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Coast is home. | 0:00:07 | 0:00:09 | |
And we're exploring | 0:00:11 | 0:00:12 | |
the most endlessly fascinating shoreline in the world... | 0:00:12 | 0:00:17 | |
our own! | 0:00:17 | 0:00:18 | |
The journey to discover surprising, | 0:00:21 | 0:00:24 | |
secret stories from around the British Isles continues. | 0:00:24 | 0:00:28 | |
This is Coast. | 0:00:33 | 0:00:35 | |
The sea is a great global highway. | 0:01:05 | 0:01:09 | |
As an island people, it's in our nature to reach out and explore, | 0:01:09 | 0:01:15 | |
the thrill of embarking on voyages big and small | 0:01:15 | 0:01:20 | |
makes our harbours hum with excitement. | 0:01:20 | 0:01:24 | |
In an age before air travel, these were our departure lounges, | 0:01:25 | 0:01:29 | |
harbours have always been gateways to adventure. | 0:01:29 | 0:01:33 | |
With an insatiable appetite for those adventures, | 0:01:36 | 0:01:41 | |
we've constructed around 1,000 of these global gateways. | 0:01:41 | 0:01:45 | |
For centuries, people, goods and ideas | 0:01:45 | 0:01:48 | |
have flowed in between harbour walls. | 0:01:48 | 0:01:52 | |
If only these walls could talk. | 0:01:52 | 0:01:55 | |
Well, now they can. | 0:01:55 | 0:01:58 | |
We're here to reveal The Hidden History of Harbours. | 0:02:02 | 0:02:06 | |
Down on the south coast, | 0:02:10 | 0:02:13 | |
Tessa is exploring how in the harbours of the Royal Navy | 0:02:13 | 0:02:18 | |
a fashion began that made a permanent mark on Britain. | 0:02:18 | 0:02:24 | |
There's one naval tradition that remains largely hidden | 0:02:24 | 0:02:26 | |
from public view, beneath sailor's uniforms. | 0:02:26 | 0:02:30 | |
The tattoo. | 0:02:30 | 0:02:31 | |
On the coast of Northern Ireland we're heading to Portrush, | 0:02:33 | 0:02:38 | |
where Mark Horton's disembarking to take a trip | 0:02:38 | 0:02:42 | |
four centuries back in time. | 0:02:42 | 0:02:44 | |
How did the lack of a harbour lead to the ruin of a remarkable town? | 0:02:47 | 0:02:52 | |
Lost under the soil, like an Irish Pompeii. | 0:02:54 | 0:02:58 | |
The decision to settle here at the castle, | 0:02:58 | 0:03:02 | |
rather than the port over there, | 0:03:02 | 0:03:05 | |
was a matter of life and death for the new town. | 0:03:05 | 0:03:07 | |
And we venture northwards in England, | 0:03:07 | 0:03:11 | |
in the docks at Barrow-In-Furness, Dick discovers a top secret weapon | 0:03:11 | 0:03:17 | |
of the First World War, airships pumped up with cow guts. | 0:03:17 | 0:03:23 | |
It seems incredible, but cow guts were the secret ingredients | 0:03:23 | 0:03:26 | |
that meant that airships could float in the sky. | 0:03:26 | 0:03:29 | |
I think this is practically ready to fly. | 0:03:29 | 0:03:31 | |
The harbour I'm heading for is Newlyn in Cornwall. | 0:03:34 | 0:03:39 | |
Soaring high above the Cornish coast | 0:03:41 | 0:03:44 | |
it's striking how perfectly | 0:03:44 | 0:03:47 | |
people have moulded themselves into the landscape. | 0:03:47 | 0:03:51 | |
Manmade walls extend natural headlands | 0:03:51 | 0:03:54 | |
to create safe havens, | 0:03:54 | 0:03:58 | |
harbours, our own perfectly formed contributions to the coast. | 0:03:58 | 0:04:03 | |
# In Newlyn Town | 0:04:06 | 0:04:08 | |
# I was bread and born... # | 0:04:08 | 0:04:11 | |
Last few BBQ pilchards. | 0:04:11 | 0:04:13 | |
At Newlyn, the locals come to plug into the wider world, | 0:04:13 | 0:04:18 | |
but the harbour also hides a hidden history. | 0:04:18 | 0:04:23 | |
150 years ago, as tin mines were closing, | 0:04:23 | 0:04:27 | |
fishing struggled to keep the community going. | 0:04:27 | 0:04:30 | |
Down in the harbour, a new call was luring the men seawards. | 0:04:30 | 0:04:35 | |
On the other side of the world a gold rush has begun. | 0:04:35 | 0:04:39 | |
# To South Australia we are born | 0:04:39 | 0:04:43 | |
# Heave away, haul away | 0:04:43 | 0:04:45 | |
# To South Australia round Cape Horn | 0:04:45 | 0:04:47 | |
# We're bound for South Australia... # | 0:04:47 | 0:04:51 | |
The fishermen of Newlyn knew that 12,000 miles of wild sea | 0:04:51 | 0:04:56 | |
stood between them and the promised land. | 0:04:56 | 0:04:58 | |
Who would risk all for riches? | 0:04:58 | 0:05:02 | |
150 years ago, one little fishing boat made a remarkable voyage | 0:05:02 | 0:05:06 | |
from here to the other side of the world. | 0:05:06 | 0:05:09 | |
Have a look at this picture, | 0:05:09 | 0:05:10 | |
it shows Melbourne harbour in Australia, | 0:05:10 | 0:05:12 | |
absolutely crammed with shipping in the mid-1800's, | 0:05:12 | 0:05:15 | |
but look at this little boat here, it's got a sail on it | 0:05:15 | 0:05:20 | |
and on the sale is says Penzance, it's a boat called Mystery. | 0:05:20 | 0:05:25 | |
The Mystery, with seven men onboard, left this quayside in 1854, | 0:05:26 | 0:05:30 | |
over 100 days later they reached Oz. | 0:05:30 | 0:05:34 | |
No fishing boat had ever made such a trip. | 0:05:34 | 0:05:39 | |
Their incredible achievement was a triumph of hope over experience, | 0:05:39 | 0:05:44 | |
they rode their luck in the roughest seas, gambling on a golden future. | 0:05:44 | 0:05:50 | |
# We're bound for South Australia. # | 0:05:50 | 0:05:56 | |
The men left behind wives, children, friends, | 0:05:58 | 0:06:02 | |
unsure whether they'd ever see their loved ones again. | 0:06:02 | 0:06:06 | |
Two of the men who made that momentous decision | 0:06:10 | 0:06:14 | |
were Philip Curnow Matthews and William Badcock, | 0:06:14 | 0:06:17 | |
no photos of their five crew-mates survive. | 0:06:17 | 0:06:21 | |
For years, their story has lain hidden, | 0:06:22 | 0:06:26 | |
now I want to discover why the men risked everything | 0:06:26 | 0:06:29 | |
on that incredible voyage to Australia | 0:06:29 | 0:06:32 | |
in the small fishing boat, Mystery. | 0:06:32 | 0:06:36 | |
I'm meeting the Captain's great-great-great nephew | 0:06:36 | 0:06:39 | |
Douglas Williams. | 0:06:39 | 0:06:42 | |
Hi, Douglas. | 0:06:42 | 0:06:43 | |
As I understand it, back in the 1850s, you could buy for £20 | 0:06:43 | 0:06:49 | |
a steerage class ticket all the way to Australia, one-way, | 0:06:49 | 0:06:52 | |
why didn't they do that and travel out there on an immigrant ship? | 0:06:52 | 0:06:55 | |
The whole thing was based on an adventure which took off | 0:06:55 | 0:06:58 | |
and came out of their control. | 0:06:58 | 0:07:00 | |
They certainly saved a fair bit of money by going that way, | 0:07:00 | 0:07:03 | |
the fact that they had a means of earning their livelihood | 0:07:03 | 0:07:06 | |
with The Mystery when they arrived there, | 0:07:06 | 0:07:09 | |
those were the two big factors. | 0:07:09 | 0:07:10 | |
This was a new life and a new deal | 0:07:10 | 0:07:12 | |
and they thought they'd have part of it. | 0:07:12 | 0:07:14 | |
Do you think they understood the risk? | 0:07:14 | 0:07:16 | |
I don't think they understood the risk, | 0:07:16 | 0:07:19 | |
I don't suppose any of them had been further than the North Sea | 0:07:19 | 0:07:22 | |
and around the Cornish south-west coast, | 0:07:22 | 0:07:25 | |
but they had a first class navigator in Captain Richard Nicholls, | 0:07:25 | 0:07:28 | |
who was experienced around the world in cargo ships, | 0:07:28 | 0:07:31 | |
and they recognised that and they had an absolute trust in him. | 0:07:31 | 0:07:35 | |
Captain Nicholls' log details a great unsung feat | 0:07:37 | 0:07:42 | |
of British seamanship, | 0:07:42 | 0:07:43 | |
beginning on November 18th 1854 leaving Newlyn. | 0:07:43 | 0:07:49 | |
Phillips Matthews, William Badcock and their crewmates | 0:07:49 | 0:07:54 | |
had barely sailed beyond the sight of land before, | 0:07:54 | 0:07:57 | |
now off the tip of Africa, | 0:07:57 | 0:07:59 | |
they braved gales as they pressed on to Melbourne. | 0:07:59 | 0:08:04 | |
Of all the British vessels to make it to Australia, The Mystery, | 0:08:07 | 0:08:12 | |
the smallest and pluckiest of all, would never see home shores again. | 0:08:12 | 0:08:18 | |
The Mystery didn't come back to Newlyn, | 0:08:21 | 0:08:24 | |
but I've come along the coast to Plymouth. | 0:08:24 | 0:08:27 | |
Here, the spirit of Mystery lives on. | 0:08:29 | 0:08:32 | |
This is an exact replica of the boat in which Captain Nicholls | 0:08:38 | 0:08:43 | |
and his six crew set sail, bringing her back to life | 0:08:43 | 0:08:47 | |
was the dream of Cornishman and legendary sailor Pete Goss. | 0:08:47 | 0:08:51 | |
I can't believe that I'm going out to sea in this boat. | 0:08:54 | 0:08:57 | |
It's an amazing story. | 0:08:57 | 0:08:59 | |
We started with a chainsaw looking for fallen oak trees to... | 0:08:59 | 0:09:02 | |
to make the frames to build the boat. | 0:09:02 | 0:09:04 | |
Fashioning the Cornish oak into a seagoing craft | 0:09:06 | 0:09:10 | |
was a 10-month labour of love, | 0:09:10 | 0:09:12 | |
to honour the achievement of the original crew. | 0:09:12 | 0:09:17 | |
Really what this is about is celebrating, you know, | 0:09:17 | 0:09:20 | |
1854, those seven amazing men who really through hardship | 0:09:20 | 0:09:24 | |
and I think a bit of romance they wanted an adventure themselves, | 0:09:24 | 0:09:28 | |
sailed her to Australia, which is staggering, really. | 0:09:28 | 0:09:32 | |
For Pete there was only one way to appreciate fully | 0:09:33 | 0:09:36 | |
Mystery's epic voyage down under, to try it himself. | 0:09:36 | 0:09:41 | |
Later, I'll be discovering how they battled raging seas, | 0:09:41 | 0:09:47 | |
just like the original crew. | 0:09:47 | 0:09:50 | |
And what became of those Cornishmen who reached Australia 150 years ago. | 0:09:50 | 0:09:55 | |
Newlyn is just one of many harbours that have waved off bold explorers. | 0:10:05 | 0:10:12 | |
But these safe havens are home to two-way traffic, | 0:10:12 | 0:10:16 | |
for every boat that leaves, one is returning, richer for the journey. | 0:10:16 | 0:10:22 | |
Like down on the South Coast, at Portsmouth. | 0:10:23 | 0:10:26 | |
The harbour here is familiar | 0:10:34 | 0:10:36 | |
with the comings and goings of large ships, | 0:10:36 | 0:10:39 | |
but they aren't only built for pleasure. | 0:10:39 | 0:10:42 | |
This is the historic home of the Royal Navy, | 0:10:44 | 0:10:49 | |
where warships set off to make their mark on the world. | 0:10:49 | 0:10:54 | |
What's less well known is how the Navy's harbours | 0:10:54 | 0:10:58 | |
were gateways for the wider world | 0:10:58 | 0:11:00 | |
to make an indelible mark on the British people. | 0:11:00 | 0:11:04 | |
As Tessa Dunlop's here to explore. | 0:11:04 | 0:11:08 | |
The Royal Navy's known as the Senior Service, | 0:11:11 | 0:11:16 | |
proud to display its centuries old seafaring history. | 0:11:16 | 0:11:20 | |
But these days, there's one naval tradition | 0:11:20 | 0:11:22 | |
that remains largely hidden from public view, | 0:11:22 | 0:11:25 | |
beneath sailor's uniforms. | 0:11:25 | 0:11:27 | |
The tattoo. | 0:11:28 | 0:11:30 | |
Today, some five million Britons | 0:11:32 | 0:11:35 | |
see ink on their skin as a fashion statement, | 0:11:35 | 0:11:39 | |
but how did the Navy sailors start this trend for tattooing? | 0:11:39 | 0:11:44 | |
It all began in far-flung harbours. | 0:11:44 | 0:11:47 | |
# As you sail across the sea | 0:11:47 | 0:11:50 | |
# All my love is there beside you... # | 0:11:50 | 0:11:55 | |
I've made a shorter journey myself to the naval dockyard at Chatham. | 0:11:56 | 0:12:01 | |
Serving sailors can be a secretive bunch. | 0:12:06 | 0:12:09 | |
So I'm here to meet veterans on a Second World War vintage destroyer, | 0:12:09 | 0:12:14 | |
old salts who can talk tattoos. | 0:12:14 | 0:12:17 | |
Radar operator Nobby Clarke was just 15 | 0:12:27 | 0:12:31 | |
when he signed up on the notoriously tough training ship HMS Ganges. | 0:12:31 | 0:12:35 | |
I was a boy seaman, the lowest form of animal life | 0:12:37 | 0:12:40 | |
in the Royal Navy, at Ganges if you had a tattoo there, | 0:12:40 | 0:12:44 | |
you could get six cuts across your rear end, | 0:12:44 | 0:12:47 | |
which hurt, for having a tattoo. | 0:12:47 | 0:12:49 | |
-What the cane? -Yes. | 0:12:49 | 0:12:51 | |
After Ganges, young Nobby Clarke was ready to cut loose. | 0:12:51 | 0:12:56 | |
What is that? | 0:12:57 | 0:12:58 | |
Well, pass. | 0:12:58 | 0:13:01 | |
It's a horseshoe with a robin inside it, which he had red on him once, | 0:13:01 | 0:13:06 | |
and I had Mum and Dad underneath. | 0:13:06 | 0:13:08 | |
This was done with a bamboo cane and ink in Bombay. | 0:13:08 | 0:13:12 | |
So the old-fashioned slow way? | 0:13:12 | 0:13:14 | |
-Yes, and it hurts. -I bet it hurt. | 0:13:14 | 0:13:16 | |
# As you sail across the sea... # | 0:13:16 | 0:13:19 | |
The men squeezed into ships like HMS Cavalier, | 0:13:19 | 0:13:22 | |
saw tattooing as a rite of passage and a celebration of tradition. | 0:13:22 | 0:13:27 | |
Engineer David Shardlow chose body art | 0:13:29 | 0:13:32 | |
that a sailor from Nelson's Navy would recognise, | 0:13:32 | 0:13:35 | |
two little birds, swallows. | 0:13:35 | 0:13:38 | |
These actually are a nautical theme, aren't they? | 0:13:38 | 0:13:41 | |
-Yes. -What do they symbolise? | 0:13:41 | 0:13:43 | |
They symbolise you're fast with your hands. | 0:13:43 | 0:13:45 | |
Oh, so when you're doing your thing with all the gauges and the wheels, | 0:13:45 | 0:13:49 | |
you're meant to be working quickly? | 0:13:49 | 0:13:51 | |
Tattoos also tapped into a sailor's softer side, | 0:13:53 | 0:13:57 | |
as deckhand Terry Willis can testify. | 0:13:57 | 0:14:01 | |
Can I have a little look? | 0:14:09 | 0:14:11 | |
The galleon, and with... | 0:14:11 | 0:14:13 | |
So that's a ship there, right? | 0:14:13 | 0:14:15 | |
And "We're homeward bound to Pauline." | 0:14:15 | 0:14:17 | |
To Pauline? | 0:14:17 | 0:14:19 | |
-Yes. -Is that the wife? | 0:14:19 | 0:14:20 | |
No, it's the ex-wife. | 0:14:20 | 0:14:21 | |
The hidden history of naval tattoos might have stayed overseas, | 0:14:26 | 0:14:30 | |
but sailors coming home to the harbours of 18th century Britain | 0:14:30 | 0:14:34 | |
brought their body art with them. | 0:14:34 | 0:14:37 | |
When Captain Cook returned to England from southern seas, | 0:14:38 | 0:14:41 | |
his sailors showed off the skin designs | 0:14:41 | 0:14:44 | |
they'd first seen on Polynesians. | 0:14:44 | 0:14:46 | |
Tattoo historian Paul Sayce is showing me how it was done. | 0:14:48 | 0:14:52 | |
Now this looks pretty scary, where's this one from? | 0:14:54 | 0:14:57 | |
That's a Samoan handsaw, it's tacked into the skin, | 0:14:57 | 0:15:00 | |
and that's why the name of tattooing in Polynesia is called tattao... | 0:15:00 | 0:15:03 | |
Oh, really? | 0:15:03 | 0:15:05 | |
..cos the Polynesian word for tapping is tattao. | 0:15:05 | 0:15:07 | |
So they're actually cutting and hitting the skin at the same time? | 0:15:08 | 0:15:11 | |
Dip it in the ink, put it on the skin | 0:15:11 | 0:15:14 | |
and they'd tap it with a little piece of wood like a mallet, | 0:15:14 | 0:15:18 | |
and it goes along like that as they're tapping. | 0:15:18 | 0:15:21 | |
That must really hurt, I mean it must bruise as well as cut. | 0:15:21 | 0:15:23 | |
The bruising's terrible, | 0:15:23 | 0:15:24 | |
you get about six to eight inches either side. | 0:15:24 | 0:15:27 | |
This is a Japanese hand tool, but it's very similar to what | 0:15:27 | 0:15:30 | |
we would have used, and it would have been four or five inches long, | 0:15:30 | 0:15:34 | |
with the needles tied on, and you really just poked it in. | 0:15:34 | 0:15:38 | |
What and the ink then pours down into the holes, does it? | 0:15:38 | 0:15:40 | |
Yeah, well, you dip it in the ink and then you poke it in. | 0:15:40 | 0:15:43 | |
Painful certainly, but while tattoos were rare outside the Navy, | 0:15:43 | 0:15:48 | |
in the mid 19th century they also became a sought-after status symbol. | 0:15:48 | 0:15:53 | |
Surprisingly, tattooing even got the royal seal of approval. | 0:15:56 | 0:15:59 | |
During his madcap youth Edward Prince of Wales, | 0:15:59 | 0:16:03 | |
later King Edward VII, visited the Holy Land, | 0:16:03 | 0:16:05 | |
where he had a Jerusalem cross tattooed on his arm. | 0:16:05 | 0:16:09 | |
Tattoo parlours started to spring up outside our harbours, | 0:16:11 | 0:16:16 | |
as high society followed the future monarch's lead. | 0:16:16 | 0:16:20 | |
In 1879 the New York Times observed, | 0:16:22 | 0:16:27 | |
"In England it is regarded as customary and proper | 0:16:27 | 0:16:31 | |
"to tattoo the youthful feminine leg." | 0:16:31 | 0:16:32 | |
By the early 20th century, | 0:16:37 | 0:16:39 | |
mechanisation was making inky skin a mass-market commodity. | 0:16:39 | 0:16:43 | |
And this is one of the first mechanised tattooing machines, is it? | 0:16:44 | 0:16:48 | |
Yeah, it is, it's one of the first machines | 0:16:48 | 0:16:50 | |
and it's still the same as we know it today. | 0:16:50 | 0:16:53 | |
Inside there, there's two coils and a hammer and it goes up and down, | 0:16:53 | 0:16:56 | |
when the power goes on and off, the needles go through here, | 0:16:56 | 0:16:58 | |
you dip it in the ink and you go around the skin like that. | 0:16:58 | 0:17:03 | |
And of course when the more commoner sort of people in inverted commas | 0:17:03 | 0:17:07 | |
started to get it done, your higher society stopped getting it done, | 0:17:07 | 0:17:10 | |
cos as is anything else, if anything gets popular the... | 0:17:10 | 0:17:12 | |
the rich don't want it. | 0:17:12 | 0:17:14 | |
Body art swings in and out of fashion, | 0:17:17 | 0:17:22 | |
but is always at home in the Navy's harbours. | 0:17:22 | 0:17:25 | |
# Sailor | 0:17:25 | 0:17:28 | |
# Stop your roving... # | 0:17:28 | 0:17:32 | |
There used to be an old song which said you're not a sailor | 0:17:32 | 0:17:35 | |
till the sailor's tattooed, | 0:17:35 | 0:17:37 | |
and of course silly boys like me had a tattoo. | 0:17:37 | 0:17:40 | |
Wouldn't do it again but err... | 0:17:40 | 0:17:41 | |
It's interesting, none of you would do it again. | 0:17:41 | 0:17:45 | |
We've grown wiser as we get older. | 0:17:45 | 0:17:48 | |
I like your tattoos, in fact who does have the biggest tattoo? | 0:17:48 | 0:17:52 | |
Don't know, Nobby I think on his chest. | 0:17:52 | 0:17:54 | |
Oh, it's enormous! | 0:17:54 | 0:17:56 | |
THEY LAUGH | 0:17:56 | 0:17:59 | |
It's a sailing ship. | 0:17:59 | 0:18:00 | |
-With a cloud, I see it now and birds, yes? -Yes. | 0:18:00 | 0:18:05 | |
And where was that from, India? | 0:18:05 | 0:18:07 | |
No, Singapore. | 0:18:07 | 0:18:09 | |
Yeah, I think a postcard home would have probably been a better investment. | 0:18:09 | 0:18:13 | |
THEY LAUGH | 0:18:13 | 0:18:16 | |
It isn't just tattoos that the Navy keeps covered up. | 0:18:21 | 0:18:25 | |
Once it strikes out from harbour, | 0:18:25 | 0:18:28 | |
the Senior Service fights its battles in secret. | 0:18:28 | 0:18:32 | |
They show-off their ships in exercises, | 0:18:39 | 0:18:44 | |
but the grim business of war takes place in far-flung foreign waters, | 0:18:44 | 0:18:49 | |
that is of course, unless you go to Scarborough. | 0:18:49 | 0:18:54 | |
Those in the know go beyond the sea walls of the quayside | 0:18:58 | 0:19:02 | |
to a hidden little harbour that sees explosive action | 0:19:02 | 0:19:06 | |
in the holiday months. | 0:19:06 | 0:19:08 | |
Every summer, we wage war here in Scarborough. | 0:19:10 | 0:19:13 | |
In the crazy days of summer, the crowds wait for war to break out. | 0:19:17 | 0:19:23 | |
Meanwhile, the corner of the council boating pond is transformed | 0:19:24 | 0:19:28 | |
into an impromptu naval base. | 0:19:28 | 0:19:31 | |
In top secret, warships are made ready for battle. | 0:19:31 | 0:19:36 | |
It looks like miniature boats. | 0:19:37 | 0:19:40 | |
The lid comes off and a council employee... | 0:19:42 | 0:19:47 | |
SHE LAUGHS | 0:19:47 | 0:19:49 | |
..climbs inside and the lid is put back on, | 0:19:49 | 0:19:53 | |
and there you have your dreadnaught. | 0:19:53 | 0:19:55 | |
-There you go, good luck. -Thank you. | 0:19:55 | 0:19:58 | |
For 80 years, Scarborough has staged the summer war | 0:19:58 | 0:20:03 | |
from a little harbour in Peasholm Park, | 0:20:03 | 0:20:06 | |
a grand tradition familiar to Friend of the Park, Christine Mark. | 0:20:06 | 0:20:12 | |
The naval battle started in the 1920s | 0:20:13 | 0:20:16 | |
and they started to celebrate World War I sea battles and that was fine | 0:20:16 | 0:20:20 | |
but then World War II came along | 0:20:20 | 0:20:22 | |
and after that they decided that it would be a really good idea | 0:20:22 | 0:20:27 | |
to celebrate the first battle, the first major sea battle | 0:20:27 | 0:20:30 | |
of World War II which was The Battle of the River Plate. | 0:20:30 | 0:20:33 | |
At the Battle of the River Plate off the coast of South America, | 0:20:36 | 0:20:39 | |
the German heavy cruiser Graf Spee suffered a humiliating defeat | 0:20:39 | 0:20:44 | |
to the Royal Navy. | 0:20:44 | 0:20:46 | |
A propaganda victory that Scarborough has re-fought for years. | 0:20:46 | 0:20:52 | |
It was pretty jingoistic and that was fine for the time. | 0:20:55 | 0:21:00 | |
Nowadays, the conflict is more politically correct. | 0:21:00 | 0:21:05 | |
Don't mention the war, or the Germans. | 0:21:05 | 0:21:08 | |
So now we have the Allies and the Enemy. | 0:21:08 | 0:21:12 | |
I'm the enemy. | 0:21:12 | 0:21:13 | |
I've been doing this now about 14 years, on and off, | 0:21:13 | 0:21:16 | |
never won a battle yet, do 30-a-year and lose every one. | 0:21:16 | 0:21:19 | |
Scarborough Council's naval commanders | 0:21:24 | 0:21:27 | |
baton down the hatches. | 0:21:27 | 0:21:29 | |
Welcome to Scarborough's unique holiday attraction, | 0:21:30 | 0:21:33 | |
the naval warfare, our sea battle in miniature. | 0:21:33 | 0:21:37 | |
I'm just waiting to see if the submarines appear. | 0:21:37 | 0:21:40 | |
Lurking in the lake, an enemy sub launches a sneak attack, | 0:21:41 | 0:21:45 | |
aimed at HMS British Pride. | 0:21:47 | 0:21:49 | |
The magazine could go any... | 0:21:51 | 0:21:53 | |
EXPLOSION | 0:21:53 | 0:21:54 | |
Oh, it has. Oh dear, oh dear, oh dear, | 0:21:54 | 0:21:57 | |
but she's spotted an attack by bombers from the Arc Royal. | 0:21:57 | 0:22:03 | |
The dive bombers are a hit with the crowd, | 0:22:04 | 0:22:07 | |
when they work. | 0:22:07 | 0:22:09 | |
Oh, we've got one! | 0:22:16 | 0:22:18 | |
Inside the Jervis Bay, her skipper presses home the attack. | 0:22:20 | 0:22:24 | |
Don't forget, she's not really a fighting ship, | 0:22:34 | 0:22:36 | |
but isn't she doing wonderfully well there? | 0:22:36 | 0:22:38 | |
That's a direct hit on the coning tower. | 0:22:39 | 0:22:42 | |
With the submarine neutralised, | 0:22:43 | 0:22:45 | |
the Allies can finally attack the enemy harbour. | 0:22:45 | 0:22:49 | |
So that was it then, half an hour and the Allies won again... | 0:23:18 | 0:23:21 | |
-Yes, as usual. -Quelle surprise! | 0:23:21 | 0:23:23 | |
Here on the Yorkshire coast, they re-live battles from distant seas | 0:23:31 | 0:23:36 | |
that forged the fighting spirit of naval seamen. | 0:23:36 | 0:23:39 | |
But our shores also shape the character of sailors closer to home, | 0:23:39 | 0:23:44 | |
like here in Cornwall. | 0:23:44 | 0:23:47 | |
This craggy coastline is sculpted by a sea | 0:23:52 | 0:23:56 | |
that crashes against granite, | 0:23:56 | 0:23:59 | |
and builds boatmen of steely resolve. | 0:23:59 | 0:24:02 | |
Historically, each little harbour was connected to its neighbour | 0:24:02 | 0:24:06 | |
by the sea, not the land. | 0:24:06 | 0:24:09 | |
The boats that used to chase the mackerel, | 0:24:09 | 0:24:12 | |
rarely strayed far from the coast. | 0:24:12 | 0:24:14 | |
Except for one remarkable mackerel boat, The Mystery. | 0:24:14 | 0:24:19 | |
Her seven crew sailed in 1854 from Newlyn. | 0:24:19 | 0:24:23 | |
It was a voyage that took them out through the Bay of Biscay, | 0:24:26 | 0:24:31 | |
down the coast of West Africa, past Cape Town and on to Melbourne. | 0:24:31 | 0:24:36 | |
A 12,000 mile gamble on riches in gold rush Australia. | 0:24:40 | 0:24:46 | |
When those Cornishmen set sail in 1854, | 0:24:48 | 0:24:52 | |
some of them had never been out of sight of land before. | 0:24:52 | 0:24:56 | |
I'm on an exact replica of their ship, Spirit of Mystery, | 0:24:56 | 0:25:01 | |
to relive a great unsung feat of British seamanship. | 0:25:01 | 0:25:05 | |
To appreciate their astonishing achievement, | 0:25:06 | 0:25:08 | |
Cornish sailor Pete Goss | 0:25:08 | 0:25:11 | |
faced again every crashing wave from the original crew's trip. | 0:25:11 | 0:25:16 | |
Pete built his boat from the plans of an 1850s lugger, | 0:25:17 | 0:25:22 | |
correct in every detail. | 0:25:22 | 0:25:24 | |
I can't help noticing, Pete, that you haven't got any winches | 0:25:25 | 0:25:28 | |
or mechanical aids to help you get these huge sparks up the mast. | 0:25:28 | 0:25:32 | |
No, no, this was as they would have sailed, so it's a handful of blocks, | 0:25:32 | 0:25:36 | |
a bucket and rope, needle and thread, go anywhere in the world. | 0:25:36 | 0:25:39 | |
Battling the wind, I get a feeling of just how tough it was | 0:25:39 | 0:25:44 | |
for the crew aboard The Mystery in 1854. | 0:25:44 | 0:25:48 | |
-There must be a knack to this. -You're right, it'll come. | 0:25:50 | 0:25:53 | |
You'll be running around by the end of the day. | 0:25:53 | 0:25:56 | |
That's it. Ready. That'll do. Yep. | 0:25:56 | 0:26:00 | |
Sails hoisted, the Cornishmen faced over 100 days in open seas, | 0:26:04 | 0:26:10 | |
with the same fearsome horizons. | 0:26:10 | 0:26:13 | |
Up here on the bow, Pete, looking back, | 0:26:13 | 0:26:15 | |
I'm actually a little bit shocked at how small this boat is. | 0:26:15 | 0:26:19 | |
-It is a tiny, tiny boat to sail to Australia in. -It is, yeah. | 0:26:21 | 0:26:23 | |
The further away you get from land, the smaller it becomes, | 0:26:23 | 0:26:27 | |
and you do, you know down in the southern ocean, | 0:26:27 | 0:26:29 | |
there is a sense of vulnerability, you're just out there | 0:26:29 | 0:26:32 | |
and you hope for the best and deal with what comes along. | 0:26:32 | 0:26:35 | |
Pete's crew did have a few home comforts | 0:26:35 | 0:26:39 | |
their intrepid counterparts couldn't have dreamt of. | 0:26:39 | 0:26:43 | |
Pete, this is incredibly cosy down here, | 0:26:43 | 0:26:46 | |
but in the original Mystery this was a fish hold, right? | 0:26:46 | 0:26:49 | |
Yes, it was. This area here, our sort of cabin top, | 0:26:49 | 0:26:52 | |
would have been a fish hold, but we know that they decked that over | 0:26:52 | 0:26:56 | |
and we know that they put bunks and accommodation down below. | 0:26:56 | 0:26:59 | |
Are these working oil lamps, is this how you lit the cabin down here? | 0:26:59 | 0:27:02 | |
Yeah, we had oil lamps, we used a sextant to navigate, | 0:27:02 | 0:27:07 | |
the objective was to shine a spotlight on their voyage, | 0:27:07 | 0:27:10 | |
and get to Melbourne with a real sense of their achievement. | 0:27:10 | 0:27:13 | |
Phillip Curnow Matthews was one of those who made it to Australia, | 0:27:13 | 0:27:19 | |
and now, one of his precious possessions | 0:27:19 | 0:27:21 | |
has come home to Cornwall | 0:27:21 | 0:27:23 | |
This is his little personal compass. | 0:27:25 | 0:27:29 | |
How extraordinary. | 0:27:29 | 0:27:31 | |
Do you think that was sort of like a lucky charm | 0:27:32 | 0:27:35 | |
that he had with him on the voyage? It's very beautiful, isn't it? | 0:27:35 | 0:27:39 | |
I like to think it was, I kind of see that tucked in his waistcoat. | 0:27:39 | 0:27:43 | |
Matthews and his five crewmates put their life | 0:27:45 | 0:27:47 | |
in the hands of the skipper, Richard Nicholls, | 0:27:47 | 0:27:51 | |
who survives in the writings of his log. | 0:27:51 | 0:27:55 | |
And I love this bit, "our gallant little vessel riding beautifully | 0:27:55 | 0:27:58 | |
"and not shipping any water whatever", | 0:27:58 | 0:28:01 | |
and your life is contained on this little Cornish walnut. | 0:28:01 | 0:28:06 | |
Captain Richard Nicholls was a man of few words, | 0:28:06 | 0:28:10 | |
but they sum up the extraordinary nature of the voyage. | 0:28:10 | 0:28:15 | |
"December 6th, 1854. | 0:28:15 | 0:28:18 | |
"Several flying fish came onboard during the night, | 0:28:18 | 0:28:22 | |
"crew overhauling, rigging and cleaning mast, | 0:28:22 | 0:28:26 | |
"airing nets and restoring hold." | 0:28:26 | 0:28:28 | |
Captain Nicholls refers to his crew simply as "the people", | 0:28:30 | 0:28:34 | |
when the boat was becalmed, he'd exercise them | 0:28:34 | 0:28:38 | |
with the fisherman's walk, six paces up and down the deck, endlessly. | 0:28:38 | 0:28:42 | |
After 50 days at sea, The Mystery stopped-over | 0:28:44 | 0:28:48 | |
at the tip of South Africa. | 0:28:48 | 0:28:51 | |
Nicholls noted the excitement, | 0:28:51 | 0:28:53 | |
"There were a great many visitors onboard. | 0:28:53 | 0:28:56 | |
"The Mystery being the smallest vessel ever from England." | 0:28:56 | 0:29:00 | |
But departing Africa, excitement soon turned to terror | 0:29:02 | 0:29:05 | |
in turbulent southern seas. | 0:29:05 | 0:29:08 | |
The southern ocean is the big focus, that's the big one, you... | 0:29:08 | 0:29:11 | |
you step into that and we had probably | 0:29:11 | 0:29:14 | |
every five days, on average, we'd have a big gale come through. | 0:29:14 | 0:29:18 | |
Walls of water pounded their tiny boat. | 0:29:20 | 0:29:24 | |
Pete's crew were fighting for their lives just like the original men | 0:29:24 | 0:29:28 | |
of the Mystery, 150 years before, as the Captain's log records, | 0:29:28 | 0:29:32 | |
"5th March 1855, a complete hurricane, mountains of sea." | 0:29:35 | 0:29:42 | |
Pete only captured the start of this storm on his little camera. | 0:29:42 | 0:29:47 | |
Hailstones rattled down, then their world turned upside-down. | 0:29:47 | 0:29:54 | |
Just saw this great big sheer wall of water and shouted, | 0:29:54 | 0:29:59 | |
and then it's like a car crash, you only remember bits, | 0:29:59 | 0:30:02 | |
and I remember it went all dark, | 0:30:02 | 0:30:03 | |
getting knocked around in the hatchway | 0:30:03 | 0:30:05 | |
and then it felt like standing in a storm drain | 0:30:05 | 0:30:08 | |
with water pouring in and pushing up against it. | 0:30:08 | 0:30:11 | |
Andy was in the starboard bunk, he woke up and grabbed the boat | 0:30:11 | 0:30:14 | |
and swung over and realised he was sat on the ceiling, | 0:30:14 | 0:30:17 | |
so we got knocked upside-down. | 0:30:17 | 0:30:20 | |
Miraculously, the boat righted itself, | 0:30:20 | 0:30:23 | |
but deckhand Mark suffered a badly broken leg. | 0:30:23 | 0:30:28 | |
I'm sure I heard it, it was like a rifle crack. | 0:30:28 | 0:30:33 | |
I mean, my foot was tucked underneath the bench | 0:30:33 | 0:30:36 | |
and my foot caught on the post and that's what caused it to break. | 0:30:36 | 0:30:39 | |
In Melbourne harbour, | 0:30:41 | 0:30:42 | |
a hero's welcome greeted The Spirit of Mystery. | 0:30:42 | 0:30:46 | |
THE CROWD CHEER | 0:30:46 | 0:30:48 | |
When the original Mystery reached Melbourne in 1855, | 0:30:50 | 0:30:54 | |
she was the smallest craft ever to complete the journey, | 0:30:54 | 0:30:59 | |
but her seven-man crew sold Mystery to start new lives. | 0:30:59 | 0:31:04 | |
Phillip Curnow Matthew married and became a land surveyor, | 0:31:07 | 0:31:11 | |
he is buried in Melbourne. | 0:31:11 | 0:31:13 | |
Captain Nicholls eventually returned to Cornwall, | 0:31:15 | 0:31:19 | |
only to be killed by a horse-drawn carriage in 1868. | 0:31:19 | 0:31:25 | |
Who says worse things happen at sea? | 0:31:25 | 0:31:28 | |
After a spell in Australia, William Badcock and three shipmates | 0:31:31 | 0:31:36 | |
also came home to Newlyn harbour. | 0:31:36 | 0:31:38 | |
Perhaps the lure of Cornwall was just too strong, | 0:31:40 | 0:31:44 | |
but maybe what had really driven them on | 0:31:44 | 0:31:48 | |
wasn't the desire for a new life in Australia | 0:31:48 | 0:31:51 | |
but the spirit of adventure. | 0:31:51 | 0:31:55 | |
Sailors love striking out towards new harbours. | 0:32:00 | 0:32:06 | |
Many head for the stunning inland sea at Strangford Lough | 0:32:06 | 0:32:10 | |
on the shore of Northern Ireland. | 0:32:10 | 0:32:13 | |
The Irish coast is studded with safe havens for shipping, | 0:32:13 | 0:32:18 | |
around which great cities have sprung up. | 0:32:18 | 0:32:21 | |
Creating a new settlement by a harbour seems an obvious choice, | 0:32:24 | 0:32:28 | |
but then you had towards Portrush. | 0:32:28 | 0:32:32 | |
In the Middle Ages, this was a violent coastline. | 0:32:39 | 0:32:43 | |
Castle strongholds brooded on inaccessible cliffs | 0:32:43 | 0:32:48 | |
because harbours were open to attack from the sea. | 0:32:48 | 0:32:53 | |
So 400 years ago, when a Scottish lord came to settle the land here, | 0:32:54 | 0:33:00 | |
he turned his back on the natural harbour at Portrush. | 0:33:00 | 0:33:04 | |
A decision that would prove disastrous, | 0:33:04 | 0:33:08 | |
as Mark is about to discover. | 0:33:08 | 0:33:10 | |
In 1608, this harbour was completely undeveloped. | 0:33:14 | 0:33:18 | |
But the Scottish clan, who claimed this land | 0:33:20 | 0:33:23 | |
chose to build their settlement not here at Portrush, | 0:33:23 | 0:33:28 | |
but here at Dunluce Castle. | 0:33:28 | 0:33:31 | |
The castle is just three miles up the coast from Portrush. | 0:33:39 | 0:33:44 | |
Back in 1608, with its walls intact, it seemed to offer security. | 0:33:44 | 0:33:51 | |
But times were changing. | 0:33:53 | 0:33:56 | |
The decision to settle here at the castle | 0:33:56 | 0:34:00 | |
rather than at the port, over there, | 0:34:00 | 0:34:02 | |
was a matter of life and death for the new town. | 0:34:02 | 0:34:06 | |
Those green fields are a clue as to what eventually happened. | 0:34:06 | 0:34:10 | |
Just beneath the grass, archaeologists have unearthed | 0:34:17 | 0:34:22 | |
the foundations of homes lost for over 350 years, | 0:34:22 | 0:34:27 | |
an Irish Pompeii. | 0:34:27 | 0:34:29 | |
I'm meeting Colin Breen from the University of Ulster. | 0:34:31 | 0:34:35 | |
His team are excavating a village built for Scots, | 0:34:35 | 0:34:39 | |
brought here from over the sea. | 0:34:39 | 0:34:43 | |
This is a plantation, | 0:34:43 | 0:34:45 | |
this is an attempt to bring foreigners to settle Ulster. | 0:34:45 | 0:34:48 | |
Yeah, it's a very complex period in Ulster's history. | 0:34:48 | 0:34:51 | |
What we're essentially doing is coming out of a period | 0:34:51 | 0:34:54 | |
of nine years of war and conflict, | 0:34:54 | 0:34:56 | |
where the rebellious Irish rose up against the English administration, | 0:34:56 | 0:35:00 | |
and at the end of that period the English crown decides that | 0:35:00 | 0:35:03 | |
the only way to pacify the Ulster landscape, is to bring settlers in | 0:35:03 | 0:35:08 | |
from England and from Scotland to civilise Ireland, | 0:35:08 | 0:35:10 | |
to civilise Ulster. | 0:35:10 | 0:35:12 | |
The wild Irish. | 0:35:12 | 0:35:13 | |
The wild Irish as they're often referred to. | 0:35:13 | 0:35:15 | |
And this particular town is established by Randal McDonnell | 0:35:15 | 0:35:19 | |
from 1608 through to about 1611. | 0:35:19 | 0:35:22 | |
Founded by Randal MacDonnell, | 0:35:24 | 0:35:26 | |
the new town was taken over by his son in 1636, | 0:35:26 | 0:35:31 | |
but by then things were going disastrously wrong | 0:35:31 | 0:35:35 | |
for their new settlement, sited next to Dunluce Castle. | 0:35:35 | 0:35:40 | |
Now, only mysterious mounds remain. | 0:35:41 | 0:35:45 | |
Why was the town lost to history | 0:35:49 | 0:35:52 | |
when the Scottish clan MacDonnell built it to last? | 0:35:52 | 0:35:57 | |
It's an amazing thing, the town itself is really quite elaborate. | 0:35:59 | 0:36:02 | |
What we're looking at is a central space within that town, | 0:36:02 | 0:36:06 | |
this paving surface here extends up as far as that farm building, | 0:36:06 | 0:36:10 | |
which was a 1623 courthouse, | 0:36:10 | 0:36:14 | |
it would have run right down to the castle itself, | 0:36:14 | 0:36:17 | |
and then there would have been rows of houses | 0:36:17 | 0:36:19 | |
lining either side of this central place, within the town. | 0:36:19 | 0:36:22 | |
So this isn't just a small town, this is a MAJOR investment? | 0:36:22 | 0:36:26 | |
Very much so. | 0:36:26 | 0:36:28 | |
With no proper harbour, the new town relied on trading vessels, | 0:36:30 | 0:36:34 | |
barely changed since Viking times. | 0:36:34 | 0:36:38 | |
The ship's shallow bottoms meant they could be pulled up | 0:36:38 | 0:36:42 | |
easily onto the beach. | 0:36:42 | 0:36:45 | |
You could drag them up here on west strand | 0:36:45 | 0:36:47 | |
and east strand, just outside Portrush, | 0:36:47 | 0:36:49 | |
but by the time they hit the 17th century | 0:36:49 | 0:36:52 | |
they literally weren't equipped to deal with the new globalised economy, | 0:36:52 | 0:36:55 | |
which was developing at this time. | 0:36:55 | 0:36:57 | |
What you see is a fundamental shift from local trading, | 0:36:57 | 0:37:01 | |
local production into the trading in bulk commodities, | 0:37:01 | 0:37:05 | |
with much larger vessels. | 0:37:05 | 0:37:06 | |
These new larger cargo ships needed something | 0:37:08 | 0:37:13 | |
that Randal MacDonnell's Ulster new town didn't have, | 0:37:13 | 0:37:17 | |
a harbour. | 0:37:17 | 0:37:19 | |
By the time he realised he needed one, Randal MacDonnell | 0:37:19 | 0:37:23 | |
had given away the only natural harbour on this coast. | 0:37:23 | 0:37:28 | |
Those living by the castle watched the big ships sail past. | 0:37:30 | 0:37:36 | |
By-passed by traders, the new town, just 30-years-old, was already dying. | 0:37:36 | 0:37:43 | |
The dig reveals how the money ran out. | 0:37:44 | 0:37:48 | |
Few coins are found from the 1630s onwards. | 0:37:49 | 0:37:53 | |
Around that time, this merchant's house was sub-divided, | 0:37:53 | 0:37:57 | |
a small room created on the left to house pigs, | 0:37:57 | 0:38:02 | |
alongside a once prosperous family. | 0:38:02 | 0:38:05 | |
In the new era of commercial sea trade, they just couldn't compete. | 0:38:05 | 0:38:12 | |
When Randal MacDonnell builds this town in the early 17th century, | 0:38:12 | 0:38:16 | |
he makes a fundamental mistake, | 0:38:16 | 0:38:17 | |
he builds it on the edge of a very steep cliff, | 0:38:17 | 0:38:20 | |
in excess of 80 metres high, looking out over the north Atlantic, | 0:38:20 | 0:38:24 | |
and there's simply no room to be able to build a harbour | 0:38:24 | 0:38:27 | |
in this particular location. | 0:38:27 | 0:38:29 | |
Randal himself was not prepared to let go of his ancestral castle, | 0:38:29 | 0:38:33 | |
his ancestral home, | 0:38:33 | 0:38:35 | |
and he wasn't in that mind to move away from the medieval period | 0:38:35 | 0:38:39 | |
into the new globalised world. | 0:38:39 | 0:38:42 | |
They just got left behind? | 0:38:42 | 0:38:43 | |
Very much so. | 0:38:43 | 0:38:44 | |
The town's Scottish settlers turned their back on the sea | 0:38:48 | 0:38:52 | |
because the castle seemed more secure, | 0:38:52 | 0:38:56 | |
but they were wrong. | 0:38:56 | 0:38:58 | |
Longstanding resentment towards settlers from Scotland and England | 0:38:58 | 0:39:02 | |
reached a head when the native Irish rose up against the incomers. | 0:39:02 | 0:39:09 | |
The attack wasn't from the sea, but from within. | 0:39:09 | 0:39:13 | |
In 1641 during the Irish rebellion the town was attacked | 0:39:16 | 0:39:20 | |
and it was essentially burned to the ground overnight, and abandoned. | 0:39:20 | 0:39:23 | |
So we've just got these cobbles, we're standing where they stood. | 0:39:23 | 0:39:27 | |
Yeah, if we removed all of the grass from beneath this whole landscape, | 0:39:27 | 0:39:32 | |
the perfectly intact foundations of a 17th century town survive. | 0:39:32 | 0:39:37 | |
What a tantalising though of what might lie | 0:39:37 | 0:39:40 | |
under all these fields. | 0:39:40 | 0:39:41 | |
After the uprising, this site was left to go to seed. | 0:39:44 | 0:39:48 | |
Castles were the past, | 0:39:48 | 0:39:52 | |
the future depended on gateways to the sea. | 0:39:52 | 0:39:56 | |
Harbours were the beating heart of a modern Britain, | 0:40:03 | 0:40:07 | |
built on global trade. | 0:40:07 | 0:40:09 | |
The sea is still our lifeblood. | 0:40:11 | 0:40:14 | |
It carries 95% by volume of everything we import, | 0:40:15 | 0:40:22 | |
and around one third of our food arrives by ship. | 0:40:22 | 0:40:26 | |
But while sea trade sustains our bodies, | 0:40:28 | 0:40:32 | |
it can also change our minds. | 0:40:32 | 0:40:34 | |
The fortunes of a coastal town ebb and flow | 0:40:35 | 0:40:39 | |
with the traffic through its harbour, | 0:40:39 | 0:40:41 | |
but it's not just goods that come and go, | 0:40:41 | 0:40:45 | |
sometimes the export isn't a commodity, it's an idea. | 0:40:45 | 0:40:49 | |
An idea that changed the world took life here in Birkenhead harbour. | 0:40:49 | 0:40:55 | |
Birkenhead sits in the shade of its bigger neighbour Liverpool, | 0:41:01 | 0:41:06 | |
across the Mersey. | 0:41:06 | 0:41:08 | |
Around 200 years ago, Liverpool docks were booming, | 0:41:10 | 0:41:16 | |
so hard-headed businessmen with plans for a new harbour, | 0:41:16 | 0:41:20 | |
looked to Birkenhead, little did they know | 0:41:20 | 0:41:24 | |
they were laying the foundations for a revolution | 0:41:24 | 0:41:28 | |
in the world of leisure. | 0:41:28 | 0:41:30 | |
Ruth Goodman is digging deeper. | 0:41:30 | 0:41:34 | |
In the 1800s, Birkenhead was taking shape, | 0:41:36 | 0:41:39 | |
as merchants in these parts showed off their wealth in stone. | 0:41:39 | 0:41:43 | |
The grand homes of 19th century Birkenhead | 0:41:45 | 0:41:48 | |
rivalled their counterparts in London, | 0:41:48 | 0:41:51 | |
thanks to the wealth that was pouring to this Merseyside port. | 0:41:51 | 0:41:56 | |
Birkenhead was booming because it was on the coast. | 0:41:56 | 0:42:00 | |
It's fair to say that the harbour's seen better days, | 0:42:00 | 0:42:04 | |
but Glynn Parry knows its hidden history. | 0:42:04 | 0:42:07 | |
There's not much here now, | 0:42:07 | 0:42:09 | |
but it would have been extremely busy, wouldn't it? | 0:42:09 | 0:42:11 | |
It would have been with ships coming in, going out all the time. | 0:42:11 | 0:42:14 | |
And it was a huge number of people. | 0:42:14 | 0:42:16 | |
Oh, tremendous number of people. | 0:42:16 | 0:42:18 | |
In the period of about 20 years, the population had gone | 0:42:18 | 0:42:21 | |
from somewhere in the region of 120 to about 12,000, | 0:42:21 | 0:42:24 | |
they were coming in from all over the north west. | 0:42:24 | 0:42:26 | |
People were still looking for work | 0:42:26 | 0:42:28 | |
but they were coming in off the farms | 0:42:28 | 0:42:29 | |
because the rates of pay were greater. | 0:42:29 | 0:42:33 | |
The new harbour pulled in an army of new workers, | 0:42:33 | 0:42:36 | |
fresh from green fields. | 0:42:36 | 0:42:39 | |
Now though, they were cramped together in regimented rows. | 0:42:39 | 0:42:43 | |
You're talking about back-to-back houses, | 0:42:43 | 0:42:45 | |
where there was no sanitation, no ventilation. | 0:42:45 | 0:42:47 | |
If you're living in that condition, | 0:42:47 | 0:42:49 | |
home is hardly sweet home that you want to come home to. | 0:42:49 | 0:42:51 | |
It's not somewhere to go to for peace and quiet. | 0:42:51 | 0:42:53 | |
The bosses were living in style, | 0:42:55 | 0:42:58 | |
but the merchants had good reasons to worry | 0:42:58 | 0:43:01 | |
about the living conditions of their employees and their children. | 0:43:01 | 0:43:05 | |
Within living memory, the workers of Manchester | 0:43:09 | 0:43:11 | |
had demonstrated for social reform. | 0:43:11 | 0:43:15 | |
18 died in the Peterloo massacre, | 0:43:15 | 0:43:18 | |
when cavalry charged them with drawn sabres. | 0:43:18 | 0:43:22 | |
Could similar social unrest be brewing | 0:43:24 | 0:43:27 | |
in the drinking dens of Birkenhead? | 0:43:27 | 0:43:29 | |
Was there a genuine possibility of everything exploding in revolution? | 0:43:32 | 0:43:38 | |
People would resent those who seemed to be better off, | 0:43:38 | 0:43:41 | |
those who were in control, there could have been a major revolution. | 0:43:41 | 0:43:44 | |
They'd had one in France, why not one in Britain? | 0:43:44 | 0:43:47 | |
To prise workers out of the alehouses, | 0:43:47 | 0:43:50 | |
the great and good of Birkenhead Council came up with a novel idea. | 0:43:50 | 0:43:55 | |
Use public money to create a grand green space. | 0:43:55 | 0:44:00 | |
Parklife was born. | 0:44:04 | 0:44:06 | |
In 1847, the first public-funded municipal park | 0:44:10 | 0:44:15 | |
opened its imposing gates. | 0:44:15 | 0:44:17 | |
Just imagine 160 years ago | 0:44:26 | 0:44:29 | |
if you were some young kid in from the fields or the cowsheds, | 0:44:29 | 0:44:33 | |
trying to make a living in the new industrial north, | 0:44:33 | 0:44:36 | |
this must have been quite intimidating, I think, | 0:44:36 | 0:44:39 | |
also just that little bit exciting. | 0:44:39 | 0:44:43 | |
There was nowhere like this on earth, | 0:44:46 | 0:44:50 | |
it was laid out by designer Joseph Paxton, | 0:44:50 | 0:44:53 | |
who'd go on to create the Crystal Palace in London. | 0:44:53 | 0:44:56 | |
This space was social networking 19th century style. | 0:44:58 | 0:45:02 | |
That's what's so special about this park, it's a time machine that | 0:45:02 | 0:45:07 | |
takes us back to the birth of modern urban Britain, | 0:45:07 | 0:45:10 | |
if only we can learn to see it with old eyes. | 0:45:10 | 0:45:14 | |
Back then everything ran to a plan. | 0:45:14 | 0:45:18 | |
The park taught people to play nicely together, | 0:45:18 | 0:45:21 | |
and conform to polite society. | 0:45:21 | 0:45:25 | |
I've got a copy of the bylaws here, | 0:45:30 | 0:45:32 | |
for the park, it's a rather formidable document, | 0:45:32 | 0:45:35 | |
they're quite interesting. | 0:45:35 | 0:45:37 | |
No carpet beating, no fires, no pitching tents, | 0:45:37 | 0:45:41 | |
no leaving piles of building materials all over the place, | 0:45:41 | 0:45:45 | |
no preaching. | 0:45:45 | 0:45:46 | |
SHE LAUGHS | 0:45:46 | 0:45:48 | |
But visitors did spread the word, | 0:45:48 | 0:45:51 | |
public parks popped up all over Britain and beyond. | 0:45:51 | 0:45:56 | |
Where Birkenhead led, the world followed. | 0:45:59 | 0:46:02 | |
The designer of New York's Central Park, Frederick Olmstead, | 0:46:02 | 0:46:06 | |
was inspired by his own visit to Merseyside in 1850. | 0:46:06 | 0:46:10 | |
And Birkenhead's haven of tranquillity | 0:46:13 | 0:46:17 | |
remains Britain's only Grade-I listed municipal park. | 0:46:17 | 0:46:21 | |
It's funny to think that when these docks were built, | 0:46:27 | 0:46:30 | |
it was all about importing wealth into the local area, | 0:46:30 | 0:46:33 | |
but the public parks movement, born here in Birkenhead, | 0:46:33 | 0:46:37 | |
because of the new docks, was exported to the rest of the world. | 0:46:37 | 0:46:42 | |
As you leave the twin harbours of Merseyside, heading north, | 0:46:53 | 0:46:58 | |
green and yellow open spaces provide natural delights. | 0:46:58 | 0:47:03 | |
During the day and the night. | 0:47:03 | 0:47:05 | |
Blackpool lights up the coast every September. | 0:47:18 | 0:47:23 | |
It's a bright idea that keeps the summer season burning longer, | 0:47:23 | 0:47:29 | |
but then this is an ingenious stretch of shore. | 0:47:29 | 0:47:33 | |
As they know at Barrow in Furness. | 0:47:33 | 0:47:37 | |
This harbour is the site where our nuclear subs take shape. | 0:47:43 | 0:47:49 | |
But there's another secret here, almost everyone's forgotten. | 0:47:51 | 0:47:56 | |
When boffins of Barrow were building a remarkable ship, | 0:47:56 | 0:48:02 | |
an airship. | 0:48:02 | 0:48:04 | |
An uplifting tale Dick can't resist. | 0:48:07 | 0:48:10 | |
In 1911 His Majesty's Airship No.1 | 0:48:12 | 0:48:14 | |
was beginning to take shape in Cavendish Docks. | 0:48:14 | 0:48:17 | |
Here have a look at this, | 0:48:17 | 0:48:18 | |
this is the story of the airship sticking out of a massive shed | 0:48:18 | 0:48:21 | |
that was constructed to protect this weapon of war. | 0:48:21 | 0:48:24 | |
I want to know what became of Britain's airships, | 0:48:24 | 0:48:28 | |
and why this top secret project was started on this part of the coast. | 0:48:28 | 0:48:32 | |
This was the man that Barrow was taking on, | 0:48:34 | 0:48:37 | |
the undisputed king of the air, Ferdinand Graf von Zeppelin. | 0:48:37 | 0:48:42 | |
His first Zeppelin rose to the skies in 1900, | 0:48:44 | 0:48:48 | |
three years before the Wright Brothers managed powered flight. | 0:48:48 | 0:48:52 | |
And the new threat posed by Zeppelins was alarming, | 0:48:54 | 0:48:58 | |
Britain's skies were wide open, | 0:48:58 | 0:49:01 | |
suddenly we were in an aerial arms race with Germany. | 0:49:01 | 0:49:06 | |
In 1909, the Admiralty set shipbuilders at Barrow | 0:49:07 | 0:49:11 | |
the challenge of designing Britain's own Zeppelin style airship. | 0:49:11 | 0:49:16 | |
To see how our airship took shape in this harbour, | 0:49:18 | 0:49:21 | |
I've come to Cavendish Dock with local historian Graham Cubbin | 0:49:21 | 0:49:24 | |
to hunt for evidence for the top-secret project. | 0:49:24 | 0:49:27 | |
Graham, have a look at this, it looks huge, where was it? | 0:49:27 | 0:49:30 | |
This is the airship shed built on Cavendish Dock | 0:49:30 | 0:49:33 | |
and behind us here you can see the remnants of the airship shed | 0:49:33 | 0:49:35 | |
you can see the remains of the foundations. | 0:49:35 | 0:49:38 | |
Those posts go for a very long way, | 0:49:38 | 0:49:40 | |
what length are we talking about, the shed and the airship? | 0:49:40 | 0:49:43 | |
The shed itself was over 600ft long and over 50ft wide. | 0:49:43 | 0:49:47 | |
The airship was 512ft long and when it was launched in 1911, | 0:49:51 | 0:49:56 | |
it was the biggest airship in the world, | 0:49:56 | 0:49:58 | |
far bigger than any of the Zeppelins that had been built. | 0:49:58 | 0:50:01 | |
Britain's first rigid airship floated on water | 0:50:03 | 0:50:06 | |
to make it easier to manoeuvre, an idea copied from the Germans. | 0:50:06 | 0:50:10 | |
But our engineers made a critical mistake constructing the shed | 0:50:12 | 0:50:17 | |
to house their creation | 0:50:17 | 0:50:19 | |
Zeppelin's airship shed was a floating shed, | 0:50:20 | 0:50:23 | |
and that enabled them to rotate the whole shed into the wind, | 0:50:23 | 0:50:26 | |
but Vickers built theirs over rigid foundations, | 0:50:26 | 0:50:30 | |
it couldn't turn so any airship coming out of this shed | 0:50:30 | 0:50:34 | |
would be subject to strong winds. | 0:50:34 | 0:50:37 | |
Unfortunately, it was a blustery day on the 24th of September 1911 | 0:50:37 | 0:50:42 | |
as His Majesty's Airship No.1 was made ready for manoeuvres. | 0:50:42 | 0:50:47 | |
We're here at one side of the docks, the shed would have been over there, | 0:50:49 | 0:50:52 | |
and the airship would have just been pulled out, towed out. | 0:50:52 | 0:50:56 | |
Yeah, it was very carefully planned. | 0:50:56 | 0:50:58 | |
It was towed out using small boats and horses, | 0:50:58 | 0:51:02 | |
so it was actually floating very lightly on the water | 0:51:02 | 0:51:05 | |
and could be manoeuvred to a mooring post in the centre of the dock. | 0:51:05 | 0:51:09 | |
No sooner than she was free of the shed than disaster struck. | 0:51:11 | 0:51:15 | |
Seldom does a picture sum-up a nation's humiliation so completely. | 0:51:19 | 0:51:24 | |
OK, Graham, what went wrong? | 0:51:25 | 0:51:27 | |
There was a gust of wind, the airship rolled slightly, | 0:51:27 | 0:51:31 | |
and as it was described at the time, there was a sound like | 0:51:31 | 0:51:34 | |
thousands of stones being tossed through acres of glass houses. | 0:51:34 | 0:51:38 | |
The stern-most part of the airship started to rise to the air, | 0:51:42 | 0:51:45 | |
luckily the crew managed to jump into the dock, | 0:51:45 | 0:51:48 | |
no injuries were sustained | 0:51:48 | 0:51:50 | |
but the airship was irreparably damaged. | 0:51:50 | 0:51:52 | |
It was a catastrophic failure. | 0:51:52 | 0:51:55 | |
This crunching set-back convinced the traditionally-minded top brass | 0:51:56 | 0:52:00 | |
of the Navy that Barrow's secret project | 0:52:00 | 0:52:03 | |
was just an ill-conceived aerial adventure. | 0:52:03 | 0:52:06 | |
Admiral Sturdee, the head of the inquiry | 0:52:08 | 0:52:11 | |
into Britain's airship disaster is reported to have said, | 0:52:11 | 0:52:14 | |
"The project was the work of an idiot." | 0:52:14 | 0:52:17 | |
Such was the humiliation | 0:52:17 | 0:52:18 | |
that the airship project in this harbour was halted. | 0:52:18 | 0:52:22 | |
What a mess! | 0:52:22 | 0:52:23 | |
But the Zeppelin soared on. | 0:52:26 | 0:52:29 | |
With the First World War looming, | 0:52:29 | 0:52:31 | |
like it or not, we were in a critical air race. | 0:52:31 | 0:52:33 | |
So the Admiralty had to swallow their pride | 0:52:33 | 0:52:36 | |
and set their sights on the skies again. | 0:52:36 | 0:52:39 | |
To succeed we had to understand every detail of the Zeppelin's design. | 0:52:40 | 0:52:46 | |
To get an airship off the ground | 0:52:46 | 0:52:48 | |
you have to fill it with a gas that is lighter than the air. | 0:52:48 | 0:52:51 | |
They used hydrogen and they used lots of it. | 0:52:51 | 0:52:53 | |
But surprisingly, an airship's outer skin isn't gas tight at all. | 0:52:54 | 0:52:59 | |
The rigid frame and its canvas coating were there to protect | 0:53:01 | 0:53:05 | |
the fragile gas-type bags held inside. | 0:53:05 | 0:53:07 | |
Here the massive gas bags of the Zeppelin hang limp inside the frame, | 0:53:09 | 0:53:13 | |
waiting to be inflated, but what where they made of? | 0:53:13 | 0:53:18 | |
Now of course, its child's play to produce a bag | 0:53:27 | 0:53:29 | |
that can hold a gas for ages, but a hundred years ago | 0:53:29 | 0:53:32 | |
they didn't have materials like this, so what did they do? | 0:53:32 | 0:53:35 | |
Well, to get a futuristic airship to float, | 0:53:35 | 0:53:37 | |
they had to revert to techniques that were ancient. | 0:53:37 | 0:53:40 | |
Amazingly, the gas bags inside the most advanced Zeppelins | 0:53:41 | 0:53:46 | |
started their life inside a cow. | 0:53:46 | 0:53:49 | |
Open up the beast and there's a part of its intestines | 0:53:51 | 0:53:54 | |
known as the caecum, that's what held the hydrogen inside the Zeppelins. | 0:53:54 | 0:54:00 | |
It seems incredible, but cow guts were the secret ingredients | 0:54:00 | 0:54:03 | |
that meant that airships could float in the sky. | 0:54:03 | 0:54:06 | |
Giles, good to see you. How you doing? We're ready for this, are we? | 0:54:06 | 0:54:09 | |
I think so, yes, we'll have a go. | 0:54:09 | 0:54:11 | |
Airships expert Giles Camplin knows the history | 0:54:14 | 0:54:18 | |
but he's never handled the real guts of a Zeppelin before. | 0:54:18 | 0:54:22 | |
We've got some straight from the abattoir. | 0:54:22 | 0:54:26 | |
Good Lord! | 0:54:26 | 0:54:27 | |
Is that what you expected? | 0:54:27 | 0:54:29 | |
This is the raw material. | 0:54:29 | 0:54:32 | |
That's not very pleasant. | 0:54:32 | 0:54:34 | |
It's horrible, it's disgusting. | 0:54:34 | 0:54:36 | |
But that you can see there is the membrane, sort of membranes | 0:54:36 | 0:54:38 | |
we're looking for, and that is gas holding, that holds hydrogen. | 0:54:38 | 0:54:44 | |
When they dry it and process it, it ends up like this. | 0:54:44 | 0:54:48 | |
You see, this is dry, | 0:54:48 | 0:54:50 | |
in the airships they kept it moist and flexible. | 0:54:50 | 0:54:53 | |
It's a natural membrane that's gas tight. | 0:54:53 | 0:54:56 | |
So can we make our own mini airship | 0:54:56 | 0:54:59 | |
by filling this membrane with helium? | 0:54:59 | 0:55:01 | |
I've done some very odd things in my time. | 0:55:01 | 0:55:04 | |
Right. | 0:55:08 | 0:55:10 | |
THEY LAUGH | 0:55:10 | 0:55:12 | |
This is disgusting, but the membrane is very impressive. | 0:55:12 | 0:55:16 | |
It is showing that it's gas tight. | 0:55:16 | 0:55:18 | |
All this fat's got to be scraped off. | 0:55:18 | 0:55:20 | |
Yeah, all that's got to be scraped off, | 0:55:20 | 0:55:21 | |
and then the actual membrane bit, the very thin bit here, | 0:55:21 | 0:55:25 | |
would have been cut to make a flat square sheet | 0:55:25 | 0:55:27 | |
and then you could laminate the different sheets together. | 0:55:27 | 0:55:30 | |
And stick them together? | 0:55:30 | 0:55:31 | |
And stick them together, and then you put multiple layers in, | 0:55:31 | 0:55:35 | |
up to seven layers thick, you needed up to 350,000, | 0:55:35 | 0:55:38 | |
some of the big ships had a million of these to make one airship. | 0:55:38 | 0:55:42 | |
What an investment in effort and time and cows. | 0:55:42 | 0:55:45 | |
I think this is practically ready to fly. | 0:55:45 | 0:55:48 | |
To get the Zeppelins out of their sheds, | 0:55:50 | 0:55:53 | |
millions of German cows gave up their guts. | 0:55:53 | 0:55:56 | |
Across Germany, farmers were mobilised, | 0:55:57 | 0:56:03 | |
they had to surrender the inside of their animals for the war effort. | 0:56:03 | 0:56:07 | |
But in Britain, airship production was still playing catch-up, | 0:56:08 | 0:56:13 | |
we struggled to get the vast amount of cow guts required. | 0:56:13 | 0:56:18 | |
Well, we had a problem, especially in the First World War | 0:56:20 | 0:56:24 | |
and we were getting them from America, | 0:56:24 | 0:56:26 | |
they'd be coming into ports like Liverpool, | 0:56:26 | 0:56:28 | |
but they came in barrels, salted, they salted them to preserve them | 0:56:28 | 0:56:32 | |
because that was the best way of doing it, | 0:56:32 | 0:56:34 | |
and then they were soaked in solutions of glycerine and water | 0:56:34 | 0:56:38 | |
and then teams of women were processing them, | 0:56:38 | 0:56:41 | |
scraping the fat off, | 0:56:41 | 0:56:42 | |
getting them ready and layering them up to make these gas cells. | 0:56:42 | 0:56:45 | |
I mean, the smell must have been appalling, | 0:56:45 | 0:56:47 | |
must have been absolutely horrendous conditions, | 0:56:47 | 0:56:49 | |
but we had to catch-up with the Germans | 0:56:49 | 0:56:51 | |
cos the Zeppelins were coming over and bombing, | 0:56:51 | 0:56:54 | |
so that's what they had to do to make these amazing flying machines. | 0:56:54 | 0:56:57 | |
By the First World War, | 0:57:00 | 0:57:02 | |
we were still struggling to produce effective airships. | 0:57:02 | 0:57:05 | |
Meanwhile, the east coast, the midlands and London | 0:57:06 | 0:57:10 | |
suffered the terror of Zeppelin attacks. | 0:57:10 | 0:57:14 | |
Bombing raids killed more than 500 people across Britain. | 0:57:14 | 0:57:19 | |
Only after the war, when the R80 came into service, | 0:57:19 | 0:57:22 | |
did we finally have a craft to match Germany's finest. | 0:57:22 | 0:57:27 | |
So much effort, and all in vain. | 0:57:29 | 0:57:33 | |
Planes would eventually blow military airships from the skies. | 0:57:33 | 0:57:37 | |
The airborne adventure we started in this harbour | 0:57:40 | 0:57:42 | |
never really did take off, but there's something about airships | 0:57:42 | 0:57:45 | |
that still seems futuristic, an alternative future, | 0:57:45 | 0:57:49 | |
the stuff of science fiction, kept in the air by cow guts. | 0:57:49 | 0:57:53 | |
A wealth of hidden history lies in store for those | 0:58:04 | 0:58:07 | |
who explore our harbours. | 0:58:07 | 0:58:11 | |
Tales of enterprise, triumph and trade tell how Britain was born. | 0:58:11 | 0:58:17 | |
For me, the coast is most alive when you can see it at work, | 0:58:20 | 0:58:24 | |
and harbours are where you can see that happening, | 0:58:24 | 0:58:27 | |
where land and sea and people all come together | 0:58:27 | 0:58:31 | |
and where adventures are born. | 0:58:31 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:44 |