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When he was seven, Charlie was obsessed with kingfishers. | 0:00:07 | 0:00:11 | |
When he was 13, just looking at animals wasn't enough, | 0:00:12 | 0:00:17 | |
and he was compelled to take pictures of them. | 0:00:17 | 0:00:20 | |
So it's hardly surprising | 0:00:25 | 0:00:27 | |
that Charlie became a wildlife photographer, | 0:00:27 | 0:00:30 | |
and his job has taken him to the most remote corners of the planet. | 0:00:30 | 0:00:34 | |
He often says that the world | 0:00:37 | 0:00:39 | |
is easier to understand through the lens of a camera, | 0:00:39 | 0:00:43 | |
but if you've been to the places Charlie's been, | 0:00:43 | 0:00:47 | |
you can't escape one simple fact. | 0:00:47 | 0:00:50 | |
Time is running out for our world. | 0:00:50 | 0:00:53 | |
I didn't want to sit around and spend my life being | 0:00:54 | 0:00:57 | |
depressed about the environment, not doing anything about it. | 0:00:57 | 0:01:00 | |
So I thought, right, if I can do my bit, | 0:01:00 | 0:01:03 | |
at least I know in my life I've done my bit, however small that is. | 0:01:03 | 0:01:06 | |
Charlie wanted to make a difference | 0:01:08 | 0:01:10 | |
so he did something that sounds crazy. | 0:01:10 | 0:01:14 | |
He went to Peru to buy a rainforest. | 0:01:15 | 0:01:19 | |
It makes you realise how important this place is. | 0:01:20 | 0:01:23 | |
To know that there's still people in there that have got | 0:01:23 | 0:01:26 | |
no contact with the outside world. | 0:01:26 | 0:01:29 | |
To protect the forest, Charlie needed to stop the illegal loggers, | 0:01:34 | 0:01:39 | |
ranchers and gold miners from cutting it down. | 0:01:39 | 0:01:42 | |
But the more time he spent with local people, | 0:01:50 | 0:01:54 | |
the deeper and deeper he got drawn into their lives. | 0:01:54 | 0:01:58 | |
You forget all the problems, all the environmental stuff, | 0:01:58 | 0:02:01 | |
and you just get fixed on getting some gold out of it. | 0:02:01 | 0:02:05 | |
There are those that say it's already too late, | 0:02:19 | 0:02:23 | |
that human beings have wrecked the planet, | 0:02:23 | 0:02:26 | |
but if we're all going down, | 0:02:26 | 0:02:28 | |
Charlie's going down fighting. | 0:02:28 | 0:02:30 | |
It's estimated that the Amazon is home to a quarter | 0:02:47 | 0:02:50 | |
of every land-based species on the planet. | 0:02:50 | 0:02:55 | |
And yet we've studied less than 1% of this ancient rainforest. | 0:02:55 | 0:03:00 | |
It's stood for more than 20 million years, | 0:03:03 | 0:03:07 | |
but if we continue to destroy it at the current rate, | 0:03:07 | 0:03:10 | |
it will all be gone in less than 200. | 0:03:10 | 0:03:14 | |
But the most staggering fact about the Amazon is that we've been | 0:03:15 | 0:03:19 | |
hearing for so long that it needs protection that we just don't care. | 0:03:19 | 0:03:24 | |
Or at least we don't care enough to do anything about it. | 0:03:29 | 0:03:33 | |
I got a phone call one day from my mate in Peru, | 0:03:44 | 0:03:48 | |
and he just said to me, out of the blue, | 0:03:48 | 0:03:51 | |
"Do you want to buy some rainforest?" | 0:03:51 | 0:03:54 | |
And really, without even thinking about it, I just said, "Yeah." | 0:03:54 | 0:03:58 | |
So I've gone and bought 100 acres of forest. | 0:04:01 | 0:04:04 | |
Well, me and your mum have bought it. | 0:04:04 | 0:04:07 | |
Why did you just buy it when you've never seen it? | 0:04:07 | 0:04:11 | |
That's a good question. It's a perfect question. | 0:04:11 | 0:04:14 | |
I didn't really tell Philippa immediately, I just went ahead | 0:04:16 | 0:04:20 | |
and did it and subsequently, she has gone to great lengths | 0:04:20 | 0:04:25 | |
to point out all the gaping holes in my knowledge of the place | 0:04:25 | 0:04:30 | |
and my trust with people. | 0:04:30 | 0:04:32 | |
I knew what he was going to do from the moment he started even mumbling | 0:04:32 | 0:04:35 | |
about it, I knew where it was headed and I knew why he needed to do it. | 0:04:35 | 0:04:40 | |
We all just need him to go there, see it, and then just come home. | 0:04:42 | 0:04:47 | |
Charlie has flown to Cusco, | 0:04:59 | 0:05:00 | |
the last big city in Peru before the Western Amazon basin. | 0:05:00 | 0:05:04 | |
His land is still a day's drive away but before he gets to see it, | 0:05:05 | 0:05:10 | |
Charlie has to pay £6,000 for his 100 acres of rainforest. | 0:05:10 | 0:05:15 | |
I've done it! | 0:05:29 | 0:05:32 | |
I just bought a piece of Amazon. | 0:05:32 | 0:05:35 | |
This road is hilarious. | 0:05:47 | 0:05:49 | |
We haven't stopped going up now for about two hours. | 0:05:49 | 0:05:53 | |
It's just on the other side of this hill. | 0:05:55 | 0:05:57 | |
The problem is this hill is the Andes | 0:05:57 | 0:05:59 | |
and it seems to be going on forever. | 0:05:59 | 0:06:01 | |
And the thing is, I'll get there | 0:06:03 | 0:06:05 | |
and it'll just look like all the other forest, but it'll be my bit! | 0:06:05 | 0:06:09 | |
Of course, you have to be pretty well off to entertain | 0:06:23 | 0:06:26 | |
the idea of trying to save a rainforest. | 0:06:26 | 0:06:29 | |
Conservation is a luxury mainly enjoyed by the rich. | 0:06:29 | 0:06:32 | |
And let's not forget that in Britain we've never been | 0:06:33 | 0:06:36 | |
shy of using our resources. | 0:06:36 | 0:06:38 | |
After all, we've cut down most of our trees, | 0:06:38 | 0:06:41 | |
killed half of the wildlife and poisoned the sea. | 0:06:41 | 0:06:45 | |
But sometimes we have to draw a line. | 0:06:46 | 0:06:49 | |
And for Charlie that line is Manu National Park. | 0:06:49 | 0:06:53 | |
The thing about Manu is that, of all the rainforests in the world, | 0:06:56 | 0:07:00 | |
it is the best one, and it's the most biodiverse place on Earth. | 0:07:00 | 0:07:05 | |
Some of the stats about it are just mind-blowing. | 0:07:05 | 0:07:08 | |
To think that in one National Park | 0:07:08 | 0:07:09 | |
that's about half the size of Switzerland, | 0:07:09 | 0:07:11 | |
you can have 10% of all the bird species in the world. | 0:07:11 | 0:07:15 | |
That's what we're dealing with here. | 0:07:15 | 0:07:17 | |
Although it's a protected area, | 0:07:18 | 0:07:21 | |
Manu is under attack from illegal loggers. | 0:07:21 | 0:07:24 | |
But to get into the park, they have to go through Charlie's land | 0:07:24 | 0:07:27 | |
which is strategically placed | 0:07:27 | 0:07:30 | |
at the end of the only road for miles around, | 0:07:30 | 0:07:33 | |
and one of the reasons he bought it was to find a way to stop people | 0:07:33 | 0:07:37 | |
smuggling valuable hardwoods out of the forest. | 0:07:37 | 0:07:40 | |
Blimey, that's it! It's a shame it's pitch black, isn't it? | 0:07:43 | 0:07:48 | |
But before he gets to grips with the issues facing this corner | 0:07:51 | 0:07:54 | |
of Manu, Charlie wants to see exactly what he's bought. | 0:07:54 | 0:07:58 | |
Oh, this is beautiful. | 0:08:11 | 0:08:12 | |
When you think of the Amazon, South America, all of that, | 0:08:14 | 0:08:18 | |
that's what I'm thinking of - a place like this. | 0:08:18 | 0:08:21 | |
Camp is just there and there's a little trail coming down. | 0:08:22 | 0:08:26 | |
I need to get the machete on it, walk down to here. | 0:08:26 | 0:08:30 | |
Look at that, there's the bath! This is my bathroom, then. | 0:08:30 | 0:08:34 | |
It's got to be. | 0:08:35 | 0:08:37 | |
Beautiful. | 0:08:37 | 0:08:39 | |
Someone's cut this trail within the last couple of months. | 0:08:46 | 0:08:50 | |
This looks nice but it's not. This is knackered forest. | 0:08:58 | 0:09:04 | |
This is all just crappy grass, bamboo. | 0:09:06 | 0:09:11 | |
All these things that grow fast once the forest has been cut down. | 0:09:11 | 0:09:15 | |
But the diversity here's unbelievable. | 0:09:15 | 0:09:20 | |
I'm probably being stalked by about three or four different | 0:09:20 | 0:09:23 | |
species of mosquito at the moment. | 0:09:23 | 0:09:27 | |
And there's cracking birdlife here, insect life's unbelievable. | 0:09:27 | 0:09:30 | |
It's still important stuff, secondary forest, it's still packed with life. | 0:09:32 | 0:09:36 | |
And you know, now I'm here to protect it, | 0:09:36 | 0:09:40 | |
it's only going to get better, isn't it? | 0:09:40 | 0:09:43 | |
Who knows what we could end up with? | 0:09:43 | 0:09:45 | |
At the end of the first day, Charlie's only explored | 0:09:48 | 0:09:52 | |
a third of his land, but it's clear that the big trees were taken | 0:09:52 | 0:09:56 | |
long ago, which is why the loggers have moved into Manu. | 0:09:56 | 0:10:01 | |
But the park authorities are so underfunded | 0:10:02 | 0:10:05 | |
that there's little they can do about it. | 0:10:05 | 0:10:08 | |
There are only 26 guards to patrol 17,000 square kilometres. | 0:10:08 | 0:10:13 | |
So Charlie's taking matters into his own hands. | 0:10:13 | 0:10:17 | |
I bought the land because I wanted to do some good. | 0:10:17 | 0:10:21 | |
So the idea now is, | 0:10:22 | 0:10:24 | |
I stop illegal loggers getting into the National Park and logging it. | 0:10:24 | 0:10:28 | |
There has to be rules, there has to be regulation, | 0:10:29 | 0:10:32 | |
there has to be decent protection for Manu National Park. | 0:10:32 | 0:10:35 | |
It is so important, not just in Peru, but to the world. | 0:10:35 | 0:10:39 | |
I know it's only a sign with some words written on it | 0:10:41 | 0:10:46 | |
but it kind of makes it official now. | 0:10:46 | 0:10:49 | |
It says, "Don't mess around with my bit of forest, not on my watch." | 0:10:51 | 0:10:57 | |
Charlie is going to stay in the Amazon for the next few months | 0:11:02 | 0:11:06 | |
to explore all the threats facing the rainforest, | 0:11:06 | 0:11:09 | |
and to try to find ways to protect his land and the National Park. | 0:11:09 | 0:11:14 | |
I'm already covered in bites, | 0:11:16 | 0:11:18 | |
probably cos I've got a tent full of biting flies. | 0:11:18 | 0:11:22 | |
Charlie's job often takes him to remote places, | 0:11:33 | 0:11:36 | |
but he rarely contacts his family. | 0:11:36 | 0:11:38 | |
If you get homesick in the middle of the rainforest, | 0:11:41 | 0:11:43 | |
you'd soon go mad with the bugs and the heat. | 0:11:43 | 0:11:46 | |
The experience of walking into a rainforest is bizarre. | 0:11:52 | 0:11:57 | |
It's claustrophobic, it's hot, it's deeply uncomfortable. | 0:11:57 | 0:12:01 | |
And you can't escape it, | 0:12:03 | 0:12:04 | |
there's no way of escaping the feeling you get from it. | 0:12:04 | 0:12:06 | |
And then you're basically a walking salt cellar, | 0:12:06 | 0:12:10 | |
there's very little salt in the Amazon. | 0:12:10 | 0:12:12 | |
So the moment you walk in and start sweating, | 0:12:12 | 0:12:14 | |
everything wants a piece of the action. | 0:12:14 | 0:12:17 | |
So you get covered with insects all trying to get salt off you. | 0:12:17 | 0:12:21 | |
And then also adding to that, you've got all these other insects, | 0:12:21 | 0:12:24 | |
the biting ones that are trying to get blood out of you. | 0:12:24 | 0:12:27 | |
So you very quickly become a valuable part of the ecosystem, | 0:12:27 | 0:12:31 | |
part of the organism. | 0:12:31 | 0:12:32 | |
Green hell, they call it. That's what it is. | 0:12:34 | 0:12:38 | |
For anyone used to western comforts, living in the rainforest | 0:12:40 | 0:12:44 | |
is like living in a kettle. | 0:12:44 | 0:12:46 | |
A kettle full of mosquitoes, | 0:12:46 | 0:12:48 | |
but because it's so rammed with life, | 0:12:48 | 0:12:51 | |
the Amazon is Charlie's favourite place on Earth. | 0:12:51 | 0:12:54 | |
Where's it gone? Where's it gone? | 0:12:54 | 0:12:57 | |
Stay there. Stay there. | 0:13:00 | 0:13:01 | |
Stay there. No. | 0:13:01 | 0:13:03 | |
That's the problem with this. | 0:13:05 | 0:13:08 | |
You think, "Oh, yeah, I'll just document all the insects I find," | 0:13:08 | 0:13:12 | |
but they reckon there could be half a million. | 0:13:12 | 0:13:14 | |
I could be doing this for the next 500 years. | 0:13:14 | 0:13:17 | |
I got you. I got him, I got him. | 0:13:17 | 0:13:20 | |
So far, Charlie's seen little more than grass and bamboo | 0:13:31 | 0:13:34 | |
in his patch of forest, but over the border in Manu, | 0:13:34 | 0:13:38 | |
it's estimated that every acre contains | 0:13:38 | 0:13:41 | |
nearly three times more native trees than the whole of Great Britain. | 0:13:41 | 0:13:47 | |
so it's not just of interest to the people wanting to cut it down, | 0:13:47 | 0:13:50 | |
it also attracts the occasional scientist. | 0:13:50 | 0:13:54 | |
Thanks, Rob, don't mind me! | 0:13:54 | 0:13:56 | |
Rob Williams is a conservation biologist, and Charlie's nabbed him | 0:13:59 | 0:14:03 | |
to explore the area of his land closest to the National Park. | 0:14:03 | 0:14:07 | |
There's a hut there, look. | 0:14:14 | 0:14:16 | |
Hola! | 0:14:18 | 0:14:19 | |
Hola! | 0:14:19 | 0:14:21 | |
They've got some chain saw blades. | 0:14:26 | 0:14:29 | |
What's all this, Rob? | 0:14:31 | 0:14:33 | |
That's coca. | 0:14:36 | 0:14:38 | |
What, cocaine? | 0:14:38 | 0:14:39 | |
This is the coca leaf that, yeah, that cocaine's made from. | 0:14:39 | 0:14:43 | |
Blimey. | 0:14:43 | 0:14:45 | |
Someone's got a habit, haven't they? | 0:14:45 | 0:14:47 | |
-Shall we go in? -Yeah. | 0:14:56 | 0:14:58 | |
Hmm. That's not good. | 0:15:01 | 0:15:03 | |
That's really weird. That's spooky. | 0:15:10 | 0:15:13 | |
I'm wandering around someone's house. | 0:15:16 | 0:15:20 | |
Well, there's some forest that's been cut down. | 0:15:44 | 0:15:48 | |
I think this explains the coca leaves in the house. | 0:15:54 | 0:15:57 | |
Why? | 0:15:57 | 0:15:59 | |
Looks like coca plants to me. Shall we go and have a look? | 0:15:59 | 0:16:03 | |
If that's coca plants, do we really want to be walking up here? | 0:16:06 | 0:16:10 | |
Shouldn't we be a bit...scared? | 0:16:13 | 0:16:18 | |
You've got quite a production here, Charlie. | 0:16:23 | 0:16:25 | |
Bloody hell, look at it. | 0:16:29 | 0:16:31 | |
Someone's been here recently pruning and harvesting... | 0:16:33 | 0:16:37 | |
-How recently? -I mean, within days. | 0:16:37 | 0:16:39 | |
I mean, he's eaten his pineapple and then lain down on this | 0:16:42 | 0:16:45 | |
sheet of plastic on nice, soft, cut vegetation. | 0:16:45 | 0:16:49 | |
That's just blown a massive hole in the rainforest bubble. | 0:16:54 | 0:17:01 | |
Coca leaves have been a sacred part of South American culture | 0:17:10 | 0:17:14 | |
for thousands of years. | 0:17:14 | 0:17:17 | |
But Peru is now the largest exporter of cocaine in the world, | 0:17:17 | 0:17:20 | |
and Charlie's ragged patch of land is the reality | 0:17:20 | 0:17:24 | |
of what's happening to the rainforest. | 0:17:24 | 0:17:27 | |
According to the park guards, Charlie doesn't just have | 0:17:31 | 0:17:34 | |
a field of coca to worry about. | 0:17:34 | 0:17:36 | |
Somebody has written a reply to his sign on the border of his land. | 0:17:38 | 0:17:42 | |
Do you think it's a genuine threat? | 0:18:01 | 0:18:03 | |
What a massive cock-up. | 0:18:29 | 0:18:32 | |
It looks like Charlie has been terribly naive. | 0:18:36 | 0:18:39 | |
It's rumoured that the guy who owned the land before him is a local crook | 0:18:39 | 0:18:43 | |
called Tito, who did time for processing cocaine. | 0:18:43 | 0:18:48 | |
The guards suspect that Tito and his son Elias | 0:18:50 | 0:18:53 | |
are one of the families logging the National Park, | 0:18:53 | 0:18:56 | |
and that they are still using the hut on Charlie's land as a base. | 0:18:56 | 0:19:00 | |
It's not somewhere that I feel particularly safe any more, | 0:19:13 | 0:19:16 | |
and it worries me that at any moment a load of guys on motorbikes | 0:19:16 | 0:19:21 | |
could turn up with guns and do me over and rob me, | 0:19:21 | 0:19:25 | |
and that's not really what I had in mind when I bought it. | 0:19:25 | 0:19:29 | |
I thought, "Jesus, probably the best purchase I ever made." | 0:19:35 | 0:19:38 | |
I don't know what to do with it, I'm a bit down on it, but, you know, | 0:19:38 | 0:19:42 | |
it's better than a load of crap sitting around my house doing nothing. | 0:19:42 | 0:19:47 | |
Oh, I've bitten off way more than I can chew. | 0:19:53 | 0:19:55 | |
I'm useless at doing anything but taking photos. | 0:19:55 | 0:19:58 | |
After two weeks, Charlie has had enough, | 0:20:04 | 0:20:09 | |
and decides he needs to get away from the problems on his land. | 0:20:09 | 0:20:13 | |
He's not the first Westerner with deep pockets to try | 0:20:16 | 0:20:19 | |
and save a rainforest, but fortunately for Charlie, | 0:20:19 | 0:20:23 | |
not all of them have been scared off by the local people. | 0:20:23 | 0:20:26 | |
A day's boat journey east is the Creese Foundation, | 0:20:30 | 0:20:33 | |
a research centre that specialises in trying to understand | 0:20:33 | 0:20:37 | |
how to restore damaged rainforest just like Charlie's. | 0:20:37 | 0:20:41 | |
He couldn't have come to a better place for advice, | 0:20:43 | 0:20:46 | |
but Charlie's more interested in photographing the animals | 0:20:46 | 0:20:49 | |
being studied by head biologist, Andy Whitworth. | 0:20:49 | 0:20:52 | |
Ah, look at his little face. | 0:20:54 | 0:20:55 | |
Have you got the anti-venom? | 0:20:57 | 0:20:59 | |
I'd rather have it quickly. | 0:20:59 | 0:21:01 | |
A poisonous one, Andy? | 0:21:03 | 0:21:06 | |
An arboreal pit viper. One of the most dangerous ones out here. | 0:21:06 | 0:21:10 | |
This is enough maybe for the first couple of hours | 0:21:10 | 0:21:13 | |
until you would get somebody to a hospital. | 0:21:13 | 0:21:16 | |
When you say "couple of hours to get someone to a hospital," | 0:21:16 | 0:21:18 | |
do you mean the hospital that's 12 hours away in Cusco? | 0:21:18 | 0:21:22 | |
Yeah, but we can stop at a small medical facility on the way. | 0:21:22 | 0:21:25 | |
All right, let's go. | 0:21:28 | 0:21:29 | |
Do you get nervous when you're doing this? | 0:21:31 | 0:21:33 | |
Yeah, most definitely. | 0:21:33 | 0:21:36 | |
I never get complacent, every time I handle a snake, I'm switched on. | 0:21:36 | 0:21:40 | |
Oh, he's beautiful. | 0:21:40 | 0:21:42 | |
Isn't he just? | 0:21:42 | 0:21:44 | |
He's quite a mean little guy, he's going to be angry, | 0:21:44 | 0:21:48 | |
he's going to want to strike. | 0:21:48 | 0:21:49 | |
OK. So you see how he's S-ing now? | 0:21:49 | 0:21:53 | |
He's ready like a spring... he wants to go. | 0:21:53 | 0:21:55 | |
Can he reach me from here? | 0:21:55 | 0:21:57 | |
He's full body length, so... 70 centimetres, 80 centimetres. | 0:21:57 | 0:22:02 | |
This guy's heavily haemotoxic, | 0:22:02 | 0:22:04 | |
so if you take a bite from him, you're going to bleed | 0:22:04 | 0:22:07 | |
from your gums, from your nose, from your eyes. | 0:22:07 | 0:22:10 | |
Sides are toxic as well so it will start to eat away at the flesh. | 0:22:10 | 0:22:13 | |
So your skin falls off? | 0:22:13 | 0:22:15 | |
Yeah, pretty much. | 0:22:15 | 0:22:16 | |
You wouldn't think something so small would be so deadly. | 0:22:16 | 0:22:20 | |
Ah, come on, little fella, back on the hook. | 0:22:22 | 0:22:26 | |
See, he's rattling his tail, he's getting really angry now. | 0:22:27 | 0:22:30 | |
This is the tricky bit, you've just got to watch your fingers. | 0:22:30 | 0:22:35 | |
Oh, that's not good. Don't come up there! | 0:22:35 | 0:22:37 | |
Hey. | 0:22:38 | 0:22:40 | |
Ah, OK. | 0:22:42 | 0:22:44 | |
Well done, sir. | 0:22:45 | 0:22:46 | |
Cheers. | 0:22:46 | 0:22:48 | |
Oh, it was lovely. What a beautiful animal. | 0:22:48 | 0:22:50 | |
I'm a bit disappointed I didn't get | 0:22:50 | 0:22:52 | |
to use my anti-venom for the first time. | 0:22:52 | 0:22:55 | |
The foundation own an area 20 times larger than Charlie's | 0:23:00 | 0:23:04 | |
that was once little more than a wasteland, | 0:23:04 | 0:23:06 | |
but now it's grown back to create a healthy secondary rainforest. | 0:23:06 | 0:23:11 | |
Look, he's right here, he's right here. | 0:23:11 | 0:23:13 | |
He's just jumped onto that stem. | 0:23:13 | 0:23:15 | |
This would have all been logged, | 0:23:18 | 0:23:19 | |
there would have been agriculture here, coffee. | 0:23:19 | 0:23:23 | |
So you can see it can regenerate given time. | 0:23:23 | 0:23:29 | |
So there is hope. | 0:23:29 | 0:23:31 | |
To see what wildlife might return to his land if given the chance, | 0:23:34 | 0:23:39 | |
Charlie has asked Andy to take him to an animal hotspot. | 0:23:39 | 0:23:42 | |
-Andy, how far to go? -An hour? | 0:23:46 | 0:23:50 | |
Oh, only another hour and we've only been going 25 minutes. | 0:23:50 | 0:23:53 | |
-Yeah. -Yeah. -We'll start getting to the hill soon. | 0:23:53 | 0:23:56 | |
Oh, good, we've got a hill. Fantastic. | 0:23:56 | 0:23:59 | |
There's very little salt in the Amazon, | 0:24:01 | 0:24:03 | |
so mineral-rich areas are the forest equivalent of an oasis | 0:24:03 | 0:24:07 | |
and attract animals from miles around. | 0:24:07 | 0:24:11 | |
You know we're getting close now. | 0:24:11 | 0:24:13 | |
You can start seeing trails all over the place. | 0:24:13 | 0:24:15 | |
This is getting a bit heavy. | 0:24:15 | 0:24:18 | |
So this is where the salts must be coming from, | 0:24:20 | 0:24:22 | |
out of these rocks, and as the water's running off, | 0:24:22 | 0:24:25 | |
it's gathering here in this pool. | 0:24:25 | 0:24:27 | |
So you see the animals, they come in from all different directions, | 0:24:27 | 0:24:30 | |
and you see them shoving their head right in here. | 0:24:30 | 0:24:32 | |
-Are they eating this? -Yeah. | 0:24:32 | 0:24:35 | |
I think they're one of the most important things in the Western Amazon basin. | 0:24:35 | 0:24:38 | |
Without them, the animals wouldn't exist. | 0:24:38 | 0:24:40 | |
They need the salt so badly, and without these clay-licks, | 0:24:40 | 0:24:42 | |
they just wouldn't have it in their diet at all. | 0:24:42 | 0:24:44 | |
The plants pretty much take everything up, | 0:24:44 | 0:24:47 | |
so all the nutrients, everything in the forest is stored in the canopy, | 0:24:47 | 0:24:50 | |
so the soil and everything down here is really poor, | 0:24:50 | 0:24:53 | |
and then you suddenly get these little pockets of salt | 0:24:53 | 0:24:55 | |
and it's like gold to the animals. | 0:24:55 | 0:24:57 | |
It's what they need. | 0:24:57 | 0:24:59 | |
Camera traps automatically take photos of anything | 0:25:02 | 0:25:05 | |
that passes in front of the lens. | 0:25:05 | 0:25:07 | |
But it's often more luck than judgment guessing where | 0:25:07 | 0:25:10 | |
the animals are going to be. | 0:25:10 | 0:25:13 | |
Pretend you're a tapir. | 0:25:13 | 0:25:16 | |
Lovely. You do a good tapir there. | 0:25:17 | 0:25:20 | |
Many large mammals also use human trails, | 0:25:22 | 0:25:25 | |
as they are the easiest way through the tangled undergrowth. | 0:25:25 | 0:25:28 | |
Yeah, beautiful. There, I reckon. | 0:25:28 | 0:25:32 | |
I think there are eight species of wildcats in Manu, | 0:25:32 | 0:25:35 | |
so could get any of them, but they're really hard to see, | 0:25:35 | 0:25:39 | |
and to get shots of. | 0:25:39 | 0:25:41 | |
I've done this for months in the past | 0:25:41 | 0:25:43 | |
and only ever got one shot of them. | 0:25:43 | 0:25:45 | |
OK, cat man. | 0:25:45 | 0:25:47 | |
You even snarled! | 0:25:47 | 0:25:50 | |
Andy's great. He's just a young, very enthusiastic, | 0:25:50 | 0:25:53 | |
incredibly knowledgeable bloke, who's just deeply in love with the forest. | 0:25:53 | 0:25:59 | |
Wandering around it with him is an education. | 0:25:59 | 0:26:01 | |
Nice tree there. | 0:26:03 | 0:26:05 | |
Yeah. | 0:26:05 | 0:26:06 | |
This is a cedar, Charlie. | 0:26:06 | 0:26:08 | |
So, if you planted a few of these on your land at the moment, | 0:26:08 | 0:26:11 | |
these cedars, this forest here is pretty much what your area | 0:26:11 | 0:26:14 | |
-should look like in sort of 30 years' time. -Really? | 0:26:14 | 0:26:17 | |
-Yeah. -This is beautiful. | 0:26:17 | 0:26:18 | |
The real problem you'll have now, Charlie, | 0:26:22 | 0:26:24 | |
is when you start getting the trees like this and they start | 0:26:24 | 0:26:27 | |
getting to a decent size, you're going to get people coming in. | 0:26:27 | 0:26:30 | |
They're going to want these trees then. | 0:26:30 | 0:26:32 | |
So, it's a sort of vicious circle, isn't it? | 0:26:32 | 0:26:34 | |
You make it better, create a nice forest, | 0:26:34 | 0:26:37 | |
everyone's going to want to kill it and chop it down again. | 0:26:37 | 0:26:41 | |
You've got to be nuts to do something like that. | 0:26:42 | 0:26:45 | |
I think I'm stupid, is what I am. | 0:26:47 | 0:26:51 | |
Yeah, it's true. | 0:26:51 | 0:26:53 | |
I'm still reeling about the fact that I bought the worst bit | 0:26:53 | 0:26:56 | |
in the most dangerous place in the area and everyone is laughing at me. | 0:26:56 | 0:27:01 | |
And I don't really want people knowing I'm there | 0:27:03 | 0:27:05 | |
and knowing what I'm doing cos I don't want to get shot or robbed, | 0:27:05 | 0:27:08 | |
or any of that stuff. And I'm vulnerable out there. | 0:27:08 | 0:27:11 | |
I'm vulnerable camping in that place. | 0:27:11 | 0:27:13 | |
It'll be a tough job. | 0:27:13 | 0:27:15 | |
Charlie's not going to enjoy everything that he's got | 0:27:20 | 0:27:24 | |
ahead of him, because he's going to have to change. | 0:27:24 | 0:27:29 | |
It's the local people that are going to protect it, | 0:27:29 | 0:27:31 | |
not Charlie in 30 years' time. | 0:27:31 | 0:27:33 | |
He's not still going to want to stand on that land | 0:27:33 | 0:27:36 | |
and live in a tent and look after things, so... | 0:27:36 | 0:27:38 | |
The imperialistic idea of buying up rainforest in a developing country | 0:27:39 | 0:27:44 | |
from the West isn't the solution. | 0:27:44 | 0:27:46 | |
Charlie can't save that land, | 0:27:48 | 0:27:50 | |
until he convinces local people why it's important to do it. | 0:27:50 | 0:27:54 | |
And that's the challenge. | 0:27:55 | 0:27:57 | |
Andy. | 0:28:15 | 0:28:17 | |
What have you seen there, Charlie? | 0:28:17 | 0:28:19 | |
Fresh jag? | 0:28:20 | 0:28:21 | |
-Ah, yeah, that's jag. -That's fresh? | 0:28:21 | 0:28:24 | |
Yeah, you can see how wide that is. | 0:28:24 | 0:28:25 | |
Have we got a camera trap up here? | 0:28:25 | 0:28:27 | |
Yep, we got a camera trap not very far, | 0:28:27 | 0:28:29 | |
but that's definitely a jaguar pug. | 0:28:29 | 0:28:32 | |
It could be watching us now, couldn't it? | 0:28:32 | 0:28:35 | |
And if it is watching us now, what are the chances of us seeing it? | 0:28:35 | 0:28:38 | |
Should you expect to see snakes in the path? | 0:28:44 | 0:28:48 | |
One of the biggest ones I ever found was | 0:28:48 | 0:28:50 | |
just down the trail down here, about another 300 metres on. | 0:28:50 | 0:28:53 | |
It was a big female bushmaster, stretched | 0:28:53 | 0:28:56 | |
right across the trail about two and a half metres. | 0:28:56 | 0:28:59 | |
And a bushmaster would kill you, would it? | 0:28:59 | 0:29:01 | |
Oh, God, yeah. | 0:29:01 | 0:29:02 | |
We'll swap round and you can go at the front in a bit. | 0:29:02 | 0:29:06 | |
Ah! Oh, my God! | 0:29:12 | 0:29:14 | |
Oh! | 0:29:14 | 0:29:16 | |
-There's my camera trap. -Look at how wide that is. | 0:29:16 | 0:29:18 | |
How nervous am I? | 0:29:18 | 0:29:20 | |
Nothing. Nothing. | 0:29:27 | 0:29:30 | |
Ah! It's a puma! | 0:29:30 | 0:29:31 | |
You got it! | 0:29:34 | 0:29:36 | |
-Look at the size...big male. -Let me see, let me see. -Check him out. | 0:29:38 | 0:29:42 | |
Ohhh... You're kidding. | 0:29:42 | 0:29:45 | |
The camera traps reveal far more wildlife than Charlie | 0:29:55 | 0:29:58 | |
expected to see in just a few days. | 0:29:58 | 0:30:01 | |
But only ten years ago, this area was hunted out | 0:30:01 | 0:30:05 | |
and there were practically no animals at all. | 0:30:05 | 0:30:07 | |
The thing that's hit me more than anything else | 0:30:12 | 0:30:14 | |
is the speed at which this forest has recovered. | 0:30:14 | 0:30:17 | |
-Whoa! -He's staring at it. | 0:30:17 | 0:30:19 | |
And that made me realise actually that really in a fairly short | 0:30:22 | 0:30:27 | |
period of time I could get my bit of forest back up to | 0:30:27 | 0:30:30 | |
being, you know, decent, good land, full of wildlife, full of diversity. | 0:30:30 | 0:30:35 | |
So that's the main chunk of inspiration I've taken out of this place. | 0:30:35 | 0:30:39 | |
Charlie's like a child in a way, | 0:30:44 | 0:30:48 | |
like, he has this inner passion for nature, | 0:30:48 | 0:30:52 | |
and he wants to photograph it. | 0:30:52 | 0:30:55 | |
That's his way of telling the world about why something's so special. | 0:30:55 | 0:31:00 | |
But for him to buy a rainforest is completely off the cuff. | 0:31:00 | 0:31:04 | |
Who knows what he was thinking when he did it but...er... | 0:31:04 | 0:31:09 | |
..yeah, he's going to learn a few things. | 0:31:11 | 0:31:14 | |
The idea that we should create buffer zones | 0:31:18 | 0:31:20 | |
around national parks to protect the most precious | 0:31:20 | 0:31:23 | |
forests in the Amazon | 0:31:23 | 0:31:25 | |
was first suggested in the 1970s. | 0:31:25 | 0:31:28 | |
But conservationists now agree that it can't work | 0:31:28 | 0:31:31 | |
unless the local communities are in charge. | 0:31:31 | 0:31:34 | |
Unfortunately, Charlie's too scared | 0:31:36 | 0:31:38 | |
to go back to his land and face the people he thinks are logging Manu. | 0:31:38 | 0:31:42 | |
And yet wherever he goes, he sees more reasons to protect the park. | 0:31:44 | 0:31:49 | |
Slow down, slow down. | 0:31:49 | 0:31:51 | |
Just keep the boat at that speed. | 0:31:53 | 0:31:55 | |
This is unbelievable. | 0:31:58 | 0:31:59 | |
Just there are four uncontacted Indian women. | 0:32:00 | 0:32:04 | |
My heart is going completely crazy. | 0:32:06 | 0:32:08 | |
Everyone keep dead still. | 0:32:10 | 0:32:12 | |
They're shouting at us, | 0:32:13 | 0:32:15 | |
I've got no idea what they're saying, obviously. | 0:32:15 | 0:32:17 | |
WOMEN CALL | 0:32:17 | 0:32:20 | |
I never expected to...to see them. | 0:32:26 | 0:32:29 | |
You hear about them but you just never expect to see them. | 0:32:29 | 0:32:33 | |
As far as anyone knows, there are seven indigenous tribes | 0:32:39 | 0:32:43 | |
living in voluntary isolation throughout Manu, but combined | 0:32:43 | 0:32:47 | |
they would number less than a few thousand individuals. | 0:32:47 | 0:32:50 | |
Though they are rarely seen and often aggressively defend | 0:32:57 | 0:33:01 | |
their decision to be left alone, | 0:33:01 | 0:33:03 | |
our world is not totally alien to the tribes. | 0:33:03 | 0:33:07 | |
Missionaries and illegal loggers have been known to | 0:33:07 | 0:33:10 | |
lure them from the forest with gifts of cooking pots and machetes. | 0:33:10 | 0:33:13 | |
But any contact risks spreading disease | 0:33:15 | 0:33:17 | |
and could wipe them out forever. | 0:33:17 | 0:33:19 | |
It's just absolutely unbelievable... what I've just seen. | 0:33:29 | 0:33:34 | |
You know what, we are... 30 miles from my land, | 0:33:39 | 0:33:43 | |
and there's uncontacted women on the beach. | 0:33:43 | 0:33:46 | |
That's incredible, isn't it? | 0:33:48 | 0:33:50 | |
The uncontacted tribes have good reason to stay hidden. | 0:33:57 | 0:34:00 | |
Between 1850 and 1930, entire populations were | 0:34:02 | 0:34:07 | |
enslaved by American and European rubber barons. | 0:34:07 | 0:34:11 | |
A quarter of a million indigenous people died throughout the Amazon | 0:34:15 | 0:34:19 | |
so that we could have tyres and condoms. | 0:34:19 | 0:34:22 | |
But many of the tribes did not return to the forest, | 0:34:28 | 0:34:31 | |
and two days from Charlie's land is the indigenous community of Belgica. | 0:34:31 | 0:34:38 | |
Over the past hundred years, | 0:34:39 | 0:34:41 | |
the Yine have embraced many aspects of the industrialised world, | 0:34:41 | 0:34:46 | |
but they still see the rainforest as their home. | 0:34:46 | 0:34:49 | |
To support the community, the Yine have a licence to harvest | 0:35:22 | 0:35:26 | |
a limited number of trees from their tribal homeland, | 0:35:26 | 0:35:29 | |
a 500-square-kilometre primary rainforest. | 0:35:29 | 0:35:33 | |
The Yine manage their forest sustainably | 0:35:49 | 0:35:52 | |
and allow each logged area to recover | 0:35:52 | 0:35:55 | |
but, controversially, their quota | 0:35:55 | 0:35:57 | |
permits them to cut down 90% of their big-leaf mahogany, | 0:35:57 | 0:36:01 | |
a threatened species | 0:36:01 | 0:36:03 | |
that is protected in some South American countries. | 0:36:03 | 0:36:06 | |
The mahogany is a rare beast now and I've never seen one before. | 0:36:27 | 0:36:30 | |
The sad and depressing thing is that that particular mahogany tree | 0:36:31 | 0:36:36 | |
is marked, and it's getting cut down in 24 hours' time. | 0:36:36 | 0:36:41 | |
Last year, the Yine cut down nine of the 150 | 0:36:46 | 0:36:50 | |
mahogany trees on their land. | 0:36:50 | 0:36:52 | |
But this forest is their only resource | 0:36:53 | 0:36:56 | |
and big-leaf mahogany their most valuable asset. | 0:36:56 | 0:36:59 | |
Each tree is worth £3,500 to the Yine. | 0:36:59 | 0:37:04 | |
And by the time it's sold as luxury furniture in Britain and America, | 0:37:04 | 0:37:08 | |
it could be worth 20 times as much. | 0:37:08 | 0:37:10 | |
But Charlie wants to know | 0:37:12 | 0:37:13 | |
what the environmental cost is of cutting down one of these giants. | 0:37:13 | 0:37:18 | |
And he's asked Andy to gather a group of biologists to catalogue | 0:37:19 | 0:37:23 | |
every species that depend on this single tree for their survival. | 0:37:23 | 0:37:27 | |
A bio-blast is sort of a funky name for... | 0:37:28 | 0:37:32 | |
HE LAUGHS | 0:37:32 | 0:37:33 | |
..some scientists looking at stuff! | 0:37:33 | 0:37:35 | |
You take something like the mahogany tree | 0:37:37 | 0:37:40 | |
and you very quickly assess how many different species there are. | 0:37:40 | 0:37:44 | |
So they can then have a picture of how much life | 0:37:44 | 0:37:47 | |
this thing's sustaining. | 0:37:47 | 0:37:49 | |
I'm going to photograph everything that we can get, | 0:37:54 | 0:37:57 | |
so that we've got a picture record of it, | 0:37:57 | 0:37:59 | |
not just a written record of a Latin name. | 0:37:59 | 0:38:02 | |
The thing about the rainforest is, | 0:38:03 | 0:38:05 | |
it's very rare to actually see anything in it. | 0:38:05 | 0:38:08 | |
You get buzzed around by a load of insects | 0:38:08 | 0:38:11 | |
but to take insects from it, | 0:38:11 | 0:38:13 | |
and stick them on white, | 0:38:13 | 0:38:15 | |
you get a really good chance to really have a look at them, | 0:38:15 | 0:38:18 | |
completely removed from the massive tangle of confusing greenery. | 0:38:18 | 0:38:22 | |
And it's then that you start to see | 0:38:22 | 0:38:25 | |
the incredible complexity of all the life here. | 0:38:25 | 0:38:27 | |
There are actual little characters in this. Little lives. | 0:38:29 | 0:38:33 | |
The place is just buzzing. | 0:38:33 | 0:38:35 | |
You know, there's probably three or four species of bee | 0:38:35 | 0:38:39 | |
just flying around me now. | 0:38:39 | 0:38:41 | |
But until you actually get one of those, stick it on white | 0:38:41 | 0:38:44 | |
and have a decent look at it, you can't really relate to it. | 0:38:44 | 0:38:48 | |
Just taking it off that wing and then this one should just come off. | 0:38:52 | 0:38:55 | |
You can see almost all of these birds look the same. | 0:38:58 | 0:39:01 | |
But they'll all have a slightly different niche, | 0:39:01 | 0:39:03 | |
different things that they feed on. | 0:39:03 | 0:39:06 | |
A tree like the mahogany that we've got here provides all these | 0:39:06 | 0:39:09 | |
different levels, these different homes, all the different food, | 0:39:09 | 0:39:12 | |
and when you remove those trees you remove the complexity of the forest. | 0:39:12 | 0:39:16 | |
It completely disappears. | 0:39:16 | 0:39:18 | |
And so you end up with only the very common species, the generalists, | 0:39:18 | 0:39:21 | |
and you lose the guys like this one that's more uncommon, | 0:39:21 | 0:39:24 | |
and probably a real specialist, | 0:39:24 | 0:39:27 | |
and probably relies on the tree that we're working on. | 0:39:27 | 0:39:30 | |
It's not comfortable, is it? | 0:39:54 | 0:39:56 | |
There's an absolutely stunning butterfly | 0:40:06 | 0:40:08 | |
that I've never seen before. | 0:40:08 | 0:40:10 | |
Don't you move. | 0:40:13 | 0:40:14 | |
-Yes! I've got it! -You got it? | 0:40:15 | 0:40:18 | |
I've got it. | 0:40:18 | 0:40:19 | |
Now what are you going to do? | 0:40:20 | 0:40:22 | |
-No! -You've lost it! | 0:40:24 | 0:40:25 | |
No... | 0:40:27 | 0:40:28 | |
The dirt and bees is just so painful. | 0:40:30 | 0:40:33 | |
Time passes slowly for the big trees | 0:40:39 | 0:40:42 | |
and this mahogany could be anywhere between 100 and 400 years old. | 0:40:42 | 0:40:48 | |
When it's cut down, fast-growing plants will rush in | 0:40:48 | 0:40:51 | |
and scramble toward the light, | 0:40:51 | 0:40:54 | |
and as the forest loses some of its oldest inhabitants, | 0:40:54 | 0:40:58 | |
it's inevitable that it also loses the specialist plants and animals | 0:40:58 | 0:41:03 | |
that rely on the extra sunlight that the upper branches provide. | 0:41:03 | 0:41:07 | |
Up on these top branches on the far part | 0:41:12 | 0:41:14 | |
there's some beautiful pink flowers. | 0:41:14 | 0:41:17 | |
I see them. Yeah, I can just see them up there. | 0:41:17 | 0:41:20 | |
Really nice orchid. | 0:41:20 | 0:41:22 | |
Every time I open my eyes, I get bees in there. | 0:41:27 | 0:41:31 | |
Ahhh, God! | 0:41:31 | 0:41:33 | |
HE SPLUTTERS AND LAUGHS | 0:41:33 | 0:41:35 | |
It's just crazy! It's crazy! Oh, my God! | 0:41:35 | 0:41:39 | |
How can something so incredible just be so awful at the same time?! | 0:41:41 | 0:41:46 | |
Ever get the feeling the tree is trying to say something? | 0:41:46 | 0:41:49 | |
-Yeah, "Leave me alone." -Yeah. | 0:41:49 | 0:41:51 | |
God knows how many creatures I actually catalogued today | 0:42:07 | 0:42:10 | |
and how many I sat and photographed. | 0:42:10 | 0:42:12 | |
But that's just the tip of the iceberg. | 0:42:13 | 0:42:16 | |
It's depressing not just cos the thing's coming down, | 0:42:20 | 0:42:23 | |
but all these little lives that I looked at today, | 0:42:23 | 0:42:26 | |
everything's changing for them as well. | 0:42:26 | 0:42:28 | |
So, you're not just cutting down a tree, | 0:42:29 | 0:42:32 | |
you're destroying a whole ecosystem, a whole world. | 0:42:32 | 0:42:36 | |
It's totally bizarre to me | 0:42:39 | 0:42:42 | |
there should be a demand for this | 0:42:42 | 0:42:46 | |
because people think it looks nice. | 0:42:46 | 0:42:49 | |
There's no reason on Earth | 0:42:51 | 0:42:54 | |
anyone in Britain needs anything made from mahogany. | 0:42:54 | 0:42:59 | |
Yet, we're still importing | 0:42:59 | 0:43:03 | |
more mahogany than most other countries in the world. | 0:43:03 | 0:43:06 | |
-Oh, he's nice. -Yeah, found this... -Nice, mate. | 0:43:17 | 0:43:20 | |
-Grab him. -Yeah? -Yeah. | 0:43:20 | 0:43:23 | |
Amazing. | 0:43:41 | 0:43:43 | |
This thing that we've got in the box is not something to mess about with. | 0:43:48 | 0:43:51 | |
It's a wandering spider. | 0:43:51 | 0:43:53 | |
It's the one spider in South America that you could potentially die from. | 0:43:53 | 0:43:57 | |
SIGHING AND CHUCKLING | 0:44:03 | 0:44:06 | |
Oi... That was on my finger. | 0:44:09 | 0:44:11 | |
-It's on the ground? -Yeah. | 0:44:15 | 0:44:18 | |
All right, let's try again. | 0:44:20 | 0:44:22 | |
-Did we get any in the high traps? -Yeah. | 0:44:33 | 0:44:36 | |
Jenny just told me that there's 36 butterfly species that we've found. | 0:44:36 | 0:44:41 | |
We don't have, we have similar. | 0:44:41 | 0:44:42 | |
-We don't have it? -No. | 0:44:42 | 0:44:44 | |
So it's a new species... Excellent. | 0:44:44 | 0:44:47 | |
In the whole of Britain, there are seven native species of amphibian. | 0:44:51 | 0:44:56 | |
Around one tree in the Amazon, the team found 21. | 0:44:58 | 0:45:02 | |
In total, they found 204 different species in just 24 hours. | 0:45:09 | 0:45:15 | |
Some are potentially new to science | 0:45:17 | 0:45:20 | |
and may not exist anywhere else on Earth. | 0:45:20 | 0:45:23 | |
But there's one species that depends on this tree | 0:45:28 | 0:45:31 | |
that Charlie didn't think to photograph. | 0:45:31 | 0:45:34 | |
I suppose the thing that gets me is, I've watched since I was a kid | 0:45:53 | 0:45:56 | |
and been taught at school all about the Amazon | 0:45:56 | 0:45:59 | |
and rainforest destruction and logging | 0:45:59 | 0:46:02 | |
and all these environmental problems. | 0:46:02 | 0:46:04 | |
You know, I'm 40 now and those problems haven't gone away, | 0:46:04 | 0:46:07 | |
it's all still happening. | 0:46:07 | 0:46:09 | |
We had awareness in the '70s of what was happening to the Amazon. | 0:46:15 | 0:46:19 | |
Bugger all's changed, has it? | 0:46:22 | 0:46:24 | |
HAMMER STRIKES NAIL | 0:47:12 | 0:47:14 | |
An hour. Over 100 years gone in an hour. | 0:47:27 | 0:47:30 | |
That's all I can think. | 0:47:31 | 0:47:33 | |
People can have nice tables... | 0:47:53 | 0:47:55 | |
..coffins. | 0:47:58 | 0:48:00 | |
Lucky them, eh? | 0:48:05 | 0:48:07 | |
Nothing at all...says to me this is the fault of the community. | 0:48:34 | 0:48:39 | |
It's not their fault, they've got to survive. This is their land. | 0:48:40 | 0:48:44 | |
I can't...I cannot understand why people... | 0:48:48 | 0:48:53 | |
HIS VOICE CRACKS | 0:48:53 | 0:48:55 | |
..why people need to buy mahogany in the first place. | 0:48:55 | 0:48:57 | |
But it's not really about blame, is it? | 0:49:01 | 0:49:04 | |
It's about...trying to sort it out so that it doesn't have to happen. | 0:49:04 | 0:49:08 | |
But they've got to survive, | 0:49:13 | 0:49:16 | |
but I don't believe this is the way. | 0:49:16 | 0:49:18 | |
When I embarked on this project, I thought it would be much more simple | 0:49:33 | 0:49:37 | |
and I knew the answers, and actually, | 0:49:37 | 0:49:39 | |
the more I understand it, the less I understand it. | 0:49:39 | 0:49:42 | |
Because it's a very complex situation, | 0:49:46 | 0:49:50 | |
but...I feel like at least I'm doing something. | 0:49:50 | 0:49:54 | |
Three square kilometres of rainforest are destroyed | 0:49:58 | 0:50:02 | |
every day in Peru | 0:50:02 | 0:50:03 | |
and up to 80% of the trees felled are cut down illegally. | 0:50:03 | 0:50:08 | |
The system is so corrupt that by the time timber leaves the sawmills, | 0:50:10 | 0:50:14 | |
it's almost impossible to know where it came from. | 0:50:14 | 0:50:18 | |
But Charlie didn't come to Peru to solve all of the problems facing | 0:50:22 | 0:50:26 | |
the Amazon - he wanted to protect one corner of Manu National Park. | 0:50:26 | 0:50:30 | |
For the last three weeks, he's avoided returning to his land, | 0:50:32 | 0:50:36 | |
but if he doesn't face up to the illegal loggers now, | 0:50:36 | 0:50:39 | |
he may as well go home. | 0:50:39 | 0:50:41 | |
Yeah, they must have been... What they do is they bring it all out | 0:50:44 | 0:50:47 | |
and they pile it up and load it onto a truck. | 0:50:47 | 0:50:49 | |
It's almost certain that the previous landowner, Tito, | 0:50:51 | 0:50:54 | |
and his son Elias have been moving wood through Charlie's land | 0:50:54 | 0:50:58 | |
and the tyre tracks lead to a field that he hasn't been to before. | 0:50:58 | 0:51:03 | |
This massive area was burnt to the ground years ago | 0:51:05 | 0:51:09 | |
and now it's being used to grow crops. | 0:51:09 | 0:51:12 | |
Look, and there, that rim of trees is national park. | 0:51:15 | 0:51:19 | |
That's been logged. That should be primary forest, there. | 0:51:21 | 0:51:24 | |
If Tito and Elias have been here recently, | 0:51:30 | 0:51:32 | |
then it's possible they're still in the area. | 0:51:32 | 0:51:35 | |
It's actually the worst situation we could be in. | 0:51:39 | 0:51:42 | |
Elias is illegally logging the park and the whole reason | 0:51:42 | 0:51:46 | |
I bought that land was to stop the national park getting logged. | 0:51:46 | 0:51:49 | |
So I'm a bit... I suppose I'm a bit annoyed. | 0:51:53 | 0:51:56 | |
Actually, I think the thing to do is go and meet him. | 0:51:56 | 0:52:00 | |
Fresh footprints, there. | 0:52:19 | 0:52:22 | |
That can't be more than half an hour old. | 0:52:23 | 0:52:26 | |
In this heat, it would have dried out by now. | 0:52:26 | 0:52:29 | |
It's weird, isn't it? Tracking a human. | 0:52:29 | 0:52:31 | |
Chain saw. | 0:52:37 | 0:52:39 | |
I think I hear a chain saw. | 0:52:40 | 0:52:42 | |
We've got to measure this one up. | 0:52:47 | 0:52:49 | |
I don't really want to...bust Elias, | 0:52:49 | 0:52:54 | |
illegally logging in the middle of nowhere. | 0:52:54 | 0:52:56 | |
Er... | 0:52:58 | 0:52:59 | |
It could actually be quite dangerous. | 0:53:00 | 0:53:04 | |
MECHANICAL WHINE IN DISTANCE | 0:53:04 | 0:53:07 | |
That a chain saw? | 0:53:07 | 0:53:09 | |
Yeah, a chain saw, and we're in the middle of nowhere | 0:53:09 | 0:53:11 | |
and we just walked half an hour up a small forest creek. | 0:53:11 | 0:53:17 | |
WHINING INTENSIFIES | 0:53:17 | 0:53:20 | |
Elias! | 0:53:29 | 0:53:30 | |
Elias! | 0:53:32 | 0:53:35 | |
Hola! | 0:53:35 | 0:53:36 | |
Hola! | 0:53:39 | 0:53:41 | |
-Hola. -Hola. -Como estas? | 0:53:48 | 0:53:51 | |
Hola, Elias. | 0:53:53 | 0:53:55 | |
Elias...hola. | 0:53:55 | 0:53:58 | |
Elias. Hola, Elias. | 0:53:58 | 0:54:00 | |
Elias. Como estas? | 0:54:07 | 0:54:09 | |
Hi. | 0:54:09 | 0:54:10 | |
You are a hard man to find. | 0:54:12 | 0:54:14 | |
We need to... We need to talk about the land. | 0:54:18 | 0:54:22 | |
You have somewhere to sit and chew your coca while we talk about it? | 0:54:22 | 0:54:26 | |
Si. | 0:54:26 | 0:54:27 | |
MAN SPEAKS SPANISH Tito? | 0:54:31 | 0:54:34 | |
Because the thing I don't want, Tito, | 0:54:56 | 0:54:59 | |
is I gave you lots of money for the land and then... | 0:54:59 | 0:55:02 | |
you have all the money | 0:55:02 | 0:55:04 | |
and then things just carry on the way they were when you owned it. | 0:55:04 | 0:55:07 | |
Now is the time I want to protect it so that it can get better. | 0:55:07 | 0:55:11 | |
But I'm not some rich gringo who's come here to throw people off land. | 0:55:13 | 0:55:16 | |
That's why we need to talk. | 0:55:16 | 0:55:18 | |
Don't know what to say to that. | 0:55:53 | 0:55:55 | |
Not 100% sure I believe it, but...anyway. | 0:55:57 | 0:56:02 | |
I need to think about it, Tito. | 0:56:09 | 0:56:11 | |
It's balancing...what... | 0:56:24 | 0:56:27 | |
I suppose, ultimately what I value more. | 0:56:27 | 0:56:31 | |
Do I value protecting Manu | 0:56:31 | 0:56:35 | |
more than I...value...a family? | 0:56:35 | 0:56:41 | |
And that's what is complex for me because... | 0:56:43 | 0:56:45 | |
..I probably value Manu more. | 0:56:47 | 0:56:51 | |
So I've really got to... | 0:56:53 | 0:56:56 | |
I've got to put my pity and sorrow for them aside | 0:56:56 | 0:57:00 | |
and get on with the job that needs doing. | 0:57:00 | 0:57:03 | |
That's my thought at the moment, and that means booting them out. | 0:57:03 | 0:57:06 | |
They need to leave the land. | 0:57:11 | 0:57:13 | |
Next time, Charlie's wife comes to Peru | 0:57:18 | 0:57:21 | |
and sees straightaway that he's making a terrible mistake. | 0:57:21 | 0:57:25 | |
I knew it wouldn't be easy. | 0:57:25 | 0:57:27 | |
I knew conservation isn't just about putting a fence round something | 0:57:27 | 0:57:31 | |
and leaving it, and Charlie won't be told anything. | 0:57:31 | 0:57:35 | |
Charlie is more determined than ever when he sees the devastation | 0:57:37 | 0:57:41 | |
caused by gold mining. | 0:57:41 | 0:57:44 | |
But it's not as easy as he'd hoped to get Elias off the land. | 0:57:48 | 0:57:52 | |
-You know, what sort of -BLEEP -would I be if did? | 0:58:01 | 0:58:04 | |
Go on an interactive journey with the Open University | 0:58:08 | 0:58:11 | |
to explore the challenges facing the rainforest. | 0:58:11 | 0:58:14 | |
Go to... | 0:58:15 | 0:58:18 | |
..and follow the links to the Open University. | 0:58:20 | 0:58:23 |