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Thank you very much. The most exuberant applause we have had all | :00:18. | :00:32. | |
week. We are not lied tonight. We are honest on Unsprung. We recorded | :00:33. | :00:37. | |
this on Thursday night for you to enjoy on Friday. We are still at the | :00:38. | :00:43. | |
RSPB Minsmere with a great audience. What have we been up to this week? | :00:44. | :00:49. | |
The reserve is full of life. Filled with our cameras. We have been | :00:50. | :00:54. | |
unpacking all the things we have seen, analysing the behaviour and | :00:55. | :01:05. | |
the beauty. Have a look at this. It was really chilly. Wet, and | :01:06. | :01:12. | |
called, and wind. You won't want to miss Springwatch. | :01:13. | :01:25. | |
This spring looks like it won't disappoint, look at that, hundreds | :01:26. | :01:29. | |
of thousands of sea birds gathering here from all over the world, in | :01:30. | :01:31. | |
order to breed. Larry Lamb. | :01:32. | :01:46. | |
Maggie. Mr Clive Anderson. I've never been | :01:47. | :01:50. | |
close to a starving before but these are rather nice. | :01:51. | :01:58. | |
It is good, isn't it? APPLAUSE. | :01:59. | :02:05. | |
We have a couple of celebrities and stars but the prize goes to the | :02:06. | :02:09. | |
starling. Tonight we have some really good guests. The first is a | :02:10. | :02:15. | |
suave, sophisticated polymath who started off wanting to be a wildlife | :02:16. | :02:20. | |
cameraman, then a vet. He tried as an engineer but ended up in the | :02:21. | :02:25. | |
fashion business. You know him from The Great British Sewing | :02:26. | :02:26. | |
Bee, Patrick Grant! It is a pleasure to be here in this | :02:27. | :02:37. | |
beautiful place. And the best audience, we like | :02:38. | :02:40. | |
rowdy. Our next guests are celebrating BBC | :02:41. | :02:44. | |
Music Day, they are twice winners of the Folk Band Of The Year, 2015 and | :02:45. | :02:51. | |
2016, The Young'uns. APPLAUSE. | :02:52. | :03:00. | |
We will be hearing from you in a moment. | :03:01. | :03:06. | |
Lindsey, there we are. What a week, Chile. It has been | :03:07. | :03:10. | |
really cold, half the country is basking in the sunny weather at 21, | :03:11. | :03:16. | |
but it has been freezing here. We drew the short straw. Loads of | :03:17. | :03:22. | |
you have got in touch. Please keep comments, videos and photos coming. | :03:23. | :03:29. | |
We can't get back to you on air, we are online, go to our website, all | :03:30. | :03:37. | |
the links are on there. We will be in touch over the weekend. | :03:38. | :03:40. | |
We have had so much in. The Unsprung team has gone through | :03:41. | :03:45. | |
it all. This is a personal favourite. | :03:46. | :03:50. | |
That is pretty good, I like the symmetry. This guillemot has those | :03:51. | :03:55. | |
eye markings which only a percentage have, making it all together more | :03:56. | :04:01. | |
striking, almost artificial. Mike McKenzie last night gave us | :04:02. | :04:07. | |
that amazing picture of the mouse. Both really good pictures. At the | :04:08. | :04:14. | |
top of the leader Bert -- leaderboard. | :04:15. | :04:16. | |
Sorry about this if you are eating your tea. | :04:17. | :04:23. | |
A fascinating piece of behaviour. Slightly worried about that piece of | :04:24. | :04:29. | |
glass behind it! Finally, this comes with a question, | :04:30. | :04:34. | |
this toad, sent in by Christine Kerr, she says it has different | :04:35. | :04:40. | |
coloured eyes, is that common? It is not common at -- in any | :04:41. | :04:53. | |
animal. It does occur in humans. David Bowie, we sadly lost him he | :04:54. | :04:57. | |
had different coloured eyes. My sister also. Back on Tuesday to | :04:58. | :05:05. | |
me you set a challenge on the show, get in touch and draw the stars of | :05:06. | :05:10. | |
the show, loads of people have. Take a look, I have had loads in. | :05:11. | :05:20. | |
Aisling is 12, she has been watching a sparrowhawk in its nest. | :05:21. | :05:25. | |
Unlike the bright yellow eyes, a most striking feature of the bird. | :05:26. | :05:30. | |
This avocet has been sent in by Abbey, thank you for writing our | :05:31. | :05:41. | |
address. Finally, Andrew Edginton, a really | :05:42. | :05:45. | |
special picture committee sketched this from the programme. | :05:46. | :05:49. | |
Lloyd and his starlings. It is very good actually, indeed. | :05:50. | :05:55. | |
A very good drawing but take a look when we compare it to a still from | :05:56. | :06:03. | |
the night we broadcast. It is spot-on. Brilliant. Lloyd can | :06:04. | :06:10. | |
identify which starling it was from Andrew's drawing. | :06:11. | :06:14. | |
Top work, Andrew Edginton. He is 12. Pretty good. Something that has been | :06:15. | :06:21. | |
very popular this week, obviously, the quiz. | :06:22. | :06:29. | |
Time for the quiz. Hello, I am Melanie, this is my | :06:30. | :06:31. | |
quiz. On this skull, you can see these | :06:32. | :06:37. | |
huge and slower routes, then short ones on top. | :06:38. | :06:41. | |
Front on, the eyes are on the side rather than looking at you. This is | :06:42. | :06:47. | |
a prey animal. What do you think this skull is? | :06:48. | :06:54. | |
APPLAUSE. That is hard for tonight. We have | :06:55. | :07:00. | |
had Badger, Sparrow, fox, this is the most difficult. A few might | :07:01. | :07:02. | |
know. Don't shout it out yet. We're not so | :07:03. | :07:09. | |
don't tweet in, just play along at home. | :07:10. | :07:12. | |
Hope you get it right. Patrick, thank you for coming this evening. | :07:13. | :07:20. | |
APPLAUSE. You started with a keen interest in | :07:21. | :07:25. | |
natural as a young lad. As a boy, I spent half my childhood | :07:26. | :07:32. | |
at Edinburgh zoo, I used to go to the Gannet Club, to handle reptiles, | :07:33. | :07:37. | |
learn about the brilliant wildlife. I spent a lot of time there. At one | :07:38. | :07:42. | |
point, my mum thought it was a terrible idea that I would never put | :07:43. | :07:48. | |
an animal down, if I became a debt. It is part of the job, as we know. | :07:49. | :07:53. | |
That didn't work out. I grew up with Attenborough, life on | :07:54. | :07:59. | |
Earth, I spent my childhood reading books on animals, getting out as | :08:00. | :08:03. | |
much as I could. Circuitously, you have ended up in | :08:04. | :08:08. | |
the fashion business, and as a judge on it. On the show, the great | :08:09. | :08:14. | |
British fashion be. These pieces have all to be the size | :08:15. | :08:19. | |
of the pattern. None of the three you have cut are actually the size. | :08:20. | :08:24. | |
I have to restart. This is the back, you want the | :08:25. | :08:28. | |
front. Don't panic. | :08:29. | :08:31. | |
Very hard not to panic. We didn't mean to make you panic. | :08:32. | :08:37. | |
Please go. We will! I have a reputation for being | :08:38. | :08:41. | |
ruthlessly critical when it comes to photography, are you the same with | :08:42. | :08:44. | |
fashion? I am with Sewing Bee. We have a new | :08:45. | :08:50. | |
judge who is worse than I am, now I am the nice one. She is Simon Cowell | :08:51. | :08:56. | |
and I am Louis Walsh. If you watch the week before, | :08:57. | :09:01. | |
children's baby grows, somebody got pretty much everything they could | :09:02. | :09:07. | |
get wrong, wrong. Disastrously wrong. It can go pretty bad. | :09:08. | :09:14. | |
You brought a photo along. Did I? My mum was rooting around, I don't know | :09:15. | :09:19. | |
what you have got. Oh! Can we zoom in here? | :09:20. | :09:25. | |
Yes, you can. So, this... Have you seen this? This is I think a perfect | :09:26. | :09:33. | |
allegory of post modern Britain. The cultural mixing pot. A grey | :09:34. | :09:39. | |
squirrel, North American. A naan bread from the Indian subcontinent. | :09:40. | :09:42. | |
A park in Blackburn built with the money of the industrial Victorian | :09:43. | :09:48. | |
revolution. Everything that is great about | :09:49. | :09:52. | |
Britain's cultural diversity in one shot! | :09:53. | :09:56. | |
You may not agree. An interesting as the nation or a very poor excuse! | :09:57. | :10:03. | |
I was walking back from a factory where I stay in Blackburn. Walking | :10:04. | :10:07. | |
through the park and I saw a squirrel eating a naan bread. There | :10:08. | :10:13. | |
we are. It is unusual, have you seen one before? | :10:14. | :10:20. | |
No. Aside from the park, you like to get into the wild. Someone who is | :10:21. | :10:26. | |
pick a fight with neat but you like going rustic. | :10:27. | :10:31. | |
I do. -- Preoccupied. I like going into | :10:32. | :10:37. | |
the wild where I feel most happy. Work is busy and stressful, London | :10:38. | :10:42. | |
is hectic. I like to get out and walk, to wild camp. To spend time in | :10:43. | :10:47. | |
the wild bits of Britain. It pays off. I have had some very | :10:48. | :10:53. | |
lucky encounters. I was camping wild on the beach, in Paris with my | :10:54. | :11:00. | |
ex-girlfriend. The sun was setting over the water. It is here. Looking | :11:01. | :11:06. | |
out over those mountains, on this bit of sure. We were sitting in a | :11:07. | :11:15. | |
tiny tent that really isn't a two man. The mesh was closed. Two sea | :11:16. | :11:22. | |
otters walked two feet in front. One of the most exhilarating, just being | :11:23. | :11:28. | |
that close to those wild animals going about their business. So | :11:29. | :11:34. | |
enriching, it was great. On that same trip, I was in the water and a | :11:35. | :11:43. | |
giant Finn around. Obviously, it was a basking shark. We watched it, this | :11:44. | :11:48. | |
enormous animal. I might be exaggerating slightly, almost the | :11:49. | :11:56. | |
wit of this studio. A huge animal. You do see so much beautiful nature. | :11:57. | :11:58. | |
When you are quiet and there, you wake up | :11:59. | :12:02. | |
You see them quietly going about their business. | :12:03. | :12:04. | |
Good, it makes you feel good. One habit I have picked up from my | :12:05. | :12:19. | |
sister is critiquing people's fashion tastes. I apply it to birds. | :12:20. | :12:25. | |
When I see a kingfisher, I see it as the Saatchi. Bright, colourful, too | :12:26. | :12:29. | |
colourful. When I see and avocet, I think of | :12:30. | :12:35. | |
50s Chanel, classic lines. I am with you so far. | :12:36. | :12:39. | |
We have some more birds and we would like you to apply a similar | :12:40. | :12:44. | |
approach. Who has the first picture? This is the white crested duck, sent | :12:45. | :12:53. | |
by Diane. Wearing your granny's hat. Have you seen my granny's hat? | :12:54. | :13:02. | |
Bit loopy, it looks like Chris, in the 1980s! | :13:03. | :13:06. | |
Picture number three, brilliant, a hipster bearded tip, looking call. | :13:07. | :13:16. | |
And, number four, a black throated diver, working the stripes. | :13:17. | :13:21. | |
Splendid. On the end, two roughs looking stately. | :13:22. | :13:27. | |
Elizabethan almost. Back Black adder era. | :13:28. | :13:35. | |
Not on the high street today? Shoes, silk hose, he is magnificent. | :13:36. | :13:42. | |
What am I supposed to be doing here? Would you go out dressed like that? | :13:43. | :13:51. | |
I think I would. That is spats, crisply starched shirt front, | :13:52. | :13:55. | |
evening wear at its finest. Tea at the Ritz. | :13:56. | :14:04. | |
Here. This hoopoe. Not my cup of tea. A bit | :14:05. | :14:09. | |
extravagant. There is a certain showy kind of manly pride about his | :14:10. | :14:14. | |
parents -- his appearance. That is for the younger man. | :14:15. | :14:20. | |
For those of us in our 40s, we can look back fondly. | :14:21. | :14:27. | |
Of all of the birds that we have seen which is the top of the fashion | :14:28. | :14:37. | |
pops? Black throated diver, the height of sophistication. Let's hear | :14:38. | :14:42. | |
it for the fashionable birds. APPLAUSE | :14:43. | :14:52. | |
Every guest comes for a challenge. They get sent out with artists | :14:53. | :14:55. | |
materials and they have to capture what they say. It could be a | :14:56. | :15:02. | |
landscape or it could be a species. I hated this challenge. I feel | :15:03. | :15:06. | |
enormous sympathy for the people on Great British Sewing Bee. I'm not | :15:07. | :15:11. | |
very happy with it. Twist that around so we can see it. You're not | :15:12. | :15:18. | |
happy with it? Ten minutes. With longer it'd be fine. APPLAUSE | :15:19. | :15:25. | |
Another three minutes and I'd probably be happy. If we all had | :15:26. | :15:30. | |
another three minutes, life would be different. It's my duty to mark you | :15:31. | :15:39. | |
on this. We have our leaderboard, or lose aboard. In our drawn to be wild | :15:40. | :15:45. | |
contest. This is the most accomplished drawing we have had so | :15:46. | :15:49. | |
far, no doubt about that. We are still being topped by Jason Singh's | :15:50. | :15:58. | |
effort here. I'll go here for the draughtsmanship with the robin. | :15:59. | :16:02. | |
Patrick's in second place here. Happy with that. | :16:03. | :16:10. | |
It's time for our last Hide Share of the week, | :16:11. | :16:14. | |
our feature where Chris meets a well-known face in a birdwatching | :16:15. | :16:16. | |
And, today, he is faced with a real-life Dragon. | :16:17. | :16:23. | |
Hello. I've got a modest wad here. I'm going to set you a challenge | :16:24. | :16:31. | |
before we start bird-watching. You need to come up with an idea that I | :16:32. | :16:38. | |
can buy into or not. In terms of UK conservation. OK. Conversation. How | :16:39. | :16:44. | |
about we give a bit more land to the struggling wildlife? I'll give you a | :16:45. | :16:54. | |
couple for that. Just a couple? It's just a start. We got those tufted | :16:55. | :16:59. | |
ducks. The male on the left is easy to identify because they have got a | :17:00. | :17:05. | |
black backside. In ducks, it's important that the males are | :17:06. | :17:10. | |
brightly coloured. The females sit on the eggs and are stuck there for | :17:11. | :17:15. | |
a month at least. They want to be as camouflaged as possible. You are | :17:16. | :17:21. | |
into wildlife. You are patron of WWF. Where do these is come from? No | :17:22. | :17:30. | |
idea. My parents are lovely people but they're not into animals. I have | :17:31. | :17:36. | |
loved them from an early age. As a child, I had a snail hospital. It | :17:37. | :17:40. | |
was the only creature I could interact with. Was it successful? Or | :17:41. | :17:50. | |
did it suffer cutbacks? Stop it! Was there always a waiting list. They | :17:51. | :17:56. | |
didn't get the service they require. To be fair, I was taking healthy | :17:57. | :17:59. | |
snails and putting them under a plank and calling it a hospital. | :18:00. | :18:07. | |
There is a tern looking for fish. What about that? I'm going to pitch | :18:08. | :18:18. | |
an idea for you. The money is back to you. ?200 of that is mine. What | :18:19. | :18:31. | |
about roadkill bingo? Right? For the kids in the back of the car. Driving | :18:32. | :18:36. | |
along, they have a card and on it are a number of things which | :18:37. | :18:41. | |
unfortunately we see dead on the side of the road. We are noting the | :18:42. | :18:46. | |
route we are taking and they post it off to a central base where we | :18:47. | :18:51. | |
analyse the amount of road casualties on different networks | :18:52. | :18:55. | |
across the UK. I genuinely think that is a brilliant idea. Visit | :18:56. | :19:01. | |
another thing I'm going to have to do? Black headed | :19:02. | :19:15. | |
gull. They disturb the mud with their feet to disturb any | :19:16. | :19:23. | |
invertebrates in there. There are parts of the UK that are not in | :19:24. | :19:28. | |
marked as valuable land in terms of money but they could be in terms of | :19:29. | :19:33. | |
diversity and sustainability. On the basis of the fact that you are going | :19:34. | :19:38. | |
to I a pitch of derelict land, I'm going to give you my money. I'm in. | :19:39. | :19:44. | |
I've made my investment. I know it is in safe hands. | :19:45. | :19:55. | |
You know what I'm going to say. Roadkill bingo. My life as an | :19:56. | :20:04. | |
entrepreneur was about to take off. But, like all good ideas, | :20:05. | :20:07. | |
it has been done before. Who has heard of roadkill bingo? It | :20:08. | :20:20. | |
is a citizen science project at the University of Cardiff. They collate | :20:21. | :20:23. | |
the information and build a map that will hopefully allow us to see where | :20:24. | :20:27. | |
roadkill is happening the most and allows to do something about it. | :20:28. | :20:29. | |
Totally deflated. Project Splatter at Cardiff | :20:30. | :20:33. | |
University. It doesn't have the same ring to it. | :20:34. | :20:48. | |
But I accept that it wasn't quite an original idea. | :20:49. | :20:50. | |
You are a folk band who have drawn lots of influence and inspiration | :20:51. | :21:06. | |
from birdlife in the First World War. We have also drawn inspiration | :21:07. | :21:15. | |
from a band called roadkill bingo! We've been looking at fantastic to | :21:16. | :21:20. | |
stories about soldiers who took pets and mascots to the First World War. | :21:21. | :21:27. | |
We wrote a song with some kids about a dog from Middlesbrough who was | :21:28. | :21:32. | |
taken to war by seven Brothers, day Wallace brothers. Each of those | :21:33. | :21:36. | |
brothers who had the dog came home safely. There was a book called | :21:37. | :21:48. | |
Tommy's Arc. An anthology of fantastic real stories. Beautiful | :21:49. | :21:53. | |
heartfelt diary entries from soldiers describing in heartbreaking | :21:54. | :21:59. | |
detail how nature could survive the brutality of the First World War. | :22:00. | :22:04. | |
I've got one of the diary entries here. I'm going to read a fuse | :22:05. | :22:09. | |
entrance is. It came from the diary of a private in the First World War, | :22:10. | :22:11. | |
written in the trenches. Following the geese came | :22:12. | :22:13. | |
a couple of Lapwing. In a few hours, those same lapwings | :22:14. | :22:16. | |
might be wheeling over I watched them go by in | :22:17. | :22:22. | |
scattered pairs, small All journeying in | :22:23. | :22:25. | |
the same direction. My thoughts went with them | :22:26. | :22:28. | |
to the level Fens of East Anglia and the north country | :22:29. | :22:31. | |
mosses I know so well. I was watching the flocks passing | :22:32. | :22:33. | |
when the leaving sentry appeared. It seemed scarcely possible those | :22:34. | :22:37. | |
hours had passed. Back once more in the dugout, | :22:38. | :22:41. | |
I dozed off to sleep. My dreams were of English fields, | :22:42. | :22:45. | |
horses at work ploughing, APPLAUSE | :22:46. | :23:02. | |
You can just sensed the yearning to be at home in a place where it was | :23:03. | :23:07. | |
free and peaceful and nature was going about its business. That was a | :23:08. | :23:14. | |
piece that inspired you, wasn't it? It was. From that diary entry, it is | :23:15. | :23:22. | |
such a powerful piece, appropriate for East Anglia where we are at the | :23:23. | :23:28. | |
moment. Yes, very inspired by that. We've got an extract from the song | :23:29. | :23:35. | |
now which we canvass and two. # There came a pair of lapwings. | :23:36. | :23:50. | |
# Flying north towards the sea. # Following the call of spring, | :23:51. | :24:08. | |
# Where my love waits for me. # My love waits for me. #. | :24:09. | :24:28. | |
APPLAUSE A great lament therefore what was a | :24:29. | :24:34. | |
very, very sad thing. Folk band of the year twice in a row. You've been | :24:35. | :24:40. | |
touring, Australia, Canada. And a UK tour this year? Just completed it. | :24:41. | :24:46. | |
We are doing lots of festivals this year. It's great to be back in | :24:47. | :24:53. | |
Suffolk. We love Suffolk. There is a great festival here called Folk | :24:54. | :25:04. | |
East. We are working with an extraordinary group of young | :25:05. | :25:07. | |
decisions from across the country called the Aubrey Young musicians. | :25:08. | :25:14. | |
Breathing new life into fantastic traditional Suffolk songs. All | :25:15. | :25:21. | |
inspired by one man who was Benjamin Britten's Gardner. When he was | :25:22. | :25:25. | |
writing Peter Grant, his famous folk opera, he needed a folk song so he | :25:26. | :25:30. | |
looked in all the library 's and found one in a book. He should have | :25:31. | :25:34. | |
opened his window and asked his gardener. He didn't know? This man's | :25:35. | :25:42. | |
name was Bob Hart. His life was like a folk song. He ran away to sea and | :25:43. | :25:48. | |
fished out of Lowestoft. He served in the First World War and was at | :25:49. | :25:53. | |
the Somme. He collected songs wherever he went. You're carrying on | :25:54. | :26:02. | |
the tradition. I hope so. Thank you very much for coming. Before we go, | :26:03. | :26:09. | |
I'm just going to bring out your artist impression. What we think of | :26:10. | :26:18. | |
this? APPLAUSE Well, I've got to say. The nice! The | :26:19. | :26:30. | |
shape of the birds have an element of Picasso about them. Small heads, | :26:31. | :26:37. | |
big breasts, concentrating on the feminine, voluptuous breast there. | :26:38. | :26:48. | |
I'm loving it. Top of the charts. Both musically and artistically. It | :26:49. | :26:53. | |
had to hell because there are three of them. | :26:54. | :27:00. | |
And, of course, before we go, we need to wrap up the quiz. | :27:01. | :27:03. | |
Anyone in the audience know what this one was? | :27:04. | :27:10. | |
I know somebody who will know and she is right here in the audience. | :27:11. | :27:24. | |
Let me introduce you to Melanie Wilson thank you so much for your | :27:25. | :27:31. | |
contribution this week. No problem. You have a fantastic collection of | :27:32. | :27:35. | |
skulls. Tellers about this one. It is a muntjac deer skull. It is a | :27:36. | :27:43. | |
herbivore, eating grass and plants. Big eyes to look out for predators | :27:44. | :27:49. | |
behind it, things that might eat it. And these are indicative of the | :27:50. | :27:58. | |
muntjac. Nicely prepared. I really like the skull. A bit has just | :27:59. | :28:03. | |
fallen off but, there we are. I like it so much I imagine it on my own | :28:04. | :28:07. | |
mantelpiece. We've got you a surprise. We are going to give you | :28:08. | :28:14. | |
an sprung hero award. We think you are worthy of this with a fantastic | :28:15. | :28:20. | |
interest in skulls. So, here are, Melanie. APPLAUSE | :28:21. | :28:28. | |
If you go to our website you can get the full track from The Young'uns as | :28:29. | :28:35. | |
well. Thank you very much. We have had a good evening. Thank you to the | :28:36. | :28:39. | |
The Young'uns for coming in. Thank you to Louise. Thank you to Patrick. | :28:40. | :28:45. | |
We will be back on Monday night. We will see you then. | :28:46. | :28:50. |