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The South West Coast Path is one of the world's best-loved walks. | 0:00:02 | 0:00:05 | |
At 630 miles, it's also England's longest national trail. | 0:00:05 | 0:00:10 | |
It's not for the faint-hearted. | 0:00:10 | 0:00:12 | |
This can be challenging walking. | 0:00:12 | 0:00:15 | |
But, boy, is it worth it. | 0:00:15 | 0:00:17 | |
I'm Paul Rose and I've explored the world. | 0:00:19 | 0:00:22 | |
But although I love the South West coast, | 0:00:22 | 0:00:24 | |
I've never actually walked its path. | 0:00:24 | 0:00:27 | |
Until now. | 0:00:27 | 0:00:29 | |
Run, run, run... | 0:00:29 | 0:00:30 | |
In this series, I'll be discovering adventure at every turn. | 0:00:30 | 0:00:33 | |
Wow! We're flying, buddy! | 0:00:33 | 0:00:36 | |
How big of a cliff is it? | 0:00:39 | 0:00:41 | |
High enough to make your knees wobble! | 0:00:41 | 0:00:43 | |
I'll be discovering wildlife and wild traditions. | 0:00:45 | 0:00:49 | |
Now that's what you call an entrance! | 0:00:50 | 0:00:53 | |
This is where land and sea collide. | 0:00:53 | 0:00:56 | |
It really is the walk of a lifetime. | 0:00:59 | 0:01:01 | |
This week, I'm heading into a new county | 0:01:15 | 0:01:18 | |
and it's one I can't wait to explore. | 0:01:18 | 0:01:21 | |
This river, which runs right under the coast path here | 0:01:26 | 0:01:29 | |
at Marsland Mouth, marks the northern county boundary | 0:01:29 | 0:01:31 | |
between Devon on this side and Cornwall over there. | 0:01:31 | 0:01:35 | |
For many natives, Cornwall is more than a county. | 0:01:39 | 0:01:42 | |
It's a Celtic country. | 0:01:42 | 0:01:44 | |
And however you feel about that, | 0:01:44 | 0:01:45 | |
it's certainly a singular place with an otherworldly feel. | 0:01:45 | 0:01:48 | |
Especially the section that's ahead of me, | 0:01:48 | 0:01:51 | |
the rugged and mysterious North Cornish coast. | 0:01:51 | 0:01:55 | |
In this episode, I'm going to be exploring the coast path | 0:01:57 | 0:02:00 | |
as it skims the Atlantic Ocean from Marsland, to Padstow, | 0:02:00 | 0:02:05 | |
through the surfing town of Newquay and right down the heritage | 0:02:05 | 0:02:08 | |
Tin Coast, ending at Sennen Cove on the Land's End Peninsula. | 0:02:08 | 0:02:12 | |
My first stop is Morwenstow, the most northerly parish in Cornwall. | 0:02:18 | 0:02:22 | |
'I'm here with National Trust ranger, Jeff Cherrington.' | 0:02:24 | 0:02:27 | |
Amazing. Can you imagine those people? | 0:02:28 | 0:02:31 | |
'Because somewhere around here is their very smallest property.' | 0:02:31 | 0:02:34 | |
Here it is! | 0:02:38 | 0:02:39 | |
Well, no wonder I couldn't see it! | 0:02:41 | 0:02:42 | |
It's tiny and it's half buried in the cliff side! | 0:02:42 | 0:02:45 | |
Look at it. Isn't it great? | 0:02:45 | 0:02:47 | |
-Is it all right to go in? -Yeah, you go first. | 0:02:47 | 0:02:50 | |
All right, I'm in. Thank you. | 0:02:50 | 0:02:52 | |
Oh, yeah! | 0:02:52 | 0:02:54 | |
'Hawkers Hut was built in the 1840s by the vicar of Morwenstow, | 0:02:54 | 0:02:57 | |
'Reverend Hawker, from the timbers of shipwrecks.' | 0:02:57 | 0:03:01 | |
So, what's the story behind this Reverend Hawker? | 0:03:02 | 0:03:05 | |
Reverend Hawker, what an English eccentric. | 0:03:05 | 0:03:07 | |
He used to come out here in big cassocks, sea boots, | 0:03:09 | 0:03:12 | |
clay pipe, smoke his opium | 0:03:12 | 0:03:15 | |
writing poetry and Trelawny. | 0:03:15 | 0:03:18 | |
He wrote Trelawny, the Cornish anthem. | 0:03:18 | 0:03:20 | |
# And shall Trelawny live | 0:03:22 | 0:03:25 | |
# Or shall Trelawny die | 0:03:25 | 0:03:30 | |
# Here's 20,000 Cornish men | 0:03:32 | 0:03:36 | |
# Will know the reason why. # | 0:03:36 | 0:03:41 | |
I had no idea it was influenced by drugs. | 0:03:42 | 0:03:45 | |
"Inspired" by opium. Who'd have thought it?! | 0:03:46 | 0:03:49 | |
In the spirit of Hawker, visitors to the hut have been moved | 0:03:53 | 0:03:56 | |
to create their own kind of poetry here. | 0:03:56 | 0:03:59 | |
It's covered in graffiti. | 0:03:59 | 0:04:01 | |
-You don't stop people from doing graffiti in here. -No, not really. | 0:04:05 | 0:04:08 | |
I mean, people find their own thing here. | 0:04:08 | 0:04:10 | |
-It's a lovely thing just to come and read. -Why not? | 0:04:10 | 0:04:13 | |
-I expect he'd have loved it. -It's a beautiful thing. | 0:04:13 | 0:04:16 | |
It's time to move on. | 0:04:20 | 0:04:21 | |
The coast path now takes me across a series of dramatic headlands, | 0:04:29 | 0:04:33 | |
crowned by my next stop, the mighty Tintagel Castle. | 0:04:33 | 0:04:39 | |
Legend has it that this is the birthplace of King Arthur. | 0:04:43 | 0:04:47 | |
But Tintagel Castle was actually built 500 years after the real | 0:04:47 | 0:04:51 | |
or, dare I say it, fictitious Arthur would have existed. | 0:04:51 | 0:04:54 | |
But, legend aside, this site has been a stronghold for Cornwall's | 0:04:54 | 0:04:58 | |
most powerful rulers since the Dark Ages. | 0:04:58 | 0:05:01 | |
Matt Ward from English Heritage is going to give me the grand tour. | 0:05:04 | 0:05:08 | |
Here we go. | 0:05:10 | 0:05:12 | |
-Welcome to Tintagel Castle, this is it. -Oh, yes! | 0:05:12 | 0:05:15 | |
We're now standing in the courtyard of the medieval castle. | 0:05:19 | 0:05:22 | |
This was built in 1236 by Earl Richard of Cornwall. | 0:05:22 | 0:05:25 | |
And what he wanted to do was build a castle, in what he thought was, | 0:05:25 | 0:05:28 | |
King Arthur's birthplace to make himself look really powerful. | 0:05:28 | 0:05:31 | |
It had no strategic value. | 0:05:31 | 0:05:33 | |
There was no reason to build a castle here apart from the legend of King Arthur. | 0:05:33 | 0:05:37 | |
-But did King Arthur really exist? -Do you know what? | 0:05:39 | 0:05:42 | |
People have been writing about King Arthur for centuries and if | 0:05:42 | 0:05:45 | |
we walk on, I can show you some of the real history from that period. | 0:05:45 | 0:05:48 | |
'I think that's a no, or maybe a maybe.' | 0:05:48 | 0:05:51 | |
In the Dark Ages, a bustling community lived in Tintagel, | 0:05:56 | 0:06:01 | |
right at the very top of the rocky outcrop. | 0:06:01 | 0:06:04 | |
The remains of more than 150 buildings are still here. | 0:06:04 | 0:06:07 | |
Between 450 and 700, | 0:06:09 | 0:06:10 | |
Tintagel was a major trading port with the Mediterranean. | 0:06:10 | 0:06:13 | |
They were bringing amphoras full of olive oils and spices and, | 0:06:13 | 0:06:17 | |
North Africa, you've got this fine red tableware | 0:06:17 | 0:06:19 | |
and early glass from Southern Spain. | 0:06:19 | 0:06:21 | |
They were bringing it all around the coast from the Mediterranean to Tintagel. | 0:06:21 | 0:06:25 | |
But what's interesting for me | 0:06:25 | 0:06:26 | |
is the amount of pottery they've found at Tintagel. | 0:06:26 | 0:06:29 | |
It makes it one of the most important archaeological sites | 0:06:29 | 0:06:31 | |
in western Europe. | 0:06:31 | 0:06:33 | |
Only around 10% of the site has been excavated but already | 0:06:33 | 0:06:38 | |
more Mediterranean pottery has been found here than in the whole of | 0:06:38 | 0:06:42 | |
western Europe. | 0:06:42 | 0:06:43 | |
I mean, it is one of the most important archaeological sites in the country for that reason. | 0:06:45 | 0:06:50 | |
According to Matt, there is a sacred spot nearby | 0:06:54 | 0:06:57 | |
where these powerful Cornish leaders would have gathered | 0:06:57 | 0:07:00 | |
for festivals like midsummer's Beltane. | 0:07:00 | 0:07:03 | |
On an evening like this, | 0:07:04 | 0:07:06 | |
it's not difficult to imagine the scene of Beltane in full swing. | 0:07:06 | 0:07:09 | |
People are out of their huts celebrating, drinking wine, | 0:07:09 | 0:07:13 | |
fires are burning, wild boar roasting on the spits | 0:07:13 | 0:07:16 | |
and their great leader would be standing right here | 0:07:16 | 0:07:19 | |
in this auspicious place, looking out over everything he owned. | 0:07:19 | 0:07:23 | |
It must have been quite something. | 0:07:23 | 0:07:25 | |
For a moment, I'm king of the castle. | 0:07:32 | 0:07:34 | |
A castle where the real story is every bit as awe-inspiring | 0:07:37 | 0:07:40 | |
as its legends. | 0:07:40 | 0:07:42 | |
And there's more in the way of Cornish folklore ahead of me, | 0:07:55 | 0:07:58 | |
as I continue south west on the path. | 0:07:58 | 0:08:00 | |
GULL CRIES | 0:08:00 | 0:08:02 | |
Padstow is famed for its food, but I'm not here for the haute cuisine. | 0:08:05 | 0:08:09 | |
It's Mayday today and in Padstow that can only mean one thing, | 0:08:12 | 0:08:16 | |
the Obby Oss Festival! | 0:08:16 | 0:08:17 | |
Obby Oss is the biggest event in Padstow's festival calendar. | 0:08:20 | 0:08:23 | |
The Osses are stylised types of horses. | 0:08:23 | 0:08:26 | |
There are two. | 0:08:26 | 0:08:28 | |
The Blue Oss and the Old Oss. | 0:08:28 | 0:08:30 | |
I'm meeting up with supporters of the Old Oss. | 0:08:31 | 0:08:34 | |
It's part of our family. | 0:08:34 | 0:08:36 | |
It gets passed down from father to son | 0:08:36 | 0:08:38 | |
and that's the way it's been for a long, long time. | 0:08:38 | 0:08:43 | |
-What can I do to help? I can't join in, can I? -Just keep out of the way! | 0:08:43 | 0:08:46 | |
OK! | 0:08:46 | 0:08:47 | |
'Well, that's me told! | 0:08:47 | 0:08:50 | |
'It might be a serious business for some, | 0:08:51 | 0:08:54 | |
'but for the crowd it's a chance to let it all hang out.' | 0:08:54 | 0:08:57 | |
Well, the atmosphere's building now. | 0:09:01 | 0:09:03 | |
In a few moments, this whopping great oss is going to come | 0:09:03 | 0:09:06 | |
flying out of there, and I understand it comes out with a burst. | 0:09:06 | 0:09:09 | |
So we're all waiting, great sense of excitement. | 0:09:09 | 0:09:12 | |
And we're ready, aren't we, Stanley? | 0:09:12 | 0:09:14 | |
We're ready. | 0:09:14 | 0:09:16 | |
PEOPLE CHEER | 0:09:16 | 0:09:18 | |
As the oss dances, it's taunted and prodded by the teaser. | 0:09:23 | 0:09:27 | |
Now that's what you call an entrance! | 0:09:31 | 0:09:34 | |
A bit tribal, in a way. | 0:09:36 | 0:09:38 | |
These two head up a procession of dancers and musicians. | 0:09:40 | 0:09:44 | |
The osses now work their way towards the country house of Prideaux Place. | 0:09:47 | 0:09:51 | |
The Blue Oss is invited to dance by Peter Prideaux-Brune. | 0:10:00 | 0:10:04 | |
His family have lived here for over 400 years. | 0:10:12 | 0:10:15 | |
I'm 71 years old and I've known it since I was a baby, | 0:10:17 | 0:10:21 | |
and it still sends prickles down my back. | 0:10:21 | 0:10:25 | |
There's something so wonderful about it. | 0:10:26 | 0:10:28 | |
But the Padstonians regard it as being something very, | 0:10:28 | 0:10:32 | |
very special to them. | 0:10:32 | 0:10:34 | |
So, there is a terrific sense of ownership and pride about the | 0:10:38 | 0:10:41 | |
-Obby Oss Festival? -Yes! Very much so. | 0:10:41 | 0:10:43 | |
SINGING | 0:10:46 | 0:10:49 | |
It's tradition for Peter himself to take the stage as teaser. | 0:10:49 | 0:10:53 | |
THEY ALL CHEER | 0:11:01 | 0:11:04 | |
That was great. | 0:11:08 | 0:11:10 | |
Hello! | 0:11:10 | 0:11:12 | |
Now that was a great performance. | 0:11:12 | 0:11:14 | |
Tremendous in there. | 0:11:14 | 0:11:16 | |
The acoustics are great, the sound is overwhelming | 0:11:16 | 0:11:19 | |
and the whole experience is just tribal, | 0:11:19 | 0:11:21 | |
traditional and very beautiful indeed. | 0:11:21 | 0:11:24 | |
So far, North Cornwall has been full of history and tradition. | 0:11:27 | 0:11:31 | |
But my next stop is all about future generations. | 0:11:33 | 0:11:36 | |
I'm heading to surf central, Newquay's Fistral Beach. | 0:11:40 | 0:11:44 | |
Newquay's beaches are the most visited in Cornwall. | 0:11:50 | 0:11:53 | |
Which means that the local lifeguards have really got | 0:11:53 | 0:11:56 | |
their work cut out keeping bathers safe. | 0:11:56 | 0:11:58 | |
Luckily, there's no shortage of new recruits. | 0:11:58 | 0:12:01 | |
These are Newquay Surf Life Saving Club's Nippers. | 0:12:05 | 0:12:08 | |
Ash Mann is their trainer. | 0:12:10 | 0:12:11 | |
Going to love you to get involved with this, but what I've got | 0:12:14 | 0:12:16 | |
to get you to do at first, as you see behind me, | 0:12:16 | 0:12:18 | |
these guys have little hats on. | 0:12:18 | 0:12:20 | |
-They're red, yellow and blue and you're going to have to wear one to get involved. -Sounds great. | 0:12:20 | 0:12:24 | |
-Oh, yeah. -The toggle slips behind the chin and we tighten that one up. | 0:12:24 | 0:12:28 | |
-This feels good. What do you reckon? -You're looking the part already. | 0:12:28 | 0:12:31 | |
Can I have a go? CHILDREN: Yes! | 0:12:33 | 0:12:36 | |
We're going to get Paul involved | 0:12:36 | 0:12:37 | |
and we're going to have an understanding of flags. | 0:12:37 | 0:12:40 | |
I want to drop Paul right into the middle of the mix. | 0:12:40 | 0:12:42 | |
-How do we reckon? -In here? There we go. | 0:12:42 | 0:12:45 | |
Thank you, I'm in! | 0:12:45 | 0:12:47 | |
What I would like everyone to do is lay down flat on to their bellies | 0:12:47 | 0:12:50 | |
with their hands in front of them. | 0:12:50 | 0:12:53 | |
Heels together. | 0:12:55 | 0:12:57 | |
WHISTLE Oh, blimey! | 0:12:57 | 0:12:59 | |
The aim of the game is to get a blue rod. | 0:12:59 | 0:13:01 | |
If you don't, you're out. | 0:13:01 | 0:13:03 | |
Got it! I got it. | 0:13:03 | 0:13:05 | |
Heads down! WHISTLE | 0:13:10 | 0:13:12 | |
Oh, no! | 0:13:14 | 0:13:15 | |
Argh! | 0:13:17 | 0:13:18 | |
No! | 0:13:18 | 0:13:20 | |
I didn't get one! | 0:13:20 | 0:13:22 | |
These guys are so quick! So what does that mean? I'm out! | 0:13:23 | 0:13:26 | |
Are you out as well? Me too. | 0:13:30 | 0:13:32 | |
WHISTLE | 0:13:32 | 0:13:34 | |
Well, let's face it, I didn't really stand a chance against this lot. | 0:13:34 | 0:13:37 | |
MUSIC: Glory Box by Portishead | 0:13:37 | 0:13:41 | |
Oh! | 0:13:50 | 0:13:52 | |
Well done. | 0:13:52 | 0:13:54 | |
OK, Paul, you've experienced flags, how do you fancy coming with | 0:13:58 | 0:14:01 | |
my youth now, and let's get wet in the sea and experience a bit | 0:14:01 | 0:14:04 | |
-of tube or board rescue? -Absolutely. Yes, please. -Let's go for it then, mate. | 0:14:04 | 0:14:08 | |
In this exercise, I'm going to attempt to rescue a swimmer | 0:14:08 | 0:14:11 | |
"stranded" at sea. | 0:14:11 | 0:14:13 | |
Swimmers... | 0:14:14 | 0:14:16 | |
..set... | 0:14:16 | 0:14:17 | |
..go! | 0:14:17 | 0:14:19 | |
MUSIC: Song 2 by Blur | 0:14:19 | 0:14:22 | |
The swimmers are in position. | 0:14:24 | 0:14:26 | |
Wave everyone. | 0:14:26 | 0:14:28 | |
Time to jump in and bring them back. | 0:14:28 | 0:14:29 | |
Are we happy? Let's go! | 0:14:29 | 0:14:31 | |
# Woo-hoo | 0:14:31 | 0:14:33 | |
# Woo-hoo... # | 0:14:34 | 0:14:36 | |
It's not as easy as these young life-savers make it look. | 0:14:38 | 0:14:41 | |
Got it. | 0:14:47 | 0:14:49 | |
Righto, everybody, back to the beach. | 0:14:49 | 0:14:51 | |
# Yeah, yeah! | 0:14:52 | 0:14:54 | |
# Oh, yeah. # | 0:14:56 | 0:14:58 | |
In terms of the rescue technique, | 0:14:58 | 0:15:00 | |
I don't think you did a bad job for your first go. | 0:15:00 | 0:15:03 | |
-But you're blowing a little! -I'm blowing a bit. | 0:15:03 | 0:15:05 | |
-I felt like I needed me fins! -You certainly did. | 0:15:05 | 0:15:08 | |
-And me diving gear, you know? -Well done. -Look. | 0:15:08 | 0:15:11 | |
I've had a ball in Newquay. | 0:15:13 | 0:15:15 | |
But I'm back on the path and heading south. | 0:15:23 | 0:15:25 | |
There are plenty of sandy beaches on this stretch, | 0:15:25 | 0:15:28 | |
but few can compete with St Ives. | 0:15:28 | 0:15:30 | |
It's a scene often captured on canvas, | 0:15:34 | 0:15:37 | |
and I'm here to see how the unique light and alternative spirit | 0:15:37 | 0:15:41 | |
of St Ives have attracted so many ground-breaking artists. | 0:15:41 | 0:15:45 | |
-TELEVISION REPORTER: -Barbara Hepworth came from the cool, | 0:15:57 | 0:15:59 | |
grey north, seeking to find herself in Cornwall, | 0:15:59 | 0:16:03 | |
and Cornwall in herself. | 0:16:03 | 0:16:05 | |
Barbara Hepworth was one of Britain's greatest sculptors. | 0:16:06 | 0:16:10 | |
She lived and worked at Trewin Studios in the centre of town | 0:16:12 | 0:16:15 | |
for more than 20 years. | 0:16:15 | 0:16:17 | |
-BARBARA: -I came, actually, accidentally. | 0:16:21 | 0:16:24 | |
That is, I came for a holiday and I stayed. | 0:16:24 | 0:16:27 | |
But as soon as I got here, I began to realise very, very swiftly | 0:16:27 | 0:16:31 | |
why it was there'd been artists working here for 75, 80 years. | 0:16:31 | 0:16:36 | |
Her beloved studio has been preserved and is now a museum. | 0:16:39 | 0:16:43 | |
MUSIC: Agua De Beber by Antonio Carlos Jobim | 0:16:43 | 0:16:48 | |
Hepworth spearheaded the St Ives School Of Art, | 0:16:50 | 0:16:53 | |
based at Porthmeor Studios overlooking the beach. | 0:16:53 | 0:16:56 | |
It's still very much a hub for local artists, | 0:17:00 | 0:17:03 | |
like Hillary Gibson from the Porthmeor School Of Painting. | 0:17:03 | 0:17:06 | |
Is it true about the light? | 0:17:08 | 0:17:11 | |
Yes, even on a dull day the light here is astonishing. | 0:17:11 | 0:17:14 | |
And it is the reason that many artists have gravitated to St Ives. | 0:17:14 | 0:17:19 | |
It's almost like looking through rose-tinted glasses. | 0:17:19 | 0:17:22 | |
What are you and the group doing today? | 0:17:25 | 0:17:27 | |
-Today is a sketch and stroll. -Sketch and stroll? | 0:17:27 | 0:17:29 | |
It's something we do through the summer months, come rain or shine. | 0:17:29 | 0:17:33 | |
And for artists, really, we like to work outside in the elements, | 0:17:33 | 0:17:38 | |
just like Turner did. | 0:17:38 | 0:17:40 | |
It sounds like a lot of fun, I'd love to have a go. | 0:17:40 | 0:17:42 | |
Well, it just so happens, Paul, that I've actually brought you | 0:17:42 | 0:17:46 | |
-a sketchbook... -Yes! -..from the school of painting | 0:17:46 | 0:17:48 | |
and a couple of pencils. | 0:17:48 | 0:17:50 | |
-One day this might be worth a lot of money. -I'm sure it will! | 0:17:51 | 0:17:55 | |
Not sure Hillary's convinced. And with good reason - I'm no artist. | 0:17:55 | 0:17:59 | |
But if this vista doesn't bring out the Turner in me, nothing will. | 0:18:01 | 0:18:05 | |
OK, gang, right. We're going to do a drawing. | 0:18:05 | 0:18:07 | |
But before we do it, | 0:18:07 | 0:18:09 | |
I just wanted to talk to you about Wilhelmina Barns-Graham. | 0:18:09 | 0:18:12 | |
This is Eight Lines, Porthmeor. | 0:18:12 | 0:18:16 | |
It has been in the Tate here. | 0:18:16 | 0:18:17 | |
And what it is, really, is it's a sort of simplification. | 0:18:17 | 0:18:22 | |
Each time a wave has come in, | 0:18:24 | 0:18:27 | |
she has drawn that wave in its simplest possible form. | 0:18:27 | 0:18:31 | |
And it's when they die that I think they're so beautiful because, | 0:18:32 | 0:18:36 | |
look at that one now, it's just going back underneath | 0:18:36 | 0:18:39 | |
the next one coming in. | 0:18:39 | 0:18:41 | |
They're constantly overlapping each other. | 0:18:41 | 0:18:44 | |
So our task is Eight Lines, Porthmeor. | 0:18:45 | 0:18:49 | |
-You're looking a bit worried there! -I am, terrified. | 0:18:49 | 0:18:52 | |
-I've got to draw something now. -OK. | 0:18:52 | 0:18:55 | |
MUSIC | 0:18:55 | 0:18:57 | |
Drawing is 99% looking. | 0:19:06 | 0:19:09 | |
-Yeah. -Mm-hm. | 0:19:09 | 0:19:10 | |
-99% looking. -Mm. | 0:19:11 | 0:19:13 | |
-And 1% putting things on the paper. -Yeah, in the right place! | 0:19:14 | 0:19:18 | |
-Try and get them overlapping. -Ah, overlapping. | 0:19:20 | 0:19:24 | |
I like that. Hang on. | 0:19:24 | 0:19:27 | |
That's it. You're done. That's great. | 0:19:27 | 0:19:29 | |
Look at that. | 0:19:35 | 0:19:37 | |
-That's all right, that, isn't it? -Yeah. | 0:19:37 | 0:19:39 | |
If you squint a little bit! | 0:19:39 | 0:19:40 | |
OK, so perhaps I won't quit the day job just yet. | 0:19:44 | 0:19:47 | |
But this has been the perfect way to experience the magic of St Ives. | 0:19:47 | 0:19:51 | |
It's time to leave those aquamarine waters behind. | 0:20:00 | 0:20:03 | |
I'm heading to Cornwall's oldest mining district, the Tin Coast. | 0:20:05 | 0:20:09 | |
The engine houses perched along this stretch are some of the most | 0:20:19 | 0:20:23 | |
photographed features in Cornwall. | 0:20:23 | 0:20:25 | |
But these structures aren't just photo opportunities. | 0:20:30 | 0:20:33 | |
They're surface evidence of pioneering submarine mining | 0:20:33 | 0:20:37 | |
that extends over a mile out to sea. | 0:20:37 | 0:20:40 | |
The coast path brings you to the doorstep of Levant Mine. | 0:20:46 | 0:20:50 | |
Like all of Cornwall's tin mines, it's now closed. | 0:20:50 | 0:20:54 | |
But its original beam engine is still working. | 0:20:54 | 0:20:57 | |
Anthony Power looks after it. | 0:20:57 | 0:20:59 | |
-OK, Anthony, we're at the beating heart of the mine. -It is, yes. | 0:21:02 | 0:21:05 | |
-We're just about ready to get it running. -Come on, I'm excited. | 0:21:05 | 0:21:09 | |
-That's absolutely beautiful, isn't it? -It is. | 0:21:16 | 0:21:19 | |
'In the 1850s there were up to 60 tin and copper mines along | 0:21:22 | 0:21:25 | |
'this stretch of Cornish coast. | 0:21:25 | 0:21:27 | |
'Levant was one of the biggest.' | 0:21:27 | 0:21:29 | |
Cornwall was one of the beating hearts | 0:21:29 | 0:21:32 | |
-for the Industrial Revolution. -It was, it was. | 0:21:32 | 0:21:34 | |
The steam engines were developed originally to pump water out. | 0:21:34 | 0:21:37 | |
And it's that technology which then goes into factories and into | 0:21:37 | 0:21:41 | |
steam locomotives, so that really you could argue, and I might | 0:21:41 | 0:21:45 | |
sometimes, the whole Industrial Revolution starts in Cornwall. | 0:21:45 | 0:21:49 | |
It was a revolution built on hard graft, | 0:21:54 | 0:21:57 | |
and I'm about to get an idea of how hard. | 0:21:57 | 0:21:59 | |
I'm heading down into the belly of Levant Mine. | 0:22:05 | 0:22:07 | |
How did they go up and down every day for work? | 0:22:10 | 0:22:13 | |
Well, we're standing in the shaft where they did that. | 0:22:13 | 0:22:17 | |
Coming down through here from up there to about 550 metres | 0:22:17 | 0:22:21 | |
down below was a single rod worked by a steam engine at the top there. | 0:22:21 | 0:22:26 | |
But on that rod there were steps. | 0:22:26 | 0:22:28 | |
To make your way down, | 0:22:28 | 0:22:30 | |
you'd be standing here and the rod would lift up and you'd step on. | 0:22:30 | 0:22:34 | |
Down you go 12 feet, step over. | 0:22:34 | 0:22:35 | |
Next one. Then the rod moves up again and you step onto the second. | 0:22:35 | 0:22:38 | |
Fantastic. | 0:22:38 | 0:22:40 | |
So they went up and down this thing on the terrific man engine. | 0:22:40 | 0:22:43 | |
It's not here now, what are we going to do? | 0:22:43 | 0:22:45 | |
-We're going to go down this ladder way, which is just behind us. -OK. | 0:22:45 | 0:22:49 | |
It's a formidable descent. | 0:22:53 | 0:22:55 | |
In the mine's heyday, | 0:22:55 | 0:22:57 | |
600 men and boys would have made this journey every day. | 0:22:57 | 0:23:00 | |
This is great, Anthony. | 0:23:02 | 0:23:04 | |
I'm beginning to get a sense of what it's like underground here. | 0:23:04 | 0:23:07 | |
But what was it like for the men that were working? | 0:23:07 | 0:23:09 | |
You're looking at temperatures of 35-40 degrees centigrade. | 0:23:09 | 0:23:12 | |
Then, what you're doing is physically very tough. | 0:23:12 | 0:23:16 | |
You are hand drilling holes into the rock. | 0:23:16 | 0:23:19 | |
Put your explosive in, fire your charge and then you go back in | 0:23:19 | 0:23:22 | |
and you pick out the valuable stuff. | 0:23:22 | 0:23:25 | |
-Then you follow that by climbing all the way back up. -Yes. | 0:23:25 | 0:23:29 | |
Which is, of course, why the man engine was such a boon, if you like. | 0:23:29 | 0:23:33 | |
Because at least it took that effort of that climb back up. | 0:23:33 | 0:23:36 | |
But that boon led to one of Cornwall's worst ever mining accidents. | 0:23:43 | 0:23:47 | |
As the day shift were making their way to the surface | 0:23:51 | 0:23:53 | |
on the man engine, one of the metal straps that secured | 0:23:53 | 0:23:57 | |
the top of the rod to the beam above us broke. | 0:23:57 | 0:24:00 | |
The rod swung from side to side, | 0:24:02 | 0:24:03 | |
this is with about 100 men on the step. | 0:24:03 | 0:24:07 | |
Then part of it broke away below us and this whole top section, | 0:24:07 | 0:24:10 | |
probably about 150 feet of rod, plunged like an arrow 500 feet | 0:24:10 | 0:24:14 | |
down the shaft and just crushed everything in its path. | 0:24:14 | 0:24:18 | |
31 men were killed, another 19 seriously injured here. | 0:24:20 | 0:24:23 | |
Levant never fully recovered. | 0:24:32 | 0:24:34 | |
Shortly after, tin prices crashed and in 1931 the mine closed. | 0:24:34 | 0:24:40 | |
The conditions the miners endured were gruelling. | 0:24:44 | 0:24:47 | |
But their legacy is this atmospheric landscape. | 0:24:47 | 0:24:50 | |
A centrepiece of the South West Coast Path. | 0:24:52 | 0:24:55 | |
My walk through North Cornwall is coming to an end. | 0:25:03 | 0:25:07 | |
I'm only a stone's throw away from my final stop of this stretch - | 0:25:07 | 0:25:11 | |
Sennen Cove on the Land's End Peninsula. | 0:25:11 | 0:25:14 | |
This is Mayon Lookout above Sennen Cove, | 0:25:20 | 0:25:23 | |
and over there is Land's End itself. | 0:25:23 | 0:25:26 | |
But, for me, this is as good a viewpoint from | 0:25:26 | 0:25:29 | |
the southwestern tip of Britain as we are ever likely to get. | 0:25:29 | 0:25:32 | |
So this is my personal Land's End. | 0:25:32 | 0:25:34 | |
As well as killer views, the cliffs above Sennen | 0:25:35 | 0:25:38 | |
offer some of the very best climbing in the south-west. | 0:25:38 | 0:25:41 | |
So, I've got your helmet here. Put that on your head, please. | 0:25:41 | 0:25:44 | |
Thank you. Yeah, helmet. | 0:25:44 | 0:25:46 | |
'The Royal Marines come here every year to train. | 0:25:46 | 0:25:48 | |
'And today they've invited me to join them.' | 0:25:48 | 0:25:51 | |
-Your harness. All ready? -Yeah. | 0:25:51 | 0:25:53 | |
'Colour Sergeant Mac McMillan is their chief climbing instructor.' | 0:25:54 | 0:25:58 | |
This is the descent route here. It's called Ash Can Gully. | 0:25:58 | 0:26:01 | |
It's a fairly moderate scramble dissent. | 0:26:01 | 0:26:04 | |
We going to move round to the front of the cliff to the actual climb itself. | 0:26:04 | 0:26:08 | |
'Mac was shot in the throat while serving in Afghanistan. | 0:26:08 | 0:26:12 | |
'So, he's not the loudest marine I've ever met, | 0:26:12 | 0:26:15 | |
'but he is one of the most agile.' | 0:26:15 | 0:26:16 | |
Right, so we're coming on to our route somewhere. | 0:26:18 | 0:26:21 | |
We start here by this block. | 0:26:22 | 0:26:24 | |
Beneath the hanging block. That's the obvious one. | 0:26:24 | 0:26:27 | |
Oh, yeah, the hanging block. | 0:26:27 | 0:26:29 | |
We take the line to the right of that block | 0:26:29 | 0:26:31 | |
pretty much straight to the top. | 0:26:31 | 0:26:32 | |
'It's a big climb. | 0:26:34 | 0:26:37 | |
'Even Mac struggles!' | 0:26:39 | 0:26:40 | |
-Let's do that again. -Not easy to hang around there, is it? | 0:26:44 | 0:26:47 | |
'Second time lucky.' | 0:26:47 | 0:26:49 | |
-What do you reckon, Mac? -Yeah, good. | 0:26:51 | 0:26:53 | |
'Mac prepares the anchors for the top rope. | 0:26:53 | 0:26:56 | |
'That's what will save me if I lose my grip.' | 0:26:56 | 0:26:58 | |
That's me, Mac! | 0:27:05 | 0:27:07 | |
Woo! | 0:27:07 | 0:27:09 | |
Climbing, buddy. | 0:27:09 | 0:27:10 | |
I'm off the ground, Mac. Like a miracle! | 0:27:15 | 0:27:19 | |
'It's been over ten years since I last climbed here, | 0:27:20 | 0:27:23 | |
'but it's every bit as beautiful and hard going as I remember.' | 0:27:23 | 0:27:27 | |
There's nothing very easy about the top, either, is there? | 0:27:32 | 0:27:35 | |
What a terrific climb. Thank you very much, Mac. | 0:27:40 | 0:27:43 | |
You made it look easy! | 0:27:43 | 0:27:45 | |
-I don't know about that. -I followed every one of your steps. | 0:27:45 | 0:27:48 | |
-Look, thank you very much. -Yeah. | 0:27:48 | 0:27:50 | |
I feel like I'm back at Sennen Cove. | 0:27:50 | 0:27:52 | |
I really am back! | 0:27:52 | 0:27:54 | |
This has always been a very special place to me. | 0:27:57 | 0:28:00 | |
To reconnect to it via rock climbing couldn't be better, | 0:28:00 | 0:28:04 | |
and it's the perfect end to my walk in North Cornwall. | 0:28:04 | 0:28:08 | |
Next week on Coastal Path - | 0:28:13 | 0:28:15 | |
I'll be exploring South Cornwall, | 0:28:15 | 0:28:17 | |
where I'll be taking a leap of faith off the Lizard... | 0:28:17 | 0:28:20 | |
Three, two, one. Go! | 0:28:20 | 0:28:22 | |
Yeeeees! | 0:28:22 | 0:28:23 | |
Firing the gun! | 0:28:24 | 0:28:25 | |
..and having a blast in Falmouth. | 0:28:25 | 0:28:28 | |
EXPLOSION | 0:28:28 | 0:28:29 | |
Fantastic! | 0:28:29 | 0:28:31 |