47 | 0:49:49 | |
Howard Crowhurst has spent 20 years building up a picture of Carnac. | 0:49:51 | 0:49:58 | |
He believes the landscape here was once completely covered | 0:49:58 | 0:50:02 | |
with stone monuments. | 0:50:02 | 0:50:05 | |
And this used to be the vantage point on the site. | 0:50:05 | 0:50:08 | |
-So, here we are. -Ah, what a view! | 0:50:09 | 0:50:13 | |
Was it, was it like this 7,000 years ago? | 0:50:13 | 0:50:16 | |
No, it was very different. The sea was much lower, seven metres lower, | 0:50:16 | 0:50:20 | |
the trees were much further inland. | 0:50:20 | 0:50:23 | |
So, in fact, you had a perfect view here of the landscape and all | 0:50:23 | 0:50:28 | |
-the stones going right along it. -And how many stones are there in total? | 0:50:28 | 0:50:32 | |
In the Carnac alignments, there are 3,000, over 3,000, 3,100 stones. | 0:50:32 | 0:50:37 | |
Megalith means very big stone, and what we can see today | 0:50:39 | 0:50:45 | |
represents around a tenth of what was originally erected. | 0:50:45 | 0:50:49 | |
But why here, pointing out at the coast? | 0:50:49 | 0:50:52 | |
I don't think it's a coincidence that these monuments are right by the sea. | 0:50:56 | 0:51:00 | |
I mean, to build these monuments would have needed a lot of people | 0:51:00 | 0:51:03 | |
and travelling was much easier along the coastline than through the land. | 0:51:03 | 0:51:09 | |
And the sea is a massive larder where people could eat, you know. | 0:51:09 | 0:51:15 | |
It's full of food, so it's a perfect spot | 0:51:15 | 0:51:18 | |
for grouping large amounts of people, really. | 0:51:18 | 0:51:20 | |
In fact, the coast seems to have been crucial | 0:51:22 | 0:51:26 | |
to the location of these monuments. | 0:51:26 | 0:51:27 | |
Similar sites of Stone Age structures are dotted all the way up | 0:51:28 | 0:51:34 | |
Europe's Atlantic shores, | 0:51:34 | 0:51:35 | |
from Portugal to France, | 0:51:37 | 0:51:40 | |
Ireland to Wales, | 0:51:41 | 0:51:43 | |
up to northern Scotland. | 0:51:43 | 0:51:45 | |
But hundreds of years, and as many miles, separate the Carnac monuments | 0:51:47 | 0:51:53 | |
from the sites on the British Isles, such as this one on Orkney. | 0:51:53 | 0:51:58 | |
So were the builders communicating ideas along the Atlantic coast? | 0:52:00 | 0:52:06 | |
I'm hoping French archaeologist Guillaume Robin | 0:52:08 | 0:52:11 | |
can show me clues carved into stone. | 0:52:11 | 0:52:14 | |
On the island of Gavrinis, there is an ancient tomb | 0:52:18 | 0:52:23 | |
with artistic connections to North Wales. | 0:52:23 | 0:52:26 | |
Here we go. Wow! There's circles, spirals | 0:52:26 | 0:52:32 | |
and then these semi-circular arcs coming up. | 0:52:32 | 0:52:34 | |
-Yes, that's mostly nested arcs. -Right. | 0:52:34 | 0:52:38 | |
-It's a technique to make the carving is called the pecking... -Right. | 0:52:38 | 0:52:44 | |
..and it was probably done with a quartz chisel, with a hammer, | 0:52:44 | 0:52:47 | |
-tac-tac-tac, like this. -All the way down? -Yes. | 0:52:47 | 0:52:50 | |
And look, I've brought you some | 0:52:50 | 0:52:52 | |
illustrations of megalithic art from Wales, they're both from Anglesey. | 0:52:52 | 0:52:57 | |
Look, you see, we've got the chevrons. | 0:52:57 | 0:53:00 | |
-Yes. -We've seen chevrons. | 0:53:00 | 0:53:01 | |
And here, look, we've got the sort of serpenty things. | 0:53:01 | 0:53:05 | |
Yes, that's amazing, because here in Gavrinis, you have a lot of symbols | 0:53:05 | 0:53:09 | |
-that also exist in Wales or in Ireland. -Right. | 0:53:09 | 0:53:14 | |
What's even more amazing is that | 0:53:15 | 0:53:17 | |
Gavrinis was built hundreds of years before the Welsh monuments and yet | 0:53:17 | 0:53:24 | |
the art they contain could have been chipped away by the very same hand. | 0:53:24 | 0:53:29 | |
Unfortunately, we don't have a clear picture of what the stones were for. | 0:53:33 | 0:53:39 | |
As to how they were moved here, | 0:53:41 | 0:53:44 | |
well, French archaeologists | 0:53:44 | 0:53:46 | |
have turned it into a fun puzzle for all the family to work out. | 0:53:46 | 0:53:51 | |
Using the tools of the time and a bit of public grunt... | 0:53:53 | 0:53:57 | |
Un, deux, trois! | 0:53:57 | 0:54:02 | |
..they've taken a very | 0:54:02 | 0:54:03 | |
Breton approach to history - getting their hands dirty. | 0:54:03 | 0:54:06 | |
After all, there must have been a great gathering here | 0:54:10 | 0:54:14 | |
some 7,000 years ago, to create these remarkable monuments. | 0:54:14 | 0:54:19 | |
It is a stupid way of moving a stone, you know! | 0:54:20 | 0:54:23 | |
Since the stones of Carnac were aligned, empires have come and gone, | 0:54:37 | 0:54:41 | |
and the fabric of the coast has been re-fashioned. | 0:54:41 | 0:54:45 | |
Here, they channel seawater into shallow pools so that evaporation | 0:54:50 | 0:54:55 | |
by sun and wind leaves the smallest of commodities, once so precious | 0:54:55 | 0:55:00 | |
it was used as currency. | 0:55:00 | 0:55:02 | |
As we near the end of our Breton adventure at Guerande, | 0:55:06 | 0:55:11 | |
they marshal the forces of nature to farm salt. | 0:55:11 | 0:55:14 | |
Sophie and fellow salt farmer Emmanuel represent a new generation, | 0:55:18 | 0:55:24 | |
but the techniques they use are age-old. | 0:55:24 | 0:55:27 | |
This is quite a bizarre landscape to my eye. | 0:55:30 | 0:55:33 | |
Is this natural in any way, or is this all tampered with? | 0:55:33 | 0:55:37 | |
It's not a natural landscape, all those pans were made by, | 0:55:37 | 0:55:41 | |
by hand centuries ago. | 0:55:41 | 0:55:44 | |
So, the water comes in from the sea and human beings trap it. | 0:55:44 | 0:55:47 | |
Yes, that's right, we can say that. | 0:55:47 | 0:55:49 | |
But don't be deceived, the elements are definitely in charge here. | 0:55:51 | 0:55:55 | |
-There's the harvest. -There you see at last the salt. | 0:55:58 | 0:56:03 | |
-So this is the stuff. -Yeah. This one is produced in those pans. | 0:56:03 | 0:56:07 | |
-So the ones out in the middle. -On the bottom, so it | 0:56:07 | 0:56:11 | |
touches clay, so that's why it's a little bit grey. | 0:56:11 | 0:56:14 | |
-And will we be able to collect some of this now? -No, not today. | 0:56:14 | 0:56:19 | |
Unfortunately, it has rained three days ago, and we have to wait | 0:56:19 | 0:56:23 | |
that the water evaporates again, that the salt concentrates again, | 0:56:23 | 0:56:27 | |
to crystallise, so it's quite frustrating that we have to wait, | 0:56:27 | 0:56:31 | |
but it's part of the job. | 0:56:31 | 0:56:33 | |
Just as it was for the monks who first created these salt pans | 0:56:34 | 0:56:37 | |
in the 10th century, it's a waiting game. | 0:56:37 | 0:56:41 | |
I'm all muddy, nobody else is muddy. | 0:56:49 | 0:56:52 | |
But patience brings its rewards. | 0:56:52 | 0:56:55 | |
Before the day is out, the sun breaks through, | 0:56:55 | 0:56:57 | |
evaporating away enough water to produce the cream of the crop. | 0:56:57 | 0:57:03 | |
So it's that simple? You just scoop it off the top? | 0:57:05 | 0:57:08 | |
Yeah, exactly. | 0:57:08 | 0:57:10 | |
-It's like snow. -Yeah. | 0:57:10 | 0:57:13 | |
So white compared to the grey salt. | 0:57:13 | 0:57:15 | |
So that one is a Fleur de Sel. | 0:57:15 | 0:57:19 | |
It is an incredibly strong flavour. | 0:57:19 | 0:57:22 | |
A thousand years of change, | 0:57:27 | 0:57:30 | |
and yet a way of working that has remained the same. | 0:57:30 | 0:57:33 | |
This coast, on the edge of Europe, feels timeless. It's steeped | 0:57:36 | 0:57:41 | |
in the spirits of the ancestors that we in Britain share with the Bretons. | 0:57:41 | 0:57:45 | |
Myth and reality merge, until it's difficult | 0:57:45 | 0:57:48 | |
to tell Brittany from Britain. | 0:57:48 | 0:57:50 | |
Subtitles by Red Bee Media Ltd | 0:58:05 | 0:58:08 | |
E-mail [email protected] | 0:58:08 | 0:58:12 |