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Welcome to the Cornish coast. | 0:00:02 | 0:00:03 | |
Our journey starts in Saltash, where, since Saxon times, | 0:00:36 | 0:00:40 | |
the geographical border split Devon and Cornwall across the banks of the River Tamar. | 0:00:40 | 0:00:45 | |
As the railroads were opening up the wild west of America, | 0:00:46 | 0:00:50 | |
the same thing was happening here in the wild west of England. | 0:00:50 | 0:00:53 | |
In 1859, the year Billy the Kid was born, | 0:00:53 | 0:00:57 | |
Brunel, the great railway pioneer, was opening up the gateway to Cornwall | 0:00:57 | 0:01:02 | |
with this magnificent bridge across the Tamar. | 0:01:02 | 0:01:05 | |
It was a huge engineering feat, taking 13 years to complete. | 0:01:06 | 0:01:10 | |
No-one had seen a bridge like it. | 0:01:10 | 0:01:12 | |
It was a glimpse of the future. | 0:01:12 | 0:01:14 | |
For the first time, Cornwall was connected to the main line network. | 0:01:14 | 0:01:18 | |
Over the following decades, it brought trade and tourism. | 0:01:18 | 0:01:22 | |
Outsiders flocked to the newly-fashionable Cornish riviera. | 0:01:33 | 0:01:37 | |
Look at this... "Looe, for ideal homes and holidays." | 0:01:37 | 0:01:42 | |
Can't miss that! | 0:01:42 | 0:01:44 | |
On the way to Looe, it's classic Cornwall all the way. | 0:01:47 | 0:01:50 | |
Looe is built around its harbour and river estuary and divided into two halves. | 0:02:00 | 0:02:05 | |
It's always been the quintessential picture postcard on the grand tour of Cornwall. | 0:02:05 | 0:02:11 | |
It says here, in this 1960s brochure, | 0:02:11 | 0:02:14 | |
"The new visitor, within 24 hours of arrival, | 0:02:14 | 0:02:17 | |
"seems to be subconsciously absorbed into the atmosphere of holiday peacefulness | 0:02:17 | 0:02:21 | |
"and England seems a thousand miles away." | 0:02:21 | 0:02:24 | |
Romantic idyll it may be, but there's more to Looe than tourist-brochure banter. | 0:02:26 | 0:02:31 | |
It's Cornwall's second-largest fishing port, | 0:02:31 | 0:02:33 | |
and according to top chef Rick Stein lands some of the freshest fish in the UK. | 0:02:33 | 0:02:39 | |
Dovers and monk mix! | 0:02:43 | 0:02:44 | |
This is Looe Fish Auction. | 0:02:46 | 0:02:47 | |
We're on the skates. First lot, here we go! | 0:02:47 | 0:02:51 | |
It's a highly-charged atmosphere using the latest auctioneering technology, | 0:02:51 | 0:02:55 | |
with buyers from all over Britain vying for today's catch. | 0:02:55 | 0:02:59 | |
Quality doesn't come cheap. | 0:02:59 | 0:03:01 | |
Today, the most expensive one I've bought is extra-large turbot, £170 for one fish. | 0:03:01 | 0:03:07 | |
-Wow! Is that a typical price in here? -It can go higher than that for turbot. | 0:03:07 | 0:03:11 | |
But why do you come to THIS market? Is it a good one? | 0:03:11 | 0:03:13 | |
Purely for quality, really. We buy in several other ports - | 0:03:13 | 0:03:17 | |
Newlyn, Brixham and Plymouth - but this one is the best for quality. | 0:03:17 | 0:03:21 | |
They go out in the morning, they land in the evening, we're buying it, | 0:03:21 | 0:03:25 | |
and it's on the counter within 12 hours. | 0:03:25 | 0:03:27 | |
This market's one of the most competitive in the UK, | 0:03:28 | 0:03:31 | |
and its success is down to the fact that boats only go out for a day - | 0:03:31 | 0:03:35 | |
day-boat fishing. | 0:03:35 | 0:03:37 | |
At other ports, the bigger boats can be out up to a week. | 0:03:39 | 0:03:42 | |
The freshness just can't complete with the quick turnaround of Looe. | 0:03:45 | 0:03:49 | |
It may be an accident of nature, but it's created a unique opportunity. | 0:03:50 | 0:03:54 | |
The port is so small and the harbour so shallow | 0:03:54 | 0:03:57 | |
it can only take day-boats, | 0:03:57 | 0:03:58 | |
so it's the limitations of the harbour that have created Looe's greatest asset - super-fresh fish. | 0:03:58 | 0:04:05 | |
So, how would I spot that this is truly fresh fish? | 0:04:07 | 0:04:11 | |
Well, look at the haddock, I mean, how stiff is that? Look! | 0:04:11 | 0:04:15 | |
-Slimy... -Right, so slime's a good sign? -Slime's a good sign. -Uh-huh. | 0:04:15 | 0:04:20 | |
So if it's really floppy, does that mean it's...? | 0:04:20 | 0:04:23 | |
Yeah, unless it's pre-rigor mortis, | 0:04:23 | 0:04:25 | |
which probably takes to become rigor mortis, maybe five to six hours... | 0:04:25 | 0:04:29 | |
-After it's caught. -..and then from stiff to really floppy's not good. | 0:04:29 | 0:04:33 | |
The herring, people buy them when the eyes are all red. | 0:04:33 | 0:04:36 | |
Well, it takes a day or so to become red. | 0:04:36 | 0:04:39 | |
I mean, look at the mackerel! | 0:04:39 | 0:04:41 | |
Line-caught. You can always tell, | 0:04:41 | 0:04:44 | |
by the damage around the mouth. | 0:04:44 | 0:04:45 | |
Right, OK. Why is line-caught better than something out of a net? | 0:04:45 | 0:04:49 | |
Fish is less stressed, and fish doesn't drown, so it makes the meat far superior. | 0:04:49 | 0:04:54 | |
The gills are lovely and red and clear. | 0:04:54 | 0:04:57 | |
-Right, so there's still oxygenated blood near them? -Yeah. | 0:04:57 | 0:05:00 | |
-You sound as if you love these things. -Oh, it's a passion! | 0:05:00 | 0:05:03 | |
After the fish has been auctioned to the highest bidder, | 0:05:03 | 0:05:06 | |
the next stage is distribution. | 0:05:06 | 0:05:08 | |
Steve Farrar is a fish merchant and middle man, but trying to get a moment with him isn't easy. | 0:05:08 | 0:05:15 | |
-No, we haven't, Richard. -No, we've got no brill. | 0:05:15 | 0:05:18 | |
-There's some nice turbot... -I've a large turbot and monk. D'you want any monk? | 0:05:18 | 0:05:23 | |
90% of the fish in Looe ends up going abroad. | 0:05:23 | 0:05:27 | |
I want to know why. | 0:05:27 | 0:05:29 | |
Why is so much of it being exported? | 0:05:31 | 0:05:33 | |
The fishing industry's simple - it's a question of supply and demand. | 0:05:33 | 0:05:37 | |
You've got to send it where the best price is, | 0:05:37 | 0:05:39 | |
or you're out of the game. | 0:05:39 | 0:05:41 | |
So the Continent is prepared to spend more | 0:05:41 | 0:05:44 | |
for the fish that we don't generally see? | 0:05:44 | 0:05:46 | |
Yeah, for fish you don't generally see in the shops, quite often it's because it's gone abroad. | 0:05:46 | 0:05:51 | |
Cuttlefish, squid, turbot - this is quality fish, and we're letting it get away. | 0:05:52 | 0:05:58 | |
Next time you go away to foreign parts, remember - | 0:06:02 | 0:06:05 | |
you and that fish are probably both on holiday. | 0:06:05 | 0:06:09 | |
Let's face it, unless you live here it takes a long time to get to Cornwall, | 0:06:17 | 0:06:21 | |
which is why there's often the view that it's isolated and remote. | 0:06:21 | 0:06:25 | |
But that depends on your point of view. | 0:06:26 | 0:06:28 | |
We're on our way to Falmouth, | 0:06:28 | 0:06:30 | |
whose association with the sea | 0:06:30 | 0:06:32 | |
made it more cosmopolitan than London in the 18th century. | 0:06:32 | 0:06:35 | |
Falmouth has been a major commercial and military port since the 1700s. | 0:06:43 | 0:06:48 | |
But it wasn't just a trade hub. | 0:06:48 | 0:06:51 | |
With 25 foreign consulates | 0:06:51 | 0:06:53 | |
and nationalities from around the globe arriving daily, | 0:06:53 | 0:06:56 | |
it was an international communication centre. | 0:06:56 | 0:06:59 | |
This is where the unbearable news of Nelson's death reached England. | 0:07:04 | 0:07:08 | |
They heard it here first. | 0:07:08 | 0:07:10 | |
200 years ago, Falmouth was THE place to be. | 0:07:10 | 0:07:14 | |
But why Falmouth? | 0:07:14 | 0:07:16 | |
By 1690, years of war with France had made getting news and supplies in and out of Britain difficult. | 0:07:16 | 0:07:23 | |
Falmouth, unlike Dover and Harwich, | 0:07:23 | 0:07:26 | |
was far enough from the French coast | 0:07:26 | 0:07:28 | |
to make it safe from their interference. | 0:07:28 | 0:07:30 | |
But ships were still vulnerable out at sea. | 0:07:30 | 0:07:32 | |
The solution was the packet ship. | 0:07:37 | 0:07:40 | |
Lightly-armed brigs designed by the Royal Mail, | 0:07:40 | 0:07:42 | |
they were small but they were fast. | 0:07:42 | 0:07:44 | |
Crucially, they could outrun the notorious French privateers. | 0:07:44 | 0:07:48 | |
For 150 years, government mail, bullion, | 0:07:48 | 0:07:51 | |
and VIPs from every corner of the globe | 0:07:51 | 0:07:54 | |
were picked up from and dropped off in Falmouth. | 0:07:54 | 0:07:57 | |
The shape of the port may not have changed much, | 0:07:57 | 0:08:00 | |
but at the time it was a melting-pot of shipping agents, adventurers, | 0:08:00 | 0:08:04 | |
merchants and refugees. It was THE main link to the Empire. | 0:08:04 | 0:08:09 | |
It wasn't unheard-of for news to hit the local paper here | 0:08:09 | 0:08:12 | |
before it was rushed up the road, what's now the A30, to London. | 0:08:12 | 0:08:16 | |
The headline might not be absolutely genuine, | 0:08:16 | 0:08:19 | |
but the paper really is The Falmouth Packet. | 0:08:19 | 0:08:21 | |
It was the sea that brought prosperity to Falmouth. | 0:08:25 | 0:08:28 | |
Fish for the table, exotic imports from abroad, | 0:08:28 | 0:08:32 | |
but this came at a price. | 0:08:32 | 0:08:34 | |
The coastline is littered with thousands of wrecks. | 0:08:37 | 0:08:40 | |
The Manacles, just off The Lizard, with its submerged rocks, | 0:08:42 | 0:08:47 | |
has caught out even the saltiest sea dogs. | 0:08:47 | 0:08:51 | |
You might not spot it at first glance, | 0:08:52 | 0:08:55 | |
but on the horizon there's a marker, | 0:08:55 | 0:08:57 | |
a spire that has come to the rescue of many a sailor. | 0:08:57 | 0:09:01 | |
Miranda Krestovnikoff takes a closer look. | 0:09:01 | 0:09:04 | |
BIRDS CAW | 0:09:05 | 0:09:07 | |
There's been a church here for hundreds of years, | 0:09:11 | 0:09:13 | |
an important landmark for sailors trying to navigate a course | 0:09:13 | 0:09:17 | |
through those notorious rocks down there. | 0:09:17 | 0:09:20 | |
In fact, the church has given its name to the infamous rocks below. | 0:09:20 | 0:09:24 | |
The Manacles Reef gets its name from the Cornish, Maen Eglos, | 0:09:24 | 0:09:28 | |
meaning "church stones". | 0:09:28 | 0:09:31 | |
-BELL TOLLS -Unfortunately, even this divine landmark | 0:09:33 | 0:09:37 | |
couldn't keep every passing boat safe. | 0:09:37 | 0:09:39 | |
This graveyard alone houses over 300 victims of shipwrecks. | 0:09:42 | 0:09:46 | |
Many of the lost souls buried here | 0:09:48 | 0:09:51 | |
come from just a single tragedy, | 0:09:51 | 0:09:53 | |
the sinking of a large passenger and cargo ship that was on her way to America in 1898. | 0:09:53 | 0:09:59 | |
It was called The Mohegan. | 0:09:59 | 0:10:01 | |
This memorial stone marks the spot | 0:10:03 | 0:10:05 | |
where many victims of the Mohegan wreck were put to rest in one mass grave. | 0:10:05 | 0:10:10 | |
A wreck is a human tragedy and Nature shows no mercy, | 0:10:12 | 0:10:16 | |
but what she takes with one hand she gives with another. | 0:10:16 | 0:10:20 | |
The lost ship is slowly transformed into a new piece of the Cornish coast. | 0:10:22 | 0:10:27 | |
Paul Naylor, marine biologist and underwater photographer, | 0:10:29 | 0:10:32 | |
has been exploring the remains of boats like The Mohegan for over 15 years. | 0:10:32 | 0:10:36 | |
Now, the site that we're diving is a really popular site in the UK. | 0:10:36 | 0:10:40 | |
What makes the wreck of The Mohegan so special? | 0:10:40 | 0:10:42 | |
The Manacles are special anyway, cos the currents bring in all the food | 0:10:42 | 0:10:47 | |
for a wealth of animals, | 0:10:47 | 0:10:49 | |
and The Mohegan wreck gives even more habitat for the animals to live in and live on and attach to, | 0:10:49 | 0:10:55 | |
so it's just fantastic life. | 0:10:55 | 0:10:57 | |
The vast amounts of plankton here form the basis of the food chain, | 0:10:57 | 0:11:01 | |
sustaining many species and giving the water its distinctive green colour. | 0:11:01 | 0:11:06 | |
Over the last 100 years, the combination of passing time and strong currents | 0:11:08 | 0:11:13 | |
has stripped the boat bare. | 0:11:13 | 0:11:15 | |
All that remains are the large rusting metal plates which formed the basic structure. | 0:11:15 | 0:11:20 | |
There's so much wreckage lying around! | 0:11:20 | 0:11:23 | |
It's a big wreck. Look at those huge boilers. | 0:11:23 | 0:11:27 | |
The ship is now covered with dead men's fingers, | 0:11:27 | 0:11:30 | |
a rather morbid name for an eerie reminder of the boat's fate. | 0:11:30 | 0:11:34 | |
Hundreds of little individual polyps make up the colony of the dead men's fingers, | 0:11:34 | 0:11:40 | |
and they have this sort of gelatinous skeleton instead of the hard, stony skeleton of reef corals. | 0:11:40 | 0:11:46 | |
They're really pretty with all their tentacles out. They look really feathery. | 0:11:46 | 0:11:50 | |
Soft corals like these | 0:11:52 | 0:11:53 | |
are amongst the first long-term settlers on a wreck. | 0:11:53 | 0:11:57 | |
All these little nooks and crannies, | 0:11:57 | 0:11:59 | |
every one has got something living in it. | 0:11:59 | 0:12:02 | |
It's like the posh coffee-shop effect. Once the sponges, soft corals and anenomes move in, | 0:12:02 | 0:12:08 | |
you know the neighbourhood is being gentrified. | 0:12:08 | 0:12:12 | |
The initial pioneers, like keelworms, who pave the way for these more colourful inhabitants, | 0:12:12 | 0:12:18 | |
are soon lost in the forest of fast-growing algae, | 0:12:18 | 0:12:21 | |
and all that's needed for the underwater city to start growing | 0:12:21 | 0:12:24 | |
is a little rust or a scratched surface for the different colonisers to attach themselves to. | 0:12:24 | 0:12:30 | |
Oh, look! Sea fans! | 0:12:30 | 0:12:33 | |
They're beautiful. | 0:12:33 | 0:12:36 | |
The pink sea fan is a protected species. | 0:12:37 | 0:12:40 | |
It grows at right angles to the current, | 0:12:40 | 0:12:43 | |
so that each individual polyp that makes up the colony | 0:12:43 | 0:12:46 | |
has the maximum potential to catch food. | 0:12:46 | 0:12:49 | |
These huge sea fans on The Mohegan show the wreck's age. | 0:12:49 | 0:12:53 | |
These corals can only grow a centimetre a year, | 0:12:53 | 0:12:56 | |
so some of these colonies are over 50 years old. | 0:12:56 | 0:12:59 | |
As we move away from the wreck, other species start making an appearance. | 0:13:02 | 0:13:06 | |
The rocks are like the old historic heart of a town. | 0:13:07 | 0:13:10 | |
This is where you find residents that have lived here forever. | 0:13:10 | 0:13:15 | |
Jewel anenomes produce dozens of little clones of themselves, | 0:13:15 | 0:13:19 | |
creating distinct blocks of colour. | 0:13:19 | 0:13:21 | |
I've found a crab! You can see its mouth parts going. | 0:13:22 | 0:13:26 | |
I remember my first dive. Somebody put one of those on my head. I was a bit scared. | 0:13:26 | 0:13:31 | |
Divers in The Manacles attach great mystique to the wrecks here. | 0:13:34 | 0:13:38 | |
It's easy to understand why. Nature has adopted and then adapted them | 0:13:38 | 0:13:42 | |
to become an integral part of the underwater landscape. | 0:13:42 | 0:13:46 | |
It's Cornwall at its natural best. | 0:13:46 | 0:13:49 | |
E-mail [email protected] | 0:13:52 | 0:13:55 |