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You might think that this is a Canadian forest. | 0:00:07 | 0:00:09 | |
The African savannah... | 0:00:10 | 0:00:12 | |
..the Scottish mountains... | 0:00:13 | 0:00:15 | |
..but this is my adopted home, Wales, | 0:00:16 | 0:00:19 | |
and the many countries within it. | 0:00:19 | 0:00:21 | |
I've always been drawn to remote places | 0:00:21 | 0:00:23 | |
around the world, but only recently I started questioning myself. | 0:00:23 | 0:00:28 | |
Why am I travelling to these far-flung parts of the world, | 0:00:28 | 0:00:31 | |
to look for authentic, intact communities | 0:00:31 | 0:00:35 | |
when there are communities like that right on my doorstep? | 0:00:35 | 0:00:39 | |
Wales is home to less than 5% | 0:00:39 | 0:00:42 | |
of the UK population, with most people concentrated in the south. | 0:00:42 | 0:00:47 | |
And the sparsely inhabited countryside is exactly what | 0:00:47 | 0:00:50 | |
attracted me to move here ten years ago. | 0:00:50 | 0:00:53 | |
So I'm now travelling the lesser trodden areas of Wales with | 0:00:53 | 0:00:57 | |
my best Welsh friend, Teg, | 0:00:57 | 0:00:59 | |
to discover how its landscapes are being shaped and how they are | 0:00:59 | 0:01:03 | |
shaping its people. | 0:01:03 | 0:01:05 | |
-Shwmai! -Shwmai! | 0:01:06 | 0:01:07 | |
Last time, we joined in on a deer cull. | 0:01:07 | 0:01:10 | |
I know from a conservation point of view it's absolutely necessary. | 0:01:10 | 0:01:14 | |
We lost cattle in a Welsh summer mist. | 0:01:14 | 0:01:17 | |
Yeah, they're back on the road now, Will, I think. No, they're not. | 0:01:17 | 0:01:20 | |
And I foraged for ingredients to make gin. | 0:01:20 | 0:01:23 | |
I just need a clinky glass and a slice of lemon and I'm away. | 0:01:23 | 0:01:26 | |
Right, I'll see you, Pete. | 0:01:26 | 0:01:28 | |
This is Wales, Off The Beaten Track. | 0:01:28 | 0:01:31 | |
Of course, I may only be accepted in these communities | 0:01:31 | 0:01:34 | |
because I've got the right nationality of dog. | 0:01:34 | 0:01:37 | |
This week, our journey starts in Mid Wales, in the open wilderness | 0:01:39 | 0:01:45 | |
of the Cambrian mountains, at Ty Mawr Farm. | 0:01:45 | 0:01:48 | |
These rolling hills have helped provide and sustain the | 0:01:48 | 0:01:51 | |
country since medieval times. | 0:01:51 | 0:01:53 | |
Sheep farmer, Delyth Morris-Jones, is the current custodian. | 0:01:55 | 0:01:59 | |
She works this land with the help of her son, Dafydd, | 0:01:59 | 0:02:05 | |
looking after a flock of 500 sheep, | 0:02:05 | 0:02:07 | |
the descendants of ones bred on these hills back in the 19th century. | 0:02:07 | 0:02:12 | |
Delyth's family rented this farm for generations, until her father | 0:02:14 | 0:02:19 | |
bought it in 1942. | 0:02:19 | 0:02:21 | |
But 21st-century Wales is more challenging. | 0:02:21 | 0:02:25 | |
I think if you took me from the farm, it would be like | 0:02:26 | 0:02:29 | |
taking fish out of water. | 0:02:29 | 0:02:31 | |
It's because generations have been here before. | 0:02:31 | 0:02:34 | |
-Yeah. -Dafydd is the fourth generation on the farm and, | 0:02:34 | 0:02:39 | |
therefore, when you walk around, you see past generations' work, | 0:02:39 | 0:02:43 | |
walls that they built, work that they did. | 0:02:43 | 0:02:46 | |
And, therefore, you feel as if you're just part of that ongoing process. | 0:02:46 | 0:02:50 | |
Yeah. | 0:02:50 | 0:02:51 | |
And because I've inherited the farm, I feel it's a place that it's | 0:02:51 | 0:02:57 | |
there for me to pass on again and it's not an asset to sell. | 0:02:57 | 0:03:02 | |
Yeah. So many things have changed, you know, | 0:03:02 | 0:03:06 | |
your father being able to buy the farm and pay it off in | 0:03:06 | 0:03:10 | |
20 years just from farming, that's no longer possible, you don't think? | 0:03:10 | 0:03:16 | |
No. It would take two generations to buy a farm now. | 0:03:16 | 0:03:19 | |
Yeah, yeah. | 0:03:19 | 0:03:20 | |
The cost of everything that you're buying has become far more | 0:03:20 | 0:03:24 | |
than you are making yourself. | 0:03:24 | 0:03:27 | |
The survival of the farm relies on the sales of sheep. | 0:03:28 | 0:03:32 | |
It's market day tomorrow, and Teg and her new friend, Morris, | 0:03:32 | 0:03:35 | |
a fellow Welsh sheepdog, seem eager to gather them in. | 0:03:35 | 0:03:39 | |
Morris is very, very taken by Teg. | 0:03:41 | 0:03:43 | |
While Dafydd and I head for the high ground, | 0:03:43 | 0:03:46 | |
Delyth covers the lower land. | 0:03:46 | 0:03:49 | |
Morris! | 0:03:49 | 0:03:51 | |
Oh, it's the most beautiful sight, isn't it? | 0:03:51 | 0:03:53 | |
It's good, isn't it? | 0:03:53 | 0:03:55 | |
Like magic. Good girl, Teg! | 0:03:55 | 0:03:58 | |
And the best thing is that we can take a back seat while Teg | 0:03:59 | 0:04:02 | |
and Morris do all the work. | 0:04:02 | 0:04:05 | |
Do you still think sometimes, | 0:04:05 | 0:04:06 | |
"Gosh, it's a miracle that this is actually work"? | 0:04:06 | 0:04:09 | |
Yeah! They did that. I didn't say much and they did it! | 0:04:09 | 0:04:12 | |
Yeah, they just did it! | 0:04:12 | 0:04:15 | |
That dog is impressive, Kate, how did you do it? | 0:04:15 | 0:04:20 | |
I did nothing at all. That's the main thing. | 0:04:20 | 0:04:22 | |
If I try and give her instructions, she just looks at me | 0:04:22 | 0:04:25 | |
and goes, "You don't really mean that, do you?" | 0:04:25 | 0:04:27 | |
She's so impressive. | 0:04:27 | 0:04:29 | |
Morris and Teg seem very pleased with themselves. | 0:04:30 | 0:04:33 | |
These days, Welsh hill speckled face sheep are a rare breed. | 0:04:35 | 0:04:39 | |
Back at the yard, I see why Delyth is so passionate about keeping | 0:04:39 | 0:04:43 | |
them going. | 0:04:43 | 0:04:45 | |
Now, the first thing I would say is | 0:04:45 | 0:04:48 | |
these are the most gorgeous-looking sheep. | 0:04:48 | 0:04:52 | |
Oh, thank you. You know what to say to the farmer! | 0:04:52 | 0:04:56 | |
I know it always sounds a little bit frivolous, | 0:04:56 | 0:04:58 | |
but I don't think there's anything wrong in wanting beautiful sheep. | 0:04:58 | 0:05:01 | |
-They smile. -They do! | 0:05:01 | 0:05:03 | |
These sheep smile and they've got their make-up on correctly. | 0:05:03 | 0:05:07 | |
-They have. -They've got their lipstick on correctly. | 0:05:07 | 0:05:10 | |
We told them you were coming | 0:05:10 | 0:05:11 | |
and they just thought they'd spruce themselves up a bit. | 0:05:11 | 0:05:14 | |
Let's just hope that all their beauty efforts will help them sell | 0:05:14 | 0:05:17 | |
well at the market tomorrow. | 0:05:17 | 0:05:19 | |
The following morning, we load the sheep onto the trailer... | 0:05:21 | 0:05:26 | |
..and head to one of the last traditional livestock marts | 0:05:29 | 0:05:33 | |
in the country. | 0:05:33 | 0:05:34 | |
The Devil's Bridge Market is a meeting hub for the farming community. | 0:05:36 | 0:05:40 | |
Farming is quite a lonely job, and therefore this is a place where | 0:05:41 | 0:05:46 | |
they can come to socialise and pass on information, too. | 0:05:46 | 0:05:50 | |
But, for Delyth, this is also a weekly reality check. | 0:05:50 | 0:05:55 | |
The price of her produce has not increased in 20 years. | 0:05:55 | 0:05:59 | |
You've been crunching numbers. | 0:05:59 | 0:06:02 | |
Have you got a sense of what you might hope to get today? | 0:06:02 | 0:06:05 | |
This lot here are coming in at somewhere around the £41, £40 mark. | 0:06:05 | 0:06:09 | |
-Yeah. -And then this lot here are slightly lighter... | 0:06:09 | 0:06:11 | |
-Right. -..so we'd be looking at somewhere around £36 for them. | 0:06:11 | 0:06:14 | |
That's the price per sheep, based on their weight. | 0:06:14 | 0:06:19 | |
The disparity between what farmers get for the raw produce, | 0:06:19 | 0:06:22 | |
if you like, and what we pay still seems to be enormous. | 0:06:22 | 0:06:27 | |
I've played around with just how much land costs on the internet, | 0:06:27 | 0:06:30 | |
so you're talking about an average there of about £10 a kilo, | 0:06:30 | 0:06:33 | |
and we're coming here and talking around the £1.50 a kilo mark. | 0:06:33 | 0:06:36 | |
-Yeah. -There's so many other people between us and the plate. | 0:06:36 | 0:06:39 | |
-Yes. -There are so many people between the field and the plate, unfortunately. | 0:06:39 | 0:06:43 | |
Yeah, and everyone does need to make a living, don't they? | 0:06:43 | 0:06:45 | |
Everyone does need to make a living and we're at the bottom of the pile. | 0:06:45 | 0:06:49 | |
Delyth, now, I think, one, two, three, four, five... | 0:06:49 | 0:06:53 | |
It's our turn to enter the ring. | 0:06:53 | 0:06:55 | |
Five male lambs for you, there we are, what are you going to say on these, then? | 0:06:55 | 0:06:59 | |
Who says what, where are we? | 0:06:59 | 0:07:00 | |
£30 to start them, then, £25 everywhere, £6, | 0:07:00 | 0:07:05 | |
7, 27, 27, | 0:07:05 | 0:07:08 | |
27, 27 at £27, 27 and a half... | 0:07:08 | 0:07:11 | |
Delyth is looking for £36 a head. All I can do is cross my fingers. | 0:07:11 | 0:07:17 | |
28 and a half, are you all done, then, at 28 and a half? | 0:07:17 | 0:07:22 | |
Did you say 38? | 0:07:22 | 0:07:24 | |
That's fine! | 0:07:24 | 0:07:26 | |
28 and a half they go, 28 and a half. | 0:07:26 | 0:07:30 | |
That was quite a lot less than Delyth was hoping for. | 0:07:30 | 0:07:34 | |
These next ones are the heavier ones. | 0:07:34 | 0:07:37 | |
She's hoping to get 41 for these. | 0:07:37 | 0:07:39 | |
Here we are, give me 35. | 0:07:40 | 0:07:43 | |
Bid £35, 35, 35, 35, 35, | 0:07:43 | 0:07:47 | |
35, at 35, good fresh lamb at 35 all out in the ring, then, that's £35. | 0:07:47 | 0:07:54 | |
Can't we have a little bit more? | 0:07:54 | 0:07:58 | |
-Ooh! -You've got two ladies in the ring. | 0:07:58 | 0:08:00 | |
You've got to split it two ways, do you? | 0:08:00 | 0:08:02 | |
I've got to split it today. We need more than that! | 0:08:02 | 0:08:06 | |
At 35. | 0:08:06 | 0:08:07 | |
They've got to be worth 37! Come on, gents! | 0:08:07 | 0:08:10 | |
At 35 and a half, up by half, 6, 36, 36 and a half. | 0:08:10 | 0:08:15 | |
36 and a half, all done, then, 36 and a half. | 0:08:15 | 0:08:19 | |
He helped you again, Delyth. | 0:08:19 | 0:08:22 | |
Thank you, Daniel. | 0:08:22 | 0:08:23 | |
Good pal. | 0:08:23 | 0:08:25 | |
Wasn't a great price, then. | 0:08:25 | 0:08:27 | |
Wasn't a good price at all, | 0:08:27 | 0:08:28 | |
quite a lot lower than we anticipated before going in. | 0:08:28 | 0:08:32 | |
Yeah. | 0:08:32 | 0:08:33 | |
It just feels so wrong and so heart-breaking knowing the work | 0:08:33 | 0:08:37 | |
that you and Dafydd put into those sheep to get, you know, | 0:08:37 | 0:08:40 | |
what was it, 30, 36 and a half they got? | 0:08:40 | 0:08:43 | |
-Yeah. -Per sheep. £36.50. | 0:08:43 | 0:08:47 | |
And you always feel a bit of a sort of let down in the ring because you | 0:08:47 | 0:08:53 | |
come from home and you've done your best for them and you bring them | 0:08:53 | 0:08:56 | |
here and you've got a price in your head and then you don't get there. | 0:08:56 | 0:08:59 | |
-Yeah. -Sometimes, perhaps, it's best not having a price in your head. | 0:08:59 | 0:09:02 | |
Yeah, maybe, maybe. They're still the nicest sheep here, I think. | 0:09:02 | 0:09:06 | |
-They were smiling. -They were. | 0:09:06 | 0:09:08 | |
Thank you for your help, Kate. | 0:09:08 | 0:09:09 | |
I don't think I helped at all! | 0:09:09 | 0:09:11 | |
Oh, it certainly did. | 0:09:11 | 0:09:13 | |
Farmers like Delyth are constantly trying to strike a balance | 0:09:18 | 0:09:22 | |
between financial challenges and land management. | 0:09:22 | 0:09:25 | |
As we venture deeper into the largely unpopulated Cambrian | 0:09:25 | 0:09:29 | |
mountains, I discover that life here also offers some | 0:09:29 | 0:09:33 | |
spectacular rewards in the shape of the night sky. | 0:09:33 | 0:09:37 | |
I meet with Les and Kris Fry, two amateur astronomers who left | 0:09:45 | 0:09:50 | |
Bournemouth for Mid Wales to roam the countryside in search of | 0:09:50 | 0:09:55 | |
the best spots to contemplate the stars. | 0:09:55 | 0:09:57 | |
What you're looking at is quite a magnified view of the moon. | 0:09:59 | 0:10:02 | |
I mean, you can actually see the craters. | 0:10:02 | 0:10:05 | |
I don't think you can ever, ever get bored of looking at the moon, | 0:10:05 | 0:10:08 | |
-can you? -No. | 0:10:08 | 0:10:09 | |
And is there a man in it, and is it made of cheese? | 0:10:09 | 0:10:12 | |
Well, if it was, he'd be eating it! | 0:10:12 | 0:10:14 | |
How many of us are guilty of forgetting to look up, letting | 0:10:17 | 0:10:21 | |
our eyes adjust to the darkness and contemplating the universe | 0:10:21 | 0:10:24 | |
around us? | 0:10:24 | 0:10:26 | |
Well, as I discover this night, the Welsh countryside is one of | 0:10:26 | 0:10:29 | |
the best places to do just that. | 0:10:29 | 0:10:32 | |
In Wales, we have the world's most protected percentage of dark skies. | 0:10:32 | 0:10:38 | |
-In the world? -In the world. | 0:10:38 | 0:10:40 | |
-In Wales? -Yes, yes. | 0:10:40 | 0:10:41 | |
-Really? -Yeah, we have three areas, and possibly the fourth has just | 0:10:41 | 0:10:45 | |
come onboard now with the IDA status, yes. | 0:10:45 | 0:10:48 | |
And IDA status is? | 0:10:48 | 0:10:49 | |
International Dark Skies Association. | 0:10:49 | 0:10:51 | |
So it is an international accreditation? | 0:10:51 | 0:10:54 | |
-It is international, it is. -It's an international recognition. | 0:10:54 | 0:10:57 | |
So, yeah, Wales should be proud of it, it is a world leader, | 0:10:57 | 0:11:00 | |
18% of its landmass is under protected dark skies, | 0:11:00 | 0:11:04 | |
so you can go outside, look up and go, "Wow." | 0:11:04 | 0:11:07 | |
The one thing I can show off - well, I'm not really showing off, | 0:11:07 | 0:11:09 | |
because I jolly well ought to know - but there is one constellation | 0:11:09 | 0:11:13 | |
I know about which is up there, and it's known as The Plough, which | 0:11:13 | 0:11:17 | |
I always think is slightly wrong. Because it should be The Saucepan. | 0:11:17 | 0:11:21 | |
I know that The Plough tells you where north is, | 0:11:21 | 0:11:24 | |
but I'm not quite sure how. | 0:11:24 | 0:11:26 | |
Well, to the right-hand side... | 0:11:26 | 0:11:28 | |
-Yeah. -..of The Plough, there's two stars. | 0:11:28 | 0:11:30 | |
Yeah, slightly at a diagonal from each other? | 0:11:30 | 0:11:32 | |
-Yeah, just going up. -Yeah. | 0:11:32 | 0:11:33 | |
If you follow that up and slightly over to your right, | 0:11:33 | 0:11:36 | |
you'll see another star, and that's the Pole Star. | 0:11:36 | 0:11:38 | |
There? So that is the North Star? | 0:11:38 | 0:11:41 | |
That's the North Star, yes. | 0:11:41 | 0:11:42 | |
If you do time-lapse photography and set your camera up with that | 0:11:42 | 0:11:46 | |
in the centre, that's how you get all your star trails going around. | 0:11:46 | 0:11:50 | |
Wow. | 0:11:50 | 0:11:51 | |
But that star will always stay there, will it, | 0:11:51 | 0:11:53 | |
and the rest of the stars basically move around it? | 0:11:53 | 0:11:56 | |
-That's right. -In this rather wonderful dance. | 0:11:56 | 0:11:59 | |
Is there anything in the night sky at the moment worth people | 0:11:59 | 0:12:02 | |
-coming out? -Well, at the moment, Saturn's still on view. | 0:12:02 | 0:12:06 | |
OK. Wow me. Come on, Les! | 0:12:06 | 0:12:09 | |
Let's see what we can do! | 0:12:09 | 0:12:11 | |
That's... It's like a flying saucer. | 0:12:12 | 0:12:14 | |
It's one of the objects you can point out to | 0:12:14 | 0:12:17 | |
somebody in the night sky, yep, that's the planet Saturn | 0:12:17 | 0:12:19 | |
over there, and it just looks like a point of light. | 0:12:19 | 0:12:22 | |
Yeah. It's got that kind of... what I would call Mona Lisa status. | 0:12:22 | 0:12:27 | |
It's so familiar, but when you see the real thing... | 0:12:27 | 0:12:30 | |
With your own eyes. | 0:12:30 | 0:12:32 | |
..with your own eyes, it is just extraordinary. | 0:12:32 | 0:12:34 | |
I mean, the Mona Lisa actually made me cry when I saw the real | 0:12:34 | 0:12:37 | |
thing and this... I'm sort of close, I feel a little bit emotional. | 0:12:37 | 0:12:42 | |
I'm very soppy. | 0:12:42 | 0:12:44 | |
But is there a way of lighting up what we need to light up, | 0:12:44 | 0:12:49 | |
you know, making people feel safe, making roads safe, | 0:12:49 | 0:12:53 | |
that kind of thing, that still allows this magnificence? | 0:12:53 | 0:12:57 | |
Yeah, absolutely. | 0:12:57 | 0:12:59 | |
It's not about we want all lights switched off, it's about controlling | 0:12:59 | 0:13:03 | |
the light so the light is actually directed down where it needs to be. | 0:13:03 | 0:13:06 | |
Any light that's going out above the horizontal is just pure | 0:13:06 | 0:13:09 | |
-wasted light, it's going up into space. -Right. | 0:13:09 | 0:13:12 | |
-That affects astronomers... -Yeah. | 0:13:12 | 0:13:14 | |
..from a personal point of view. | 0:13:14 | 0:13:16 | |
It also affects wildlife, flora and fauna... | 0:13:16 | 0:13:18 | |
-Yeah. -..so it's not purely astronomers. | 0:13:18 | 0:13:21 | |
We've all got a 24-hour day-night rhythm built into us, | 0:13:21 | 0:13:24 | |
so it makes sense, actually, for you to make the tiny little | 0:13:24 | 0:13:27 | |
adjustment to actually angle the thing down. | 0:13:27 | 0:13:29 | |
-End of problem. -And if everyone could just come out of their door and look up and see that... | 0:13:29 | 0:13:35 | |
Yeah. | 0:13:35 | 0:13:36 | |
..I mean, you'd smile. | 0:13:36 | 0:13:38 | |
That's why you two are so smiley, isn't it? | 0:13:38 | 0:13:40 | |
I've got the secret now! | 0:13:40 | 0:13:42 | |
You really have got stars in your eyes, it's amazing. | 0:13:42 | 0:13:47 | |
Well, thank you. What a treat to be here. | 0:13:47 | 0:13:50 | |
Glad to have you out here with us. | 0:13:50 | 0:13:52 | |
Can I just indulge in my favourite thing to do in a sky like this... | 0:13:52 | 0:13:56 | |
Sorry... | 0:13:56 | 0:13:58 | |
Let's do this. | 0:13:58 | 0:14:01 | |
Cos that's the best way. | 0:14:01 | 0:14:03 | |
Yeah, absolutely. | 0:14:03 | 0:14:04 | |
No, Teg, you're in the way. No, Teg, you're blocking my view! | 0:14:04 | 0:14:09 | |
As the day breaks, we reach roughly the midway point between | 0:14:15 | 0:14:18 | |
north and south Wales, entering the historic market town of Rhayader. | 0:14:18 | 0:14:24 | |
In an age of national chain outlets on the high streets, I'm drawn | 0:14:27 | 0:14:31 | |
to one of the oldest independent shops in town... | 0:14:31 | 0:14:33 | |
The ironmongers, | 0:14:33 | 0:14:35 | |
who have been supplying the residents with all sorts since 1895. | 0:14:35 | 0:14:40 | |
Fantastic shop! | 0:14:40 | 0:14:42 | |
-Thank you. -Are you Tom? | 0:14:42 | 0:14:43 | |
-Tom, nice to meet you. -You must be Pauline. -Yes. | 0:14:43 | 0:14:45 | |
This is the sort of shop, my husband, | 0:14:45 | 0:14:48 | |
if he walks past something that says "hardware" on, he can't resist it. | 0:14:48 | 0:14:52 | |
-It's a little treasure trove, isn't it? -Yes. | 0:14:52 | 0:14:55 | |
How have you managed to keep going? | 0:14:55 | 0:14:57 | |
We're fortunate that we're in a small community | 0:14:57 | 0:14:59 | |
and we do get a lot of support from the locals, | 0:14:59 | 0:15:02 | |
they love the old little shops. | 0:15:02 | 0:15:03 | |
And in the summer, tourism, | 0:15:03 | 0:15:06 | |
it makes a big factor for us. | 0:15:06 | 0:15:08 | |
Tourism is very important to us. | 0:15:08 | 0:15:10 | |
-Really? -Outdoor people. | 0:15:10 | 0:15:11 | |
-Right. -They seem to make a beeline for us. | 0:15:11 | 0:15:14 | |
Well, it does sell pretty much everything. | 0:15:16 | 0:15:19 | |
You even have things to supply Harry Potter. | 0:15:19 | 0:15:22 | |
Yeah, we've got the wands in the back. | 0:15:22 | 0:15:25 | |
I don't see any wizards popping in, but behind the counter, | 0:15:25 | 0:15:29 | |
I discover there's a spell on the town to lure people into fishing. | 0:15:29 | 0:15:33 | |
Are these supposed to imitate something in real life? | 0:15:33 | 0:15:37 | |
They are, yeah, they're all designed around an actual fly. | 0:15:37 | 0:15:41 | |
Tom, I've never seen a fly like that in Wales, or indeed anywhere else. | 0:15:41 | 0:15:46 | |
I think you'd be hard-pushed to find a fly dressed like that for a carnival. | 0:15:46 | 0:15:50 | |
Well, these flies are very good for rainbow trout, | 0:15:50 | 0:15:53 | |
which are originally from America. | 0:15:53 | 0:15:55 | |
Ah, so they like something a bit flashy. | 0:15:55 | 0:15:57 | |
Yeah, they do like it a bit flashy. | 0:15:57 | 0:15:59 | |
Oh, shall I do some... Can I help? | 0:15:59 | 0:16:02 | |
Can I have that, please? | 0:16:02 | 0:16:03 | |
Rose clear ultra gun. I'm sure you can. | 0:16:03 | 0:16:06 | |
I'm still trying to sell beautiful... Look, | 0:16:06 | 0:16:09 | |
don't you need one of those? | 0:16:09 | 0:16:11 | |
No, I don't. Sorry! | 0:16:11 | 0:16:15 | |
It's only been there for 300 years. | 0:16:15 | 0:16:18 | |
Thank you very much. | 0:16:19 | 0:16:21 | |
There you are. I know you don't need a bag. | 0:16:21 | 0:16:23 | |
No. Thank you very much. | 0:16:23 | 0:16:25 | |
-Thank you, bye. -Bye. | 0:16:25 | 0:16:27 | |
I feel a new career coming on, bit of selling hardware | 0:16:29 | 0:16:33 | |
and a bit of fishing in the afternoon. | 0:16:33 | 0:16:35 | |
It's a nice way to live. | 0:16:35 | 0:16:36 | |
-Yeah. -Yeah. | 0:16:36 | 0:16:38 | |
I've done the selling, now Tom bravely volunteers to give me | 0:16:38 | 0:16:41 | |
my very first fly fishing lesson on the River Elan, that runs | 0:16:41 | 0:16:45 | |
along the family's smallholding. | 0:16:45 | 0:16:46 | |
Oh, it's beautiful, look at this! | 0:16:48 | 0:16:51 | |
Yeah, really nice. | 0:16:51 | 0:16:52 | |
Wow! | 0:16:52 | 0:16:54 | |
Right. | 0:16:54 | 0:16:56 | |
So I think before we get down there and do some fishing, I should give you a quick casting lesson. | 0:16:56 | 0:17:00 | |
-I think that's a very sensible idea. -Yeah, let's do that. Let's have a go. | 0:17:00 | 0:17:03 | |
We're going to do the scene from Ghost. OK? | 0:17:03 | 0:17:07 | |
I was hoping you were going to say that! | 0:17:07 | 0:17:09 | |
-Right, OK, so, nice and low to start. -Yeah. | 0:17:09 | 0:17:14 | |
-OK, and then we're going to bring it back. -Yeah. | 0:17:14 | 0:17:18 | |
And as it gets to about there, you're going | 0:17:18 | 0:17:20 | |
-to let it run through your hand. -OK. | 0:17:20 | 0:17:22 | |
-OK, ready? -Yeah. | 0:17:22 | 0:17:23 | |
-So, back there. -Yeah. | 0:17:23 | 0:17:24 | |
Out. Wait a second. Look at that. | 0:17:24 | 0:17:27 | |
It's amazing what you can do when you've got a ghost helping you. | 0:17:29 | 0:17:32 | |
Shall we give it a go? | 0:17:32 | 0:17:34 | |
Yeah, why not? | 0:17:34 | 0:17:35 | |
-Let's do it. -OK. | 0:17:35 | 0:17:38 | |
Normally, the river has a healthy population of wild brown trout, | 0:17:38 | 0:17:42 | |
but with a certain ginger monster lurking in the water, | 0:17:42 | 0:17:46 | |
we might end up going hungry this evening. | 0:17:46 | 0:17:48 | |
So here we are, nice and slow, off you go. | 0:17:49 | 0:17:54 | |
-Oh! -Oh! | 0:17:55 | 0:17:57 | |
Where did that go? | 0:17:57 | 0:17:58 | |
There, but it didn't go anywhere that I thought it was going to. | 0:17:58 | 0:18:01 | |
This is really hard. | 0:18:02 | 0:18:04 | |
It is a bit difficult, but it's all right. | 0:18:04 | 0:18:06 | |
It's a lot easier on dry land. | 0:18:06 | 0:18:08 | |
Yeah, it is - the fly stays still, doesn't it? | 0:18:08 | 0:18:10 | |
Yeah, it does! | 0:18:10 | 0:18:11 | |
So, we just flick it around to start. | 0:18:11 | 0:18:14 | |
OK. That's it, nice and slow. And again. | 0:18:14 | 0:18:19 | |
Come on, fishy, fishy, fishy, fishy, fishy, fishy. There's no fish, Tom. | 0:18:21 | 0:18:26 | |
They're here somewhere, I swear. | 0:18:26 | 0:18:28 | |
See, my family have been in the Elan Valley for over 12 generations. | 0:18:30 | 0:18:35 | |
Really? | 0:18:35 | 0:18:36 | |
Yeah, hundreds of years, | 0:18:36 | 0:18:38 | |
and we've been fishing the River Elan for as long as we can remember. | 0:18:38 | 0:18:43 | |
My grandfather used to bring me down here as a kid, | 0:18:43 | 0:18:45 | |
and I've got great memories. | 0:18:45 | 0:18:47 | |
And I hope to bring my son, Arthur, down here | 0:18:47 | 0:18:49 | |
when he's a bit older and teach him to fish, too. | 0:18:49 | 0:18:52 | |
I'm quite sure you will. | 0:18:52 | 0:18:53 | |
I'm going to get one good cast if it kills me. | 0:18:56 | 0:18:58 | |
-That was rubbish. -Oh, that's shocking. | 0:19:00 | 0:19:02 | |
It doesn't take me long to understand why Tom is so | 0:19:04 | 0:19:07 | |
passionate about fly fishing. | 0:19:07 | 0:19:09 | |
To me, this is about finding a rhythm while immersed in an | 0:19:11 | 0:19:15 | |
idyllic landscape with the power to soothingly wash away all the | 0:19:15 | 0:19:19 | |
stresses and worries of life. | 0:19:19 | 0:19:21 | |
The fish might not be biting, but I'm hooked. | 0:19:24 | 0:19:28 | |
Ah! It is intoxicating, isn't it? | 0:19:29 | 0:19:31 | |
-Yeah. -Every time you bring the line back in, you think this could be it. | 0:19:31 | 0:19:35 | |
Got that bit of hope! | 0:19:35 | 0:19:37 | |
This could be the time. | 0:19:37 | 0:19:38 | |
I came here last night and I did catch a couple of fish. | 0:19:38 | 0:19:42 | |
-Did you? -I did, yeah. | 0:19:42 | 0:19:44 | |
I caught some lovely brown trout just in the pool over there, | 0:19:44 | 0:19:46 | |
and I came prepared. | 0:19:46 | 0:19:48 | |
Really? | 0:19:48 | 0:19:50 | |
In the eventuality that we didn't catch any fish. | 0:19:50 | 0:19:52 | |
Part of me is delighted and part of me thinks, "Gosh, he really did have so little faith in me!" | 0:19:52 | 0:19:56 | |
No! It can happen to the best of anglers, don't worry. | 0:19:56 | 0:20:00 | |
So Tom introduces me to his catch and treats me to an al fresco dinner. | 0:20:00 | 0:20:06 | |
And food cooked outside in the sunshine always tastes 100% better. | 0:20:06 | 0:20:12 | |
Definitely. It's the best way of doing it and you don't get much fresher than this. | 0:20:12 | 0:20:16 | |
-No, exactly. No food miles, no refrigeration. -No. | 0:20:16 | 0:20:21 | |
Even the hardware only came from down the road. | 0:20:21 | 0:20:23 | |
-Exactly! Yes! -Yes. | 0:20:23 | 0:20:25 | |
I'd say that's good to go. | 0:20:25 | 0:20:26 | |
I'd say that's absolutely good to go, | 0:20:26 | 0:20:28 | |
mainly because I don't think I can wait any longer. | 0:20:28 | 0:20:30 | |
-No. -There you go, fisherman, you did the hard work. | 0:20:30 | 0:20:32 | |
-Thank you very much. -Cheers. -Bon appetit. | 0:20:32 | 0:20:35 | |
-Mm. -Mm. | 0:20:43 | 0:20:44 | |
Our next stop is a personal trip down memory lane. | 0:20:52 | 0:20:55 | |
Two years ago, I discovered that Teg is a Welsh sheepdog, a rare breed we almost lost. | 0:20:55 | 0:21:02 | |
We found 80 of them, but of the 80, 20 were too old to breed. | 0:21:02 | 0:21:07 | |
Extinction would have occurred in the next five years. | 0:21:07 | 0:21:10 | |
For Teg to contribute to the future of the breed, she was assessed | 0:21:10 | 0:21:14 | |
by the Welsh Sheepdog Society. | 0:21:14 | 0:21:16 | |
Oh, you all look quite intimidating. | 0:21:16 | 0:21:18 | |
-Morning, Kate, lovely to see you. -How are you, Ian? | 0:21:20 | 0:21:23 | |
These farmers have spent the last 20 | 0:21:23 | 0:21:25 | |
years bringing this breed back from near extinction, | 0:21:25 | 0:21:28 | |
so they have very high standards. | 0:21:28 | 0:21:30 | |
We're both a bit nervous. | 0:21:30 | 0:21:32 | |
To earn her credentials, Teg had to work in a way unique to this breed. | 0:21:32 | 0:21:36 | |
Tail up high, always on the move and never fixing her stare. | 0:21:36 | 0:21:40 | |
Steady. | 0:21:41 | 0:21:43 | |
Although Teg impressed the judges with her working style, sadly, | 0:21:43 | 0:21:47 | |
she failed on her heritage, as her grandfather was a border collie. | 0:21:47 | 0:21:51 | |
There was, however, a chance that if we bred from her, the pups | 0:21:53 | 0:21:58 | |
may be able to be registered and contribute to the breed. | 0:21:58 | 0:22:02 | |
Enter the handsome Tango, a hardworking feral sheep-catcher, | 0:22:02 | 0:22:06 | |
100% Welsh sheepdog. | 0:22:06 | 0:22:09 | |
There's another potential husband. | 0:22:09 | 0:22:12 | |
Not Simon, obviously, he's married, I'm not... For Teg. | 0:22:12 | 0:22:15 | |
Tango, I mean. | 0:22:15 | 0:22:17 | |
A few weeks later, Teg gave birth to a beautiful litter, | 0:22:18 | 0:22:23 | |
four girls and a boy. | 0:22:23 | 0:22:25 | |
Cute as they were, we gave them away to working farms. | 0:22:25 | 0:22:28 | |
That was 18 months ago. | 0:22:28 | 0:22:30 | |
Now it's time to see if everything I put Teg through was worth it. | 0:22:35 | 0:22:40 | |
The family is meeting up at the same farm Teg was assessed two years ago. | 0:22:40 | 0:22:44 | |
Today is their very own judgment day. Meet Dolly... | 0:22:46 | 0:22:52 | |
She's a big dog, isn't she? | 0:22:52 | 0:22:54 | |
..Shaun... | 0:22:54 | 0:22:55 | |
..and the aptly named Kate Humble! | 0:22:57 | 0:23:00 | |
In the hope of gaining their registration, three out of Teg's | 0:23:01 | 0:23:05 | |
five pups are here to be assessed by the Welsh Sheepdog Society. | 0:23:05 | 0:23:09 | |
Adeline Jones reminds me of what they are looking for. | 0:23:09 | 0:23:11 | |
We are just looking at how they work, and whether they set, | 0:23:11 | 0:23:14 | |
and whether they've got eye, | 0:23:14 | 0:23:15 | |
and whether they are doing what their owner asks them to do. | 0:23:15 | 0:23:19 | |
The set and the eye that you are talking about, | 0:23:19 | 0:23:21 | |
those are the very collie traits, aren't they? | 0:23:21 | 0:23:23 | |
Those are the crouching and what we call the fixed eye, | 0:23:23 | 0:23:26 | |
where they are staring at individual sheep. | 0:23:26 | 0:23:29 | |
And that's what you don't want to see. | 0:23:29 | 0:23:31 | |
We don't want to see any of that. | 0:23:31 | 0:23:33 | |
No, and we like to see their tails up. | 0:23:33 | 0:23:36 | |
The moment of truth is here. The first to take the field is Dolly. | 0:23:36 | 0:23:42 | |
-This one takes after Dad, doesn't it? -Yep. | 0:23:42 | 0:23:45 | |
She's a bit like a bull in a china shop. | 0:23:45 | 0:23:48 | |
It's not a great start, because after every move, she keeps | 0:23:48 | 0:23:51 | |
coming back to her owner. | 0:23:51 | 0:23:53 | |
-Too much under control. -Yeah. | 0:23:53 | 0:23:55 | |
You forget how scary you lot are. | 0:23:55 | 0:23:57 | |
I remember this day, two years ago. | 0:23:57 | 0:24:00 | |
I was absolutely terrified. | 0:24:01 | 0:24:04 | |
That dog's all right, there's nothing wrong with that dog. | 0:24:04 | 0:24:06 | |
Here she goes, here she goes. | 0:24:06 | 0:24:08 | |
Oh, that's lovely. | 0:24:08 | 0:24:10 | |
Oh, no, don't go back. | 0:24:11 | 0:24:14 | |
That dog has been working alongside a bike. | 0:24:14 | 0:24:17 | |
That means that Dolly is used to following her owner alonside | 0:24:17 | 0:24:20 | |
a quad bike, moving the sheep forward, instead of rounding them up. | 0:24:20 | 0:24:25 | |
But you wouldn't mark a dog down? | 0:24:25 | 0:24:27 | |
You wouldn't say that's not a Welsh dog? | 0:24:27 | 0:24:30 | |
-No. -Well, that's good to know. | 0:24:30 | 0:24:32 | |
Next, Simon Mogford brings in my namesake, Kate Humble. | 0:24:32 | 0:24:36 | |
-Simon says she's a bit... mad as a box of frogs. -Headcase. | 0:24:37 | 0:24:43 | |
Keen, she is. That's what it is. | 0:24:43 | 0:24:45 | |
Keen, yeah, just like her mum was all those years ago. | 0:24:45 | 0:24:48 | |
Likes to split one, doesn't she? | 0:24:50 | 0:24:53 | |
That's a trait.... That's Teg. | 0:24:53 | 0:24:57 | |
That is definitely Teg genes in that, isn't there? | 0:24:57 | 0:25:00 | |
Simon will sort that. | 0:25:00 | 0:25:01 | |
Teg tries to help by distracting the judges. | 0:25:04 | 0:25:07 | |
Hello, you, yes, I know. | 0:25:07 | 0:25:10 | |
-She says, "Oh, don't look at her, look at me!" -Yeah, I know! | 0:25:10 | 0:25:12 | |
In the same way that the judges picked on Teg, they follow | 0:25:14 | 0:25:17 | |
suit with the daughter. | 0:25:17 | 0:25:19 | |
She isn't working, she's only having fun. | 0:25:19 | 0:25:24 | |
But the key thing - is she having fun in a Welsh way? | 0:25:24 | 0:25:28 | |
-Yes, I suppose so. -Yes! | 0:25:28 | 0:25:32 | |
Well, that's good enough for me. | 0:25:32 | 0:25:35 | |
Last on the field is Shaun, the only boy of the litter and the | 0:25:35 | 0:25:39 | |
heart throb. | 0:25:39 | 0:25:41 | |
Haven't you turned out to be a handsome boy? | 0:25:41 | 0:25:43 | |
You were so round and fat. | 0:25:43 | 0:25:45 | |
I must say, Tango's crossed that perfect. | 0:25:45 | 0:25:50 | |
He has, hasn't he? | 0:25:50 | 0:25:52 | |
Because Welshes are held so much, | 0:25:52 | 0:25:55 | |
you wouldn't think there was any border in them at all. | 0:25:55 | 0:25:59 | |
Steady now, that sounds like a compliment! | 0:25:59 | 0:26:02 | |
Shaun seems a bit distracted. | 0:26:03 | 0:26:06 | |
-He seems more interested in the thistles at the moment. -Hm. | 0:26:06 | 0:26:10 | |
So the panel allows his mum, Teg, to show her son the ropes. | 0:26:10 | 0:26:14 | |
OK, go on. No, Teg, come on! Well, there you are. | 0:26:14 | 0:26:19 | |
-You can assess her! -Show him how to do it! | 0:26:19 | 0:26:22 | |
She's showing him how to do it, yeah. | 0:26:22 | 0:26:24 | |
To my pride, the judges are wowed by her. | 0:26:24 | 0:26:28 | |
She's improved since we seen her last, hasn't she? | 0:26:28 | 0:26:30 | |
Let her carry on, she's at them perfect. | 0:26:30 | 0:26:33 | |
Not only that, but guidance from Mum worked. | 0:26:34 | 0:26:38 | |
This is like my happiest moment is standing here watching her work. | 0:26:38 | 0:26:40 | |
Proud granny! | 0:26:40 | 0:26:42 | |
I am, I am, and look, he's doing all right now, isn't he? | 0:26:42 | 0:26:45 | |
He's going now. | 0:26:45 | 0:26:47 | |
He's starting to get his confidence now, isn't he? Yeah. | 0:26:47 | 0:26:50 | |
Yeah, there he is. | 0:26:50 | 0:26:51 | |
Teg's job is done. | 0:26:51 | 0:26:54 | |
Good girl, good girl. | 0:26:54 | 0:26:57 | |
Well done, showing your boy what to do. | 0:26:57 | 0:27:00 | |
Well done, Shauny. | 0:27:00 | 0:27:02 | |
We nervously leave the judges deliberating for a moment, | 0:27:04 | 0:27:08 | |
but it doesn't take long for the results. | 0:27:08 | 0:27:10 | |
We've looked at your dogs today. | 0:27:10 | 0:27:13 | |
On the basis that they don't show set and they don't show eye | 0:27:13 | 0:27:17 | |
and they're seven eighths Welsh, that we've established as fact... | 0:27:17 | 0:27:22 | |
Yeah. | 0:27:22 | 0:27:23 | |
..we're happy to register and give green cards. | 0:27:23 | 0:27:26 | |
At this stage, we feel that their training isn't advanced | 0:27:26 | 0:27:30 | |
-enough to give them a breeding certificate. -OK. | 0:27:30 | 0:27:33 | |
That...I don't think will be a problem, but | 0:27:33 | 0:27:36 | |
they just need a bit more done with them to have the breeding licence. | 0:27:36 | 0:27:40 | |
-Well, I'm delighted, thank you very, very much, indeed. -Well done. | 0:27:40 | 0:27:45 | |
And well done, Teg and Tango. New Welsh line. | 0:27:45 | 0:27:49 | |
That's really exciting, because it means that Teg, together with | 0:27:49 | 0:27:54 | |
Tango, have done their little bit to keep the Welsh Sheepdog going. | 0:27:54 | 0:27:59 | |
Next time, I try my hand at trotting. | 0:27:59 | 0:28:02 | |
Oh, Matthew, I'm loving it - you're not having your horse back! | 0:28:02 | 0:28:05 | |
I meet the aquatic rodents making a comeback in Wales. | 0:28:07 | 0:28:11 | |
Wow, that's fantastic! | 0:28:11 | 0:28:13 | |
These are true Welsh beavers, born and bred. | 0:28:13 | 0:28:17 | |
And we take to the water to reach the end of our journey. | 0:28:17 | 0:28:20 | |
With Kate, then, gentlemen. Make her look good. | 0:28:20 | 0:28:23 | |
Oh, come on, Kate! | 0:28:23 | 0:28:25 | |
And dip. Good. | 0:28:25 | 0:28:27 |