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'We are a watery nation. | 0:00:03 | 0:00:06 | |
'Rivers shape our landscape and they made our history. | 0:00:06 | 0:00:09 | |
'But today they seem like forgotten highways into the back garden of Britain. | 0:00:09 | 0:00:14 | |
'This week, I'm crossing from coast to coast. | 0:00:14 | 0:00:18 | |
'I'll be steering an Olympic medal winning yacht.' | 0:00:19 | 0:00:22 | |
We've got the main up, | 0:00:22 | 0:00:23 | |
and Humber Bridge is approaching at great speed. | 0:00:23 | 0:00:26 | |
'Feeling the force of nature at one of England's grandest country estates.' Aargh! | 0:00:26 | 0:00:32 | |
'And discovering toxic beauty beneath a great city.' | 0:00:32 | 0:00:34 | |
That looks like the whole of doom down there! | 0:00:34 | 0:00:37 | |
'As I explore the working rivers of the north of England.' | 0:00:37 | 0:00:41 | |
It's five in the morning and we are, at the moment, a few miles off Anglesey. | 0:01:09 | 0:01:14 | |
We're about to make our way up and into one of the major rivers of Britain | 0:01:14 | 0:01:19 | |
and we're going to do it on a container ship over there. | 0:01:19 | 0:01:24 | |
This is one of the biggest ships on the Atlantic, | 0:01:25 | 0:01:29 | |
the 58,000-tonne Atlantic Conveyor. | 0:01:29 | 0:01:32 | |
Zero eight zero. | 0:01:32 | 0:01:35 | |
'I'm going aboard in the company of Jeff Rafferty, | 0:01:38 | 0:01:43 | |
'whose job it is to pilot the ship safely into the port of Liverpool.' | 0:01:43 | 0:01:47 | |
-Good morning, sir. -Morning. | 0:01:47 | 0:01:49 | |
-We go in the lift and up ten decks. -Where we meet the master who is steering the boat. | 0:01:49 | 0:01:54 | |
'The Atlantic Conveyor is carrying 15,000 tonnes of cargo from three different countries. | 0:02:07 | 0:02:12 | |
'This is the most critical phase of her entire voyage, as we enter the mouth of the Mersey. | 0:02:12 | 0:02:18 | |
OK. | 0:02:18 | 0:02:20 | |
The river reaches right out to the sea. | 0:02:21 | 0:02:23 | |
Its waters create treacherous sandbanks and as this ship crosses the bar, | 0:02:23 | 0:02:28 | |
she has just under two feet of water beneath her. | 0:02:28 | 0:02:31 | |
But for Jeff, the most difficult bit is still to come. | 0:02:31 | 0:02:34 | |
The lock is 130 feet wide and the ship is 106. | 0:02:34 | 0:02:38 | |
In simple terms, there's about 12 feet on either side. | 0:02:38 | 0:02:42 | |
Now I can only see one side. | 0:02:42 | 0:02:45 | |
We don't really have any brakes either! | 0:02:45 | 0:02:48 | |
HORN BLOWS | 0:02:48 | 0:02:50 | |
So we've got a bit of breeze now, Griff, just on the starboard quarter, blowing us off a little bit. | 0:02:52 | 0:02:59 | |
-There's our mark on the quay there. -And what will you line it up with? | 0:02:59 | 0:03:03 | |
There's a stripe painted on the side of this ship! | 0:03:03 | 0:03:06 | |
Oh, I can see the stripe. Do you want me to tell you when it's there? | 0:03:07 | 0:03:11 | |
You need a lot of loose change to park here. | 0:03:11 | 0:03:13 | |
The conveyor is charged by the foot and by the hour. | 0:03:13 | 0:03:17 | |
Overstaying your welcome can be an expensive business. | 0:03:17 | 0:03:20 | |
-Ease right down now, she's got about ten metres to go. -Phew! | 0:03:20 | 0:03:25 | |
Yes, OK, thank you. | 0:03:26 | 0:03:30 | |
So there we are. Dead on time, absolutely snug in the lock. | 0:03:30 | 0:03:34 | |
We are still two miles from the harbour that was once one of the most important in the world. | 0:03:34 | 0:03:39 | |
But it's as far as this mammoth ship needs to go. | 0:03:39 | 0:03:44 | |
Well, a very neat job of getting us here, Jeffrey, I must say! | 0:03:44 | 0:03:47 | |
Thank you very much. 10 o'clock tonight she'll be leaving here for Halifax. | 0:03:47 | 0:03:52 | |
'Once, cargo ships would have gone further into the Mersey itself and unloaded over a period of weeks. | 0:03:54 | 0:04:00 | |
'Now, thanks to the clever concept of containerization, everything is done in a matter of hours. | 0:04:00 | 0:04:06 | |
'This port actually handles more cargo than the old docks ever did. | 0:04:10 | 0:04:15 | |
'40 million tonnes a year. | 0:04:15 | 0:04:17 | |
'Does this mean that the working life of the rivers of the north is finished? | 0:04:17 | 0:04:22 | |
'To find out, I'm going to Manchester, across the Pennines, | 0:04:24 | 0:04:29 | |
'following the furious Derwent to the Trent | 0:04:29 | 0:04:31 | |
'and effectively taking what was once one of the most important short cuts in Britain | 0:04:31 | 0:04:37 | |
'to the port of Hull on the east coast. | 0:04:37 | 0:04:39 | |
'But before I leave Liverpool, I want to ask engineer Dave Sandman | 0:04:39 | 0:04:43 | |
'about another aspect of the working life of this river.' | 0:04:43 | 0:04:48 | |
For a long time, the Mersey was not just a working river in terms of being a transportation river | 0:04:48 | 0:04:55 | |
and there were lots of ships going up and down it, it was a very useful drain. | 0:04:55 | 0:04:59 | |
It was just an open sewer, basically. | 0:04:59 | 0:05:01 | |
You just pull the lever and this is where it came to, there was nothing at all that stopped it. | 0:05:01 | 0:05:06 | |
Any waste, at all, throw it in the river. | 0:05:06 | 0:05:10 | |
'Dave is part of a 25 year campaign dedicated to cleaning up the Mersey. | 0:05:10 | 0:05:15 | |
'In fact, he's now so confident of its success, | 0:05:15 | 0:05:18 | |
'he's invited me to join him in one of his favourite sporting pastimes.' | 0:05:18 | 0:05:23 | |
It doesn't look sort of sparkling, does it? | 0:05:23 | 0:05:25 | |
It's not your Mediterranean, I'll give you that! | 0:05:25 | 0:05:28 | |
We're going for a swim. | 0:05:28 | 0:05:30 | |
-How many times have you swum across this river Dave? -I've done it about nine or ten times now. | 0:05:30 | 0:05:35 | |
-Right the way across? -Right the way across. | 0:05:35 | 0:05:38 | |
-Rain or shine. -And how long does it take you? | 0:05:38 | 0:05:40 | |
Between sort of 24 minutes, 40 minutes, depending on the tide and how rough it is. | 0:05:40 | 0:05:47 | |
Even the best of swimmers can get swept up the river so to speak. | 0:05:47 | 0:05:50 | |
Is it cold? | 0:05:50 | 0:05:52 | |
It's cool. 15, 16 degrees maybe. I've got a special thermal cap for you. | 0:05:52 | 0:05:56 | |
How marvellous! One part of my... one part of my body will be reasonably warm. What a good idea. | 0:05:56 | 0:06:03 | |
Actually, the head is where you lose all the heat, don't you? | 0:06:03 | 0:06:06 | |
-Honorary cap. -Thank you. I'm going to stick this on now. | 0:06:06 | 0:06:10 | |
That means we can see you when you're drowning! | 0:06:10 | 0:06:14 | |
Most people that you've swum with have made it OK, have they? | 0:06:14 | 0:06:18 | |
There's a few that haven't. There's some that have to be taken out. | 0:06:18 | 0:06:21 | |
Sometimes they get motion sickness. | 0:06:21 | 0:06:23 | |
The sea's moving around and one thing and another, | 0:06:23 | 0:06:26 | |
or the cold will get them, they'll take a little too long to get across. | 0:06:26 | 0:06:29 | |
Really? And the cold gets them. | 0:06:29 | 0:06:32 | |
-Got to put some Vaseline on just to stop things chafing and... -Just to stop things chafing. | 0:06:32 | 0:06:38 | |
Five million people live in the catchment area. | 0:06:40 | 0:06:44 | |
They used to throw their sewage into this river directly. | 0:06:44 | 0:06:47 | |
But it's not just that, it's the bleach and the pesticides, persistent organic contaminants. | 0:06:47 | 0:06:55 | |
There are things called endocrine disrupters, | 0:06:55 | 0:06:58 | |
which come from plastics, which change the sex of fish. | 0:06:58 | 0:07:01 | |
50 years ago, if you jumped into this river, you were basically jumping into a lake of poison | 0:07:01 | 0:07:09 | |
and the only place you were going was to hospital. | 0:07:09 | 0:07:12 | |
-Take me to the water! -Follow me. | 0:07:14 | 0:07:17 | |
'All the way across means between Monks Ferry at Birkenhead and the Albert Dock. | 0:07:17 | 0:07:22 | |
'That's just over a mile. | 0:07:22 | 0:07:24 | |
'A powerful swell, water the colour of a dead rat, | 0:07:25 | 0:07:28 | |
'and three safety boats only makes it even more terrifying.' | 0:07:28 | 0:07:34 | |
Aargh! | 0:07:36 | 0:07:38 | |
I'm trying... | 0:07:39 | 0:07:41 | |
to get used... | 0:07:41 | 0:07:43 | |
to this, um... | 0:07:43 | 0:07:45 | |
..coldness. | 0:07:46 | 0:07:48 | |
Some big ships coming down, aren't there? | 0:07:48 | 0:07:51 | |
'We've got to get across before the tide turns and washes us out to sea like any other rubbish. | 0:07:54 | 0:08:01 | |
'And as my body finally accepts the cold and lets me swim a little, | 0:08:02 | 0:08:06 | |
'here comes another danger that Dave forgot to mention. | 0:08:06 | 0:08:11 | |
'And it doesn't look like it's going to give way to pedestrians.' | 0:08:15 | 0:08:20 | |
The first thing we encounter on our attempt to swim across the Mersey, | 0:08:20 | 0:08:25 | |
is the biggest... | 0:08:25 | 0:08:28 | |
-Yes? -..tanker... | 0:08:28 | 0:08:29 | |
I've ever seen! | 0:08:29 | 0:08:32 | |
'Under instructions from the Harbour Master, it is unfortunately time to vacate the area.' | 0:08:33 | 0:08:39 | |
We've had to give up. Very busy river. | 0:08:44 | 0:08:48 | |
There are lots of things coming and going. | 0:08:48 | 0:08:50 | |
Ferries, tankers, lifeboats, coastguard, cruise ships. | 0:08:50 | 0:08:55 | |
It's a difficult thing to point out to them, "Look out, we're trying to swim across the Mersey." | 0:08:55 | 0:09:01 | |
LAUGHTER | 0:09:02 | 0:09:04 | |
Did you get a taste of the lovely Mersey? | 0:09:04 | 0:09:06 | |
Yeah, yeah, yeah! I swallowed enough of it to get the idea. Yeuch! | 0:09:06 | 0:09:10 | |
'I've had a close encounter with an interesting fact - | 0:09:10 | 0:09:15 | |
'the docks may have moved away, but plenty of ships still use this river. | 0:09:15 | 0:09:21 | |
'Liverpool was originally an important dock because the cargo boats couldn't get further inland. | 0:09:21 | 0:09:28 | |
'The upper Mersey is shallow and treacherous. | 0:09:28 | 0:09:30 | |
'Or it was, until they built a little detour called the Manchester Ship Canal.' | 0:09:30 | 0:09:36 | |
The canal was built in order to be able to open a port in Manchester, | 0:09:38 | 0:09:44 | |
because the river itself was totally unreliable | 0:09:44 | 0:09:48 | |
for taking boats of this size, or in fact much smaller than this. | 0:09:48 | 0:09:53 | |
And now things which are over 170 feet in length | 0:09:53 | 0:09:58 | |
can easily get all the way to Manchester. | 0:09:58 | 0:10:02 | |
'Completed in 1894, the canal is a highly efficient artificial river. | 0:10:06 | 0:10:12 | |
'A stark contrast to the meandering, tidal Mersey at its side. | 0:10:13 | 0:10:17 | |
'And it runs all the way to the old industrial heart of Manchester at Salford Quays. | 0:10:20 | 0:10:25 | |
'Manchester, the world's first and principal industrial city, | 0:10:28 | 0:10:33 | |
'owes its importance to a confluence of rivers and waterways, | 0:10:33 | 0:10:39 | |
'although today's inhabitants may not be aware of their existence.' | 0:10:39 | 0:10:43 | |
There are quite a lot of other rivers that run through Manchester than we actually see. | 0:10:46 | 0:10:52 | |
Have you heard of the Croal? | 0:10:52 | 0:10:55 | |
I've not heard of that one. | 0:10:55 | 0:10:57 | |
-The Glaze? Have you heard of the Glaze? -No. -No? Heard of the Goyt? | 0:10:57 | 0:11:00 | |
-No. -The Spodden? Have you heard of the Spodden? | 0:11:00 | 0:11:03 | |
No, no. | 0:11:03 | 0:11:05 | |
-Have you heard of the Etherow? -The who? -The Etherow. -No! | 0:11:05 | 0:11:09 | |
'Where are they all? These rivers once built Manchester's wealth. | 0:11:09 | 0:11:12 | |
'Rushing out of the nearby Pennines, | 0:11:12 | 0:11:15 | |
'they drove the original wool and linen mills, and ushered in king cotton.' | 0:11:15 | 0:11:20 | |
When that textile industry turned to another source of power, | 0:11:20 | 0:11:24 | |
the steam engine and coal, then these rivers became redundant. | 0:11:24 | 0:11:29 | |
They were tuned into sewers, drains, waste disposal ditches. | 0:11:29 | 0:11:32 | |
In fact, the Irwell here grew by 5cm every year | 0:11:32 | 0:11:37 | |
because of the amount of rubbish that was simply dumped in it. | 0:11:37 | 0:11:41 | |
If I want to find out more about these rivers, I have to go where they went, | 0:11:41 | 0:11:46 | |
which is underground. | 0:11:46 | 0:11:48 | |
'Manchester's rivers are still at work. | 0:11:50 | 0:11:53 | |
'They're kept flowing by the Environment Agency. | 0:11:53 | 0:11:56 | |
'Mark Whittaker heads a specialist team which maintains 7,000 culverts and a multitude of confined spaces, | 0:11:56 | 0:12:02 | |
'pump wells and chambers all across the north west.' | 0:12:02 | 0:12:06 | |
-Hello, pleased to meet you. -I'm Mark Whittaker. | 0:12:06 | 0:12:08 | |
Ah! I'm just looking around, this is extraordinary. | 0:12:08 | 0:12:11 | |
This looks like we're involved in some major operation. | 0:12:11 | 0:12:14 | |
We are because the space we're going to is classed as a high risk activity. | 0:12:14 | 0:12:19 | |
'Moston Brook provides a valuable function as a flood overflow. | 0:12:19 | 0:12:23 | |
'But it has also been contaminated by more dangerous industrial and sewer waste. | 0:12:23 | 0:12:28 | |
'So I have to be put into a fully sealed dry suit.' | 0:12:28 | 0:12:33 | |
-Oh, yes, I'm still a bit Michelin man, I've got air in my... -If you bend down... | 0:12:33 | 0:12:39 | |
That was a very attractive experience. As I sat down, a great sort of rubbery fart came up. | 0:12:41 | 0:12:47 | |
And already, look, we've got bicycle wheels, we've got every conceivable form of rubbish down here already. | 0:12:57 | 0:13:03 | |
It stinks. | 0:13:03 | 0:13:05 | |
'Not only is it pitch black, but the ground underfoot is treacherous, | 0:13:10 | 0:13:15 | |
'with rocks, rubble and dangerous waste. | 0:13:15 | 0:13:18 | |
'Underground is a world of chemical beauty. | 0:13:25 | 0:13:28 | |
'The legacy of heavy industry above ground has leaked through the topsoil, | 0:13:28 | 0:13:33 | |
'concentrating toxins here, in the darkness.' | 0:13:33 | 0:13:37 | |
The water itself can be pretty hazardous, can it? There are bad diseases? | 0:13:51 | 0:13:55 | |
There is a disease to watch, given by rats, called Weil's disease. | 0:13:55 | 0:13:58 | |
That's a disease which simply comes from rats' urine, is it? | 0:13:58 | 0:14:02 | |
Exactly. One of our colleagues got contaminated from Weil's disease and he was off work for four months. | 0:14:02 | 0:14:09 | |
It's a serious disease and you can actually die from it. | 0:14:09 | 0:14:11 | |
-If I were to fall over into this water, what should I do? -Stand up straight away. | 0:14:11 | 0:14:15 | |
Any residues of water on your face, we need to leave straight away, get you washed off. | 0:14:15 | 0:14:19 | |
Because there's a good chance it could get into your tear ducts, through your mouth, up your nose. | 0:14:19 | 0:14:23 | |
-So you need to get out, get washed off. -I'd better keep my footing, hadn't I? | 0:14:23 | 0:14:28 | |
'It looks strangely beautiful, but chemical deposits like this can poison and kill. | 0:14:28 | 0:14:35 | |
'And crumbling them depletes the oxygen in the air.' | 0:14:35 | 0:14:38 | |
-It's quite deep in here. Watch your feet. -Yeah. | 0:14:40 | 0:14:45 | |
Yeah, I'm all right. | 0:14:50 | 0:14:52 | |
Aah! | 0:14:53 | 0:14:54 | |
-You got wet? -No, no. No, I haven't. -You all right? -Yeah, I'm all right. | 0:14:57 | 0:15:02 | |
-Did you hurt yourself? -Not really, no, I don't think I've cut anything. | 0:15:02 | 0:15:07 | |
-Just catch your breath. -I just tripped over on these footings under floor. | 0:15:07 | 0:15:12 | |
The torch has gone, but, luckily, I think all this has held, just gone up my glove a bit. | 0:15:12 | 0:15:18 | |
It's just impossible. | 0:15:18 | 0:15:20 | |
'The difficult conditions sadly obscure the real wonder of these lost working rivers, | 0:15:25 | 0:15:30 | |
'the legacy of the men who built them, the Victorian engineers.' | 0:15:30 | 0:15:36 | |
-And what is this? -Well, this, Griff, is a sluice gate. | 0:15:38 | 0:15:41 | |
So what happens is when we close that, the water builds up, cascades over the side, | 0:15:41 | 0:15:46 | |
there's another 60 foot drop and the culvert carries on elsewhere. | 0:15:46 | 0:15:50 | |
-60 foot drop! -60 foot drop. | 0:15:50 | 0:15:52 | |
That looks like the hole of doom down there! | 0:15:52 | 0:15:55 | |
And you go down just because things have gone down them and plugged them up? | 0:15:55 | 0:15:59 | |
-Yes. -Your job here, you're like the sort of the guardians of the underworld for Manchester. | 0:15:59 | 0:16:04 | |
We are, yes, it's what we get out of bed for in the mornings, it's a good job. | 0:16:04 | 0:16:10 | |
Our 200-metre trip has taken over two hours. | 0:16:10 | 0:16:14 | |
Luckily our journey back to the surface will be a bit quicker. | 0:16:14 | 0:16:18 | |
OK, winch out! | 0:16:18 | 0:16:21 | |
Now I'm going up... | 0:16:21 | 0:16:23 | |
..in a rather straight forward way. | 0:16:24 | 0:16:27 | |
Out, as it were, of the underworld. | 0:16:27 | 0:16:29 | |
Leaving the smell, | 0:16:30 | 0:16:33 | |
the flies, | 0:16:33 | 0:16:34 | |
the gurgling water, and Mark behind. | 0:16:34 | 0:16:39 | |
-Bye! -Bye-bye. | 0:16:39 | 0:16:42 | |
'We may have hidden some rivers, turning them into a vision of Hades, | 0:16:48 | 0:16:52 | |
'but we've created others which feel more like a garden of Eden. | 0:16:52 | 0:16:57 | |
'Manchester is enveloped in a network of small canals. | 0:17:00 | 0:17:05 | |
'Originally built in the 18th and 19th centuries as a cheap way to transport industrial goods, | 0:17:05 | 0:17:11 | |
'they are working on, but today as a waterborne playground for boaty folk.' | 0:17:11 | 0:17:18 | |
Two little ducks just squeezed through between the boats, taking their opportunity. | 0:17:18 | 0:17:25 | |
Two tiny little ducks making their way through. | 0:17:25 | 0:17:27 | |
Oh, there's one - whoops. | 0:17:27 | 0:17:29 | |
Almost everything about this man-made network of rivers | 0:17:37 | 0:17:43 | |
is utterly, utterly satisfying. | 0:17:43 | 0:17:47 | |
I think it's partly because it is man-made, because you can still see | 0:17:47 | 0:17:51 | |
the marks of the chisels on every block of stone that was put here. | 0:17:51 | 0:17:57 | |
It was at the very beginning of the industrial age so the whole thing is | 0:17:57 | 0:18:02 | |
an act of craftsmanship and I think partly because it has a sense of dignity | 0:18:02 | 0:18:09 | |
and propriety and fitness for purpose that comes from the time it was built, | 0:18:09 | 0:18:15 | |
the end of the 18th century. They built it to last. | 0:18:15 | 0:18:20 | |
'In those days it was three times cheaper to transport goods by water than by land. | 0:18:21 | 0:18:27 | |
'A madness for canal building swept the nation. | 0:18:27 | 0:18:31 | |
'A little bit of that mania seems to remain, albeit in gentler form. | 0:18:31 | 0:18:36 | |
'I'm hitching a lift with Chris Leah on this next leg of my trip. | 0:18:37 | 0:18:42 | |
'He'll take me from the outskirts of Manchester | 0:18:42 | 0:18:45 | |
'and out onto the Huddersfield Narrow Canal, as I head up towards the Pennines.' | 0:18:45 | 0:18:50 | |
-If you pull that lever there... -Yeah, like that? -Yeah. | 0:18:50 | 0:18:55 | |
..and rotate that in an anti-clockwise direction. | 0:18:55 | 0:18:58 | |
Push your tiller over and give her a bit of revs. | 0:18:58 | 0:19:02 | |
I've just realised I'm on the wrong side of my tiller here. | 0:19:02 | 0:19:05 | |
-Yeah, don't do that. -Whoa. -The thing is to stay in the... -Stand in the step. | 0:19:05 | 0:19:10 | |
That's it! And then you don't get pushed off by the tiller. | 0:19:10 | 0:19:14 | |
'Chris's family skippered horse-drawn narrow boats in the 19th Century. | 0:19:18 | 0:19:23 | |
'His boat, Forget Me Not, still works the canals, collecting scrap.' | 0:19:23 | 0:19:28 | |
So, Chris, what sort of speed do you expect to move around the countryside in a narrow boat? | 0:19:28 | 0:19:33 | |
-The speed limit is four miles an hour on most canals. -Is it? | 0:19:33 | 0:19:37 | |
But on most canals you'd be lucky to reach four miles an hour. | 0:19:37 | 0:19:41 | |
People think if they put more and more power on, they're going faster, | 0:19:41 | 0:19:45 | |
and they're not. When people are making loads of wash, they're not going much faster than 3 mph. | 0:19:45 | 0:19:53 | |
'The canal engineers, skippers and navvies worked at the cutting edge of technology. | 0:19:59 | 0:20:04 | |
'4,500 miles of working waterways connected the great industrial centres of England.' | 0:20:04 | 0:20:11 | |
All the way along here | 0:20:15 | 0:20:18 | |
we've passed the remnants | 0:20:18 | 0:20:21 | |
of an industrial complex, | 0:20:21 | 0:20:24 | |
mill after mill after mill, all abandoned. | 0:20:24 | 0:20:28 | |
Gosh! | 0:20:33 | 0:20:35 | |
Look at that. | 0:20:35 | 0:20:38 | |
Like a cork in a bottle. | 0:20:39 | 0:20:42 | |
'At the height of the canal boom, no obstacle seemed too big. | 0:20:43 | 0:20:47 | |
'To connect Manchester with West Yorkshire, | 0:20:47 | 0:20:50 | |
'engineers drove the Huddersfield Narrow Canal straight through the Pennines.' | 0:20:50 | 0:20:54 | |
Come on, hurry up! | 0:20:59 | 0:21:01 | |
'So I could carry on by canal under the Pennines. | 0:21:02 | 0:21:05 | |
'But I'm not going to take its tunnels and bridges, | 0:21:05 | 0:21:08 | |
'instead I'm going to make a detour to see another way in which water has worked for man.' | 0:21:08 | 0:21:14 | |
-Cheerio, then. -See ya! Have a good trip. -Thank you. | 0:21:15 | 0:21:19 | |
Of course, water down there in a canal is a rather sluggish entity. | 0:21:28 | 0:21:33 | |
If I want to encounter water as a living, powerful, working force, | 0:21:33 | 0:21:38 | |
then I have to go up. | 0:21:38 | 0:21:40 | |
'I'm going to leave the industrial northwest of England, | 0:21:44 | 0:21:47 | |
'cross the Peaks and discover other ingenious ways in which rivers have been harnessed. | 0:21:47 | 0:21:53 | |
'I'm looking for what Daniel Defoe called "a terrible river, | 0:21:53 | 0:21:59 | |
' "a frightful creature when the hills load her current with water." | 0:21:59 | 0:22:03 | |
'I'm looking for the River Derwent. | 0:22:03 | 0:22:06 | |
'And it all starts in the mossy bogs of the mountain moors.' | 0:22:13 | 0:22:19 | |
There we are! There's the Derwent, looking nicely furious today. | 0:22:22 | 0:22:28 | |
The Derwent is only 50 miles long until it reaches the Trent | 0:22:34 | 0:22:38 | |
and it's a gorgeous rural river celebrated in poems. | 0:22:38 | 0:22:42 | |
'But it's been fully employed throughout its history. | 0:22:42 | 0:22:47 | |
'16 miles further downstream sits the Duke of Devonshire's palatial home, Chatsworth House. | 0:22:48 | 0:22:55 | |
'Even here, the river has to earn its keep. | 0:22:55 | 0:22:59 | |
'For centuries, Chatsworth has had a very special working relationship with the Derwent | 0:23:00 | 0:23:06 | |
'and the landscape that surrounds it. | 0:23:06 | 0:23:08 | |
'I'm hoping to discover exactly how, as a guest of the duke and duchess.' | 0:23:11 | 0:23:17 | |
-Welcome, very nice to see you. -Very nice to be here. | 0:23:18 | 0:23:21 | |
'Yes, lovely, in fact, because I'll be sleeping in the Sabine Suite, | 0:23:21 | 0:23:26 | |
'Chatsworth's version of the spare bedroom.' | 0:23:26 | 0:23:29 | |
Fantastic is a word that I use far too often, but this is fantastical! | 0:23:39 | 0:23:45 | |
It's the sort of room where I'm going to feel embarrassed to get undressed. | 0:23:45 | 0:23:50 | |
I don't think my own naked body will live up to the naked bodies that I'm surrounded by, | 0:23:50 | 0:23:56 | |
painted on all sides. | 0:23:56 | 0:23:59 | |
And I have a terrific view. | 0:23:59 | 0:24:02 | |
Look at that, | 0:24:06 | 0:24:07 | |
there's the Derwent. | 0:24:07 | 0:24:10 | |
And I'm walking from one mythical representation here in the room, painted mythology, | 0:24:10 | 0:24:16 | |
to another mythological representation out in front of me, | 0:24:16 | 0:24:20 | |
again a completely artificial creation. | 0:24:20 | 0:24:23 | |
It just shows what God would do if only he had the money. | 0:24:25 | 0:24:30 | |
With their wealth, the Chatsworth dukes could afford home improvements on the monumental scale. | 0:24:30 | 0:24:37 | |
These are three pictures going this way of the development of the house | 0:24:39 | 0:24:43 | |
and its relationship with the river because this bridge is not the bridge I crossed, that's gone. | 0:24:43 | 0:24:48 | |
The river was completely different, much straighter and more of a ditch, | 0:24:48 | 0:24:52 | |
and a working river with a big weir and a mill feeding into what were essentially the back gardens. | 0:24:52 | 0:24:58 | |
And then along came Capability Brown and he cleared away all of the gardens in front of it. | 0:24:58 | 0:25:05 | |
They moved the bridge right up to here, made it a more rustic affair, | 0:25:05 | 0:25:10 | |
and they opened up the landscape to make it look more natural, but in fact it's artificial. | 0:25:10 | 0:25:17 | |
The river was dammed in order to get wider | 0:25:17 | 0:25:19 | |
and the course of the Derwent was shifted | 0:25:19 | 0:25:22 | |
so that it looked... | 0:25:22 | 0:25:25 | |
more...beautiful. | 0:25:25 | 0:25:29 | |
And today, when they did a survey, | 0:25:29 | 0:25:32 | |
they asked people what they most liked about Chatsworth, | 0:25:32 | 0:25:36 | |
most people say that it's the setting in the landscape | 0:25:36 | 0:25:40 | |
except that the landscape, which is made to look like natural river scenery, | 0:25:40 | 0:25:46 | |
is in fact a fantasy river scenery. | 0:25:46 | 0:25:49 | |
'Water is in fact central to Chatsworth. | 0:25:52 | 0:25:56 | |
'Successive dukes have made great use of this liquid resource | 0:25:56 | 0:25:59 | |
'that rolls off the moors and through their back garden. | 0:25:59 | 0:26:03 | |
'Chatsworth even has its own spring which supplies the house and restaurants. | 0:26:03 | 0:26:08 | |
'Both the Duke and myself drink a lot of the stuff. | 0:26:11 | 0:26:13 | |
'We consider ourselves bottled water aficionados. | 0:26:13 | 0:26:17 | |
'Now we're going to find out how much we really know. | 0:26:17 | 0:26:22 | |
'Jonathan, our water sommelier, is going to test our geological palates.' | 0:26:25 | 0:26:31 | |
Have a slurp of that. | 0:26:31 | 0:26:33 | |
'On its journey from earth to surface, | 0:26:33 | 0:26:36 | |
'spring water filters through bedrock, which helps give the water a flavour.' | 0:26:36 | 0:26:41 | |
And then we've got our second water here. | 0:26:41 | 0:26:44 | |
-Hard pressed to tell any difference. -As near as damn it identical. | 0:26:49 | 0:26:52 | |
If you swapped them, I don't think I'd be able to tell the difference between them, | 0:26:52 | 0:26:56 | |
but they're both very nice and wet. | 0:26:56 | 0:26:58 | |
Well, I think that's a little... | 0:26:58 | 0:27:00 | |
this is a rather weird idea, but I think that's a little flatter than that one. | 0:27:00 | 0:27:05 | |
That is to say that first water we drank seems to me to be... tarter. | 0:27:05 | 0:27:11 | |
First one was bottled near Balmoral. It comes through granite and the pH is quite low, | 0:27:11 | 0:27:17 | |
which means it tastes quite acid, so you were absolutely right. | 0:27:17 | 0:27:20 | |
The second one comes from just down the road from here, Buxton. | 0:27:20 | 0:27:23 | |
There you're looking at a more alkaline water, so it tastes much less sharp. | 0:27:23 | 0:27:27 | |
-That's come through limestone. -And this one's come through granite. | 0:27:27 | 0:27:30 | |
That has an extremely strong chemical taste. | 0:27:37 | 0:27:41 | |
That is pure H2O. | 0:27:41 | 0:27:43 | |
It's for batteries and steam irons. This is water that they've stripped everything out of. | 0:27:43 | 0:27:51 | |
Everyone says, "Ah, well, you know, all waters taste the same..." | 0:27:51 | 0:27:56 | |
But if they didn't have something in them, they'd taste like this. | 0:27:56 | 0:27:58 | |
I'd have to say that against all the odds I thought that was quite nice | 0:27:58 | 0:28:02 | |
so I should put that on order at my wine merchants. | 0:28:02 | 0:28:06 | |
I should say, "I'll have some of your finest sparkling water | 0:28:06 | 0:28:09 | |
"and send up some top-up de-ionised water for steam irons and batteries, whilst you're at it, as well." | 0:28:09 | 0:28:16 | |
'Chatsworth also boasts 27 baths, 55 wash-hand basins, | 0:28:19 | 0:28:25 | |
'29 sinks, six wash-ups and 56 lavatories, | 0:28:25 | 0:28:29 | |
'which, after a day's water tasting, is a useful statistic.' | 0:28:29 | 0:28:34 | |
One of the most demanding and mystifying elements | 0:28:34 | 0:28:37 | |
of any visit to a country house is undoubtedly the plumbing. | 0:28:37 | 0:28:42 | |
In this case, earlier, when I used the loo, | 0:28:42 | 0:28:46 | |
I found the business of flushing it extremely complicated indeed. | 0:28:46 | 0:28:50 | |
I worked out that this was the handle that releases what I need. | 0:28:50 | 0:28:55 | |
TOILET DOESN'T FLUSH | 0:28:55 | 0:28:57 | |
But... | 0:28:57 | 0:28:58 | |
RUMBLING | 0:29:00 | 0:29:03 | |
TOILET FLUSHES | 0:29:03 | 0:29:05 | |
Dramatic, isn't it? | 0:29:09 | 0:29:11 | |
And that's because... that water is coming... | 0:29:11 | 0:29:16 | |
from about five miles away... on the east moor, | 0:29:16 | 0:29:22 | |
and the process that it comes here is one of the miracles of Chatsworth. | 0:29:22 | 0:29:27 | |
And tomorrow, I'm going to go and see how it works. | 0:29:30 | 0:29:34 | |
'The source of Chatsworth's spring water is a sandstone ridge high above the house. | 0:29:46 | 0:29:52 | |
'Here, three great lakes store water which is put to ingenious uses.' | 0:29:52 | 0:29:57 | |
All the water is used several times on its journey | 0:29:57 | 0:30:01 | |
from here to the river. | 0:30:01 | 0:30:03 | |
'The biggest of these lakes is called the Emperor,' | 0:30:03 | 0:30:06 | |
built by the 19th century master architect, Joseph Paxton. | 0:30:06 | 0:30:11 | |
There are six fountains at Chatsworth, but the eight-acre Emperor Lake | 0:30:11 | 0:30:16 | |
feeds the daddy of them all - | 0:30:16 | 0:30:18 | |
what was once the highest fountain in the world, powered purely by gravity. | 0:30:18 | 0:30:23 | |
How high up are we here? | 0:30:23 | 0:30:26 | |
381 feet above the actual canal pond where | 0:30:26 | 0:30:31 | |
the Emperor fountain sits. | 0:30:31 | 0:30:33 | |
-The pressure from this lake shoots down that pipe. -For half a mile. | 0:30:33 | 0:30:36 | |
It emerges through a four-inch jet. | 0:30:36 | 0:30:40 | |
How high does it pressurise the fountain to go? | 0:30:40 | 0:30:43 | |
267 feet in height, which is 81 metres. | 0:30:43 | 0:30:46 | |
The spray from it drifts about half a mile. | 0:30:46 | 0:30:50 | |
It drenches everybody so we've got to be really careful | 0:30:50 | 0:30:53 | |
whenever we have it on full that visitors don't get drenched. | 0:30:53 | 0:30:56 | |
Oh, of course! That's one of the things they come here for, if not to be drenched! | 0:30:56 | 0:31:01 | |
-This here, that's the flow from the lake we've just been at. -Yeah. | 0:31:02 | 0:31:06 | |
And this is the magic sluice that opens to take it down the hill. | 0:31:06 | 0:31:10 | |
-Come on, Griff. -So I've got to get hold of this, have I? | 0:31:10 | 0:31:14 | |
Oh, I see. Oh, my God, I can't get... | 0:31:14 | 0:31:17 | |
HE GRUNTS | 0:31:17 | 0:31:20 | |
-That's it. -OK, come on. | 0:31:24 | 0:31:26 | |
We've got to run down and see it. | 0:31:26 | 0:31:29 | |
Paxton started work in 1843. | 0:31:30 | 0:31:32 | |
This is it coming in now. | 0:31:34 | 0:31:35 | |
-Are we going to be able to chase it? -Yes, let's go. | 0:31:35 | 0:31:38 | |
'It seems the duke wanted something more splendid than his waterfall. | 0:31:38 | 0:31:43 | |
'He wanted something more picturesque than his classical aqueduct.' | 0:31:50 | 0:31:55 | |
And the water's going to tip... Whoa! | 0:31:55 | 0:31:57 | |
He even wanted to outshine his baroque cascade. | 0:32:06 | 0:32:10 | |
In fact, he wanted something so impressive, | 0:32:17 | 0:32:21 | |
it would drive Tsar Nicholas I of Russia mad with jealousy. | 0:32:21 | 0:32:26 | |
Each bay is a different length to give this illusion of a babbling brook. | 0:32:27 | 0:32:31 | |
'Sadly, the Tsar never got to see it. | 0:32:31 | 0:32:34 | |
'I, on the other hand, one-and-a-half centuries later, get to turn on | 0:32:34 | 0:32:38 | |
'this marvellous garden ornament.' | 0:32:38 | 0:32:40 | |
Whoa, whoa. Yes, it is, er... I can hear something. | 0:32:40 | 0:32:45 | |
HISSING | 0:32:45 | 0:32:47 | |
Thar she blows! | 0:32:54 | 0:32:56 | |
Look at that! That is spectacular. | 0:33:11 | 0:33:15 | |
Paxton made the gardens at Chatsworth the most famous in England, | 0:33:15 | 0:33:21 | |
by using water and gravity to create pressure. | 0:33:21 | 0:33:26 | |
This is something the humble miller had been doing for hundreds of years already. | 0:33:26 | 0:33:31 | |
The 11th century Doomsday Book recorded 5,500 water mills in England. | 0:33:33 | 0:33:38 | |
That's one mill for every 300 people. | 0:33:38 | 0:33:41 | |
Just like Paxton's lake, millers built ponds and leats | 0:33:43 | 0:33:48 | |
with sluice gates, to channel river water and then drop it with the maximum power. | 0:33:48 | 0:33:53 | |
Now here we are, this is a classic leat. | 0:33:55 | 0:33:58 | |
It's a tiny channel, seems such a small amount of water, | 0:33:58 | 0:34:02 | |
but in fact there's a massive amount backed up there | 0:34:02 | 0:34:05 | |
in order to be led through to service one mill. | 0:34:05 | 0:34:09 | |
And that mill's been working here for 700 years. | 0:34:09 | 0:34:13 | |
Stainsby is one of the few working mills left in the country today. | 0:34:14 | 0:34:19 | |
So there's the big wheel turning by the weight of water, more than anything, | 0:34:22 | 0:34:27 | |
which is turning that great big wheel there. | 0:34:27 | 0:34:30 | |
And that is now being transferred, that slow progress, | 0:34:30 | 0:34:34 | |
to a cog which is whirring around there and turning an axle. | 0:34:34 | 0:34:40 | |
So, look at this, this is the definition of sustainable power from the water. | 0:34:40 | 0:34:45 | |
It's turning these massive cogs here, that's being transferred | 0:34:45 | 0:34:51 | |
to this little cog here, and then taken upstairs, where it's going to be put to use. | 0:34:51 | 0:34:57 | |
Now, that power is transferred up here | 0:35:00 | 0:35:04 | |
and used to drive these mill stones here, hugely heavy things, | 0:35:04 | 0:35:08 | |
but actually, that's not the only thing the power is used for. | 0:35:08 | 0:35:12 | |
It's a sort of engine that drives other things in the mill. | 0:35:12 | 0:35:17 | |
And if we're going to make flour, we need some grain. | 0:35:17 | 0:35:20 | |
'This mill is now run by volunteers, and Mack is going to show me the ropes - or should I say, chains.' | 0:35:22 | 0:35:29 | |
Here we go, Mack, there's my bag of grain. Where's it going now? | 0:35:29 | 0:35:32 | |
It's going through these trap doors to the bin floor, the top floor. | 0:35:32 | 0:35:36 | |
-How are we going to do that? -We're going to haul it up on this chain. | 0:35:36 | 0:35:39 | |
-Right-o. -Pull this cord, | 0:35:39 | 0:35:41 | |
transfer power from the water wheel to a chain drum on the top floor | 0:35:41 | 0:35:44 | |
and that will haul this sack up through the floors to the bin floor. | 0:35:44 | 0:35:48 | |
And the reason that mills are often so tall | 0:35:48 | 0:35:53 | |
is because they essentially use the system | 0:35:53 | 0:35:57 | |
of starting the product at the top, as it were, | 0:35:57 | 0:36:00 | |
-and working its way back down. -Gravity feeds all the systems, | 0:36:00 | 0:36:03 | |
to the ground floor again. It's gone through. | 0:36:03 | 0:36:05 | |
Oh, I see! So what you do, it opens the hatch automatically | 0:36:05 | 0:36:09 | |
and then it can sit back down on that hatch. | 0:36:09 | 0:36:12 | |
Yes, that's what a trap door does, it traps it above. | 0:36:12 | 0:36:14 | |
So the sack can't fall down on top of our heads again. | 0:36:14 | 0:36:18 | |
-That's right. -And it's been trapped! | 0:36:18 | 0:36:20 | |
-Correct. -By a trap door! -Exactly. | 0:36:20 | 0:36:23 | |
-That's why it's called a trap door! -Yes, exactly. -I never knew that before, that's terrific! | 0:36:23 | 0:36:27 | |
'Having hauled the sack up to the top floor by water power, | 0:36:27 | 0:36:31 | |
'it's then the turn of gravity to send it back down to the hopper.' | 0:36:31 | 0:36:35 | |
So, Mack, here's our grain. | 0:36:48 | 0:36:49 | |
That's right, it's come down the sleeve from above. | 0:36:49 | 0:36:52 | |
You actually need grain in these stones all the time. | 0:36:52 | 0:36:57 | |
Always. The stones are dressed with a pattern called a harp | 0:36:57 | 0:37:02 | |
which carries the grain from the eye to the rim, milling it all the time. | 0:37:02 | 0:37:06 | |
-It's literally shooting it out bit by bit. -Yes. | 0:37:06 | 0:37:09 | |
Here is the flour. | 0:37:09 | 0:37:12 | |
At the birth of the industrial revolution, | 0:37:13 | 0:37:15 | |
the first factory owners recognised the potential of the water wheel | 0:37:15 | 0:37:20 | |
and they put it to good use, powering spinning machines in cotton mills. | 0:37:20 | 0:37:25 | |
They changed the course of the water and of history. | 0:37:25 | 0:37:29 | |
And it happened here on the banks of the Derwent, ten miles south of Chatsworth, at Cromford. | 0:37:29 | 0:37:35 | |
# ..builded here | 0:37:35 | 0:37:38 | |
# Among those dark Satanic mills. # | 0:37:38 | 0:37:47 | |
When William Blake wrote those words, | 0:37:47 | 0:37:49 | |
the dark satanic mills he was talking about were water mills, | 0:37:49 | 0:37:55 | |
and by the end of the century there were 30 cotton mills | 0:37:55 | 0:38:00 | |
powered by water along this stretch of the valley, | 0:38:00 | 0:38:04 | |
and the industrial revolution was off. | 0:38:04 | 0:38:08 | |
Richard Arkwright's cotton mill was just the first wave of mechanisation, | 0:38:12 | 0:38:17 | |
bursting free of this valley, out across Britain and then the world. | 0:38:17 | 0:38:22 | |
I'm leaving the Derwent | 0:38:24 | 0:38:27 | |
to continue my journey along another working river - the Trent. | 0:38:27 | 0:38:32 | |
The two rivers converge near the town of Shardlow, | 0:38:33 | 0:38:37 | |
where the Trent gathers size to flow towards my ultimate destination, | 0:38:37 | 0:38:42 | |
the Humber estuary. | 0:38:42 | 0:38:43 | |
But first, I'm taking a small detour a few miles up river. | 0:38:43 | 0:38:48 | |
And now we're on the mighty Trent. | 0:39:06 | 0:39:08 | |
This is the third longest river in Britain. | 0:39:08 | 0:39:15 | |
It takes a great sweep | 0:39:15 | 0:39:18 | |
across the top of England. | 0:39:18 | 0:39:21 | |
The River Trent really was a massive barrier, and for a hundred years, in the Middle Ages, | 0:39:21 | 0:39:28 | |
this side of the river was known as citra Trent and that side was known as ultra Trent. | 0:39:28 | 0:39:33 | |
That side was THIS side of the Trent and the other side was known as the OTHER side. | 0:39:33 | 0:39:39 | |
Well, I'm going to try and cross now from the other side. | 0:39:39 | 0:39:43 | |
And I believe | 0:39:43 | 0:39:45 | |
I'm going to do it by an extremely dangerous method. | 0:39:45 | 0:39:49 | |
Swarkestone Bridge and its medieval causeway is an extraordinary piece of engineering. | 0:39:51 | 0:39:58 | |
It has been one of the main routes across the Trent since the 13th century. | 0:39:58 | 0:40:02 | |
First it snakes its way three quarters of a mile on land, | 0:40:02 | 0:40:06 | |
across the Trent's boggy flood plain, before finally bridging the river itself. | 0:40:06 | 0:40:11 | |
I'm going to try to do what people for seven centuries have done, | 0:40:11 | 0:40:15 | |
and simply walk the footpath along the bridge. | 0:40:15 | 0:40:21 | |
But it's not as easy as it sounds, and I've enlisted some local assistance. | 0:40:21 | 0:40:26 | |
They are going to give me some modern pilgrims' protection. | 0:40:26 | 0:40:29 | |
You'll need to wear one of those for safety's sake. | 0:40:29 | 0:40:32 | |
There's quite a lot of traffic. | 0:40:32 | 0:40:34 | |
It is taking in excess of 20,000 vehicles a day. | 0:40:34 | 0:40:39 | |
It's like the Great Wall of China stretching away there. | 0:40:39 | 0:40:42 | |
It's a grade-one listed building, it's a scheduled ancient monument | 0:40:42 | 0:40:45 | |
and if somebody time-travelled from the 14th century, they would recognise it instantly. | 0:40:45 | 0:40:51 | |
Medieval bridges are amongst our most important national monuments. | 0:40:51 | 0:40:55 | |
But, unlike other heritage treasures, they still have a hard job to do. | 0:40:55 | 0:41:00 | |
-It's not a pavement - it's more like a ledge, isn't it? -Yeah. | 0:41:00 | 0:41:05 | |
-Oops! -It's the wing mirrors you've got to watch for. -Yes, I know! | 0:41:05 | 0:41:10 | |
-We're lucky to have survived so far. -We are indeed. | 0:41:13 | 0:41:16 | |
Aaah! Look out, there's one coming at us at 100 miles an hour. | 0:41:16 | 0:41:20 | |
Yes, look at that. | 0:41:20 | 0:41:21 | |
He looks as if he's going to do us damage. Gracious! | 0:41:21 | 0:41:25 | |
This is obviously the scene of some former accident. | 0:41:25 | 0:41:28 | |
'People like Barbara think we are asking the bridge to do too much. | 0:41:28 | 0:41:31 | |
'She's campaigning to preserve Swarkstone before it gets bashed down altogether.' | 0:41:31 | 0:41:36 | |
-Oh, look out for this one! Whoa! -Whoa! | 0:41:42 | 0:41:45 | |
I feel any moment I'm going to topple into the road. Meet my doom. | 0:41:47 | 0:41:52 | |
'The fabric is in a poor state in places and needs constant maintenance.' | 0:41:52 | 0:41:56 | |
Here, there's obviously restoration work going on - so there is SOME restoration work. | 0:41:56 | 0:42:00 | |
Oh, yes. | 0:42:00 | 0:42:02 | |
Not before time. | 0:42:02 | 0:42:05 | |
Swarkstone has outlived the Black Death, Bonnie Prince Charlie and two world wars. | 0:42:05 | 0:42:11 | |
The Historic Buildings Officer for Derbyshire Council thinks the old warrior may be flagging. | 0:42:11 | 0:42:17 | |
-We are putting quite a lot of trust in medieval stonemasons here, aren't we? -Indeed, indeed we are. | 0:42:17 | 0:42:23 | |
Some of it, I think, is not going to stay together for much longer. | 0:42:23 | 0:42:26 | |
It's unique in England, it's the longest causeway | 0:42:26 | 0:42:29 | |
of its type in England, and it's been here for 700 years. | 0:42:29 | 0:42:33 | |
It's got to be absolutely priceless in those terms. | 0:42:33 | 0:42:35 | |
Maybe you should re-introduce the idea, cos when they built | 0:42:35 | 0:42:38 | |
this bridge, the ownership of this bridge was quite a lucrative thing. | 0:42:38 | 0:42:42 | |
Oh, yes, taking tolls. 50 pence for every car that's crossing here now, we'd take in quite a lot of money. | 0:42:42 | 0:42:47 | |
Just this afternoon would probably pay for this section of wall to be repaired. | 0:42:47 | 0:42:51 | |
I'll put it to the bosses! | 0:42:51 | 0:42:53 | |
On the hill, overlooking the causeway, | 0:42:53 | 0:42:56 | |
I walk straight up another aspect of the medieval transport system. | 0:42:56 | 0:43:00 | |
This is an original... | 0:43:00 | 0:43:03 | |
medieval trackway leading away from the bridge. | 0:43:03 | 0:43:08 | |
And it shows us how rivers effectively... | 0:43:08 | 0:43:13 | |
influenced not just river transport, but also road transport, | 0:43:13 | 0:43:17 | |
because, as you can see, it heads straight away from the bridge | 0:43:17 | 0:43:22 | |
up towards the high ground. | 0:43:22 | 0:43:26 | |
Most major medieval roads went upwards as quickly as they could, to where they were well drained | 0:43:26 | 0:43:33 | |
and safer for travellers than boggy, overgrown low roads liable to flooding. | 0:43:33 | 0:43:39 | |
Which is why I am, perhaps, now walking on the original "high way". | 0:43:39 | 0:43:44 | |
And from up here, I get an excellent view down the valley. | 0:43:46 | 0:43:51 | |
Swarkestone Causeway | 0:43:51 | 0:43:53 | |
crosses a great flood plain carved at the end of the Ice Age, | 0:43:53 | 0:43:58 | |
when the Trent was a vast and rambling river of meltwater. | 0:43:58 | 0:44:03 | |
It carried huge amounts of sediment, which today we quarry as gravel. | 0:44:03 | 0:44:09 | |
That's why gravel pits can be found all along this river plain. | 0:44:09 | 0:44:14 | |
These pits have become home to a very particular kind of monster. | 0:44:14 | 0:44:19 | |
'And now I'm after the biggest freshwater fish in Britain.' | 0:44:19 | 0:44:25 | |
-Hello, Jonny. -Hello! -Hello, how are you? | 0:44:25 | 0:44:29 | |
-How you doing, Griff? -I'm all right, mate. | 0:44:29 | 0:44:30 | |
-Nice to see you. -And you. -Good stuff. | 0:44:30 | 0:44:33 | |
I'm joining a company of determined men for whom the elusive carp is the greatest prize of all. | 0:44:33 | 0:44:38 | |
Landing it can become a little bit of an obsession. | 0:44:38 | 0:44:43 | |
It's a giant fish pond, is it? | 0:44:43 | 0:44:46 | |
It's more than a fish pond. It's a very natural environment out there. | 0:44:46 | 0:44:51 | |
You would think it's stocked with fish, the owners look after it, | 0:44:51 | 0:44:55 | |
you would think it was very easy to catch. But you could be on here for weeks and weeks | 0:44:55 | 0:44:59 | |
without catching anything. | 0:44:59 | 0:45:00 | |
A few years ago, I did 300 nights in one year, trying to catch one fish. | 0:45:00 | 0:45:05 | |
Really? Did you catch others on the way? | 0:45:05 | 0:45:07 | |
Um, I caught about three, so... | 0:45:07 | 0:45:10 | |
-That's a lot of dedication for one fish. -No, it's madness. | 0:45:10 | 0:45:14 | |
'Luckily, I may have access to a secret weapon. | 0:45:14 | 0:45:17 | |
'It's a gourmet chef for carp. | 0:45:18 | 0:45:22 | |
'Jonny's mate, Gary, makes a fishy delicacy known as a "boilie" to try and get the edge. | 0:45:22 | 0:45:29 | |
This is Griff, Gary. | 0:45:29 | 0:45:31 | |
I won't shake hands! | 0:45:31 | 0:45:33 | |
What you've created is something so strong tasting, they can barely resist it. | 0:45:33 | 0:45:37 | |
Yeah. We've got eggs, we've got flavours which give the smell and the promise of food. | 0:45:37 | 0:45:43 | |
There's an intense sweetener to improve the taste, | 0:45:43 | 0:45:46 | |
like salt improves the taste of fish and chips. | 0:45:46 | 0:45:49 | |
There's a really creamy flavour, there's a liver flavour. | 0:45:49 | 0:45:55 | |
And in cooked maize, a vitamin and mineral supplement added, | 0:45:55 | 0:46:00 | |
into that, also I'm putting what is a bird-food conditioner. | 0:46:00 | 0:46:04 | |
Makes your canaries shine brighter. | 0:46:04 | 0:46:06 | |
-Does it? -Yeah. And then we've got the food source itself, | 0:46:06 | 0:46:10 | |
which is a reasonably complicated mixture of powders and additives. | 0:46:10 | 0:46:14 | |
And what does boiling do, then? They like cooked food? | 0:46:14 | 0:46:18 | |
Yeah, oh, yeah. The better the food you give 'em, the more likely you are of them eating it. | 0:46:18 | 0:46:23 | |
It's just such a funny idea that you go to all this trouble to cook food for a fish! | 0:46:23 | 0:46:29 | |
They actually taste better than something that Delia Smith might have made. | 0:46:29 | 0:46:33 | |
I'll take your... Go on, give me that then. | 0:46:33 | 0:46:36 | |
They're not offensive at all, are they? | 0:46:42 | 0:46:45 | |
No. | 0:46:46 | 0:46:48 | |
'The boilie has to reach the carp via a hollow throwing stick.' | 0:46:48 | 0:46:53 | |
Oh, there it goes - oh, wow! | 0:46:54 | 0:46:56 | |
It's just like throwing but you don't let go. | 0:46:56 | 0:46:59 | |
HE LAUGHS | 0:47:00 | 0:47:02 | |
'Carp apparently also like peaches, bananas...' | 0:47:02 | 0:47:07 | |
-Hup! There! -Yeah! There you go. | 0:47:07 | 0:47:11 | |
'..and curry.' | 0:47:11 | 0:47:12 | |
If you do the 100 metres, you always want to run quicker. | 0:47:12 | 0:47:15 | |
With fish, you catch a tench, it might be five or six pound, | 0:47:15 | 0:47:19 | |
then you see a carp that's 20 or 30 pounds. You think, "You know, I really would like to catch that." | 0:47:19 | 0:47:25 | |
Maybe we're fishing in the wrong place. | 0:47:59 | 0:48:02 | |
There's a picture here of the last sturgeon recorded on the Trent, | 0:48:02 | 0:48:08 | |
caught in 1902, and it weighed 250 lbs. | 0:48:08 | 0:48:13 | |
So it makes these carp absolutely tiddlers. | 0:48:15 | 0:48:19 | |
Shows the size of fish they used to catch in the river! | 0:48:19 | 0:48:23 | |
It's hardly surprising, given that it take 300 nights, on average, | 0:48:32 | 0:48:35 | |
to catch one of these things, that I'm leaving empty-handed. | 0:48:35 | 0:48:39 | |
We launched huge quantities of scrumptious boilies | 0:48:39 | 0:48:43 | |
in their direction but the denizens of this particular gravel pit | 0:48:43 | 0:48:48 | |
stayed exactly where they were. | 0:48:48 | 0:48:51 | |
'Alas, I can't do the same.' | 0:48:51 | 0:48:53 | |
I've got an appointment with some gravel. | 0:48:54 | 0:48:58 | |
At Besthorpe pit, just up the road from the carp fishery, they are still excavating. | 0:48:58 | 0:49:03 | |
A half-mile conveyor belt loads gravel into barges for transportation down the Trent. | 0:49:03 | 0:49:09 | |
Each barge can carry up to 400 tonnes, | 0:49:13 | 0:49:16 | |
the equivalent capacity of 16 lorries. | 0:49:16 | 0:49:20 | |
Skipper Ian and crewmate Alan are taking this cargo up to Castlefield in South Yorkshire, | 0:49:20 | 0:49:26 | |
and they've offered to give me a lift as far as the Humber - | 0:49:26 | 0:49:29 | |
my final stage. | 0:49:29 | 0:49:32 | |
I'm starting as...sea-going or barge-going apprentices start. | 0:49:37 | 0:49:41 | |
I'm starting by sweeping the decks. | 0:49:41 | 0:49:43 | |
Griff! You missed a bit here! | 0:49:51 | 0:49:54 | |
Heading north towards the Humber, the Trent seems to reflect its hard-working life. | 0:49:59 | 0:50:04 | |
This is a bare and functional river. | 0:50:04 | 0:50:08 | |
Coal was once a major freight. There was so much electricity generated | 0:50:08 | 0:50:13 | |
on this stretch of water, it used to be known as Megawatt Valley. | 0:50:13 | 0:50:18 | |
Fantastic sight, the cooling towers. | 0:50:22 | 0:50:25 | |
That's a redundant power station now, | 0:50:25 | 0:50:28 | |
but power stations were always built by rivers or near water | 0:50:28 | 0:50:32 | |
because they guzzle up the most extraordinary quantity of water | 0:50:32 | 0:50:38 | |
to cool their operations. | 0:50:38 | 0:50:40 | |
Apart from the gravel barges, there's little commercial traffic left. | 0:50:54 | 0:50:59 | |
Ships become more frequent only as we emerge into the estuary at Trent Falls. | 0:51:14 | 0:51:20 | |
To our left is the River Ouse, and to the right, the mighty Humber. | 0:51:23 | 0:51:28 | |
Hull, the principle port on this estuary, | 0:51:34 | 0:51:37 | |
will be my final destination. | 0:51:37 | 0:51:39 | |
The first port I encounter, Liverpool, once dominated Atlantic commerce. | 0:51:39 | 0:51:44 | |
At the end of my trip, Hull, facing the other way, | 0:51:44 | 0:51:47 | |
has historically served the trade to northern Europe. | 0:51:47 | 0:51:51 | |
Before I get there, I must pass under 2km of flying roadway. | 0:51:51 | 0:51:56 | |
The Humber Bridge is the only link between the East Riding of Yorkshire and North Lincolnshire. | 0:51:56 | 0:52:02 | |
Over 100 years of wrangling were needed to create this arc of magnificence, | 0:52:02 | 0:52:07 | |
involving 480,000 tonnes of concrete and uncountable other statistics. | 0:52:07 | 0:52:13 | |
And seeing as I've walked Swarkestone... | 0:52:13 | 0:52:16 | |
The pylons here are further apart at the top | 0:52:32 | 0:52:35 | |
than they are at the bottom because of the curvature of the earth. | 0:52:35 | 0:52:40 | |
The bridge is constantly on the move. | 0:52:40 | 0:52:42 | |
In high winds, it bends more than three metres in the middle. | 0:52:42 | 0:52:47 | |
The whole bridge weighs about half a million tonnes. | 0:52:47 | 0:52:50 | |
That's about the same as the weight of seven million people. | 0:52:50 | 0:52:54 | |
That's about the population of Switzerland, as long as the population of Switzerland | 0:52:54 | 0:53:00 | |
don't eat too much cheese and chocolate and go for a 2km run every day. | 0:53:00 | 0:53:05 | |
100,000 vehicles use the bridge each week. | 0:53:06 | 0:53:10 | |
This place was going to cost 28 million when it was built in 1981, | 0:53:13 | 0:53:20 | |
which rose to 98 million before they finished, | 0:53:20 | 0:53:23 | |
and 151 million before they finally opened it! | 0:53:23 | 0:53:27 | |
And in fact, they've now estimated | 0:53:27 | 0:53:29 | |
they're going to finish paying for it in 2032! | 0:53:29 | 0:53:35 | |
These great waterways only seem to get busy at all at these bridges. | 0:53:37 | 0:53:42 | |
Roads now do the work in Britain. | 0:53:42 | 0:53:46 | |
And like so much on the river, even this symbol of modernity | 0:53:46 | 0:53:50 | |
is scheduled to become redundant in about 100 years' time. | 0:53:50 | 0:53:54 | |
Luckily, some things are eternal. | 0:53:57 | 0:54:01 | |
Under the shadow of the bridge, | 0:54:03 | 0:54:05 | |
just as they have done for thousands of years, | 0:54:05 | 0:54:09 | |
they're making wooden boats. | 0:54:09 | 0:54:11 | |
-Hello, Joe. -Hello. | 0:54:12 | 0:54:15 | |
'Wooden boats are unique as they can be restored piece by piece. | 0:54:15 | 0:54:20 | |
'Joe Irving brings old boats back to new life.' | 0:54:20 | 0:54:24 | |
So it used to be that all boats were built of wood... | 0:54:24 | 0:54:27 | |
There was a yard in every creek in Humber... | 0:54:27 | 0:54:30 | |
years ago. | 0:54:30 | 0:54:32 | |
Building barges and what have you, trading vessels, fishing boats. | 0:54:32 | 0:54:36 | |
I mean, Hull was one of the biggest ports around. | 0:54:36 | 0:54:40 | |
Are you the last of a dying breed, then, on the Humber? | 0:54:40 | 0:54:44 | |
There's a few boat builders around, um, but not many. | 0:54:44 | 0:54:48 | |
This is like those Airfix kits I used to do when I was a kid, | 0:55:01 | 0:55:05 | |
-only even more mad cos you're making the bits yourself. -Yeah. | 0:55:05 | 0:55:09 | |
If everything goes well, I can make two planks and get them on in a week. | 0:55:09 | 0:55:12 | |
Two planks a week, that's a year's work. | 0:55:12 | 0:55:15 | |
Well, a little bit less, yeah. | 0:55:15 | 0:55:17 | |
Joe treats every boat with painstaking reverence. | 0:55:21 | 0:55:24 | |
But there's one restoration he's particularly proud of. | 0:55:24 | 0:55:28 | |
Gentlemen, good afternoon. | 0:55:30 | 0:55:32 | |
'This exquisite sleek beauty won gold in the 1920 Olympics. | 0:55:32 | 0:55:39 | |
'And I've been invited to help sail her down the estuary to Hull, to complete my journey.' | 0:55:39 | 0:55:45 | |
You can smell the sea, it's fantastic. | 0:55:45 | 0:55:48 | |
Yorkshire, Lincolnshire... | 0:55:48 | 0:55:51 | |
and between them, the Humber, | 0:55:51 | 0:55:54 | |
which takes a fifth of the water of England out to sea. | 0:55:54 | 0:56:00 | |
Two-and-a-half metres of depth. | 0:56:02 | 0:56:04 | |
We're going to put the mainsail up in just a minute, but we can't do that | 0:56:04 | 0:56:09 | |
until we get enough water underneath us - there's a vast sandbank running down over here. | 0:56:09 | 0:56:14 | |
'Just like heading into the Mersey estuary, heading out on the Humber is all about catching the tide.' | 0:56:14 | 0:56:21 | |
Go! go! | 0:56:21 | 0:56:23 | |
We've got the main up, we've got to get the foresails up, | 0:56:29 | 0:56:32 | |
we've got two to play with here, which will give us extra power. | 0:56:32 | 0:56:36 | |
And the Humber Bridge is approaching at great speed. | 0:56:36 | 0:56:39 | |
In her day, Ierne was the fastest yacht in her class, | 0:56:39 | 0:56:42 | |
and after 18 months' loving restoration by Joe... | 0:56:42 | 0:56:46 | |
Ooh, whoa! | 0:56:46 | 0:56:48 | |
..she sails like a medal winner once again. | 0:56:48 | 0:56:51 | |
Well, there we are, after chugging up the Mersey, | 0:56:51 | 0:56:54 | |
going underground in Manchester, | 0:56:54 | 0:56:57 | |
descending through the Derwent, | 0:56:57 | 0:57:00 | |
and sort of slinking along the Trent, | 0:57:00 | 0:57:02 | |
I'm finally on the Humber, making my way, sluicing down to Hull. | 0:57:02 | 0:57:07 | |
We've made all these rivers work for us in a multitude of ways. | 0:57:09 | 0:57:13 | |
We've used them as drains, we've built over them, | 0:57:13 | 0:57:16 | |
we've tapped them for power, for transport and for recreation. | 0:57:16 | 0:57:20 | |
We've conquered them by building bridges. | 0:57:20 | 0:57:23 | |
We've even created working rivers of our own. | 0:57:23 | 0:57:27 | |
In the past 300 years, we've harnessed rivers to revolutionise our world, | 0:57:27 | 0:57:32 | |
but we've depended on them since the dawn of time. | 0:57:32 | 0:57:35 | |
In fact, they've been so important, their names reach right back to the roots of our language. | 0:57:35 | 0:57:41 | |
The Humber is called the Humber after a word "Humbre", | 0:57:44 | 0:57:49 | |
which is so far back in time that it's aboriginal. | 0:57:49 | 0:57:54 | |
They don't know whether it's Celtic or Saxon or whatever. | 0:57:54 | 0:57:58 | |
It dates right back to the first men in their little wooden boats. | 0:57:58 | 0:58:02 | |
Humbre. Do you know what that means? | 0:58:02 | 0:58:05 | |
River. | 0:58:06 | 0:58:08 | |
Subtitles by Red Bee Media Ltd | 0:58:42 | 0:58:44 |