Browse content similar to A Sense of Spring!. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Springtime, when the days lengthen | 0:00:04 | 0:00:08 | |
and signs of change | 0:00:08 | 0:00:09 | |
are everywhere. | 0:00:09 | 0:00:10 | |
LAMBS BLEAT | 0:00:10 | 0:00:12 | |
There's not a corner of the British Isles | 0:00:13 | 0:00:15 | |
that doesn't warm to the arrival of spring. | 0:00:15 | 0:00:18 | |
It's our most extraordinary season, for one big reason - | 0:00:18 | 0:00:21 | |
it's a time of astonishing growth and regeneration. | 0:00:21 | 0:00:25 | |
From pond life to birdlife, | 0:00:25 | 0:00:28 | |
from the scent of fresh blossom, | 0:00:28 | 0:00:30 | |
to our smallest mammals reawakening, after months of hibernation. | 0:00:30 | 0:00:33 | |
We'll be bringing you the most remarkable stories | 0:00:36 | 0:00:39 | |
of this wonderful time of year. | 0:00:39 | 0:00:41 | |
Tales of survival, endurance and occasional indulgence. | 0:00:41 | 0:00:46 | |
Join us for this special week of programmes, | 0:00:47 | 0:00:50 | |
as we celebrate the secrets of spring | 0:00:50 | 0:00:52 | |
here on Countryfile Diaries. | 0:00:52 | 0:00:55 | |
Spring - it's a season that provides the essential ingredients | 0:01:08 | 0:01:12 | |
of water, warmth and light that combine to ignite all of our senses. | 0:01:12 | 0:01:17 | |
LAMB BLEATS | 0:01:17 | 0:01:19 | |
More than 900 years ago, the New Forest here in Hampshire | 0:01:19 | 0:01:23 | |
was the favourite hunting ground of William the Conqueror. | 0:01:23 | 0:01:26 | |
Now, it's the perfect place to hunt down the sights, | 0:01:26 | 0:01:29 | |
sounds and scents of spring. | 0:01:29 | 0:01:31 | |
And Keeley is meeting a man who says he can taste all of them. | 0:01:31 | 0:01:38 | |
The actual sound of the name daffodil gives me a taste | 0:01:38 | 0:01:41 | |
of corned beef. | 0:01:41 | 0:01:42 | |
On the Yorkshire coast, Margherita meets a man on a mission | 0:01:45 | 0:01:49 | |
to make wildlife sites accessible for all. | 0:01:49 | 0:01:52 | |
Look at this, you can look for miles! | 0:01:52 | 0:01:54 | |
And we'll be catching up with Paul | 0:01:55 | 0:01:57 | |
as he breathes new life into his Wiltshire smallholding. | 0:01:57 | 0:02:00 | |
Today, he is getting to grips with how to grow his own heritage apples | 0:02:00 | 0:02:04 | |
with a little expert help. | 0:02:04 | 0:02:07 | |
How big will it be? | 0:02:07 | 0:02:08 | |
-These ones will be full-size fruit trees. -That's great. | 0:02:08 | 0:02:11 | |
For most of us, the coming of spring | 0:02:16 | 0:02:18 | |
means that our senses are bombarded with all kind of new fragrances, | 0:02:18 | 0:02:21 | |
the fantastic smells of blossom. | 0:02:21 | 0:02:24 | |
In fact, it's said that you can actually develop a nose for spring. | 0:02:24 | 0:02:28 | |
But can that be possibly true, Keeley? | 0:02:28 | 0:02:30 | |
Well, do you know what, John? | 0:02:30 | 0:02:32 | |
There might be a bit more to it than just an old wives' tale. | 0:02:32 | 0:02:34 | |
We recognise the smell of spring, like you say, | 0:02:34 | 0:02:37 | |
with the beautiful smell of blossom, but what if there was something else | 0:02:37 | 0:02:41 | |
that we can't see, but we can still smell? | 0:02:41 | 0:02:43 | |
-But...where would that come from, then? -Down here, John. | 0:02:43 | 0:02:46 | |
Beneath our feet...in the soil. | 0:02:46 | 0:02:49 | |
As the weather heats up, plants release oils into the soil | 0:02:49 | 0:02:53 | |
and bacteria's released in there, too. | 0:02:53 | 0:02:55 | |
And this has a smell to it and we call that petrichor. | 0:02:55 | 0:02:58 | |
I'm pretty sure there'll be some keen gardeners out there | 0:02:58 | 0:03:01 | |
-that know what I'm talking about. -That very earthy smell. -Absolutely. | 0:03:01 | 0:03:04 | |
But how does it get, then, from the earth into the air? | 0:03:04 | 0:03:06 | |
Well, it is down to a very simple concept | 0:03:06 | 0:03:09 | |
that water droplets can carry aromas with them. | 0:03:09 | 0:03:12 | |
Now, recent studies show that when a raindrop hits the ground, | 0:03:12 | 0:03:15 | |
it creates tiny microscopic bubbles. | 0:03:15 | 0:03:18 | |
It's these tiny little bubbles that carry the smell with them. | 0:03:18 | 0:03:21 | |
And, do you know what? Some scientists actually think | 0:03:21 | 0:03:23 | |
that we might appreciate that smell | 0:03:23 | 0:03:25 | |
because our ancestors needed rain for survival. | 0:03:25 | 0:03:27 | |
Of course, those smells become more abundant in spring | 0:03:27 | 0:03:30 | |
when temperatures rise and those good old April showers. | 0:03:30 | 0:03:33 | |
So now we know more clearly | 0:03:33 | 0:03:35 | |
just why we have these wonderful fragrances in springtime. | 0:03:35 | 0:03:38 | |
But is it possible to put those smells into a bottle? | 0:03:38 | 0:03:41 | |
I went to the West Coast of Scotland, to find out. | 0:03:41 | 0:03:44 | |
I'm meeting renowned biochemist George Dodd, | 0:03:56 | 0:03:59 | |
a world authority on the science of sense, | 0:03:59 | 0:04:02 | |
whose nickname is Dr Smell. | 0:04:02 | 0:04:04 | |
-Good morning. -How are you, George? -Fancy meeting on a beach like this! | 0:04:06 | 0:04:10 | |
-Welcome to the Highlands. -Thank you very much. | 0:04:10 | 0:04:13 | |
What's it like to be known as Dr Smell... | 0:04:13 | 0:04:16 | |
-Well... -..in the nicest possible way? | 0:04:16 | 0:04:18 | |
You just get used to it. | 0:04:18 | 0:04:19 | |
In truth, I was born downwind of Guinness' brewery in Dublin. | 0:04:19 | 0:04:23 | |
I always say it's the wonderful, tangy aroma | 0:04:23 | 0:04:26 | |
that stimulated my sense of smell. | 0:04:26 | 0:04:28 | |
And what a perfect place here to smell the ocean. | 0:04:28 | 0:04:30 | |
In the spring, the ocean warms up very quickly here. | 0:04:30 | 0:04:33 | |
The algae, the green seaweed, begins to bloom | 0:04:33 | 0:04:37 | |
and that emits a very telltale aroma of spring, | 0:04:37 | 0:04:40 | |
particularly for birds. | 0:04:40 | 0:04:42 | |
Literally, you have the cleanest air in the world. | 0:04:42 | 0:04:44 | |
You know, it's coming across 3,000 miles of Atlantic Ocean | 0:04:44 | 0:04:47 | |
from America and it's filtered and clean. | 0:04:47 | 0:04:50 | |
You can't beat it, John. | 0:04:50 | 0:04:51 | |
You know, we were designed to smell the world, | 0:04:51 | 0:04:54 | |
but sadly very few of us do. | 0:04:54 | 0:04:56 | |
Do you think it's possible, then, to smell the different seasons? | 0:04:56 | 0:05:01 | |
Oh, absolutely. | 0:05:01 | 0:05:02 | |
There's a sensory smelly triad here | 0:05:02 | 0:05:05 | |
of green smells and herby smells | 0:05:05 | 0:05:08 | |
and woody smells. | 0:05:08 | 0:05:09 | |
Those blended together give you that inimitable freshness of spring here. | 0:05:09 | 0:05:14 | |
Let's go find some woody smell, shall we? | 0:05:14 | 0:05:16 | |
There a nice wood up here and the green, look! | 0:05:16 | 0:05:19 | |
'George is also a master perfumer | 0:05:20 | 0:05:23 | |
'and his triad of smells has inspired him | 0:05:23 | 0:05:26 | |
'to create a scent that captures spring in the Highlands. | 0:05:26 | 0:05:30 | |
'First up, it's the green smells.' | 0:05:30 | 0:05:32 | |
Pluck a little bit and have a sniff. | 0:05:32 | 0:05:34 | |
Hold it up to your nose. | 0:05:34 | 0:05:36 | |
That's one of the most important biological molecules for humans. | 0:05:36 | 0:05:40 | |
That's the smell of spring as the earth warms up, | 0:05:40 | 0:05:43 | |
to tell us the vitality of life is coming back | 0:05:43 | 0:05:46 | |
along with the green... You get the green note on top of the earth. | 0:05:46 | 0:05:49 | |
-Now that's a much softer smell, isn't it? -Much softer. -Yep. | 0:05:49 | 0:05:52 | |
A magical molecule called geosmin - | 0:05:52 | 0:05:55 | |
"geo" from earth, the Greek for earth, | 0:05:55 | 0:05:57 | |
and "osmic" is the Greek word for smell. | 0:05:57 | 0:05:59 | |
Natural green smells are happy. | 0:05:59 | 0:06:01 | |
We're biologically engineered to respond, | 0:06:01 | 0:06:03 | |
to feel good feeling. | 0:06:03 | 0:06:06 | |
I must say I feel quite happy now. | 0:06:06 | 0:06:08 | |
Where shall we go next? | 0:06:08 | 0:06:10 | |
'Next, it's the smell of Highland wood, | 0:06:12 | 0:06:14 | |
'although I discovered that this time my nose isn't as finely tuned as George's...' | 0:06:14 | 0:06:18 | |
-So what am I supposed to be smelling? -That's... | 0:06:21 | 0:06:23 | |
It's a very faint, but very deep woody smell. | 0:06:23 | 0:06:26 | |
-No, nothing at all there, George, I'm afraid... -Yeah. -..for me. | 0:06:28 | 0:06:31 | |
-We'll have to give you some smell-training lessons. -Yes! | 0:06:31 | 0:06:34 | |
'Overlooking Loch Ewe lies the last component | 0:06:37 | 0:06:40 | |
'in George's trio of spring smells.' | 0:06:40 | 0:06:42 | |
This is unique, this is Highland myrtle, | 0:06:44 | 0:06:47 | |
these are miniature myrtle. | 0:06:47 | 0:06:49 | |
These are only found, these plants... | 0:06:49 | 0:06:51 | |
Only found in the Highlands, where they grow wild. | 0:06:51 | 0:06:54 | |
Oh, goodness me, smell that, smell that! | 0:06:54 | 0:06:57 | |
I mean, it leaps out at you. | 0:06:57 | 0:06:58 | |
-It's a lovely green resin-y smell. -Oh, it does! Fantastic smell. | 0:06:58 | 0:07:02 | |
'Down by the loch, it's time to put to the test | 0:07:03 | 0:07:06 | |
'whether those three distinctive smells of spring | 0:07:06 | 0:07:09 | |
'can be bottled. Adrian Hollister was one of George's biochemistry | 0:07:09 | 0:07:14 | |
'students in the 1970s.' | 0:07:14 | 0:07:16 | |
Hello, Adrian. | 0:07:17 | 0:07:19 | |
-Ah, John. -How are you? Good to see you. -Good morning. | 0:07:19 | 0:07:22 | |
'He now owns and runs the perfume business that George set up. | 0:07:22 | 0:07:26 | |
'I spot some unexpected additions to that basic triad of smells.' | 0:07:27 | 0:07:32 | |
Amongst your bottles here are things that I would never associate | 0:07:32 | 0:07:36 | |
with spring in the Highlands, like pineapple and coconut. | 0:07:36 | 0:07:39 | |
Well, pineapple, we have pineapple broom, grows not very far from here. | 0:07:39 | 0:07:44 | |
We have gorse and if you walk through a thick gorse bush | 0:07:44 | 0:07:48 | |
you will smell coconut. | 0:07:48 | 0:07:50 | |
So what else has got to go in now, then? | 0:07:50 | 0:07:52 | |
We've got Atlantic Clean Air. | 0:07:52 | 0:07:54 | |
I've never seen that before! | 0:07:54 | 0:07:56 | |
Yeah, I can smell a sea breeze. | 0:07:57 | 0:08:00 | |
'But will the finished blend | 0:08:01 | 0:08:03 | |
remind me of my sensory walkabout with George?' | 0:08:03 | 0:08:07 | |
So this is the final product. | 0:08:07 | 0:08:09 | |
This is the final product... | 0:08:09 | 0:08:11 | |
Springtime in the Highlands... | 0:08:11 | 0:08:12 | |
-Springtime in the Highlands. -..in a jar. | 0:08:12 | 0:08:15 | |
Yes, yes, I'll buy that. | 0:08:16 | 0:08:18 | |
I'll buy that as the Highlands in a bottle. | 0:08:18 | 0:08:21 | |
-Here's is a bottle I bottled earlier for you, John. -Oh! | 0:08:21 | 0:08:23 | |
Thank you. | 0:08:23 | 0:08:25 | |
Now here's an interesting fact. | 0:08:35 | 0:08:37 | |
79% of Britons say they'd like to spend more time | 0:08:37 | 0:08:40 | |
visiting the countryside. | 0:08:40 | 0:08:42 | |
So what's holding them back? | 0:08:42 | 0:08:44 | |
Well, in some cases, | 0:08:44 | 0:08:46 | |
it could simply be that the places that they want to go to | 0:08:46 | 0:08:48 | |
just aren't accessible. | 0:08:48 | 0:08:50 | |
But one man is on a crusade to change all that. | 0:08:50 | 0:08:53 | |
Margherita reports. | 0:08:53 | 0:08:55 | |
Last spring, more than a quarter of us | 0:08:58 | 0:09:00 | |
headed to the countryside to take in the clean air, | 0:09:00 | 0:09:03 | |
tackle hills and mountains or witness some wildlife wonders. | 0:09:03 | 0:09:07 | |
But for an estimated 6.5 million people in the UK | 0:09:08 | 0:09:12 | |
with restricted mobility, | 0:09:12 | 0:09:14 | |
not all of these experiences are within easy reach. | 0:09:14 | 0:09:16 | |
Gates, hurdles, rough terrain, | 0:09:18 | 0:09:21 | |
all make it difficult for people with a disability to access nature. | 0:09:21 | 0:09:25 | |
Two years ago, the RSPB decided to create a disabled sea view | 0:09:27 | 0:09:31 | |
at Bempton Cliffs Bird Reserve on the East Coast of Yorkshire. | 0:09:31 | 0:09:35 | |
It was kick-started by RSPB area manager Roy Taylor. | 0:09:38 | 0:09:42 | |
Roy, what are your biggest concerns for accessibility? | 0:09:44 | 0:09:47 | |
Look at this place. | 0:09:47 | 0:09:49 | |
This is one of the largest sea bird colonies in the UK. | 0:09:49 | 0:09:53 | |
Wildlife can add so much to a disabled person's life. | 0:09:53 | 0:09:56 | |
If you can't get to it, | 0:09:56 | 0:09:58 | |
how can your life be enriched by being outside in this place? | 0:09:58 | 0:10:01 | |
How can you connect with wildlife? | 0:10:01 | 0:10:03 | |
At various places, I take my wheelchair, | 0:10:03 | 0:10:05 | |
you're holding on for dear life. | 0:10:05 | 0:10:07 | |
The adventure is staying in your wheelchair, | 0:10:07 | 0:10:09 | |
it's not absorbing all these natural sights and sounds around you. | 0:10:09 | 0:10:13 | |
So, actually, to be able to come along and just be so relaxed | 0:10:13 | 0:10:15 | |
and feel safe. | 0:10:15 | 0:10:17 | |
Roy has always been an active outdoors man. | 0:10:19 | 0:10:22 | |
But three years ago, he was diagnosed with motor neurone disease | 0:10:22 | 0:10:26 | |
which left him in a wheelchair. | 0:10:26 | 0:10:27 | |
Driven by his own love of nature, | 0:10:29 | 0:10:31 | |
he set out on a countryside revolution. | 0:10:31 | 0:10:34 | |
His plan? | 0:10:34 | 0:10:36 | |
To get rid of anything preventing access to the outdoors for everyone. | 0:10:36 | 0:10:40 | |
To do that, he went on an epic journey, | 0:10:40 | 0:10:43 | |
raising funds and awareness. | 0:10:43 | 0:10:45 | |
Well, it was fun. | 0:10:45 | 0:10:47 | |
We went from coast to coast. | 0:10:47 | 0:10:48 | |
We started off in Southport and we did 215 miles in ten days. | 0:10:48 | 0:10:53 | |
We had to lift the wheelchair over a few things, | 0:10:53 | 0:10:55 | |
had to take a few diversions, so it's all been good fun. | 0:10:55 | 0:10:59 | |
'Now, Roy's hard work is beginning to pay off - | 0:10:59 | 0:11:02 | |
'Bempton Cliffs is the first of many nature reserves | 0:11:02 | 0:11:06 | |
'to be transformed, and the rewards are instantaneous.' | 0:11:06 | 0:11:10 | |
It's taken two years to get to this point. | 0:11:10 | 0:11:13 | |
Wow, look at it, it's amazing, isn't it? | 0:11:13 | 0:11:15 | |
You're perched on top of 250,000 sea birds - | 0:11:15 | 0:11:19 | |
one of the best wildlife spectacles anywhere in the world. | 0:11:19 | 0:11:22 | |
And you can get right on top of it, look right down to it | 0:11:22 | 0:11:26 | |
and it's a walk in the park to do it. | 0:11:26 | 0:11:28 | |
You can't get better than that, can you? | 0:11:28 | 0:11:31 | |
'Roy's discovered that simple changes make a big difference - | 0:11:31 | 0:11:35 | |
'lowering handrails, repairing muddy footpaths | 0:11:35 | 0:11:38 | |
'and providing mobility scooters, | 0:11:38 | 0:11:40 | |
'all help to make inaccessible places become welcoming | 0:11:40 | 0:11:44 | |
'for everyone to enjoy.' | 0:11:44 | 0:11:46 | |
When I first came to Bempton Cliffs a couple of years ago, | 0:11:47 | 0:11:50 | |
your wheelchair view was a plank of wood, when everyone else could see | 0:11:50 | 0:11:53 | |
above it. Look at this, you can look for miles! | 0:11:53 | 0:11:57 | |
Roy, what should I be looking out for today? | 0:11:57 | 0:11:59 | |
Well, most people that come here want to see puffins. | 0:11:59 | 0:12:01 | |
And puffins are incredibly cute. | 0:12:01 | 0:12:04 | |
But for me, the stars of the show are these big guys, | 0:12:04 | 0:12:07 | |
these gannets. | 0:12:07 | 0:12:08 | |
These beautiful creamy yellow heads, | 0:12:08 | 0:12:12 | |
these long effortless wings, with the black tips. | 0:12:12 | 0:12:15 | |
They look like they could just cruise effortlessly for miles. | 0:12:15 | 0:12:20 | |
-And look at this long line of them on the cliff here. -Yeah, got it. | 0:12:20 | 0:12:22 | |
12,500 nesting pairs crammed onto these cliffs. | 0:12:24 | 0:12:28 | |
How does it feel to take in that view | 0:12:29 | 0:12:31 | |
at the end of two years at work? | 0:12:31 | 0:12:34 | |
It makes you feel better. | 0:12:34 | 0:12:36 | |
Look at this gannet. You can almost see its eye as it's going past you. | 0:12:36 | 0:12:39 | |
That's how close you are to these birds. | 0:12:39 | 0:12:42 | |
And how do you feel knowing that | 0:12:42 | 0:12:45 | |
this is hopefully the way forward across the UK? | 0:12:45 | 0:12:48 | |
Well, I guess my biggest hope is, I get so much pleasure from this, | 0:12:48 | 0:12:52 | |
I find it inconceivable that other people wouldn't enjoy it. | 0:12:52 | 0:12:55 | |
Thousands and thousands of people who might be sitting at home | 0:12:55 | 0:12:58 | |
thinking, "I can't get out to see places like this," | 0:12:58 | 0:13:01 | |
can take a look at this and say, "Yes," and come and see it, | 0:13:01 | 0:13:04 | |
because they'll be blown away. | 0:13:04 | 0:13:06 | |
There is still room for improvement across the UK | 0:13:10 | 0:13:12 | |
to make off-the-beaten-track routes accessible for all. | 0:13:12 | 0:13:17 | |
After all, in spring, when nature's woken up and come out to play, | 0:13:17 | 0:13:20 | |
it really is time to get out there and enjoy the fun. | 0:13:20 | 0:13:24 | |
GANNETS CAW | 0:13:24 | 0:13:26 | |
Many of us can't get enough of the sights and sounds of springtime. | 0:13:26 | 0:13:32 | |
Doctors recognise there's a growing number | 0:13:32 | 0:13:33 | |
for whom this season can be quite overwhelming. | 0:13:33 | 0:13:36 | |
Keeley's gone in search of a truly multisensory experience. | 0:13:36 | 0:13:41 | |
The smell of the fresh rain, | 0:13:41 | 0:13:43 | |
the sound of the birdsong, | 0:13:43 | 0:13:46 | |
the sight of blooming flowers | 0:13:46 | 0:13:48 | |
and the taste of that first stem of asparagus. | 0:13:48 | 0:13:51 | |
For most of us, it brings joy to our senses, | 0:13:52 | 0:13:55 | |
but for some, it can all be just too intense. | 0:13:55 | 0:13:58 | |
In fact, 4% of Brits have a trait known as synaesthesia. | 0:13:59 | 0:14:03 | |
It is a neurological phenomenon | 0:14:03 | 0:14:05 | |
where a sensation in one of the senses, such as hearing, | 0:14:05 | 0:14:08 | |
triggers a sensation in another, such as taste. | 0:14:08 | 0:14:11 | |
Some celebrities have reported having this secondary sense, | 0:14:12 | 0:14:16 | |
from the artist David Hockney to Happy man Pharrell Williams | 0:14:16 | 0:14:19 | |
and singer Lady Gaga. | 0:14:19 | 0:14:21 | |
It sounds extraordinary, but around one in 20 of us | 0:14:21 | 0:14:24 | |
have this kind of super sense - | 0:14:24 | 0:14:26 | |
an amazing ability that some don't even realise. | 0:14:26 | 0:14:30 | |
Meet James Wannerton. He's had synaesthesia all his life. | 0:14:30 | 0:14:35 | |
He doesn't just see spring, he tastes it. | 0:14:35 | 0:14:38 | |
The dawn chorus is exactly like eating melted green wine gums. | 0:14:39 | 0:14:44 | |
'For James, this multisensory affair in spring | 0:14:45 | 0:14:49 | |
'can be a lot to take in.' | 0:14:49 | 0:14:50 | |
-Hello there, James. -Hello. | 0:14:50 | 0:14:52 | |
So, tell me, what is synaesthesia? | 0:14:52 | 0:14:55 | |
Synaesthesia is probably best described | 0:14:55 | 0:14:58 | |
as being a mixing or blending of the senses. | 0:14:58 | 0:15:00 | |
You may touch something and you might taste something | 0:15:00 | 0:15:03 | |
at the same time, as well. | 0:15:03 | 0:15:04 | |
Or a synaesthete may see a colour and hear a sound. | 0:15:04 | 0:15:09 | |
There's probably around 60-plus types of synaesthesia | 0:15:09 | 0:15:13 | |
that have been documented so far. | 0:15:13 | 0:15:15 | |
Mine is simply a case of hearing a sound | 0:15:15 | 0:15:18 | |
and it gets instantly translated into a taste. | 0:15:18 | 0:15:20 | |
It's not just an association, it's a real mouth feeling, | 0:15:20 | 0:15:23 | |
as if I am eating something. | 0:15:23 | 0:15:25 | |
What is spring like for you? | 0:15:25 | 0:15:27 | |
Spring's a...tremendously stimulating time for me. | 0:15:27 | 0:15:31 | |
Being out in spring gives me... Well, it intensifies everything. | 0:15:31 | 0:15:36 | |
'But it's not all as exciting as it might sound. | 0:15:36 | 0:15:39 | |
'Sometimes beautiful things can give an unpleasant flavour.' | 0:15:39 | 0:15:42 | |
The actual sound of the name "daffodil" | 0:15:42 | 0:15:45 | |
-gives me a taste of corned beef. -Oh. gosh! -So, when I look at a daffodil, | 0:15:45 | 0:15:51 | |
I'm getting a taste of corned beef | 0:15:51 | 0:15:53 | |
and I am also getting this horrible tangy, | 0:15:53 | 0:15:56 | |
wine gum, kind of, taste over the top of it. | 0:15:56 | 0:15:59 | |
Um...and it's not nice. | 0:15:59 | 0:16:01 | |
As president of the thousand-strong UK Synaesthesia Association, | 0:16:01 | 0:16:06 | |
James is far from being alone. But scientists reckon | 0:16:06 | 0:16:09 | |
around 2.5 million people in Britain have some form of synaesthesia. | 0:16:09 | 0:16:14 | |
After 20 years of research, this neurological trait, | 0:16:15 | 0:16:19 | |
which blends the senses, is now recognised in more of us | 0:16:19 | 0:16:22 | |
than ever before. Researchers at Sussex University | 0:16:22 | 0:16:26 | |
are now examining the effects of the condition | 0:16:26 | 0:16:28 | |
and new ways to diagnose it. | 0:16:28 | 0:16:30 | |
I've walked around Bolton Abbey lots of times before, | 0:16:30 | 0:16:34 | |
but I've never really thought about it in terms of senses, | 0:16:34 | 0:16:36 | |
so I wonder if James might be able to give me a taste | 0:16:36 | 0:16:39 | |
of what it would be like for him. | 0:16:39 | 0:16:41 | |
So, James, there are lots of things going on here at the moment. | 0:16:41 | 0:16:44 | |
I can hear the water behind us, I can hear the birds singing. | 0:16:44 | 0:16:47 | |
There are some sheep over there and every now and again | 0:16:47 | 0:16:50 | |
they let off a baa. There's lots going on here. | 0:16:50 | 0:16:52 | |
How are you experiencing this? | 0:16:52 | 0:16:54 | |
That river is tremendous. | 0:16:54 | 0:16:56 | |
It's a cross between lemonade and cream soda. | 0:16:56 | 0:17:00 | |
It's just fizzy and... | 0:17:00 | 0:17:02 | |
Tree bark, it tastes like flaky chocolate. | 0:17:02 | 0:17:05 | |
So it's something to do with the... | 0:17:05 | 0:17:07 | |
Yeah, the texture. | 0:17:07 | 0:17:08 | |
This is the first time I've been here | 0:17:08 | 0:17:12 | |
and it's - I have to admit, it's a fantastic place, | 0:17:12 | 0:17:15 | |
it's very, very, very sensory. | 0:17:15 | 0:17:17 | |
That building over there, the Priory, | 0:17:17 | 0:17:20 | |
arches, funnily enough - and rather apt in this case - | 0:17:20 | 0:17:23 | |
-give me a taste of Yorkshire Pudding. -That's an odd association. | 0:17:23 | 0:17:27 | |
-It is, isn't it? -Yeah. Is there anything specifically | 0:17:27 | 0:17:30 | |
around here that you find unpleasant? | 0:17:30 | 0:17:31 | |
Well, there is, yeah, cos I heard a dog barking earlier. | 0:17:31 | 0:17:34 | |
That gave me a very strong taste of that stuff you get | 0:17:34 | 0:17:37 | |
-at the bottom of electric kettles. -Like limescale? -Yeah. | 0:17:37 | 0:17:40 | |
-Right at the back of the throat. -Would you be without it? | 0:17:40 | 0:17:43 | |
-Would you rather not have it? -No, it's... | 0:17:43 | 0:17:45 | |
I mean...it's a fundamental part of who I am. | 0:17:45 | 0:17:47 | |
It the way I think, it's the way I act, | 0:17:47 | 0:17:49 | |
everything is based around taste. So, no, definitely not. | 0:17:49 | 0:17:52 | |
It's opened my eyes to a whole new dimension of spring's beauty - | 0:17:55 | 0:17:59 | |
sights and sounds sensed in an entirely different way. | 0:17:59 | 0:18:02 | |
BEE BUZZES | 0:18:02 | 0:18:04 | |
Spring is an ideal time for planting, | 0:18:06 | 0:18:09 | |
but it's reckoned that 90% of our traditional orchards in England and Wales | 0:18:09 | 0:18:13 | |
have been lost since the 1950s. | 0:18:13 | 0:18:16 | |
Now Paul Martin, who's a sort of fledgling smallholder, | 0:18:16 | 0:18:20 | |
has decided to do his bit by planting his own heritage orchard. | 0:18:20 | 0:18:24 | |
But, first of all, he has to find the right fruit trees. | 0:18:24 | 0:18:27 | |
After years of hard graft, my once derelict smallholding | 0:18:29 | 0:18:33 | |
is slowly taking shape. | 0:18:33 | 0:18:35 | |
This spring, I'm learning how to turn the land | 0:18:35 | 0:18:37 | |
into a home for wildlife | 0:18:37 | 0:18:39 | |
and for producing food for the family. | 0:18:39 | 0:18:41 | |
The next spring project is all about Grow Your Own | 0:18:46 | 0:18:49 | |
and, in this case, it's Britain's favourite fruit - apples. | 0:18:49 | 0:18:53 | |
When we first moved here, I was chuffed to bits to discover | 0:18:54 | 0:18:57 | |
that this is a lovely old apple tree and it produces wonderful cookers, | 0:18:57 | 0:19:00 | |
and towards the end of the summer, | 0:19:00 | 0:19:02 | |
we get a great harvest. | 0:19:02 | 0:19:04 | |
This grand old apple tree has whet my appetite for Wiltshire apples. | 0:19:04 | 0:19:07 | |
And now that we have heritage sheep on the land, | 0:19:07 | 0:19:10 | |
what we really need is a heritage orchard... | 0:19:10 | 0:19:13 | |
Fortunately I know a man who can help me out - | 0:19:16 | 0:19:18 | |
a local fruit farmer, Chris Good, | 0:19:18 | 0:19:20 | |
who can show me what apple trees I can grow in my new orchard. | 0:19:20 | 0:19:24 | |
Traditional orchards cover 24,000 hectares of Britain | 0:19:24 | 0:19:27 | |
and are incredibly important for British wildlife. | 0:19:27 | 0:19:31 | |
Early spring is the perfect time to plant saplings | 0:19:32 | 0:19:35 | |
before the buds begin to bloom. | 0:19:35 | 0:19:37 | |
And if anyone can help me choose a variety, Chris can. | 0:19:37 | 0:19:41 | |
-We've got 65 different varieties here. -Gosh! | 0:19:42 | 0:19:45 | |
They're all old heritage varieties. | 0:19:45 | 0:19:47 | |
So you're never short of apples, are you? | 0:19:47 | 0:19:49 | |
No. Sometimes we feel we're disappearing underneath them! | 0:19:49 | 0:19:51 | |
But before I make my final choices, the real test is in the taste. | 0:19:53 | 0:19:57 | |
Oh, I like this. Look at all these bottles. | 0:19:58 | 0:20:01 | |
I think until my orchard gets going you've got a regular customer. | 0:20:02 | 0:20:05 | |
Excellent. We'd be more than happy to see you. | 0:20:05 | 0:20:09 | |
It's time to see what the real experts think. | 0:20:09 | 0:20:11 | |
I hope they like my choices. | 0:20:11 | 0:20:14 | |
-Hi, guys. -Hi, Daddy. -Apple juice has arrived. | 0:20:14 | 0:20:17 | |
-Cheers! -Ready, Meredith? | 0:20:20 | 0:20:22 | |
-That's really nice. -Oh, it tastes earthy! | 0:20:22 | 0:20:25 | |
-Oh, it does, doesn't it? -That's nice. | 0:20:25 | 0:20:28 | |
That's got a nice bitter taste to it. | 0:20:28 | 0:20:30 | |
I like the Steeple Ashton one, but I think Burn's Seedling, | 0:20:30 | 0:20:33 | |
this last one we had. | 0:20:33 | 0:20:35 | |
Is that your favourite? | 0:20:35 | 0:20:37 | |
-No, the first one. -The first one? Steeple Ashton. | 0:20:37 | 0:20:39 | |
But there's a problem. | 0:20:39 | 0:20:42 | |
The rarest local varieties that I've selected - | 0:20:42 | 0:20:45 | |
Roundway Magnum and Dredge's Fame - | 0:20:45 | 0:20:47 | |
aren't available fully-grown anywhere in the country... | 0:20:47 | 0:20:50 | |
So I'll need to grow my own | 0:20:50 | 0:20:53 | |
by grafting the roots from a standard root stock variety | 0:20:53 | 0:20:57 | |
with cuttings, or scions, from each of our heritage trees. | 0:20:57 | 0:21:01 | |
-Shall we give it a go? -Yes, sure. | 0:21:01 | 0:21:02 | |
And here to show me how is Orchard Project Officer | 0:21:02 | 0:21:05 | |
Megan Gimber from People's Trust For Endangered Species. | 0:21:05 | 0:21:08 | |
Megan, I'm really excited because I've never seen this done before. | 0:21:08 | 0:21:11 | |
It's actually a lot easier than you'd think it would be. | 0:21:11 | 0:21:14 | |
It's essentially just cutting up some root stocks, | 0:21:14 | 0:21:16 | |
cutting up the scion wood and sticking them together, creating a new tree. | 0:21:16 | 0:21:20 | |
-So the root stocks you pick up from any good garden centre? -Yes. | 0:21:20 | 0:21:22 | |
You choose your root stocks depending on what size tree you want eventually. | 0:21:22 | 0:21:26 | |
So looking at those root stocks, how big will it be? | 0:21:26 | 0:21:28 | |
-These ones will be full-size fruit trees... -Oh, brilliant! | 0:21:28 | 0:21:31 | |
..because these ones are nice and big, they live the longest | 0:21:31 | 0:21:34 | |
-and they're the best for wildlife. -That's great. How does it work? | 0:21:34 | 0:21:37 | |
What we want to do is we want to do a sloping cut in this. | 0:21:37 | 0:21:40 | |
So that's the layer that's going to fuse the root stock with the scion material. | 0:21:40 | 0:21:44 | |
Right, that's the layer between the white bit and the green bit. | 0:21:44 | 0:21:47 | |
It is, it's just below the bark. | 0:21:47 | 0:21:49 | |
Yep, that looks all right. | 0:21:51 | 0:21:53 | |
-Now we want to do the same on a piece of scion wood. -Right. | 0:21:53 | 0:21:57 | |
Now we need to do the tongue cuts | 0:21:57 | 0:21:59 | |
and this basically locks the scion and the root stock in contact, | 0:21:59 | 0:22:02 | |
cutting a little cut in here. | 0:22:02 | 0:22:05 | |
-So rock the knife rather than pushing it down. -Wow! | 0:22:05 | 0:22:08 | |
-This is why you need a sharp knife. -Yes. | 0:22:08 | 0:22:10 | |
You're so cool when you did that. | 0:22:10 | 0:22:11 | |
It's kind of like... I can't believe that. | 0:22:11 | 0:22:14 | |
-And then they lock into each other. -The tongues should lock into each other... | 0:22:14 | 0:22:17 | |
Perfect, that looks perfect. | 0:22:17 | 0:22:19 | |
-It's amazing how they hold together under tension, isn't it? -Yeah. | 0:22:19 | 0:22:22 | |
So what we want to do now is wrap them up to hold them together, | 0:22:22 | 0:22:26 | |
chop the scion woods down to one or two or three beds, | 0:22:26 | 0:22:29 | |
label them and pot them. | 0:22:29 | 0:22:31 | |
-Brilliant. -Fantastic. | 0:22:34 | 0:22:36 | |
And with any luck, this will produce a nice big tree | 0:22:36 | 0:22:38 | |
that you can plant out next year. | 0:22:38 | 0:22:41 | |
I won't get to plant these in my new orchard just yet - | 0:22:41 | 0:22:45 | |
they need to be potted and protected until the following year. | 0:22:45 | 0:22:49 | |
But with regular, watering to allow the roots to spread, | 0:22:49 | 0:22:52 | |
these will be a real treat for next spring. | 0:22:52 | 0:22:55 | |
To kick-start my orchard this year, | 0:22:56 | 0:22:58 | |
I have managed to find a two-year-old pre-grafted Victorian classic - | 0:22:58 | 0:23:02 | |
the Sturmer Pippin. | 0:23:02 | 0:23:04 | |
And for £20 per tree, | 0:23:04 | 0:23:06 | |
these are ready to plant today. | 0:23:06 | 0:23:07 | |
Well, that's the Sturmer Pippin safely in. | 0:23:08 | 0:23:11 | |
Obviously keen to get fruit from it in a few years' time, | 0:23:11 | 0:23:14 | |
but also keen to encourage more wildlife. | 0:23:14 | 0:23:16 | |
Well, orchards are fantastic for wildlife. | 0:23:16 | 0:23:18 | |
They're what you call mosaic habitats, | 0:23:18 | 0:23:21 | |
which means they've got elements of woodlands, | 0:23:21 | 0:23:23 | |
elements of pasture land, wild flower meadow... | 0:23:23 | 0:23:26 | |
All these habitats are great for biodiversity, | 0:23:26 | 0:23:29 | |
-but, actually, altogether in an orchard, it's better than the sum of its parts. -Really? | 0:23:29 | 0:23:32 | |
It's a fantastic habitat for animals, yeah. | 0:23:32 | 0:23:35 | |
I know it doesn't look like much right now, | 0:23:39 | 0:23:42 | |
but this time next spring, | 0:23:42 | 0:23:44 | |
these three Victorian favourites will be joined | 0:23:44 | 0:23:47 | |
by five of the very best from Wiltshire, | 0:23:47 | 0:23:49 | |
and then you could say, I've got the makings of a good old-fashioned English orchard | 0:23:49 | 0:23:53 | |
with some real local history. | 0:23:53 | 0:23:55 | |
That's a great start. | 0:23:55 | 0:23:57 | |
All this week we're celebrating spring | 0:24:03 | 0:24:05 | |
in the New Forest in Hampshire. | 0:24:05 | 0:24:07 | |
More than 200 square miles of wild open heath, woodland and coast. | 0:24:07 | 0:24:13 | |
For centuries, people and animals have lived side-by-side here - | 0:24:13 | 0:24:17 | |
historic rights allow thousands of animals | 0:24:17 | 0:24:20 | |
to roam and graze freely in the forest. | 0:24:20 | 0:24:23 | |
They help shape the landscape. | 0:24:23 | 0:24:24 | |
One of the oldest residents, the New Forest Pony, | 0:24:27 | 0:24:30 | |
is on a rare-breed watchlist, | 0:24:30 | 0:24:32 | |
but every care is being taken to make sure this breed lives on. | 0:24:32 | 0:24:37 | |
Jules now joins the locals for an important date | 0:24:37 | 0:24:40 | |
in theirs and the ponies' spring diary... | 0:24:40 | 0:24:43 | |
Good boy. | 0:24:46 | 0:24:48 | |
Well, after the long dark days of winter, | 0:24:48 | 0:24:50 | |
spring is the perfect time to gather together all of the stallions for an annual inspection. | 0:24:50 | 0:24:56 | |
It's also a chance for their owners to have a good catch up. | 0:24:56 | 0:24:59 | |
'All the ponies in the New Forest are owned by locals known as commoners. | 0:25:00 | 0:25:04 | |
'They have an ancient right to graze their animals on the open common. | 0:25:04 | 0:25:08 | |
'These pony inspections are crucial for male ponies. | 0:25:10 | 0:25:13 | |
'Only those who make the grade will be released back into the forest | 0:25:13 | 0:25:16 | |
'to breed and add to the bloodline. | 0:25:16 | 0:25:19 | |
'Jonathan Gerrelli is one of five agisters, or forest wardens, | 0:25:22 | 0:25:26 | |
'responsible for the welfare of the ponies out on the heath - | 0:25:26 | 0:25:29 | |
'some of which belong to him.' | 0:25:29 | 0:25:31 | |
-But it is like the OK Corral, isn't it? -It very much is. | 0:25:33 | 0:25:37 | |
What are you looking for? | 0:25:37 | 0:25:39 | |
They have to be purebred registered New Forest stallions, | 0:25:39 | 0:25:42 | |
they have to come and pass this extensive vetting and judging procedure | 0:25:42 | 0:25:46 | |
to make sure they're the right type, | 0:25:46 | 0:25:48 | |
so we know the foals we're producing out here | 0:25:48 | 0:25:50 | |
will be hardy - good strong hardy foals, that will thrive in the forest. | 0:25:50 | 0:25:54 | |
I've got a young stallion here today and he will come up for selection. | 0:25:54 | 0:25:57 | |
Hopefully he'll get picked to be turned out. | 0:25:57 | 0:25:59 | |
Well, I can't wait to see how the day unfolds. Cheers, see you later. | 0:25:59 | 0:26:02 | |
'As the inspections get under way, | 0:26:07 | 0:26:09 | |
'commoner and chairman of the New Forest Livestock Society | 0:26:09 | 0:26:12 | |
Lucinda Lang will be my guide.' | 0:26:12 | 0:26:14 | |
So this is Michael. Michael's one of our handlers for the Livestock Society. | 0:26:16 | 0:26:20 | |
Hello, Michael, nice to see you. | 0:26:20 | 0:26:22 | |
Are you hoping this is going to go through the inspection successfully? | 0:26:22 | 0:26:25 | |
-Yes, he's come here today, he's in good order, looks well. -COLT WHINNIES LOUDLY | 0:26:25 | 0:26:29 | |
We'll have to see if the judges like him. | 0:26:29 | 0:26:30 | |
Well, Michael, we wish you the best of luck today. | 0:26:30 | 0:26:33 | |
What's the name of your noisy colt? | 0:26:33 | 0:26:35 | |
He is called Mike the Knight! | 0:26:35 | 0:26:37 | |
-Mike the Knight? -That is correct. -THEY LAUGH | 0:26:37 | 0:26:39 | |
'The young males up for selection have to be scrutinised. | 0:26:42 | 0:26:45 | |
'Any signs of being too tame and they'll be out of the running.' | 0:26:45 | 0:26:49 | |
-He's got a lovely shape through his neck, hasn't he? -Yes. | 0:26:49 | 0:26:53 | |
Once they're happy that they've seen everything, | 0:26:53 | 0:26:56 | |
they'll ask Mike to walk around the ring. | 0:26:56 | 0:26:59 | |
It's a good opportunity to see them moving freely. | 0:26:59 | 0:27:03 | |
You get to see the stride and actually see their true frame. | 0:27:03 | 0:27:08 | |
'Just 15 of these ponies will run with 5,000 mares in the forest. | 0:27:09 | 0:27:13 | |
'Exhausting as the ratio may sound, | 0:27:19 | 0:27:21 | |
'these stallions have a serious job to do, | 0:27:21 | 0:27:23 | |
'ensuring future generations of the breed thrive.' | 0:27:23 | 0:27:26 | |
'The first results are in.' | 0:27:28 | 0:27:31 | |
So, Michael, how did it go with Mike the Knight? | 0:27:31 | 0:27:33 | |
-He looked beautiful in the ring. -Yes, he did look good. | 0:27:33 | 0:27:36 | |
-Unfortunately, he was referred today. -Was he? | 0:27:36 | 0:27:38 | |
Yes, so that means that he didn't get a straight fail, | 0:27:38 | 0:27:40 | |
but he gets the opportunity to come back in September and have another stab at it. | 0:27:40 | 0:27:44 | |
Gosh, those standards are high, aren't they? | 0:27:44 | 0:27:46 | |
They are high. Unfortunately. | 0:27:46 | 0:27:48 | |
That's why we have these, so, um, what can I say? | 0:27:48 | 0:27:51 | |
'But Jonathan has had better luck. | 0:27:52 | 0:27:54 | |
'His yearling has been accepted amongst the ranks of the elite.' | 0:27:54 | 0:27:57 | |
Well, Jonathan, that's it for you for this year. | 0:27:58 | 0:28:02 | |
Another inspection over. | 0:28:02 | 0:28:04 | |
-How has it gone, do you think, over all? -Very well, yes. | 0:28:04 | 0:28:06 | |
I'm pleased at how it's all gone. | 0:28:06 | 0:28:08 | |
A good number of colts forward and very pleased with the quality, as well. | 0:28:08 | 0:28:12 | |
'It's fascinating to see the community effort | 0:28:15 | 0:28:18 | |
'that goes into safeguarding the New Forest Pony. | 0:28:18 | 0:28:22 | |
'And to think that these horses hold the future of their breed in their hands... | 0:28:22 | 0:28:26 | |
'Or should it be hooves?' | 0:28:26 | 0:28:28 | |
PONY WHINNIES | 0:28:28 | 0:28:30 | |
And that's it for today. | 0:28:32 | 0:28:34 | |
We'll be back again at the same time tomorrow. | 0:28:34 | 0:28:36 | |
Hope you can join us then. Bye for now. | 0:28:36 | 0:28:39 |