Browse content similar to Secret Paths to Hidden Treasures. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Best foot forward. | 0:00:09 | 0:00:10 | |
What better way to explore our shore | 0:00:12 | 0:00:16 | |
than striding along its salty margin? | 0:00:16 | 0:00:20 | |
Nothing beats a coastal walk. | 0:00:20 | 0:00:23 | |
Thousands of miles of marked paths circle our shores... | 0:00:23 | 0:00:28 | |
..and plenty of secret ones, too. | 0:00:29 | 0:00:32 | |
I've certainly done the distance. | 0:00:33 | 0:00:36 | |
But I've never taken you on my favourite coastal walk until now. | 0:00:36 | 0:00:41 | |
I'm heading to our last great wilderness. | 0:00:41 | 0:00:46 | |
And the team are going that extra mile, too. | 0:00:46 | 0:00:51 | |
Andy attempts a walk above the water. | 0:00:51 | 0:00:55 | |
And over that edge is a secret path | 0:00:55 | 0:00:58 | |
that's haunted my imagination for years. | 0:00:58 | 0:01:01 | |
-What happens if I come off? -Well, you've got big problems. | 0:01:01 | 0:01:05 | |
And Ruth is tracking down Victorian treasure hunters, | 0:01:06 | 0:01:10 | |
ladies who risked life and limb for ferns. | 0:01:10 | 0:01:14 | |
I've got my gathering pole, I've got my ladder. | 0:01:15 | 0:01:18 | |
All I've got to do now is reach that fern. | 0:01:18 | 0:01:20 | |
Join us off the beaten track | 0:01:23 | 0:01:26 | |
as we explore secret paths to hidden treasure. | 0:01:26 | 0:01:30 | |
My secret path lies on the extreme edge, at Cape Wrath. | 0:01:57 | 0:02:02 | |
Here, the mainland's tallest sea cliffs keep visitors at bay. | 0:02:03 | 0:02:09 | |
In Cape Wrath's mysterious heart, | 0:02:10 | 0:02:13 | |
there are no roads, cars, or people to drive them. | 0:02:13 | 0:02:17 | |
The only way to explore the isolated interior is on foot. | 0:02:18 | 0:02:23 | |
But glorious treasures await those willing to walk on the wild side. | 0:02:24 | 0:02:30 | |
I first took on Cape Wrath back in the '70s with my dad. | 0:02:32 | 0:02:36 | |
I was 18 and I was cutting my teeth on extreme adventures, | 0:02:36 | 0:02:41 | |
ready for isolation, ready for difficult challenges. | 0:02:41 | 0:02:44 | |
But that unpopulated wilderness out there had a surprise - a beach. | 0:02:44 | 0:02:50 | |
Not just any old beach, but the most beautiful beach I've ever seen. | 0:02:50 | 0:02:55 | |
I can't wait to show you what it's like. | 0:02:55 | 0:02:57 | |
I'm heading to Sandwood Bay, | 0:03:00 | 0:03:03 | |
but I'll begin on the other side of the cape. | 0:03:03 | 0:03:06 | |
After the ferry crossing, | 0:03:06 | 0:03:08 | |
I'll hitch a ride on a road rarely travelled to the lighthouse. | 0:03:08 | 0:03:13 | |
Then I'll tread my own path to my favourite beach. | 0:03:13 | 0:03:17 | |
A three-day adventure beginning on the tiny ferry. | 0:03:17 | 0:03:21 | |
-Hi, John. -Hi. | 0:03:23 | 0:03:24 | |
The cape feels like an island, | 0:03:27 | 0:03:29 | |
disconnected to the rest of Britain and the mainland, | 0:03:29 | 0:03:32 | |
but it's so remote that this is the easiest way | 0:03:32 | 0:03:34 | |
-of getting there, taking your ferry. -It's the main gateway, aye. | 0:03:34 | 0:03:38 | |
A lot of tourists think it's an island, you know. | 0:03:38 | 0:03:41 | |
What do you think it would have been like living out there? | 0:03:41 | 0:03:43 | |
It would be a hard life. | 0:03:43 | 0:03:45 | |
You'd need plenty of Scotch whisky about you, I'd think, at night, | 0:03:45 | 0:03:48 | |
to pass the nights. | 0:03:48 | 0:03:50 | |
The isolation of Cape Wrath doesn't only attract tourists. | 0:03:52 | 0:03:57 | |
Some ten years back, I witnessed how the MOD seal off the cape | 0:04:01 | 0:04:05 | |
to create a live firing range for 1,000lb bombs. | 0:04:05 | 0:04:10 | |
Now I want to discover why this wild coast | 0:04:14 | 0:04:17 | |
was abandoned in the first place. | 0:04:17 | 0:04:20 | |
Once, a handful of shepherds and their families | 0:04:22 | 0:04:25 | |
had crofts scattered across the cape. | 0:04:25 | 0:04:28 | |
To see what became of these coastal folk, | 0:04:28 | 0:04:31 | |
I'm with John Mackenzie, one of the last to leave. | 0:04:31 | 0:04:35 | |
We're exploring the MOD site. | 0:04:35 | 0:04:37 | |
So, this must be the edge of the range now. | 0:04:38 | 0:04:40 | |
That's the start of the range here, aye. | 0:04:40 | 0:04:43 | |
The barrier's up, so no shells flying around, no bombs dropping. | 0:04:43 | 0:04:46 | |
-Aye, we're OK today. -What's that? | 0:04:46 | 0:04:48 | |
Is that an old building, remains of a building? | 0:04:48 | 0:04:50 | |
-That's the remains of the old school. -Oh, is it? | 0:04:50 | 0:04:52 | |
-Can we go and have a look? -Yeah. -It's not very big. | 0:04:52 | 0:04:54 | |
No, got a photograph of it here. | 0:04:54 | 0:04:57 | |
Oh, aye. I've never seen | 0:04:57 | 0:05:00 | |
-such a small school. It's like a garden shed. -I know. | 0:05:00 | 0:05:03 | |
So, that's the school, with four pupils in. | 0:05:03 | 0:05:07 | |
-Four? Is that how many children were here? -Four. -HE LAUGHS | 0:05:07 | 0:05:10 | |
That's the guy from the ferry. | 0:05:10 | 0:05:12 | |
Wow. You can see where the front door was. | 0:05:12 | 0:05:15 | |
Four children, so four desks. | 0:05:15 | 0:05:17 | |
-Four children, plenty bigger. -NICK LAUGHS | 0:05:17 | 0:05:21 | |
-No hiding at the back of class. -No, no. | 0:05:21 | 0:05:24 | |
These stones were the foundation of the community - the school. | 0:05:24 | 0:05:30 | |
But it closed in 1947. | 0:05:30 | 0:05:33 | |
When the school closed down, what did that mean for your family? | 0:05:35 | 0:05:38 | |
Well, we had to move to the mainland so I could go to school over there, | 0:05:38 | 0:05:42 | |
and probably that's the start of the end of people living here. | 0:05:42 | 0:05:47 | |
So the closure of the school was the end for a community living out here. | 0:05:47 | 0:05:51 | |
I would say so. I would say so. | 0:05:51 | 0:05:54 | |
Shortage of pupils meant the crofters' time was up. | 0:05:56 | 0:05:59 | |
But you can still walk in their footsteps. | 0:05:59 | 0:06:03 | |
John's father maintained their only road. | 0:06:03 | 0:06:06 | |
He looked after this road | 0:06:09 | 0:06:11 | |
from the middle '20s to the middle '40s. | 0:06:11 | 0:06:15 | |
-How long was the road? -11 miles. | 0:06:16 | 0:06:19 | |
What does it feel like to be walking on your father's road? | 0:06:19 | 0:06:22 | |
-Aye, it's touching. -Yeah? | 0:06:22 | 0:06:24 | |
I'm heading on into the heart of the cape | 0:06:27 | 0:06:30 | |
towards my coastal treasure. | 0:06:30 | 0:06:33 | |
Saving my legs for later, I'm hitching a lift | 0:06:33 | 0:06:36 | |
to where the road runs out. | 0:06:36 | 0:06:39 | |
This might feel like the road to nowhere, | 0:06:40 | 0:06:43 | |
but, in fact, it goes all the way out over the moorlands to the | 0:06:43 | 0:06:47 | |
lighthouse here at Cape Wrath - my last contact with civilisation. | 0:06:47 | 0:06:53 | |
After that, it's an eight-mile coast walk south through the wilderness - | 0:06:53 | 0:06:59 | |
a wilderness unlike any other in Britain. | 0:06:59 | 0:07:03 | |
But at the end of it, there's a treasure, | 0:07:03 | 0:07:05 | |
a glittering diamond in the rough - Sandwood Bay. | 0:07:05 | 0:07:08 | |
It's got a freshwater loch and a beautiful river | 0:07:08 | 0:07:11 | |
spilling out across the sands into the sea. | 0:07:11 | 0:07:13 | |
At the end of the road, | 0:07:20 | 0:07:22 | |
I'm on my own, and it's a lonely location, | 0:07:22 | 0:07:27 | |
even for a lighthouse. | 0:07:27 | 0:07:29 | |
You're not likely to bump into too many people out here, | 0:07:33 | 0:07:36 | |
but over there at the lighthouse | 0:07:36 | 0:07:38 | |
live the last two residents of Cape Wrath. | 0:07:38 | 0:07:41 | |
But who would chose to live in a place like this? | 0:07:41 | 0:07:44 | |
I'll discover what it's like to live here later. | 0:07:47 | 0:07:51 | |
But the splendid isolation of Scotland's Cape Wrath | 0:07:51 | 0:07:54 | |
doesn't suit everyone. | 0:07:54 | 0:07:56 | |
For easier going, seek out England's South West Coast Path. | 0:07:57 | 0:08:02 | |
Start hiking at Poole Harbour | 0:08:05 | 0:08:07 | |
and 630 miles of track unfold before you. | 0:08:07 | 0:08:13 | |
The tourist trail threading around our southernmost sea | 0:08:13 | 0:08:17 | |
is strung with pearls... | 0:08:17 | 0:08:19 | |
..natural wonders, and man-made delights. | 0:08:21 | 0:08:25 | |
Today, many walkers make a beeline for the golden sands, | 0:08:40 | 0:08:44 | |
but it wasn't always that way. | 0:08:44 | 0:08:46 | |
In the Victorian age, the craze wasn't for beaches, | 0:08:46 | 0:08:50 | |
but for botany. | 0:08:50 | 0:08:51 | |
A particular type of plant fascinated collectors | 0:08:51 | 0:08:55 | |
who flocked to Lynmouth. | 0:08:55 | 0:08:57 | |
Ruth is in town to take a leaf out of the Victorians' book. | 0:09:02 | 0:09:07 | |
In the 19th century, Devon was gripped by a strange epidemic, | 0:09:07 | 0:09:11 | |
with an equally strange name. | 0:09:11 | 0:09:14 | |
Pterodomania had taken hold of the town. | 0:09:14 | 0:09:18 | |
People were roaming the coastal paths wide-eyed with green fingers. | 0:09:18 | 0:09:23 | |
Devon was in the throes of fern fever. | 0:09:25 | 0:09:28 | |
We take these garden favourites for granted. | 0:09:31 | 0:09:34 | |
But, surprisingly, 150 years ago, fern mania | 0:09:36 | 0:09:40 | |
blossomed into an obsession for genteel Victorian ladies. | 0:09:40 | 0:09:44 | |
Fanatics grew ferns in glass cabinets, | 0:09:49 | 0:09:52 | |
and nurseries dedicated to the plants sprang up. | 0:09:52 | 0:09:56 | |
But the real action was in the wild, warm climate of these Devon cliffs. | 0:09:57 | 0:10:02 | |
A generation of young women was drawn to this land of the ferns. | 0:10:04 | 0:10:09 | |
Sowing the seeds of this growing craze | 0:10:10 | 0:10:13 | |
was a resident of nearby Ilfracombe, Charlotte Chanter. | 0:10:13 | 0:10:18 | |
It's not the greatest of pictures, but she was never one | 0:10:18 | 0:10:20 | |
for sitting still to have her portrait taken, and it was her book, | 0:10:20 | 0:10:24 | |
Ferny Combes, that really inspired a legion of followers to abandon | 0:10:24 | 0:10:30 | |
the regular tourist track, and go on the path of fern enlightenment. | 0:10:30 | 0:10:35 | |
Published in 1856, this slim volume spurred ladies on to leave | 0:10:37 | 0:10:43 | |
their drawing rooms and walk this coast, fern collecting. | 0:10:43 | 0:10:47 | |
Why were Victorians so fond of fronds? | 0:10:49 | 0:10:53 | |
Author Sarah Whittingham is sharing her wisdom. | 0:10:53 | 0:10:57 | |
The Victorian age was the heyday of the amateur naturalist. | 0:10:57 | 0:11:01 | |
Fern-gathering parties were usually of mixed sexes, | 0:11:01 | 0:11:04 | |
and as Punch said, "The rarest species usually grow | 0:11:04 | 0:11:08 | |
"in the least frequented spots," so you and your companion can | 0:11:08 | 0:11:12 | |
disappear off into the hedgerow or round the corner... | 0:11:12 | 0:11:17 | |
-Far away from the chaperone. -Exactly. Exactly. | 0:11:17 | 0:11:19 | |
I love this picture because | 0:11:19 | 0:11:21 | |
she's got caught in the brambles | 0:11:21 | 0:11:23 | |
and she's looking up really peeved at these two, and she's saying, | 0:11:23 | 0:11:27 | |
"Please can you identify this fern for me?" | 0:11:27 | 0:11:29 | |
And she's like, "I can't get loose here!" | 0:11:29 | 0:11:31 | |
Well, they're too busy flirting to take any notice of her. | 0:11:31 | 0:11:34 | |
Ferns and flirting again, yes, definitely. | 0:11:34 | 0:11:37 | |
This passionate pursuit was also caught up with sexual politics. | 0:11:37 | 0:11:42 | |
Botany in particular was very fashionable among women. | 0:11:42 | 0:11:46 | |
It was one of those areas | 0:11:46 | 0:11:47 | |
where you were allowed to be clever, wasn't it? | 0:11:47 | 0:11:49 | |
Exactly. Many women were writers of books on ferns, | 0:11:49 | 0:11:53 | |
and they were many of the early collectors. | 0:11:53 | 0:11:55 | |
The freedom to study ferns helped foster early feminism | 0:11:57 | 0:12:01 | |
as women strode out on their own. | 0:12:01 | 0:12:04 | |
We're taking a walk in their shoes... | 0:12:04 | 0:12:06 | |
..and their skirts. | 0:12:08 | 0:12:09 | |
Time to hitch up our petticoats and start fern foraging. | 0:12:11 | 0:12:15 | |
Dressed for action, | 0:12:15 | 0:12:17 | |
we are well-equipped to collect our quarry. | 0:12:17 | 0:12:19 | |
You'd bring your baskets, | 0:12:21 | 0:12:23 | |
a nice, narrow, long fern trowel to really get in there | 0:12:23 | 0:12:27 | |
among the rocks and dig up a fern specimen. | 0:12:27 | 0:12:29 | |
And if it's nice and small, | 0:12:29 | 0:12:32 | |
you can put it in your vasculum, which is a tin collecting case. | 0:12:32 | 0:12:35 | |
If you're a rather unprincipled botanist, | 0:12:35 | 0:12:37 | |
you might be digging up vast quantities of fern. | 0:12:37 | 0:12:40 | |
There was one writer who actually | 0:12:40 | 0:12:42 | |
had to employ a man with a cart to take them home. | 0:12:42 | 0:12:45 | |
That's dedication and despoliation of the countryside. | 0:12:45 | 0:12:49 | |
I'm afraid so, yes. | 0:12:49 | 0:12:51 | |
For the dedicated fern hunter, | 0:12:51 | 0:12:53 | |
the passion didn't stop on the coastal path. | 0:12:53 | 0:12:56 | |
The fern lover could literally fill their home with ferns. | 0:12:58 | 0:13:01 | |
Not just real ones, but they could have images of ferns | 0:13:01 | 0:13:04 | |
from carpets to chamber pots. | 0:13:04 | 0:13:07 | |
-Teapot, too, covered in ferns. -Teapot's lovely. | 0:13:07 | 0:13:10 | |
Custard creams. They're a bit of a sight. | 0:13:10 | 0:13:13 | |
Custard creams were invented around 1908, | 0:13:13 | 0:13:17 | |
and the pattern on them represents fern crosiers, | 0:13:17 | 0:13:19 | |
because ferns were so popular at the time. | 0:13:19 | 0:13:22 | |
And we've got a violinist here. | 0:13:22 | 0:13:24 | |
-I mean, this isn't fern music, as well, is it? -It is, it is. | 0:13:24 | 0:13:27 | |
This is the Fern Waltz. You can have the Ferns Polka, as well. | 0:13:27 | 0:13:30 | |
I'm liking it. It is addictive, isn't it? | 0:13:30 | 0:13:34 | |
-You catching fern fever? -I think I might be. -Good! | 0:13:34 | 0:13:37 | |
But off-the-shelf souvenirs | 0:13:42 | 0:13:44 | |
wouldn't satisfy the really serious collector. | 0:13:44 | 0:13:48 | |
The damp, salty sea cliffs of Devon concealed the much sought-after | 0:13:48 | 0:13:52 | |
sea spleenwort. | 0:13:52 | 0:13:54 | |
It drove fern obsessives to extraordinary lengths. | 0:13:54 | 0:13:58 | |
One young fern hunter describes taking a 15ft bamboo pole | 0:14:01 | 0:14:06 | |
and tying a knife on the end, trying to gather her sea spleenwort. | 0:14:06 | 0:14:11 | |
Cutting-edge technology. | 0:14:11 | 0:14:12 | |
Locals took advantage of collectors, telling them it was too dangerous | 0:14:14 | 0:14:18 | |
to scale cliffs, but for a fee, they'd do it for them. | 0:14:18 | 0:14:22 | |
So it is I find myself clambering over the rocks at Lee Bay | 0:14:22 | 0:14:25 | |
with a lad to carry my ladder. | 0:14:25 | 0:14:28 | |
And botanist Maxine Putnam is my expert sea spleenwort spotter. | 0:14:28 | 0:14:33 | |
You do need sharp eyes, don't you? | 0:14:34 | 0:14:36 | |
So, we're looking for a tiny little fern somewhere in the spray zone. | 0:14:36 | 0:14:41 | |
There's some hart's tongue in the corners. | 0:14:41 | 0:14:45 | |
Is this the sort of area we should be looking? | 0:14:45 | 0:14:47 | |
This is the sort of place where the bracken grows well. It's drier. | 0:14:47 | 0:14:50 | |
I think we need to look for somewhere damper | 0:14:50 | 0:14:53 | |
to find the crevices where the sea spleenwort would grow. | 0:14:53 | 0:14:56 | |
RUTH LAUGHS | 0:14:59 | 0:15:01 | |
Look, just there, see? Can you see there? Is that something? | 0:15:03 | 0:15:07 | |
Come on, you're young and fit. Come on. | 0:15:07 | 0:15:09 | |
-There's something there, look. -Oh! | 0:15:14 | 0:15:17 | |
-The colour is completely different from the grasses. -Yes. | 0:15:17 | 0:15:21 | |
-It really is, isn't it? -Fantastic. -Isn't that pretty? | 0:15:21 | 0:15:25 | |
That's lovely. Look at that. That's a sea spleenwort. | 0:15:25 | 0:15:28 | |
There's little bits of it all over, actually, there and there. | 0:15:28 | 0:15:31 | |
There's lots of little bits. That is so pretty. | 0:15:31 | 0:15:33 | |
-It's too pretty to pick it, isn't it? -Let's have a look on the back. | 0:15:33 | 0:15:36 | |
Yes, it's fertile, look. There are the spores. | 0:15:36 | 0:15:39 | |
-They like salt spray? -It does, yes. When the Atlantic gales come in, | 0:15:39 | 0:15:43 | |
the spray zone is probably significant here. | 0:15:43 | 0:15:45 | |
Other ferns really can't handle that amount of salt. | 0:15:45 | 0:15:48 | |
No, it's the only one. | 0:15:48 | 0:15:49 | |
The success of the lady collectors in stripping the cliffs bare | 0:15:53 | 0:15:57 | |
would ultimately signal the end of their obsession. | 0:15:57 | 0:16:01 | |
As the Victorian era ended, fern-mania began to unravel. | 0:16:01 | 0:16:06 | |
In 1904, it became a crime in certain parts of Devon | 0:16:07 | 0:16:12 | |
to uproot or destroy a fern. | 0:16:12 | 0:16:15 | |
But it took a cataclysmic event to finally quell fern fever. | 0:16:17 | 0:16:22 | |
The arrival of the First World War distracted collectors | 0:16:22 | 0:16:25 | |
from the fripperies of ferns, | 0:16:25 | 0:16:28 | |
and by the time it ended, women and feminism had moved on. | 0:16:28 | 0:16:32 | |
We're walking around the British Isles, | 0:16:39 | 0:16:42 | |
seeking out secret paths to hidden treasures. | 0:16:42 | 0:16:46 | |
I'm exploring the most isolated edge of our mainland, Cape Wrath. | 0:16:50 | 0:16:55 | |
On this ragged fringe, you're free to roam as you see fit, | 0:17:03 | 0:17:08 | |
as long as it's on foot. | 0:17:08 | 0:17:10 | |
Cape Wrath's name is from the Old Norse for turning point. | 0:17:14 | 0:17:18 | |
The Vikings navigated by it. | 0:17:18 | 0:17:21 | |
The lighthouse is now home to just two permanent residents, | 0:17:23 | 0:17:27 | |
an intrepid couple eking out a living. | 0:17:27 | 0:17:31 | |
-How you doing? -Are you John? -Yeah. -How do you do? I'm Nick. | 0:17:33 | 0:17:37 | |
-Very nice to meet you. -Did you have a nice walk? | 0:17:37 | 0:17:39 | |
Yeah, well, I'm just completely gobsmacked because I remember this | 0:17:39 | 0:17:44 | |
as a solitary lighthouse, but to find a real cafe operating | 0:17:44 | 0:17:47 | |
in what must be the remote headland in Britain is a... | 0:17:47 | 0:17:50 | |
Yeah, it's quite well patronised with the tourists. | 0:17:50 | 0:17:53 | |
-They're quite glad to see it. -NICK LAUGHS | 0:17:53 | 0:17:55 | |
-I bet they are! -It can get quite harsh out here. | 0:17:55 | 0:17:57 | |
-Can we have a look outside and around the cafe? -Yeah. | 0:17:57 | 0:18:01 | |
Surprisingly, this far-flung spot had a brief brush with fame. | 0:18:01 | 0:18:05 | |
It started when John's wife Kay went for supplies, | 0:18:05 | 0:18:10 | |
but the weather closed in. | 0:18:10 | 0:18:12 | |
-The nearest supermarket is 130 miles away. -130 miles! | 0:18:12 | 0:18:15 | |
Inverness for a major supermarket. | 0:18:15 | 0:18:17 | |
A couple of Christmases ago, Kay was off to get the Christmas shopping | 0:18:17 | 0:18:20 | |
-and couldn't get back for five weeks. She got stranded. -Five weeks! -Stranded in Durness. | 0:18:20 | 0:18:24 | |
-It made all the papers, things like this. -That's hilarious. | 0:18:24 | 0:18:28 | |
"I popped out to buy a turkey on December 19th, | 0:18:28 | 0:18:31 | |
-"and I've still not got home." -HE LAUGHS | 0:18:31 | 0:18:33 | |
You were on your own suddenly? | 0:18:33 | 0:18:34 | |
Yeah. It's OK, we've got army rations and stuff put by, | 0:18:34 | 0:18:37 | |
so we can last for months up here without contact. | 0:18:37 | 0:18:40 | |
-So, you had a Christmas on army rations? -Yeah. | 0:18:40 | 0:18:42 | |
I'm especially pleased to meet John | 0:18:44 | 0:18:46 | |
because we share a family connection - my dad. | 0:18:46 | 0:18:51 | |
Dad, who's in his 80s, | 0:18:51 | 0:18:52 | |
met John recently on his own Cape Wrath expedition. | 0:18:52 | 0:18:57 | |
-He told me all about it. -Yeah, it was nice to see him. | 0:18:57 | 0:18:59 | |
Just after Christmas and a blizzard kind of came in. | 0:18:59 | 0:19:02 | |
He said he was looking around in one of your outhouses | 0:19:02 | 0:19:06 | |
for somewhere to lie down and go to sleep, and you found him doing it. | 0:19:06 | 0:19:09 | |
Yeah, fished him out and brought him in. | 0:19:09 | 0:19:12 | |
-Still talks about it. -Yeah, I'm glad he does. | 0:19:12 | 0:19:14 | |
My dad brought me here in 1972 when I was 18. | 0:19:14 | 0:19:18 | |
It was a vicious January day, | 0:19:18 | 0:19:20 | |
the lighthouse keepers had seen us from a long way off, | 0:19:20 | 0:19:22 | |
and they met us at the door with mugs of tea. | 0:19:22 | 0:19:24 | |
-It's stayed in my memory ever since. -That's quite surreal. | 0:19:24 | 0:19:27 | |
It's a very special place. Really special place. | 0:19:27 | 0:19:30 | |
This rugged coast is a real favourite in our family. | 0:19:33 | 0:19:37 | |
Knowing its moods with daylight fading, | 0:19:37 | 0:19:40 | |
I'm grateful for John's offer of shelter. | 0:19:40 | 0:19:43 | |
Like father, like son, I'm bedding down. | 0:19:45 | 0:19:49 | |
Basic, but very welcome. | 0:19:49 | 0:19:52 | |
WIND WHISTLES | 0:19:52 | 0:19:55 | |
We're searching for hidden treasures on shoreline tracks. | 0:19:59 | 0:20:04 | |
In Cardiff, you can join the coast path that's the wonder of Wales. | 0:20:05 | 0:20:11 | |
When the Welsh created a continuous path | 0:20:27 | 0:20:30 | |
around their entire coastline, it was a world's first. | 0:20:30 | 0:20:35 | |
And even when the sea blocks the way at Barmouth, | 0:21:11 | 0:21:16 | |
they walk across the rail bridge. | 0:21:16 | 0:21:18 | |
There's 870 miles to tread, | 0:21:34 | 0:21:38 | |
but some still prefer a precarious path of their own making. | 0:21:38 | 0:21:43 | |
One such route lies on the edge of Anglesey. | 0:21:45 | 0:21:49 | |
The cliffs of Gogarth are not for the faint-hearted, | 0:21:56 | 0:22:00 | |
but Andy Torbet is about to savour a climber's treasure. | 0:22:00 | 0:22:04 | |
I do enjoy making life a little bit tougher for myself. | 0:22:06 | 0:22:10 | |
And over that edge is a secret path | 0:22:10 | 0:22:13 | |
that's haunted my imagination for years. | 0:22:13 | 0:22:16 | |
Only seasoned climbers know | 0:22:16 | 0:22:18 | |
that below is a seemingly-impossible route, | 0:22:18 | 0:22:21 | |
hidden from view. | 0:22:21 | 0:22:23 | |
A route made famous by this fabled photograph. | 0:22:23 | 0:22:27 | |
It captures a classic moment in climbing history. | 0:22:27 | 0:22:30 | |
It's a moment of great drama - | 0:22:30 | 0:22:32 | |
a new path being put up on the cliff face. | 0:22:32 | 0:22:35 | |
The photo, with the wave leaping upwards, | 0:22:35 | 0:22:38 | |
as if to claim the two tiny figures, | 0:22:38 | 0:22:41 | |
earned the climb classic status. | 0:22:41 | 0:22:44 | |
The climbers are Dave Pearce and Ed Drummond, | 0:22:44 | 0:22:47 | |
young upstarts who, in 1968, dared to brave the unknown. | 0:22:47 | 0:22:53 | |
Some said it couldn't be done, but they made it to the top, | 0:22:53 | 0:22:56 | |
and because of that, they got to name this climb, | 0:22:56 | 0:22:58 | |
and they christened it A Dream Of White Horses, | 0:22:58 | 0:23:01 | |
in honour of the white-crested crashing waves | 0:23:01 | 0:23:04 | |
that beat the cliff beneath them. | 0:23:04 | 0:23:06 | |
I've dreamt of the Dream Of White Horses for years now. | 0:23:06 | 0:23:10 | |
Steve Long will be leading our attempt. | 0:23:10 | 0:23:13 | |
What have I let myself in for? | 0:23:13 | 0:23:16 | |
Let's sit down and have a look. | 0:23:16 | 0:23:17 | |
What do you think? | 0:23:21 | 0:23:22 | |
-It's a pretty intimidating bit of rock. -It's amazing, isn't it? | 0:23:22 | 0:23:26 | |
So, what happens if I come off? | 0:23:27 | 0:23:28 | |
You've got big problems because you're just hanging above the sea. | 0:23:28 | 0:23:32 | |
Time to get on with it. | 0:23:34 | 0:23:36 | |
And I'm wearing a head cam, | 0:23:36 | 0:23:38 | |
which means you get to see what I see. | 0:23:38 | 0:23:40 | |
Scary, isn't it? | 0:23:41 | 0:23:43 | |
This big bubbling cauldron of white water at the bottom | 0:23:43 | 0:23:46 | |
just adds to the atmosphere. | 0:23:46 | 0:23:47 | |
That's the rope down, that's us completely committed, | 0:23:58 | 0:24:01 | |
and the only way out now is that way. | 0:24:01 | 0:24:03 | |
The first pitch is the hardest. | 0:24:13 | 0:24:16 | |
Hand and footholds are rare and small, | 0:24:16 | 0:24:20 | |
route finding is hard. | 0:24:20 | 0:24:21 | |
And just when I need to concentrate, we've got an audience - | 0:24:25 | 0:24:29 | |
a man who knows the secrets of the Dream of White Horses route | 0:24:29 | 0:24:33 | |
better than most. | 0:24:33 | 0:24:35 | |
Leo Dickinson took the famous photo of the original ascent back in 1968. | 0:24:35 | 0:24:41 | |
As I was wandering down these cliffs here, | 0:24:41 | 0:24:43 | |
I suddenly had this feeling that something extraordinary | 0:24:43 | 0:24:46 | |
was going to happen. | 0:24:46 | 0:24:48 | |
And I sat more or less here, and with a camera with a 28mm lens, | 0:24:48 | 0:24:54 | |
I looked over my shoulder, | 0:24:54 | 0:24:55 | |
and suddenly, this great white wave seemed to go up. | 0:24:55 | 0:24:59 | |
It seemed to last for seconds, it probably didn't, | 0:24:59 | 0:25:02 | |
and I just took a picture. | 0:25:02 | 0:25:03 | |
It was a one-chance shot. | 0:25:03 | 0:25:05 | |
For Leo, this was the start of a successful career | 0:25:05 | 0:25:09 | |
as an adventure photographer | 0:25:09 | 0:25:11 | |
which took him all around the world, | 0:25:11 | 0:25:14 | |
but no picture's been as influential | 0:25:14 | 0:25:16 | |
as the one on the Gogarth cliffs. | 0:25:16 | 0:25:19 | |
Leo's primed to recapture his momentous photograph, and so are we. | 0:25:19 | 0:25:24 | |
Right now, Andy is on one of the most exposed bits of rock | 0:25:24 | 0:25:28 | |
in Britain, so he's probably thinking, | 0:25:28 | 0:25:30 | |
"What on earth am I doing here?" | 0:25:30 | 0:25:32 | |
I've made it over pitch one. | 0:25:38 | 0:25:40 | |
Now, for the second, where the path's supposedly easier to follow. | 0:25:40 | 0:25:45 | |
That's not how it looks to me. | 0:25:45 | 0:25:48 | |
I still can't see an obvious, easy line out. | 0:25:48 | 0:25:51 | |
I know, and that's the great thing about this route - you know, | 0:25:51 | 0:25:54 | |
the more committed you get, | 0:25:54 | 0:25:56 | |
the more you start to wish you hadn't. | 0:25:56 | 0:25:58 | |
Steve forges ahead using a natural fault line in the cliff face. | 0:26:01 | 0:26:05 | |
Left alone here, this place is starting to play on my mind. | 0:26:08 | 0:26:12 | |
You can see why the climb gets its name - | 0:26:14 | 0:26:16 | |
that thunderous roar and wave beneath me. | 0:26:16 | 0:26:20 | |
It makes it more exposed, more intimidating, more scary. | 0:26:20 | 0:26:23 | |
I've no idea how Ed Drummond and Dave Pearce | 0:26:33 | 0:26:37 | |
navigated this blind for the very first time. | 0:26:37 | 0:26:39 | |
After Ed and Dave had gone across this great traverse, | 0:26:41 | 0:26:44 | |
they were quite tense because they really didn't know | 0:26:44 | 0:26:47 | |
what they were getting into, | 0:26:47 | 0:26:49 | |
and the sting in the tail is towards the end. | 0:26:49 | 0:26:51 | |
And it's that sting in the tail that I'm heading for now. | 0:26:53 | 0:26:56 | |
Dream's final pitch is not as technically difficult | 0:26:57 | 0:27:00 | |
as some of the earlier climbing, but it's far more intimidating. | 0:27:00 | 0:27:04 | |
Can't see where you're going. | 0:27:06 | 0:27:08 | |
Oh, yes. | 0:27:08 | 0:27:09 | |
The path is hard to find, | 0:27:11 | 0:27:13 | |
but it takes you to a place like no other... | 0:27:13 | 0:27:15 | |
..a terrifying overhang suspended 60m over the ocean. | 0:27:16 | 0:27:21 | |
Then, as you wrestle with the route, | 0:27:30 | 0:27:33 | |
suddenly, A Dream Of White Horses releases you. | 0:27:33 | 0:27:37 | |
-Oh, ho-ho! -Nice, put it there. Well done. -That's superb. -Brilliant. | 0:27:40 | 0:27:45 | |
To prove our dream was real, | 0:27:47 | 0:27:49 | |
has Leo captured a picture to compare with his original 1968 shot? | 0:27:49 | 0:27:54 | |
Hi, guys. Did you enjoy it? | 0:27:54 | 0:27:56 | |
-Awesome. -Yeah? | 0:27:56 | 0:27:58 | |
I've been trying hard to emulate that picture I took. | 0:27:58 | 0:28:01 | |
I don't think I've improved on it. | 0:28:01 | 0:28:03 | |
We didn't have the magical moment today. | 0:28:03 | 0:28:05 | |
Well, Leo might not think it's up to scratch, | 0:28:05 | 0:28:08 | |
but I'll never forget this day. | 0:28:08 | 0:28:11 | |
That makes this photograph even more special for me. | 0:28:11 | 0:28:15 | |
Andy's not the only one out on a limb. | 0:28:22 | 0:28:25 | |
We're seeking out our stunning shoreline paths. | 0:28:28 | 0:28:31 | |
I'm on the edge for Britain's wildest coastal walk | 0:28:39 | 0:28:42 | |
at Cape Wrath. | 0:28:42 | 0:28:44 | |
My path's taking me to the glorious beach at Sandwood Bay, | 0:28:45 | 0:28:50 | |
but right now, there's a peat bog in my way. | 0:28:50 | 0:28:53 | |
And that's not all. | 0:28:54 | 0:28:56 | |
It's quite dramatic, the great chasm blocking the route | 0:28:58 | 0:29:03 | |
south along the coast. | 0:29:03 | 0:29:05 | |
I'm not sure I'm going to get across this. | 0:29:05 | 0:29:06 | |
That's, uh...that's pretty vertical there. | 0:29:08 | 0:29:11 | |
It's never a good idea to down-climb a cliff | 0:29:11 | 0:29:14 | |
with a backpack on your back, and no rope, | 0:29:14 | 0:29:16 | |
so I'm looking for a way down that's less steep. | 0:29:16 | 0:29:19 | |
The thing is, what you have to do is follow the river upstream | 0:29:19 | 0:29:23 | |
until you find a less steep bit. | 0:29:23 | 0:29:26 | |
Now, that might do. Let's have a look. | 0:29:26 | 0:29:29 | |
The going's tough. | 0:29:37 | 0:29:39 | |
It's clear I'm not going to make it to Sandwood Bay tonight. | 0:29:39 | 0:29:43 | |
I need to find shelter. | 0:29:43 | 0:29:45 | |
In wild Cape Wrath, the only option for a roof over your head | 0:29:51 | 0:29:55 | |
is to make for one of the isolated bothies. | 0:29:55 | 0:29:59 | |
Today, the bothies are left open for walkers, | 0:29:59 | 0:30:02 | |
but originally, they were built for shepherds, | 0:30:02 | 0:30:05 | |
and until 20 years ago, this bothy had a remarkable resident. | 0:30:05 | 0:30:10 | |
This was the home of the man known as The Hermit Of The Highlands, | 0:30:12 | 0:30:16 | |
James McRory Smith, | 0:30:16 | 0:30:18 | |
who lived here for 30 years totally alone. | 0:30:18 | 0:30:22 | |
Wow, this is really, really cosy. | 0:30:27 | 0:30:31 | |
It's a wild, windy evening out there, | 0:30:31 | 0:30:34 | |
and it's completely still in here. And here's a picture of James. | 0:30:34 | 0:30:39 | |
That's a very kindly face in the photograph, | 0:30:39 | 0:30:42 | |
quite weather-beaten. | 0:30:42 | 0:30:44 | |
And this was his sanctuary, his little den. | 0:30:44 | 0:30:47 | |
Look over here, there's a Viking longship sailing out of the sea. | 0:30:47 | 0:30:51 | |
Perhaps, more interesting, are the things you can't see here. | 0:30:51 | 0:30:54 | |
There are no electrical sockets, there are no lights, | 0:30:54 | 0:30:57 | |
there's not even a lavatory in here, | 0:30:57 | 0:31:00 | |
or running water - you have to use the river outside. | 0:31:00 | 0:31:03 | |
It's a stone shell that James turned into a home. | 0:31:03 | 0:31:07 | |
There's parts of me that would quite like to, uh, | 0:31:07 | 0:31:11 | |
spend a while living here, find out what it's like. | 0:31:11 | 0:31:13 | |
Not like James. Not for 30 years. That's pretty extreme. | 0:31:13 | 0:31:16 | |
But I wouldn't mind trying a year maybe. | 0:31:16 | 0:31:19 | |
Unfortunately, I've only got one night, | 0:31:21 | 0:31:23 | |
so I'd best try and make myself at home. | 0:31:23 | 0:31:26 | |
Over the years, James captured the imagination of the press. | 0:31:34 | 0:31:38 | |
He became something of a local celebrity. | 0:31:38 | 0:31:41 | |
The people who met James came away with a much more intimate, | 0:31:41 | 0:31:45 | |
touching picture of this man who lived alone. | 0:31:45 | 0:31:49 | |
Here's an angler who called by in the 1970s. | 0:31:49 | 0:31:53 | |
He says, "Despite his isolation, | 0:31:53 | 0:31:55 | |
"he seemed to be remarkably well-informed | 0:31:55 | 0:31:58 | |
"on what was happening in the outside world. | 0:31:58 | 0:32:00 | |
"He said he'd read a lot. | 0:32:00 | 0:32:01 | |
"I asked him how he got hold of all the books and magazines, | 0:32:01 | 0:32:04 | |
"and he said, 'Most were left by visitors. All were read.' | 0:32:04 | 0:32:07 | |
"Some, he read again. Others ended up on the fire." | 0:32:07 | 0:32:11 | |
I don't think James was a hermit at all. | 0:32:13 | 0:32:16 | |
He relished solitude, | 0:32:16 | 0:32:17 | |
but he also enjoyed the company of his fellow human beings. | 0:32:17 | 0:32:21 | |
Tomorrow, my coastal treasure awaits at the end of the path. | 0:32:23 | 0:32:28 | |
Tonight, though, there's time to think of those | 0:32:28 | 0:32:32 | |
who've tramped this way before me. | 0:32:32 | 0:32:34 | |
Our rich past encourages walkers to take in the history | 0:32:39 | 0:32:43 | |
around our isles. | 0:32:43 | 0:32:45 | |
But imagine one short coastal path | 0:32:55 | 0:32:58 | |
that could encompass the whole timeline of our past. | 0:32:58 | 0:33:03 | |
Surprisingly, such a secret path can be found - on little Lundy. | 0:33:04 | 0:33:09 | |
Mark is taking an epic trail on a tiny scale. | 0:33:11 | 0:33:15 | |
Lundy Island - a wilderness where nature thrives. | 0:33:16 | 0:33:22 | |
Most people come to Lundy to admire the marine life and the wildlife, | 0:33:22 | 0:33:28 | |
but to me, as an archaeologist, | 0:33:28 | 0:33:30 | |
the real treasure lies beneath the soil. | 0:33:30 | 0:33:34 | |
I'm going to take you on a ten-mile coastal walk | 0:33:34 | 0:33:37 | |
that's going to take 10,000 years to complete. | 0:33:37 | 0:33:41 | |
Bizarrely, in this single shed, there's evidence of many waves | 0:33:41 | 0:33:46 | |
of people who tried to make Lundy home, | 0:33:46 | 0:33:50 | |
objects stretching back millennia. | 0:33:50 | 0:33:54 | |
This is a kind of Aladdin's cave of treasures. | 0:33:54 | 0:33:58 | |
Horseshoe, gaming piece, | 0:33:58 | 0:34:00 | |
and that could be medieval, actually. | 0:34:00 | 0:34:03 | |
Clay pipe fragments there, | 0:34:03 | 0:34:05 | |
a rotary quern stone that's probably Roman, actually. | 0:34:05 | 0:34:09 | |
Ooh, gosh, it's heavy. | 0:34:09 | 0:34:11 | |
Oh, look, look, here's the archaeology. | 0:34:11 | 0:34:13 | |
Some flints, worked pebbles, | 0:34:13 | 0:34:16 | |
8,000-10,000 years old, something like that. | 0:34:16 | 0:34:20 | |
Bits of old granite, look at it. | 0:34:20 | 0:34:23 | |
HE CHUCKLES | 0:34:23 | 0:34:25 | |
Why is there a propeller here? | 0:34:25 | 0:34:28 | |
This treasure can take me back in time. | 0:34:29 | 0:34:32 | |
I'm plotting a secret path linking where the objects were discovered. | 0:34:32 | 0:34:38 | |
These random artefacts can help me tell the story of mankind, | 0:34:39 | 0:34:44 | |
my journey around the island. | 0:34:44 | 0:34:46 | |
My path across Lundy will take me on a hike | 0:34:50 | 0:34:53 | |
through 10,000 years of history, | 0:34:53 | 0:34:57 | |
beginning in the Stone Age. | 0:34:57 | 0:35:00 | |
This is it, | 0:35:00 | 0:35:02 | |
where all those Mesolithic and Neolithic flints were found. | 0:35:02 | 0:35:05 | |
Remarkably, these fields concealed Stone Age secrets. | 0:35:06 | 0:35:12 | |
The earliest folk on Lundy fashioned flint into cutting tools. | 0:35:12 | 0:35:17 | |
This is an extraordinary microlith, crude from basically beach pebbles. | 0:35:19 | 0:35:25 | |
It's fantastic to see where they were actually found. | 0:35:25 | 0:35:28 | |
A piece of pottery in the attic provides a clue | 0:35:31 | 0:35:35 | |
to more advanced technology. | 0:35:35 | 0:35:38 | |
We're now in search of the Bronze Age. | 0:35:38 | 0:35:40 | |
This is it. Isn't that amazing? | 0:35:43 | 0:35:46 | |
This is a little Bronze Age hut. | 0:35:48 | 0:35:50 | |
You can see the stone walls round on there, both sides. | 0:35:50 | 0:35:54 | |
It probably would have had a turf roof on top of us here | 0:35:54 | 0:35:56 | |
supported by a central post, and there's a doorway. | 0:35:56 | 0:36:00 | |
A room with a view, if you like. | 0:36:00 | 0:36:02 | |
Even hardy Bronze Age settlers may only have been seasonal visitors, | 0:36:04 | 0:36:09 | |
harsh winters forcing them back to the mainland. | 0:36:09 | 0:36:13 | |
I'm leaving the exposed north, heading south | 0:36:15 | 0:36:19 | |
fast-forwarding 2,000 years into civilisation... | 0:36:19 | 0:36:24 | |
..the Romans! | 0:36:25 | 0:36:26 | |
In the attic was a Roman quern stone used to grind grain for bread. | 0:36:29 | 0:36:35 | |
Somewhere here, our quern stone was found | 0:36:38 | 0:36:40 | |
in the middle of what's probably a Celtic monastery. | 0:36:40 | 0:36:44 | |
Around AD 500, the monks were probably using the grindstone | 0:36:44 | 0:36:50 | |
the Romans had left behind. | 0:36:50 | 0:36:53 | |
Nothing goes to waste on Lundy. | 0:36:53 | 0:36:55 | |
My time traveller's path now takes me to the 13th century and beyond. | 0:36:58 | 0:37:04 | |
The castle was commissioned in 1243 by Henry III. | 0:37:05 | 0:37:10 | |
It was re-fortified successively until the 18th century. | 0:37:10 | 0:37:15 | |
However, excavations here in the parade ground | 0:37:15 | 0:37:17 | |
revealed lots of objects, | 0:37:17 | 0:37:19 | |
including our gaming board and its counter, | 0:37:19 | 0:37:23 | |
and this clay tobacco pipe from the Civil War. | 0:37:23 | 0:37:28 | |
Heading up the island's east coast, I march onwards in time. | 0:37:31 | 0:37:36 | |
Granite in the attic leads me on a path of short-lived folly. | 0:37:36 | 0:37:41 | |
The year is 1863, and we've reached the Industrial Revolution. | 0:37:43 | 0:37:48 | |
The Lundy Granite Company | 0:37:48 | 0:37:50 | |
reckoned they had 50 million tonnes of the stuff. | 0:37:50 | 0:37:53 | |
This is what the Victorian quarry must have looked like at its heyday. | 0:37:53 | 0:37:58 | |
But the management focused more on boozing than quarrying. | 0:38:02 | 0:38:06 | |
Just five years after starting up, the works fell silent. | 0:38:08 | 0:38:14 | |
Film cans in the attic are my clue | 0:38:25 | 0:38:27 | |
to the man who would be King of Lundy. | 0:38:27 | 0:38:31 | |
I've reached the 20th century and film footage of islanders. | 0:38:32 | 0:38:37 | |
I'm meeting Derek Green, the manager of Lundy. | 0:38:39 | 0:38:43 | |
-Hello, good to see you. -Hello. These are the films? | 0:38:43 | 0:38:45 | |
-They are indeed. -Fantastic. | 0:38:45 | 0:38:46 | |
-Shall we go and have a look? -Yes, please. | 0:38:46 | 0:38:48 | |
The footage shows a man destined to become boss of the whole place. | 0:38:49 | 0:38:54 | |
Not Derek, but this chap, Martin Coles Harman. | 0:38:54 | 0:38:59 | |
He bought the island in 1925 after visiting as a young lad. | 0:38:59 | 0:39:03 | |
-And that's him? -And that's him. | 0:39:03 | 0:39:04 | |
In his hat. The press called him the King of Lundy. | 0:39:04 | 0:39:08 | |
Well, they did indeed. That was a media term that was used, | 0:39:08 | 0:39:11 | |
uh, but I didn't hear him denying it very much either. | 0:39:11 | 0:39:14 | |
Lundy's "King" even tried to take on the British monarchy. | 0:39:14 | 0:39:19 | |
In 1929, he dismissed the Post Office from the island, | 0:39:19 | 0:39:23 | |
-and it was because he hated authority. -Yes. | 0:39:23 | 0:39:25 | |
And he introduced his own stamps. | 0:39:25 | 0:39:27 | |
The currency is in puffins. One puffin is worth one penny. | 0:39:27 | 0:39:30 | |
He also introduced coins because he wanted his own currency. | 0:39:30 | 0:39:34 | |
Puffin on one side? | 0:39:34 | 0:39:36 | |
Yeah, and interestingly, on the other side... | 0:39:36 | 0:39:38 | |
-There he is. -There he is. | 0:39:38 | 0:39:40 | |
Under Harman's reign, the island finally started to thrive. | 0:39:43 | 0:39:48 | |
Children were born, marriages celebrated, | 0:39:48 | 0:39:52 | |
and Harman introduced exotic animals like peacocks and wallabies. | 0:39:52 | 0:39:58 | |
Harman succeeded in creating his own kingdom. | 0:39:59 | 0:40:03 | |
The outside world would come crashing in. | 0:40:03 | 0:40:07 | |
Remember that propeller in the attic? | 0:40:07 | 0:40:10 | |
But of everything we've seen, this is my favourite bit of Lundy. | 0:40:10 | 0:40:15 | |
It's a frozen moment in time. | 0:40:15 | 0:40:18 | |
In 1941, on the 3rd of March, a German Heinkel bomber | 0:40:18 | 0:40:22 | |
returning from the Irish Sea crash-landed at this spot. | 0:40:22 | 0:40:26 | |
And what we've got is the molten aluminium from the fuselage, | 0:40:26 | 0:40:30 | |
the engine block. | 0:40:30 | 0:40:31 | |
And what's incredible is that nobody has actually | 0:40:31 | 0:40:34 | |
picked up the pieces. | 0:40:34 | 0:40:35 | |
They're still here 70 years later. | 0:40:35 | 0:40:38 | |
Martin Harman, the so-called King of Lundy, died in 1954. | 0:40:43 | 0:40:49 | |
Now, he rests in the land he loved. | 0:40:49 | 0:40:52 | |
As for Lundy, in 1969, the National Trust took it over, | 0:40:57 | 0:41:02 | |
preserving its treasures for all. | 0:41:02 | 0:41:05 | |
Little Lundy's precious artefacts | 0:41:06 | 0:41:09 | |
are a permanent reminder of our island story. | 0:41:09 | 0:41:13 | |
What's incredible is that it's all encapsulated | 0:41:16 | 0:41:20 | |
on this tiny little island. | 0:41:20 | 0:41:22 | |
My own hidden treasure awaits at the end of my secret path | 0:41:28 | 0:41:33 | |
on the northwest tip of Scotland. | 0:41:33 | 0:41:35 | |
I've just caught sight of the great sea stack, | 0:41:37 | 0:41:41 | |
the column of rock that marks the southern end of Sandwood Bay, | 0:41:41 | 0:41:44 | |
the coastal treasure that I'm heading towards. | 0:41:44 | 0:41:47 | |
It's just across this vast expanse of bog and rock. | 0:41:47 | 0:41:50 | |
I told you it was a treasure. | 0:42:09 | 0:42:11 | |
This corner of our island is as close as you can get | 0:42:36 | 0:42:39 | |
to wilderness in mainland Britain. | 0:42:39 | 0:42:42 | |
And, for me, the jewel on this section of the coast | 0:42:42 | 0:42:46 | |
is this place, Sandwood Bay. | 0:42:46 | 0:42:48 | |
But there's something here you won't find anywhere else. | 0:42:49 | 0:42:52 | |
It's to do with the long walk you have to take to get here - | 0:42:52 | 0:42:56 | |
it's the beauty of solitude. | 0:42:56 | 0:42:58 |