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CHEERING AND APPLAUSE Thank you very much indeed. It is a | :00:16. | :00:29. | |
very, very, very warm welcome to Suffolk. Welcome to Springwatch | :00:30. | :00:37. | |
Unsprung. On Thursday evening we have a real treat for you. If you | :00:38. | :00:43. | |
are not a regular viewer, what Springwatch is about is coming here | :00:44. | :00:49. | |
with cameras so we can peep into the intimate lives of the creatures that | :00:50. | :00:54. | |
live here. These are some of the things we have been watching this | :00:55. | :00:58. | |
week. Look at that! Wonderful little fox cubs. Martin has been after the | :00:59. | :01:05. | |
moths. On the sure we have had ring clubbers, but the highlight is the | :01:06. | :01:11. | |
golden eagle camp in Scotland. There were plenty of Roberts and the | :01:12. | :01:17. | |
things that pursue them, the stoats and in the woods we have the | :01:18. | :01:22. | |
sparrowhawks. And then we have the long tail tits. You will be able to | :01:23. | :01:28. | |
see those in our eight o'clock programme. This is all about | :01:29. | :01:36. | |
involving expertise, involving you and about our guests. Our guest this | :01:37. | :01:43. | |
evening, when she was younger she aimed for the stars. She reached | :01:44. | :01:50. | |
them. She is now the celestial gem that presents the sky at night. It | :01:51. | :02:02. | |
is Maggie Adrin-Pocock. Our next guest is a 12-year-old boy. But he | :02:03. | :02:08. | |
is already a force in the world of wildlife. He writes a blog and takes | :02:09. | :02:16. | |
great pictures. It is, Alex. It is good to see you here. We like to get | :02:17. | :02:25. | |
as many young people in as we possibly can and you are the first, | :02:26. | :02:31. | |
thanks for pioneering VAT. Lotsa people have been watching the | :02:32. | :02:36. | |
cameras on the website and we are getting a few questions. So I would | :02:37. | :02:42. | |
start with a question tonight from Paul. He has been watching the | :02:43. | :02:47. | |
Riedewald was once to know how it starts its nest off without the bits | :02:48. | :02:52. | |
falling onto the ground? Have you ever tried to make a nest? I used to | :02:53. | :03:01. | |
try that with the grass cuttings. I would get them and try and leave | :03:02. | :03:06. | |
them together, it was impossible. Some birds have a specific nesting | :03:07. | :03:11. | |
not to start it off. I wouldn't be surprised if reed warbler 's didn't | :03:12. | :03:17. | |
have the same. They start with one thread and then they bind them | :03:18. | :03:21. | |
together using the specific knot. And the speed as well. Martin will | :03:22. | :03:26. | |
be talking about that later on. Incredible, we have Kirsty in the | :03:27. | :03:30. | |
audience. You have been sketching from our cameras? Pretty good. We | :03:31. | :03:48. | |
like these stone curlews. Check out this tweet from Rachel, who is an | :03:49. | :03:55. | |
Olympic canoeist. She is training for Rio at the moment whilst | :03:56. | :04:01. | |
watching Spring watch. How brilliant is that. She has a duckling on the | :04:02. | :04:08. | |
front. She is a sprint canoeist? Surprised she hasn't sprinted off | :04:09. | :04:16. | |
with it on there, leaving the rest of its family behind. In honour of | :04:17. | :04:23. | |
Maggie, I have looked through the fantastic pictures you keep sending | :04:24. | :04:28. | |
in. Some nocturnal ones I love these, but I thought you could put | :04:29. | :04:34. | |
your critical eye across them. Look at that, | :04:35. | :04:35. | |
in. Some nocturnal ones I love these, but I thought you could put | :04:36. | :04:35. | |
your critical eye across them. Look at that, I have started strong. It | :04:36. | :04:40. | |
is not quite central, is it. Hold on, maybe Maggie would like that one | :04:41. | :04:46. | |
because you can see the details on the moon. I thought it was great. | :04:47. | :04:54. | |
The second one, a few badges. I do like the badges in the foreground | :04:55. | :05:01. | |
but the tale of the one behind... It is a bit distract ring. The daisies, | :05:02. | :05:09. | |
it is a bit celestial. Final one, this is my best one, look at this! | :05:10. | :05:20. | |
That is a mouse silhouette. I am going to give that an astonishing | :05:21. | :05:27. | |
nine. That is one of the best we have ever had. Mike, one of the best | :05:28. | :05:34. | |
pictures we have ever had. Look at the whiskers and the Silver outline. | :05:35. | :05:40. | |
It is a cracking image. Amazing, keep sending them in. Here is how to | :05:41. | :05:48. | |
get in touch. It has never been easier to get in touch with us here, | :05:49. | :05:54. | |
where ever you are and whether you use a phone, laptop or tablet. The | :05:55. | :06:02. | |
easiest way is to go online and be our friend on social media. Like us | :06:03. | :06:11. | |
on Facebook and you can post comments and picked just to our | :06:12. | :06:17. | |
wall. Follow us on instant gram and tweet us at BBC Spring watch. If you | :06:18. | :06:24. | |
cannot remember this, it is explained on the website. Something | :06:25. | :06:29. | |
we would love you to get in touch about is the quiz. Every night we | :06:30. | :06:35. | |
had set you a school quiz set by Melanie. Here she is. I am Melanie. | :06:36. | :06:46. | |
This is my quiz for you. This is the only UK mammal where in the adult, | :06:47. | :06:53. | |
the jaw is perfectly articulated. It has very small orbit is where the | :06:54. | :07:00. | |
eyes would be. It means it doesn't rely heavily on its eyesight. Can | :07:01. | :07:06. | |
you tell me what this is? We like Melanie very much. Anyone here know | :07:07. | :07:11. | |
what it is? Don't shout it out now. Get in touch. I am moving over to | :07:12. | :07:25. | |
Maggie. The Sky At Night. You used to | :07:26. | :07:26. | |
Get in touch. I am moving over to Maggie. The Sky At Night. You used | :07:27. | :07:31. | |
to watch it as a kid and now you present it. As a kid I got special | :07:32. | :07:40. | |
permission because it was on late and I loved Patrick Moore. To be on | :07:41. | :07:49. | |
it, the first one I was like a rabbit in the headlights. Patrick | :07:50. | :07:54. | |
Moore, he was a national treasure, for so many generations? He did it | :07:55. | :08:02. | |
for 57 years. Once a month, and only missed one episode. I would like to | :08:03. | :08:09. | |
have a record like that. What was it that drew you to an interest in the | :08:10. | :08:17. | |
night sky? When I was about three years old, I used to watch a cartoon | :08:18. | :08:25. | |
on the BBC called The Clangers. Let's take a look at this... Sailing | :08:26. | :08:30. | |
majestically through the myriad of stars. Perhaps this star is also | :08:31. | :08:34. | |
home for somebody. Can we imagine the sort of people that might live | :08:35. | :08:43. | |
on a star like this? That is a a Clangers. It brings a tear to my | :08:44. | :08:58. | |
eye. I liked the planet, and I love it the Soup Dragon. The mother | :08:59. | :09:12. | |
Clanger had a beautiful garden. You went into astrophysics and into | :09:13. | :09:19. | |
space science? Yes, I build instruments that go into space and | :09:20. | :09:26. | |
it all started with the The Clangers. I am dyslexic and I was | :09:27. | :09:33. | |
put into a remedial class, and it is because of The Clangers, I became | :09:34. | :09:38. | |
interested in space. This is you at Nasa? It is the International Space | :09:39. | :09:45. | |
Station. They have a mock-up on the ground, so not like Tim Peake, I am | :09:46. | :09:53. | |
not up there. But I would love to go. Wouldn't you? Yes! Some people | :09:54. | :09:59. | |
saying no. I would love to get up there. Just to see the whole of | :10:00. | :10:04. | |
planet Earth. Slightly more antiquated piece of equipment? That | :10:05. | :10:09. | |
is up to Greenwich Observatory. We are going to talk about the lunar | :10:10. | :10:16. | |
cycle, it plays a massive role, not only in space and what happens to | :10:17. | :10:23. | |
our planet, but the animal life. We have our little owls and we have | :10:24. | :10:29. | |
been watching them live this week. This is alive victory of | :10:30. | :10:31. | |
have our little owls and we have been watching them live this week. | :10:32. | :10:32. | |
This is alive victory of one of our owls. I cannot tell you if it is | :10:33. | :10:41. | |
male or female. It is quite hard, isn't it? Earlier in the week, we | :10:42. | :10:47. | |
cannot see the youngsters. They are hunting for the little ones. Owls | :10:48. | :10:52. | |
have very good nocturnal vision, but there are other animals that are | :10:53. | :10:56. | |
more effective, they get longer hunting time when there is a full | :10:57. | :11:02. | |
moon. They will carry on reading through the night when there is a | :11:03. | :11:09. | |
full moon. When it is cloudy, everything is safe. But if we had a | :11:10. | :11:16. | |
very bright full moon, those gulls would carry on hunting. They stay | :11:17. | :11:22. | |
indoors when the moon is full because they know the predators are | :11:23. | :11:27. | |
out there and they have debtor vision because of the extra | :11:28. | :11:31. | |
illumination. The male will only come to join the female or replace | :11:32. | :11:37. | |
the female in the Burrow if there is no moonlight. What else have we got | :11:38. | :11:43. | |
in terms of our nocturnal animals here? Last night we were out and | :11:44. | :11:49. | |
listening for a species which comes out in the evening. Night jar, comes | :11:50. | :12:08. | |
back to the winter and produces that astonishing call. Martin was out | :12:09. | :12:16. | |
looking for it. I think we have got a night jar live on our night | :12:17. | :12:24. | |
camera. Let's have a look. And there it is! I don't believe it, we have | :12:25. | :12:31. | |
been waiting. We have had tantalising sounds! They are dark, | :12:32. | :12:37. | |
but it is a camera that looks at heat. The thing is, the quality of | :12:38. | :12:44. | |
those images might not have been for the likes you get on Sir David | :12:45. | :12:49. | |
Attenborough's programmes, but when you are looking into deep space, | :12:50. | :12:54. | |
some of the images are not good quality, sometimes it is just a | :12:55. | :13:00. | |
spec? Yes, but it means so much. One taken by the Voyager in the 1970s, | :13:01. | :13:07. | |
it looked back and you could see the planets of the solar system and you | :13:08. | :13:15. | |
could make out the earth. It was hardly a pixel on the image, and it | :13:16. | :13:23. | |
was where we lived. This is something we have made and sent out | :13:24. | :13:29. | |
into space and it was looking back at us. I like it when the earth is | :13:30. | :13:38. | |
reduced to a pixel, it puts us all in our place. Maggie, every guess | :13:39. | :13:45. | |
that comes on the programme, we set a challenge. It is called Drawn To | :13:46. | :13:52. | |
Be Wild and you get ten minutes onto the reserve and represent a species | :13:53. | :13:58. | |
that you find. You have been out this afternoon and you have done | :13:59. | :14:02. | |
your work, let's have a look. We tried to rent the Hubble telescope, | :14:03. | :14:10. | |
but we couldn't afford it. We have a mixed media peace. There is a face, | :14:11. | :14:16. | |
almost like a green man of the forest. That is what I was trying to | :14:17. | :14:24. | |
create. What you think of the Green man! | :14:25. | :14:24. | |
APPLAUSE Great. I was gathering that had | :14:25. | :14:29. | |
fallen, it was lovely to see it. It is a firm favourite, but is up to me | :14:30. | :14:41. | |
to judge it. Here we go. I will put it a joint one appear with Lucy | :14:42. | :14:47. | |
Jones, who also used mixed media, but not the heady heights of Jason's | :14:48. | :14:51. | |
impressionism from last night. But we do revise the leaderboard from | :14:52. | :14:58. | |
time to time, so it might go up, or down. Presenter on Springwatch, | :14:59. | :15:02. | |
Michaela Strachan is passionate about wildlife rehabilitation and | :15:03. | :15:05. | |
she went to one of the biggest rescue centres to help the | :15:06. | :15:09. | |
volunteers. We went along to see how she got on. | :15:10. | :15:12. | |
I have come to Cheshire to volunteer. | :15:13. | :15:20. | |
Basically, I've got to do the job that volunteers do. They don't get | :15:21. | :15:26. | |
to just look at cute animals, they get to do a lot of cleaning. Once I | :15:27. | :15:35. | |
start cleaning, it has to be spotless! I will be here all day, | :15:36. | :15:40. | |
you know, just cleaning this one pen. That is adorable. What is the | :15:41. | :15:46. | |
rehab process? What we would do, we would get a small cub like this, and | :15:47. | :15:51. | |
look after them, and then we pair them into a group of about five, a | :15:52. | :15:57. | |
family group. And then the process would be integrating them into that | :15:58. | :16:02. | |
social group and then we move them outside to the rehab cages. There | :16:03. | :16:10. | |
you go. They are very cute and cuddly and this is why people are | :16:11. | :16:18. | |
too quick to pick them up. CYAN We have blackbird fledglings there, | :16:19. | :16:21. | |
which we will feed, then box up and clean out. I am mummy blackbird, | :16:22. | :16:27. | |
here we go. We have watched these in the nest on Springwatch a lot being | :16:28. | :16:32. | |
fed. I don't think I have ever fed baby blackbirds before. How much | :16:33. | :16:35. | |
longer are you going to be feeding them? They are on hourly feeds at | :16:36. | :16:40. | |
the moment. As they get bigger, you will notice they are not so keen | :16:41. | :16:44. | |
each hour, so we will reduce that down to two hourly and three hourly | :16:45. | :16:48. | |
so you can see they are eating on their own. Much of the time here is | :16:49. | :16:58. | |
spent dealing with injuries. This Canada goose has an incredible | :16:59. | :17:03. | |
story? This Canada goose came in a week ago and he actually had a | :17:04. | :17:08. | |
crossbow arrow all the way through his back, just about here. It came | :17:09. | :17:12. | |
out the opposite side of his abdomen, under here. You can see | :17:13. | :17:16. | |
where the arrow has entered. Yes. It was coming all the way out through | :17:17. | :17:20. | |
here. Someone has used this goose as target practice? Yes. That is | :17:21. | :17:24. | |
terrible. Have you experienced that sort of thing a lot? A couple of | :17:25. | :17:28. | |
times, we have had them with crossbows in, yeah, and swans as | :17:29. | :17:33. | |
well, so... I find that absolutely astonishing, that he is doing so | :17:34. | :17:37. | |
well? It is amazing. They are very resilient. Clearly. He's got his eye | :17:38. | :17:49. | |
on me! We are going to take him out on to Pool 1. Get off! We have to be | :17:50. | :17:57. | |
careful because he will probably snap his wings out. That was quite | :17:58. | :18:03. | |
relaxed. He can't wait to go. It's been a busy day here. I have had a | :18:04. | :18:07. | |
great time. It is also incredibly rewarding to know you are helping | :18:08. | :18:11. | |
these animals on their road to recovery. What would you say to | :18:12. | :18:15. | |
people that think, oh yes, I fancy being a volunteer? They should go | :18:16. | :18:17. | |
for it. Definitely. A lot of it is done by volunteers. | :18:18. | :18:31. | |
Chris, you know earlier this spring, the BBC launched their Do Something | :18:32. | :18:34. | |
Great campaign. If you head over to our website, we have a page about | :18:35. | :18:39. | |
it. I can show you it now. That will give you some great ideas about | :18:40. | :18:42. | |
getting involved and we would love you to do that. Do do it. We have | :18:43. | :18:47. | |
had a couple of suggestions in already. Have a look at this | :18:48. | :18:57. | |
picture. This is from Viola Ross-Smith. Alice has made a bee | :18:58. | :19:03. | |
house as well. Lots of stuff you can do at home. You don't need a big | :19:04. | :19:07. | |
garden. If you have a window box, you can get involved. There's been a | :19:08. | :19:10. | |
lot on social media about not picking up animals, not picking up | :19:11. | :19:17. | |
young fawns at this time of year. Normally, the adults do a better job | :19:18. | :19:21. | |
than us. If you do find anything, leave it. Excellent. Thanks. Shall | :19:22. | :19:27. | |
we go to Alex? Let's do it. I have been looking forward to this. Let's | :19:28. | :19:31. | |
have a massive round of applause for Alex. | :19:32. | :19:33. | |
We are keen to champion the young naturalist. There is a possible | :19:34. | :19:46. | |
extinction. You are here saying, no, that is not true, I'm mad into | :19:47. | :19:50. | |
wildlife. You write a blog. What do you write about? I write about | :19:51. | :19:55. | |
whatever I see when I go out for a walk, so whatever I see. What are | :19:56. | :20:00. | |
the favourite things you like to see? Most likely, it is hares, I | :20:01. | :20:07. | |
come across them quite a bit. Sometimes I find badgers wandering | :20:08. | :20:12. | |
in the fields or I just go out and find the badgers and just watch them | :20:13. | :20:16. | |
and take photos of them. It is better being out than in? Yes. I | :20:17. | :20:20. | |
don't know about your bedroom, I never found a badger in mine! When | :20:21. | :20:28. | |
you are out and about, you carry a camera with you. You are a keen | :20:29. | :20:32. | |
photographer? I do. Can we see some of your photos? You know I am | :20:33. | :20:38. | |
ruthlessly... Yes. He is really ruthless. Let's have a look. What | :20:39. | :20:45. | |
have we got first? We have a blue butterfly there. I quite like that. | :20:46. | :20:49. | |
What I like about it, it is all about the colour. The rest of the | :20:50. | :20:56. | |
frame is quite mooted. I quite like that. If I was going to be | :20:57. | :21:07. | |
ruthless... Brace yourself! The thing is, Alex, if you were to tell | :21:08. | :21:10. | |
me that was the Best Picture in the world, I would say, what are you | :21:11. | :21:15. | |
going to do tomorrow? I think, as photographers, as artists, we can | :21:16. | :21:18. | |
all continue to improve. We will only improve if we are critical of | :21:19. | :21:22. | |
our work so we see what we have done wrong and we can put it right next | :21:23. | :21:29. | |
time. Yes! This one is a badger. Peopling from some thistles there. | :21:30. | :21:33. | |
It is in daylight. Where did you find that? This was a badger cub | :21:34. | :21:41. | |
and, like I said earlier, I was out on a walk and... That was lucky. | :21:42. | :21:45. | |
There were six of them wandering about. In daylight? Yes. Wow! What | :21:46. | :21:49. | |
an amazing opportunity. You have captured that one. Let's move on to | :21:50. | :21:55. | |
the next one. Now, we are talking! I do like that one. I like the mix of | :21:56. | :21:59. | |
colours. Hold that up nicely so we can see that. That is perfect. I'm | :22:00. | :22:03. | |
not so sure about the slug hole in the middle. That is not your fault! | :22:04. | :22:07. | |
Unless you had a nibble of the mushroom! I like the richness of | :22:08. | :22:12. | |
colours. That says autumn to me. I can almost smell the decay in there. | :22:13. | :22:16. | |
The picture is communicating and that is what photos are all about. | :22:17. | :22:21. | |
Let's move on to the last one. Now, that is a good photo. We like that | :22:22. | :22:24. | |
one. I love the colours. The colours are | :22:25. | :22:34. | |
lovely. All the stubble compliments the hare. This is a prize-winning | :22:35. | :22:43. | |
picture. Yes. What did you win? The Young Mammal Photographer of the | :22:44. | :22:48. | |
Year. First place? Yes. Fantastic! Let's have a quick look at your | :22:49. | :22:53. | |
camera. You are not armed with a very big, posh camera with massive | :22:54. | :22:58. | |
long lenses, like all of the people that work on Springwatch. You are | :22:59. | :23:03. | |
using a modest camera? It is just a small bridge camera and with a small | :23:04. | :23:09. | |
built-in zoom. It is really, it's got amazing zoom in it, it goes | :23:10. | :23:14. | |
really far if you are taking photos... You have proved the point. | :23:15. | :23:17. | |
It is not the camera, it's the photographer who does the work. Yes. | :23:18. | :23:22. | |
And sometimes people can do good things with mobile phones. Yes, we | :23:23. | :23:26. | |
have had this one that has been sent in. This is a great picture. If you | :23:27. | :23:31. | |
have a look... Can you see that? Yes. What do you think about that? | :23:32. | :23:35. | |
She has taken that with her phone and a little lens that she has | :23:36. | :23:41. | |
clipped on? Wow! The whole face of the moth or butterfly, whatever it | :23:42. | :23:46. | |
is, is pin-sharp and all the eyes are pin-sharp. The one thing that is | :23:47. | :23:53. | |
getting me is that is just out of focus. Points out of ten? Seven. | :23:54. | :24:02. | |
Yes. I like it. That's good. We've got one that will score higher? Let | :24:03. | :24:08. | |
me see. Let me put up this one. This is over here with me. It is on a | :24:09. | :24:17. | |
mobile phone. Come on! Alex? I like how it's just face-on and it's | :24:18. | :24:22. | |
looking slightly away. What about that stone? Yes. Yes. That green bit | :24:23. | :24:29. | |
in the corner, you are not loving that, are you? No. I thought it was | :24:30. | :24:34. | |
good. How many points? Six. Top bloke! You have been out and about | :24:35. | :24:39. | |
today with Maggie, and you have done a bit of filming. This is what you | :24:40. | :24:41. | |
have been up to. What have you spotted? A damselfly | :24:42. | :24:57. | |
just down there. Wow. Can I get a photo? Yes. He is waving one of his | :24:58. | :25:05. | |
legs. It is wonderful here. It is above and below and everywhere! I | :25:06. | :25:07. | |
love the colour. Good luck with the photography. Stay | :25:08. | :25:18. | |
critical. You will keep getting better. You have done a challenge | :25:19. | :25:23. | |
for us as well. You have been out and about putting your artistic | :25:24. | :25:26. | |
skills, not in photographic terms, but in other terms, what have you | :25:27. | :25:33. | |
got here? That is interesting. Let's have a look. We have a photo | :25:34. | :25:37. | |
montage, it is a first. We haven't had one of those. It is myself and | :25:38. | :25:41. | |
my good colleagues in a hide. What do we think? Yes! | :25:42. | :25:44. | |
Potentially, it is audacious. You have gone for something a little | :25:45. | :25:57. | |
less conventional there. You heading for the Turner Prize? If you had | :25:58. | :26:01. | |
some whacky music, it was in the dark and playing a video, you might | :26:02. | :26:05. | |
be in with a chance. I will score it down here with Mike Dilger's. No, I | :26:06. | :26:09. | |
will put it alongside Clive's. That is reasonable. There we are. A round | :26:10. | :26:11. | |
of applause for Alex. Mid-table. Let me show you another | :26:12. | :26:26. | |
bit of artwork. She has come from Essex. And what have you got here? | :26:27. | :26:39. | |
These are two models, which I did for school projects and I chose | :26:40. | :26:43. | |
evolution and I thought about it and I thought I will do evolution of the | :26:44. | :26:56. | |
dove to the feral pigeon. It's evolved, obviously(!) It is | :26:57. | :27:05. | |
brilliant. Evolution? Papier-mache pigeons? That is worth another round | :27:06. | :27:09. | |
of applause. APPLAUSE | :27:10. | :27:14. | |
We must resolve the quiz. This is a reminder of that skull from earlier. | :27:15. | :27:19. | |
I have had a few guesses. Victoria says otter. Mike says beaver. Anyone | :27:20. | :27:28. | |
got any thoughts? Badger. Badgers? I will hand over to Mel for the | :27:29. | :27:30. | |
answer. So, this skull is of a European | :27:31. | :27:45. | |
badger. There you go. Well done in the audience. Loads of people | :27:46. | :27:49. | |
getting it right. Jenny Lewis got it right. So many people. Yes. Fused | :27:50. | :27:57. | |
nasal processes here, the crest at the back which has those massive | :27:58. | :28:02. | |
muscles on, all give-aways when it comes to the badger skull. I have a | :28:03. | :28:07. | |
few of these under my bed. Don't forget to head to Facebook after our | :28:08. | :28:12. | |
programme because Brett Westwood will be on air. He is a fantastic | :28:13. | :28:17. | |
naturalist. It is worth sticking with him. Thank you very much to | :28:18. | :28:19. | |
Maggie for coming in this evening. And to Alex as well, of course. Do | :28:20. | :28:31. | |
keep up the photography. I can see you winning more competitions. Your | :28:32. | :28:34. | |
mum might buy you a bigger camera! It is not about the camera, it is | :28:35. | :28:39. | |
about the photographer! That is it for our Unsprung. Join us at 8.00pm | :28:40. | :28:44. | |
for our 8.00pm show, Springwatch. We have some real treats for you. I can | :28:45. | :28:48. | |
show you more of the golden eagle, more of the stone curlew and those | :28:49. | :28:53. | |
long-tailed tits. We will see you again tomorrow at 6.30pm. | :28:54. | :28:57. |