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APPLAUSE What can I say? What can I say? Hey, | :00:17. | :00:27. | |
that's enough, you are too kind. Hello and welcome to Springwatch | :00:28. | :00:34. | |
Unsprung, coming from a very sad it RSPB Minsmere and the sun has put a | :00:35. | :00:38. | |
smile on the faces of this fine Suffolk audience who have come in | :00:39. | :00:41. | |
this evening, forsaking it to come into the studio and enjoy the | :00:42. | :00:44. | |
programme. What do we get up to admin snare? We bug the place with | :00:45. | :00:49. | |
about 30 live cameras which allows to view the intimate lives of the | :00:50. | :00:53. | |
species that live here and all of the dramas that unfold. Let's look | :00:54. | :00:56. | |
at some of the live cameras, going to our great tits. You will know if | :00:57. | :01:03. | |
you were watching that there were five in a nest and now you can see | :01:04. | :01:06. | |
their four because one of them fledged this morning and at any | :01:07. | :01:12. | |
stage now, the others could pop out. Keep your eyes on our live webcam as | :01:13. | :01:18. | |
well. Now the sparrowhawk has been teasing us in week one. She has sat | :01:19. | :01:23. | |
on five eggs but yesterday evening, we had the enormous privilege of | :01:24. | :01:27. | |
listening to them cheap ink from inside their shells. -- chirping | :01:28. | :01:35. | |
from inside. I was in ornithological nirvana for a little while. And | :01:36. | :01:39. | |
lastly, let's go live to the stickleback camera. Last year, we | :01:40. | :01:45. | |
were following the antics of Stoinis Sy and this year, we have Stephen | :01:46. | :01:49. | |
Fry, one of the small fish. This is the stickleback nest and we will be | :01:50. | :01:54. | |
keeping a close eye on them throughout the programme. But let me | :01:55. | :01:58. | |
move on to introduce tonight's guest. There's a rumour going around | :01:59. | :02:02. | |
that our first one is only here because we share a taste in dogs. | :02:03. | :02:08. | |
That is merely a fluffy rumour. It is not down to poodles, it is down | :02:09. | :02:11. | |
to the fact that in the 1990s, she was moving on up to record sales | :02:12. | :02:16. | |
that totalled 10 million but then things got even better because she | :02:17. | :02:21. | |
penned an anthem, which is not easy to do, and anthem that was used for | :02:22. | :02:28. | |
the 2012 Olympics and even the theme tune for Oprah Winfrey. She has done | :02:29. | :02:31. | |
herself proud, Heather Small! APPLAUSE | :02:32. | :02:41. | |
Thank you very much. Our next guest, I'm pleased to introduce, he has | :02:42. | :02:47. | |
supplied blogs for the Natural History Museum, photographs for BBC | :02:48. | :02:50. | |
Wildlife magazine and even footage for Autumnwatch. He is a constant | :02:51. | :02:55. | |
writer and I have to say these things are pretty impressive and | :02:56. | :02:59. | |
even more when you know that he is just 17. It is Billy Stockwell. | :03:00. | :03:05. | |
APPLAUSE At Unsprung, we are always very keen | :03:06. | :03:09. | |
to work great young naturalists and we will hear more from Billy later. | :03:10. | :03:14. | |
Lindsey Chapman at the ready, what is happening? It's been a very busy | :03:15. | :03:18. | |
day online, lots of interest last night around a particular clip on | :03:19. | :03:21. | |
Springwatch, about these strange creatures. Have a look at this. It | :03:22. | :03:28. | |
was remarkable, wasn't it? These are lampreys, a primitive form of fish | :03:29. | :03:32. | |
that have been around pretty much unchanged for 500 million years. | :03:33. | :03:35. | |
This extraordinary footage is of them building their red, an area of | :03:36. | :03:44. | |
gravel where they lay their eggs. They have amazing mouthparts which | :03:45. | :03:46. | |
they use and yet the notion, spending time in the sea, sucking | :03:47. | :03:50. | |
the blood of other fish but in the springtime they use them for moving | :03:51. | :03:53. | |
stones, amazing. But very weird to look at and lots of people got in | :03:54. | :03:58. | |
touch, with different comments. Mike said they were intriguing. Elaine | :03:59. | :04:02. | |
said they were nightmare beast but she loved it. And we also had one | :04:03. | :04:08. | |
from Pat who says the footage was impressive, so much action in rivers | :04:09. | :04:12. | |
that we rarely get to see. Case in point, we know a lot about | :04:13. | :04:16. | |
terrestrial ecology but I bet there are lots of good naturalists that | :04:17. | :04:18. | |
could tell you things about butterflies, mammals and birds but | :04:19. | :04:22. | |
how much would know about the habits of fish? Just because they are in | :04:23. | :04:25. | |
the water, they are normally out of sight and out of mind but we are | :04:26. | :04:28. | |
trying to rectify that without films and without Stephen Fry. Interesting | :04:29. | :04:33. | |
and brilliant footage and I've got some great pictures because I found | :04:34. | :04:37. | |
these, a series of pictures. This is the first one, a barn owl and a | :04:38. | :04:41. | |
kestrel, the bar now has been outstanding early in the morning, | :04:42. | :04:44. | |
catching a vole, and then the kestrel came out of nowhere and | :04:45. | :04:48. | |
latched onto the role, and dragged the bar now about. Does this happen | :04:49. | :04:52. | |
much? A kestrel is smaller than a barn owl. It does happen and this is | :04:53. | :05:02. | |
what we call kleptoparasitism, one animal stealing from another. I have | :05:03. | :05:05. | |
seen kestrels pinching from barn owls before because barn owls fly | :05:06. | :05:10. | |
more slowly and are not as nimble as kestrels so they can swoop in | :05:11. | :05:12. | |
underneath and catch the vole and get a free meal, makes sense. I've | :05:13. | :05:17. | |
never seen it, I've only ever seen photos. Interesting. Let's get on to | :05:18. | :05:22. | |
the quiz. The quiz this week is all about poo, you will be delighted to | :05:23. | :05:27. | |
hear, and it has been set by the RSPB Minsmere young wardens. Here | :05:28. | :05:33. | |
they are. We are the RSPB Minsmere young | :05:34. | :05:36. | |
wardens and this is our quiz for you. It has a twist on the end. It | :05:37. | :05:43. | |
is very smelly. It has fur in it so we know it is a predator. Who's scat | :05:44. | :05:51. | |
is that? APPLAUSE We like poo with a twist on the! | :05:52. | :06:00. | |
Diagnostic, that's why. Get in touch with your answers using #springwatch | :06:01. | :06:03. | |
and they will be back at the end with an answer. I've done something | :06:04. | :06:06. | |
special tonight, a tribute to the first guest, come up with a feature | :06:07. | :06:10. | |
based around one of her most famous songs. Let's give this a go. Search | :06:11. | :06:18. | |
for the heroine... Search for the heroine inside yourself! -- heron. | :06:19. | :06:27. | |
It's brilliant, let's have a look at these wonderful ones, this is my | :06:28. | :06:30. | |
first picture by Jimmy Reid, I thought that was pretty beautiful. | :06:31. | :06:34. | |
Pretty good, I love the reflection and the sprinkle of water at high | :06:35. | :06:38. | |
speed against the black background, I'm giving that points. Is it a 7.8? | :06:39. | :06:45. | |
Because on the right-hand side, I would have raised those that all | :06:46. | :06:49. | |
white spots, to be honest. We also got sent this picture of a heron by | :06:50. | :06:53. | |
Emily Jones, I thought that was cool. I like that, a primitive edge, | :06:54. | :06:58. | |
a bit like an old etching, and I like the texture on the paper. You | :06:59. | :07:02. | |
were talking with Alison Steadman about the difference between | :07:03. | :07:05. | |
spotting a plastic heron and a real one but we got sent this, have a | :07:06. | :07:09. | |
look. Which one of those is the plastic one? On the left, real one | :07:10. | :07:17. | |
on the right. You are, of course, correct! LAUGHTER | :07:18. | :07:24. | |
she said sorry about the chairs. Thanks, Lindsey, let's move on to | :07:25. | :07:31. | |
Heather. APPLAUSE Let's start off with Proud which was | :07:32. | :07:35. | |
an amazing... Did you ever imagine it would be so big for so long and | :07:36. | :07:40. | |
used in Sony giveaways? Not really, you write your music for yourself, | :07:41. | :07:45. | |
first and foremost, something you feel strongly about and if others | :07:46. | :07:48. | |
feel the same way, then that is an added bonus. What inspired you? The | :07:49. | :07:53. | |
day you wrote it, what did you get up in your mind to do that? You been | :07:54. | :07:59. | |
in a successful bad and when you do something other than that, people | :08:00. | :08:03. | |
try to throw you curve balls, said things like, "Why would you leave a | :08:04. | :08:07. | |
successful band to do something else?" But you have to challenge | :08:08. | :08:10. | |
yourself and measure success in your own way and that is what Proud was | :08:11. | :08:14. | |
about. Measuring success in your own way because there's lots of things | :08:15. | :08:17. | |
that happen that people know nothing about that make you happy and proud | :08:18. | :08:21. | |
but people don't know. I thought outward success does not mean that | :08:22. | :08:25. | |
is the only kind of success. Absolutely, could not agree more. | :08:26. | :08:28. | |
That hits the philosophy on the head. Let's hear a clip now. | :08:29. | :08:33. | |
# What have you done today to make you feel proud? | :08:34. | :08:40. | |
# It's never too late to try # What have you done today to make | :08:41. | :08:46. | |
you feel proud? . # APPLAUSE | :08:47. | :08:54. | |
It has inspired lots of people to take the extra step, to go the extra | :08:55. | :08:57. | |
mile and we have tried to do the same. We have, we have been sent | :08:58. | :09:02. | |
some wonderful pictures, this first one is from Tame Valley Wetlands who | :09:03. | :09:05. | |
has been working in a woodland in North Warwickshire so well done. | :09:06. | :09:13. | |
Chantal Feeney found a snail on the window and moved it onto the leaf. | :09:14. | :09:19. | |
Julie has been doing a beach clean, achingly Portugal and Iceland flags | :09:20. | :09:22. | |
for yesterday's match out of rubbish. This next one is a | :09:23. | :09:25. | |
countryside clean from Sarah Thompson who does not have a beach | :09:26. | :09:28. | |
so they clean the stream which is ace and Suzzie Green has been in | :09:29. | :09:32. | |
touch, making an insect hotel with her nine-year-old. People doing | :09:33. | :09:36. | |
brilliant things. Superb. Heather, you grew up in the city and you were | :09:37. | :09:41. | |
ten years old before you went into the countryside. That must have had | :09:42. | :09:45. | |
quite an impact? It did, I went to Beaconsfield and when I did, there | :09:46. | :09:50. | |
was no Waitrose! It was definitely the countryside. I've found out that | :09:51. | :09:56. | |
I was deeply allergic to the countryside because I'm asthmatic. I | :09:57. | :10:00. | |
had a brilliant day running around the fields with my friends, the | :10:01. | :10:04. | |
first time I had ever seen a haystack, I tried to move it and did | :10:05. | :10:07. | |
not realise it was so heavy. But I got back onto the coach and I was | :10:08. | :10:12. | |
not at all well. That was my first introduction. Did you identify what | :10:13. | :10:17. | |
it was? I'm allergic to a host of things! Unfortunately. At that time, | :10:18. | :10:22. | |
it was cut grass and the straw and The Hague. But now you live in the | :10:23. | :10:27. | |
city again and you've got a good excuse to get out and about because | :10:28. | :10:31. | |
you and I are the proud possessor is of the most important things in | :10:32. | :10:38. | |
life, poodles. Tell me about Nina. Nina was named after Nina Simone, | :10:39. | :10:42. | |
the very fine thing. She is eight months now, she is my toy poodle and | :10:43. | :10:45. | |
she is a little minx but she is a beautiful. Because I have been | :10:46. | :10:51. | |
allergic to so many things, and animals, I did my homework and found | :10:52. | :10:56. | |
out it had to be a bichon frise or a toy poodle. I am at 51, a proud | :10:57. | :11:01. | |
owner of a pet for the first time and I'm absolutely enjoying it. And | :11:02. | :11:07. | |
it is a poodle! Top work you have joined the club. Do you know who | :11:08. | :11:12. | |
else was in the club? No. Winston Churchill had to doors, Livingston, | :11:13. | :11:17. | |
the explorer and Elvis Presley. Even though they are small, they are not | :11:18. | :11:21. | |
a handbag, they are very intelligent and clever. They are... More, more. | :11:22. | :11:30. | |
They are quick as. But you are into exotic animals as well, lines, | :11:31. | :11:35. | |
tigers, what I call Pichot animals. When you are growing up on a council | :11:36. | :11:39. | |
estate, if you think of wildlife, you think of the grand and I did | :11:40. | :11:43. | |
like lions, their mane and everything, it reminded me of them | :11:44. | :11:49. | |
being very proud looking, and mothers with their clubs, the way | :11:50. | :11:52. | |
they fight that they're young and after them. I had an empathy with | :11:53. | :11:57. | |
that, and pumas, they just look beautiful. So black and false! I | :11:58. | :12:01. | |
can't argue with any of this but the only problem I have with these | :12:02. | :12:04. | |
animals is that they are not here, they are over there. But we still | :12:05. | :12:09. | |
use the three Lions on the flight. We are trying to support that and we | :12:10. | :12:12. | |
will be doing our best tomorrow afternoon. Mixed hopes! I'm going to | :12:13. | :12:17. | |
offer you some UK species which I would say rival the species you have | :12:18. | :12:23. | |
been talking about. What about the golden eagle? You are right because | :12:24. | :12:27. | |
I like eagles and I like the fact that they are asked and agile and | :12:28. | :12:31. | |
their wingspan, you can't argue with it. -- they are fast. Slightly | :12:32. | :12:37. | |
smaller but perhaps even more dashing, the Sparrow walk. Look at | :12:38. | :12:41. | |
the eyes. It looks intelligent. And is doing a fine job. This is the | :12:42. | :12:47. | |
female and her five eggs. I worked that out with the eggs. Sometimes | :12:48. | :12:53. | |
the males will integrate but not in this species! This is what we had | :12:54. | :12:54. | |
yesterday, this is amazing. CHEEPING. | :12:55. | :13:07. | |
I could tell you about the signs of that but the romance of a bird | :13:08. | :13:11. | |
chirping inside an egg to communicate to the others and its | :13:12. | :13:15. | |
mother... I can understand that, I sang to my child while he was being | :13:16. | :13:19. | |
incubated out the best way to familiarise yourself stop did he | :13:20. | :13:22. | |
come out musical? Not at all! LAUGHTER | :13:23. | :13:29. | |
Everyone who comes onto Unsprung faces a challenge. We send them out | :13:30. | :13:33. | |
onto the reserve with a selection of artist's materials and give them ten | :13:34. | :13:36. | |
minutes to produce a representation of something they find, landscape, | :13:37. | :13:41. | |
sense of or whatever. Now, you are racing but are you an artist? | :13:42. | :13:48. | |
Definitely, definitely not! I know that you can be cruel so I am | :13:49. | :13:54. | |
waiting for your words. -- you are a singer. I'm not cruel, I'm | :13:55. | :14:01. | |
pragmatic. Bordering on cruel! This is Helen's offering... Helen?! | :14:02. | :14:09. | |
Heather, sorry. APPLAUSE Sympathy vote, there! You did not | :14:10. | :14:15. | |
stray any further than the balcony, I see. But nevertheless, I quite | :14:16. | :14:21. | |
like it. The landscape was too much for me to in O it, I could not do it | :14:22. | :14:26. | |
justice. I like the freestyle, the Impressionist technique you have | :14:27. | :14:29. | |
been involved with. It reminds me of a loose Chagall, so where am I going | :14:30. | :14:37. | |
to put that on the board? It's getting pretty cluttered but I think | :14:38. | :14:43. | |
it is definitely better... Thank you. I'm going in here. I'm going in | :14:44. | :14:46. | |
here. APPLAUSE That wasn't too cruel, was it? No, | :14:47. | :14:58. | |
but I think I might have got the sympathy vote. Not really, I don't | :14:59. | :15:06. | |
do sympathy. If you had evident website, we've got a section of | :15:07. | :15:09. | |
music for you to look at, live stuff, videos and play list, click | :15:10. | :15:13. | |
on the music tab and there is so much to see. Now it can be difficult | :15:14. | :15:16. | |
for some people do get out and see wildlife and a few years ago, Lizzie | :15:17. | :15:20. | |
Guntrip fan she could not get out at all and she needed another way to | :15:21. | :15:24. | |
connect with nature. As she began to feel better, she set up a campaign | :15:25. | :15:29. | |
for others in a similar situation. I met Lizzie and found out more about | :15:30. | :15:31. | |
what she has been up to. In 2011, I was diagnosed with an | :15:32. | :15:43. | |
illness called M E. Essentially, it affects the parts of the body that | :15:44. | :15:48. | |
should make the body function normally. It was a really | :15:49. | :15:51. | |
debilitating illness and for a couple of years, I was pretty much | :15:52. | :15:56. | |
stuck at home. When I couldn't get out at all, watching nature through | :15:57. | :15:59. | |
the TV, through Springwatch anchor live cameras, was a really valuable | :16:00. | :16:04. | |
way for me to see and experience wildlife in a way I couldn't in | :16:05. | :16:09. | |
person. I wrote a blog which I put online and people responded really | :16:10. | :16:16. | |
well to it. What did it mean to you when you realised there were people | :16:17. | :16:19. | |
out there who felt similarly to you? It was so cool and really important | :16:20. | :16:23. | |
to me. I think my illness had taken away a lot of who I was, but with | :16:24. | :16:28. | |
accessible nature and connecting with other people, it was away from | :16:29. | :16:33. | |
the to still be the social, engaged and interested person that I was | :16:34. | :16:42. | |
before the illness. When you talk about Accessible Nature, what do you | :16:43. | :16:47. | |
mean? The reserve helps people in all different ways. The reserve | :16:48. | :16:52. | |
covers all different people. I think it is estimated that less than -- | :16:53. | :16:58. | |
that less than 8% of disabled people use a wheelchair, said disability is | :16:59. | :17:04. | |
often invisible. All of these people need design features to be able to | :17:05. | :17:06. | |
get outside. Well, this isn't bad. This is called | :17:07. | :17:27. | |
Headley hide, it is supposed to encourage children and people who | :17:28. | :17:30. | |
may not have been interested in wildlife before to come here and | :17:31. | :17:35. | |
enjoy this amazing scene. So it is wildlife for everybody because | :17:36. | :17:38. | |
although you are in the middle of a city, it is right at your | :17:39. | :17:41. | |
fingertips. It is a fantastic urban oasis. Last year, we launched our | :17:42. | :17:52. | |
hashtag called hashtagwildlifefrommightwindow, | :17:53. | :17:54. | |
which is connecting with wildlife on a daily basis. Did you expect the | :17:55. | :18:01. | |
response you got from it? I didn't, I knew it meant a lot to me, but I | :18:02. | :18:06. | |
didn't realise it meant so much to other people. To have someone say it | :18:07. | :18:13. | |
has given them a new lease of life is amazing and if we can get | :18:14. | :18:17. | |
Accessible Nature, whether that is inclusive design features at | :18:18. | :18:20. | |
reserves or taking a moment out of your day to watch what you see | :18:21. | :18:24. | |
through the window, if we can get that to be as important as going too | :18:25. | :18:29. | |
wild and beautiful places, that is fantastic. Amazing. While we are | :18:30. | :18:33. | |
here, we should really try and check out some of that nature. You have | :18:34. | :18:38. | |
got a heron on me so far, so I need to pick one up. | :18:39. | :18:44. | |
APPLAUSE. I am delighted to say Lizzie is here | :18:45. | :18:48. | |
tonight. We had a brilliant day at the London wetland Centre. It has | :18:49. | :18:53. | |
really helped you reconnect, hasn't it? Yes, I love the wetlands Centre, | :18:54. | :18:58. | |
it is so that the people with wheelchairs and with invisible | :18:59. | :19:00. | |
illnesses. We think what you are doing is fantastic. It is so good, | :19:01. | :19:06. | |
we are going to present you with one of our Unsprung Hero awards. | :19:07. | :19:08. | |
CHEERING . | :19:09. | :19:14. | |
It is all about making wildlife accessible and you have done a | :19:15. | :19:17. | |
brilliant job, so we salute you, Lizzie. | :19:18. | :19:22. | |
APPLAUSE. One school that are using their very | :19:23. | :19:26. | |
best assets to help wildlife in their own backyard is this cool, St | :19:27. | :19:31. | |
Francis primary school in Birmingham. They bought a paddling | :19:32. | :19:35. | |
pool because they had some ducklings hatch in their quad. Isn't that | :19:36. | :19:39. | |
amazing? When they were ready, they released them back into the wild. | :19:40. | :19:44. | |
Superb. Let's move back over to Billy. Billy, thank you very much | :19:45. | :19:51. | |
for coming in. You and I share a passion for trying to glamorise a | :19:52. | :19:55. | |
bird that too many people, I think, take as a familiar thing in their | :19:56. | :19:59. | |
garden, the blue to it. Tell me about your passion for blue tips. I | :20:00. | :20:04. | |
do most of my wildlife watching in and around my own patch, and blue | :20:05. | :20:13. | |
tips are so accessible, they are everywhere -- blue titss. They see | :20:14. | :20:16. | |
them but they don't really appreciate them and when you get a | :20:17. | :20:19. | |
close-up picture, their colours are just amazing. I think if this were a | :20:20. | :20:27. | |
rare bird on the other side of the world, people would flock to see | :20:28. | :20:32. | |
them, but we watch them and don't give them a second look. You have | :20:33. | :20:37. | |
been photographing them to highlight their beauty, more than anything | :20:38. | :20:41. | |
else. Yes, they quite often take up residence in my bird boxes and last | :20:42. | :20:47. | |
year, I converted one of my boxes to have a glass back. They weren't | :20:48. | :20:51. | |
harmed in any way or disturbed, but it allowed me to put my nose on the | :20:52. | :20:55. | |
glass and watch the eggs hatch, to watch them feed their young. And my | :20:56. | :21:01. | |
nose was literally centimetres away from the chicks. There is nothing | :21:02. | :21:07. | |
finer, is there, than getting that close to wildlife personally? We do | :21:08. | :21:10. | |
what we can on Springwatch to instigate an interest but the best | :21:11. | :21:13. | |
way to satisfy it is doing it yourself, of course. The other thing | :21:14. | :21:18. | |
is you have some Trail cams, which we use all the time, and you have | :21:19. | :21:23. | |
been using these on your patch. Yes, in a woodland adjacent to my patch | :21:24. | :21:27. | |
and also, at school, we have two badger sets on our campus and I | :21:28. | :21:32. | |
quite like the idea of when the school bell rings, and pupils and | :21:33. | :21:40. | |
teachers go home, it is overrun by this badger family. So I have been | :21:41. | :21:43. | |
trying to capture that over the last few months. It may put Ofsted off. | :21:44. | :21:51. | |
This is another thing I like about your approach, you are not | :21:52. | :21:56. | |
anti-technology. I read a blog today where somebody said we should never | :21:57. | :21:59. | |
travel with our mobile phones, but for me, it is a really useful tool. | :22:00. | :22:05. | |
I think technology gets a lot of blame for disconnecting people, | :22:06. | :22:09. | |
especially younger generations, from wildlife, but I think if you use it | :22:10. | :22:14. | |
in the right way, it can connect you, because you can social media, | :22:15. | :22:19. | |
you can write your own blog, take photos on your phone. This is a | :22:20. | :22:26. | |
photograph you took of a parasitic wasp in the act of parasitising a | :22:27. | :22:29. | |
caterpillar, it is a really good photo. You can immediately then | :22:30. | :22:35. | |
paste it onto your blog. Also, not everyone has the money to buy a | :22:36. | :22:38. | |
professional camera, but everyone has a phone and it is so easy with | :22:39. | :22:43. | |
smartphones to get a good image and share them. You have been using the | :22:44. | :22:47. | |
images at your school to encourage others to get into wildlife and, | :22:48. | :22:50. | |
again, using technology with your little codes. I have a few images up | :22:51. | :22:56. | |
around the biology department about different UK species, with | :22:57. | :23:02. | |
information pages next to them, with the QR code, so pupils can use that | :23:03. | :23:06. | |
code to go directly to my blog and see footage of the featured species. | :23:07. | :23:11. | |
So you do blogging, photography and you share that and encourage others. | :23:12. | :23:15. | |
Lastly, come on to your music, your current project is to compose a | :23:16. | :23:20. | |
natural symphony on the piano. Yes, I have been out and about recording | :23:21. | :23:26. | |
sounds on my phone and with recording devices, putting together | :23:27. | :23:29. | |
an album on the piano and hoping to expand it to cello and violin. What, | :23:30. | :23:37. | |
playing yourself? No, friends. I was going to save. I can't do | :23:38. | :23:43. | |
everything. You are doing a pretty good job. This is a clip of | :23:44. | :23:45. | |
something you have composed already. MUSIC. | :23:46. | :24:00. | |
Heather? Very atmospheric. He is a very talented young man. You haven't | :24:01. | :24:06. | |
seen his artwork yet. Maybe we should. Thank you both. It is time | :24:07. | :24:14. | |
to see your artwork now, come on, brandish it. What have you done? It | :24:15. | :24:22. | |
is a foxglove. He came in with his own paint. I didn't have my own | :24:23. | :24:26. | |
paint. It is a foxglove. APPLAUSE. | :24:27. | :24:32. | |
And it has been visited by a couple of insects, the Hawks, or something. | :24:33. | :24:42. | |
If you say so. You just lost a pointer that. This is good, Billy, | :24:43. | :24:48. | |
to be honest. It is very good. It is stylised, it has elements of | :24:49. | :24:51. | |
accuracy. I like the splatter effect. I saw the splatter effect in | :24:52. | :25:01. | |
real life, it was awesome. On the top! I am going joint first. | :25:02. | :25:08. | |
APPLAUSE. Really, really good. Billy, I don't | :25:09. | :25:14. | |
know what to say, good work. And you have been doing great stuff in your | :25:15. | :25:19. | |
school to do with wild boar, lots of schools are getting involved, and if | :25:20. | :25:23. | |
you head to the website, we have a little blog about loads of things | :25:24. | :25:26. | |
going on and there are also some facts from Brett Westwood about | :25:27. | :25:34. | |
plans, just two minute the Tees. We kind of forget the plants, which we | :25:35. | :25:39. | |
mustn't do, fundamental to the ecosystem. Something else that is | :25:40. | :25:43. | |
really good is my pick of the day. It is very good today. I am trying | :25:44. | :25:48. | |
to be your nine, which you gave a picture in the first week. I showed | :25:49. | :25:54. | |
you this picture yesterday. Seven point out. I have been over scoring | :25:55. | :26:03. | |
days. I haven't thought about the fade factor, like when you hear a | :26:04. | :26:06. | |
track and you think it is the best thing you have ever had and the next | :26:07. | :26:09. | |
day, it is OK. You see the Sistine Chapel and you think it is amazing | :26:10. | :26:13. | |
and you go outside and think back on it and you realise that one of the | :26:14. | :26:18. | |
fingers is slightly fatter than the others and you think, Michelangelo, | :26:19. | :26:24. | |
nice try, but no cigar. Here is today's picture. This is the whole | :26:25. | :26:32. | |
team picking this one. Oh, yes. Oh, yes. OK, now that is a superb | :26:33. | :26:40. | |
photograph, there is no question. If there is one little thing I would | :26:41. | :26:45. | |
pick on bulk-macro hold on. I love the head and the beautiful rippling | :26:46. | :26:50. | |
on the water is absolutely superb. I wish there wasn't a piece of yellow. | :26:51. | :26:56. | |
Look at the reflection. You could get rid of the yellow on the side so | :26:57. | :27:01. | |
easily. What was the last one, 7.8? I think it is better than 7.8. I am | :27:02. | :27:11. | |
going to go to 8.1. Well, I am going to keep trying. It is just that | :27:12. | :27:16. | |
little bit of yellow. That far away from being nine something. You have | :27:17. | :27:23. | |
all been trying with the quiz. Anybody in the audience got any | :27:24. | :27:29. | |
guesses? Badger. Nice one. We have seen the picture there. Josie says | :27:30. | :27:38. | |
is it a tawny owl? Stoat? Let's find out what it is. | :27:39. | :27:46. | |
This is the poo of a red fox. So nice try with badger, but lots of | :27:47. | :27:57. | |
people getting it right. Linda, Stewart, lots of people and | :27:58. | :28:04. | |
especially for you, I have some fresh. Sometimes it is difficult to | :28:05. | :28:08. | |
get it right if you can just see it. It helps if you can smell it. I will | :28:09. | :28:13. | |
ask you to have a little whiff of that. Oh, wow. I can smell it from | :28:14. | :28:21. | |
here. You will never forget it, will you? Superb. Sadly, that is all we | :28:22. | :28:25. | |
have time for this evening, we have to wrap up the show, so can I | :28:26. | :28:29. | |
personally thank our two guests for coming in, Heather Small and Billy | :28:30. | :28:34. | |
Stockwell, they have been absolutely fantastic. Do stay with us for the | :28:35. | :28:37. | |
8pm show because I can promise you an absolute cracker. I don't want to | :28:38. | :28:44. | |
give it away, but the sparrowhawk stood up this morning from the eggs | :28:45. | :28:49. | |
and we spotted a small crack. It could happen tonight. See you later. | :28:50. | :28:57. | |
Catch all the action from Euro 2016 across the BBC. | :28:58. | :29:07. | |
Radio 5 Live or the BBC Sport website. | :29:08. | :29:12. | |
You can also follow all the news and action from the Euros, | :29:13. | :29:16. |