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The South West Coast Path is one of the world's best-loved walks. | 0:00:02 | 0:00:05 | |
At 630 miles, it's also England's longest National Trail. | 0:00:05 | 0:00:10 | |
It's not for the faint-hearted. This can be challenging walking. | 0:00:10 | 0:00:15 | |
But, boy, is it worth it! I'm Paul Rose and I've explored the world. | 0:00:15 | 0:00:21 | |
But although I love the South West coast, | 0:00:22 | 0:00:25 | |
I've never actually walked its path...until now. | 0:00:25 | 0:00:29 | |
Run, run, run, run, run, run! | 0:00:29 | 0:00:30 | |
In this series, I'll be discovering adventure at every turn. | 0:00:30 | 0:00:34 | |
Wow! We're flying, buddy! | 0:00:34 | 0:00:36 | |
How big of a cliff is it? | 0:00:39 | 0:00:41 | |
High enough to make your knees wobble! | 0:00:41 | 0:00:43 | |
SCREAMING | 0:00:43 | 0:00:45 | |
I'll be discovering wildlife... and wild traditions. | 0:00:45 | 0:00:50 | |
Now, that's what you call an entrance! Ha! | 0:00:50 | 0:00:52 | |
This is where land and sea collide. | 0:00:53 | 0:00:57 | |
It really is the walk of a lifetime. | 0:00:59 | 0:01:01 | |
In this episode, I'm going to be exploring south Cornwall. | 0:01:18 | 0:01:22 | |
This is a walk of contrasts, | 0:01:23 | 0:01:25 | |
from rugged cliffs to tranquil rivers and lush, rolling fields. | 0:01:25 | 0:01:30 | |
I'm starting my journey at Porthcurno, | 0:01:40 | 0:01:43 | |
just south of Land's End. | 0:01:43 | 0:01:44 | |
It may well be that all the world's a stage, | 0:01:48 | 0:01:51 | |
but this one takes some beating. | 0:01:51 | 0:01:54 | |
You'd be forgiven for thinking that this amphitheatre was carved | 0:01:58 | 0:02:01 | |
out of the granite cliffs 2,000 years ago by some wandering Greeks. | 0:02:01 | 0:02:06 | |
In fact, the Minack was painstakingly built by one | 0:02:06 | 0:02:09 | |
extraordinary lady and her loyal gardener. | 0:02:09 | 0:02:12 | |
Theatre enthusiast Rowena Cade moved to Porthcurno in the 1920s. | 0:02:13 | 0:02:18 | |
When she arrived, | 0:02:18 | 0:02:19 | |
there was nothing here except a sloping gully of gorse and heather. | 0:02:19 | 0:02:24 | |
The theatre that she created is now in the hands of Philip Jackson. | 0:02:24 | 0:02:28 | |
Phil, you actually knew Rowena Cade but she still must have been | 0:02:28 | 0:02:32 | |
-a tough act to follow, I think! -Yeah. | 0:02:32 | 0:02:33 | |
Well, I've been here a few years now and I knew her as a child. | 0:02:33 | 0:02:37 | |
She was a hard lady. | 0:02:37 | 0:02:39 | |
I mean, you have to work down here in the winter, building this place, | 0:02:39 | 0:02:41 | |
so she was out here in all weathers, mixing concrete with her hands. | 0:02:41 | 0:02:45 | |
And what's it like following in her footsteps, then? | 0:02:45 | 0:02:47 | |
We always think, "What would Rowena have done?" | 0:02:47 | 0:02:49 | |
And I think that's a natural thing with a place like this. | 0:02:49 | 0:02:51 | |
This is her theatre and it's still her theatre. | 0:02:51 | 0:02:55 | |
The setting is just world-class, isn't it? | 0:02:55 | 0:02:58 | |
On a day like this, it's absolutely amazing, isn't it? | 0:02:58 | 0:03:00 | |
What do you do when the weather's bad? | 0:03:00 | 0:03:02 | |
A lot of the time, we just get wet. | 0:03:02 | 0:03:04 | |
We're on the Atlantic - you know, next stop, New York over there. | 0:03:04 | 0:03:06 | |
There's not much to stop the weather coming in. | 0:03:06 | 0:03:08 | |
When the south-westerly gales and storms come in, we know about them. | 0:03:08 | 0:03:12 | |
But on a day like this, | 0:03:12 | 0:03:14 | |
everybody will be collapsing in the heat, | 0:03:14 | 0:03:16 | |
cos we've got a big house coming in this afternoon, | 0:03:16 | 0:03:18 | |
and they'll be pretty warm down here. | 0:03:18 | 0:03:20 | |
I'm joining the audience for a sell-out performance of | 0:03:25 | 0:03:28 | |
The Mousehole Cat. | 0:03:28 | 0:03:29 | |
And on Sundays, they made stargazy pie with prime pilchards in pastry. | 0:03:36 | 0:03:44 | |
De-licious! | 0:03:46 | 0:03:48 | |
GUITAR PLAYING AND SINGING | 0:03:50 | 0:03:56 | |
That's it! | 0:04:00 | 0:04:01 | |
Here we go! Through the gap in the harbour wall. | 0:04:02 | 0:04:06 | |
APPLAUSE | 0:04:06 | 0:04:10 | |
The Minack's a showstopper but I'm ducking out early and taking | 0:04:10 | 0:04:14 | |
the short scrabble down the cliff to Porthcurno village. | 0:04:14 | 0:04:17 | |
Its beach is one of the finest in Cornwall, | 0:04:23 | 0:04:28 | |
but there's more to these sands than meets the eye. | 0:04:28 | 0:04:31 | |
In the pre-digital age, before computers and mobile phones, | 0:04:37 | 0:04:41 | |
how did people get in touch, fast? | 0:04:41 | 0:04:44 | |
They sent a telegram - a technology that, believe it or not, | 0:04:44 | 0:04:47 | |
was born right here in what was once the biggest communications | 0:04:47 | 0:04:52 | |
centre anywhere on the planet. | 0:04:52 | 0:04:54 | |
In 1870, Porthcurno was chosen as the landing point for one of | 0:04:57 | 0:05:01 | |
the first submarine telegraph cables. | 0:05:01 | 0:05:04 | |
It would form part of an international link that | 0:05:04 | 0:05:06 | |
stretched all the way to India. | 0:05:06 | 0:05:08 | |
'I'm meeting telecommunication expert Rudy Topsey.' | 0:05:09 | 0:05:13 | |
How significant of a moment was it when this cable was laid? | 0:05:14 | 0:05:19 | |
It was the first time that the actual British Empire was | 0:05:19 | 0:05:23 | |
connected together. | 0:05:23 | 0:05:24 | |
They were able to send a message from here to India in nine minutes. | 0:05:24 | 0:05:28 | |
Previously, it took more than two weeks. | 0:05:28 | 0:05:31 | |
Now, you take sending messages all over the world for granted | 0:05:31 | 0:05:36 | |
but, in those days, it was quite the thing to send | 0:05:36 | 0:05:39 | |
a message from this country to any part of the Empire. | 0:05:39 | 0:05:42 | |
Over the next 100 years, a further 14 cables were laid from | 0:05:44 | 0:05:48 | |
Porthcurno, reaching to every corner of the globe. | 0:05:48 | 0:05:51 | |
The main offices were built just off the beach | 0:05:55 | 0:05:57 | |
but, during World War II, Porthcurno became an enemy target, | 0:05:57 | 0:06:02 | |
so the whole outfit was moved underground. | 0:06:02 | 0:06:05 | |
Wowee! What an impressive place! | 0:06:05 | 0:06:08 | |
These machines once sent messages that saved lives. | 0:06:11 | 0:06:15 | |
-So, can I have a go? -You can. | 0:06:18 | 0:06:19 | |
-I'd love to send a message to the front line! -Go ahead. -OK. | 0:06:19 | 0:06:22 | |
Here we go. | 0:06:22 | 0:06:23 | |
Done it. Now what? | 0:06:29 | 0:06:30 | |
Then they lowered it onto this machine, | 0:06:30 | 0:06:32 | |
which would read the holes in the tape and convert it into electrical | 0:06:32 | 0:06:37 | |
signals, and it would be sent down the cable to its destination. | 0:06:37 | 0:06:42 | |
I mean, there you go, Rudy. | 0:06:45 | 0:06:46 | |
I've just sent a message to the planet that says, | 0:06:46 | 0:06:49 | |
"Hello from the Coastal Path!" | 0:06:49 | 0:06:51 | |
It's a bit of fun for me but I am reminded that, in wartime, | 0:06:52 | 0:06:56 | |
these would have been life-and-death messages. | 0:06:56 | 0:06:58 | |
They would have been very important messages that were vital to | 0:06:58 | 0:07:02 | |
the Allies and the war effort all around the world. | 0:07:02 | 0:07:05 | |
The station closed in 1970 but the Telegraph Company, | 0:07:07 | 0:07:11 | |
by now known as Cable & Wireless, turned into a training centre. | 0:07:11 | 0:07:16 | |
Rudy himself came here from Belize. | 0:07:16 | 0:07:20 | |
I was brought here by Cable & Wireless to learn the trade | 0:07:20 | 0:07:24 | |
in 1972, as a 21-year-old man. | 0:07:24 | 0:07:27 | |
It was a multicultural place. | 0:07:27 | 0:07:30 | |
We had people from all over the world coming to this very | 0:07:30 | 0:07:33 | |
place to learn about telecommunications. | 0:07:33 | 0:07:37 | |
The Telegraph building is now a museum. | 0:07:38 | 0:07:40 | |
Rudy returned here to work as a guide. | 0:07:41 | 0:07:43 | |
People comment that I'm back where I started in life, and so, yeah, | 0:07:45 | 0:07:50 | |
I've been here, | 0:07:50 | 0:07:51 | |
working at the museum for some seven years now, and it is | 0:07:51 | 0:07:56 | |
a delight to show people around the museum and telling them what | 0:07:56 | 0:07:59 | |
Porthcurno was all about. | 0:07:59 | 0:08:01 | |
Porthcurno has been full of surprises. | 0:08:07 | 0:08:10 | |
But it's time to continue my journey through south Cornwall. | 0:08:12 | 0:08:15 | |
My next stop is the most southerly point in the country - | 0:08:19 | 0:08:23 | |
the spectacular Lizard Peninsula. | 0:08:23 | 0:08:26 | |
This stretch of coast path is wild, rugged and exceptionally beautiful | 0:08:40 | 0:08:46 | |
but it's not the only reason it's a walker's paradise. | 0:08:46 | 0:08:50 | |
The Lizard is a magnet for marine wildlife | 0:08:50 | 0:08:52 | |
and you never know what you might get a glimpse of walking here. | 0:08:52 | 0:08:55 | |
I'm heading to the tip of Lizard Point | 0:09:17 | 0:09:20 | |
and some of the best wildlife-spotting opportunities | 0:09:20 | 0:09:23 | |
in Britain. | 0:09:23 | 0:09:24 | |
Cat Lee from the National Trust runs the watchpoint here. | 0:09:28 | 0:09:31 | |
-All right, Cat? I've made it to the southern point. -Good morning! | 0:09:35 | 0:09:37 | |
How you doing? All right? What a fantastic watchpoint this is. | 0:09:37 | 0:09:41 | |
It's really special. | 0:09:41 | 0:09:43 | |
It's a fantastic place to see seabirds on passage | 0:09:43 | 0:09:46 | |
to their breeding grounds. | 0:09:46 | 0:09:48 | |
You can just feel the power. I mean, there's the Western Approaches. | 0:09:48 | 0:09:51 | |
You can just feel the Gulf Stream and North Atlantic Drift. | 0:09:51 | 0:09:54 | |
The whole power of the Atlantic Ocean whizzing around here. | 0:09:54 | 0:09:57 | |
-And quite often, we feel it! -I bet you do, yeah. | 0:09:57 | 0:09:59 | |
The volunteers are here whatever the weather, | 0:09:59 | 0:10:01 | |
watching and recording wildlife. | 0:10:01 | 0:10:03 | |
Whatever you spot as you're walking, you can tell the volunteers | 0:10:12 | 0:10:15 | |
and they'll record it into a national database. | 0:10:15 | 0:10:18 | |
-You can sit here and have a cup of tea just behind us... -Yeah. | 0:10:19 | 0:10:22 | |
-..and contribute to science. -Exactly, nice and easy. | 0:10:22 | 0:10:25 | |
And, on a day like this, what's better?! | 0:10:25 | 0:10:27 | |
I've seen some fantastic wildlife so far | 0:10:30 | 0:10:33 | |
but there is one bird that I'm really hoping to spot. | 0:10:33 | 0:10:36 | |
The chough is a symbolic bird in Cornwall | 0:10:37 | 0:10:40 | |
but, due to habitat loss and persecution, | 0:10:40 | 0:10:43 | |
they completely disappeared from the county in the 1970s. | 0:10:43 | 0:10:47 | |
That was until a breeding pair appeared out of the blue, | 0:10:49 | 0:10:53 | |
on the Lizard, in 2001. | 0:10:53 | 0:10:55 | |
Numbers have been increasing ever since. | 0:10:55 | 0:10:58 | |
The secret nesting sites are watched over by dedicated volunteers, | 0:11:00 | 0:11:05 | |
like Rosie Bowman. | 0:11:05 | 0:11:06 | |
Hiya, Rosie, how are you doing? | 0:11:11 | 0:11:12 | |
All right. Not so bad. How are you doing? | 0:11:12 | 0:11:14 | |
-What a great place this is. -I know. | 0:11:14 | 0:11:16 | |
-Not too shabby a day at the office for me. -Yeah, no kidding. | 0:11:16 | 0:11:20 | |
-How does it feel to be the custodian over these birds? -Really good. | 0:11:21 | 0:11:26 | |
Really rewarding use of time, I think. | 0:11:26 | 0:11:29 | |
And it's brilliant to be a part of their natural comeback. | 0:11:29 | 0:11:32 | |
They've done it themselves and we now have the moral obligation, | 0:11:32 | 0:11:37 | |
almost, to protect that. | 0:11:37 | 0:11:39 | |
-So, here we are. -Oh, OK. | 0:11:41 | 0:11:43 | |
-Hang on. -Speak of the devils. | 0:11:44 | 0:11:46 | |
Oh, that is them, is it? | 0:11:46 | 0:11:48 | |
-Yep, this is our pair. -Oh! | 0:11:48 | 0:11:50 | |
Flipping fantastic. | 0:11:51 | 0:11:52 | |
After all that build-up, I'm so pleased to actually see them. | 0:11:52 | 0:11:55 | |
Oh, good. Yeah, you can tell them from a jackdaw just because of their | 0:11:55 | 0:11:58 | |
really distinct red features. | 0:11:58 | 0:12:00 | |
It's hard to get a sense of the red legs when they're flying, isn't it? | 0:12:07 | 0:12:11 | |
-Yeah, they have them tucked back under. -Oh, yes, of course. | 0:12:11 | 0:12:14 | |
I knew that! | 0:12:14 | 0:12:16 | |
THEY BOTH LAUGH | 0:12:16 | 0:12:18 | |
And their call is so distinctive, isn't it? | 0:12:25 | 0:12:27 | |
Yeah, really different to any of the other corvids. | 0:12:27 | 0:12:29 | |
It's kind of like "cheow". | 0:12:29 | 0:12:31 | |
-Yes. -It's how they got their name, basically, yeah. | 0:12:31 | 0:12:33 | |
-Well, they're beautiful birds, aren't they? -Really nice. | 0:12:38 | 0:12:41 | |
Really good to watch. You never get tired of it. | 0:12:41 | 0:12:43 | |
The clifftops of the Lizard have been perfect for wildlife-watching, | 0:12:47 | 0:12:52 | |
but it's time to shake a leg and pretty much everything else, too! | 0:12:52 | 0:12:57 | |
John-Paul Eatock is taking me coasteering. | 0:12:59 | 0:13:02 | |
I'm not exactly sure what I've signed up for, | 0:13:04 | 0:13:06 | |
except that I'm ready for it. So, what is coasteering? | 0:13:06 | 0:13:09 | |
Coasteering, here on the Lizard, is amazing. | 0:13:09 | 0:13:12 | |
It's going down to where the sea meets the cliff | 0:13:12 | 0:13:14 | |
and just seeing the world from a different point of view. | 0:13:14 | 0:13:16 | |
From scrambling, to going to visit little islands, | 0:13:16 | 0:13:19 | |
to doing a bit of cliff-jumping and have a whole load of fun. | 0:13:19 | 0:13:22 | |
Well, it sounds absolutely fantastic. What's next? | 0:13:22 | 0:13:25 | |
So, we're going to just go down the cliffs | 0:13:25 | 0:13:27 | |
to where the sea meets the cliffs, and get in there and go coasteering. | 0:13:27 | 0:13:30 | |
Let's get wet. | 0:13:30 | 0:13:31 | |
OK, team, what we're going to do first is go into the water | 0:13:39 | 0:13:43 | |
just behind me and get used to the temperature of it | 0:13:43 | 0:13:45 | |
because it's only 10 degrees C. | 0:13:45 | 0:13:47 | |
Get acclimatised, work our way a little way, | 0:13:47 | 0:13:49 | |
see how we go and then keep on moving after that. | 0:13:49 | 0:13:52 | |
And just gently...float. | 0:13:55 | 0:13:58 | |
It's your go, Paul. | 0:13:58 | 0:14:01 | |
Oh, yeah. Beautiful. | 0:14:03 | 0:14:05 | |
THEY ALL CHATTER | 0:14:08 | 0:14:10 | |
-This is a safe place. -OK. | 0:14:19 | 0:14:21 | |
And we wait...we wait to look for a wave behind us. | 0:14:21 | 0:14:23 | |
The waves will come from here. | 0:14:23 | 0:14:25 | |
-HE LAUGHS -Yeah! | 0:14:25 | 0:14:27 | |
'Scrambling ashore takes some practice...' | 0:14:27 | 0:14:29 | |
-I want my wave! -There it is! -There it is. | 0:14:29 | 0:14:32 | |
'..especially when the waves keep pulling you back down.' | 0:14:33 | 0:14:37 | |
Use your knees. | 0:14:38 | 0:14:40 | |
PAUL LAUGHS | 0:14:40 | 0:14:42 | |
There you go! Bye! | 0:14:43 | 0:14:45 | |
-How are you feeling? -For me, this is living. | 0:14:50 | 0:14:52 | |
You know, we're in the sea. We're on the sea. | 0:14:52 | 0:14:55 | |
We're feeling the power of the water. Yeah. | 0:14:55 | 0:14:57 | |
-There's an island over there. I want us to get to it. -Oh, ideal. | 0:14:57 | 0:15:00 | |
-Let's head that way. -Oh, this one? | 0:15:00 | 0:15:02 | |
-That one. -OK. -Yeah, that one! -OK. -Let's go. | 0:15:02 | 0:15:04 | |
-I thought you were pointing to the Scilly Isles. -No, no - France. | 0:15:04 | 0:15:06 | |
LAUGHTER | 0:15:06 | 0:15:08 | |
Ready? Whoo! | 0:15:13 | 0:15:15 | |
All right, let's go to that island over there. | 0:15:15 | 0:15:18 | |
And...there we go. | 0:15:29 | 0:15:31 | |
We're going to make our way that way along this ledge. | 0:15:34 | 0:15:37 | |
All right, cool. | 0:15:37 | 0:15:38 | |
Just keep on looking after the person behind you. | 0:15:41 | 0:15:43 | |
I'll tell you what, just sit down here. | 0:15:43 | 0:15:46 | |
'Sit down? | 0:15:47 | 0:15:49 | |
'There's something fishy going on.' | 0:15:49 | 0:15:51 | |
Perfect! | 0:15:56 | 0:15:57 | |
Coasteering has been such a buzz, and it's not over yet. | 0:15:59 | 0:16:02 | |
We've got one more thing to do, | 0:16:05 | 0:16:07 | |
and that's to do a spot of cliff-jumping. | 0:16:07 | 0:16:09 | |
-Are you up for it? -Yes! -Yes. | 0:16:09 | 0:16:11 | |
How big of a cliff is it? | 0:16:11 | 0:16:13 | |
High enough to make your knees wobble. | 0:16:13 | 0:16:16 | |
-Are you OK with that? -Dead right. Yes, please. | 0:16:16 | 0:16:18 | |
-Come on, then. -Come on. I could use a bit of knee-wobbling. | 0:16:18 | 0:16:21 | |
Here goes! | 0:16:21 | 0:16:23 | |
Three, two, one... Go! | 0:16:24 | 0:16:27 | |
Three, two, one... Go! | 0:16:30 | 0:16:34 | |
Yeah! | 0:16:34 | 0:16:35 | |
-Go! -Yeah! | 0:16:35 | 0:16:37 | |
-Go! -Yeah! | 0:16:39 | 0:16:41 | |
It's been an action-packed day, | 0:16:42 | 0:16:44 | |
and as the sun sets on the Lizard, I'm ready for some R and R. | 0:16:44 | 0:16:48 | |
CHOIR SINGS | 0:16:54 | 0:16:57 | |
So, I've come to the village of Cadgwith. | 0:16:59 | 0:17:02 | |
# And the beauty of Kashmir lay drooping its head | 0:17:03 | 0:17:07 | |
-# Then away -Then away... # | 0:17:09 | 0:17:14 | |
There's a real buzz in here tonight, | 0:17:14 | 0:17:16 | |
and it's not just down to the local beer. | 0:17:16 | 0:17:19 | |
It's Friday night, and at the Cadgwith Inn, | 0:17:19 | 0:17:22 | |
that can only mean one thing. | 0:17:22 | 0:17:24 | |
A good old-fashioned singsong. | 0:17:24 | 0:17:27 | |
# To those caves in yonder mountains | 0:17:27 | 0:17:31 | |
# Where the robbers retreat. # | 0:17:31 | 0:17:34 | |
APPLAUSE | 0:17:36 | 0:17:39 | |
They've been happening in this pub for 35 years. | 0:17:40 | 0:17:44 | |
Fisherman David Muirhead has been here since the beginning. | 0:17:44 | 0:17:47 | |
I feel like I've come on the right night. | 0:17:49 | 0:17:51 | |
-Yeah. -I've come in here and there's all this fantastic singing. | 0:17:51 | 0:17:54 | |
What's it all about? | 0:17:54 | 0:17:55 | |
Well, it's a special night, all right, | 0:17:55 | 0:17:56 | |
but every Friday is a special night at Cadgwith, | 0:17:56 | 0:17:59 | |
and we all get together and have a really good sing. | 0:17:59 | 0:18:02 | |
It's a great tradition, and we're pleased to keep it going. | 0:18:02 | 0:18:04 | |
What are the songs all about? | 0:18:04 | 0:18:07 | |
Some are about the sea, some are traditional Cornish songs. | 0:18:07 | 0:18:10 | |
Occasionally we'll sing an old pop song. | 0:18:10 | 0:18:13 | |
So now that's it, it's all done, or are you going to have another go? | 0:18:13 | 0:18:16 | |
No, we're going to give it another crack now, | 0:18:16 | 0:18:18 | |
-and sing another dozen or so songs. -Fantastic! | 0:18:18 | 0:18:21 | |
I hope you're going to join in! | 0:18:21 | 0:18:23 | |
-Do you know what? I will join in. -Brilliant. | 0:18:23 | 0:18:25 | |
Stand by, Paul. Stand by. | 0:18:28 | 0:18:31 | |
Right, I'm ready. | 0:18:31 | 0:18:33 | |
'There's no getting out of it now.' | 0:18:33 | 0:18:36 | |
-Right, here we go then. -OK, I'll follow you. | 0:18:36 | 0:18:38 | |
# Oh, a good sword and a trusty hand | 0:18:38 | 0:18:43 | |
# A merry heart and true | 0:18:43 | 0:18:45 | |
# King James' men will understand | 0:18:45 | 0:18:48 | |
# What Cornish lads can do | 0:18:48 | 0:18:51 | |
# And have they fixed the where and when? | 0:18:51 | 0:18:54 | |
# And shall Trelawney die? | 0:18:54 | 0:18:57 | |
# Here's 20,000 Cornish bold! | 0:18:57 | 0:19:01 | |
# Will know the reason why | 0:19:01 | 0:19:07 | |
# And shall Trelawney live? | 0:19:08 | 0:19:13 | |
# Or shall Trelawney die? | 0:19:13 | 0:19:18 | |
# Here's 20,000 Cornish men | 0:19:19 | 0:19:27 | |
# Will know the reason why | 0:19:27 | 0:19:37 | |
# The reason | 0:19:37 | 0:19:42 | |
# Why. # | 0:19:42 | 0:19:48 | |
-Oggy, oggy, oggy! -Oi, oi, oi! | 0:19:48 | 0:19:51 | |
-Oggy! -Oi! -Oggy! -Oi! | 0:19:51 | 0:19:53 | |
-Oggy, oggy, oggy! -Oi, oi, oi! | 0:19:53 | 0:19:56 | |
-ALL: -Come on, Cornwall, give them hell! | 0:19:56 | 0:19:59 | |
Give them broccoli! | 0:19:59 | 0:20:01 | |
Kernow bys vyken! | 0:20:01 | 0:20:03 | |
Cornwall forever! | 0:20:03 | 0:20:05 | |
Well done, Paul. We'll make a Cadgwith singer of you yet. | 0:20:05 | 0:20:08 | |
With those proud voices still ringing in my ears, | 0:20:14 | 0:20:17 | |
I'm continuing eastwards. | 0:20:17 | 0:20:19 | |
The scenery starts to change. | 0:20:21 | 0:20:22 | |
Wild coastline gives way to sheltered woodland | 0:20:25 | 0:20:28 | |
and subtropical plants, | 0:20:28 | 0:20:30 | |
as I cross the peaceful inlets of the Helford River. | 0:20:30 | 0:20:33 | |
One of the treats of walking this section | 0:20:37 | 0:20:40 | |
is you can save your legs a little by hopping on a water taxi, | 0:20:40 | 0:20:43 | |
cutting out the long route around the estuary. | 0:20:43 | 0:20:46 | |
Now, I can see he's on the other side at the moment, | 0:20:46 | 0:20:49 | |
so I just have to do this, and hope he sees me. | 0:20:49 | 0:20:53 | |
A water taxi's been ferrying people across this stretch | 0:21:04 | 0:21:08 | |
for more than 300 years. | 0:21:08 | 0:21:10 | |
It's the perfect way to soak up the tranquil beauty of the area. | 0:21:10 | 0:21:14 | |
Great service, thank you! | 0:21:18 | 0:21:20 | |
The next major attraction on the coast path is the port of Falmouth. | 0:21:21 | 0:21:25 | |
I'm following the path to Pendennis Castle, above the town. | 0:21:27 | 0:21:31 | |
It was built by Henry VIII to protect Cornwall from pirates, | 0:21:37 | 0:21:41 | |
plunderers and Europeans. | 0:21:41 | 0:21:43 | |
Just come and have a look at this view. | 0:21:45 | 0:21:48 | |
Oh, yes. | 0:21:48 | 0:21:50 | |
'Wendy Amer is the castle's manager.' | 0:21:50 | 0:21:52 | |
Now we get to the top of this keep, | 0:21:53 | 0:21:55 | |
you can really appreciate why Henry decided to build a castle here. | 0:21:55 | 0:21:59 | |
It's on a little peninsula that's sticking out into the ocean. | 0:21:59 | 0:22:02 | |
At the time, he was in a lot of trouble | 0:22:02 | 0:22:05 | |
with his European neighbours. | 0:22:05 | 0:22:07 | |
France and Spain, he was expecting them to invade at any time, | 0:22:07 | 0:22:10 | |
so it was really important that this was fortified, | 0:22:10 | 0:22:13 | |
and that continues on through history as well. | 0:22:13 | 0:22:16 | |
Every time there was another threat, | 0:22:17 | 0:22:19 | |
they put in new fortifications and new guns, | 0:22:19 | 0:22:23 | |
and there's evidence of that all around the castle - | 0:22:23 | 0:22:26 | |
different guns from different times. | 0:22:26 | 0:22:28 | |
-Would you like to come and have a look? -Yes, please. | 0:22:28 | 0:22:30 | |
OK, let's go and look at some guns. | 0:22:30 | 0:22:32 | |
Wendy's got a bit of a thing for guns. | 0:22:33 | 0:22:35 | |
In fact, she's the Master Gunner of Pendennis Castle. | 0:22:36 | 0:22:40 | |
Here we've got a Saker cannon from the Tudor period. | 0:22:43 | 0:22:47 | |
This is a replica, but the beauty about having | 0:22:47 | 0:22:50 | |
a replica is that we can still fire them. | 0:22:50 | 0:22:54 | |
-So would you like a go at that? -Oh, heaven! | 0:22:54 | 0:22:56 | |
-I'd love to fire it. -OK. | 0:22:56 | 0:22:58 | |
-The first thing we need is some gunpowder. -OK. | 0:22:58 | 0:23:01 | |
I've got a packet of it here. | 0:23:01 | 0:23:03 | |
I'll just empty some out of the bag into your hand | 0:23:04 | 0:23:07 | |
-so you can have a look. -Great stuff. | 0:23:07 | 0:23:09 | |
It's funny, isn't it? | 0:23:09 | 0:23:10 | |
It's called gunpowder, so you'd tend to think, "Ah, it's a fine powder." | 0:23:10 | 0:23:14 | |
-But, look, it's coarse-grained. -No, it's quite big pieces. | 0:23:14 | 0:23:17 | |
-OK, you hold on to the gunpowder. -Yes, please. | 0:23:17 | 0:23:19 | |
-I'll get the ramrod. -All right, it's a deal. | 0:23:19 | 0:23:21 | |
It's pretty big. | 0:23:23 | 0:23:24 | |
-So, put that into the... -Straight in, OK, will do. | 0:23:24 | 0:23:27 | |
You're going to push the bag of powder down the barrel, | 0:23:29 | 0:23:31 | |
all the way down to the end. | 0:23:31 | 0:23:33 | |
We now have a loaded weapon. | 0:23:35 | 0:23:37 | |
So, the next thing we need is a powder horn, | 0:23:41 | 0:23:43 | |
and that is filled with fine powder. | 0:23:43 | 0:23:45 | |
Are you feeling very Tudor now? | 0:23:45 | 0:23:47 | |
-Absolutely, it's beautiful, this thing. -Great. | 0:23:47 | 0:23:49 | |
-OK. -OK. What do I do? | 0:23:49 | 0:23:50 | |
OK, so, it's got a little button you press in, | 0:23:50 | 0:23:52 | |
-and then you put the fine powder into the hole. -I get it, OK. | 0:23:52 | 0:23:56 | |
-Here it comes. -A little bit more. | 0:23:57 | 0:23:59 | |
So it creates a little mound on top. | 0:23:59 | 0:24:02 | |
-We need to health-and-safety up, OK? -Sounds good to me. | 0:24:03 | 0:24:06 | |
It's going to be loud, so let's put some ear defenders on. | 0:24:06 | 0:24:09 | |
-Right, OK. -OK, let's get those on. -Yeah. | 0:24:09 | 0:24:12 | |
-OK, Wendy. -OK. Are we ready? -Yeah, ready. -OK. | 0:24:19 | 0:24:22 | |
Firing the gun! | 0:24:25 | 0:24:26 | |
CANNON BOOMS | 0:24:28 | 0:24:30 | |
THEY BOTH LAUGH | 0:24:30 | 0:24:32 | |
Fantastic! | 0:24:37 | 0:24:38 | |
I love a gun. | 0:24:41 | 0:24:42 | |
Falmouth's been a blast, but I'm moving on. | 0:24:44 | 0:24:47 | |
I'm heading towards Polperro, in south-east Cornwall. | 0:24:55 | 0:24:59 | |
The path here is fringed by wild flowers. | 0:25:04 | 0:25:07 | |
It's a pretty walk, but for food foragers like Rachel Lambert, | 0:25:08 | 0:25:12 | |
it can be a very fruitful one too. | 0:25:12 | 0:25:14 | |
We've been walking along all this wonderful white, bell-shaped flower. | 0:25:18 | 0:25:21 | |
Yeah, I've seen thousands of them on the path. | 0:25:21 | 0:25:23 | |
I know, it's full of it. Really pretty, isn't it? | 0:25:23 | 0:25:25 | |
And if you look at the end there, the shape of the stem, | 0:25:25 | 0:25:28 | |
so this is a three-cornered leek. | 0:25:28 | 0:25:30 | |
-Is it all right to have some? -Yes, it's good. | 0:25:30 | 0:25:32 | |
-Oh, yeah, it's sweet. -It is, yeah. | 0:25:35 | 0:25:37 | |
The flower stem is the sweetest part of it. | 0:25:37 | 0:25:39 | |
I thought it was going to be harsh, | 0:25:39 | 0:25:41 | |
because it's quite a strong smell, isn't it? | 0:25:41 | 0:25:43 | |
If you wanted a stronger part, you can eat the flowers. | 0:25:43 | 0:25:46 | |
-They're a bit more punchy. -Oh, wow. Yeah? -Go ahead. -OK. | 0:25:46 | 0:25:50 | |
That's really good! | 0:25:54 | 0:25:56 | |
Pizza. | 0:25:56 | 0:25:57 | |
That will be great on pizza. | 0:25:57 | 0:25:59 | |
This is exciting business. Thank you. What's next? | 0:25:59 | 0:26:02 | |
-Let's go and find out. -OK. | 0:26:02 | 0:26:04 | |
Here we've got pennywort. | 0:26:19 | 0:26:22 | |
-It's also known as navelwort, which is like an innie belly button. -OK. | 0:26:22 | 0:26:27 | |
-Umbilicus is the Latin. -Ah, hence the name. -Navel, yes. | 0:26:27 | 0:26:31 | |
-Belly button wort! -Yes! | 0:26:31 | 0:26:33 | |
And what do you do with them? | 0:26:34 | 0:26:35 | |
It's great for salads, actually. | 0:26:35 | 0:26:37 | |
It's a real thirst-quencher of the hedgerow. | 0:26:37 | 0:26:40 | |
It's full of water, very succulent. | 0:26:40 | 0:26:42 | |
-Is it all right to have a go? -Yeah, yeah, go ahead. | 0:26:42 | 0:26:45 | |
That's... That's great. | 0:26:51 | 0:26:53 | |
-Do you feel quenched? -I had no idea... Absolutely! | 0:26:53 | 0:26:55 | |
-This is a revelation, this kind of thing. -Great. | 0:26:57 | 0:26:59 | |
You'll start to be able to pick out different plants, | 0:27:01 | 0:27:04 | |
different flavours... | 0:27:04 | 0:27:06 | |
I've been walking this path for some time now, Rachel, | 0:27:06 | 0:27:09 | |
but you've brought it to life, so thank you so much. | 0:27:09 | 0:27:11 | |
Oh, you're welcome. It's really nice to share it with people and have | 0:27:11 | 0:27:15 | |
-a munch as we walk as well. -Yes, please! Yes, thank you. | 0:27:15 | 0:27:18 | |
'My walk along the edge of south Cornwall | 0:27:18 | 0:27:20 | |
'has been a treat for the senses.' | 0:27:20 | 0:27:22 | |
But as I round the Rame Peninsula, it's coming to a close. | 0:27:34 | 0:27:39 | |
The path leads through the twin villages of Cawsand and Kingsand. | 0:27:40 | 0:27:45 | |
It's hard to tell where one starts and the other ends, | 0:27:47 | 0:27:52 | |
but there is one important difference. | 0:27:52 | 0:27:54 | |
Cawsand has always been in Cornwall, | 0:27:56 | 0:27:59 | |
but, until the county boundaries were changed in 1844, | 0:27:59 | 0:28:02 | |
Kingsand was in Devon, | 0:28:02 | 0:28:05 | |
and this house marks the old county boundary - Devon, Cornwall. | 0:28:05 | 0:28:09 | |
Here goes. | 0:28:09 | 0:28:11 | |
'Next time on Coastal Path, | 0:28:13 | 0:28:16 | |
'I'll be exploring south Devon. | 0:28:16 | 0:28:18 | |
'I'll be diving for treasure at Burgh Island...' | 0:28:18 | 0:28:21 | |
Well done, I knew you'd find the first one! | 0:28:21 | 0:28:24 | |
TRAIN WHISTLE BLOWS | 0:28:24 | 0:28:26 | |
'..and travelling full steam ahead in Paignton.' | 0:28:26 | 0:28:29 | |
I'm driving a steam train! | 0:28:29 | 0:28:31 |