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This is Coast, or "Bienvenue sur Coast". | 0:00:10 | 0:00:14 | |
Two languages linked by a mighty stretch of water - the Channel. | 0:00:14 | 0:00:19 | |
Funnelling between England and France, the narrow and | 0:00:21 | 0:00:25 | |
surprisingly shallow channel plays a starring role in our island's story. | 0:00:25 | 0:00:31 | |
One sea separating two nations. | 0:00:32 | 0:00:36 | |
I'll be occupying what was once enemy territory - | 0:00:37 | 0:00:41 | |
the shores of France. | 0:00:41 | 0:00:43 | |
From the white cliffs of Normandy to the white cliffs of Dover, | 0:00:47 | 0:00:53 | |
the rest of the team are flying the flag in England. | 0:00:53 | 0:00:57 | |
Mark reveals how the distance between the British | 0:00:57 | 0:01:02 | |
and the French brought us closer together. | 0:01:02 | 0:01:05 | |
I'm in Dover to discover how measuring across the Channel | 0:01:05 | 0:01:10 | |
led to the creation of Britain's most famous map, the Ordnance Survey. | 0:01:10 | 0:01:15 | |
Miranda's mission is to shadow the force that polices | 0:01:17 | 0:01:20 | |
the Channel's fisherman. | 0:01:20 | 0:01:22 | |
The HMS Mersey cruises up and down the Channel | 0:01:22 | 0:01:25 | |
ready to stop and search any fishing vessel she fancies. | 0:01:25 | 0:01:30 | |
And Neil uncovers a forgotten ship of lost souls. | 0:01:30 | 0:01:35 | |
When she sank to the sea bed that cold February night, | 0:01:35 | 0:01:40 | |
she took 647 men with her - | 0:01:40 | 0:01:43 | |
still one of the worst losses the English Channel has ever seen. | 0:01:43 | 0:01:46 | |
This is the Channel Coast. | 0:01:46 | 0:01:51 | |
It narrows to just 21 miles wide, | 0:02:20 | 0:02:23 | |
yet the English Channel is the world's busiest seaway. | 0:02:23 | 0:02:28 | |
Some 400 ships surge past Dover every day. | 0:02:31 | 0:02:36 | |
The Channel has carried both friend and foe, | 0:02:40 | 0:02:43 | |
it's brought opportunity and disaster | 0:02:43 | 0:02:46 | |
and it's been our defensive barrier. | 0:02:46 | 0:02:49 | |
And along its opposing shores, millions make their home. | 0:02:51 | 0:02:55 | |
I'm on French sands to explore our shared story. | 0:02:58 | 0:03:03 | |
My journey begins in Normandy, at Mont Saint-Michel. | 0:03:06 | 0:03:11 | |
Its distinctive outline dominates the land and seascape. | 0:03:18 | 0:03:22 | |
Pilgrims set foot on this holy isle over a thousand years ago, | 0:03:25 | 0:03:29 | |
searching for the sacred. | 0:03:29 | 0:03:32 | |
Legend has it that a warrior archangel who battled Lucifer | 0:03:33 | 0:03:37 | |
appeared here. That archangel, Saint-Michel, gave his name to | 0:03:37 | 0:03:41 | |
this glorious mount, but St Michael, as we know him, | 0:03:41 | 0:03:45 | |
didn't limit his divine presence to this side of the Channel. | 0:03:45 | 0:03:49 | |
Here in Normandy, Mont Saint-Michel stands alone. | 0:03:53 | 0:03:57 | |
But cross the water to Cornwall, | 0:03:57 | 0:03:59 | |
and a feeling of deja vu washes over you. | 0:03:59 | 0:04:02 | |
This is St Michael's Mount. | 0:04:02 | 0:04:06 | |
The Archangel Michael apparently appeared here, too. | 0:04:06 | 0:04:11 | |
Connections across the Channel, two shores divided by a remarkable sea. | 0:04:12 | 0:04:20 | |
I discovered on my last visit to France that only 600,000 years ago, | 0:04:22 | 0:04:27 | |
I could have walked to England over chalk downs. | 0:04:27 | 0:04:31 | |
The downs formed a land bridge, holding back a vast melt-water lake. | 0:04:33 | 0:04:40 | |
When it gave way, the Channel burst into existence... | 0:04:40 | 0:04:45 | |
..in a catastrophic mega-flood. | 0:04:47 | 0:04:50 | |
And the power of this sea can still be experienced today in its tides. | 0:04:50 | 0:04:55 | |
Very soon now, where I'm standing is going to be deep under water. | 0:04:59 | 0:05:05 | |
I can see the leading edge of the tide coming in now, | 0:05:05 | 0:05:07 | |
and that wave is going to push across the lowest points | 0:05:07 | 0:05:10 | |
on these mud and sand flats, | 0:05:10 | 0:05:12 | |
and then the tide behind is just going to completely swamp them. | 0:05:12 | 0:05:16 | |
I'd better move. | 0:05:16 | 0:05:18 | |
Many lives have been claimed out here, | 0:05:18 | 0:05:20 | |
victims tragically unaware of the tide's deceptive danger. | 0:05:20 | 0:05:24 | |
I'm having to run to keep ahead of it. | 0:05:24 | 0:05:27 | |
Only ten minutes ago, I was way out there on land | 0:05:32 | 0:05:35 | |
surrounded by tidal streams and wading sea birds. Now it's just sea. | 0:05:35 | 0:05:40 | |
This tidal surge at Mont Saint-Michel | 0:05:46 | 0:05:50 | |
also impacts our Channel coast. | 0:05:50 | 0:05:53 | |
How do two countries share the power of the sea? | 0:05:53 | 0:05:57 | |
It's easy to think of the tide as something local, a rise | 0:05:57 | 0:06:03 | |
and fall of water at a specific place at a specific time. | 0:06:03 | 0:06:08 | |
In reality the tide is one immense body of water, | 0:06:08 | 0:06:13 | |
a pulsating bulge, and as it moves from west to east, its power | 0:06:13 | 0:06:19 | |
and its influence is felt in turn along the entire Channel. | 0:06:19 | 0:06:24 | |
Right now we're close to high tide here at Mont Saint-Michel, | 0:06:24 | 0:06:27 | |
but this moving hump of high water was felt near the mouth | 0:06:27 | 0:06:30 | |
of the Channel here at Polperro in Cornwall | 0:06:30 | 0:06:34 | |
and at Perros-Guirec in Brittany about 20 minutes ago. | 0:06:34 | 0:06:38 | |
One body of water swirling along two different shores. | 0:06:40 | 0:06:45 | |
The beaches of Brittany's pink granite coast share high tide | 0:06:46 | 0:06:49 | |
with the harbours in rocky Cornish coves. | 0:06:49 | 0:06:54 | |
Ten minutes later, the tidal wave reaches Plymouth, | 0:06:56 | 0:06:59 | |
where the rising waters provide passage | 0:06:59 | 0:07:01 | |
from Western Europe's largest operational naval base. | 0:07:01 | 0:07:06 | |
Next, the high water will hit the Channel Islands | 0:07:08 | 0:07:10 | |
where it turns low-lying land into sea. | 0:07:10 | 0:07:14 | |
Jersey's Seymour Tower is cut off completely as the tide peaks. | 0:07:15 | 0:07:21 | |
In just under two hours' time, the high waters will envelope | 0:07:24 | 0:07:27 | |
the Isle of Wight. | 0:07:27 | 0:07:30 | |
Here the tidal waters circle back on themselves, | 0:07:30 | 0:07:32 | |
creating four tides a day, double the normal number, | 0:07:32 | 0:07:35 | |
which lends a helping hand to deep-hulled cargo ships | 0:07:35 | 0:07:39 | |
entering the port at Southampton. | 0:07:39 | 0:07:41 | |
When the high tide passes Hastings in five hours' time, it will be the | 0:07:41 | 0:07:45 | |
fishermen's friend, allowing them to float their boats off the beach. | 0:07:45 | 0:07:51 | |
Finally, the tide passes the famous ferry ports of Dover | 0:07:54 | 0:07:58 | |
and Calais at the far eastern end of the Channel. | 0:07:58 | 0:08:01 | |
As the sea retreats, the land breathes out. | 0:08:04 | 0:08:09 | |
Sands expand, | 0:08:12 | 0:08:14 | |
until two countries across the Channel can almost hold hands. | 0:08:14 | 0:08:18 | |
No wonder ideas have winged over the water for centuries. | 0:08:20 | 0:08:24 | |
Norman conquerors taught us to construct stone castles. | 0:08:27 | 0:08:32 | |
But the French have made | 0:08:34 | 0:08:35 | |
an even more permanent mark on our landscape. | 0:08:35 | 0:08:38 | |
Our maps of Britain owe much to cross-Channel co-operation at Dover. | 0:08:38 | 0:08:45 | |
Mark's going back over two centuries to the birth of our Ordnance Survey. | 0:08:47 | 0:08:54 | |
Don't tell anybody but the great British institution | 0:08:54 | 0:08:57 | |
the Ordnance Survey only came into existence thanks to | 0:08:57 | 0:09:02 | |
the scientific endeavours of our once-sworn enemy, the French. | 0:09:02 | 0:09:09 | |
Today, our isles are accurately mapped in minute detail. | 0:09:11 | 0:09:16 | |
By comparison, this 18th-century view of Dover | 0:09:16 | 0:09:19 | |
is little more than a sketch. | 0:09:19 | 0:09:23 | |
But back then, remarkable map-makers were busy across the Channel. | 0:09:26 | 0:09:32 | |
During the 1750s, work began on a remarkable project - | 0:09:35 | 0:09:40 | |
to map and survey every corner of France. | 0:09:40 | 0:09:45 | |
It took nearly 40 years, and this is how they completed it - | 0:09:45 | 0:09:49 | |
by drawing triangles all over France. | 0:09:49 | 0:09:53 | |
How did this massive grid of triangles | 0:09:54 | 0:09:57 | |
create more accurate maps than ours? | 0:09:57 | 0:10:01 | |
Using the triangle created by Dover's lighthouses, | 0:10:04 | 0:10:09 | |
let's think like an 18th-century Frenchman. | 0:10:09 | 0:10:11 | |
If they knew the distance between lighthouse B and C, | 0:10:16 | 0:10:21 | |
by simply measuring two angles, map-makers could work out | 0:10:21 | 0:10:25 | |
the distance to lighthouse A. | 0:10:25 | 0:10:29 | |
# Tra-la-la-la, triangle | 0:10:31 | 0:10:34 | |
# My life's in such a tangle... # | 0:10:34 | 0:10:36 | |
Triangles give you angles, | 0:10:39 | 0:10:42 | |
and with angles you can map locations accurately. | 0:10:42 | 0:10:47 | |
Having triangulated their way to the Channel coast, the French | 0:10:49 | 0:10:54 | |
surveyors wanted to extend their mapping over the sea into Britain. | 0:10:54 | 0:10:59 | |
Impossible! | 0:11:01 | 0:11:02 | |
Until 1783, and a brief period of peace. | 0:11:04 | 0:11:08 | |
It was just enough time for scientists on both sides | 0:11:11 | 0:11:14 | |
of the Channel to join forces and to conduct a novel experiment. | 0:11:14 | 0:11:21 | |
Measuring across the Channel, | 0:11:21 | 0:11:23 | |
they wanted to know exactly where Britain was in relation to France. | 0:11:23 | 0:11:31 | |
This great cross-Channel collaboration would use | 0:11:31 | 0:11:35 | |
the French method of triangulation on a hitherto unseen scale. | 0:11:35 | 0:11:41 | |
But which country's surveying equipment | 0:11:43 | 0:11:46 | |
would be trusted to measure the angles? | 0:11:46 | 0:11:49 | |
Mapping historian Daniel Schelstraete | 0:11:51 | 0:11:55 | |
has made the crossing to Dover. | 0:11:55 | 0:11:58 | |
Hi, Daniel! | 0:11:59 | 0:12:01 | |
Hi, Mark, are you all right? | 0:12:01 | 0:12:02 | |
A bit of a climb, I'm afraid. | 0:12:02 | 0:12:04 | |
The French favoured their tried-and-tested instrument, | 0:12:04 | 0:12:09 | |
the repeating circle. | 0:12:09 | 0:12:13 | |
Daniel, this is it! | 0:12:14 | 0:12:16 | |
Yes, this instrument is a new instrument, so the interest is, | 0:12:16 | 0:12:20 | |
it's possible to measure horizontal angle for triangulation. | 0:12:20 | 0:12:27 | |
So where do you actually measure the angle? | 0:12:27 | 0:12:30 | |
Oh, just here, with Vemier. | 0:12:30 | 0:12:33 | |
I can see, I can see the angle measurements. | 0:12:33 | 0:12:35 | |
The repeating circle is positioned between two fixed points. | 0:12:35 | 0:12:38 | |
You set one telescope to look at one landmark | 0:12:41 | 0:12:43 | |
and a second telescope to look at the other. | 0:12:43 | 0:12:48 | |
A scale on the instrument reads out the angle between them, | 0:12:48 | 0:12:52 | |
but you don't just do it once. | 0:12:52 | 0:12:56 | |
Upper, lower, together, etc, ten times, 20 times, 100 times, | 0:12:56 | 0:13:03 | |
and only at the end you have the good angle. | 0:13:03 | 0:13:06 | |
So that is why it's called the repeating circle? | 0:13:06 | 0:13:08 | |
Yes. | 0:13:08 | 0:13:10 | |
French map-makers were well-equipped and ready to go. | 0:13:10 | 0:13:14 | |
But how about us, on the British side of the Channel? | 0:13:16 | 0:13:21 | |
I'm with historian Rachel Hewitt. | 0:13:21 | 0:13:25 | |
Britain did not have an accurate national map at this time. | 0:13:25 | 0:13:29 | |
France had begun their map based on a national triangulation | 0:13:29 | 0:13:33 | |
100 years before the British, and had a much more sophisticated | 0:13:33 | 0:13:37 | |
sense of the use of maps in military defence. | 0:13:37 | 0:13:40 | |
Britain's military couldn't afford to be outdone. | 0:13:43 | 0:13:47 | |
We needed a survey instrument of our own. | 0:13:47 | 0:13:51 | |
King George III provided £2,000 from the Royal coffers, | 0:13:51 | 0:13:57 | |
and the British spent three years to perfect...this! | 0:13:57 | 0:14:02 | |
The "Great Theodolite" was ready | 0:14:06 | 0:14:09 | |
just weeks before the cross-Channel mapping experiment in 1787. | 0:14:09 | 0:14:14 | |
It was the first survey instrument with a measuring scale | 0:14:16 | 0:14:20 | |
cut by machine, making it incredibly accurate. | 0:14:20 | 0:14:26 | |
The French repeating circle relied on hand-etched measuring scales. | 0:14:26 | 0:14:32 | |
To cancel out human error, repeated measurements had to be made. | 0:14:32 | 0:14:39 | |
Which country's technology would triumph in the challenge | 0:14:39 | 0:14:43 | |
to map across the Channel? | 0:14:43 | 0:14:46 | |
The English surveying team went to Dover Castle | 0:14:48 | 0:14:51 | |
and to Fairlight Head near Hastings. | 0:14:51 | 0:14:54 | |
Right, and where did the French go? | 0:14:54 | 0:14:56 | |
In France it was four stations - Mont Lambert, Cap Blanc Nez, | 0:14:56 | 0:15:02 | |
Calais and Dunkirk. | 0:15:02 | 0:15:05 | |
So they already knew the distance between these stations on land, | 0:15:05 | 0:15:08 | |
so they then had to look across the Channel? | 0:15:08 | 0:15:11 | |
And by measuring the angles between these points | 0:15:11 | 0:15:15 | |
they could then work out the distances. | 0:15:15 | 0:15:18 | |
And the battle between the Great Theodolite | 0:15:18 | 0:15:20 | |
and the repeating circle? | 0:15:20 | 0:15:22 | |
Well, both instruments came up with almost identical measurements. | 0:15:22 | 0:15:27 | |
With the precise distance across the Channel mapped, | 0:15:29 | 0:15:33 | |
the new British theodolite had proved its worth to our military. | 0:15:33 | 0:15:38 | |
It gave them the impetus to create the Ordnance Survey in 1791. | 0:15:38 | 0:15:45 | |
The Ordnance Survey began to map the south coast in great detail. | 0:15:48 | 0:15:54 | |
Ten years later, Napoleon was on the verge of invading Britain. | 0:15:54 | 0:16:00 | |
New, accurate maps helped to plan our defence. | 0:16:02 | 0:16:06 | |
So there's actually a bit of an irony here | 0:16:08 | 0:16:11 | |
that this Anglo-French collaboration actually enabled the British | 0:16:11 | 0:16:16 | |
to create cartography to defend ourselves against a French invasion. | 0:16:16 | 0:16:21 | |
The Ordnance Survey, when it's founded in 1791, | 0:16:21 | 0:16:24 | |
is built on the back of this cross-Channel triangulation. | 0:16:24 | 0:16:27 | |
That was a military map to defend Britain against the French. | 0:16:27 | 0:16:31 | |
HE LAUGHS | 0:16:31 | 0:16:33 | |
Theodolites went on to map Britain's Empire. | 0:16:35 | 0:16:41 | |
Taking on India and the Himalayas. | 0:16:42 | 0:16:45 | |
Even Mount Everest was surveyed. | 0:16:45 | 0:16:48 | |
This experiment in cross-Channel mathematics from here in Dover | 0:16:50 | 0:16:55 | |
helped launch the greatest mapping project that Britain had ever seen. | 0:16:55 | 0:17:00 | |
The Ordnance Survey put us on the global map. | 0:17:00 | 0:17:07 | |
Partners or potential invaders? | 0:17:19 | 0:17:23 | |
Over centuries, the English | 0:17:23 | 0:17:26 | |
and French have looked to their Channel horizon with mixed emotions. | 0:17:26 | 0:17:30 | |
We're looking along the edge for the connections that unite | 0:17:33 | 0:17:36 | |
sea-washed neighbours. | 0:17:36 | 0:17:39 | |
This is the story of two coasts. | 0:17:41 | 0:17:45 | |
Two coasts that sometimes look surprisingly similar. | 0:17:45 | 0:17:51 | |
I'm at Mont Saint-Michel in Normandy, | 0:17:51 | 0:17:54 | |
the spitting image of St Michael's Mount in Cornwall. | 0:17:54 | 0:18:00 | |
These cousins across the Channel have lived parallel lives. | 0:18:00 | 0:18:05 | |
In 1548, Henry VIII put an end to the monks on St Michael's Mount. | 0:18:05 | 0:18:11 | |
Monks remained at Mont Saint-Michel more than two centuries longer, | 0:18:12 | 0:18:16 | |
until revolution rocked France. | 0:18:16 | 0:18:19 | |
Today, life on the islands is very different. | 0:18:19 | 0:18:23 | |
St Michael's Mount is a haven of calm. | 0:18:25 | 0:18:29 | |
Mont Saint-Michel hosts over a million visitors each year. | 0:18:29 | 0:18:34 | |
Yet the Mont also has a secret life. | 0:18:36 | 0:18:40 | |
Amelie Saint James is one of a permanent population | 0:18:42 | 0:18:46 | |
of just 20 living on this holy isle. | 0:18:46 | 0:18:50 | |
So Amelie, how would you characterise Mont Saint-Michel, | 0:18:50 | 0:18:53 | |
how would you describe it, what is it like? | 0:18:53 | 0:18:55 | |
Depends on the time of the year. | 0:18:55 | 0:18:57 | |
If it's summer it's very crowded, | 0:18:57 | 0:18:59 | |
you are hoping winter comes quite quickly, | 0:18:59 | 0:19:02 | |
and when it's winter, it's totally empty | 0:19:02 | 0:19:05 | |
and you're quite wishing the tourist will arrive again. | 0:19:05 | 0:19:07 | |
It's a real tourist throng today. | 0:19:09 | 0:19:11 | |
So Amelie has agreed to take me | 0:19:11 | 0:19:13 | |
to one of Mont Saint-Michel's quieter corners. | 0:19:13 | 0:19:17 | |
Her home. | 0:19:17 | 0:19:19 | |
There are 162 steps to get to my threshold, | 0:19:21 | 0:19:24 | |
so that's quite a job. Then you're rewarded by beauty. | 0:19:24 | 0:19:27 | |
I mean, when I wake up in the morning I have the bay around me. | 0:19:27 | 0:19:31 | |
I have a 14th-century house, I have an Abbey on top. I mean, | 0:19:31 | 0:19:36 | |
this is not given to everybody, so it's definitely worth it. | 0:19:36 | 0:19:40 | |
The main street can be like the metro in Tokyo. | 0:19:40 | 0:19:42 | |
Sometimes people just open the door and they see my panties, | 0:19:42 | 0:19:46 | |
and they ask, "Well, is it private?" | 0:19:46 | 0:19:49 | |
"No, no, of course not." | 0:19:49 | 0:19:51 | |
Privacy is hard to come by on Mont Saint-Michel. | 0:19:56 | 0:20:00 | |
Those pursuing a sacred life on-high compete with crowds below. | 0:20:02 | 0:20:09 | |
After Benedictine monks returned here in 1969, | 0:20:09 | 0:20:13 | |
Father Andre Fournier followed them. | 0:20:13 | 0:20:16 | |
What were the contrasts between life at the top in the abbey | 0:20:16 | 0:20:19 | |
and life down below where humanity mills around? | 0:20:19 | 0:20:23 | |
Modern-day pilgrims who make the climb are rewarded with | 0:21:08 | 0:21:12 | |
a timeless haven, sitting betwixt sea and sky. | 0:21:12 | 0:21:16 | |
This is an ancient scene utterly removed from the commercial hubbub | 0:21:28 | 0:21:32 | |
further down the Mount, a place of calm | 0:21:32 | 0:21:38 | |
and contemplation, suspended above the human ant hill. | 0:21:38 | 0:21:45 | |
Further along Normandy's shore, granite gives way to sand. | 0:22:08 | 0:22:13 | |
And spiritual life makes way for beach life. | 0:22:15 | 0:22:20 | |
England's Channel coast is a playground, too. | 0:22:23 | 0:22:27 | |
But 70 years ago, fun was in short supply. | 0:22:32 | 0:22:35 | |
In a time of war, beaches became battlefields. | 0:22:37 | 0:22:42 | |
As they can't forget at Arromanches. | 0:22:42 | 0:22:45 | |
Mysterious black shadows that mark | 0:22:51 | 0:22:55 | |
the Channel's darkest moment, D-Day. | 0:22:55 | 0:23:00 | |
Memorials to sacrifice. | 0:23:00 | 0:23:03 | |
Artists Jamie Wardley | 0:23:07 | 0:23:09 | |
and Andy Moss are sculpting a tribute in the sand to the fallen. | 0:23:09 | 0:23:14 | |
We have hundreds of people making 9,000 stencils of people | 0:23:16 | 0:23:21 | |
that lost their lives in this area during the D-Day landings. | 0:23:21 | 0:23:24 | |
A visual impression of how many people actually died. | 0:23:24 | 0:23:28 | |
There's a lady who made a stencil that represents her father, | 0:23:28 | 0:23:31 | |
she drew out the stencil and then she wrote | 0:23:31 | 0:23:33 | |
her father's name on the stencil, and then it really was very moving. | 0:23:33 | 0:23:39 | |
After the landings began on June 6, 1944, D-Day's wounded | 0:23:44 | 0:23:49 | |
and dying were treated on both sides of the Channel. | 0:23:49 | 0:23:54 | |
The memory of those who fell is etched in the mind of Andre Heintz, | 0:23:54 | 0:23:59 | |
a resistance fighter who became a stretcher bearer on D-Day. | 0:23:59 | 0:24:04 | |
I was part of the French Resistance. I had been told never to tell anyone | 0:24:07 | 0:24:12 | |
that I was part of it, even my parents. | 0:24:12 | 0:24:16 | |
Across the Channel in Portsmouth, Mary Verrier was a junior nurse, | 0:24:16 | 0:24:22 | |
just 19 years old, treating casualties shipped to Britain. | 0:24:22 | 0:24:26 | |
I was only a young girl then, just an ordinary girl. | 0:24:26 | 0:24:31 | |
Divided by the Channel, united in their struggle, | 0:24:33 | 0:24:36 | |
this is their story of the fallen. | 0:24:36 | 0:24:40 | |
Mary watched the soldiers leave the relative safety of British shores. | 0:24:44 | 0:24:50 | |
Well, we knew something was up, because we were | 0:24:50 | 0:24:53 | |
confined to the hospital a week before, no leave, and I'm sure | 0:24:53 | 0:24:57 | |
quite a few of them knew that they would not be coming back. | 0:24:57 | 0:25:02 | |
On D-Day, I joined the Red Cross. | 0:25:05 | 0:25:09 | |
I had to bring British parachutists to the hospital. | 0:25:09 | 0:25:15 | |
It was full of people that had been wounded | 0:25:15 | 0:25:19 | |
and couldn't be operated yet. | 0:25:19 | 0:25:22 | |
There was hundreds of men pouring in, walking wounded, | 0:25:23 | 0:25:27 | |
stretcher wounded. | 0:25:27 | 0:25:29 | |
You must control your emotions, you must not be shown to be weak, | 0:25:31 | 0:25:36 | |
you must be shown to be positive and caring. | 0:25:36 | 0:25:41 | |
Very difficult to do when your heart is breaking. | 0:25:43 | 0:25:46 | |
You must realise how dreadful it was. | 0:25:48 | 0:25:52 | |
One of my friends called me by my name, he was in bed. | 0:25:52 | 0:25:56 | |
Well, it was not easy because I could not recognise him. | 0:25:58 | 0:26:04 | |
I had to ask him his name. | 0:26:04 | 0:26:07 | |
One of the German boys, about 19, he was terribly burnt. | 0:26:09 | 0:26:14 | |
We shouldn't have had him, | 0:26:14 | 0:26:16 | |
really, he should have gone to the padre cos he was going to die, | 0:26:16 | 0:26:19 | |
and I put my hand on his knee | 0:26:19 | 0:26:21 | |
so that he knew that somebody was there, | 0:26:21 | 0:26:24 | |
and then I suddenly realised that he was going to slip away, | 0:26:24 | 0:26:30 | |
so I stood up and put my arm under the pillow | 0:26:30 | 0:26:33 | |
and put his poor burnt head and face on my shoulder, | 0:26:33 | 0:26:38 | |
and I think he tried to say, "Kiss me, auf wiedersehen." | 0:26:38 | 0:26:45 | |
I kissed him just on the forehead there, all the rest was burnt, | 0:26:45 | 0:26:49 | |
and he died and that was my Achilles heel. Of all I'd been through, | 0:26:49 | 0:26:56 | |
that brought me right down to my knees. | 0:26:56 | 0:27:01 | |
I did all I could for my children, | 0:27:10 | 0:27:14 | |
so that they won't keep the hatred I had, | 0:27:14 | 0:27:18 | |
and I must say that I probably succeeded too well, | 0:27:18 | 0:27:24 | |
because my oldest son married a German girl. | 0:27:24 | 0:27:29 | |
Finally the guns fell silent. | 0:27:54 | 0:27:58 | |
From the ruins of war came a peace which has persisted along this sea. | 0:27:58 | 0:28:02 | |
And at times of peace, the Channel can get to work. | 0:28:02 | 0:28:08 | |
Cargo on the move, holiday-makers in a hurry. | 0:28:08 | 0:28:14 | |
And the sea's hunters stalking their prey. | 0:28:16 | 0:28:19 | |
On both sides of the Channel, fishing boats put to sea. | 0:28:22 | 0:28:26 | |
But when two fleets are pursuing the same prize, tensions can arise. | 0:28:29 | 0:28:34 | |
To explore why fishermen stopped being friends, | 0:28:34 | 0:28:38 | |
I've arrived at Erquy. | 0:28:38 | 0:28:41 | |
The Breton fishing town of Erquy has grown into one of Europe's | 0:28:46 | 0:28:50 | |
most important ports for a delicacy prized on both sides of the Channel. | 0:28:50 | 0:28:56 | |
Right now, this is a picture of tranquillity, | 0:29:00 | 0:29:03 | |
but the tide is coming in, and when the water's deep enough, | 0:29:03 | 0:29:06 | |
a fleet of ships is going to sail into port. | 0:29:06 | 0:29:10 | |
This is the first catch of the season. | 0:29:25 | 0:29:28 | |
They've been waiting five months for this. | 0:29:28 | 0:29:31 | |
At Erquy, scallops are catch of the day, | 0:29:33 | 0:29:37 | |
a favourite for discerning palates in France and the UK. | 0:29:37 | 0:29:41 | |
Restaurants in Paris and London shell out big money for scallops. | 0:29:41 | 0:29:47 | |
It was the pursuit of this much-loved mollusc | 0:29:47 | 0:29:51 | |
that put peace in peril. | 0:29:51 | 0:29:54 | |
Just look at these headlines. | 0:29:55 | 0:29:57 | |
"British fisherman call on Royal Navy." | 0:29:57 | 0:30:00 | |
"Fisherman await the next salvo." | 0:30:00 | 0:30:02 | |
"French attack our boats with rocks in battle over shellfish." | 0:30:02 | 0:30:06 | |
"Scallop Wars." | 0:30:06 | 0:30:08 | |
In 2012, British scallop trawlers were surrounded by French boats. | 0:30:08 | 0:30:14 | |
Insults were traded. | 0:30:14 | 0:30:17 | |
THEY SHOUT IN FRENCH | 0:30:17 | 0:30:19 | |
What provoked the Frenchmen's anger? | 0:30:21 | 0:30:24 | |
Time for me to hit the front line. | 0:30:24 | 0:30:27 | |
I've never seen as many scallops in one place at the same time. | 0:30:29 | 0:30:32 | |
The Entente Cordiale was strained by a high-takes standoff, | 0:30:46 | 0:30:50 | |
and maybe it's not surprising. | 0:30:50 | 0:30:53 | |
Scallops are big business, the appetite for them | 0:30:53 | 0:30:56 | |
seems endless, but the Channel's stocks aren't. | 0:30:56 | 0:31:00 | |
With so much demand | 0:31:00 | 0:31:02 | |
and a limited supply, the scales seemed weighted against the scallop. | 0:31:02 | 0:31:07 | |
Here on the French side of the Channel, they decided to redress | 0:31:07 | 0:31:10 | |
the balance. They put a limit on the length of the fishing season. | 0:31:10 | 0:31:14 | |
For the French fishermen, | 0:31:16 | 0:31:17 | |
scallop fishing was banned from mid-May to October. | 0:31:17 | 0:31:21 | |
Not so for the British, | 0:31:21 | 0:31:23 | |
who used wider EU rules to continue fishing legally all year round. | 0:31:23 | 0:31:29 | |
But when the Brits dropped their nets close to the French coast, | 0:31:29 | 0:31:34 | |
the locals cried foul play. | 0:31:34 | 0:31:36 | |
The Scallop Wars rumbled on for a year before the two sides | 0:31:37 | 0:31:42 | |
finally brokered a deal. | 0:31:42 | 0:31:45 | |
In exchange for agreed fishing days, | 0:31:45 | 0:31:49 | |
the British put restrictions on when and where they catch scallops. | 0:31:49 | 0:31:54 | |
A deal sufficiently complex to keep everyone, and no-one, content. | 0:31:54 | 0:31:59 | |
At close of play on day one of the season, | 0:32:01 | 0:32:04 | |
is there optimism that peace will prevail? | 0:32:04 | 0:32:07 | |
Do you feel a bond with your fellow English fishermen | 0:32:13 | 0:32:16 | |
on the other side of the Channel? | 0:32:16 | 0:32:18 | |
A glimmer of hope, then, that two nations who share a sea | 0:32:38 | 0:32:42 | |
can happily share its bounty. | 0:32:42 | 0:32:44 | |
It's not only the French and the British who fish the Channel. | 0:32:54 | 0:32:58 | |
They're joined by hundreds of vessels from other EU nations. | 0:32:58 | 0:33:03 | |
The rules to protect the Channel's fish stocks come from Brussels. | 0:33:03 | 0:33:08 | |
But the job of ensuring nothing fishy goes on | 0:33:10 | 0:33:13 | |
falls to France and to Britain. | 0:33:13 | 0:33:16 | |
On our side, it's a challenge that's brought Miranda to Shoreham. | 0:33:20 | 0:33:25 | |
Today I'm signing on for a tour of duty with | 0:33:27 | 0:33:30 | |
the Marine Management Organisation, the MMO. | 0:33:30 | 0:33:33 | |
Working together with the Royal Navy, | 0:33:33 | 0:33:34 | |
they're the referees of our seas. | 0:33:34 | 0:33:36 | |
Morning, chaps. | 0:33:36 | 0:33:38 | |
Fishing quotas in the Channel are set by the EU. | 0:33:44 | 0:33:48 | |
In British waters it's the MMO, or Marine Management Organisation, | 0:33:48 | 0:33:53 | |
who enforce them. | 0:33:53 | 0:33:54 | |
But it's no easy task. | 0:33:54 | 0:33:57 | |
Back-up is required in the shape of the Royal Navy and HMS Mersey. | 0:33:57 | 0:34:02 | |
Like a police patrol car, the HMS Mersey cruises up and down | 0:34:06 | 0:34:10 | |
the Channel ready to stop and search any fishing vessel she fancies. | 0:34:10 | 0:34:15 | |
When you get a lift with the Royal Navy, | 0:34:15 | 0:34:17 | |
you aren't winched aboard, the whole boat is! | 0:34:17 | 0:34:20 | |
Ho-ho-ho...that feels pretty weird, we're going up. | 0:34:25 | 0:34:28 | |
HMS Mersey is a nerve centre. | 0:34:34 | 0:34:36 | |
They must monitor every large fishing vessel in the Channel. | 0:34:36 | 0:34:39 | |
Sights are set on a nearby British trawler. | 0:34:42 | 0:34:45 | |
So it's our intention to send a routine inspection team to you, | 0:34:45 | 0:34:49 | |
they'll be with you in the next 30 minutes. | 0:34:49 | 0:34:52 | |
MUFFLED INSTRUCTIONS | 0:34:52 | 0:34:55 | |
Right, last one on. | 0:34:58 | 0:35:00 | |
MMO inspectors have a short time | 0:35:07 | 0:35:09 | |
to ensure fishing methods match complex EU rules. | 0:35:09 | 0:35:15 | |
Does what the skipper says he's caught tally with | 0:35:15 | 0:35:17 | |
what's in the hold? | 0:35:17 | 0:35:19 | |
While his colleagues chase the paperwork, | 0:35:21 | 0:35:24 | |
the MMO's Paul Johnson casts an expert eye on the latest haul. | 0:35:24 | 0:35:29 | |
From an inspection point of view you can see this net is operating | 0:35:29 | 0:35:32 | |
in a reasonable manner, you know, there isn't a lot of juvenile fish, | 0:35:32 | 0:35:36 | |
there's no indications in this catch to me that there's been | 0:35:36 | 0:35:39 | |
any sort of adjustments to the net to decrease the mesh sizes. | 0:35:39 | 0:35:43 | |
So, as the net's been dragged through the water, | 0:35:43 | 0:35:45 | |
-the juvenile fish are actually able to escape? -Exactly. | 0:35:45 | 0:35:48 | |
So you've got a bit of cod here, | 0:35:51 | 0:35:54 | |
so he's got about 40kg which is about a box, so I'm happy with that. | 0:35:54 | 0:35:57 | |
Inspections must be swift and accurate - | 0:35:57 | 0:36:00 | |
livelihoods are in the balance. | 0:36:00 | 0:36:03 | |
For rule breaches, crews can be ordered to port. | 0:36:03 | 0:36:06 | |
Fines may run into millions. | 0:36:06 | 0:36:09 | |
Everything appears in order, | 0:36:09 | 0:36:11 | |
but there are plenty more trawlers in the Channel. | 0:36:11 | 0:36:14 | |
HMS Mersey is one of three vessels | 0:36:19 | 0:36:21 | |
patrolling 80,000 square miles of British waters. | 0:36:21 | 0:36:26 | |
Isolated at sea, the crew spend their days | 0:36:27 | 0:36:31 | |
looking after fish stocks. | 0:36:31 | 0:36:34 | |
How are they looked after on their floating home? | 0:36:34 | 0:36:37 | |
It's quite cosy. | 0:36:43 | 0:36:45 | |
But you've got to think they're here for maybe four weeks at a time. | 0:36:45 | 0:36:49 | |
Look at this! It's a gym! | 0:36:49 | 0:36:52 | |
Of course you need exercise when you're on a ship, | 0:36:52 | 0:36:54 | |
this is where they work out. | 0:36:54 | 0:36:57 | |
And the Navy can't sail on an empty stomach. | 0:36:57 | 0:37:00 | |
It's Mexican tonight. | 0:37:00 | 0:37:03 | |
But there's very little rest for the team. | 0:37:03 | 0:37:06 | |
Straight after tea, it's back to sea. | 0:37:06 | 0:37:09 | |
Inspections run around the clock. | 0:37:09 | 0:37:12 | |
Now our target's a huge Dutch trawler, | 0:37:12 | 0:37:14 | |
which is more like a floating fish factory. | 0:37:14 | 0:37:17 | |
MUSIC: "Gimme Shelter" by the Rolling Stones. | 0:37:17 | 0:37:19 | |
They can look to the documents, and after that they are ready. | 0:37:23 | 0:37:26 | |
Yeah, brilliant. | 0:37:26 | 0:37:28 | |
Boarding team safely embarked, proceeding. | 0:37:28 | 0:37:31 | |
This boat's hold is packed. In just two days at sea | 0:37:31 | 0:37:35 | |
they've caught and sorted nearly five tonnes of fish. | 0:37:35 | 0:37:40 | |
Lots of different species. Cod is required to be stowed | 0:37:42 | 0:37:45 | |
separately, we're in what we call the cod recovery zone. | 0:37:45 | 0:37:48 | |
And if we found cod hidden in there, that would be a problem. | 0:37:48 | 0:37:52 | |
Even in the middle of the night, Paul has to keep alert. | 0:37:52 | 0:37:56 | |
What you'll see is that nearly all these species are non-quota, | 0:37:56 | 0:38:00 | |
apart from the mackerel and the cod. | 0:38:00 | 0:38:03 | |
-Right, so they can catch as many as they like? -As many as they like. | 0:38:03 | 0:38:05 | |
Are you worried about it? | 0:38:05 | 0:38:07 | |
It's my job to worry about it. | 0:38:07 | 0:38:08 | |
There are caps on the number of days people can fish, | 0:38:08 | 0:38:11 | |
those sort of things, that does keep a lid on things. | 0:38:11 | 0:38:13 | |
Whether it's a big enough lid, that's for scientists to answer and not me. | 0:38:13 | 0:38:19 | |
The team are heading back for some rest, but the Channel never sleeps. | 0:38:19 | 0:38:25 | |
All year round the hunt for fish goes on, | 0:38:25 | 0:38:28 | |
and the sea's police must patrol. | 0:38:28 | 0:38:31 | |
British naval power has always been crucial in the Channel, | 0:38:42 | 0:38:47 | |
where our nearest neighbours haven't always been our closest friends. | 0:38:47 | 0:38:53 | |
But our Navy alone wasn't sufficient guarantee against invasion. | 0:38:53 | 0:38:58 | |
Along the south coast, there's a line of fortifications. | 0:38:58 | 0:39:04 | |
Stony reminders of centuries of suspicion, | 0:39:04 | 0:39:08 | |
when England eyed France nervously. | 0:39:08 | 0:39:11 | |
But fear cut both ways - | 0:39:13 | 0:39:15 | |
the French too looked anxiously across the Channel. | 0:39:15 | 0:39:19 | |
By the close of the 17th century, | 0:39:19 | 0:39:21 | |
they needed their own chain of forts. | 0:39:21 | 0:39:24 | |
I'm in France on a Channel journey that's brought me | 0:39:26 | 0:39:29 | |
to a town that turned fortification into an art form. | 0:39:29 | 0:39:33 | |
Saint-Malo. | 0:39:33 | 0:39:34 | |
Medieval ramparts encircle Saint-Malo, | 0:39:39 | 0:39:42 | |
a salt-stained shield recalling the threat of invasion. | 0:39:42 | 0:39:48 | |
But with the growth of English sea power, walls weren't enough. | 0:39:48 | 0:39:53 | |
To make Saint-Malo impregnable, the French king enlisted | 0:39:53 | 0:39:57 | |
the formidable Sebastien Le Prestre de Vauban. | 0:39:57 | 0:40:02 | |
Vauban is revered as one of the greatest military engineers | 0:40:04 | 0:40:08 | |
of all time, and in Saint-Malo he used nature to spectacular effect. | 0:40:08 | 0:40:15 | |
Here in the bay, a network of tiny islands, reefs, | 0:40:15 | 0:40:19 | |
rocky outcrops offered perfect foundations | 0:40:19 | 0:40:23 | |
for an extraordinary network of coastal forts. | 0:40:23 | 0:40:27 | |
Forming a jaw-shaped arch offshore, | 0:40:27 | 0:40:31 | |
Vauban's forts were cleverly designed | 0:40:31 | 0:40:34 | |
so they combined to foil enemy ships. | 0:40:34 | 0:40:37 | |
To discover the secrets of their success, | 0:40:42 | 0:40:45 | |
I'm heading out with one of their custodians, Monsieur Marcel. | 0:40:45 | 0:40:52 | |
For English sailors, these strongholds | 0:40:55 | 0:40:57 | |
must have seemed unassailable. | 0:40:57 | 0:41:00 | |
How many guns in this fort here? | 0:41:02 | 0:41:04 | |
20, and 160 men. | 0:41:04 | 0:41:08 | |
Vauban was a fabulous engineer | 0:41:08 | 0:41:11 | |
and when it was finished it was impossible to catch Saint-Malo. | 0:41:11 | 0:41:15 | |
Sited by the channels into Saint-Malo, Vauban's forts caught | 0:41:17 | 0:41:20 | |
enemy ships in a hail of deadly crossfire, keeping the port secure. | 0:41:20 | 0:41:27 | |
Now it's my chance to venture where our sailors never succeeded. | 0:41:29 | 0:41:34 | |
Time for an English invasion. | 0:41:34 | 0:41:37 | |
Monsieur Marcel has agreed to show me round | 0:41:38 | 0:41:41 | |
one of Vauban's masterpieces, Fort Le Petit B. | 0:41:41 | 0:41:45 | |
Do you have help to re-build the port? | 0:41:46 | 0:41:48 | |
Mm, sometimes, but it's very difficult to find good workers. | 0:41:48 | 0:41:54 | |
This is a beautiful door, is this your door? You made this? | 0:41:54 | 0:41:58 | |
Yes, it's a new door, I make it myself, yes. | 0:41:58 | 0:42:02 | |
Fantastic. | 0:42:02 | 0:42:04 | |
It's like being in a ship. | 0:42:04 | 0:42:06 | |
Exactly like a ship. | 0:42:06 | 0:42:08 | |
It's got a pointed prow pointing out to sea. | 0:42:08 | 0:42:11 | |
Yes. Only this place, 19 guns. | 0:42:11 | 0:42:14 | |
So this is the last line of defence before the land? | 0:42:14 | 0:42:17 | |
The last before the walls of Saint-Malo. | 0:42:17 | 0:42:20 | |
And so if an English ship was the other side of these walls, | 0:42:20 | 0:42:23 | |
would it have been possible to sail past and escape the guns? | 0:42:23 | 0:42:27 | |
It's impossible to pass. | 0:42:27 | 0:42:29 | |
In 1693, an English ship was wrecked by the guns of the Petit B. | 0:42:29 | 0:42:36 | |
-It was sunk by the guns from this fort? -Yes, yes. | 0:42:36 | 0:42:39 | |
Oh, those poor English soldiers, you must feel very sad for them? | 0:42:39 | 0:42:42 | |
Yes...but, er, perhaps they swim to Saint-Malo. | 0:42:42 | 0:42:47 | |
HE LAUGHS | 0:42:47 | 0:42:49 | |
The defenders' deadly cannon power relied on manpower. | 0:42:49 | 0:42:54 | |
Surrounded by sea water, | 0:42:55 | 0:42:57 | |
lack of fresh water could be the fort's undoing. | 0:42:57 | 0:43:01 | |
Vauban dug deep for a solution. | 0:43:03 | 0:43:07 | |
Ah, so this is a well? | 0:43:07 | 0:43:09 | |
Yes, is a well. | 0:43:09 | 0:43:11 | |
Wow. | 0:43:13 | 0:43:14 | |
'Rainwater was caught, then filtered twice through sand | 0:43:17 | 0:43:19 | |
'before being drawn.' | 0:43:19 | 0:43:22 | |
So this is good water for the soldiers to drink? | 0:43:24 | 0:43:27 | |
Very good water, no problem. | 0:43:27 | 0:43:29 | |
-It's crystal clear! -Very clear. | 0:43:29 | 0:43:31 | |
Wow! | 0:43:31 | 0:43:33 | |
'Vauban clearly put his men's needs at the heart of his designs.' | 0:43:33 | 0:43:38 | |
That IS good water. | 0:43:38 | 0:43:39 | |
HE LAUGHS | 0:43:41 | 0:43:42 | |
Standing strong, Vauban's stone guardians defied the Royal Navy | 0:43:42 | 0:43:46 | |
and kept Saint-Malo safe. | 0:43:46 | 0:43:49 | |
As Britain looked beyond the Channel to farther-flung territories, | 0:43:53 | 0:43:57 | |
wars with France faded into history. | 0:43:57 | 0:44:00 | |
When a new threat arose at the start of the 20th century, | 0:44:03 | 0:44:06 | |
the two countries joined in a united purpose. | 0:44:06 | 0:44:10 | |
In 1914, the British Empire and France | 0:44:13 | 0:44:16 | |
stood shoulder-to-shoulder across the sea. | 0:44:16 | 0:44:19 | |
For the first time, the world was at war. | 0:44:19 | 0:44:22 | |
And the Channel once more became a battleground. | 0:44:22 | 0:44:27 | |
Now Neil's heading into the fray. | 0:44:29 | 0:44:32 | |
There's a mystery surrounding soldiers from a British dominion | 0:44:33 | 0:44:36 | |
who a century ago sailed here to serve a motherland | 0:44:36 | 0:44:40 | |
they'd never known. | 0:44:40 | 0:44:42 | |
We've crossed our narrow sea once more, | 0:44:44 | 0:44:47 | |
arriving off the Isle of Wight. | 0:44:47 | 0:44:51 | |
In the early hours of 21 February, 1917, | 0:44:57 | 0:45:00 | |
the Channel witnessed a tragedy unfold. | 0:45:00 | 0:45:03 | |
A troop ship was sinking off the Isle of Wight. | 0:45:03 | 0:45:06 | |
Within 25 minutes, the ship and soldiers were beneath the waves. | 0:45:06 | 0:45:12 | |
When she sank to the sea bed that cold February night, | 0:45:14 | 0:45:18 | |
she took 647 men with her - | 0:45:18 | 0:45:21 | |
still one of the worst losses the English Channel has ever seen. | 0:45:21 | 0:45:25 | |
Hidden from view, the troop ship and her story were forgotten. | 0:45:26 | 0:45:33 | |
'Then, in 1974, a local diver was investigating a wreck.' | 0:45:33 | 0:45:38 | |
And then he found this. | 0:45:38 | 0:45:41 | |
Now, it's not the most glamorous or exciting bit of sunken treasure, | 0:45:41 | 0:45:45 | |
you might think, however this saucer is stamped B&ASN. | 0:45:45 | 0:45:49 | |
That's British & African Steam Navigation Company. | 0:45:49 | 0:45:53 | |
That meant that this saucer | 0:45:53 | 0:45:55 | |
had to have come from one ship and one ship only - the SS Mendi. | 0:45:55 | 0:45:59 | |
Over 600 lives lost in the Channel, | 0:45:59 | 0:46:03 | |
yet the Mendi is a name most people in Britain have never heard of. | 0:46:03 | 0:46:07 | |
But 6,000 miles away, there's a country that can't forget her. | 0:46:07 | 0:46:12 | |
Over there on that boat is a film crew from Cape Town. | 0:46:12 | 0:46:15 | |
This South African expedition is diving the wreck of the Mendi, | 0:46:15 | 0:46:20 | |
trying to piece together the events of her fatal sinking. | 0:46:20 | 0:46:23 | |
But why does a wreck in the Channel concern a crew from Cape Town? | 0:46:26 | 0:46:30 | |
The men aboard the Mendi were black South Africans. | 0:46:31 | 0:46:35 | |
In President Mandela's South Africa, the Mendi's mysterious loss | 0:46:37 | 0:46:41 | |
became wove into the new nation's consciousness. | 0:46:41 | 0:46:44 | |
How did Britain's great war touch the heart of South Africa? | 0:46:45 | 0:46:50 | |
When World War I broke out, it wasn't just Britain | 0:46:58 | 0:47:00 | |
that went to war, but her Empire. | 0:47:00 | 0:47:03 | |
One fifth of the world's population | 0:47:03 | 0:47:06 | |
swore allegiance to the British king. | 0:47:06 | 0:47:10 | |
The Empire was expected to do its duty. | 0:47:10 | 0:47:13 | |
For South Africa, that meant providing | 0:47:15 | 0:47:17 | |
nearly 230,000 men for the war effort. | 0:47:17 | 0:47:20 | |
Over 90,000 of these were black troops. | 0:47:22 | 0:47:25 | |
They came from tribal homelands across South Africa. | 0:47:26 | 0:47:31 | |
Why would they choose to travel over 6,000 miles to fight in Europe? | 0:47:31 | 0:47:37 | |
Zwai Mgijima is part of the South African team diving the wreck. | 0:47:39 | 0:47:43 | |
What sort of lives did those men have back in Africa? | 0:47:45 | 0:47:49 | |
To be honest with you, their life then was...was not good at all. | 0:47:49 | 0:47:54 | |
People who volunteered to go to war were the strong men, the young men. | 0:47:54 | 0:48:00 | |
There was an understanding of that if these men go to that war, | 0:48:00 | 0:48:04 | |
in return the British would help us to defeat the Afrikaners. | 0:48:04 | 0:48:09 | |
Oppressed in their homeland by Dutch and British settlers, many black | 0:48:12 | 0:48:16 | |
South Africans saw world war as an opportunity to empower themselves. | 0:48:16 | 0:48:21 | |
But the South African Government insisted none of their black troops | 0:48:24 | 0:48:27 | |
should fight on the front line. | 0:48:27 | 0:48:29 | |
Forbidden from bearing arms, they carried, chopped and cooked. | 0:48:32 | 0:48:38 | |
Was there a dishonour in being in an army | 0:48:38 | 0:48:41 | |
but not expected to take part in the fight? | 0:48:41 | 0:48:45 | |
Men, they took pride in fighting in a war, | 0:48:45 | 0:48:48 | |
it was an honour to them to fight in the war, | 0:48:48 | 0:48:50 | |
but not to come and dig trenches and man the stretchers | 0:48:50 | 0:48:55 | |
and even cook for other men. | 0:48:55 | 0:48:57 | |
Definitely it wasn't an honourable thing to do, but they had to do it. | 0:48:57 | 0:49:02 | |
But the black Africans aboard the SS Mendi would never get to France. | 0:49:05 | 0:49:10 | |
How did over 600 men come to perish in the Channel? | 0:49:10 | 0:49:14 | |
I need to go back to February, 1917. | 0:49:16 | 0:49:20 | |
After nearly a month at sea the Mendi, | 0:49:22 | 0:49:25 | |
laden with South African troops, had just arrived in the Channel. | 0:49:25 | 0:49:30 | |
Archaeologist John Gribble takes up the story. | 0:49:35 | 0:49:38 | |
Her last stop before going to France was in Plymouth, | 0:49:38 | 0:49:42 | |
and she stopped there to pick up an escort. | 0:49:42 | 0:49:45 | |
HMS Brisk was a destroyer that was to escort her across the final leg. | 0:49:45 | 0:49:48 | |
The Channel was a fairly dangerous place at the time. | 0:49:48 | 0:49:51 | |
German U-Boats had wreaked havoc | 0:49:51 | 0:49:53 | |
with British shipping over the last couple of years. | 0:49:53 | 0:49:55 | |
Really, the men ought to have been reassured | 0:49:55 | 0:49:57 | |
because they had cover from an ally. | 0:49:57 | 0:49:59 | |
Yeah, yeah, absolutely, you'd imagine so. | 0:49:59 | 0:50:02 | |
But it wasn't a U-Boat that would seal the SS Mendi's fate. | 0:50:02 | 0:50:06 | |
As Britain struggled through one of our coldest winters, | 0:50:06 | 0:50:10 | |
the Mendi and her escort the Brisk | 0:50:10 | 0:50:12 | |
were crawling at a snail's pace in a Channel thick with fog. | 0:50:12 | 0:50:18 | |
At the same time, a large British cargo ship, the Darro, | 0:50:20 | 0:50:24 | |
was steaming toward the unsuspecting Mendi at speed. | 0:50:24 | 0:50:27 | |
While more than 800 men slept below, the second officer kept watch, | 0:50:29 | 0:50:33 | |
but the fog was too thick to see any approaching threat. | 0:50:33 | 0:50:37 | |
By the time he could hear a vessel heading their way, it was too late. | 0:50:37 | 0:50:41 | |
The Darro ploughed into the side of the Mendi, | 0:50:45 | 0:50:48 | |
almost carving her in two. | 0:50:48 | 0:50:50 | |
The words of a survivor recount the horror the men faced. | 0:50:54 | 0:50:58 | |
"As soon as I left holding the boat with my hands I went down into | 0:51:00 | 0:51:05 | |
"the sea, I swallowed some water and then came up to the surface." | 0:51:05 | 0:51:12 | |
The Mendi had ample life jackets, | 0:51:15 | 0:51:17 | |
so how could so many men die with other boats nearby? | 0:51:17 | 0:51:23 | |
The Darrow obviously knew she'd been in a collision. | 0:51:23 | 0:51:25 | |
Her captain put her engines into reverse, | 0:51:25 | 0:51:27 | |
pulled away, and then just sat. | 0:51:27 | 0:51:29 | |
Nothing came or was heard from the Darrow for the entire incident. | 0:51:29 | 0:51:33 | |
The captain, a guy by the name of Captain Stump, | 0:51:33 | 0:51:36 | |
was found to be at fault, and in fact, there's a.. | 0:51:36 | 0:51:40 | |
this is a copy of part of the Board of Enquiry. | 0:51:40 | 0:51:45 | |
"Summary of Report for the SS Mendi." | 0:51:45 | 0:51:49 | |
So, Ackland, so is he the lawyer investigating, | 0:51:49 | 0:51:52 | |
-asking Stump what he's doing? -Yes. | 0:51:52 | 0:51:54 | |
So, "What steps did you take to save lives?" | 0:51:54 | 0:51:57 | |
"Stump: I took no immediate steps. Ackland: why not?" | 0:51:57 | 0:52:02 | |
"Stump: I considered my own ship | 0:52:02 | 0:52:04 | |
"was in dangerous of sinking." Was that...? | 0:52:04 | 0:52:06 | |
Not after the first few minutes. She was actually fine, | 0:52:06 | 0:52:09 | |
she wasn't in imminent danger. | 0:52:09 | 0:52:11 | |
"Did you hear anybody singing out?" | 0:52:11 | 0:52:13 | |
"Stump: I heard some shouting out. | 0:52:13 | 0:52:15 | |
"Ackland: It's now being suggested that you wanted to leave | 0:52:15 | 0:52:19 | |
"the men who you knew were in the water to drown." | 0:52:19 | 0:52:21 | |
Is there, I mean, is there malicious intent? | 0:52:21 | 0:52:24 | |
It's so hard to know | 0:52:24 | 0:52:25 | |
because Stump refused to really answer those questions. | 0:52:25 | 0:52:29 | |
There was never a proper answer given by him at that Board | 0:52:29 | 0:52:32 | |
of Trade Enquiry as to why he had not gone out and saved lives. | 0:52:32 | 0:52:37 | |
Is it conceivable that he had a problem with the fact that | 0:52:37 | 0:52:40 | |
the men in the water were black Africans? | 0:52:40 | 0:52:43 | |
It's one of the suggestions that has been made, | 0:52:43 | 0:52:45 | |
but I don't think so, I can't see that as being the real reason. | 0:52:45 | 0:52:49 | |
There was a suggestion that perhaps he was under the influence. | 0:52:49 | 0:52:52 | |
-Alcohol? -Yes, given his previous actions - he was on the bridge | 0:52:52 | 0:52:54 | |
when it took place, and got people to go forward and check for damage, | 0:52:54 | 0:52:58 | |
it makes you think he was well in control, he knew what was going on. | 0:52:58 | 0:53:01 | |
It's inexplicable that he did not do anything at all. | 0:53:01 | 0:53:04 | |
We'll never know what was in Captain Stump's mind. | 0:53:04 | 0:53:08 | |
Perhaps it was incompetence, perhaps he froze in the moment. | 0:53:08 | 0:53:13 | |
But we do know that his penalty was lenient. | 0:53:13 | 0:53:16 | |
His licence was suspended for just 12 months. | 0:53:16 | 0:53:19 | |
Whatever the reasons for Captain Stump's inaction, | 0:53:21 | 0:53:24 | |
in South Africa the tragedy of the Mendi has come to symbolise | 0:53:24 | 0:53:28 | |
the injustice of racial segregation. | 0:53:28 | 0:53:30 | |
The sinking has become the stuff of legend. | 0:53:35 | 0:53:38 | |
It's said as the Mendi went down, the troops confronted their fate | 0:53:40 | 0:53:44 | |
like warriors. Removing their boots on deck, they performed | 0:53:44 | 0:53:48 | |
a death dance, accompanied by the rousing words of their priest. | 0:53:48 | 0:53:53 | |
"Be quiet and calm, my countrymen. | 0:53:55 | 0:53:59 | |
"For what is taking place now is exactly what you came to do. | 0:54:01 | 0:54:07 | |
"You are going to die. | 0:54:08 | 0:54:10 | |
"We die like brothers. We are the sons of Africa. | 0:54:12 | 0:54:18 | |
"Raise your war cries, brothers, | 0:54:18 | 0:54:21 | |
"for though they made us leave our weapons at our home, | 0:54:21 | 0:54:27 | |
"our voices are left with our bodies." | 0:54:27 | 0:54:31 | |
The hand of history has dealt the Channel its share of human drama. | 0:54:41 | 0:54:45 | |
Now there's time for one last tale. | 0:54:48 | 0:54:51 | |
A story of pillage and booty from the seas, for Saint-Malo is | 0:54:53 | 0:54:57 | |
a city that made heroes of legalised pirates, the notorious corsairs. | 0:54:57 | 0:55:04 | |
This is Saint-Malo's most famous corsair, Robert Surcouf, | 0:55:06 | 0:55:11 | |
celebrated for menacing the English fleet, | 0:55:11 | 0:55:15 | |
and for killing, single-handedly, 11 enemy soldiers in a duel. | 0:55:15 | 0:55:20 | |
Apparently he spared the 12th so that he could live to tell the tale. | 0:55:20 | 0:55:25 | |
That's the story, anyway. | 0:55:26 | 0:55:28 | |
Corsairs were traders turned buccaneers. | 0:55:31 | 0:55:34 | |
In times of war, a letter from the king was all they needed to arm | 0:55:34 | 0:55:39 | |
their ships and take whatever they could, usually from the English. | 0:55:39 | 0:55:43 | |
'Some 200 years ago, Domenique de Beaucoudrey's ancestor was | 0:55:44 | 0:55:48 | |
'a Saint-Malo corsair.' | 0:55:48 | 0:55:51 | |
How was the cargo divided up? | 0:55:51 | 0:55:53 | |
There was something like one-third for the state, | 0:55:53 | 0:55:56 | |
one-third for the ship owner | 0:55:56 | 0:55:58 | |
and the remaining third was shared between the captain and the crew. | 0:55:58 | 0:56:02 | |
Now, trade was more important, though, really, than war. | 0:56:02 | 0:56:06 | |
If trade was more important, | 0:56:06 | 0:56:07 | |
why was your ancestor carrying guns on his ship? | 0:56:07 | 0:56:09 | |
They were only fighting the bloody English | 0:56:09 | 0:56:12 | |
because they were blocking all the harbour... | 0:56:12 | 0:56:14 | |
HE LAUGHS | 0:56:14 | 0:56:16 | |
It was all the English's fault, was it? | 0:56:16 | 0:56:18 | |
Trying to bring back merchandise | 0:56:18 | 0:56:19 | |
was the only way we were fighting them. | 0:56:19 | 0:56:21 | |
The Royal papers carried by Dominique's forebears | 0:56:21 | 0:56:24 | |
sanctioned piracy. | 0:56:24 | 0:56:26 | |
On our side of the Channel, it looks like daylight robbery. | 0:56:26 | 0:56:29 | |
To the French, the corsairs were simply taking care of business. | 0:56:29 | 0:56:35 | |
Do you think any of your ancestors took any English goods? | 0:56:35 | 0:56:39 | |
Yes, he did, yeah, of course, yeah, yeah, yeah. | 0:56:40 | 0:56:43 | |
Do you think the French would give those goods back to the English now? | 0:56:43 | 0:56:46 | |
HE LAUGHS | 0:56:46 | 0:56:48 | |
The French never give back anything. | 0:56:48 | 0:56:50 | |
Domenique isn't alone. | 0:56:52 | 0:56:54 | |
Saint-Malo's corsair descendants | 0:56:54 | 0:56:57 | |
regularly celebrate their pirate heritage with a light luncheon. | 0:56:57 | 0:57:02 | |
'I can't resist entering their lair to pose one last question.' | 0:57:02 | 0:57:06 | |
Were the corsairs perhaps criminals? | 0:57:06 | 0:57:10 | |
-No. -No. | 0:57:10 | 0:57:12 | |
A letter of marque from his king to make war on behalf of the king... | 0:57:12 | 0:57:18 | |
If you say a corsair is a criminal, | 0:57:18 | 0:57:21 | |
you would say a soldier is a criminal. | 0:57:21 | 0:57:24 | |
Their toast isn't to criminals, but heroes. | 0:57:25 | 0:57:29 | |
Heroes conjured up with a song from the era of raids on English ships. | 0:57:29 | 0:57:35 | |
THEY LAUGH | 0:57:48 | 0:57:49 | |
In Saint-Malo, they still celebrate Channel conflicts | 0:57:54 | 0:57:58 | |
the British have chosen to forget. | 0:57:58 | 0:58:01 | |
From opposing shores, the land reaches out | 0:58:02 | 0:58:05 | |
as if to lay claim to the water. | 0:58:05 | 0:58:07 | |
'But ultimately this narrow sea belongs to no-one and everyone, | 0:58:07 | 0:58:13 | |
'eternally dividing and uniting.' | 0:58:13 | 0:58:16 | |
Over long centuries, | 0:58:17 | 0:58:19 | |
these waters have witnessed many remarkable stories. | 0:58:19 | 0:58:23 | |
But in the ebb and flow of changing times, | 0:58:23 | 0:58:25 | |
the Channel remains awash with possibility. | 0:58:25 | 0:58:30 |