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Coast is home. | 0:00:09 | 0:00:11 | |
Home to explore the most endlessly fascinating shoreline in the world - | 0:00:12 | 0:00:18 | |
Our own. | 0:00:18 | 0:00:20 | |
The quest to discover surprising, secret stories | 0:00:24 | 0:00:27 | |
from around the British Isles continues. | 0:00:27 | 0:00:30 | |
This is Coast. | 0:00:34 | 0:00:37 | |
Standing on the brink, we dream of going beyond. | 0:01:11 | 0:01:15 | |
Hoping to reach the magical meeting point of sea and sky. | 0:01:15 | 0:01:22 | |
Heading out along natural causeways. | 0:01:22 | 0:01:26 | |
And man-made walkways. | 0:01:29 | 0:01:32 | |
Leaving the land behind lifts our spirits. | 0:01:32 | 0:01:37 | |
Out here, different rules apply. | 0:01:39 | 0:01:43 | |
If you ever wanted proof | 0:01:43 | 0:01:44 | |
that people who live out on the edge do things a bit differently, | 0:01:44 | 0:01:48 | |
this is it. | 0:01:48 | 0:01:51 | |
For those who dare to take the plunge, adventure awaits. | 0:01:51 | 0:01:56 | |
We're here to explore Life Beyond the Edge. | 0:01:56 | 0:02:00 | |
I'm on a mission to reach the most westerly inhabited spot in England. | 0:02:02 | 0:02:09 | |
Beyond Land's End, | 0:02:10 | 0:02:12 | |
I'll discover a lost kingdom of myth and legend. | 0:02:12 | 0:02:18 | |
The team are pushing their limits, too. | 0:02:18 | 0:02:21 | |
Down on our southern shore, | 0:02:22 | 0:02:24 | |
Coast newcomer and social historian Ruth Goodman | 0:02:24 | 0:02:29 | |
is in search of a lost way of life. | 0:02:29 | 0:02:31 | |
I've got a photograph here from the 1960s. | 0:02:33 | 0:02:35 | |
And this tough little chappie with his donkeys is Clifford Gosling, | 0:02:35 | 0:02:39 | |
he was the last of the Branscombe cliff farmers. | 0:02:39 | 0:02:42 | |
On our north-west frontier, | 0:02:42 | 0:02:44 | |
Mark discovers how Brunel's mightiest ship conquered the Atlantic, | 0:02:44 | 0:02:50 | |
connecting continent to continent with 2,000 miles of telegraph wire. | 0:02:50 | 0:02:57 | |
This is the story of how the Great Eastern wired Britain to America. | 0:02:57 | 0:03:02 | |
Beyond mainland Scotland, | 0:03:02 | 0:03:05 | |
we venture out to abandoned isles, | 0:03:05 | 0:03:09 | |
in search of sheep gone wild. | 0:03:09 | 0:03:13 | |
And men who must tame them. | 0:03:13 | 0:03:16 | |
Andy Torbet signs on as a sea shepherd. | 0:03:16 | 0:03:20 | |
They're a lot stronger, I think, than your average sheep, | 0:03:20 | 0:03:23 | |
and not always the most co-operative either. | 0:03:23 | 0:03:25 | |
My own adventure begins where the mainland stops - | 0:03:28 | 0:03:32 | |
I'm heading to the Isles of Scilly. | 0:03:32 | 0:03:34 | |
Land's End isn't actually the end of England. | 0:03:39 | 0:03:43 | |
28 miles beyond, | 0:03:45 | 0:03:48 | |
this beautiful archipelago beckons. | 0:03:48 | 0:03:52 | |
The ride out to the Isles of Scilly is a stunning voyage. | 0:03:53 | 0:03:57 | |
There are five inhabited islands to choose from. | 0:04:00 | 0:04:04 | |
The ferry comes into the largest, St Mary's. | 0:04:04 | 0:04:07 | |
This is just the beginning of my journey. | 0:04:09 | 0:04:12 | |
I'm heading out to the very edge of the Isles of Scilly, | 0:04:12 | 0:04:15 | |
as far west as you can go in England. | 0:04:15 | 0:04:19 | |
I want to discover the attraction of life beyond Land's End. | 0:04:19 | 0:04:24 | |
One immediate appeal is that the daily routine just isn't so routine. | 0:04:24 | 0:04:30 | |
-Have you ever dropped one in the water, Andy? -No, I haven't, no. | 0:04:30 | 0:04:33 | |
Andy Smethurst is a postie with a rather unusual route. | 0:04:33 | 0:04:37 | |
He's a vital link to the mainland, | 0:04:37 | 0:04:40 | |
a role he's very happy to deliver. | 0:04:40 | 0:04:44 | |
It's the best place. | 0:04:44 | 0:04:45 | |
-This is your work run, isn't it? -It is, yeah. | 0:04:45 | 0:04:47 | |
-Island hopping. -Yeah, yeah. | 0:04:47 | 0:04:49 | |
In a small boat. | 0:04:49 | 0:04:50 | |
It's a great job, I love it. | 0:04:50 | 0:04:53 | |
What's it like in winter? | 0:04:53 | 0:04:55 | |
Bleak. It... Rough, cold, wet. | 0:04:55 | 0:04:58 | |
But it's still usually a lot warmer than... | 0:04:58 | 0:05:02 | |
I go and see my parents in Devon, | 0:05:02 | 0:05:05 | |
and there's sometimes about eight degrees difference. | 0:05:05 | 0:05:08 | |
Right, I'm going to have to get on. All right. Are you holding on? | 0:05:08 | 0:05:11 | |
Yes, I'm holding on tight. | 0:05:11 | 0:05:13 | |
Andy can't afford to hang about. | 0:05:18 | 0:05:20 | |
Twice a day he must complete a 15-mile route around five islands. | 0:05:20 | 0:05:26 | |
But I'm getting dropped off with the first delivery, | 0:05:28 | 0:05:30 | |
to continue my quest on foot. | 0:05:30 | 0:05:33 | |
I'm in search of people who live life on the edge. | 0:05:38 | 0:05:42 | |
I'm on the island of St Martin's, this one here, | 0:05:42 | 0:05:45 | |
but I want to get to this island, Bryher, | 0:05:45 | 0:05:47 | |
the most westerly inhabited spot in the whole of England, | 0:05:47 | 0:05:51 | |
so I've got a bit of island-hopping to do. | 0:05:51 | 0:05:53 | |
But no more boats for me. | 0:05:55 | 0:05:58 | |
I want to walk the walk of those that enjoy life beyond the edge, | 0:05:58 | 0:06:04 | |
and today I'm in luck. | 0:06:04 | 0:06:05 | |
There's an exceptionally low tide, | 0:06:05 | 0:06:10 | |
so the locals take the rare opportunity | 0:06:10 | 0:06:12 | |
to stride through the sea from island to island. | 0:06:12 | 0:06:16 | |
I've done some pretty strange walks in my life, | 0:06:18 | 0:06:20 | |
but this is the most bizarre. | 0:06:20 | 0:06:23 | |
The islanders have been doing this for as long as anyone can remember. | 0:06:24 | 0:06:29 | |
It's scheduled for the lowest tide in September, | 0:06:29 | 0:06:33 | |
when the water's at its warmest. | 0:06:33 | 0:06:36 | |
But not that warm, | 0:06:36 | 0:06:38 | |
and I soon find out why they need shallow water. | 0:06:38 | 0:06:43 | |
This might look like a rather enjoyable Caribbean stroll, | 0:06:43 | 0:06:48 | |
but there's a really strong tide pulling through here, | 0:06:48 | 0:06:51 | |
it's hard work. | 0:06:51 | 0:06:54 | |
We can't hang around. | 0:07:00 | 0:07:04 | |
It's a race to make it between the islands. | 0:07:04 | 0:07:07 | |
The land I'm on is living on borrowed time. | 0:07:08 | 0:07:12 | |
Soon the sea will surge in to reclaim its domain. | 0:07:12 | 0:07:17 | |
The tide's really starting to rip in here now, | 0:07:18 | 0:07:20 | |
so I've got to get my skates on. | 0:07:20 | 0:07:22 | |
This is biblical - I'm just waiting for the waters to part! | 0:07:30 | 0:07:33 | |
That was absolutely wonderful. | 0:07:49 | 0:07:52 | |
The last bit of wading was neck deep | 0:07:52 | 0:07:54 | |
so we just made it, before it was too late, | 0:07:54 | 0:07:56 | |
before the tide came in and took out the entire channel. | 0:07:56 | 0:07:59 | |
This is a wonderfully weird water world. Here, in the eternal waltz | 0:08:02 | 0:08:08 | |
between land and sea, swirl ancient tales of a lost kingdom. | 0:08:08 | 0:08:14 | |
Later, when the tide ebbs again, I'll be exploring that landscape | 0:08:16 | 0:08:21 | |
of myth and legend revealed offshore. | 0:08:21 | 0:08:25 | |
Life beyond the edge of the mainland offers unique opportunities | 0:08:26 | 0:08:31 | |
that go-getters have embraced on the south coast. | 0:08:31 | 0:08:35 | |
Near Folkestone, engineers dug deep | 0:08:36 | 0:08:40 | |
to profit from going beyond the Channel. | 0:08:40 | 0:08:44 | |
At Sandbanks, they sell spectacular sea views. | 0:08:44 | 0:08:50 | |
But over generations, some have seen an opportunity | 0:08:50 | 0:08:55 | |
to harvest the sea and the soil. | 0:08:55 | 0:08:57 | |
The people who worked here at Branscombe | 0:08:59 | 0:09:02 | |
were both fishermen and farmers. | 0:09:02 | 0:09:05 | |
Somehow they scratched a living on the steep slopes of these cliffs. | 0:09:06 | 0:09:12 | |
Their lost way of life has got Ruth Goodman intrigued. | 0:09:13 | 0:09:18 | |
Stood here you get a real feeling for Britain coming to an abrupt end, | 0:09:20 | 0:09:24 | |
but for some people this was the start of the day's work. | 0:09:24 | 0:09:28 | |
I've got a photograph here from the 1960s, and this tough little chappie | 0:09:28 | 0:09:32 | |
with his donkeys is Clifford Gosling, known locally as Cliffie, | 0:09:32 | 0:09:36 | |
which is really appropriate, | 0:09:36 | 0:09:38 | |
because he was the last of the Branscombe cliff farmers. | 0:09:38 | 0:09:41 | |
Cliffie was born in 1889. For over 60 years he cut a solitary figure, | 0:09:43 | 0:09:51 | |
fishing in the morning, cultivating crops in the afternoon. | 0:09:51 | 0:09:57 | |
Cliffie was the last man standing | 0:09:58 | 0:10:01 | |
from a proud community of subsistence farmers. | 0:10:01 | 0:10:05 | |
Now I want to discover what it's like to toil beyond the edge. | 0:10:06 | 0:10:11 | |
They made do with poor soil, sloping at a precipitous angle, | 0:10:14 | 0:10:18 | |
the residue from landslips. | 0:10:18 | 0:10:21 | |
The cliff farmers' plots were known locally as "plats". | 0:10:23 | 0:10:26 | |
This was Cliffie's plat. | 0:10:28 | 0:10:31 | |
Oh, wow, what a view! | 0:10:31 | 0:10:33 | |
SHE SIGHS | 0:10:34 | 0:10:36 | |
This is really farming on the edge, isn't it? | 0:10:38 | 0:10:41 | |
The view may be good. The land isn't. | 0:10:44 | 0:10:46 | |
But canny locals found a way to make this lofty perch pay off. | 0:10:47 | 0:10:51 | |
Fishing had been the main industry in Branscombe, | 0:10:54 | 0:10:57 | |
but it was unreliable. | 0:10:57 | 0:10:59 | |
They needed a back-up and so looked inland. | 0:10:59 | 0:11:03 | |
On the cliff face they could farm a variety of crops | 0:11:03 | 0:11:08 | |
all within sight of the sea. | 0:11:08 | 0:11:10 | |
That was the life Cliffie Gosling clung on to until the end. | 0:11:10 | 0:11:14 | |
Cliffie is long gone, | 0:11:16 | 0:11:17 | |
but his son Alan knows how to eke a living from surf and turf. | 0:11:17 | 0:11:23 | |
He's returning to the plat with his family. | 0:11:23 | 0:11:26 | |
This is Grandad Cliffie, this is back in the 1920s. | 0:11:29 | 0:11:33 | |
And he's with two of his donkeys. | 0:11:33 | 0:11:35 | |
Oh, he does look a hard-working sort of a man, doesn't he? | 0:11:35 | 0:11:38 | |
-Cliffie and Granny. -Oh, she's got her best on. | 0:11:38 | 0:11:41 | |
It's right down on the beach and they're sitting in the boat. | 0:11:41 | 0:11:45 | |
He used to stand every night and look out to sea | 0:11:45 | 0:11:48 | |
before he came home with the donkeys. | 0:11:48 | 0:11:51 | |
-That's just down there. -It was quite a hard life, I think. | 0:11:51 | 0:11:54 | |
A couple of times they had landslips here and he lost his garden, | 0:11:54 | 0:11:57 | |
so that was a bit of a disaster for him! | 0:11:57 | 0:12:00 | |
Well, you never knew when you came to work whether your plat... the ground would still be there. | 0:12:00 | 0:12:05 | |
This is all slipping all the time, the cliffs here. | 0:12:05 | 0:12:08 | |
'Alan's in his 90s now, | 0:12:08 | 0:12:11 | |
'but as a lad he did jobs for Dad, like collecting seaweed.' | 0:12:11 | 0:12:14 | |
-What's that you got there? -Seaweeding hook. | 0:12:14 | 0:12:19 | |
-Oh, for gathering? -Yes, yes, we used to cut it off the rocks. | 0:12:19 | 0:12:23 | |
It's like a little tiny billhook. | 0:12:23 | 0:12:25 | |
Quick as we could before the tide come in. | 0:12:25 | 0:12:28 | |
Once the tide come in you still had to start loading then | 0:12:28 | 0:12:31 | |
and whip it up into the beach, we'd unload it and go back for the rest | 0:12:31 | 0:12:34 | |
and gradually bring it up the cliff, you know. | 0:12:34 | 0:12:37 | |
I can see it still fits in your hand. | 0:12:37 | 0:12:40 | |
LAUGHTER | 0:12:40 | 0:12:42 | |
You don't forget. | 0:12:42 | 0:12:44 | |
Part fisherman, part farmer, Cliffie used seaweed | 0:12:46 | 0:12:49 | |
as a way of fertilising his land. | 0:12:49 | 0:12:51 | |
To find out more about how sea complemented soil, | 0:12:53 | 0:12:57 | |
I'm meeting John Hughes, the last fisherman left in Branscombe. | 0:12:57 | 0:13:01 | |
-Can you remember the plats? -Oh, yeah. Further down this way more. | 0:13:01 | 0:13:05 | |
Cliffie Gosling was the last one down there. | 0:13:05 | 0:13:08 | |
He taught me a lot about different things, about seaweed, what you can do with seaweed. | 0:13:08 | 0:13:13 | |
Where is the best place for seaweed round here? | 0:13:13 | 0:13:16 | |
Down there where it's flat, where they used to send the donkey out, | 0:13:16 | 0:13:19 | |
and one of 'em cut it, and then the donkey used to take it up | 0:13:19 | 0:13:23 | |
and the other one'd take it out of the panniers. | 0:13:23 | 0:13:26 | |
Time to see how Cliffie cut his seaweed fertiliser. | 0:13:27 | 0:13:31 | |
I've been told fresh kelp was highly prized. | 0:13:31 | 0:13:35 | |
To be honest, in the height of summer when it's a beautiful day, this is a really fun job. | 0:13:35 | 0:13:39 | |
I think it might be rather different in the middle of November in the freezing cold. | 0:13:39 | 0:13:44 | |
Once Cliffie had his seaweed, he needed to get it up a 500ft cliff. | 0:13:46 | 0:13:52 | |
He had beasts to bear the burden. | 0:13:59 | 0:14:01 | |
Enter Ginny and Smart, his beloved donkeys. | 0:14:01 | 0:14:06 | |
And I've got my own work buddy, too. | 0:14:06 | 0:14:08 | |
Hello, George. You going to give me a hand? | 0:14:08 | 0:14:11 | |
'Having harvested the bounty of the sea, Cliffie put his kelp to work improving the poor soil.' | 0:14:18 | 0:14:23 | |
This whole piece was dug by hand on a regular basis, | 0:14:25 | 0:14:30 | |
fertilised with seaweed. | 0:14:30 | 0:14:32 | |
These blokes were really scratching a living, | 0:14:40 | 0:14:43 | |
on land that couldn't really be used for anything else, | 0:14:43 | 0:14:45 | |
not suitable for big-scale farming, you couldn't get a plough down here. | 0:14:45 | 0:14:51 | |
These plots may be precarious, | 0:14:51 | 0:14:53 | |
but at least they're warmed by the sea in winter. | 0:14:53 | 0:14:56 | |
The farmers selected crops to make the most of this frost-free zone, | 0:14:56 | 0:15:01 | |
as Sue Dymond knows. | 0:15:01 | 0:15:03 | |
Potatoes were the mainstay and the variety was Epicure, | 0:15:04 | 0:15:07 | |
which they pronounced "apicure", | 0:15:07 | 0:15:09 | |
but all along this coast that was the variety that they grew. | 0:15:09 | 0:15:13 | |
Branscombe Teddies. They always called them teddies, | 0:15:13 | 0:15:16 | |
and they were marketed as such, and the cry used to go up, "Teddies, Branscombe Teddies for sale." | 0:15:16 | 0:15:21 | |
Really? And you'd have to know that that meant taters. | 0:15:21 | 0:15:23 | |
Yes, but all the local people would know that they called them teddies. | 0:15:23 | 0:15:26 | |
-Branscombe Teddies. -Branscombe Teddies, yes. | 0:15:26 | 0:15:29 | |
They didn't eat them themselves, only the kind of reject ones. | 0:15:29 | 0:15:33 | |
They had to get them to market to sell them, | 0:15:33 | 0:15:35 | |
and the money they made saw them through the winter, alongside other jobs. | 0:15:35 | 0:15:39 | |
-Bought the bread, paid the rent. -Yeah. | 0:15:39 | 0:15:42 | |
Plats were passed on from father to son and that was how it was, | 0:15:42 | 0:15:45 | |
it was very hard to work your way in if... if you didn't already have a plat, | 0:15:45 | 0:15:50 | |
and the end of the plats was when the sons didn't want to do it. | 0:15:50 | 0:15:54 | |
It was the 1960s and it was more or less all ended along this coast at that time. | 0:15:54 | 0:15:59 | |
By the Swinging Sixties, Cliffie had his own Flower Power revolution. | 0:16:01 | 0:16:06 | |
He ended his days selling blooms to the tourists. | 0:16:06 | 0:16:09 | |
The cunning combination of fishing and farming | 0:16:11 | 0:16:14 | |
that kept generations going through good and bad times | 0:16:14 | 0:16:17 | |
was gone with the sea breeze. | 0:16:17 | 0:16:20 | |
The cliff men and their donkeys managed to carve a life along here, on this edge of land. | 0:16:21 | 0:16:28 | |
I mean, it must have been pretty tough at times, but you can see that there would be compensations. | 0:16:28 | 0:16:33 | |
Caught between the fat of the land and the bounty of the sea, | 0:16:33 | 0:16:37 | |
it does have its attractions. | 0:16:37 | 0:16:40 | |
There's evidence of how we like to live beyond the edge | 0:16:48 | 0:16:52 | |
all around our coast. | 0:16:52 | 0:16:55 | |
Seaside piers reaching from the shore. | 0:16:56 | 0:17:01 | |
For years we've built these walkways into the sea, | 0:17:13 | 0:17:18 | |
peninsulas of pleasure that prompt us to push the boundaries | 0:17:18 | 0:17:22 | |
and reach into the unknown. | 0:17:22 | 0:17:24 | |
Out here we're free to reinvent ourselves, | 0:17:24 | 0:17:29 | |
as they know in Southwold. | 0:17:29 | 0:17:32 | |
Nowadays, piers might seem a little long in the tooth, | 0:17:35 | 0:17:39 | |
but here a maverick machine maker is re-inventing traditional attractions. | 0:17:39 | 0:17:46 | |
I'm Tim Hunkin, I'm an engineer and I'm also a cartoonist. | 0:17:46 | 0:17:51 | |
The last ten years, I've been making machines for my amusement arcade, | 0:17:51 | 0:17:55 | |
The Under The Pier Show, and I love it. | 0:17:55 | 0:17:59 | |
This is my arcade. It's all homemade, mostly by me. | 0:18:02 | 0:18:07 | |
You can take a dog for a walk, you can enter the mind of a fly. | 0:18:07 | 0:18:13 | |
-BUZZING -Where is that damn fly?! | 0:18:13 | 0:18:16 | |
This is one of the most popular machines at the moment, you have to hit the bankers. | 0:18:16 | 0:18:21 | |
It's really difficult to make the hammers last | 0:18:21 | 0:18:24 | |
more than a couple of weeks. | 0:18:24 | 0:18:25 | |
I've made machines all my life, | 0:18:28 | 0:18:30 | |
but about ten years ago I had a bit of a breakthrough. | 0:18:30 | 0:18:34 | |
It finally became possible to add video, so I could finally have | 0:18:34 | 0:18:37 | |
little movies as part of my machines, and this was really exciting. | 0:18:37 | 0:18:42 | |
Bringing video into my arcade had a sort of strange parallel | 0:18:45 | 0:18:49 | |
with 100 years ago. | 0:18:49 | 0:18:51 | |
In 1894, Thomas Edison, who invented the light bulb | 0:18:51 | 0:18:55 | |
and all sorts of things, introduced the Kinetoscope. | 0:18:55 | 0:18:58 | |
This was a coin-operated movie player, and it was the first time | 0:18:59 | 0:19:04 | |
that people could see proper movies in arcades. | 0:19:04 | 0:19:09 | |
As people had never seen a moving...a movie before, | 0:19:16 | 0:19:19 | |
they were happy to just watch anything that moved. | 0:19:19 | 0:19:22 | |
One of the reels was just a man sneezing. | 0:19:22 | 0:19:24 | |
Some of them seem quite bizarre. I mean, the boxing cats... | 0:19:24 | 0:19:29 | |
You might think it's cruel but nobody was shocked by it at the time. | 0:19:29 | 0:19:34 | |
There was a continuous loop of film that looped backwards and forwards inside the machine, | 0:19:34 | 0:19:39 | |
giving a movie that lasts about 20 seconds. | 0:19:39 | 0:19:42 | |
It was influential, if nothing else, because the size of the film, | 0:19:42 | 0:19:46 | |
and the spacing of all the perforations, | 0:19:46 | 0:19:49 | |
stuck, and became the standard for 35mm film. | 0:19:49 | 0:19:54 | |
I've come to the model village in Great Yarmouth | 0:19:59 | 0:20:03 | |
to see one of the descendants of Edison's Kinetoscope - | 0:20:03 | 0:20:06 | |
the Mutoscope. | 0:20:06 | 0:20:09 | |
They're basically just like flip books. | 0:20:09 | 0:20:12 | |
Inside... | 0:20:12 | 0:20:14 | |
..there are 840 cards on this reel, | 0:20:17 | 0:20:21 | |
..and when you put the money in, the drum rotates. | 0:20:23 | 0:20:26 | |
This is a good example, | 0:20:29 | 0:20:32 | |
because most of the subjects involved scantily dressed girls, | 0:20:32 | 0:20:36 | |
and obviously some people were quite shocked by this. | 0:20:36 | 0:20:40 | |
Erm, in 1907 there was a case | 0:20:40 | 0:20:42 | |
involving the display of obscene materials | 0:20:42 | 0:20:45 | |
involving four Mutoscope titles. | 0:20:45 | 0:20:48 | |
One was called What The Butler Saw. This is the name that stuck, | 0:20:48 | 0:20:51 | |
and since then Mutoscopes have been known as What The Butler Saw Machines. | 0:20:51 | 0:20:55 | |
RECORDED LAUGHTER | 0:20:55 | 0:20:58 | |
People come on a pier to have fun. I don't think there's anywhere else | 0:21:00 | 0:21:04 | |
that people would be quite so eager to do silly things | 0:21:04 | 0:21:08 | |
like lie on an exercise bed while everybody's watching them, | 0:21:08 | 0:21:12 | |
take a fibreglass dog for a walk | 0:21:12 | 0:21:14 | |
or cross a motorway with a Zimmer frame anywhere else. | 0:21:14 | 0:21:17 | |
Preserving the traditions of life beyond the edge | 0:21:23 | 0:21:27 | |
is a challenge all around our shores. | 0:21:27 | 0:21:30 | |
On the west coast of Scotland, old ways of working have been steadily eroded. | 0:21:31 | 0:21:36 | |
Slate miners quarried away at these islands for generations, | 0:21:37 | 0:21:41 | |
but eventually the industry ate itself up. | 0:21:41 | 0:21:45 | |
Others are determined to keep ploughing a lonely furrow, | 0:21:47 | 0:21:52 | |
working with their livestock, making the most of a marginal existence. | 0:21:52 | 0:21:58 | |
An age-old lifestyle still survives on the Isle of Lewis. | 0:22:05 | 0:22:09 | |
Andy Torbet is in search of the sea shepherds. | 0:22:15 | 0:22:20 | |
The folk of the Western Isles must turn their hands to many trades. | 0:22:22 | 0:22:27 | |
It's no surprise to find a fishing harbour, but the men I'm off to see | 0:22:28 | 0:22:32 | |
aren't after catching fish. They want much bigger beasts - sheep. | 0:22:32 | 0:22:36 | |
Here on Lewis, rearing sheep is an offshore enterprise. | 0:22:39 | 0:22:44 | |
Uninhabited isles with steep cliffs make perfect natural pens. | 0:22:46 | 0:22:50 | |
You can put the flock out here and forget all about them. | 0:22:50 | 0:22:55 | |
A style of farming that's as old as the hills. | 0:22:55 | 0:22:58 | |
But I'm here to see one of the new boys. | 0:23:00 | 0:23:03 | |
Sandy Granville spent 25 years as a barrister in London, | 0:23:03 | 0:23:07 | |
then he swapped sharp suits for woolly fleeces. | 0:23:07 | 0:23:11 | |
Now I'm signing on for a tour of duty as a sea shepherd. | 0:23:14 | 0:23:18 | |
-Nice to see you. -You too. | 0:23:18 | 0:23:20 | |
Sandy, I didn't expect to be meeting some shepherds on a pier side. | 0:23:20 | 0:23:24 | |
-Where are the sheep? -The sheep are all on the island over there, | 0:23:24 | 0:23:28 | |
only you can't see any of them just at the moment, | 0:23:28 | 0:23:31 | |
but they're all there in ones and twos and threes, all over that hill, | 0:23:31 | 0:23:35 | |
probably a lot of them up in the... up in the mist at the top, | 0:23:35 | 0:23:39 | |
and they're really wild. These are not sheep as... | 0:23:39 | 0:23:43 | |
-you know them. -As we know it! | 0:23:43 | 0:23:46 | |
'If the sheep are intimidating, then so are the shepherds, | 0:23:47 | 0:23:50 | |
'a close-knit clan of Gaelic speakers.' | 0:23:50 | 0:23:54 | |
MEN SPEAK GAELIC | 0:23:54 | 0:23:57 | |
'Sandy's family were from Lewis, | 0:23:57 | 0:24:00 | |
'but it's taken him years to earn his spurs with the sheep men.' | 0:24:00 | 0:24:03 | |
What was it like coming into this community from the outside? | 0:24:04 | 0:24:08 | |
The people on the hills aren't always so keen to have newcomers, | 0:24:08 | 0:24:12 | |
cos nobody wants complete incompetents, | 0:24:12 | 0:24:15 | |
and of course as a beginner that's just what you are, so they.. | 0:24:15 | 0:24:19 | |
To start with it's rather difficult, | 0:24:19 | 0:24:21 | |
they don't tell you when the sheep are going to be gathered cos they don't want you there. | 0:24:21 | 0:24:26 | |
'The sheep we're after have spent a year living alone | 0:24:28 | 0:24:31 | |
'beyond the edge, running wild on the island of Seaforth. | 0:24:31 | 0:24:35 | |
'Our mission is to round them up for market. | 0:24:35 | 0:24:38 | |
'Everyone seems to know their place - except me. | 0:24:44 | 0:24:48 | |
'As soon as we arrive, the shepherds take off.' | 0:24:50 | 0:24:54 | |
SHEPHERDS WHISTLE | 0:24:54 | 0:24:57 | |
'The plan was to split up and stay in sight.' | 0:24:57 | 0:25:00 | |
'That's a bit tricky in the fog. | 0:25:04 | 0:25:06 | |
'Soon I'm alone, just like the sheep. | 0:25:06 | 0:25:10 | |
'No sign of them or my guides.' | 0:25:10 | 0:25:12 | |
Obviously the shepherds know this land like the back of their hands, | 0:25:17 | 0:25:20 | |
so we've only just started, but because the mist closed right down... | 0:25:20 | 0:25:24 | |
I might have mislaid myself already. | 0:25:24 | 0:25:27 | |
But I think I heard whistling over in that direction | 0:25:27 | 0:25:31 | |
so I'm going to crack on. | 0:25:31 | 0:25:33 | |
'No sheep, but a familiar figure emerges through the mist.' | 0:25:40 | 0:25:44 | |
-I lost you for a bit, Sandy. -Hi, Andy. -How are you doing, mate? Mist is... | 0:25:44 | 0:25:48 | |
Sometimes you can see, and sometimes you can't. | 0:25:48 | 0:25:52 | |
It's quite a wild, rugged placed. How do the sheep cope out here? | 0:25:52 | 0:25:55 | |
They've been bred to it. They're Lewis Blackfaces - love this, and they thrive on it. | 0:25:55 | 0:26:00 | |
So why keep them on an island at all? | 0:26:00 | 0:26:02 | |
You know they're here. You're going to find them if they're hiding behind a rock. | 0:26:02 | 0:26:07 | |
Do you ever lose any? | 0:26:07 | 0:26:09 | |
Well, you sometimes don't get them all in the gather. | 0:26:09 | 0:26:12 | |
If we get them all today it will be a miracle. | 0:26:12 | 0:26:14 | |
It's a bit tricky in the mist, I expect one or two sneaked past us. | 0:26:14 | 0:26:18 | |
'I think it's more than a few that have sneaked past me. | 0:26:18 | 0:26:21 | |
'Fluffy white fleeces in a world of fog? | 0:26:24 | 0:26:27 | |
'Hmm, tricky.' | 0:26:27 | 0:26:29 | |
I've not seen a sheep yet at all. | 0:26:33 | 0:26:35 | |
I have seen one sheepdog somewhere down there | 0:26:35 | 0:26:38 | |
and I can just make out one of the shepherds through the mist. | 0:26:38 | 0:26:41 | |
'And then, he's gone again. | 0:26:44 | 0:26:45 | |
'I could do with a sheepdog to round up the shepherds. | 0:26:46 | 0:26:49 | |
'When the mist does lift, it's clear they've been busy | 0:26:49 | 0:26:53 | |
'while I've been looking for them.' | 0:26:53 | 0:26:56 | |
'The sheep are being sorted, some for market, some for shearing. | 0:26:59 | 0:27:04 | |
'With no electricity, they have to be clipped by hand.' | 0:27:04 | 0:27:08 | |
'Have I got the knack?' | 0:27:13 | 0:27:15 | |
I think you must have a bit of crafting blood in you. | 0:27:17 | 0:27:20 | |
It's just coming naturally to you. | 0:27:20 | 0:27:23 | |
They're much kind of wilder than your normal sheep. | 0:27:23 | 0:27:26 | |
-They're wild animals really. -Hardy breed. -They don't have a great deal to do with people. | 0:27:26 | 0:27:31 | |
This is real freedom food, but it's always been a hard life, | 0:27:31 | 0:27:34 | |
it's never been easy, no more easy or difficult now than it ever was. | 0:27:34 | 0:27:38 | |
'The ones staying get a once-over, ready for another year alone. | 0:27:40 | 0:27:44 | |
'The ones going for mutton get a boat ride, but they don't seem too keen.' | 0:27:45 | 0:27:50 | |
Hold on, hold on, hold on. | 0:27:50 | 0:27:54 | |
HE SPEAKS GAELIC | 0:27:54 | 0:27:57 | |
They're much more feisty than I think you'd normally get. | 0:27:59 | 0:28:01 | |
They've got a fair amount of power as well, they just run up and down the mountain free the whole year around, | 0:28:01 | 0:28:07 | |
so they're a lot stronger, I think, than your average sheep, and not always the most co-operative either. | 0:28:07 | 0:28:13 | |
'To persuade them, you've got to get hands-on...and legs.' | 0:28:15 | 0:28:19 | |
'Negotiating the slippery rocks on a sheep is as hard as it looks. | 0:28:23 | 0:28:27 | |
'I'd rather ride a quad bike than a quadruped! | 0:28:28 | 0:28:32 | |
'We're cutting it a bit close with the tide, but after a final tussle | 0:28:33 | 0:28:38 | |
'to get it off the rocks, the last boatful of sheep leaves the island. | 0:28:38 | 0:28:43 | |
'For the ones staying, it's back to freedom.' | 0:28:43 | 0:28:46 | |
Off they go, that's them back to their hill. | 0:28:46 | 0:28:48 | |
MAN SPEAKS GAELIC | 0:28:48 | 0:28:53 | |
'But what does the future hold for the sea shepherds?' | 0:28:55 | 0:28:58 | |
This may be the last generation that you'll see working out here. | 0:28:58 | 0:29:01 | |
That's why they're an endangered species, | 0:29:01 | 0:29:04 | |
there's not many of them left. | 0:29:04 | 0:29:06 | |
Because they're not young, these chaps, and who's coming next? | 0:29:06 | 0:29:10 | |
I suspect when...when we've finished there'll be no sheep on these hills. | 0:29:10 | 0:29:15 | |
'It's a stark assessment of a hard way of life beyond the edge | 0:29:17 | 0:29:21 | |
'that could soon disappear. | 0:29:21 | 0:29:23 | |
'When the boats of the sea shepherds will be seen no more.' | 0:29:23 | 0:29:27 | |
I'm on a journey, | 0:29:40 | 0:29:42 | |
far beyond Land's End to the very edge of the Isles of Scilly. | 0:29:42 | 0:29:47 | |
Bathed in clear blue water, warmed by the Gulf Stream, | 0:29:51 | 0:29:57 | |
these sandy shores look and feel more like the Caribbean. | 0:29:57 | 0:30:03 | |
The Tropical Gardens on Tresco | 0:30:04 | 0:30:08 | |
thrive in a frost-free environment. | 0:30:08 | 0:30:12 | |
No need for a greenhouse. | 0:30:12 | 0:30:14 | |
Exotic plants bloom in the open air, | 0:30:15 | 0:30:18 | |
not hiding behind glass. | 0:30:18 | 0:30:21 | |
The soil's wrapped in its blanket of balmy water. | 0:30:21 | 0:30:26 | |
Out here, boundaries are blurred | 0:30:26 | 0:30:29 | |
between land and sea. | 0:30:29 | 0:30:31 | |
The edges become fuzzy. | 0:30:31 | 0:30:33 | |
Hidden away in the lush greenery, | 0:30:36 | 0:30:38 | |
there's more evidence | 0:30:38 | 0:30:40 | |
of the importance of the sea to these islands. | 0:30:40 | 0:30:43 | |
Extraordinary. It's a sanctuary for the spirits of lost ships. | 0:30:45 | 0:30:50 | |
Very beautiful. | 0:30:50 | 0:30:52 | |
These figureheads look back to times long ago | 0:30:57 | 0:31:00 | |
and age-old trade routes. | 0:31:00 | 0:31:02 | |
Thousands of years ago, back in the ancient times, | 0:31:07 | 0:31:11 | |
traders didn't see the Isles of Scilly as the end of Britain, | 0:31:11 | 0:31:14 | |
but as the beginning. | 0:31:14 | 0:31:17 | |
Look at the map with Bronze Age eyes. | 0:31:19 | 0:31:21 | |
For ancient Greece to make bronze, | 0:31:21 | 0:31:25 | |
they needed tin. | 0:31:25 | 0:31:27 | |
Coming to collect tin from Cornwall, | 0:31:27 | 0:31:29 | |
merchants may well have stopped off on the Isles of Scilly. | 0:31:29 | 0:31:33 | |
Out there is the submerged home | 0:31:35 | 0:31:37 | |
of some of our Bronze Age ancestors, | 0:31:37 | 0:31:39 | |
a lost land that is rarely revealed. | 0:31:39 | 0:31:42 | |
I just need to wait for the tide to ebb. | 0:31:42 | 0:31:45 | |
At this exceptionally low tide, | 0:31:53 | 0:31:56 | |
the seabed that was once land is exposed. | 0:31:56 | 0:32:00 | |
People used to live out here | 0:32:00 | 0:32:03 | |
before the water level rose | 0:32:03 | 0:32:05 | |
thousands of years ago. | 0:32:05 | 0:32:07 | |
Now I can walk back to the Bronze Age. | 0:32:08 | 0:32:12 | |
My guide is historian Amanda Martin. | 0:32:12 | 0:32:16 | |
What would this landscape have looked like in the Bronze Age? | 0:32:16 | 0:32:20 | |
This area here, which is the Tresco Channel, | 0:32:20 | 0:32:22 | |
would have been an area of tidal swamp | 0:32:22 | 0:32:25 | |
fringed with the salt marshes, | 0:32:25 | 0:32:28 | |
a place of very primitive cultivation. | 0:32:28 | 0:32:31 | |
What evidence have you got that they were farming down here | 0:32:31 | 0:32:34 | |
on what is now sand and a tidal channel at high tide? | 0:32:34 | 0:32:37 | |
We've got some evidence of boundary walls, field boundaries. | 0:32:37 | 0:32:41 | |
They wouldn't have been the sophisticated fields | 0:32:41 | 0:32:44 | |
we can see from the modern era. They would have been far more rudimentary. | 0:32:44 | 0:32:48 | |
So compared to these very neat dry stone walls behind us, | 0:32:48 | 0:32:51 | |
the walls we're talking about back in the Bronze Age | 0:32:51 | 0:32:54 | |
-were much more crude. -Absolutely. | 0:32:54 | 0:32:56 | |
From the ground, you can see tantalising lines of stones. | 0:32:58 | 0:33:02 | |
But from the air, you begin to notice man-made rock boundaries, | 0:33:03 | 0:33:09 | |
unnaturally straight lines | 0:33:09 | 0:33:11 | |
just visible in the chaos of debris. | 0:33:11 | 0:33:15 | |
These walls are what remains of ancient farmland. | 0:33:15 | 0:33:19 | |
Once, the separate Isles of Scilly were joined together | 0:33:23 | 0:33:26 | |
in one large land mass. | 0:33:26 | 0:33:28 | |
What's now the edge of these islands | 0:33:30 | 0:33:32 | |
was once their heart. | 0:33:32 | 0:33:34 | |
The farms were lost as the water level went up | 0:33:36 | 0:33:40 | |
when ice melted millennia ago. | 0:33:40 | 0:33:42 | |
This journey out to the edge of our isles | 0:33:45 | 0:33:48 | |
is a voyage back thousands of years in time. | 0:33:48 | 0:33:51 | |
We've gone beyond written history. | 0:33:51 | 0:33:54 | |
What happened to the people out here as sea levels rose | 0:33:54 | 0:33:57 | |
was passed on by storytellers down through the generations | 0:33:57 | 0:34:01 | |
and remembered as myths and legends. | 0:34:01 | 0:34:04 | |
The legend has it that once upon a time, | 0:34:07 | 0:34:10 | |
the Isles of Scilly were connected to Cornwall. | 0:34:10 | 0:34:13 | |
What's now the Atlantic | 0:34:16 | 0:34:18 | |
was supposedly the lost kingdom of Lyonesse. | 0:34:18 | 0:34:22 | |
A mythical world | 0:34:27 | 0:34:28 | |
which may have given rise to tales of the Round Table and its knights. | 0:34:28 | 0:34:33 | |
Some say Lyonesse is the resting place of King Arthur himself. | 0:34:35 | 0:34:40 | |
If that great kingdom did exist, | 0:34:43 | 0:34:46 | |
the most westerly tip of the Isles of Scilly | 0:34:46 | 0:34:49 | |
would have actually been Land's End. | 0:34:49 | 0:34:51 | |
And that's where I'm heading, | 0:34:54 | 0:34:56 | |
continuing west till I come to a full stop | 0:34:56 | 0:34:59 | |
and find the last house on the very edge of England. | 0:34:59 | 0:35:03 | |
I'm not the only time-traveller around our shores. | 0:35:10 | 0:35:14 | |
Fossil hunters pick away at crumbly cliffs, | 0:35:16 | 0:35:19 | |
hoping to prise out a prize specimen | 0:35:19 | 0:35:22 | |
from the age of the dinosaurs | 0:35:22 | 0:35:24 | |
or beyond. | 0:35:24 | 0:35:27 | |
Our coast remembers a time | 0:35:27 | 0:35:29 | |
long before the big beasts of the Jurassic period. | 0:35:29 | 0:35:33 | |
We can go much further back than the dinosaurs | 0:35:36 | 0:35:40 | |
with a stop at St David's. | 0:35:40 | 0:35:42 | |
Today, this tiny city draws the crowds | 0:35:47 | 0:35:50 | |
because of its big cathedral. | 0:35:50 | 0:35:53 | |
But in Victorian times, the craggy cliffs nearby | 0:35:53 | 0:35:56 | |
were crawling with scientists, | 0:35:56 | 0:36:00 | |
challenging the church's view of the world. | 0:36:00 | 0:36:03 | |
Hermione is puzzled by the age of the Earth. | 0:36:03 | 0:36:07 | |
150 years ago, | 0:36:15 | 0:36:16 | |
our coast was causing a commotion. | 0:36:16 | 0:36:19 | |
Ideas about the Earth were evolving rapidly | 0:36:19 | 0:36:22 | |
thanks to Victorian naturalists probing the edge for knowledge. | 0:36:22 | 0:36:27 | |
One of the scientists who came to this shore was J W Salter, | 0:36:28 | 0:36:32 | |
a palaeontologist working | 0:36:32 | 0:36:34 | |
for the British Geological Survey. | 0:36:34 | 0:36:36 | |
In 1862, Salter's boat took a wrong turning | 0:36:36 | 0:36:39 | |
and he landed purely by chance at this rocky inlet near St David's | 0:36:39 | 0:36:43 | |
called Porth y Rhaw. | 0:36:43 | 0:36:45 | |
Maybe it was divine intervention that steered him off course. | 0:36:47 | 0:36:51 | |
Whatever the reason, | 0:36:51 | 0:36:52 | |
he made a startling discovery. | 0:36:52 | 0:36:54 | |
Salter uncovered evidence here that supported the idea | 0:36:56 | 0:37:00 | |
that the Earth hadn't just existed for thousands of years, | 0:37:00 | 0:37:03 | |
it had to be hundreds of millions of years old. | 0:37:03 | 0:37:06 | |
A literal reading of the Bible | 0:37:08 | 0:37:10 | |
suggested the world was around 6,000 years old. | 0:37:10 | 0:37:13 | |
Salter found a fossil that said otherwise. | 0:37:15 | 0:37:18 | |
-Hi, Bob. -Hi. | 0:37:18 | 0:37:19 | |
'Dr Robert Owens knows that priceless fossil better than most.' | 0:37:19 | 0:37:24 | |
-So, Bob, tell us about what Salter found here. -Well, he found these. | 0:37:24 | 0:37:28 | |
-My goodness. -Giant trilobites. | 0:37:30 | 0:37:32 | |
This one I'm holding in my hand comes from this very spot. | 0:37:32 | 0:37:35 | |
-This is enormous. -Absolutely, yes. | 0:37:35 | 0:37:38 | |
Imagine splitting a rock open and that's facing you. | 0:37:38 | 0:37:41 | |
What would this creature have been like when it was living? | 0:37:41 | 0:37:44 | |
Well, it's a distant relative of the crabs, lobsters, scorpions, | 0:37:44 | 0:37:48 | |
spiders - the arthropods, that group of animals. | 0:37:48 | 0:37:51 | |
This probably lived on the seabed crawling around | 0:37:51 | 0:37:53 | |
and it was probably a predator scavenger, | 0:37:53 | 0:37:56 | |
was probably fairly high up in the food chain. | 0:37:56 | 0:37:58 | |
How old are these trilobites? | 0:37:58 | 0:38:01 | |
On our present estimates, they're about 505 million years old. | 0:38:01 | 0:38:04 | |
505, so that's a lot, lot older than any dinosaur, for example. | 0:38:04 | 0:38:08 | |
Yes, over twice as old as the oldest dinosaur. | 0:38:08 | 0:38:12 | |
-Right back to the beginnings of large life forms. -That's right. | 0:38:12 | 0:38:15 | |
This geological period they come from, | 0:38:15 | 0:38:17 | |
it's called the Cambrian, after... | 0:38:17 | 0:38:19 | |
After Wales, where rocks of this age were first recognised. | 0:38:19 | 0:38:22 | |
A truly Welsh fossil, then. | 0:38:22 | 0:38:23 | |
If there were to be a national fossil of Wales, | 0:38:23 | 0:38:26 | |
I think this might well be it. | 0:38:26 | 0:38:27 | |
The Welsh trilobite helped prove | 0:38:29 | 0:38:31 | |
that the Earth was old enough for life to evolve. | 0:38:31 | 0:38:35 | |
But the fossil found here also tells a remarkable story | 0:38:35 | 0:38:39 | |
about the evolution of the planet itself. | 0:38:39 | 0:38:44 | |
Welsh trilobites | 0:38:44 | 0:38:45 | |
aren't only found in Wales. | 0:38:45 | 0:38:48 | |
Look at this. | 0:38:48 | 0:38:49 | |
This is a postage stamp from Canada | 0:38:49 | 0:38:52 | |
and the fossil depicted on it is a trilobite | 0:38:52 | 0:38:54 | |
and not only a trilobite, | 0:38:54 | 0:38:55 | |
it's Paradoxides davidis | 0:38:55 | 0:38:57 | |
and that is the very trilobite we get in Porth y Rhaw. | 0:38:57 | 0:39:00 | |
If you look at the rocks of Eastern Newfoundland of the Cambrian age, | 0:39:00 | 0:39:04 | |
you find exactly the same fossils in them, the same trilobites | 0:39:04 | 0:39:07 | |
including Paradoxides davidis. | 0:39:07 | 0:39:09 | |
How has that come about? | 0:39:09 | 0:39:10 | |
Well, we now know that | 0:39:10 | 0:39:12 | |
500 and more million years ago, | 0:39:12 | 0:39:14 | |
what is now Wales, what is now Newfoundland, were all located | 0:39:14 | 0:39:18 | |
on the margins of a vast continent called Gondwana | 0:39:18 | 0:39:20 | |
and this was about 60 degrees south of the equator. | 0:39:20 | 0:39:24 | |
So when the trilobites were alive in the sea, | 0:39:24 | 0:39:27 | |
Wales and that part of Canada were part of the same continent. | 0:39:27 | 0:39:30 | |
Exactly, yes. They all lay quite close to one another. | 0:39:30 | 0:39:34 | |
Hundreds of millions of years ago, | 0:39:36 | 0:39:38 | |
what's now Wales and Canada | 0:39:38 | 0:39:40 | |
were jigsaw pieces in one massive continent. | 0:39:40 | 0:39:43 | |
Over time they started to drift apart | 0:39:45 | 0:39:47 | |
and as the geological plates split open, | 0:39:47 | 0:39:50 | |
they formed the vast Atlantic. | 0:39:50 | 0:39:53 | |
This stranded identical trilobites on the coast of Wales and Canada. | 0:39:53 | 0:39:58 | |
And because of that, our quintessentially Welsh fossil | 0:40:00 | 0:40:03 | |
ends up over in Canada on one of their stamps. | 0:40:03 | 0:40:06 | |
Yes, we have to share it | 0:40:06 | 0:40:07 | |
but we got to name it first as we found it first. | 0:40:07 | 0:40:10 | |
It's remarkable to think | 0:40:10 | 0:40:12 | |
that this imprint in Welsh stone | 0:40:12 | 0:40:15 | |
tells an epic tale | 0:40:15 | 0:40:17 | |
of the birth of the Atlantic Ocean. | 0:40:17 | 0:40:20 | |
When it's angry, the mighty Atlantic pounds its fury most strongly | 0:40:29 | 0:40:35 | |
against the shore of Ireland. | 0:40:35 | 0:40:38 | |
Spectacular cliffs rise up to resist the battering, | 0:40:38 | 0:40:43 | |
eaten away over ages to create a fearsome edge. | 0:40:43 | 0:40:46 | |
For millennia, people have stood on the brink | 0:40:49 | 0:40:52 | |
and dreamt of what lies beyond... | 0:40:52 | 0:40:54 | |
..but the endless sea seemed impossible to cross. | 0:40:56 | 0:41:00 | |
The Vikings may have managed it | 0:41:01 | 0:41:04 | |
and an Irish saint's said to have done it | 0:41:04 | 0:41:06 | |
before Columbus conquered the Atlantic | 0:41:06 | 0:41:10 | |
and claimed the New World for Spain. | 0:41:10 | 0:41:13 | |
Now, in Wales, | 0:41:13 | 0:41:15 | |
they're planning perhaps the most remarkable Atlantic mission ever | 0:41:15 | 0:41:20 | |
from a base in Aberystwyth. | 0:41:20 | 0:41:24 | |
At the university, | 0:41:28 | 0:41:29 | |
experts in robotics are trying to teach a boat to think for itself | 0:41:29 | 0:41:34 | |
and sail itself to America without any help. | 0:41:34 | 0:41:38 | |
Their prototype robo-boat even speaks for itself, | 0:41:39 | 0:41:44 | |
rather alarmingly. | 0:41:44 | 0:41:46 | |
-(COMPUTERISED VOICE) -This is the autonomous sailing robot Beagle-B. | 0:41:46 | 0:41:51 | |
Beagle-B is the brainchild of Mark Neal and Colin Sauze. | 0:41:51 | 0:41:55 | |
In a race beyond the edge, | 0:41:57 | 0:41:59 | |
they're competing against the Americans and French | 0:41:59 | 0:42:02 | |
to cross the Atlantic remotely. | 0:42:02 | 0:42:05 | |
The idea is that she sails herself completely. | 0:42:05 | 0:42:08 | |
She has a control system, a small computer on board, | 0:42:08 | 0:42:11 | |
that adjusts the position of the wing and rudder. | 0:42:11 | 0:42:13 | |
She can work out for herself how to control where she's going. | 0:42:13 | 0:42:17 | |
But before they risk Beagle-B on the ravages of the Atlantic, | 0:42:19 | 0:42:23 | |
they want to try her on home waters. | 0:42:23 | 0:42:26 | |
Do you want a hand or are you all right? | 0:42:28 | 0:42:30 | |
101 things can go wrong when you try to build an autonomous robot. | 0:42:30 | 0:42:34 | |
Components fail, water gets into things, | 0:42:34 | 0:42:37 | |
cables break, errors in the code. | 0:42:37 | 0:42:39 | |
-No wind. -No wind. | 0:42:39 | 0:42:40 | |
Magnetic anomalies on the seabed can mess up the compass. | 0:42:40 | 0:42:43 | |
This is one of the longest courses | 0:42:43 | 0:42:45 | |
we've tried to sail so far. | 0:42:45 | 0:42:46 | |
It's THE longest course we've tried to sail. | 0:42:46 | 0:42:49 | |
-The very longest? -Yeah, by about a kilometre | 0:42:49 | 0:42:51 | |
-further than we did before. -OK. That's exciting. | 0:42:51 | 0:42:54 | |
Beagle-B gets a helping hand into open water, | 0:43:00 | 0:43:05 | |
but soon she'll be on her own. | 0:43:05 | 0:43:07 | |
Once they press the button to launch Beagle-B's computer programme, | 0:43:08 | 0:43:12 | |
she'll be thinking for herself. | 0:43:12 | 0:43:14 | |
OK, Colin, are you ready? | 0:43:14 | 0:43:16 | |
-Yeah. -OK, start her, then. | 0:43:16 | 0:43:18 | |
Right, just starting the programme now. | 0:43:20 | 0:43:23 | |
Now it's doing strange things. Just a minute. | 0:43:30 | 0:43:34 | |
There's no action that it's moving. | 0:43:34 | 0:43:36 | |
Beagle-B's still asleep. | 0:43:36 | 0:43:39 | |
I ran the wrong command. | 0:43:39 | 0:43:42 | |
Just a bit of finger trouble. | 0:43:42 | 0:43:44 | |
The robot's re-booted. | 0:43:44 | 0:43:46 | |
-(COMPUTERISED VOICE) -This is the autonomous sailing robot Beagle-B. | 0:43:46 | 0:43:52 | |
Yeah, she's free. | 0:43:53 | 0:43:55 | |
She looks good. | 0:43:59 | 0:44:01 | |
Dead on course, 10km to go. | 0:44:01 | 0:44:03 | |
West - campus heading. | 0:44:04 | 0:44:07 | |
-Now she's master of her own destiny. -Four degrees... | 0:44:07 | 0:44:11 | |
Beagle-B's computer brain adjusts the carbon fibre sail | 0:44:11 | 0:44:16 | |
-and the rudder. -The relative wind direction is... | 0:44:16 | 0:44:20 | |
-A human wouldn't be able to do any better. -So we're pretty happy. | 0:44:20 | 0:44:24 | |
Nothing's broken yet, either, which is always good. | 0:44:24 | 0:44:27 | |
They're not controlling her, | 0:44:27 | 0:44:29 | |
just monitoring her every move. | 0:44:29 | 0:44:31 | |
The sail position at...two. | 0:44:32 | 0:44:35 | |
The rudder position at...zero. | 0:44:35 | 0:44:38 | |
Hopefully, this success will launch a new era. | 0:44:42 | 0:44:46 | |
One day, a robot boat might sail herself over the horizon | 0:44:46 | 0:44:52 | |
and never look back. | 0:44:52 | 0:44:54 | |
Message ends. | 0:44:54 | 0:44:55 | |
Adventures beyond the edge | 0:45:04 | 0:45:07 | |
to cross wild oceans | 0:45:07 | 0:45:09 | |
have inspired engineers to greatness. | 0:45:09 | 0:45:12 | |
One such story of a mighty ship | 0:45:14 | 0:45:18 | |
lies forgotten in the mud of the Mersey at Liverpool. | 0:45:18 | 0:45:22 | |
Mark is here to give an old friend | 0:45:24 | 0:45:28 | |
the send-off she deserves. | 0:45:28 | 0:45:30 | |
A little while ago, | 0:45:35 | 0:45:37 | |
I was part of a remarkable discovery. | 0:45:37 | 0:45:39 | |
Hang on, there's a trowel for you. | 0:45:39 | 0:45:41 | |
Isn't that wonderful? | 0:45:44 | 0:45:45 | |
There it is... | 0:45:45 | 0:45:46 | |
as fresh as it comes! | 0:45:46 | 0:45:49 | |
Buried ironwork | 0:45:49 | 0:45:51 | |
from a mighty ship scrapped here over 100 years ago. | 0:45:51 | 0:45:56 | |
The Great Eastern was once the largest vessel on earth. | 0:45:58 | 0:46:02 | |
She was built for non-stop passage to Australia, | 0:46:04 | 0:46:07 | |
but ended up being sold off | 0:46:07 | 0:46:11 | |
as a floating billboard, | 0:46:11 | 0:46:14 | |
before being broken up. | 0:46:14 | 0:46:17 | |
But I won't let the old girl die in such disgrace. | 0:46:18 | 0:46:22 | |
Before she ended her life here in the mud | 0:46:22 | 0:46:26 | |
on the banks of the Mersey, | 0:46:26 | 0:46:27 | |
she was responsible for one of the great engineering triumphs | 0:46:27 | 0:46:31 | |
of the 19th century. | 0:46:31 | 0:46:33 | |
It's a story that's seldom told, until now! | 0:46:33 | 0:46:38 | |
This great ship launched the information age. | 0:46:39 | 0:46:42 | |
It's a dazzling tale of astonishing audacity. | 0:46:44 | 0:46:48 | |
Her mission - | 0:46:48 | 0:46:50 | |
to lay a telegraph cable across the entire Atlantic, | 0:46:50 | 0:46:54 | |
to send messages from continent to continent. | 0:46:54 | 0:46:59 | |
This is the story of how the Great Eastern | 0:46:59 | 0:47:02 | |
wired Britain to America. | 0:47:02 | 0:47:04 | |
MUSIC: "Star Spangled Banner" by Francis Scott Key | 0:47:04 | 0:47:08 | |
The celebrations for the Transatlantic cable were sweet, | 0:47:08 | 0:47:12 | |
because of the failures that went before. | 0:47:12 | 0:47:16 | |
Messages used to travel | 0:47:19 | 0:47:21 | |
at the speed of sail. | 0:47:21 | 0:47:25 | |
Then, in 1858, | 0:47:25 | 0:47:26 | |
after an extraordinary effort, | 0:47:26 | 0:47:29 | |
the first telegraph cable | 0:47:29 | 0:47:31 | |
was stretched across the Atlantic seabed. | 0:47:31 | 0:47:34 | |
In an age before the telephone, | 0:47:35 | 0:47:37 | |
the new wire promised to send Morse Code messages | 0:47:37 | 0:47:41 | |
between continents. | 0:47:41 | 0:47:43 | |
But as soon as they began transmitting, | 0:47:45 | 0:47:48 | |
there was trouble. | 0:47:48 | 0:47:49 | |
The electrical messages were getting weaker and weaker. | 0:47:49 | 0:47:54 | |
The first telegraph cable was dying. | 0:47:54 | 0:47:57 | |
Cassie Newland, from Bristol University, | 0:47:59 | 0:48:01 | |
is here to show me what went wrong. | 0:48:01 | 0:48:04 | |
What they've got is a very badly insulated cable. | 0:48:04 | 0:48:07 | |
They've got little manufacturing defects | 0:48:07 | 0:48:09 | |
because they're inventing it as they go along, | 0:48:09 | 0:48:12 | |
and tiny little faults are appearing and interfering with the signal. | 0:48:12 | 0:48:15 | |
And as a layman, what I would have thought is, | 0:48:15 | 0:48:17 | |
just put more power down the wire. | 0:48:17 | 0:48:19 | |
And that's exactly what they did. | 0:48:19 | 0:48:20 | |
At one point, they're putting 2,000 volts down the wire. | 0:48:20 | 0:48:24 | |
So we can do something like 24 volts, | 0:48:24 | 0:48:26 | |
so off we go, look, it burns a lot more brightly. | 0:48:26 | 0:48:29 | |
What you are now doing, | 0:48:29 | 0:48:31 | |
is making those faults worse and worse, | 0:48:31 | 0:48:34 | |
with this big hefty voltage that's going down the cable, | 0:48:34 | 0:48:36 | |
until finally, it just shorts. | 0:48:36 | 0:48:38 | |
And look, our light's gone out. | 0:48:38 | 0:48:41 | |
So how long did it actually last for, this cable? | 0:48:41 | 0:48:44 | |
-Two weeks. -How much did it cost? | 0:48:44 | 0:48:46 | |
£700,000. | 0:48:46 | 0:48:49 | |
By 1866, they were ready to try again, | 0:48:50 | 0:48:54 | |
with a new design. | 0:48:54 | 0:48:56 | |
To lay the first cable, | 0:48:58 | 0:49:01 | |
they had to use two vessels - | 0:49:01 | 0:49:02 | |
the weight of the wire was too massive for one alone. | 0:49:02 | 0:49:06 | |
What they really needed was one big ship | 0:49:07 | 0:49:10 | |
capable of carrying 2,000 miles of Atlantic cable | 0:49:10 | 0:49:14 | |
in one go. | 0:49:14 | 0:49:16 | |
Such a ship didn't exist before, | 0:49:19 | 0:49:21 | |
but now it had been launched. | 0:49:21 | 0:49:24 | |
Only the Great Eastern could carry the new cable | 0:49:26 | 0:49:29 | |
in one trip. | 0:49:29 | 0:49:31 | |
She was five times bigger than any other vessel, | 0:49:32 | 0:49:37 | |
but this one is a little smaller. | 0:49:37 | 0:49:39 | |
This perfect scale replica is a work of Bob Abell, | 0:49:43 | 0:49:47 | |
who used the original blueprints. | 0:49:47 | 0:49:49 | |
You've got every detail, | 0:49:49 | 0:49:52 | |
-however long did it take you to build it? -About two years. | 0:49:52 | 0:49:55 | |
You've got the rivets all beautifully shown on the side of the decks. | 0:49:55 | 0:49:59 | |
-This is the Captain's deck. -There we are. | 0:49:59 | 0:50:01 | |
There's the cable. | 0:50:03 | 0:50:06 | |
And this is how it goes down the bottom. | 0:50:06 | 0:50:08 | |
I mean, this will be about the closest I'm ever going to get to see | 0:50:08 | 0:50:13 | |
-what she was like, you know. -I think she's the only one in the land. | 0:50:13 | 0:50:16 | |
Can I have a go? | 0:50:16 | 0:50:17 | |
I never thought I would steer the Great Eastern! | 0:50:24 | 0:50:28 | |
You're doing a good job. | 0:50:29 | 0:50:31 | |
On the 13th July, 1866, | 0:50:34 | 0:50:36 | |
she steamed away from the coast of Ireland, | 0:50:36 | 0:50:40 | |
to cross the Atlantic. | 0:50:40 | 0:50:41 | |
Her precious cargo spooled out behind. | 0:50:44 | 0:50:48 | |
The Transatlantic cable was no ordinary wire. | 0:50:48 | 0:50:52 | |
This is the Great Eastern's successful cable. | 0:50:52 | 0:50:57 | |
-What's it actually made of? -You've got a conductor in the middle, | 0:50:57 | 0:51:00 | |
if you see, there are seven little strands - all copper. | 0:51:00 | 0:51:02 | |
Then wrapped around that, you've got your Gutta-Percha insulation. | 0:51:02 | 0:51:06 | |
-Now what is Gutta-Percha? -Oh, Gutta-Percha, | 0:51:06 | 0:51:09 | |
it's like a tree sap from the Gutta-Percha tree, | 0:51:09 | 0:51:12 | |
which is a massive tall rainforest tree, growing in places | 0:51:12 | 0:51:15 | |
like Borneo and Malaysia, that kind of tropical forest. | 0:51:15 | 0:51:18 | |
It's a brilliant natural insulator, | 0:51:18 | 0:51:20 | |
it only gets better under water, | 0:51:20 | 0:51:22 | |
it was almost like it was designed for the job. | 0:51:22 | 0:51:25 | |
Just wrapped around that is jute - | 0:51:25 | 0:51:26 | |
the same stuff we make hessian sacks out of, | 0:51:26 | 0:51:29 | |
and then around that you've got bright iron. | 0:51:29 | 0:51:32 | |
The armour's getting laid on just up there... | 0:51:32 | 0:51:35 | |
That's the Birkenhead docks. | 0:51:35 | 0:51:36 | |
The copper's been smelted down there at Widnes. | 0:51:36 | 0:51:38 | |
So it's kind of ironical that the cable's are being manufactured here, | 0:51:38 | 0:51:43 | |
the very resting point of the Great Eastern itself. | 0:51:43 | 0:51:46 | |
Yeah, it's a beautifully circular thing. | 0:51:46 | 0:51:49 | |
By the end of July 1866, | 0:51:52 | 0:51:54 | |
the Great Eastern and her precious cable | 0:51:54 | 0:51:58 | |
reached Newfoundland, | 0:51:58 | 0:52:00 | |
after a voyage of 2,000 miles. | 0:52:00 | 0:52:03 | |
Over such a long distance, | 0:52:06 | 0:52:08 | |
telegraph messages were very, very weak. | 0:52:08 | 0:52:10 | |
Eight years before, | 0:52:10 | 0:52:12 | |
the first cable had blown when the voltage was boosted. | 0:52:12 | 0:52:18 | |
So they needed a brighter idea, | 0:52:18 | 0:52:21 | |
and this is where the story takes a very clever turn. | 0:52:21 | 0:52:26 | |
Morse Code messages usually communicated by clicking, | 0:52:28 | 0:52:32 | |
but the transatlantic signal | 0:52:32 | 0:52:34 | |
was far too faint to make even a click. | 0:52:34 | 0:52:39 | |
British scientist, William Thomson, | 0:52:39 | 0:52:42 | |
had devised a solution of genius. | 0:52:42 | 0:52:45 | |
His bright idea was to use a light beam, | 0:52:46 | 0:52:48 | |
which even the weakest electrical current could move. | 0:52:48 | 0:52:53 | |
At the heart of Thomson's machine was a mirror like this, | 0:52:53 | 0:52:58 | |
which made a small rotation | 0:52:58 | 0:53:01 | |
in response to the tiny telegraph signal. | 0:53:01 | 0:53:04 | |
This model of a mirror galvanometer | 0:53:05 | 0:53:10 | |
was built by scientist, Jonathan Hare. | 0:53:10 | 0:53:12 | |
So this is the magic device? | 0:53:12 | 0:53:16 | |
This is the mirror galvanometer, | 0:53:16 | 0:53:18 | |
which is an exquisitely sensitive way of picking up a signal on a cable, basically. | 0:53:18 | 0:53:22 | |
So it enabled signals to be sent in really low voltage. | 0:53:22 | 0:53:24 | |
How does it work? | 0:53:24 | 0:53:26 | |
So we've wired up the cable. It's going from the UK to here in America, | 0:53:26 | 0:53:30 | |
and if we press a button on the other side, | 0:53:30 | 0:53:32 | |
a little current will flow along here. | 0:53:32 | 0:53:34 | |
On the mirror are fixed two magnets, | 0:53:34 | 0:53:37 | |
and around the mirror is a coil of wire. | 0:53:37 | 0:53:40 | |
Now when that current flows in the coil of wire | 0:53:40 | 0:53:43 | |
it produces a magnetic field, | 0:53:43 | 0:53:45 | |
which causes one magnet to move out, sort of repels it, | 0:53:45 | 0:53:48 | |
causes the other magnet to move in, | 0:53:48 | 0:53:50 | |
and as the magnets are fixed to the mirror, it twists the mirror, | 0:53:50 | 0:53:53 | |
but the clever thing was he bounced a beam of light off that mirror, | 0:53:53 | 0:53:57 | |
and just like if you play with your watch, you know, | 0:53:57 | 0:53:59 | |
and you reflect the sun's rays from your watch, | 0:53:59 | 0:54:02 | |
you can actually make the spot move around a lot, | 0:54:02 | 0:54:05 | |
with very little movement of your wrist. | 0:54:05 | 0:54:07 | |
Here very little mirror movement, | 0:54:07 | 0:54:08 | |
will actually cause a big movement in the spot some distance away. | 0:54:08 | 0:54:11 | |
Now at the other end, in the UK, we're in America here, | 0:54:11 | 0:54:15 | |
if she keys... she's got two positions on her keyer, | 0:54:15 | 0:54:18 | |
one will send a dot, and if she flicks the switch | 0:54:18 | 0:54:20 | |
and presses the button again, it will send a dash, | 0:54:20 | 0:54:22 | |
and they cause the spot to move in different directions, | 0:54:22 | 0:54:25 | |
so she can send a dot and a dash and send Morse Code | 0:54:25 | 0:54:28 | |
and we can read the message. | 0:54:28 | 0:54:29 | |
Press a key on one side of the Atlantic | 0:54:32 | 0:54:35 | |
and 2,000 miles beyond, | 0:54:35 | 0:54:37 | |
a light spot bounced, | 0:54:37 | 0:54:39 | |
a miraculous method of sending telegrams. | 0:54:39 | 0:54:44 | |
William Thomson's invaluable contribution | 0:54:44 | 0:54:46 | |
to the transatlantic telegraph, | 0:54:46 | 0:54:49 | |
earned him a well-deserved knighthood. | 0:54:49 | 0:54:52 | |
MUSIC: "God Save The Queen" | 0:54:52 | 0:54:56 | |
The band struck up in celebration, | 0:54:56 | 0:54:59 | |
and the message was finally received | 0:54:59 | 0:55:02 | |
loud and clear in the USA. | 0:55:02 | 0:55:05 | |
MUSIC: "Star Spangled Banner" | 0:55:05 | 0:55:08 | |
With the cable laid, | 0:55:10 | 0:55:12 | |
the Great Eastern was gradually forgotten, | 0:55:12 | 0:55:15 | |
broken up on the banks of the Mersey. | 0:55:15 | 0:55:20 | |
But her legacy remains. | 0:55:20 | 0:55:22 | |
Since 1866, | 0:55:22 | 0:55:25 | |
we've never been out of contact with America. | 0:55:25 | 0:55:29 | |
The Times newspaper said, | 0:55:29 | 0:55:31 | |
"We have become one country - the Atlantic is dried up." | 0:55:31 | 0:55:37 | |
My adventure beyond Land's End | 0:55:40 | 0:55:44 | |
is taking me to the furthest edge of the Isles of Scilly. | 0:55:44 | 0:55:47 | |
I've made it to Bryher, | 0:55:52 | 0:55:53 | |
the smallest of the five inhabited islands, | 0:55:53 | 0:55:56 | |
home to around 80 permanent residents, | 0:55:56 | 0:56:00 | |
and a couple of goats! | 0:56:00 | 0:56:02 | |
The name Bryher is from the old Cornish, | 0:56:05 | 0:56:08 | |
meaning "place of hills." | 0:56:08 | 0:56:11 | |
Over the crest of the final peak | 0:56:11 | 0:56:14 | |
lies the real Land's End of England. | 0:56:14 | 0:56:17 | |
WAVES CRASH | 0:56:17 | 0:56:19 | |
Who chooses to live out here in such isolation? | 0:56:24 | 0:56:29 | |
I'm on my way to the most westerly house in England. | 0:56:29 | 0:56:33 | |
-Hello, there! -Oh, hello. | 0:56:43 | 0:56:45 | |
I'm sorry to bother you. | 0:56:45 | 0:56:47 | |
You probably get fed-up with questions like this, | 0:56:47 | 0:56:50 | |
-but do you live here? -Yes. | 0:56:50 | 0:56:52 | |
Is this the most westerly house in England? | 0:56:52 | 0:56:54 | |
Well, I think so, | 0:56:54 | 0:56:56 | |
apart from next door's, we're all in a line. | 0:56:56 | 0:56:59 | |
Are you? And you've never figured out who's the most western? | 0:56:59 | 0:57:02 | |
-Well, I think we are, yes. -You think you are. | 0:57:02 | 0:57:05 | |
-Where did you move from? -We moved from Northamptonshire. | 0:57:05 | 0:57:08 | |
But that's right in the middle of England. | 0:57:08 | 0:57:10 | |
I know, I know, sort of countryside. | 0:57:10 | 0:57:12 | |
-Now you've come to the very edge of England. -I know. | 0:57:12 | 0:57:15 | |
And that's where my husband spends most of his time. | 0:57:15 | 0:57:18 | |
Wow! | 0:57:18 | 0:57:19 | |
Look at that! | 0:57:19 | 0:57:21 | |
This is a coastal view. | 0:57:21 | 0:57:23 | |
-How do you do? -Good afternoon. | 0:57:23 | 0:57:25 | |
-Sorry about the intrusion. -That's quite all right. You're most welcome to come around. | 0:57:25 | 0:57:29 | |
My goodness. This must be one of the best views in England. | 0:57:29 | 0:57:33 | |
Well, I can't think of anything better myself, yes. | 0:57:33 | 0:57:35 | |
Look at that. | 0:57:35 | 0:57:37 | |
# Oh-oh-oh-oh | 0:57:37 | 0:57:40 | |
# This could be para-para paradise | 0:57:40 | 0:57:43 | |
# Para-para paradise | 0:57:43 | 0:57:46 | |
# Para-para paradise | 0:57:46 | 0:57:49 | |
# Oh-oh-oh-oh ohoooo. # | 0:57:49 | 0:57:54 | |
I'm standing on the most westerly point | 0:57:54 | 0:57:57 | |
of any inhabited island in England. | 0:57:57 | 0:57:59 | |
My journey's completed, | 0:57:59 | 0:58:01 | |
and although it's quite wild and windy here, | 0:58:01 | 0:58:05 | |
inside I feel quite still and calm, | 0:58:05 | 0:58:07 | |
it's rather like reaching a top of a mountain. | 0:58:07 | 0:58:10 | |
The journey's over, there's no further I can go, and yet, | 0:58:10 | 0:58:13 | |
when I lift my eyes to the horizon, | 0:58:13 | 0:58:16 | |
you can see there's more to come, | 0:58:16 | 0:58:18 | |
the promise of something far bigger, | 0:58:18 | 0:58:20 | |
and I think that's the appeal of life on the edge, | 0:58:20 | 0:58:23 | |
it's on the cusp of another world. | 0:58:23 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:34 | 0:58:36 |