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APPLAUSE Wrote unbridled enthusiasm for | :00:17. | :00:27. | |
Springwatch Unsprung, coming to you from the very sunny Minsmere RSPCA | :00:28. | :00:34. | |
reserve in Suffolk. What an evening. You could be outside birding but you | :00:35. | :00:40. | |
have come here to join us. Thank you. The wildlife has been enjoying | :00:41. | :00:43. | |
the sunshine as well, as we can see. Sunshine puts a smile on our faces | :00:44. | :01:24. | |
and the wildlife too. This programme isn't just about wildlife, it's | :01:25. | :01:27. | |
about people who engage with it and we invite guests to the studio. The | :01:28. | :01:31. | |
first guest, when we met he said, trust me I'm a doctor but I'm always | :01:32. | :01:36. | |
sceptical so I put into the test by dissecting a seal on a Greenland | :01:37. | :01:42. | |
beach. Halfway through I thought I might have two contact the General | :01:43. | :01:44. | |
Medical Council but he reminded me that he was already a double back | :01:45. | :01:49. | |
the winner for Operation Ouch, and more recently teamed up with Angela | :01:50. | :01:52. | |
Matton to tell us how we can prevent ageing -- double Bafta winning. | :01:53. | :02:00. | |
Tonight he is here to talk about the psychology of our sentiment is when | :02:01. | :02:03. | |
it comes to cute and cuddly animals. It is my pleasure to introduce, | :02:04. | :02:05. | |
Chris van Tulleken. But nearly gone puttable with all of | :02:06. | :02:16. | |
the blackcurrants. -- I've nearly gone purple. They are doing | :02:17. | :02:24. | |
something. By doing a lot! Our next guest, an unlikely marriage, you may | :02:25. | :02:27. | |
think. Firstly an artist who produces extremely spectacular | :02:28. | :02:32. | |
elegant public installations which are designed to evoke a sense of | :02:33. | :02:37. | |
place. He's teamed up with an academic who is into ionising | :02:38. | :02:42. | |
radiation and forensic audiology. How would that work? It has worked | :02:43. | :02:46. | |
to great effect because they have sculpted something amazing, the | :02:47. | :02:50. | |
hive, opening at Kew Gardens this weekend. It is my pleasure to | :02:51. | :02:58. | |
introduce Wolfgang Buttress and Doctor Martin Bencsik. You have | :02:59. | :03:05. | |
jointly retro club. We have to talk about it, fashion! Those Internet | :03:06. | :03:10. | |
sites that sell things very cheaply, we are all drawn to them, as we can | :03:11. | :03:15. | |
see. I like it. Thank you, you have been going for it, so I thought I | :03:16. | :03:19. | |
would join the party. You have divided Twitter, although Claire | :03:20. | :03:24. | |
says that she likes your top. These were my dead uncle Derek's curtains! | :03:25. | :03:30. | |
The hair band as well, I have gone full out on it. Nothing is missed. | :03:31. | :03:35. | |
The wildlife has been trying to impersonate you as well, this | :03:36. | :03:42. | |
picture, brilliant. Asking who wore it best, the caterpillar or you? The | :03:43. | :03:47. | |
caterpillar, I think! I am quite distasteful, but don't eat the | :03:48. | :03:51. | |
Caterpillar. Then it got more serious because we got this picture | :03:52. | :03:55. | |
as well. That's almost a perfect match! Uncle Derek and the moth, I | :03:56. | :04:04. | |
wouldn't believe it. I thought, not having I'm joining the party and | :04:05. | :04:12. | |
this happened! Brilliant. You're a Caterpillar and I'm a butterfly, so | :04:13. | :04:16. | |
there we go! Does that mean you are more mature than me? I think it | :04:17. | :04:21. | |
means I am pretty a! With the football I decided to have some more | :04:22. | :04:27. | |
fun today and I made this Minsmere 5-a-side. I think that's a | :04:28. | :04:32. | |
particularly strong line-up. In goal I have the sparrowhawk because she | :04:33. | :04:36. | |
is very protective, she would fill the goal, which is good. I have the | :04:37. | :04:42. | |
jay in attack upfront and sand Martins on the wing. On the wing! | :04:43. | :04:48. | |
And bestowed, I feel that she is good so I have put her in midfield | :04:49. | :04:52. | |
to cover the ground. Top work, I'm not sure it's going to go to the | :04:53. | :04:56. | |
final but I'm not sure that England will get to the final although we | :04:57. | :05:01. | |
had a good result. We did. Apologies to our Welsh viewers. I think there | :05:02. | :05:05. | |
is a chance for Wales. Sticking on the sporting theme, we had a look | :05:06. | :05:09. | |
around and we found this bluetit who is a fan of tennis! And this bluetit | :05:10. | :05:13. | |
is actually trying to be a tennis ball! LAUGHTER | :05:14. | :05:19. | |
That finds cute, really. Well done to Andy Murray as well. It is time | :05:20. | :05:25. | |
to set the quiz, which has been set by the young wardens here at | :05:26. | :05:28. | |
Minsmere. The Dung Detectives are here with the quiz. We are the RSPB | :05:29. | :05:37. | |
Minsmere volunteers and this is our quiz for you. It is round. Whose is | :05:38. | :05:42. | |
that? If you would like to comment on who | :05:43. | :05:54. | |
is wearing the best fashion, I'm fine with that. Just use the | :05:55. | :05:59. | |
hashtag. I'm going over to my first guest. Thanks for that. Almost | :06:00. | :06:10. | |
medicine for kids, there is a lot of medical programming, it is kind of | :06:11. | :06:14. | |
popular medical science, on TV at the moment. I guess we feel we can | :06:15. | :06:18. | |
show it to a room of medical professors and they will learn at | :06:19. | :06:22. | |
least one thing. I think more than one thing. We have done a few first | :06:23. | :06:27. | |
is. I was just telling them, we filmed a belch for the first time, | :06:28. | :06:32. | |
trying to do it live and we established that it is not from the | :06:33. | :06:35. | |
movement of the epiglottis but you'll have to wait and find out | :06:36. | :06:42. | |
where it comes from. I can't wait! But then you have gone on with a | :06:43. | :06:46. | |
programme I watched recently which I found quite, Pulse it, actually. We | :06:47. | :06:50. | |
all worry about ageing, effectively and you were suggesting that it is | :06:51. | :06:57. | |
dietary things, a number of Japanese people eat a particular kind of | :06:58. | :07:01. | |
potato. I get nervous about being too dogmatic about it. I would say, | :07:02. | :07:06. | |
load your plate with colour, mainly plants, and don't eat too much. You | :07:07. | :07:11. | |
heard it from the Doctor's mouth. I won't tell you what I saw him eating | :07:12. | :07:18. | |
at lunchtime! You grew up in Canada, you are into wildlife, catching | :07:19. | :07:22. | |
snakes and getting up to all sorts of things. I don't know who is who | :07:23. | :07:28. | |
here. Bad wouldn't know either. One of them is a large female turtle. | :07:29. | :07:36. | |
That is looking for snakes, and I think that's me. And that is holding | :07:37. | :07:42. | |
the deadly northern water snake. Deadly! Not that deadly, I don't | :07:43. | :07:46. | |
think, we aren't going to fall for that! I love your book and you | :07:47. | :07:53. | |
eating the tadpoles reminded me of minnows. I got stick for that, by | :07:54. | :07:59. | |
the way. I imagine that the tadpoles were not unharmed. We had Minow | :08:00. | :08:04. | |
snorting contests in Canada. What was the purpose? It sounds like I | :08:05. | :08:10. | |
have a bad habit. I have quit snorting minnows now! As we say on | :08:11. | :08:16. | |
Operation Ouch, do not do this at home. I wouldn't tell anybody to do | :08:17. | :08:21. | |
it. We would swallow from one bucket and spit them into the next, totally | :08:22. | :08:27. | |
unharmed! Also, some more protein. What about the bone collection? | :08:28. | :08:36. | |
Fighting over a walrus. I was briefly in the military and I was on | :08:37. | :08:41. | |
a training run in Wales and a group of us ran past a dead Welsh mountain | :08:42. | :08:46. | |
pony. I came back the following weekend, cut its head off and the | :08:47. | :08:50. | |
following weekend I came back with a group of army guys, ran past it and | :08:51. | :08:55. | |
I thought, good God, somebody has cut the head off and they were | :08:56. | :08:59. | |
disgusted, they were baffled about who would do it. A few years later, | :09:00. | :09:04. | |
I still have the head. Elaborate the skeleton iced over a long period of | :09:05. | :09:13. | |
time. You can see the bone, the maxilla has become Seibu because I | :09:14. | :09:17. | |
had to boil it in bleach. I love a man who boils a head in bleach. -- | :09:18. | :09:23. | |
has become see-through. Soak it in water and change it frequently. | :09:24. | :09:29. | |
Let's move on to sentiment that because through the programme we've | :09:30. | :09:32. | |
been looking at a of young animals and part of the way this place runs, | :09:33. | :09:38. | |
they consumed by other animals and some of our viewers were upset. What | :09:39. | :09:43. | |
motivates them? Cuteness is interesting, it is like an emotion, | :09:44. | :09:46. | |
you want to somehow physically interact with these things, pick | :09:47. | :09:52. | |
them up and squash them, but I think it misleads us about the way that | :09:53. | :09:56. | |
nature works. I think that Springwatch represents the way that | :09:57. | :10:01. | |
nature works, I see it as a battle scape and when I'm not presenting an | :10:02. | :10:04. | |
Operation Ouch, I work in the laboratory, looking at how viruses | :10:05. | :10:11. | |
move from nonhuman primates, to humans, mainly HIV, and it is based | :10:12. | :10:17. | |
on the red queen hypothesis, that everything is chasing everything | :10:18. | :10:22. | |
else, everything is being constantly predatory. Like this, we have | :10:23. | :10:28. | |
probation here. Cuteness takes us to a useful place, sometimes, but it | :10:29. | :10:31. | |
misrepresents what is fragile in the food chain. Kestrels don't manage to | :10:32. | :10:38. | |
feed, then buy on the brink of death, constantly. Everything is | :10:39. | :10:44. | |
constantly in battle and that is how evolution moves forward. I think | :10:45. | :10:47. | |
that the red queen is in broadcast form an spring which -- Springwatch. | :10:48. | :10:56. | |
You're not actually making any progress, so you are implying that | :10:57. | :10:59. | |
we have everything in turmoil, trying to make progress but not | :11:00. | :11:02. | |
quite making it because it's being eaten. What we know is that the rate | :11:03. | :11:07. | |
of extinction, I'm going to get a bit science here, but for any | :11:08. | :11:14. | |
taxonomic unit, any species or border, they are equally likely to | :11:15. | :11:18. | |
get extinct because they are all using the same capital, there's a | :11:19. | :11:21. | |
certain amount of ecological capital and it is a finite resource. As one | :11:22. | :11:27. | |
of them adapts, it must necessarily kill off the others but it will | :11:28. | :11:30. | |
leave one of the others that is a little bit faster and stronger, and | :11:31. | :11:35. | |
that will be better at predating the remaining and you get the dynamic | :11:36. | :11:39. | |
oscillation between species. It means that everything has a half | :11:40. | :11:43. | |
life and we are part of that. We are due to have a viable pandemic. You | :11:44. | :11:49. | |
can think about it as stoats and rabbits, when I arrived I saw a | :11:50. | :11:54. | |
stoat killing a rabbit, or you can think about viruses and humans. We | :11:55. | :11:59. | |
are due a pandemic. An Operation Ouch, we tried to be blunt. Kids can | :12:00. | :12:04. | |
handle that information, if it is presented accurately. By going to | :12:05. | :12:10. | |
ask for a round of applause for a superbly elegant discussion of how | :12:11. | :12:11. | |
the natural world works. Moving on, what about human health? | :12:12. | :12:23. | |
Another thing we've been saying and recognising is that when we go into | :12:24. | :12:26. | |
green spaces, it is good for our physical and mental health. There is | :12:27. | :12:31. | |
buckets of research, which is nice but I think there is something that | :12:32. | :12:34. | |
transcends what you can actually discover with science about this, | :12:35. | :12:39. | |
that it is so evidently good for us to be involved with nature, in so | :12:40. | :12:44. | |
many deep and complex ways. Yes, if I wield a dog into an exam you are | :12:45. | :12:47. | |
doing I can measure the effect on your blood pressure, you will live | :12:48. | :12:53. | |
longer. People with pets live longer. If you take dogs into the | :12:54. | :12:58. | |
old peoples home Common People with outsiders, they will survive longer | :12:59. | :13:04. | |
and have your infections. -- old people's home, people with | :13:05. | :13:11. | |
Alzheimer's. There could be the infection risk but the benefit to | :13:12. | :13:15. | |
kids with animals, so clinically measurable. It made me feel good | :13:16. | :13:22. | |
again. I am feasting on blackcurrants and I sleep with two | :13:23. | :13:26. | |
boodles! I'm going to live for ever! -- poodles. Every guest coming to | :13:27. | :13:34. | |
the programme is given ten minutes and a range of artists materials and | :13:35. | :13:38. | |
they are sent on to the reserve to enter the challenge, drawn to be | :13:39. | :13:43. | |
wild. Chris, eloquent scientist, great broadcaster, great charm, what | :13:44. | :13:44. | |
have you done? An explanation or an excuse? It is | :13:45. | :14:03. | |
not political. This is my vision of a post-Brexit Minsmere. That is | :14:04. | :14:15. | |
Donald Trump. It is a concrete car park, which is also a golf course, | :14:16. | :14:26. | |
and Trump is waving his putter. I don't want to influence voting, I'm | :14:27. | :14:30. | |
just saying that that might happen, and you can vote as you please. You | :14:31. | :14:36. | |
have set a very interesting challenge, because you produced an | :14:37. | :14:40. | |
interesting piece of work. I see a little Lowry in it. I see a lot of | :14:41. | :14:52. | |
postapocalypse work. But since you have moral lies did, I am left with | :14:53. | :14:56. | |
absolutely no choice whatsoever... BOOING | :14:57. | :15:03. | |
We have to not add yours to the board because it has gone so low, it | :15:04. | :15:11. | |
has gone lower than Ed Byrne's. We can't have politics on this | :15:12. | :15:17. | |
programme! That wasn't a political statement by me, it was a reading of | :15:18. | :15:22. | |
the political statement. Now, presenter Michaela Strachan is | :15:23. | :15:26. | |
passionate about wildlife rehabilitation, and she went to see | :15:27. | :15:29. | |
the volunteers at one of the UK's biggest wildlife rescue centres. We | :15:30. | :15:33. | |
went along to see how she got on. It is my last day as a volunteer at | :15:34. | :15:39. | |
stately Grange RSPCA centre. It really has been a fantastic | :15:40. | :15:42. | |
experience, and I have enjoyed every minute. I wonder what will be in | :15:43. | :15:48. | |
store for me on my final day. What have you got? A buzzard that has had | :15:49. | :15:56. | |
an argument with a truck. We're just checking for broken bones files. | :15:57. | :16:09. | |
Would they react with pain? We wouldn't see that necessarily. I'm | :16:10. | :16:14. | |
just looking for any haemorrhage in the back of the eye, any signs of | :16:15. | :16:20. | |
damage to his head. We will reassess him and 48 hours, see how he is | :16:21. | :16:23. | |
flying in the aviary, and it may be that we can release him. And what | :16:24. | :16:30. | |
are we doing in here? We're going to weigh the swans. Some of them were | :16:31. | :16:37. | |
caught by dogs, crash landings, that sort of thing. Fishing lines are | :16:38. | :16:42. | |
problem, too. We need to herd them up. Herding swans? We weigh them | :16:43. | :16:49. | |
every week to check how they are doing, check that they are putting | :16:50. | :16:54. | |
on weight nicely, up to the point we can release them. I go for the net? | :16:55. | :16:59. | |
Yes and get hold of both sides of his wings, and just scoop him up and | :17:00. | :17:08. | |
left him. What about all these flapping legs? | :17:09. | :17:16. | |
Last one. I nearly at the end of my last day of volunteering, and I have | :17:17. | :17:25. | |
really enjoyed it. I have learned so much, it has been really varied. I | :17:26. | :17:30. | |
have handled so many different dish while animals, and I have met so | :17:31. | :17:34. | |
many great people. The RSPCA wouldn't function without | :17:35. | :17:38. | |
volunteers, so they are absolutely invaluable to the RSPCA. I just | :17:39. | :17:46. | |
thought I would have a quick cup of tea and five minutes out, because I | :17:47. | :17:49. | |
have just heard that the gorgeous buzzard that looked so bright and | :17:50. | :17:53. | |
looked like he would be able to be released quite quickly actually | :17:54. | :17:57. | |
isn't going to make it. Internal examinations showed it had a | :17:58. | :18:01. | |
fractured pelvis, so unfortunately they are going to have to put it | :18:02. | :18:05. | |
down. It is really sad, but that is the reality of a place like this. | :18:06. | :18:11. | |
But it is tough. But luckily there are many happy endings are Stapeley | :18:12. | :18:16. | |
Grange. This is a good enough spot, I think. I know this is probably the | :18:17. | :18:22. | |
best part for you, but as a volunteer, it is definitely the best | :18:23. | :18:27. | |
part for me. Sadly, my time at the centre has come to an end, but it | :18:28. | :18:32. | |
really has been an incredibly rewarding experience. He's off! | :18:33. | :18:38. | |
Seeing a bird released back into the wild is definitely a highlight. | :18:39. | :18:48. | |
APPLAUSE Michaela and doing amazing things | :18:49. | :18:54. | |
for wildlife. This is St Mary's primary school, and they have been | :18:55. | :18:57. | |
helping hedgehogs by making hedgehog houses in their school. Top work! | :18:58. | :19:03. | |
APPLAUSE We do get a question a lot on the | :19:04. | :19:07. | |
watches asking what to do if you find an injured or baby animal you | :19:08. | :19:10. | |
think has been abandoned, because we have been sent this poster. This is | :19:11. | :19:16. | |
from Brian May, and he says he has ten fawns brought him in the last | :19:17. | :19:20. | |
few months that have been rescued to early. Again, it is a big problem. | :19:21. | :19:25. | |
We are reaching out something think needs help, but it probably doesn't. | :19:26. | :19:30. | |
Leave it there so the adults can look after it. If you find a bird on | :19:31. | :19:35. | |
the ground, and you have cats around, put it up in a bush. If you | :19:36. | :19:41. | |
find a deer like that, walked directly away from it following your | :19:42. | :19:46. | |
own tracks, the adult will be nearby and will come back later. Unless it | :19:47. | :19:51. | |
is in direct threats like the middle-of-the-road or something, | :19:52. | :19:53. | |
your best advice is to leave it alone. And there is more advice on | :19:54. | :20:02. | |
the website. Now, let's move on to our next guest, Martin Bencsik. The | :20:03. | :20:22. | |
theme for our last work was feeding the planet, and it is a laudable | :20:23. | :20:28. | |
aim, but how do you express that? I used the idea of the theme of Polly | :20:29. | :20:32. | |
nation, and more specifically about the honey bee. -- pollination. The | :20:33. | :20:41. | |
honey bee is affected by lack of diversity, climate change, | :20:42. | :20:48. | |
pesticides. I wanted to create something that the visitor would | :20:49. | :20:52. | |
feel would be an emotional experience. Visually, it is | :20:53. | :20:56. | |
stunning, but Martin, the role you played was the auditory part of | :20:57. | :21:00. | |
this. Tell me how you managed integrate your research into this | :21:01. | :21:06. | |
artwork. Wolfgang came to me and asked me if it would be possible to | :21:07. | :21:09. | |
eliminate his artwork or somehow feed it with live signal coming from | :21:10. | :21:15. | |
honeybees. He had heard of my research, and we made the plan to | :21:16. | :21:19. | |
change the colour coding of Wolfgang's artwork, and to change it | :21:20. | :21:24. | |
with the status of the honey bee colony using a live signal that was | :21:25. | :21:29. | |
fed through the Internet all the way to Milan, and changing the colour | :21:30. | :21:37. | |
coding of the artwork. And in addition to that, he also managed to | :21:38. | :21:40. | |
have the live signal being heard by the visitor, so we use the signal | :21:41. | :21:46. | |
both to change the colours and to have acoustic stimuli heard by the | :21:47. | :21:49. | |
visitor. We have some sand now of some honeybees. This was the raw | :21:50. | :21:55. | |
material. BUZZING. | :21:56. | :22:07. | |
Say you have heard an accelerated version of the stages of honey bee | :22:08. | :22:14. | |
swarm. People might have seen a swarm visually, people might have | :22:15. | :22:17. | |
heard it, but this particular document was captured from within | :22:18. | :22:22. | |
the colony, so you have shared the experience of honeybees swarming | :22:23. | :22:27. | |
from within the heart of the colony, something that we do with Excel | :22:28. | :22:30. | |
aroma to technology. That is where Wolfgang comes in, because aside | :22:31. | :22:36. | |
from having those natural sounds, there is also a musical soundtrack, | :22:37. | :22:41. | |
so tell me about that. We had a live stream of bees which came at the | :22:42. | :22:46. | |
recording studio, a couple of friends of mine play in a band | :22:47. | :22:52. | |
called Spiritualised. Deirdre started to play the cello along with | :22:53. | :22:55. | |
this sound, and we very quick to realise that they hive itself harms | :22:56. | :23:06. | |
in the key of C. Does it? You learn something new every night on | :23:07. | :23:11. | |
Unsprung. Let's have a listen. SOLEMN NOTES. | :23:12. | :23:22. | |
APPLAUSE A bit of Cocteau Twins in there, | :23:23. | :23:52. | |
perhaps! You have reinstalled it at Kew. Why did you choose to Kew in | :23:53. | :24:07. | |
terms of the peace? The landscape is as important as the piece itself, | :24:08. | :24:14. | |
and what we have at Kew is the ability to send the live signal | :24:15. | :24:18. | |
directed to the hive, and as the bees use more energy, this triggers | :24:19. | :24:21. | |
signals which trigger noise gates which open up a violin or a piano or | :24:22. | :24:28. | |
some strings, so the idea is that the sculpture is talking to you. | :24:29. | :24:35. | |
There is almost a conversation between the bees and the human. . We | :24:36. | :24:41. | |
have actually been sent a fabulous picture of a bee. Some sensory hairs | :24:42. | :24:54. | |
there, we will maybe be talking about those later on. On the full | :24:55. | :24:57. | |
film is available on the website, so do have a look. Wolfgang, Martin, | :24:58. | :25:03. | |
thank you very much. I can't wait to see it, it looks incredible. It will | :25:04. | :25:09. | |
probably be too busy, I will go very late indeed. Night-time, you can see | :25:10. | :25:17. | |
a glow in the evenings. Amazing. You have risen to the arts challenge. We | :25:18. | :25:23. | |
were expecting great things on yours. It was right in the middle of | :25:24. | :25:30. | |
the inland football game, so we were a bit distracted. Let's have a look | :25:31. | :25:37. | |
at what you have got. Pass it over. You have done an egg. It was | :25:38. | :25:43. | |
inspired this morning by the sparrowhawk, it is the lines of the | :25:44. | :25:47. | |
nest and the void in the middle inspired by the sparrowhawk leaving | :25:48. | :25:49. | |
the nest. What we think? APPLAUSE | :25:50. | :25:55. | |
I was brought up to believe in a meritocracy, and on that account, I | :25:56. | :26:00. | |
have to say, that despite all of the endeavours of our previous guest | :26:01. | :26:03. | |
here, and they have really tried hard, bearing in mind they are not | :26:04. | :26:08. | |
artists, they are simply not as good as yours, mate. | :26:09. | :26:09. | |
Yours is absolutely... APPLAUSE | :26:10. | :26:16. | |
If you produced lithograph of that, you would sell ten or 15 the | :26:17. | :26:21. | |
audience here! Absolutely fantastic, thank you very much indeed. | :26:22. | :26:27. | |
Continuing on the bee theme, there is a bee survey we can identify | :26:28. | :26:31. | |
plants in your local area and see if it is great for bees. As well as | :26:32. | :26:36. | |
taking you on in the fashion department and night, Chris, I have | :26:37. | :26:39. | |
also decided to challenge you photographically. Yesterday I showed | :26:40. | :26:47. | |
you this picture. I have shown a previous nine, this is an 8.1. I was | :26:48. | :26:54. | |
agonising about that in the middle of the night. Here we come with this | :26:55. | :27:01. | |
one. Look at that. This is water droplet refractions. But there is | :27:02. | :27:05. | |
one fundamental problem with this. Go one, then. You have got it upside | :27:06. | :27:11. | |
down. Surely they are hanging, those water droplets, art they? Not that | :27:12. | :27:15. | |
it matters. I quite like it, but I won't score it as high as the grass | :27:16. | :27:21. | |
snake. I will give that one 4.8. What about if I turned up the other | :27:22. | :27:29. | |
we? I don't deal too well with detail, and as much as I like that | :27:30. | :27:36. | |
meadow, and its reflection in the droplets, there are too many | :27:37. | :27:40. | |
colours, the green, the Orange... Move on! Let's find the answer to | :27:41. | :27:46. | |
the quiz. Earlier we showed you this picture and we asked you what animal | :27:47. | :27:50. | |
this belongs to. Does anybody in the audience have any ideas? Dear. And | :27:51. | :28:05. | |
here is the answer. This is the pool of a muntjac deer. I only saw one | :28:06. | :28:14. | |
person with muntjac deer, and that was Max Martin, so well done, you. | :28:15. | :28:18. | |
And I will offer this as a souvenir to some of our guests here. There | :28:19. | :28:24. | |
you go, superb. There is due more to go around a little later on. Sadly | :28:25. | :28:28. | |
that is all we have time for on this Unsprung. We're coming up with | :28:29. | :28:34. | |
another programme at 6:30pm tomorrow on BBC Two. | :28:35. | :28:35. | |
Thank you very much to my guests, Dr Chris van Tulleken, | :28:36. | :28:38. | |
Wolfgang Buttress and Dr Martin Bencsik. | :28:39. | :28:40. | |
And I'll leave you with this historic moment of a sparrowhawk | :28:41. | :28:42. | |
chick hatching here at Minsmere today. | :28:43. | :28:48. | |
It is one of the most beautiful things that we have ever seen. Do | :28:49. | :28:53. | |
join us at eight o'clock Springwatch. Good night. | :28:54. | :28:54. | |
APPLAUSE who want to show us how good they | :28:55. | :29:01. | |
are in the kitchen. Many of them can sing, dance, act. | :29:02. | :29:06. | |
We don't care about that. What we care about is | :29:07. | :29:09. | |
whether they can cook. That's raw meat. I want to learn | :29:10. | :29:12. | |
how to cook an ice cream. There will be shocks... | :29:13. | :29:15. | |
It looks horrible... ..and surprises. | :29:16. | :29:17. | |
..but it tastes great. | :29:18. | :29:20. |