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Tower Bridge control. Tower Bridge control. | 0:00:10 | 0:00:12 | |
BEEPING | 0:00:12 | 0:00:13 | |
Can you confirm your name, please? | 0:00:13 | 0:00:15 | |
This is Coast. | 0:00:15 | 0:00:17 | |
As islanders, it's in our blood to reach out and explore. | 0:00:24 | 0:00:29 | |
Sails up, gears in motion, and 30 miles to the open sea. | 0:00:30 | 0:00:36 | |
I'm following in the wake of our coastal pioneers, | 0:00:39 | 0:00:42 | |
seafarers who left the land in search of oceans of opportunity. | 0:00:42 | 0:00:49 | |
And the team are on voyages of exploration too. | 0:00:49 | 0:00:52 | |
Tessa is telling a Pilgrims' tale, where explorers go wayward. | 0:00:53 | 0:00:58 | |
How did a group of illegal stowaways | 0:01:00 | 0:01:02 | |
come to found the most powerful nation on earth? | 0:01:02 | 0:01:05 | |
And why did they head here, | 0:01:06 | 0:01:08 | |
to Amsterdam, before America? | 0:01:08 | 0:01:11 | |
And Andy's in pursuit of cod, exploring the deep. | 0:01:12 | 0:01:16 | |
I'm searching for the solution to | 0:01:17 | 0:01:19 | |
a question that's easy to ask, but hard to answer. | 0:01:19 | 0:01:23 | |
How many fish are in the sea? | 0:01:23 | 0:01:25 | |
This is The Explorers' Coast. | 0:01:29 | 0:01:33 | |
MUSIC: "Coast Theme" by Alan Parker | 0:01:33 | 0:01:37 | |
For centuries, explorers set sail from the capital | 0:02:06 | 0:02:09 | |
to make their mark on the world. | 0:02:09 | 0:02:11 | |
This Explorers' Coast | 0:02:13 | 0:02:14 | |
offers glimpses of glorious voyages gone by. | 0:02:14 | 0:02:17 | |
A replica of Drake's Golden Hind - | 0:02:19 | 0:02:22 | |
the first English ship to circumnavigate the globe. | 0:02:22 | 0:02:26 | |
The Cutty Sark - a super-fast clipper built for global commerce. | 0:02:28 | 0:02:33 | |
She ran trade routes that early explorers pioneered. | 0:02:35 | 0:02:38 | |
And, surprisingly, that spirit of exploration | 0:02:41 | 0:02:44 | |
still thrives on this highway to the sea. | 0:02:44 | 0:02:47 | |
I've hitched this lift to meet modern-day explorers, | 0:02:50 | 0:02:55 | |
soon to embark in the wake of heroic seafarers of old. | 0:02:55 | 0:03:00 | |
It's a personal passion of mine | 0:03:06 | 0:03:09 | |
to walk around our coast, as you may know, | 0:03:09 | 0:03:11 | |
but circumnavigating these isles by sea | 0:03:11 | 0:03:14 | |
has captivated intrepid explorers for millennia. | 0:03:14 | 0:03:18 | |
It's a nautical tradition that proudly lives on. | 0:03:18 | 0:03:21 | |
Our earliest explorers relied on muscle power. | 0:03:22 | 0:03:27 | |
Can these crews match our ancient ancestors? | 0:03:27 | 0:03:32 | |
Remarkably, they're trying to row right around Britain. | 0:03:32 | 0:03:37 | |
This is going to be a wild ride. | 0:03:37 | 0:03:39 | |
This is what it was always like leaving the Thames | 0:03:47 | 0:03:50 | |
at the beginning of an amazing voyage. | 0:03:50 | 0:03:52 | |
You waited till the ebb tide | 0:03:52 | 0:03:54 | |
and you got sluiced down towards the ocean. | 0:03:54 | 0:03:57 | |
You can feel the power of the river willing you on your way. | 0:03:57 | 0:04:01 | |
Soon, the tide will propel | 0:04:05 | 0:04:07 | |
the rowing boats to sea. | 0:04:07 | 0:04:09 | |
Turning the corner | 0:04:11 | 0:04:13 | |
on the south coast, | 0:04:13 | 0:04:15 | |
the rowers will follow | 0:04:15 | 0:04:16 | |
in the wake of paddle-powered explorers from the Bronze Age... | 0:04:16 | 0:04:20 | |
..braving the same deadly reefs at Land's End. | 0:04:23 | 0:04:26 | |
Pressing on to the Irish Sea, | 0:04:29 | 0:04:31 | |
they'll struggle like Celtic oarsmen of old. | 0:04:31 | 0:04:36 | |
As our crews reach the Scottish coast, | 0:04:38 | 0:04:42 | |
they'll row in seas | 0:04:42 | 0:04:44 | |
ruled by Viking explorers. | 0:04:44 | 0:04:46 | |
On the home shores of Captain Cook and Admiral Nelson, | 0:04:49 | 0:04:53 | |
our rowers must pull together, | 0:04:53 | 0:04:56 | |
as did heroic life-savers of the east coast. | 0:04:56 | 0:04:59 | |
Coming full circle, | 0:05:03 | 0:05:05 | |
our explorers will have rowed | 0:05:05 | 0:05:07 | |
themselves into history. | 0:05:07 | 0:05:10 | |
That incredible voyage lies ahead. | 0:05:10 | 0:05:13 | |
Now, they're almost ready to leave the capital behind, | 0:05:13 | 0:05:17 | |
for a month or more, in tiny craft. | 0:05:17 | 0:05:21 | |
Well, it's very confined in that cabin | 0:05:21 | 0:05:24 | |
and that's putting it politely - it's absolutely minute! | 0:05:24 | 0:05:27 | |
And when you crawl in, then - | 0:05:27 | 0:05:29 | |
you really do have to crawl - after a rowing spell, | 0:05:29 | 0:05:32 | |
you're really tired | 0:05:32 | 0:05:34 | |
and you don't get much rest in there | 0:05:34 | 0:05:36 | |
because the boat is pitching from side to side. | 0:05:36 | 0:05:39 | |
Just movement the whole time, | 0:05:39 | 0:05:41 | |
there's actually no physical rest at all. | 0:05:41 | 0:05:44 | |
And this is just the Thames! | 0:05:44 | 0:05:46 | |
Well, good luck, guys, | 0:05:49 | 0:05:51 | |
and row safe. | 0:05:51 | 0:05:53 | |
-Cheers. -Bye. -Bye. | 0:05:53 | 0:05:55 | |
Exploration begins with fond farewells | 0:05:58 | 0:06:01 | |
that our coast has witnessed through the ages. | 0:06:01 | 0:06:04 | |
SHIP HORNS BLARE | 0:06:04 | 0:06:07 | |
Can these explorers prove their mettle | 0:06:13 | 0:06:16 | |
and match up to ancient mariners | 0:06:16 | 0:06:18 | |
who propelled themselves around our isles? | 0:06:18 | 0:06:21 | |
2,000 miles on the oars - an odyssey from millennia ago. | 0:06:23 | 0:06:28 | |
Whoa! | 0:06:29 | 0:06:31 | |
While they're all at sea, | 0:06:33 | 0:06:34 | |
I'm going on my own journey by foot. | 0:06:34 | 0:06:38 | |
I'm following the forgotten explorers | 0:06:38 | 0:06:41 | |
who first navigated our treacherous coast. | 0:06:41 | 0:06:44 | |
Epic voyages that not only shaped us as a people, | 0:06:44 | 0:06:48 | |
but revealed the shape of our mysterious shores. | 0:06:48 | 0:06:51 | |
And, of course, our exploration of the explorers' coast | 0:06:53 | 0:06:57 | |
is a team effort. | 0:06:57 | 0:06:59 | |
Tessa is going back 400 years for a voyage to new worlds. | 0:07:01 | 0:07:07 | |
She's embarking from Boston, Lincolnshire, | 0:07:08 | 0:07:11 | |
on a pitch-dark night. | 0:07:11 | 0:07:14 | |
It's winter, | 0:07:21 | 0:07:22 | |
the year of our Lord 1607, on the shores of Boston. | 0:07:22 | 0:07:27 | |
A desperate group are fleeing from religious persecution. | 0:07:29 | 0:07:34 | |
100 men, women, and children are gathered here, | 0:07:34 | 0:07:37 | |
seeking illegal passage to a new life overseas. | 0:07:37 | 0:07:40 | |
But they're betrayed. | 0:07:43 | 0:07:44 | |
DOOR THUDS AND LOCK CLICKS | 0:07:46 | 0:07:49 | |
The captain has double-crossed the illegal emigrants. | 0:07:49 | 0:07:52 | |
They're captured by the authorities, who throw them into this very cell. | 0:07:52 | 0:07:56 | |
DOOR THUDDING | 0:07:56 | 0:07:57 | |
These explorers in search of religious freedom | 0:08:00 | 0:08:04 | |
were in fact the Pilgrim Fathers. | 0:08:04 | 0:08:07 | |
MUSIC: "The Star-Spangled Banner" | 0:08:07 | 0:08:08 | |
The founders of what would become the United States of America. | 0:08:08 | 0:08:12 | |
And as every American knows, | 0:08:16 | 0:08:18 | |
their founding fathers set sail from Plymouth, England, | 0:08:18 | 0:08:22 | |
on board the good ol' Mayflower. | 0:08:22 | 0:08:25 | |
MUSIC STOPS RAPIDLY | 0:08:25 | 0:08:26 | |
But hang on a minute! | 0:08:26 | 0:08:28 | |
The Pilgrim Fathers, | 0:08:28 | 0:08:29 | |
when they were attempting to leave Boston, weren't on the Mayflower, | 0:08:29 | 0:08:32 | |
and they weren't heading for America - | 0:08:32 | 0:08:35 | |
they were off to Holland. | 0:08:35 | 0:08:37 | |
BICYCLE BELL RINGS | 0:08:37 | 0:08:38 | |
We know that... because of this man...here. | 0:08:42 | 0:08:47 | |
William Bradford. | 0:08:48 | 0:08:50 | |
He was one of the would-be escapees, | 0:08:50 | 0:08:52 | |
and he kept a journal. | 0:08:52 | 0:08:55 | |
In it he wrote - | 0:08:55 | 0:08:57 | |
"We resolved to go to the Low Countries, | 0:08:57 | 0:09:00 | |
"where we heard was freedom of religion for all men." | 0:09:00 | 0:09:04 | |
So, if Holland was where they intended to set up home, | 0:09:04 | 0:09:09 | |
how on earth did they become blown off course | 0:09:09 | 0:09:12 | |
and end up founding modern America? | 0:09:12 | 0:09:16 | |
To understand that, let's begin with where they came from - | 0:09:16 | 0:09:20 | |
the tiny Nottinghamshire village | 0:09:20 | 0:09:22 | |
of Scrooby, with its own historian Sue Allen. | 0:09:22 | 0:09:27 | |
So, Sue, tell me about this place called Scrooby. | 0:09:28 | 0:09:31 | |
Well, you've probably never heard of it, | 0:09:31 | 0:09:33 | |
but everyone knows where Sheffield is, | 0:09:33 | 0:09:36 | |
and if you just travel | 0:09:36 | 0:09:37 | |
east into north Nottinghamshire | 0:09:37 | 0:09:40 | |
-you'll find this tiny little speck. That's Scrooby. -Oh, | 0:09:40 | 0:09:43 | |
it is weeny and there's no sea. It's landlocked! | 0:09:43 | 0:09:48 | |
This is rural Nottinghamshire. | 0:09:48 | 0:09:50 | |
They clearly weren't seafaring types, | 0:09:52 | 0:09:54 | |
why where these villagers so keen to leave? | 0:09:54 | 0:09:58 | |
It's all down to religion. | 0:09:58 | 0:10:01 | |
Our group were Puritans, | 0:10:01 | 0:10:03 | |
the Church of England was too Catholic for their liking, | 0:10:03 | 0:10:08 | |
and because they made a stand | 0:10:08 | 0:10:10 | |
and wanted to leave the Church of England | 0:10:10 | 0:10:13 | |
that was a no-no. | 0:10:13 | 0:10:15 | |
The head of the church was the monarch, | 0:10:15 | 0:10:17 | |
if you go against the monarch it's almost treason. | 0:10:17 | 0:10:22 | |
So they have no option but to turn towards the sea. | 0:10:22 | 0:10:25 | |
To go across the sea. | 0:10:25 | 0:10:26 | |
The Puritans resolved to put their faith in Protestant Holland. | 0:10:29 | 0:10:33 | |
Their story is taught to children | 0:10:35 | 0:10:38 | |
but that chapter's often skipped over. | 0:10:38 | 0:10:41 | |
Remember we last left them in prison in Boston in 1607. | 0:10:43 | 0:10:48 | |
The book tells us that they were released and sent back home | 0:10:50 | 0:10:53 | |
and told NOT to flee again. | 0:10:53 | 0:10:56 | |
But they didn't obey. | 0:10:56 | 0:10:58 | |
Their next voyage was successful. | 0:11:00 | 0:11:03 | |
By the grace of God the Pilgrims had been delivered to Amsterdam. | 0:11:06 | 0:11:10 | |
In 1608, they'd set sail from the Humber Estuary, | 0:11:15 | 0:11:19 | |
but the English villagers didn't find the bustling business hub | 0:11:19 | 0:11:23 | |
of Amsterdam to their Puritan taste. | 0:11:23 | 0:11:27 | |
So the group set off again to Leiden... | 0:11:27 | 0:11:30 | |
..a city not of commerce, but of ideas. | 0:11:33 | 0:11:36 | |
The explorers in search of religious freedom, | 0:11:37 | 0:11:40 | |
settled happily into the university town of Leiden... | 0:11:40 | 0:11:44 | |
..and set about | 0:11:45 | 0:11:47 | |
doing what they did best. | 0:11:47 | 0:11:51 | |
Antagonising the Church of England. | 0:11:51 | 0:11:54 | |
Have a look at this pamphlet, it's signed by William Brewster - | 0:11:54 | 0:11:58 | |
one of the Pilgrims' ringleaders - and it's a debate about | 0:11:58 | 0:12:01 | |
whether to split from the Church of England, heretical stuff. | 0:12:01 | 0:12:05 | |
But pamphlets like these could be safely printed here in Leiden | 0:12:05 | 0:12:09 | |
and sent back to England to stir up discontent. | 0:12:09 | 0:12:13 | |
The city seemed heaven-sent. | 0:12:13 | 0:12:16 | |
But being an immigrant in someone else's country wasn't easy, | 0:12:16 | 0:12:20 | |
and after ten years it looked like Catholic Spain might invade | 0:12:20 | 0:12:24 | |
Protestant Holland. | 0:12:24 | 0:12:26 | |
Time for the English Puritans to move on. | 0:12:26 | 0:12:30 | |
The Pilgrims set sail from Holland in 1620, next stop America. | 0:12:30 | 0:12:36 | |
Well, OK, not quite. | 0:12:37 | 0:12:38 | |
Next stop, Southampton, and from there | 0:12:38 | 0:12:42 | |
they set sail for America | 0:12:42 | 0:12:44 | |
in a ship called the Speedwell. | 0:12:44 | 0:12:48 | |
Confused? | 0:12:48 | 0:12:49 | |
Well, a few days into their journey, | 0:12:49 | 0:12:51 | |
the Speedwell sprang a leak. | 0:12:51 | 0:12:53 | |
So they had to go back to Plymouth, | 0:12:53 | 0:12:55 | |
where they transferred onto | 0:12:55 | 0:12:57 | |
a new ship called... | 0:12:57 | 0:12:59 | |
the Mayflower. | 0:12:59 | 0:13:00 | |
This time, the next stop | 0:13:00 | 0:13:02 | |
for our intrepid explorers | 0:13:02 | 0:13:04 | |
really was...America. | 0:13:04 | 0:13:06 | |
# I like to be in America | 0:13:06 | 0:13:09 | |
# OK by me in America | 0:13:09 | 0:13:11 | |
# Everything's free in America... # | 0:13:11 | 0:13:13 | |
Even troublesome Puritans were welcome in this new English colony. | 0:13:13 | 0:13:18 | |
But not all the women and children made it to the promised land. | 0:13:18 | 0:13:22 | |
THEY CHATTER IN DUTCH | 0:13:22 | 0:13:25 | |
-Hello, Ria. -Hello, Tessa. | 0:13:25 | 0:13:27 | |
'Ria Koet and her family are descendants of Mayflower | 0:13:27 | 0:13:31 | |
'passenger Moses Fletcher. | 0:13:31 | 0:13:33 | |
'Moses died in America before his own family could join him.' | 0:13:33 | 0:13:38 | |
His family stayed in Leiden | 0:13:38 | 0:13:41 | |
and they stayed, and stayed, | 0:13:41 | 0:13:43 | |
and stayed many generations. And so now, | 0:13:43 | 0:13:46 | |
we are living here in Holland in Leiden, all in Leiden. | 0:13:46 | 0:13:49 | |
Do you wish you were American, or are you happy to be Dutch? | 0:13:49 | 0:13:53 | |
No, I am very happy to be a real Leiden woman. | 0:13:53 | 0:13:57 | |
And Leiden sons. Yes, we love Leiden and I stay here. | 0:13:57 | 0:14:02 | |
But, of course, | 0:14:02 | 0:14:04 | |
if we go really far back in history, you are in fact British. | 0:14:04 | 0:14:07 | |
-Yes. -Well, long live the Dutch. | 0:14:07 | 0:14:10 | |
-Thank you very much. -Thank you. Bye. | 0:14:10 | 0:14:13 | |
The Pilgrim Fathers have left a living legacy in Holland, | 0:14:13 | 0:14:17 | |
but they also took a surprising tradition from Leiden with them. | 0:14:17 | 0:14:22 | |
A tradition we think of as quintessentially American - | 0:14:24 | 0:14:28 | |
Thanksgiving. | 0:14:28 | 0:14:31 | |
Every year since 1574, Protestant Leiden has held | 0:14:32 | 0:14:36 | |
a community feast to give thanks for the defeat of Catholic Spain. | 0:14:36 | 0:14:41 | |
The Pilgrims took the Dutch ritual of Thanksgiving | 0:14:42 | 0:14:45 | |
across the Atlantic, and it's come full circle. | 0:14:45 | 0:14:50 | |
Now every year, Leiden celebrates American Thanksgiving. | 0:14:50 | 0:14:55 | |
ALL: One nation under God... | 0:14:55 | 0:14:57 | |
The Pilgrims left Britain and headed east to Europe, | 0:15:01 | 0:15:05 | |
but they ended up going west to America. | 0:15:05 | 0:15:07 | |
It was the beginning of our special relationship with the New World, | 0:15:07 | 0:15:11 | |
and the rest, as they say, is history. | 0:15:11 | 0:15:14 | |
Britons looked longingly across the ocean | 0:15:25 | 0:15:28 | |
long before the Pilgrims made their voyages. | 0:15:28 | 0:15:32 | |
We've explored our own seas for millennia. | 0:15:33 | 0:15:36 | |
Before sail it was paddle power. | 0:15:38 | 0:15:41 | |
Now six teams are reliving the experience | 0:15:44 | 0:15:46 | |
of Britain's early explorers. | 0:15:46 | 0:15:49 | |
Whoa! He's literally right under the boat. | 0:15:49 | 0:15:52 | |
There he is. | 0:15:52 | 0:15:54 | |
They're trying to row right around our isles. | 0:15:56 | 0:16:00 | |
That's the White Cliffs of Dover. | 0:16:01 | 0:16:04 | |
That's not bad, is it? | 0:16:04 | 0:16:06 | |
They've chalked up the first major landmark, | 0:16:07 | 0:16:11 | |
but some 2,000 miles of struggle lie ahead. | 0:16:11 | 0:16:15 | |
I've got five blisters on my hand already, | 0:16:17 | 0:16:19 | |
and it's only day two. | 0:16:19 | 0:16:21 | |
They hurt quite a bit, so I've got to wear these giant gloves. | 0:16:21 | 0:16:25 | |
Our 21st-century explorers | 0:16:30 | 0:16:32 | |
soon discover determination isn't enough... | 0:16:32 | 0:16:36 | |
..if your luck runs out. | 0:16:37 | 0:16:39 | |
Electrical failure means this crew lose radio and navigation. | 0:16:42 | 0:16:46 | |
Their voyage is over. | 0:16:48 | 0:16:50 | |
Soon, more boats call for help and drop out. | 0:16:52 | 0:16:56 | |
Only two crews are left, | 0:16:59 | 0:17:03 | |
trying to row around Britain. | 0:17:03 | 0:17:05 | |
A voyage of exploration | 0:17:08 | 0:17:10 | |
facing the fierce waters off Portland Bill... | 0:17:10 | 0:17:14 | |
..the whirlpool of the Corryvreckan... | 0:17:16 | 0:17:18 | |
..and the tidal races of the Pentland Firth. | 0:17:21 | 0:17:23 | |
Wayward explorers must also be wary of sandbanks. | 0:17:26 | 0:17:29 | |
-This is the fourth time we've done this today. -Fourth time. | 0:17:32 | 0:17:35 | |
Fourth time we've...run aground. | 0:17:35 | 0:17:39 | |
And open seas usher in sea monsters unknown to ancient explorers. | 0:17:39 | 0:17:45 | |
That's quite a big beastie. Be a bit of a wash after that, Josh, | 0:17:45 | 0:17:49 | |
-do you think? -Maybe a splash. SHIP'S HORN BLARES | 0:17:49 | 0:17:52 | |
With so many hazards to navigate, | 0:17:54 | 0:17:57 | |
no wonder seafarers worry about exactly where they are. | 0:17:57 | 0:18:00 | |
That's why lighthouses were a welcome sight for explorers, | 0:18:06 | 0:18:11 | |
both a comfort and a warning. | 0:18:11 | 0:18:15 | |
Mariners' lonely companions for centuries, | 0:18:15 | 0:18:19 | |
bright beacons of hope, staking out our edge. | 0:18:19 | 0:18:24 | |
But what about before the lights, in the dark nights of ancient history? | 0:18:24 | 0:18:29 | |
Before charts, no-one knew the shape or position of our isles. | 0:18:31 | 0:18:36 | |
To see how, 2,500 years ago, | 0:18:37 | 0:18:40 | |
a Greek explorer first put us on the map, | 0:18:40 | 0:18:45 | |
I'm basing myself in Cornwall. | 0:18:45 | 0:18:47 | |
Around 320BC, a seafarer from the Mediterranean landed here, | 0:18:51 | 0:18:57 | |
a man who literally penned our isle into existence. | 0:18:57 | 0:19:00 | |
This remarkable seafarer was | 0:19:12 | 0:19:14 | |
embarking on a circumnavigation of our isles that would become | 0:19:14 | 0:19:18 | |
so legendary his story would be retold for generations. | 0:19:18 | 0:19:23 | |
His name was Pytheas the Greek, | 0:19:23 | 0:19:26 | |
and he's one of my greatest heroes. | 0:19:26 | 0:19:29 | |
He was an explorer eager to discover the fabled "Tin Islands" - | 0:19:32 | 0:19:37 | |
the mysterious lands where the ancient Greeks sourced | 0:19:37 | 0:19:40 | |
tin in the Bronze Age. | 0:19:40 | 0:19:42 | |
A voyage to uncharted territory | 0:19:43 | 0:19:46 | |
that Pytheas named "Prettanike". | 0:19:46 | 0:19:49 | |
The exact details of Pytheas the Greek's odyssey have been lost, | 0:19:49 | 0:19:54 | |
but he left a series of measurements that would eventually allow | 0:19:54 | 0:19:58 | |
our isles to be mapped, and as a map man that's what excites me the most. | 0:19:58 | 0:20:04 | |
Like navigators before him, | 0:20:05 | 0:20:07 | |
we know Pytheas looked to the skies for guidance. | 0:20:07 | 0:20:11 | |
But not just the distant stars, | 0:20:11 | 0:20:14 | |
he used the sun too. | 0:20:14 | 0:20:16 | |
Pytheas travelled with an instrument called a "gnomon". | 0:20:21 | 0:20:25 | |
A stick much like a sundial, the gnomon cast a shadow | 0:20:25 | 0:20:29 | |
when raised vertically in the midday sun. | 0:20:29 | 0:20:31 | |
Imagine I'm the gnomon. | 0:20:34 | 0:20:36 | |
The further south we travel, | 0:20:36 | 0:20:38 | |
the higher in the sky the sun is at noon | 0:20:38 | 0:20:41 | |
and the shorter the shadow. | 0:20:41 | 0:20:43 | |
The further north we travel, | 0:20:43 | 0:20:44 | |
the lower the sun is in the sky at noon and the shadow lengthens. | 0:20:44 | 0:20:49 | |
By looking at the length of the shadow cast by his stick, | 0:20:49 | 0:20:53 | |
his gnomon, Pytheas could get an indication of how far north | 0:20:53 | 0:20:57 | |
or south he had travelled. | 0:20:57 | 0:20:59 | |
But it was only an indication. | 0:20:59 | 0:21:02 | |
To convert shadow lengths into a precise position on the globe | 0:21:03 | 0:21:08 | |
would take some clever calculations. | 0:21:08 | 0:21:11 | |
Mathematicians cracked the code that would help them | 0:21:11 | 0:21:14 | |
to convert the measurements of the sun's shadow, | 0:21:14 | 0:21:17 | |
taken by Pytheas the Greek, | 0:21:17 | 0:21:19 | |
into that critical navigational tool - lines of latitude. | 0:21:19 | 0:21:24 | |
Lines of latitude run round the earth parallel to the equator, | 0:21:27 | 0:21:33 | |
a measure of how far north | 0:21:33 | 0:21:36 | |
or south you are. | 0:21:36 | 0:21:38 | |
Latitude is crucial to making maps. | 0:21:40 | 0:21:44 | |
Using Greek trigonometry of angles, | 0:21:46 | 0:21:49 | |
and the shadow lengths from Pytheas | 0:21:49 | 0:21:51 | |
for latitude, | 0:21:51 | 0:21:53 | |
early map-makers went to work. | 0:21:53 | 0:21:56 | |
Without even visiting Britain, scholars could use | 0:21:58 | 0:22:01 | |
Pytheas's raw data to plot the location of our isles. | 0:22:01 | 0:22:07 | |
It had taken one epic voyage and some pretty epic brain work, | 0:22:07 | 0:22:11 | |
but finally Britain could be marked on a map. | 0:22:11 | 0:22:15 | |
And what a map. | 0:22:15 | 0:22:19 | |
Classical scholars pieced together a remarkable picture of our isles, | 0:22:19 | 0:22:23 | |
that endured for centuries, using stick measurements and maths. | 0:22:23 | 0:22:29 | |
Cornwall was big in their minds, | 0:22:29 | 0:22:32 | |
revealing its importance to explorers, | 0:22:32 | 0:22:34 | |
but Scotland needs some work! | 0:22:34 | 0:22:37 | |
After thousands of years of effort, | 0:22:41 | 0:22:44 | |
we've mapped every inch of the globe. | 0:22:44 | 0:22:46 | |
But most of the planet still remains a mystery. | 0:22:46 | 0:22:49 | |
The oceans are explorers' biggest challenge. | 0:22:51 | 0:22:55 | |
And Britain leads the way, | 0:22:57 | 0:22:59 | |
as scientists try to discover how many fish are left in our seas. | 0:22:59 | 0:23:05 | |
To explore this conundrum, | 0:23:08 | 0:23:10 | |
experts embark from Ullapool. | 0:23:10 | 0:23:13 | |
Andy Torbet is joining an underwater mission | 0:23:14 | 0:23:18 | |
that's been under way for over half a century. | 0:23:18 | 0:23:22 | |
Like generations of scientific explorers before me, | 0:23:24 | 0:23:27 | |
I'm setting sail in search of fish. | 0:23:27 | 0:23:30 | |
I've signed on with the Scotia, | 0:23:33 | 0:23:35 | |
a research vessel that studies fish stocks in Scottish waters. | 0:23:35 | 0:23:39 | |
Time to cast our nets into a stretch of water | 0:23:45 | 0:23:49 | |
that's been explored with scientific precision. | 0:23:49 | 0:23:52 | |
Every year the same procedure, but every year a different catch. | 0:23:54 | 0:23:59 | |
Since the 1950s, they've been comparing catches year on year. | 0:24:00 | 0:24:04 | |
Concerns about fish stocks are nothing new. | 0:24:04 | 0:24:07 | |
The numbers of our nation's old favourite, | 0:24:09 | 0:24:12 | |
cod, have been falling for decades. | 0:24:12 | 0:24:15 | |
I've got here the logbook from the 1960s with the records of hauls. | 0:24:17 | 0:24:22 | |
And finally a crew's report with comments like - | 0:24:24 | 0:24:27 | |
"Whiting was fairly numerous at all stations, cod was rather scarce". | 0:24:27 | 0:24:32 | |
Scottish scientists are old hands at counting fish. | 0:24:32 | 0:24:36 | |
1956 saw the first purpose-built vessel. | 0:24:36 | 0:24:40 | |
And here she is. | 0:24:40 | 0:24:42 | |
The SS Explorer. | 0:24:42 | 0:24:43 | |
The Explorer's pioneering voyages provide clues to how today's | 0:24:49 | 0:24:53 | |
scientists try to forecast fish stocks. | 0:24:53 | 0:24:57 | |
For the first time, | 0:24:57 | 0:24:58 | |
age-old techniques were married with hi tech. | 0:24:58 | 0:25:02 | |
Now, the Explorer is washed up in Edinburgh | 0:25:06 | 0:25:10 | |
somewhat the worse for wear. | 0:25:10 | 0:25:11 | |
Helping to restore her is scientist and old shipmate John Dunn. | 0:25:12 | 0:25:18 | |
The Explorer was very, very strongly built, | 0:25:19 | 0:25:22 | |
and I would quite happily, in the day, | 0:25:22 | 0:25:25 | |
have gone anywhere in her, and indeed did do. | 0:25:25 | 0:25:28 | |
All of our fittings and fixtures were good quality. | 0:25:31 | 0:25:34 | |
The phones were very heavy Bakelite. | 0:25:34 | 0:25:37 | |
The Explorer was right up there with the best. | 0:25:37 | 0:25:41 | |
This equipment from another age did point the way to the future. | 0:25:43 | 0:25:47 | |
She was one of the very first fisheries' research vessels | 0:25:48 | 0:25:51 | |
anywhere to sail with a computer. | 0:25:51 | 0:25:53 | |
It had quite large pieces of valve-operated machinery | 0:25:54 | 0:25:59 | |
and ticker tape, and it had a teleprinter chattering away, | 0:25:59 | 0:26:02 | |
but it did manage to deal with huge amounts of data, | 0:26:02 | 0:26:07 | |
which otherwise had to be done by hand, and number-crunched by hand. | 0:26:07 | 0:26:11 | |
It was the start of something which revolutionised everything. | 0:26:13 | 0:26:19 | |
Computers are now at the heart of our fish forecast, | 0:26:20 | 0:26:23 | |
processing data dragged up from the deep. | 0:26:23 | 0:26:26 | |
Detailed measurements are recorded and fed into computer simulations | 0:26:28 | 0:26:32 | |
which help predict likely fish stocks. | 0:26:32 | 0:26:35 | |
For biologist Coby Needle, a crucial factor in their analysis | 0:26:36 | 0:26:40 | |
is the age of the fish we've caught. | 0:26:40 | 0:26:42 | |
To determine the age we take out the otolith, | 0:26:44 | 0:26:48 | |
or one of the otoliths from the fish, which are | 0:26:48 | 0:26:50 | |
ear bones. So you go in through the gills | 0:26:50 | 0:26:52 | |
and pull out the otoliths that way. | 0:26:52 | 0:26:54 | |
We then cut the otoliths in two, slice it down the middle | 0:26:54 | 0:26:58 | |
and look at them under a microscope. | 0:26:58 | 0:27:00 | |
And otoliths are very much like tree rings - every year the animal | 0:27:00 | 0:27:04 | |
lays down another bony ring onto the otolith, so you can essentially | 0:27:04 | 0:27:08 | |
count up the rings and work out from that how old that fish was. | 0:27:08 | 0:27:12 | |
This meticulous research | 0:27:13 | 0:27:15 | |
will help set the all-important fishing quotas. | 0:27:15 | 0:27:18 | |
The catches landed by trawlermen | 0:27:22 | 0:27:24 | |
are also fed into the computer models. | 0:27:24 | 0:27:27 | |
But these guys have their favourite fishing grounds, | 0:27:27 | 0:27:29 | |
and they stick to the areas with the largest stocks. | 0:27:29 | 0:27:33 | |
In contrast, the Scotia trawls all around Scottish waters, | 0:27:35 | 0:27:39 | |
helping build up a better picture of fish populations. | 0:27:39 | 0:27:43 | |
As a survey vessel, we need to fish in areas both where | 0:27:43 | 0:27:47 | |
there are a lot of fish and also areas where there may have been fish | 0:27:47 | 0:27:50 | |
in the past - in the '50s and '60s - | 0:27:50 | 0:27:51 | |
but there are no longer fish any more. | 0:27:51 | 0:27:53 | |
If we were running a commercial fishing vessel, | 0:27:53 | 0:27:56 | |
we wouldn't do this operation here, we would go where the fish are, | 0:27:56 | 0:27:59 | |
but then you might get an overly optimistic impression | 0:27:59 | 0:28:01 | |
of how many fish there are in the sea. | 0:28:01 | 0:28:03 | |
The latest findings do indicate | 0:28:07 | 0:28:09 | |
some recovery in North Sea cod stocks | 0:28:09 | 0:28:11 | |
as co-operation between scientists and trawlermen deepens. | 0:28:11 | 0:28:15 | |
We may never be sure about the future of our fish but, | 0:28:18 | 0:28:21 | |
thanks to this exploration of the deep, | 0:28:21 | 0:28:24 | |
we're not completely in the dark. | 0:28:24 | 0:28:27 | |
We're charting a course around our explorers' coast. | 0:28:49 | 0:28:53 | |
On epic voyages, adventure becomes a way of life. | 0:28:59 | 0:29:03 | |
Muscling their way around our shores, | 0:29:06 | 0:29:09 | |
Jason McKinlay | 0:29:09 | 0:29:11 | |
and Josh Tarr fall into a shipboard routine that explorers | 0:29:11 | 0:29:16 | |
over the centuries would recognise. | 0:29:16 | 0:29:18 | |
How are you feeling, Jase? | 0:29:24 | 0:29:27 | |
Can't see you, mate. | 0:29:27 | 0:29:29 | |
They've got to work with the sea to make it their home. | 0:29:30 | 0:29:34 | |
Which means housekeeping. | 0:29:37 | 0:29:39 | |
Washing clothes... | 0:29:42 | 0:29:43 | |
..and themselves. | 0:29:47 | 0:29:48 | |
After weeks away from loved ones, | 0:29:53 | 0:29:56 | |
Jason's suffering in Scottish weather. | 0:29:56 | 0:29:59 | |
Roughly halfway round Britain, | 0:30:03 | 0:30:05 | |
they've struggled to reach Skye. | 0:30:05 | 0:30:07 | |
But it's pausing for reflection that gives explorers the greatest pain. | 0:30:11 | 0:30:16 | |
Like adventurers of old, it's not what they endure, | 0:30:17 | 0:30:21 | |
it's what they leave behind. | 0:30:21 | 0:30:23 | |
I miss my kids and my wife terribly. | 0:30:23 | 0:30:26 | |
Sarah really understands what I'm like deep down, and this | 0:30:26 | 0:30:29 | |
is going to be good for us, not just good for me in the long run. | 0:30:29 | 0:30:32 | |
She builds up a lot of Brownie points doing this, by the way. | 0:30:32 | 0:30:34 | |
I've just had to sort of get used to it | 0:30:36 | 0:30:38 | |
and accept that's part of him. | 0:30:38 | 0:30:40 | |
I know that if he's not doing these challenges | 0:30:40 | 0:30:43 | |
he's a misery to live with. | 0:30:43 | 0:30:44 | |
So I knew what I was letting myself in for when I married him. | 0:30:44 | 0:30:47 | |
Josh and Jason have learned to rely on each other. | 0:31:02 | 0:31:06 | |
The bond they've forged has brought them to a key turning point. | 0:31:11 | 0:31:15 | |
KLAXON BLARES | 0:31:15 | 0:31:17 | |
The joy of reaching the coast off John o'Groats | 0:31:17 | 0:31:21 | |
means they're heading south. | 0:31:21 | 0:31:23 | |
Now, each stroke takes them closer to the finish at Tower Bridge. | 0:31:26 | 0:31:31 | |
If they do make it, they'll have done it together. | 0:31:33 | 0:31:36 | |
But some explorers fail because they fall out. | 0:31:39 | 0:31:43 | |
On the trail of travelling companions who famously went | 0:31:45 | 0:31:48 | |
separate ways, I'm in Falmouth. | 0:31:48 | 0:31:51 | |
200 years ago, an artist adventurer came to this coast, | 0:31:58 | 0:32:03 | |
a young man with a grand plan. | 0:32:03 | 0:32:05 | |
That entrepreneurial explorer became the country's most ambitious | 0:32:07 | 0:32:11 | |
landscape artist - William Daniell. | 0:32:11 | 0:32:14 | |
In 1813, William Daniell began a mighty project. | 0:32:16 | 0:32:21 | |
Before photography, Daniell planned to depict the majesty of our coast. | 0:32:23 | 0:32:28 | |
He created over 300 illustrations. | 0:32:30 | 0:32:34 | |
An explorer's guide. | 0:32:34 | 0:32:38 | |
From Ilfracombe... | 0:32:38 | 0:32:39 | |
..to Fingal's Cave... | 0:32:45 | 0:32:46 | |
..and beyond. | 0:32:48 | 0:32:49 | |
Artworks to be sold in a series entitled | 0:32:51 | 0:32:54 | |
"A Voyage Round Great Britain". | 0:32:54 | 0:32:56 | |
Today, originals hang here at Falmouth. | 0:32:59 | 0:33:02 | |
Daniell's work captures the coast of 200 years ago, | 0:33:05 | 0:33:08 | |
spectacular and ripe for exploration. | 0:33:08 | 0:33:12 | |
But part of the picture is missing. | 0:33:17 | 0:33:20 | |
Daniell didn't take on his epic voyage alone, | 0:33:20 | 0:33:23 | |
he had a companion, now almost forgotten, | 0:33:23 | 0:33:27 | |
a writer named Richard Ayton. | 0:33:27 | 0:33:29 | |
Ayton's words were meant to accompany Daniell's drawings. | 0:33:31 | 0:33:35 | |
They set off in the year 1813. | 0:33:37 | 0:33:40 | |
The first location - Land's End. | 0:33:42 | 0:33:44 | |
And here is Ayton's description. | 0:33:47 | 0:33:50 | |
"This western promontory presents a very grand and striking scene; | 0:33:50 | 0:33:55 | |
"the rocks hang about it in huge, disjointed masses | 0:33:55 | 0:33:59 | |
"and are tumbled together in magnificent confusion." | 0:33:59 | 0:34:04 | |
The scene is exhilarating both in words and in picture. | 0:34:04 | 0:34:08 | |
Daniell's illustration shows a lighthouse. | 0:34:10 | 0:34:13 | |
That original lighthouse has since been demolished. | 0:34:15 | 0:34:19 | |
William Daniell's partnership with his writer wouldn't last either. | 0:34:20 | 0:34:25 | |
To see why, I'm retracing their footsteps | 0:34:27 | 0:34:30 | |
with artist Charles Newington. | 0:34:30 | 0:34:33 | |
We're picking up their route at Portreath. | 0:34:35 | 0:34:38 | |
Daniell was inspired by what he saw in Portreath. | 0:34:45 | 0:34:48 | |
And, two centuries later, so is Charles. | 0:34:52 | 0:34:55 | |
I'm fascinated to see what you're selecting from the view, Charles. | 0:35:00 | 0:35:05 | |
Just what Daniell would've been doing. | 0:35:05 | 0:35:07 | |
Daniell was hunting for | 0:35:07 | 0:35:09 | |
the beautiful view all the time, and, um, | 0:35:09 | 0:35:12 | |
this one rather does it for me here. | 0:35:12 | 0:35:14 | |
OK, this wonderful hillside here with the great bite taken out of it | 0:35:14 | 0:35:19 | |
and this extraordinary sort of nose | 0:35:19 | 0:35:21 | |
in the middle. It's fantastic. | 0:35:21 | 0:35:23 | |
He was bringing the beauty, | 0:35:23 | 0:35:26 | |
the diversity of the coast | 0:35:26 | 0:35:27 | |
and celebrating it in a way that it had never been celebrated before. | 0:35:27 | 0:35:32 | |
Yes, you've got it, I think. | 0:35:32 | 0:35:33 | |
There was nothing like it before. | 0:35:33 | 0:35:36 | |
He produced the ultimate, | 0:35:36 | 0:35:38 | |
best travel guide to Britain you could imagine. | 0:35:38 | 0:35:42 | |
200 years ago, | 0:35:44 | 0:35:45 | |
full-colour reproductions of Daniell's pencil sketches | 0:35:45 | 0:35:48 | |
took painstaking effort, back in his studio, | 0:35:48 | 0:35:52 | |
using the aquatint process. | 0:35:52 | 0:35:55 | |
Copper plates were coated in fine powder to give a textured finish. | 0:35:56 | 0:36:01 | |
Beeswax was applied and burned to blacken. | 0:36:02 | 0:36:05 | |
The original pencil drawing was placed on top. | 0:36:07 | 0:36:10 | |
Pressing transferred an imprint of pencil graphite. | 0:36:12 | 0:36:15 | |
Those lines were then hand-etched into the copper. | 0:36:17 | 0:36:21 | |
After an acid bath, | 0:36:24 | 0:36:25 | |
the ink was applied for printing onto high-quality paper. | 0:36:25 | 0:36:29 | |
Repeated steps built up the full hand-coloured image. | 0:36:35 | 0:36:39 | |
That laborious process was expensive. | 0:36:42 | 0:36:45 | |
The artist desperately needed wealthy buyers. | 0:36:45 | 0:36:50 | |
But his writer, Richard Ayton, | 0:36:51 | 0:36:53 | |
was interested in the poor, not the rich. | 0:36:53 | 0:36:55 | |
Ayton's passion for gritty reality | 0:36:59 | 0:37:01 | |
was spelt out in their trip to the tin mines at St Agnes. | 0:37:01 | 0:37:05 | |
Ayton gives us an account of their arrival. | 0:37:08 | 0:37:11 | |
He wrote, "There was no water in the harbour, | 0:37:13 | 0:37:16 | |
"so that we were obliged to land on the rocks. | 0:37:16 | 0:37:19 | |
"The cliffs above us were strangely shattered, | 0:37:21 | 0:37:24 | |
"and hollowed into innumerable cavities | 0:37:24 | 0:37:27 | |
"by the best of all hole-makers, | 0:37:27 | 0:37:29 | |
"the Cornish miners". | 0:37:29 | 0:37:33 | |
Look at that. | 0:37:33 | 0:37:34 | |
And here are those holes. | 0:37:34 | 0:37:36 | |
This working landscape was ignored by the artist, | 0:37:38 | 0:37:41 | |
but not by the writer. | 0:37:41 | 0:37:43 | |
With no illustration to see the industry | 0:37:45 | 0:37:48 | |
that captivated Ayton in 1813, | 0:37:48 | 0:37:50 | |
we have to rely on photos from much later. | 0:37:50 | 0:37:54 | |
I'm with local historian Roger Radcliffe. | 0:37:56 | 0:37:59 | |
It is really quite a miserable kind of place, | 0:38:02 | 0:38:05 | |
you've got smoke, tin stamps here working. | 0:38:05 | 0:38:08 | |
So the noise was something that you have to appreciate. | 0:38:08 | 0:38:11 | |
The stream would be running nearly black | 0:38:11 | 0:38:14 | |
at times, with this, tainting the bay. | 0:38:14 | 0:38:17 | |
Back then, it really was quite a grim place to work, | 0:38:17 | 0:38:20 | |
and I don't think it's any mistake that we don't have | 0:38:20 | 0:38:24 | |
a nice illustration of St Agnes. | 0:38:24 | 0:38:26 | |
I think it was pretty ugly at that time, | 0:38:26 | 0:38:28 | |
and that's what we've got to think of. | 0:38:28 | 0:38:30 | |
Ayton's words painted the grim picture | 0:38:34 | 0:38:37 | |
that the artist Daniell ignored. | 0:38:37 | 0:38:39 | |
Daniell planned hundreds of luxury prints. | 0:38:41 | 0:38:44 | |
Each new stretch of the journey around Britain had to be | 0:38:46 | 0:38:49 | |
paid for by sales of the PREVIOUS volumes. | 0:38:49 | 0:38:53 | |
But Ayton's writing on the workers' plight risked alienating | 0:38:55 | 0:38:59 | |
the rich buyers Daniell relied on. | 0:38:59 | 0:39:02 | |
As the voyage continued, | 0:39:04 | 0:39:06 | |
their accounts grew further and further apart. | 0:39:06 | 0:39:09 | |
Before they were halfway round our coast, sketcher and scribe split up. | 0:39:12 | 0:39:17 | |
We don't know if Ayton jumped or was pushed, | 0:39:19 | 0:39:23 | |
but the artist wrote him out of the picture. | 0:39:23 | 0:39:25 | |
Daniell, taking over the writing duties himself, says, | 0:39:27 | 0:39:30 | |
"Mr Ayton's account of the voyage is to be | 0:39:30 | 0:39:33 | |
"considered as terminating at the close of the preceding volume." | 0:39:33 | 0:39:37 | |
After departing from Land's End, it took ten years for Daniell | 0:39:42 | 0:39:46 | |
to complete his masterwork - A Voyage Round Great Britain. | 0:39:46 | 0:39:50 | |
Now two centuries old, the volumes inspired generations of explorers. | 0:39:54 | 0:39:59 | |
Industry given an artistic gloss. | 0:40:02 | 0:40:05 | |
And landscapes rendered with romantic splendour. | 0:40:07 | 0:40:11 | |
His epic voyage saw William Daniell elevated to the Royal Academy. | 0:40:13 | 0:40:18 | |
But writer Richard Ayton left his best work behind him on the coast. | 0:40:19 | 0:40:25 | |
In 1823, the year Daniell completed the journey | 0:40:26 | 0:40:30 | |
they had started together, Ayton died. | 0:40:30 | 0:40:34 | |
A forgotten explorer for the truth. | 0:40:36 | 0:40:39 | |
It's easy to think that days of exploration are over, but not so. | 0:40:45 | 0:40:50 | |
Epic journeys are still taking place | 0:40:50 | 0:40:53 | |
and new heroes are in the making. | 0:40:53 | 0:40:55 | |
Our earliest explorers would pay tribute to these crews, | 0:40:57 | 0:41:01 | |
who've tried to match their exploits | 0:41:01 | 0:41:05 | |
propelled by muscle power. | 0:41:05 | 0:41:09 | |
Like those seafarers of old, | 0:41:09 | 0:41:11 | |
they'll return with tall tales of the sea. | 0:41:11 | 0:41:15 | |
We went up north into Scotland, | 0:41:15 | 0:41:17 | |
behind us was a Force 8 gale, | 0:41:17 | 0:41:18 | |
and that took us nicely all the way down to the Corryvreckan Gulf - | 0:41:18 | 0:41:22 | |
the home of the notorious whirlpool. | 0:41:22 | 0:41:24 | |
Lucky for us we didn't actually get too close to it, | 0:41:24 | 0:41:27 | |
so that helped us slingshot across to... | 0:41:27 | 0:41:29 | |
-We rowed over two of them. -Little ones but not the big one. -No. | 0:41:29 | 0:41:33 | |
Oh! | 0:41:35 | 0:41:36 | |
Oh, Jase, look. | 0:41:36 | 0:41:38 | |
Now one boat's almost come full circle around Britain. | 0:41:40 | 0:41:45 | |
After 2,000 miles of struggle they finish first, | 0:41:45 | 0:41:50 | |
in a record time for a four-man crew. | 0:41:50 | 0:41:53 | |
CHEERING AND HORNS BLARING | 0:41:53 | 0:41:57 | |
26 days, 9 hours, 9 minutes and 4 seconds. | 0:41:57 | 0:42:02 | |
An achievement explorers from any age would be proud of. | 0:42:03 | 0:42:08 | |
Come on, let's hear it, boys! Yeah! | 0:42:08 | 0:42:11 | |
Well done, lads. | 0:42:11 | 0:42:13 | |
The adventure's not quite over though. | 0:42:14 | 0:42:17 | |
15 days later, I'm on the Thames. | 0:42:18 | 0:42:22 | |
Not many wait around for those in second place, but we do. | 0:42:23 | 0:42:27 | |
For me the greatest explorations | 0:42:28 | 0:42:30 | |
are not necessarily about coming first, | 0:42:30 | 0:42:33 | |
they're about not giving up, pressing on, taking your time | 0:42:33 | 0:42:37 | |
and coming home with the story of a lifetime. | 0:42:37 | 0:42:40 | |
Josh Tarr and Jason McKinlay have explored the edge of our isles, | 0:42:42 | 0:42:46 | |
the only other crew to finish. | 0:42:46 | 0:42:48 | |
It took 41 days, | 0:42:53 | 0:42:56 | |
the quickest time ever for a pair. | 0:42:56 | 0:42:58 | |
With muscle and sinew they've written their names | 0:42:58 | 0:43:02 | |
into the record books. | 0:43:02 | 0:43:03 | |
WHOOPING, WHISTLING AND APPLAUSE | 0:43:03 | 0:43:06 | |
Explorers come and go, but their legacy lives on, | 0:43:06 | 0:43:10 | |
their indomitable spirit has shaped our island's history. | 0:43:10 | 0:43:15 | |
This is The Explorers' Coast and it's been one heck of a journey. | 0:43:15 | 0:43:21 | |
CHEERING | 0:43:21 | 0:43:22 | |
BOAT HORN BLARES | 0:43:22 | 0:43:26 | |
Fantastic! | 0:43:31 | 0:43:32 |