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Only one creature has carved a life for itself in every habitat on Earth. | 0:00:04 | 0:00:11 | |
That creature is us. | 0:00:11 | 0:00:15 | |
All over the world we still use our ingenuity to survive in the wild places, | 0:00:17 | 0:00:24 | |
far from the city lights, face to face with raw nature. | 0:00:24 | 0:00:29 | |
This is the Human Planet. | 0:00:30 | 0:00:33 | |
Grass is a remarkable plant. | 0:00:46 | 0:00:49 | |
It supports a great abundance of life. | 0:00:49 | 0:00:53 | |
Wheat, rice, barley and corn, | 0:00:54 | 0:00:58 | |
they're all grasses and they feed us. | 0:00:58 | 0:01:01 | |
And the grasslands feed the animals that feed our world too. | 0:01:04 | 0:01:08 | |
Our lives on the grasslands have transformed the planet, | 0:01:11 | 0:01:15 | |
from the prairies of America | 0:01:15 | 0:01:17 | |
to the rice terraces of China. | 0:01:17 | 0:01:20 | |
But it's not been easy. | 0:01:23 | 0:01:25 | |
It's taken every last ounce of human courage and ingenuity | 0:01:25 | 0:01:29 | |
to become masters of the grasslands. | 0:01:29 | 0:01:33 | |
Dawn on the savannah in southern Kenya. | 0:02:09 | 0:02:14 | |
It's the moment Rakita and his mates have been waiting for. | 0:02:16 | 0:02:20 | |
The wildebeest migration has arrived. | 0:02:22 | 0:02:26 | |
Here, lush grasses support the largest herds of animals in the world. | 0:02:29 | 0:02:34 | |
A bounty of opportunity for these Dorobo hunters. | 0:02:34 | 0:02:38 | |
But there's fierce competition for all this meat on the hoof | 0:02:41 | 0:02:45 | |
from some of the world's most efficient killers. | 0:02:45 | 0:02:49 | |
So how do mere humans, without fangs or claws, | 0:03:18 | 0:03:22 | |
who can't outrun a wildebeest, get a meal around here? | 0:03:22 | 0:03:26 | |
Rakita uses brains and teamwork. | 0:03:29 | 0:03:33 | |
His plan is to let the lions kill the wildebeest, | 0:03:37 | 0:03:41 | |
then he'll steal their dinner from right under their noses. | 0:03:41 | 0:03:45 | |
His two friends are essential. | 0:03:47 | 0:03:50 | |
Lions aren't easily intimidated. | 0:03:50 | 0:03:54 | |
First, Rakita must find the tracks of a lion pride on the hunt. | 0:03:57 | 0:04:02 | |
(WHISPERING) | 0:04:02 | 0:04:06 | |
At 65, he's a veteran hunter and takes the lead. | 0:04:07 | 0:04:11 | |
They must watch their backs - this is man-eater territory. | 0:04:14 | 0:04:19 | |
(THEY WHISPER) | 0:04:19 | 0:04:23 | |
All the signs point to a fresh kill nearby. | 0:04:40 | 0:04:45 | |
Rakita's been attacked by lions before. He knows this could end badly. | 0:05:06 | 0:05:12 | |
They're up against 15 hungry lions, but, if they act as one, | 0:05:41 | 0:05:45 | |
they might just intimidate the lions and push them off their kill. | 0:05:45 | 0:05:50 | |
They make their move. Self-confidence is everything. | 0:05:57 | 0:06:02 | |
This is the ultimate face-off. | 0:06:08 | 0:06:12 | |
Suddenly, the lions back off. | 0:06:18 | 0:06:23 | |
Rakita has just minutes before the lions realise it's a bluff. | 0:06:37 | 0:06:41 | |
In a matter of seconds, he butchers the haunch of the wildebeest, | 0:06:55 | 0:06:59 | |
and they beat a hasty retreat. | 0:06:59 | 0:07:01 | |
This is a scene which has played out throughout human existence, | 0:07:26 | 0:07:30 | |
hunters using brains, not brawn, to outwit their mighty competitors. | 0:07:30 | 0:07:35 | |
Getting another animal to do the killing for you is clever, | 0:08:20 | 0:08:24 | |
but making the kill yourself is an even bigger challenge. | 0:08:24 | 0:08:29 | |
At the other end of Africa, on the edge of the Kalahari Desert, | 0:08:32 | 0:08:36 | |
lies a much drier grassland, supporting far fewer animals. | 0:08:36 | 0:08:42 | |
There's no free lunch here. | 0:08:42 | 0:08:46 | |
Kun and Nao are Ju/'hoansi bushmen. | 0:08:48 | 0:08:51 | |
Kun is a master hunter, | 0:08:51 | 0:08:55 | |
one of a handful of Ju/'hoansi who still have the skills to hunt big game. | 0:08:55 | 0:09:00 | |
So Kun is teaching his apprentice to keep this precious knowledge alive. | 0:09:00 | 0:09:05 | |
The hunt begins by kindling fire. | 0:09:14 | 0:09:16 | |
They burn the grass from around the only waterhole for many kilometres. | 0:09:27 | 0:09:32 | |
They know the animals will ultimately come to drink here | 0:09:35 | 0:09:39 | |
and when they do, they'll have nowhere to hide. | 0:09:39 | 0:09:43 | |
Their bows and dart arrows are too small to kill outright, | 0:09:47 | 0:09:51 | |
so they refine their weapons. | 0:09:51 | 0:09:54 | |
Kun, the master, knows exactly where to find poison. | 0:09:56 | 0:10:01 | |
Within this hardened sand shell is a beetle grub. | 0:10:04 | 0:10:08 | |
If just one drop of beetle juice gets into the tiniest cut, it will kill him. | 0:10:08 | 0:10:15 | |
He anoints his arrows with great care. | 0:10:15 | 0:10:18 | |
But their prey are wily too, so they build a grass hide. | 0:10:23 | 0:10:28 | |
This is an ambush. | 0:10:28 | 0:10:31 | |
Kun wants his apprentice to get his first kudu. | 0:10:34 | 0:10:38 | |
(WHISPERS) | 0:10:42 | 0:10:45 | |
The antelope's acute hearing and sharp eyes | 0:10:50 | 0:10:53 | |
mean he must learn to move silently and without being seen. | 0:10:53 | 0:10:57 | |
But Nao has been spotted. | 0:11:01 | 0:11:04 | |
The moment is lost. | 0:11:06 | 0:11:09 | |
(WHISPERS) | 0:11:09 | 0:11:11 | |
Two days later, the bushmen are still in their hide, | 0:11:24 | 0:11:28 | |
hoping that the kudus' thirst will overcome their fear. | 0:11:28 | 0:11:32 | |
But they stay away. | 0:11:33 | 0:11:35 | |
Then even the master is caught unprepared. | 0:11:38 | 0:11:42 | |
It's a leopard. | 0:11:43 | 0:11:45 | |
Suddenly the hunters risk becoming the hunted. | 0:11:45 | 0:11:49 | |
A leopard's jaws have the power to crush a human skull. | 0:11:54 | 0:11:59 | |
They're praying the leopard hasn't seen them. | 0:12:24 | 0:12:28 | |
Nao lies low in the shadows. | 0:12:28 | 0:12:31 | |
This time they've managed to remain undetected. | 0:12:40 | 0:12:44 | |
It's day six in the hide | 0:12:53 | 0:12:56 | |
and the apprentice is no closer to getting a meal. | 0:12:56 | 0:12:59 | |
A new group of kudu come in. | 0:13:01 | 0:13:03 | |
They've got one chance. | 0:13:08 | 0:13:10 | |
Both men raise their bows. | 0:13:12 | 0:13:15 | |
Bull's-eye! An arrow has hit home and the kudu scatter. | 0:13:17 | 0:13:21 | |
The injured kudu will run for many kilometres | 0:13:36 | 0:13:38 | |
with the poison arrow in its flank, as the toxins slowly take effect. | 0:13:38 | 0:13:43 | |
The pursuit begins. | 0:13:45 | 0:13:47 | |
First, they must find the arrow shaft. | 0:13:49 | 0:13:51 | |
It will show them which tracks to follow and also who made the hit. | 0:13:51 | 0:13:56 | |
From here on, it's all about tracking. | 0:14:16 | 0:14:19 | |
The ground is criss-crossed with hoof prints. | 0:14:20 | 0:14:24 | |
The wrong decision will mean a wild-goose chase. | 0:14:24 | 0:14:27 | |
While tracking, | 0:14:58 | 0:14:59 | |
the hunters look at the landscape through the eyes of their prey. | 0:14:59 | 0:15:03 | |
After ten hours, they finally catch up with the kudu. | 0:15:15 | 0:15:20 | |
The poison has weakened it. She's exhausted, near death. | 0:15:28 | 0:15:34 | |
Nao aims a spear to the heart to deliver a swift end. | 0:15:39 | 0:15:44 | |
After seven days, Nao has finally killed his first kudu. | 0:16:10 | 0:16:15 | |
Now there is one more person in the world who can do this. | 0:16:18 | 0:16:22 | |
The meat they'll carry home will feed their whole village. | 0:16:22 | 0:16:26 | |
And every part of the animal will be put to use. | 0:16:26 | 0:16:29 | |
This burnt landscape looks dead, but grass is incredibly resilient. | 0:16:32 | 0:16:39 | |
With the first drops of rain, it regenerates. | 0:16:40 | 0:16:43 | |
And where these rains become floods, | 0:16:46 | 0:16:48 | |
grass grows to keep pace with the rising waters. | 0:16:48 | 0:16:52 | |
Around the world, | 0:16:56 | 0:16:57 | |
many grasslands undergo such extreme seasonal changes, | 0:16:57 | 0:17:00 | |
bringing new opportunities, | 0:17:00 | 0:17:03 | |
but also lurking dangers. | 0:17:03 | 0:17:06 | |
In Cambodia, the grasslands around Tonle Sap lake are flooding... | 0:17:11 | 0:17:16 | |
...and for a few short weeks there are rich pickings to be had. | 0:17:17 | 0:17:21 | |
It's Vaana's big chance to make a killing. | 0:17:24 | 0:17:27 | |
He's here to hunt an unexpected, hidden and potentially fatal wild prey. | 0:17:29 | 0:17:35 | |
Vaana's hunting skill lies in recognising | 0:18:00 | 0:18:03 | |
the difference between an easy meal and a deadly catch. | 0:18:03 | 0:18:08 | |
But it's not fish he's after. | 0:18:15 | 0:18:18 | |
It's snakes. | 0:18:18 | 0:18:20 | |
There are many millions of them in this flooded grassland. | 0:18:25 | 0:18:29 | |
Most are edible water snakes but some are venomous. | 0:18:29 | 0:18:33 | |
If he pulls up a cobra, its bite could kill him. | 0:18:34 | 0:18:39 | |
It's a game of Russian roulette. | 0:18:41 | 0:18:43 | |
Even his five-year-old son has to be a snake expert. | 0:18:48 | 0:18:52 | |
Knowing which is which means survival here. | 0:18:52 | 0:18:56 | |
The snakes gather in these huge numbers | 0:18:58 | 0:19:00 | |
to hunt the fish which spawn in the submerged grass. | 0:19:00 | 0:19:04 | |
It's no time to be squeamish. | 0:19:14 | 0:19:17 | |
Every escapee sees Vaana's profits slither away. | 0:19:17 | 0:19:22 | |
Vaana's whole family must get to grips with snakes. | 0:19:33 | 0:19:37 | |
For the kids, they are welcome new toys. | 0:19:44 | 0:19:47 | |
Vaana's catch is destined for the biggest snake market in the world. | 0:20:25 | 0:20:29 | |
Over 6 million snakes change hands in a matter of weeks. | 0:20:29 | 0:20:34 | |
His payment for a week's snake wrangling... | 0:20:58 | 0:21:01 | |
60p. | 0:21:01 | 0:21:04 | |
But survival in the grasslands isn't all about hunting. | 0:21:17 | 0:21:22 | |
In East Africa, the Masai have learnt how to collaborate with a wild bird | 0:21:26 | 0:21:31 | |
to get a sweet treat they can only get if they work together. | 0:21:31 | 0:21:36 | |
(WHISTLING) | 0:21:37 | 0:21:39 | |
Leitato is whistling to attract a honey guide. | 0:21:41 | 0:21:45 | |
It's a bird that is aptly named. | 0:21:47 | 0:21:49 | |
The honey guide answers their whistles | 0:21:55 | 0:21:58 | |
with a call it only uses to talk to humans. | 0:21:58 | 0:22:02 | |
She starts a game of Follow My Leader... | 0:22:14 | 0:22:17 | |
...since only she can smell the food they're after. | 0:22:22 | 0:22:26 | |
When she's close to the prize, she changes her call, | 0:22:32 | 0:22:35 | |
letting them know they're getting hotter. | 0:22:35 | 0:22:38 | |
The boys have hit the jackpot - a beehive. The bird's job is done. | 0:22:52 | 0:22:57 | |
Now they have to fulfil their part of the bargain - getting the honey out. | 0:23:10 | 0:23:15 | |
It's hidden deep in the tree protected by hundreds of angry African bees. | 0:23:20 | 0:23:25 | |
They use smoke to calm them. | 0:23:30 | 0:23:33 | |
But it doesn't make the stings any less painful. | 0:23:37 | 0:23:41 | |
The boys know they have to pay their guide. | 0:23:55 | 0:23:58 | |
Honeycomb with added grubs. | 0:23:58 | 0:24:02 | |
It's the perfect partnership, but, as every Masai boy knows, | 0:24:16 | 0:24:21 | |
if you don't give the honey guide its reward, | 0:24:21 | 0:24:24 | |
next time it will lead you to a lion's den! | 0:24:24 | 0:24:27 | |
So we've learnt how to find food in the wild grasslands, | 0:24:33 | 0:24:37 | |
either on our own, or with a bit of help from others. | 0:24:37 | 0:24:41 | |
But our mastery of the grasslands took a huge leap forward | 0:24:42 | 0:24:47 | |
when we learnt how to exploit the grass itself. | 0:24:47 | 0:24:50 | |
Wheat, maize and rice all started life as wild grasses, | 0:24:53 | 0:24:58 | |
which we've bred into crops. | 0:24:58 | 0:25:01 | |
This has enabled us to feed millions of people every year, | 0:25:05 | 0:25:10 | |
and so we've settled down and built homes beside our fields. | 0:25:10 | 0:25:14 | |
But this man-made abundance is irresistible | 0:25:18 | 0:25:21 | |
to many animals we now call pests. | 0:25:21 | 0:25:24 | |
On the African plains these cereal killers come in plague proportions. | 0:25:30 | 0:25:37 | |
Isiah lives in Tanzania. | 0:25:42 | 0:25:45 | |
His rice harvest is just days away, but he knows an aerial attack is imminent. | 0:25:45 | 0:25:51 | |
He must be vigilant, ever alert to the sound he dreads. | 0:26:02 | 0:26:05 | |
The noise comes first... | 0:26:09 | 0:26:11 | |
(BIRDS TWEETING) | 0:26:11 | 0:26:13 | |
...then the advance party... | 0:26:16 | 0:26:19 | |
...followed by the swarm. | 0:26:23 | 0:26:26 | |
They are quelea. | 0:26:28 | 0:26:30 | |
They come in their millions and people call them locust birds. | 0:26:30 | 0:26:35 | |
They are the most numerous bird species on Earth, | 0:26:49 | 0:26:52 | |
ravenous for grain. | 0:26:52 | 0:26:54 | |
(IMITATES BIRD CALL) | 0:27:00 | 0:27:02 | |
Isiah and his neighbours must try to prevent the quelea from settling, | 0:27:03 | 0:27:08 | |
otherwise the flock will strip their crop in an hour. | 0:27:08 | 0:27:12 | |
It's not a battle he can win, it's about limiting his losses. | 0:27:16 | 0:27:21 | |
As the seeds ripen, these migrant flocks never stand still. | 0:27:26 | 0:27:32 | |
But they do have an Achilles heel. | 0:27:32 | 0:27:35 | |
In order to breed, the quelea must stop, | 0:27:35 | 0:27:39 | |
weaving thousands of nests in tight colonies. | 0:27:39 | 0:27:42 | |
This is the farmers' chance to strike back. | 0:27:44 | 0:27:48 | |
While most of the flock is away feeding, a deadly trap is laid. | 0:27:56 | 0:28:02 | |
The birds return as dusk falls. | 0:28:16 | 0:28:19 | |
So far, we're one step ahead in the arms race with the pests. | 0:28:55 | 0:29:00 | |
And our ability to manipulate the grasslands | 0:29:01 | 0:29:04 | |
has gone from strength to strength. | 0:29:04 | 0:29:07 | |
We have supersized these man-made grasslands... | 0:29:09 | 0:29:13 | |
...sculpting mountains, felling forests | 0:29:15 | 0:29:18 | |
and redesigning the very surface of our planet. | 0:29:18 | 0:29:21 | |
Seven grasses feed almost seven billion people. | 0:29:24 | 0:29:29 | |
They supply three-quarters of our carbohydrates, | 0:29:30 | 0:29:34 | |
bread and pasta, noodles and porridge. | 0:29:34 | 0:29:37 | |
These artificial great plains are making wild grasslands | 0:29:44 | 0:29:48 | |
amongst the most endangered habitats on Earth. | 0:29:48 | 0:29:51 | |
Yet it was on the wild grasslands, which support vast grazing herds, | 0:29:55 | 0:30:00 | |
that we achieved perhaps our greatest triumph... | 0:30:00 | 0:30:04 | |
to subjugate these animals to our needs. | 0:30:04 | 0:30:07 | |
Controlling a plant is one thing, | 0:30:09 | 0:30:12 | |
but dominating a creature with its own free will | 0:30:12 | 0:30:15 | |
requires a far higher level of manipulation. | 0:30:15 | 0:30:18 | |
The Mongolian steppe is the biggest grassland on Earth. | 0:30:22 | 0:30:26 | |
There are more horses running wild here than anywhere else in the world. | 0:30:27 | 0:30:32 | |
The Mongols' ability to tame horses | 0:30:37 | 0:30:39 | |
has made these nomads masters of the steppe. | 0:30:39 | 0:30:43 | |
and, in a family of horsemen, Ulaana is the best. | 0:30:43 | 0:30:47 | |
He's got riding in his blood. | 0:30:52 | 0:30:54 | |
His ancestor Genghis Khan used horse power to build an empire | 0:30:54 | 0:30:59 | |
but today, Ulaana's family face a different challenge. | 0:30:59 | 0:31:04 | |
They must use their horses' speed and stamina to capture wild mares. | 0:31:10 | 0:31:15 | |
Driving the wild herd back to the ger camp is only the beginning of a day | 0:31:22 | 0:31:26 | |
that will test Ulaana's agility and strength to the limit. | 0:31:26 | 0:31:30 | |
Ultimately he's after the mare's milk, but it's not that straightforward. | 0:31:36 | 0:31:42 | |
These wild mares don't give up their milk easily. | 0:31:52 | 0:31:56 | |
They have to be tricked into it. | 0:31:56 | 0:31:58 | |
His success will depend on total partnership with his horse. | 0:31:58 | 0:32:02 | |
First, Ulaana lassoes the foals, so the mares will stay close. | 0:32:22 | 0:32:26 | |
But even the foals are feisty. | 0:32:26 | 0:32:30 | |
Ulaana leans behind his horse, | 0:32:35 | 0:32:38 | |
using its strength and weight to resist the pull of the foal. | 0:32:38 | 0:32:42 | |
He must balance at a gallop, using only his knees. | 0:32:47 | 0:32:52 | |
Once he's caught a foal, | 0:33:06 | 0:33:07 | |
his cousin Tungaa must get a halter on before it escapes. | 0:33:07 | 0:33:12 | |
It is the first time they have felt the touch of a human hand. | 0:33:13 | 0:33:17 | |
Once they're tethered, Ulaana can move on to the mares. | 0:33:20 | 0:33:24 | |
This is the real battle - mares are five times his weight. | 0:33:26 | 0:33:31 | |
With Ulaana at full stretch, everyone lends a hand. | 0:33:57 | 0:34:00 | |
After two exhausting hours, the men begin to get the upper hand. | 0:34:35 | 0:34:39 | |
Haltered and hobbled, this mare is finally subdued. | 0:34:49 | 0:34:53 | |
Then they're left to calm down with their foals. | 0:34:56 | 0:35:00 | |
Only with the foal suckling will the mare let down her milk | 0:35:03 | 0:35:06 | |
and then Tungaa has a brief chance to draw some off for the family. | 0:35:06 | 0:35:11 | |
But Mongolians prefer their milk with a twist. | 0:35:18 | 0:35:23 | |
Their innovation has been to ferment this sugary milk into airag, | 0:35:26 | 0:35:30 | |
a slightly alcoholic yoghurt. | 0:35:30 | 0:35:33 | |
The yoghurt bacteria turns the milk | 0:35:41 | 0:35:44 | |
into their most nutritious summer food. | 0:35:44 | 0:35:47 | |
Without harming their animals, | 0:36:23 | 0:36:25 | |
Ulaana's family can live off them year after year, | 0:36:25 | 0:36:29 | |
turning the goodness of grass into yoghurt | 0:36:29 | 0:36:31 | |
but, having bound their lives to the grazing herds, they are nomads, | 0:36:31 | 0:36:37 | |
following the herds on their perpetual search for fresh pastures. | 0:36:37 | 0:36:41 | |
In other cultures, we have taken this mastery a step further, | 0:37:18 | 0:37:22 | |
taming and breeding the wild herds, | 0:37:22 | 0:37:25 | |
making them docile and easy to handle. | 0:37:25 | 0:37:28 | |
In the African savannah, herders keep their cattle close. | 0:37:29 | 0:37:33 | |
They are owned now | 0:37:33 | 0:37:35 | |
and, like property owners everywhere, men will fight to protect them. | 0:37:35 | 0:37:41 | |
In the grasslands of southern Ethiopia, | 0:37:43 | 0:37:46 | |
the Suri take this protection to extremes. | 0:37:46 | 0:37:49 | |
Here, rival tribes even fight battles over cattle. | 0:37:51 | 0:37:55 | |
So Suri herders must become warriors. | 0:37:55 | 0:37:59 | |
Shahuri will stop at nothing to defend his herd. | 0:38:05 | 0:38:09 | |
For the Suri, cattle are currency. | 0:38:27 | 0:38:30 | |
Too valuable to kill, they care for them intimately. | 0:38:30 | 0:38:34 | |
Every year Shahuri must undergo a ritual trial of courage | 0:38:41 | 0:38:45 | |
to prove he's got what it takes to be a cattle warrior. | 0:38:45 | 0:38:49 | |
He gets strength for the combat ahead directly from his cows | 0:38:53 | 0:38:57 | |
by drinking their blood. | 0:38:57 | 0:38:59 | |
It may look brutal, but it doesn't kill them. | 0:38:59 | 0:39:02 | |
This rich blood gives Shahuri essential protein and iron, | 0:39:07 | 0:39:11 | |
and his prize animal will recover quickly. | 0:39:11 | 0:39:14 | |
The vicious ritual of donga | 0:39:24 | 0:39:27 | |
will make or break Shahuri's reputation as a cowboy. | 0:39:27 | 0:39:31 | |
It's the day of judgment. | 0:39:33 | 0:39:35 | |
The rival Suri clans arrive, psyched up and ready for donga. | 0:39:35 | 0:39:40 | |
(SINGING) | 0:39:40 | 0:39:42 | |
It lasts a day. | 0:39:48 | 0:39:51 | |
You pick an opponent from the neighbouring village for a duel. | 0:39:51 | 0:39:54 | |
The more victories you win, the greater your courage. | 0:39:54 | 0:39:58 | |
Shahuri walks to the ring. | 0:40:03 | 0:40:05 | |
Even taking part in this ritual takes serious guts. | 0:40:05 | 0:40:10 | |
He has no armour. His only defence is a lucky sunhat. | 0:40:10 | 0:40:15 | |
Shahuri watches and waits. | 0:40:20 | 0:40:23 | |
The donga sticks are two metres long. They can cause serious injury. | 0:40:43 | 0:40:48 | |
To win, you must thrash your opponent until surrender. | 0:40:48 | 0:40:53 | |
Finally, Shahuri is ready for battle. | 0:41:02 | 0:41:07 | |
It's a victory, but not emphatic. To prove himself, he fights again. | 0:41:26 | 0:41:32 | |
Suddenly his opponent backs down. Shahuri is the champion. | 0:41:38 | 0:41:44 | |
Lifted high, his clan celebrate his victory. | 0:41:55 | 0:41:59 | |
His cattle have their protector. | 0:42:09 | 0:42:11 | |
Shahuri has proved he can be a cowboy, Ethiopian style. | 0:42:11 | 0:42:16 | |
But in the Australian outback, they've reinvented the cowboy big time. | 0:42:23 | 0:42:29 | |
Here, supersized ranches across the country hold 30 million cattle. | 0:42:29 | 0:42:35 | |
This is the total mastery of man over beast, | 0:42:36 | 0:42:39 | |
our ultimate ingenuity in the grasslands. | 0:42:39 | 0:42:42 | |
Round-up used to take a month. Not any more. | 0:42:47 | 0:42:51 | |
Ben Tapp is a muster pilot, | 0:43:03 | 0:43:06 | |
and he must bring in 2,000 of his best cattle in just five days to get paid. | 0:43:06 | 0:43:12 | |
He'll need all his flying skills, | 0:43:14 | 0:43:16 | |
his ability to read the cattle, and his mate Rankin, if he's to succeed. | 0:43:16 | 0:43:22 | |
(INDISTINCT RADIO CHATTER) | 0:43:22 | 0:43:24 | |
BEN: If you can understand the cattle, | 0:43:30 | 0:43:32 | |
you can already anticipate what they're going to do. | 0:43:32 | 0:43:35 | |
Like a good cattleman, | 0:43:35 | 0:43:36 | |
you can identify every single beast, and every single beast is different. | 0:43:36 | 0:43:41 | |
His cattle are out there somewhere. | 0:43:41 | 0:43:44 | |
Scouting by air allows Ben to home in on them fast. | 0:43:44 | 0:43:48 | |
It appears there's about six or seven of them along the line. | 0:43:53 | 0:43:58 | |
When they find a group of cows, | 0:43:58 | 0:44:00 | |
they drop down to the "death zone" to flush them out. | 0:44:00 | 0:44:05 | |
Clipping any tree will be fatal. | 0:44:05 | 0:44:07 | |
Don't put too much pressure on them. They're fairly hot now. | 0:44:13 | 0:44:17 | |
Just stick with that mob there. Keep them going that way. | 0:44:17 | 0:44:20 | |
You stick with them. Oh, here's this mob here. | 0:44:23 | 0:44:26 | |
There are always some trouble-makers. | 0:44:27 | 0:44:30 | |
We've got another...probably 150 coming in. | 0:44:55 | 0:44:59 | |
The choppers work together, pushing the growing herd, | 0:45:03 | 0:45:06 | |
but they've got 50 kilometres and billabongs to cross | 0:45:06 | 0:45:09 | |
before they get to the ranch. | 0:45:09 | 0:45:12 | |
Ben's cattle really don't like swimming. | 0:45:18 | 0:45:21 | |
Anywhere here, where they're ready to cross, we'll just let them go. | 0:45:24 | 0:45:28 | |
Oh, look out, look out! | 0:45:35 | 0:45:38 | |
Every year, about ten muster pilots crash and burn. | 0:45:38 | 0:45:43 | |
Just steady up there. | 0:45:45 | 0:45:47 | |
-- They just work along... -- Yeah. | 0:45:47 | 0:45:52 | |
From eight kilometres out, the ground crew joins the drive. | 0:45:52 | 0:45:56 | |
I think we'll target a little bit southward. | 0:45:56 | 0:45:59 | |
Come around. Everyone's here, right? | 0:45:59 | 0:46:01 | |
But Ben's still calling the shots. | 0:46:01 | 0:46:04 | |
Oh, the motorbike follows. Come on! | 0:46:05 | 0:46:07 | |
Come on, motorbike! Motorbike follow, come on! | 0:46:11 | 0:46:14 | |
Hurry up! They're going to go that way! | 0:46:15 | 0:46:19 | |
Keep them going the way they are heading there now. | 0:46:22 | 0:46:26 | |
(BEN CHUCKLES) | 0:46:32 | 0:46:34 | |
Now, we don't need to wait for the wildebeest migration, | 0:46:38 | 0:46:43 | |
we create our own. | 0:46:43 | 0:46:45 | |
Grasslands have allowed us to dominate the planet. | 0:46:50 | 0:46:54 | |
They are the landscape of phenomenal human achievement. | 0:46:54 | 0:46:58 | |
They underpin our present global existence. | 0:47:00 | 0:47:04 | |
These cattle, native to India, raised in Australia, | 0:47:07 | 0:47:10 | |
will soon be shipped out to feed the international appetite for beef. | 0:47:10 | 0:47:15 | |
And over the season... | 0:47:15 | 0:47:17 | |
they'll make Ben a millionaire. | 0:47:17 | 0:47:20 | |
-- Are you making much out of it? -- Yeah. | 0:47:20 | 0:47:24 | |
About 1.3 million bucks. | 0:47:24 | 0:47:27 | |
That's worth getting out of bed for! | 0:47:27 | 0:47:29 | |
-- Yeah. -- (CHUCKLES) | 0:47:29 | 0:47:32 | |
Our ingenuity and teamwork, intelligence and courage | 0:47:36 | 0:47:40 | |
have all been refined in the grasslands. | 0:47:40 | 0:47:44 | |
And this uniquely human combination of skills | 0:47:47 | 0:47:51 | |
has enabled us to conquer the world. | 0:47:51 | 0:47:54 | |
Without the grasslands, | 0:47:59 | 0:48:01 | |
planet Earth would never have become the Human Planet. | 0:48:01 | 0:48:05 | |
Trying to steal food from the jaws of the most powerful predator in Africa | 0:48:14 | 0:48:19 | |
may seem to us like lunacy, | 0:48:19 | 0:48:20 | |
but this extraordinary and dangerous feat | 0:48:20 | 0:48:24 | |
has been practised in Kenya for thousands of years. | 0:48:24 | 0:48:27 | |
But it has never been filmed before, and may never be filmed again. | 0:48:32 | 0:48:37 | |
The Dorobo are an ancient tribe who live in the grasslands of East Africa. | 0:48:44 | 0:48:49 | |
Conservation laws now stop many of their traditional practices | 0:48:49 | 0:48:53 | |
and so threaten their whole way of life. | 0:48:53 | 0:48:56 | |
To record this unique sequence, the Grasslands team needed a man | 0:49:00 | 0:49:05 | |
who understands both lions and the Dorobo people who live here. | 0:49:05 | 0:49:09 | |
Jackson Looseyia, the crew's guide, | 0:49:10 | 0:49:13 | |
has a deep understanding of this way of life, | 0:49:13 | 0:49:16 | |
having grown up nearby in the Masai Mara. | 0:49:16 | 0:49:20 | |
When I was asked by the BBC if they are able to document this story, | 0:49:21 | 0:49:25 | |
I said, yeah, because it's something that I've practised myself. | 0:49:25 | 0:49:29 | |
I've chased lions from food when I was growing up. | 0:49:29 | 0:49:32 | |
I knew this lifestyle. | 0:49:32 | 0:49:34 | |
It's possible, | 0:49:34 | 0:49:35 | |
it's just a matter of if the BBC are able | 0:49:35 | 0:49:38 | |
to capture this before it is gone. | 0:49:38 | 0:49:41 | |
It won't be easy, as the lions here aren't used to cars, | 0:49:43 | 0:49:47 | |
so they're difficult to approach. | 0:49:47 | 0:49:49 | |
They mainly hunt at night when it's too dangerous to get close on foot. | 0:49:49 | 0:49:54 | |
So the challenge is to find a lion kill at dawn, | 0:49:57 | 0:50:00 | |
to enable the Dorobo | 0:50:00 | 0:50:02 | |
and big cat cameraman Warren Samuels to do their jobs. | 0:50:02 | 0:50:07 | |
We've got to wait for the lion to make the kill | 0:50:07 | 0:50:09 | |
and it's got to be at a time when we can still come out early morning | 0:50:09 | 0:50:12 | |
and still have enough light to film them on the kill. | 0:50:12 | 0:50:15 | |
We're hoping for a lot of luck. | 0:50:15 | 0:50:19 | |
At first light, Jackson joins the Dorobo, | 0:50:20 | 0:50:23 | |
in the hope of tracking down a fresh lion kill. | 0:50:23 | 0:50:25 | |
You can see this is a footprint of a lion, a very big lion, | 0:50:25 | 0:50:29 | |
and you can see there's a footprint of a wildebeest. | 0:50:29 | 0:50:33 | |
Look here, you see, this is a very, very big pride, | 0:50:33 | 0:50:37 | |
looking at the number of footprints, | 0:50:37 | 0:50:39 | |
and the number of places that they like to drink. | 0:50:39 | 0:50:43 | |
Because lions often hunt just before dawn, | 0:50:44 | 0:50:47 | |
the team have to follow them both day and night. | 0:50:47 | 0:50:50 | |
(INDISTINCT RADIO CHATTER) | 0:50:50 | 0:50:53 | |
(QUIETLY) In Africa, night is everything. | 0:50:54 | 0:50:57 | |
It's terrifying, it's scary. But it's so much alive. | 0:50:57 | 0:51:00 | |
Do you see them? There are the lions, we've found them, listen. | 0:51:07 | 0:51:11 | |
Sharing the night shift with Jackson is Human Planet researcher, Jane Atkins. | 0:51:11 | 0:51:17 | |
JANE: We just came across lionesses with their eight cubs | 0:51:17 | 0:51:20 | |
quite local to where the Dorobo guys live. | 0:51:20 | 0:51:22 | |
But the down side of that | 0:51:22 | 0:51:24 | |
is that when the Dorobo do come across a kill, | 0:51:24 | 0:51:26 | |
if it's in this area with this pride, | 0:51:26 | 0:51:29 | |
these lionesses are going to be a lot more aggressive and protective. | 0:51:29 | 0:51:33 | |
JACKSON: The struggle to try and keep up with this pride at night | 0:51:38 | 0:51:41 | |
is because they cross in places that a vehicle would not be able to cross. | 0:51:41 | 0:51:45 | |
Once you lose them, you know, they do stuff behind your back. | 0:51:45 | 0:51:48 | |
So you are having to be on the go the whole time. | 0:51:48 | 0:51:51 | |
After following the lions all night, they still haven't seen a kill. | 0:51:53 | 0:51:59 | |
Warren, on the day shift, discovers there's a very good reason why. | 0:51:59 | 0:52:04 | |
Ideally, the situation we wanted here was big herds of wildebeest, | 0:52:04 | 0:52:08 | |
we wanted to get lions making kills, | 0:52:08 | 0:52:10 | |
but the rains have come a little early, | 0:52:10 | 0:52:12 | |
so most of the animals are up on the plains. | 0:52:12 | 0:52:14 | |
All we've got now are small groups of five or six wildebeest. | 0:52:14 | 0:52:17 | |
So we're really hoping that one of those groups of lions gets lucky | 0:52:17 | 0:52:21 | |
and that they manage to kill one of them. | 0:52:21 | 0:52:23 | |
OVER RADIO: No more groups of wildebeest. Just that one group you can see. | 0:52:23 | 0:52:26 | |
Four more days pass and no lion kills have been seen. | 0:52:26 | 0:52:30 | |
Finally, they get a shred of luck. | 0:52:32 | 0:52:34 | |
We've got a big herd of wildebeest | 0:52:35 | 0:52:37 | |
going through the horizon heading to the crossings again. | 0:52:37 | 0:52:41 | |
We may have a chance again of a kill. | 0:52:41 | 0:52:44 | |
The crew head off on the heels of the Dorobo. | 0:52:48 | 0:52:52 | |
But after hours of tracking, again there's no sign of a kill. | 0:52:52 | 0:52:57 | |
Jane and the night shift take over. | 0:53:00 | 0:53:03 | |
We've just come across the lionesses and the male and all their cubs | 0:53:07 | 0:53:12 | |
on a kill, and we are about... | 0:53:12 | 0:53:15 | |
five metres away. | 0:53:15 | 0:53:19 | |
The adult male is sitting now on a wildebeest kill. | 0:53:19 | 0:53:22 | |
We are not going to be able to film this because, by the time it gets light, | 0:53:25 | 0:53:30 | |
they'll have finished it. | 0:53:30 | 0:53:33 | |
But it's absolutely amazing to be able to see it so close. | 0:53:33 | 0:53:38 | |
The vehicle is now surrounded by 23 hungry lions. | 0:53:39 | 0:53:44 | |
(SNARLING) | 0:53:44 | 0:53:47 | |
JANE: Oh, God! | 0:53:56 | 0:53:58 | |
(LAUGHS) My God! | 0:54:02 | 0:54:04 | |
We've just had a lion chewing at our back tyre, | 0:54:06 | 0:54:10 | |
and I absolutely kacked myself! | 0:54:10 | 0:54:13 | |
Look at them! | 0:54:27 | 0:54:28 | |
Not the Dorobo. They say they do it all the time. | 0:54:28 | 0:54:31 | |
I don't know how they do it, I mean... | 0:54:31 | 0:54:34 | |
(SQUEALING) | 0:54:34 | 0:54:36 | |
...it's terrifying. | 0:54:36 | 0:54:38 | |
By dawn, the lions have finished the kill. | 0:54:45 | 0:54:48 | |
At the shift change, the power of the lion's bite is revealed. | 0:54:48 | 0:54:55 | |
Look at that, it's amazing! | 0:54:55 | 0:54:57 | |
Quite an adrenaline-filled night, really. | 0:54:57 | 0:55:02 | |
It's eight in the morning, I've just finished my night shift, | 0:55:03 | 0:55:06 | |
and although we found lions on a kill, | 0:55:06 | 0:55:08 | |
by the time Warren came out and it was light enough for him to film, | 0:55:08 | 0:55:12 | |
the carcass was pretty much ripped apart. | 0:55:12 | 0:55:16 | |
You know, we've only got a few more days left. | 0:55:17 | 0:55:19 | |
At last they get the news everyone's been waiting for. | 0:55:22 | 0:55:25 | |
The pride they've been following has made a fresh kill. | 0:55:25 | 0:55:29 | |
It's light enough to film, and the Dorobo are ready. | 0:55:29 | 0:55:32 | |
We are just trying to find a position where we can get a clear view. | 0:55:44 | 0:55:47 | |
There's too much brush in the way. | 0:55:47 | 0:55:49 | |
The crew are still worried about the Dorobos' safety. | 0:55:50 | 0:55:54 | |
JACKSON: I didn't believe that we would get this shot. | 0:56:52 | 0:56:55 | |
I thought the lions would attack these guys | 0:56:55 | 0:56:58 | |
especially when they had their cubs. | 0:56:58 | 0:57:00 | |
But all of a sudden, when the big male got up and ran, | 0:57:00 | 0:57:03 | |
I was relieved, because I thought he would be the one which will attack us, | 0:57:03 | 0:57:08 | |
but I'm really, really chuffed. Great stuff! Ay-ay-ah! | 0:57:08 | 0:57:13 | |
The special connection I've got with the Dorobo is the lifestyle. | 0:57:17 | 0:57:21 | |
It's pretty sad to know that it's about to disappear. | 0:57:21 | 0:57:26 | |
The time that I've spent with these guys, I think it's too short. | 0:57:26 | 0:57:32 | |
I've realised how much I have lost and how much I have learnt so far | 0:57:32 | 0:57:37 | |
since I have been with them in the last two weeks. | 0:57:37 | 0:57:41 | |
I would be very happy if this has been captured for my kids | 0:57:42 | 0:57:47 | |
and the rest of the generations of the Dorobo kids, | 0:57:47 | 0:57:50 | |
and be proud that our ancestors, our fathers, our elders | 0:57:50 | 0:57:53 | |
did practise this scary, scary experience. | 0:57:53 | 0:57:57 | |
(GROWLING) | 0:57:57 | 0:57:59 |