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Springtime, when the days lengthen and signs of change are everywhere. | 0:00:05 | 0:00:10 | |
There's not a corner of the British Isles that doesn't | 0:00:13 | 0:00:15 | |
warm to the arrival of spring. | 0:00:15 | 0:00:17 | |
It's our most extraordinary season for one big reason. | 0:00:17 | 0:00:21 | |
It's a time of astonishing growth and regeneration. | 0:00:21 | 0:00:26 | |
From pond life to birdlife, | 0:00:26 | 0:00:28 | |
from the scent of fresh blossom, to our smallest mammals | 0:00:28 | 0:00:31 | |
reawakening after months of hibernation. | 0:00:31 | 0:00:34 | |
We'll be bringing you the most remarkable stories of this | 0:00:35 | 0:00:39 | |
wonderful time of year. | 0:00:39 | 0:00:41 | |
Tales of survival, endurance and occasional indulgence. | 0:00:41 | 0:00:47 | |
Join us for this special week of programmes, as we celebrate | 0:00:47 | 0:00:50 | |
the secrets of spring, here on Countryfile Diaries. | 0:00:50 | 0:00:54 | |
The south coast of Britain is where spring first reveals itself. | 0:01:10 | 0:01:13 | |
So, where better to base ourselves than here, | 0:01:16 | 0:01:19 | |
in the New Forest in Hampshire? | 0:01:19 | 0:01:23 | |
At 220 square miles, it's our smallest National Park, | 0:01:25 | 0:01:30 | |
and with its ancient trees, lush heathland and abundant wildlife, | 0:01:30 | 0:01:34 | |
it's the perfect place to show off the secrets of springtime. | 0:01:34 | 0:01:38 | |
And I'll be joined by the Countryfile Diaries team, who have | 0:01:42 | 0:01:45 | |
been scouring the British Isles, | 0:01:45 | 0:01:47 | |
searching for signs that spring has sprung. | 0:01:47 | 0:01:51 | |
Margherita taps in to an up-and-coming spring trend. | 0:01:51 | 0:01:54 | |
-Wow! -Crikey! | 0:01:56 | 0:01:57 | |
Oh, my goodness. | 0:01:57 | 0:02:00 | |
Jules tracks down the world's smallest | 0:02:00 | 0:02:02 | |
and most unusual police force. | 0:02:02 | 0:02:05 | |
And if you are one of the 60,000 or more people | 0:02:07 | 0:02:10 | |
who move to the country every year, well, | 0:02:10 | 0:02:13 | |
Paul will be picking up the ultimate tips for running a smallholding. | 0:02:13 | 0:02:17 | |
Ease the bottle gently into his mouth. | 0:02:17 | 0:02:20 | |
-Aw. They take to it really well, don't they? -Yeah. | 0:02:20 | 0:02:24 | |
But first, I think it's true to say | 0:02:24 | 0:02:26 | |
that we all feel that little bit better | 0:02:26 | 0:02:28 | |
when spring comes around, | 0:02:28 | 0:02:30 | |
and our resident weather expert, Keeley Donovan, | 0:02:30 | 0:02:33 | |
has been up at the crack of dawn to find out | 0:02:33 | 0:02:35 | |
whether springtime really does lift our spirits. | 0:02:35 | 0:02:39 | |
I'm here at Martin Down, on the edge of the New Forest. | 0:02:48 | 0:02:51 | |
Now, it might only be 5am, but we're at the top of the hill, | 0:02:51 | 0:02:54 | |
the sun's starting to come through the clouds, | 0:02:54 | 0:02:57 | |
and I'm waiting for a spring pick-me-up. | 0:02:57 | 0:02:59 | |
Natural England have been researching | 0:03:00 | 0:03:03 | |
the link between our mental health and the sound of birdsong. | 0:03:03 | 0:03:07 | |
One in ten of us will be affected by depression | 0:03:07 | 0:03:10 | |
at some point in our lives. | 0:03:10 | 0:03:12 | |
Spring is the perfect time to get out and about, | 0:03:13 | 0:03:16 | |
but can birdsong really have any psychological benefits? | 0:03:16 | 0:03:20 | |
Now, I've never actually been to hear the dawn chorus before, | 0:03:20 | 0:03:24 | |
so it's the perfect way to test its effect on me. | 0:03:24 | 0:03:26 | |
I've agreed to be hooked up to this, which is a stress monitor, | 0:03:26 | 0:03:29 | |
and it's going to test my anxiety levels. | 0:03:29 | 0:03:32 | |
So, let's put it to the test. | 0:03:32 | 0:03:34 | |
And here to help me find the best spot to take it all in | 0:03:39 | 0:03:42 | |
is veteran bird watcher, Paul Toynton. | 0:03:42 | 0:03:45 | |
And we'll be joined by members of a local wellbeing group | 0:03:47 | 0:03:49 | |
who've struggled with mental illness in the past. | 0:03:49 | 0:03:53 | |
From the melodic whistle of the robin, | 0:03:54 | 0:03:56 | |
to the chirp of the blackbird, | 0:03:56 | 0:03:58 | |
can there be any benefit from listening to birdsong? | 0:03:58 | 0:04:01 | |
-SHE MIMICS BIRD CHIRPING -That's a song thrush, yeah. -Oh, OK. | 0:04:06 | 0:04:11 | |
Depression and anxiety can be utterly debilitating for those | 0:04:17 | 0:04:21 | |
who suffer from it, so I'm curious to find out whether these guys | 0:04:21 | 0:04:24 | |
feel this morning's experience improved their mood in any way. | 0:04:24 | 0:04:28 | |
Could this work as a natural therapy? | 0:04:28 | 0:04:31 | |
Because it's quite overwhelming in a way, | 0:04:31 | 0:04:34 | |
it takes me away from other things that might be going on in my mind. | 0:04:34 | 0:04:38 | |
You know, it's part of the modern disease where people | 0:04:39 | 0:04:42 | |
just don't switch off, so you just listen for the birdsong | 0:04:42 | 0:04:45 | |
and everything else sort of goes out the window. | 0:04:45 | 0:04:47 | |
The evidence may seem anecdotal, | 0:04:51 | 0:04:53 | |
but the use of birdsong is proving successful in a commercial setting. | 0:04:53 | 0:04:57 | |
Amsterdam airport plays it on loudspeakers, with 95% | 0:04:57 | 0:05:01 | |
of commuters saying it makes them feel more calm and relaxed. | 0:05:01 | 0:05:05 | |
It's even used over here in petrol station toilets, | 0:05:05 | 0:05:08 | |
where customer satisfaction rose by 50%. | 0:05:08 | 0:05:11 | |
That's all very well, but can the effect of birdsong on mood | 0:05:13 | 0:05:16 | |
be measured in a more tangible way by my stress monitor? | 0:05:16 | 0:05:20 | |
-Hi, there, Jess. -Hi, Keeley. -Hello. | 0:05:20 | 0:05:23 | |
'Jess Hall from Cardiff University is downloading my results. | 0:05:23 | 0:05:27 | |
'This device has been measuring how stressed or relaxed | 0:05:27 | 0:05:29 | |
'I've been over the last couple of days.' | 0:05:29 | 0:05:32 | |
Let's have a little look at the results. | 0:05:32 | 0:05:34 | |
OK, so yesterday, we put you through some stressful experiences. | 0:05:34 | 0:05:38 | |
And these are kind of typical everyday stresses that everybody | 0:05:38 | 0:05:41 | |
-deals with as well? -Here... -Right. I was very stressed. | 0:05:41 | 0:05:44 | |
Do you have any idea what that might be? | 0:05:44 | 0:05:46 | |
That was the boss ringing, wasn't it? | 0:05:46 | 0:05:47 | |
It was your boss ringing, yes, so you can see that you steadily | 0:05:47 | 0:05:51 | |
get more stressed throughout that phone call. | 0:05:51 | 0:05:53 | |
So, how does this compare with how I was feeling this morning | 0:05:53 | 0:05:56 | |
when I was listening to the dawn chorus? | 0:05:56 | 0:05:58 | |
So, this morning, we can see quite a different shape. | 0:05:58 | 0:06:02 | |
Really different shape, yeah. | 0:06:02 | 0:06:04 | |
So you see that it's a really, really low level, | 0:06:04 | 0:06:07 | |
so, by comparison, when you're listening to the birds, | 0:06:07 | 0:06:10 | |
you are five times less stressed | 0:06:10 | 0:06:12 | |
-than you are when you're talking to your boss. -OK. | 0:06:12 | 0:06:15 | |
So not only does it sound beautiful, | 0:06:16 | 0:06:18 | |
but these results prove that it's made me feel less stressed. | 0:06:18 | 0:06:21 | |
Perhaps we all need a little bit of birdsong in our lives. | 0:06:21 | 0:06:24 | |
One thing we can all rely on is the changing of the seasons. | 0:06:28 | 0:06:31 | |
After the long, dark days of winter, | 0:06:31 | 0:06:33 | |
spring is nature's alarm clock, | 0:06:33 | 0:06:36 | |
bringing everything back to life, and it happens every year | 0:06:36 | 0:06:39 | |
like clockwork and, Keeley, you're our weather expert. | 0:06:39 | 0:06:42 | |
Why does that happen? Why do we get spring? | 0:06:42 | 0:06:44 | |
It's all to do with the solar system, | 0:06:44 | 0:06:46 | |
the Earth's position in relation to the sun. | 0:06:46 | 0:06:50 | |
You can see the Earth is on a tilt | 0:06:51 | 0:06:53 | |
and it's that tilt that creates the seasons, | 0:06:53 | 0:06:55 | |
so in spring, the northern hemisphere, | 0:06:55 | 0:06:58 | |
our part of the world, begins to tilt towards the sun, and that's | 0:06:58 | 0:07:01 | |
what makes longer days, temperatures rise - the miracle of spring. | 0:07:01 | 0:07:04 | |
And how does that affect our spring weather, then? | 0:07:04 | 0:07:07 | |
I mean, here, in the New Forest, in our back gardens, everywhere. | 0:07:07 | 0:07:10 | |
Let me put the world down and welcome you to the British Isles. | 0:07:10 | 0:07:14 | |
-Oh! Did you do this? -I did indeed. -Very good. | 0:07:14 | 0:07:18 | |
Now, we are an island, so that has a huge effect on our weather. | 0:07:18 | 0:07:21 | |
One other major factor is this. | 0:07:21 | 0:07:24 | |
-Catch. -What, this blue ribbon? -Exactly. -Uh-huh. | 0:07:24 | 0:07:27 | |
-Now, this ribbon... -What does this represent, then? | 0:07:27 | 0:07:29 | |
This ribbon is the jet stream, which is like a ribbon of | 0:07:29 | 0:07:33 | |
fast-moving air, strong winds, high up in the atmosphere, | 0:07:33 | 0:07:37 | |
going around 200mph at times. Now, the jet stream is the dividing line | 0:07:37 | 0:07:41 | |
between mild air to the south, cold air to the north, | 0:07:41 | 0:07:44 | |
-and it's a conveyor belt steering our weather. -Right. | 0:07:44 | 0:07:47 | |
So, what happens if it comes down south? | 0:07:47 | 0:07:51 | |
So if the jet stream is to the south of the UK, that means cold | 0:07:51 | 0:07:54 | |
Arctic and Pole air can flow over us, which means colder weather. | 0:07:54 | 0:07:59 | |
-Here you go. -This white blossom, then, | 0:07:59 | 0:08:01 | |
-representing a cold air... -Absolutely. | 0:08:01 | 0:08:03 | |
-..right across our country. -Perhaps even a little bit of snow and ice. | 0:08:03 | 0:08:08 | |
-Yes. -Now, if the jet stream moves to the north of the UK... -Yeah. | 0:08:08 | 0:08:14 | |
..that's going to let all the mild air from the Continent pull up | 0:08:14 | 0:08:18 | |
and push across the UK, which means it's going to be milder. | 0:08:18 | 0:08:21 | |
Some blossom... | 0:08:21 | 0:08:23 | |
Sprinkle a bit of sunshine and very pleasant weather... | 0:08:23 | 0:08:27 | |
-The kind of spring weather we like. -..around the UK. -There you go. | 0:08:27 | 0:08:30 | |
And if the jet stream gets stuck in either of those positions, | 0:08:30 | 0:08:32 | |
that's when we get extreme weather - extremely warm, extremely cold - | 0:08:32 | 0:08:35 | |
-and that's what's going to make the headlines. -Right. | 0:08:35 | 0:08:38 | |
-Tell me, do you remember Easter weekend? -Oh, awful weekend! | 0:08:38 | 0:08:41 | |
Horrible, stormy weekend. | 0:08:41 | 0:08:43 | |
Storm Katie. And that's because the jet stream was | 0:08:43 | 0:08:45 | |
slung across the UK, steering the weather systems, the storms across | 0:08:45 | 0:08:49 | |
us, but, yeah, spring has been a little bit cooler, March and April. | 0:08:49 | 0:08:53 | |
April was very cold. | 0:08:53 | 0:08:55 | |
It was, yeah, but even last year, we had snow warnings in May | 0:08:55 | 0:08:58 | |
so it's not unusual, it's just a bit colder than we'd like. | 0:08:58 | 0:09:01 | |
The unpredictability of spring weather | 0:09:05 | 0:09:07 | |
doesn't just affect flora and fauna - | 0:09:07 | 0:09:09 | |
it also impacts on livestock. | 0:09:09 | 0:09:11 | |
And nowhere more so than in the New Forest. | 0:09:11 | 0:09:13 | |
At present, more than 9,000 cattle, | 0:09:13 | 0:09:16 | |
donkeys and ponies graze on the land, and Jules has been finding out | 0:09:16 | 0:09:20 | |
just how they're kept safe and well. | 0:09:20 | 0:09:22 | |
Animals are the lifeblood of what makes the entire region tick, and | 0:09:23 | 0:09:27 | |
the park's famous ponies, | 0:09:27 | 0:09:28 | |
well, many of them are now having their foals. | 0:09:28 | 0:09:31 | |
So I've come to take a ride out with Agister Jonathan | 0:09:31 | 0:09:34 | |
to see how the season is unfolding. | 0:09:34 | 0:09:38 | |
Agisters are the wardens of the forest, | 0:09:38 | 0:09:40 | |
much like a rural police force. | 0:09:40 | 0:09:43 | |
It's a post that has its origins in medieval times. | 0:09:44 | 0:09:47 | |
-ARCHIVE: -The Agisters are the smallest police force in the world, | 0:09:52 | 0:09:55 | |
they've been called. | 0:09:55 | 0:09:56 | |
Still in their 18th-century uniform, they uphold the commoners' rights | 0:09:56 | 0:10:00 | |
and see that the forest laws are observed. | 0:10:00 | 0:10:04 | |
From time to time, owners and Agisters round up the cattle. | 0:10:04 | 0:10:08 | |
Not exactly Wild West cowboys as we know them, | 0:10:08 | 0:10:11 | |
yet doing much the same job. | 0:10:11 | 0:10:13 | |
The Agisters no longer wear formal uniforms, | 0:10:19 | 0:10:22 | |
but they still collect fees from people who | 0:10:22 | 0:10:25 | |
graze their livestock in the forest, known as commoners. | 0:10:25 | 0:10:28 | |
-So, you're the money-collector? -That's right. | 0:10:29 | 0:10:32 | |
-And that's been going on for centuries. -Absolutely. | 0:10:32 | 0:10:35 | |
And in return for that payment, | 0:10:35 | 0:10:37 | |
the Agisters are on call 24 hours a day, | 0:10:37 | 0:10:39 | |
seven days a week, to deal with any issues, | 0:10:39 | 0:10:42 | |
problems that the animals may give them, to any emergency situations. | 0:10:42 | 0:10:45 | |
It's a difficult place to manage. | 0:10:45 | 0:10:47 | |
How many acres is it, 90-odd thousand? | 0:10:47 | 0:10:50 | |
Yes, roughly within the perambulation | 0:10:50 | 0:10:52 | |
is around about 90,000 acres. | 0:10:52 | 0:10:54 | |
It's a large place, 5,000-odd ponies, | 0:10:54 | 0:10:57 | |
4,500 cattle, 200-plus donkeys. | 0:10:57 | 0:11:00 | |
In the pannage season, when the pigs go out, 300 or 400 pigs, | 0:11:00 | 0:11:04 | |
and five Agisters there. | 0:11:04 | 0:11:05 | |
I was going to say five Agisters, of which you are one, | 0:11:05 | 0:11:08 | |
-do you each have your own patch? -Yes, that's right. | 0:11:08 | 0:11:11 | |
That's how the Agisters work. We've got a sort of beat area, | 0:11:11 | 0:11:13 | |
an area we're responsible for, and we will spend as much | 0:11:13 | 0:11:16 | |
time as we can on our horses, in our vehicles, out looking at the stock. | 0:11:16 | 0:11:20 | |
Well, it's wonderful to get a chance to ride out on a beautiful | 0:11:20 | 0:11:23 | |
spring day like this, in amongst the herd. | 0:11:23 | 0:11:26 | |
-They're not bothered at all, are they? -Not worried at all. | 0:11:26 | 0:11:29 | |
That's a real testament to the great nature of our New Forest ponies. | 0:11:29 | 0:11:33 | |
Well, I don't blame them for enjoying this very welcome | 0:11:33 | 0:11:36 | |
spring sunshine, and hopefully some lusher grass soon to come. | 0:11:36 | 0:11:40 | |
Yes, it'll soon come through. The foals will be on the ground and then | 0:11:40 | 0:11:43 | |
everything will be rosy for the summer. | 0:11:43 | 0:11:45 | |
Come on, let's leave them to it. Come on, then, Chip. Good boy. | 0:11:45 | 0:11:48 | |
Now, every year, more than 60,000 of us | 0:11:52 | 0:11:55 | |
escape the urban sprawl to start a new life in the country, | 0:11:55 | 0:12:00 | |
and this spring, Paul Martin and his family are going one step further | 0:12:00 | 0:12:04 | |
and rounding off an ambitious plan to turn 27 acres in the West Country | 0:12:04 | 0:12:09 | |
into a self-sufficient smallholding, | 0:12:09 | 0:12:12 | |
and he's giving us his tips on how to live the country life. | 0:12:12 | 0:12:15 | |
Seven years ago, my wife Charlotte and I fell in love with | 0:12:20 | 0:12:23 | |
a derelict cottage in the heart of Wiltshire... | 0:12:23 | 0:12:26 | |
Come on, then, guys. | 0:12:26 | 0:12:29 | |
..together with my seven-year-old son Dylan | 0:12:29 | 0:12:31 | |
and my four-year-old daughter Meredith. | 0:12:31 | 0:12:34 | |
Hey! | 0:12:34 | 0:12:36 | |
It's been a labour of love. | 0:12:36 | 0:12:38 | |
We've had more than our fair share of leaky roofs and burst pipes. | 0:12:38 | 0:12:42 | |
My only real regret is letting the three-year-old name the dog. | 0:12:45 | 0:12:49 | |
-Come on, Woof. Come on. Woof! -HE WHISTLES | 0:12:50 | 0:12:54 | |
But we've still got plenty of work to do. | 0:12:54 | 0:12:56 | |
With the house almost finished, | 0:12:56 | 0:12:58 | |
my plan this spring is to fulfil a dream and restore the fields | 0:12:58 | 0:13:02 | |
and woodlands of this Victorian smallholding to their former glory. | 0:13:02 | 0:13:07 | |
I absolutely love spring. | 0:13:15 | 0:13:17 | |
When I was a kid, it was the season I looked forward to the most. | 0:13:17 | 0:13:20 | |
Winters out here can be terribly miserable and quite relentless, | 0:13:20 | 0:13:23 | |
but when you see the first buds and blossoms | 0:13:23 | 0:13:26 | |
and leaves arrive on the trees, it really lifts my spirits. | 0:13:26 | 0:13:30 | |
It's a magical time of the year. | 0:13:30 | 0:13:33 | |
But first, let me show you what I've done so far. | 0:13:34 | 0:13:37 | |
Well, this is our chicken enclosure and a bit of an orchard. | 0:13:37 | 0:13:41 | |
We've got an old apple tree there. | 0:13:41 | 0:13:44 | |
And this is our little veggie patch. | 0:13:44 | 0:13:47 | |
I know it doesn't look like much at the moment. | 0:13:47 | 0:13:50 | |
Once this is planted up, it can feed a family of four for the year, | 0:13:50 | 0:13:53 | |
and Charlotte is in charge of this complete area, because I've got it | 0:13:53 | 0:13:56 | |
wrong on more than one occasion, and I've been told off. | 0:13:56 | 0:13:59 | |
Come on, Woof. | 0:13:59 | 0:14:01 | |
And then there's the lush green fields outside. | 0:14:04 | 0:14:07 | |
At least they were lush and green once upon a time. | 0:14:07 | 0:14:10 | |
Now they're patchy, weedy or just plain muddy | 0:14:10 | 0:14:13 | |
and the problem lies with our lawnmowers. | 0:14:13 | 0:14:16 | |
Horses are incredibly fussy eaters, munching around 2% of their own | 0:14:17 | 0:14:21 | |
body weight in grass every day, but completely avoiding the weeds, | 0:14:21 | 0:14:26 | |
and when spring has sprung, the fields are in a terrible state. | 0:14:26 | 0:14:31 | |
What I need is a high-output ovine vegetation system, | 0:14:31 | 0:14:35 | |
or sheep to you and me. | 0:14:35 | 0:14:37 | |
There are 33 million sheep in Britain farmed for their meat | 0:14:41 | 0:14:44 | |
and wool, but they're also excellent grazers, | 0:14:44 | 0:14:47 | |
munching the weeds as well as the grass, | 0:14:47 | 0:14:50 | |
so for this reason, my first mission is to take on my own flock | 0:14:50 | 0:14:54 | |
and it's the perfect time of year to find some spring lambs. | 0:14:54 | 0:14:58 | |
There are so many different variety of breeds out there, | 0:14:58 | 0:15:01 | |
it's hard to know which one is right for my patch of land, | 0:15:01 | 0:15:05 | |
so I'm going to meet a local sheep breeder, Adrian Andrews, | 0:15:05 | 0:15:09 | |
who breeds a special heritage type of sheep. | 0:15:09 | 0:15:13 | |
Like me, Adrian started out with horses. Then, seven years ago, | 0:15:16 | 0:15:21 | |
he introduced Wiltshire Horn sheep to help with grazing. | 0:15:21 | 0:15:24 | |
He's the perfect mentor to teach us how to care for a flock of sheep. | 0:15:24 | 0:15:29 | |
Thanks for inviting me over because I know you're a busy guy, | 0:15:29 | 0:15:32 | |
-bang in the middle of lambing season. -Yeah, we are. | 0:15:32 | 0:15:34 | |
-How's it going? -It's going good. We're coming to the end now. | 0:15:34 | 0:15:37 | |
-Would you like to see our newest arrivals? -Yeah. | 0:15:37 | 0:15:39 | |
If we do take some of Adrian's sheep, they won't be like these. | 0:15:41 | 0:15:45 | |
They'll be year-olds or yearlings. | 0:15:45 | 0:15:47 | |
-And here they are. -Yeah. | 0:15:47 | 0:15:49 | |
But if you're a newbie to sheep farming like me, | 0:15:49 | 0:15:51 | |
it's always best to start small. | 0:15:51 | 0:15:54 | |
-These are actually three weeks old. -Three weeks old. | 0:15:54 | 0:15:57 | |
Just ease the bottle gently into his mouth. | 0:15:57 | 0:15:59 | |
-Oh, they take to it really well, don't they? -Yeah. | 0:15:59 | 0:16:03 | |
-Exactly. -"I'm hungry! I'm hungry. Feed me." | 0:16:03 | 0:16:05 | |
-They are so cute, aren't they? -Yes. | 0:16:05 | 0:16:07 | |
What was it about the Wiltshire Horn | 0:16:07 | 0:16:09 | |
that attracted you in the first place? | 0:16:09 | 0:16:10 | |
-They are a traditional breed. -There's history involved. -Yes. | 0:16:10 | 0:16:14 | |
There's a lot of history, and the Wiltshire Horn sheep | 0:16:14 | 0:16:16 | |
are a very, very good smallholder's sheep, | 0:16:16 | 0:16:20 | |
-because they are relatively low maintenance. -Yeah. | 0:16:20 | 0:16:23 | |
They actually shed their fleeces. | 0:16:23 | 0:16:25 | |
With a normal breed, you have to shear them, | 0:16:25 | 0:16:28 | |
and it just means they are relatively easy to look after. | 0:16:28 | 0:16:32 | |
-Which is quite important if you've got a small flock. -Yes, it is. | 0:16:32 | 0:16:35 | |
-How many have you got now? -I have actually got 66 ewes. -Wow! | 0:16:35 | 0:16:40 | |
-And six rams. -Gosh. | 0:16:40 | 0:16:43 | |
-I started off with a small number, same as you. -Do you know what? | 0:16:43 | 0:16:47 | |
You're going to be a good mentor for me, a good role model. | 0:16:47 | 0:16:50 | |
Well, I hope so. | 0:16:50 | 0:16:51 | |
100 years ago, Wiltshire Horns, like so many other rare breeds, | 0:16:51 | 0:16:56 | |
came close to extinction. | 0:16:56 | 0:16:59 | |
Revived in the 1920s by a group of local breeders, | 0:16:59 | 0:17:02 | |
their numbers are now well on the rise. | 0:17:02 | 0:17:05 | |
I've been so taken by these lovely creatures, | 0:17:05 | 0:17:08 | |
I've decided I'm going to do my small part. | 0:17:08 | 0:17:12 | |
So, Paul, you think you're prepared, ready to take some sheep? | 0:17:12 | 0:17:15 | |
-Did we decide on a number in the end? -Four? -Four. | 0:17:15 | 0:17:18 | |
That sounds fine to start, with four. Yeah? | 0:17:18 | 0:17:20 | |
This is a very special moment, actually, | 0:17:20 | 0:17:23 | |
because this is where it starts for me. | 0:17:23 | 0:17:25 | |
Adrian's a stickler for detail. | 0:17:30 | 0:17:32 | |
He's given me a list of things to do in preparation for the sheep. | 0:17:32 | 0:17:36 | |
I've been granted a parish holding certificate to keep | 0:17:38 | 0:17:41 | |
track of the livestock, in case of disease, and I've been | 0:17:41 | 0:17:44 | |
hard at work converting part of my land for our new animals. | 0:17:44 | 0:17:49 | |
Finally, the anxious wait is over. | 0:17:50 | 0:17:53 | |
Today's the big day. Our mini flock of Wiltshire Horn arrive. | 0:17:53 | 0:17:57 | |
-Hi, Adrian. -Hi, Paul. How are you? -Hello. I'm all right, thank you. | 0:18:04 | 0:18:08 | |
-It's great to see you as well. -And who are these two, then? | 0:18:08 | 0:18:11 | |
-This is Meredith and that's Dylan. -Hello, Meredith. | 0:18:11 | 0:18:13 | |
And have you named yours yet, Meredith? Have you? | 0:18:13 | 0:18:16 | |
-Baah-bie. -Baah-bie. That's a good 'un. | 0:18:16 | 0:18:20 | |
-Shall we have a little look at these sheep, then? -Yeah. | 0:18:20 | 0:18:22 | |
Have a peep through the side of the trailer, look. | 0:18:22 | 0:18:25 | |
Can you see them in there? | 0:18:25 | 0:18:27 | |
Gosh, they look a lot bigger than what I remember! | 0:18:27 | 0:18:30 | |
Can you see their horns? Look at their horns, Meredith. | 0:18:30 | 0:18:33 | |
I know. | 0:18:33 | 0:18:35 | |
Initially, the sheep will need to be contained within | 0:18:35 | 0:18:37 | |
sections of electric fence so that their grazing can be rotated. | 0:18:37 | 0:18:42 | |
That's pretty good, Adrian. | 0:18:42 | 0:18:43 | |
With the Wiltshire Horns' new home plotted out, | 0:18:43 | 0:18:46 | |
it's time to release them onto the pasture. | 0:18:46 | 0:18:49 | |
There they go. | 0:18:53 | 0:18:55 | |
-PAUL CHUCKLES -Look at this, Dyl. | 0:18:55 | 0:18:57 | |
-That wasn't too bad, was it? -No. | 0:18:57 | 0:18:59 | |
I've been feeling rather nervous for the last few weeks, | 0:19:02 | 0:19:05 | |
thinking about this non-stop, 24/7. | 0:19:05 | 0:19:07 | |
And now they're here, I feel totally relaxed. | 0:19:07 | 0:19:10 | |
They look very, very settled. | 0:19:10 | 0:19:12 | |
They're grazing away, mowing the lawn. | 0:19:12 | 0:19:14 | |
That's brilliant, isn't it? | 0:19:14 | 0:19:16 | |
Now, one thing that we must do... | 0:19:16 | 0:19:18 | |
I'd like to shake your hand. | 0:19:18 | 0:19:20 | |
-Oh, you've given me a fiver. -I have given you a fiver. -This gets better! | 0:19:21 | 0:19:25 | |
With livestock, it's a little bit of a tradition that the person | 0:19:25 | 0:19:28 | |
who has bought the livestock, you give them | 0:19:28 | 0:19:30 | |
a little bit of luck money, so hopefully those sheep now | 0:19:30 | 0:19:33 | |
will bring you plenty of luck and everything will go right with them. | 0:19:33 | 0:19:36 | |
Well, Adrian, that's the end to a perfect day. | 0:19:36 | 0:19:39 | |
Thank you very much. Thank you. | 0:19:39 | 0:19:42 | |
Some people go to extraordinary lengths to capture | 0:19:44 | 0:19:48 | |
the essence of spring, | 0:19:48 | 0:19:50 | |
as I discovered when I visited the National Fruit Collection in Kent. | 0:19:50 | 0:19:54 | |
Here they've got on this one site the largest display of fruit trees | 0:19:56 | 0:20:01 | |
and plants anywhere in the world, which means that in springtime, | 0:20:01 | 0:20:05 | |
this place is blossom heaven. | 0:20:05 | 0:20:07 | |
Known as the Queen of Apples for her encyclopaedic knowledge, | 0:20:12 | 0:20:16 | |
Dr Joan Morgan is Britain's leading fruit historian. | 0:20:16 | 0:20:20 | |
Joan has already chronicled in precise detail Britain's great | 0:20:22 | 0:20:26 | |
range of apples and produced THE definitive reference book. | 0:20:26 | 0:20:31 | |
Now she's almost completed a definitive work on pears. | 0:20:33 | 0:20:38 | |
So far, it's taken more than 15 years. | 0:20:38 | 0:20:41 | |
Why has it taken so long to compile this book on pears? | 0:20:44 | 0:20:48 | |
Well, there's so many hurdles in the way, you know. | 0:20:48 | 0:20:52 | |
With pears, not every variety fruits well every year. | 0:20:52 | 0:20:56 | |
Sometimes you might just miss the moment | 0:20:56 | 0:20:59 | |
when you should have collected the fruit. | 0:20:59 | 0:21:02 | |
-So, a long-time labour of love, then? -Yes, yes, yes. | 0:21:02 | 0:21:04 | |
I noticed that in your apple book you chose to have | 0:21:04 | 0:21:07 | |
botanical illustrations rather than photographs. | 0:21:07 | 0:21:10 | |
-Why is that? -Well, first of all, they're very beautiful. | 0:21:10 | 0:21:14 | |
I mean, this produces a really lovely plate. | 0:21:14 | 0:21:16 | |
And it's also possible to show different stages | 0:21:16 | 0:21:22 | |
in the apple's development. | 0:21:22 | 0:21:24 | |
You have it here as it is on the tree when it's picked | 0:21:24 | 0:21:27 | |
and then as it is when it's perfectly ripe. | 0:21:27 | 0:21:29 | |
I know you're going to do the same thing with the pear book | 0:21:29 | 0:21:32 | |
cos I'm about to go and meet the illustrator. | 0:21:32 | 0:21:35 | |
Yes, and perhaps you'd be kind enough to take with you | 0:21:35 | 0:21:39 | |
-a sprig of blossom so that she can paint. -What have we got here? | 0:21:39 | 0:21:42 | |
This is Onward. If I cut this just there, a little sprig. | 0:21:42 | 0:21:46 | |
-Thank you. -There we are. -I'll take this carefully | 0:21:46 | 0:21:49 | |
-and give it to Elizabeth. -Thank you very much. | 0:21:49 | 0:21:51 | |
'This sprig will join many other specimens that have already | 0:21:54 | 0:21:57 | |
'been received by Elizabeth Dowle, a leading botanical illustrator.' | 0:21:57 | 0:22:02 | |
-So, this is your studio? -Yes. | 0:22:06 | 0:22:09 | |
Obviously, a degree of urgency when the raw material first arrives. | 0:22:09 | 0:22:12 | |
Yes, it does put you under a bit of pressure, but as soon as | 0:22:12 | 0:22:16 | |
Joan gives me the material, I make careful colour notes | 0:22:16 | 0:22:19 | |
of all parts of the plants, and measurements, | 0:22:19 | 0:22:22 | |
and any other characteristics that need to be noted. | 0:22:22 | 0:22:27 | |
'The painstaking work of painting the process, | 0:22:27 | 0:22:30 | |
'as blossom matures into fruit, | 0:22:30 | 0:22:32 | |
'means a single plate can take more than two years to complete.' | 0:22:32 | 0:22:35 | |
-Is this a finished plate here? -This is a finished plate, yes. | 0:22:35 | 0:22:39 | |
This would show the fruit as you pick it. | 0:22:39 | 0:22:42 | |
And that's the eating stage, when it's ripe. | 0:22:42 | 0:22:45 | |
You've been painting pears now for 15 years or more. | 0:22:45 | 0:22:49 | |
-Do you get sick of them? -Not at all. | 0:22:49 | 0:22:51 | |
Like a lot of people, I just thought | 0:22:51 | 0:22:52 | |
all pears were yellow when I started, | 0:22:52 | 0:22:55 | |
but the diversity and colour and shape is quite amazing. | 0:22:55 | 0:22:59 | |
Which goes for the blossom as well, to some extent. | 0:22:59 | 0:23:02 | |
But, um...no, it's been quite an education. | 0:23:02 | 0:23:05 | |
And also I get to eat them at the end, which is nice. | 0:23:05 | 0:23:09 | |
The passing seasons in a humble pear orchard, | 0:23:10 | 0:23:13 | |
so vividly depicted by Elizabeth, | 0:23:13 | 0:23:15 | |
have now been captured forever in these beautiful pages. | 0:23:15 | 0:23:18 | |
Every year, blossom reminds us that winter is over, | 0:23:20 | 0:23:23 | |
spring is here and summer is just around the corner. | 0:23:23 | 0:23:27 | |
Blossom time brings colour back into our natural world | 0:23:27 | 0:23:31 | |
and it's just a fleeting moment in the great scale of things. | 0:23:31 | 0:23:35 | |
All too quickly, it's gone. | 0:23:35 | 0:23:36 | |
In the forager's calendar, | 0:23:45 | 0:23:47 | |
few things are more seasonal than silver birch sap. | 0:23:47 | 0:23:50 | |
So Margherita is discovering how to tap the tree | 0:23:50 | 0:23:53 | |
for a springtime pick-me-up. | 0:23:53 | 0:23:55 | |
This tree, the silver birch, | 0:24:01 | 0:24:03 | |
provides one of the first harvests of the season, | 0:24:03 | 0:24:06 | |
much to the delight of foragers on the hunt for the syrup | 0:24:06 | 0:24:10 | |
they call white gold. | 0:24:10 | 0:24:12 | |
Deep within the West Sussex woodland, | 0:24:13 | 0:24:16 | |
master distiller Sarah Thompson is hard at work. | 0:24:16 | 0:24:19 | |
She's collecting sap from silver birch trees | 0:24:19 | 0:24:22 | |
to turn botanicals into spirits. | 0:24:22 | 0:24:25 | |
-Sarah, good to see you. -Hello, how are you doing? -I'm good. | 0:24:25 | 0:24:29 | |
You seem busy, you've got jars all over this woodland. | 0:24:29 | 0:24:32 | |
How do you know when the tree is ready to go, as it were? | 0:24:32 | 0:24:35 | |
A bit of trial and error. Early indications will be | 0:24:35 | 0:24:37 | |
daffodils coming through, snowdrops coming through, | 0:24:37 | 0:24:39 | |
and then we tap a few trees and see what's happening. | 0:24:39 | 0:24:42 | |
We have no control. | 0:24:42 | 0:24:44 | |
And what window do you have to get the sap from the trees? | 0:24:44 | 0:24:47 | |
Anything up to six weeks. So, from the start... But it can move. | 0:24:47 | 0:24:50 | |
So it's all to do with when spring is kicking in, | 0:24:50 | 0:24:53 | |
so this year it's been a little late. | 0:24:53 | 0:24:55 | |
So we've harvested...probably only started a fortnight ago, | 0:24:55 | 0:24:58 | |
but we have harvested as early as February. | 0:24:58 | 0:25:00 | |
How much sap will each tree give you? | 0:25:00 | 0:25:02 | |
-We like to try and get about five litres from a tree. -Five litres?! | 0:25:02 | 0:25:06 | |
Yes, five litres. So a nice little demijohn full. | 0:25:06 | 0:25:08 | |
-Will that not finish off the tree? -No. | 0:25:08 | 0:25:10 | |
When it starts to bud, we know we don't touch that tree any more. | 0:25:10 | 0:25:14 | |
How many trees will you tap by hand? | 0:25:14 | 0:25:17 | |
We've done 50 so far, and we'd like to be doing another 100. | 0:25:17 | 0:25:20 | |
-So you drill in, then what are we waiting for? -You can see now. | 0:25:20 | 0:25:23 | |
Oh, my goodness! It's literally... That's your liquid gold? | 0:25:23 | 0:25:26 | |
It is my liquid gold, yes. | 0:25:26 | 0:25:28 | |
So, when it's at this stage, we want to put a pipe in. | 0:25:28 | 0:25:31 | |
Then we put a bit of clay around the pipe | 0:25:31 | 0:25:33 | |
to help stop the pipe from moving and also loss of sap as well. | 0:25:33 | 0:25:36 | |
Does it repair itself or do you have to help it out? | 0:25:36 | 0:25:38 | |
We have to fill the hole back in. | 0:25:38 | 0:25:39 | |
By leaving the hole open, you run the risk of infection | 0:25:39 | 0:25:43 | |
in the tree and then that will also be an indicator of what tree | 0:25:43 | 0:25:46 | |
we've used and we'll know next year not to go back to that tree as well. | 0:25:46 | 0:25:49 | |
It might seem strange, | 0:25:50 | 0:25:52 | |
but trees have long been harvested for their sap. | 0:25:52 | 0:25:55 | |
Native Americans were amongst the first to extract | 0:25:55 | 0:25:58 | |
the sugary syrup from maple trees. | 0:25:58 | 0:26:00 | |
And in Scotland, the sap is fermented to make a birch wine. | 0:26:02 | 0:26:06 | |
In fact, Queen Victoria wrote | 0:26:06 | 0:26:08 | |
it was Prince Albert's favourite tipple when visiting Balmoral. | 0:26:08 | 0:26:11 | |
But we're making something even more potent with today's harvest. | 0:26:14 | 0:26:18 | |
Sarah turns her sap into alcohol, | 0:26:20 | 0:26:22 | |
but it can be drunk directly from the tree. | 0:26:22 | 0:26:24 | |
And it's gaining popularity as THE new health drink, | 0:26:24 | 0:26:28 | |
bottled and sold as a spring detoxing elixir, | 0:26:28 | 0:26:30 | |
known for its cleansing properties. | 0:26:30 | 0:26:33 | |
This is this sap which we spent the morning harvesting? | 0:26:33 | 0:26:35 | |
-That's right, yes. -And I can just drink it | 0:26:35 | 0:26:37 | |
straight from the tree, as it were? | 0:26:37 | 0:26:39 | |
You can. I've filtered it a little bit to remove any bugs. | 0:26:39 | 0:26:42 | |
-So... -OK. But this is pretty raw. -Cheers. | 0:26:42 | 0:26:47 | |
-I can just, down the hatch? -Yes, just drink it. | 0:26:47 | 0:26:49 | |
It's literally just fresh water that's been filtered through | 0:26:49 | 0:26:51 | |
-the tree, so you can't get better than that, really. -It's gorgeous! | 0:26:51 | 0:26:54 | |
And then what happens to it? | 0:26:54 | 0:26:55 | |
The next stage is, we're just reducing some down | 0:26:55 | 0:26:59 | |
at the moment into a syrup. | 0:26:59 | 0:27:01 | |
So, a litre of the raw sap becomes how much of this? | 0:27:01 | 0:27:04 | |
We're looking at maybe 100ml, 200ml. | 0:27:04 | 0:27:07 | |
-Wow! -From one litre. -That's a lot of work. | 0:27:07 | 0:27:09 | |
Yeah, we want a really concentrated flavour. | 0:27:09 | 0:27:11 | |
-Have a try of this one. -Cheers again. -Cheers again. | 0:27:11 | 0:27:14 | |
-That's sweeter. -A bit sweeter. -And is this how you sell it? | 0:27:16 | 0:27:20 | |
No, this is only the beginning stages of what we're doing. | 0:27:20 | 0:27:23 | |
-We only sell it as alcohol. -OK! | 0:27:23 | 0:27:27 | |
Sarah's distillery is one of only a handful | 0:27:29 | 0:27:31 | |
to use silver birch botanicals to infuse with gins, vodkas, | 0:27:31 | 0:27:35 | |
and today, a rather robust vermouth. | 0:27:35 | 0:27:38 | |
Crikey! Oh, my goodness! | 0:27:40 | 0:27:42 | |
Whoo! | 0:27:42 | 0:27:44 | |
That is... | 0:27:44 | 0:27:45 | |
What kind of proof is that? | 0:27:45 | 0:27:47 | |
It's a good 50%. So just a little, tiny shot. | 0:27:47 | 0:27:50 | |
It's early in the day, but, for you... | 0:27:50 | 0:27:52 | |
Oh, my goodness! | 0:27:56 | 0:27:57 | |
-Schnapps, really. -Wow! | 0:27:58 | 0:28:01 | |
A bit of water and that will bring that back to life again. | 0:28:01 | 0:28:03 | |
-Oh, my God, that's a little bit good. -It's spicy. | 0:28:03 | 0:28:06 | |
Wow! How much can we make today to take home? | 0:28:06 | 0:28:10 | |
And that's all we've got time for today, | 0:28:14 | 0:28:16 | |
but we will be back again tomorrow. | 0:28:16 | 0:28:18 | |
So please make a date in your diary to join us. | 0:28:18 | 0:28:21 | |
Until then, bye-bye. | 0:28:21 | 0:28:22 |