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This is a wild and moody island, and so too is the sea. | 0:00:33 | 0:00:37 | |
I'm taking a stroll to the exposed cliffs at the East Lighthouse with Wes Forsyth. | 0:00:39 | 0:00:44 | |
Wes is a marine archaeologist who knows that tragedy haunts this treacherous shore. | 0:00:47 | 0:00:53 | |
For as long as people have been coming here, Wes, | 0:00:55 | 0:00:57 | |
that tidal rip that races round the side of the island has been posing problems, hasn't it? | 0:00:57 | 0:01:02 | |
They're really quite dangerous waters, really. | 0:01:02 | 0:01:05 | |
Right beside Rathlin, the whole of the Irish Sea is being filled up and being emptied every single day, | 0:01:05 | 0:01:10 | |
and this creates some very strong currents, and of course, before the lighthouse was built, | 0:01:10 | 0:01:14 | |
mariners travelling at night or in a sea mist really had to be very, very careful they wouldn't be wrecked. | 0:01:14 | 0:01:20 | |
This place is quite strategic, isn't it? | 0:01:21 | 0:01:23 | |
In the two World Wars, it was very strategic, | 0:01:23 | 0:01:26 | |
because the United Kingdom and the Allies really needed the lifeline with North America, | 0:01:26 | 0:01:31 | |
so there would have been large convoys heading across the Atlantic from this point, | 0:01:31 | 0:01:34 | |
but there also would have been U-boats, | 0:01:34 | 0:01:38 | |
and as a result, there's thousands of wrecks off the north coast here, | 0:01:38 | 0:01:42 | |
and the south coast, that date to the two World Wars. | 0:01:42 | 0:01:45 | |
And, of course, evidence of that in the graveyard here as well. | 0:01:45 | 0:01:49 | |
Yes, but amazingly as well, there are people interred in the graveyard that maybe come from ships | 0:01:49 | 0:01:55 | |
that were sunk far out, even as far as Donegal, and the bodies have washed in and onto the island, | 0:01:55 | 0:01:59 | |
and they're buried in the graveyard now. | 0:01:59 | 0:02:01 | |
That's a testament, if you like, to the nature of what's out there, | 0:02:01 | 0:02:06 | |
the elemental power of what washes the doorstep here. | 0:02:06 | 0:02:09 | |
Very turbulent area, and a very, very dangerous North Atlantic, | 0:02:09 | 0:02:12 | |
a very dangerous environment to be in for any length of time, really hard to survive at all. | 0:02:12 | 0:02:16 | |
Our next dive proves the point. | 0:02:18 | 0:02:21 | |
Rathlin's worst maritime disaster happened under these cliffs. | 0:02:21 | 0:02:25 | |
We're sailing half a mile off Doon Bay to the wreck of the troopship the SS Lochgarry. | 0:02:25 | 0:02:31 | |
It's a spectacular dive for the team, and a real challenge for a novice like me. | 0:02:32 | 0:02:37 | |
We need a bit of discipline on this dive. It's deeper than you've been before, right? | 0:02:38 | 0:02:43 | |
We've got tidal conditions that won't bend to us. We have to work with the tides. | 0:02:43 | 0:02:48 | |
This is a classic example of time and tide wait for no man. All right? | 0:02:48 | 0:02:52 | |
-Yeah. -Anything goes wrong at all, you're out of there. All right? | 0:02:52 | 0:02:56 | |
-Are you sure I want to get into the water? -Yeah! | 0:02:56 | 0:02:58 | |
This is what diving is all about, Darryl. It's that little extra bit. | 0:02:58 | 0:03:03 | |
This is not beyond you, this is well within your capabilities, | 0:03:03 | 0:03:06 | |
but it's a little bit beyond what you've done before, and that's exciting. | 0:03:06 | 0:03:11 | |
It's really exciting, actually. I'm all geared up for it. | 0:03:11 | 0:03:14 | |
I'm not going to be diving in the full face mask, I'm on ordinary scuba. | 0:03:14 | 0:03:19 | |
It's your first dive on the Lochgarry as well, so, yeah, it's going to be good fun. | 0:03:19 | 0:03:24 | |
Another dive club has just arrived at exactly the same time that we're hoping to get into the water, | 0:03:29 | 0:03:33 | |
so we're going to let them get in first, and it's going to be really interesting, | 0:03:33 | 0:03:37 | |
because whenever we're down there, there's going to be lots of divers in the water, and they'll all | 0:03:37 | 0:03:41 | |
need to get up and down at the same time, so it's going to be really busy. | 0:03:41 | 0:03:43 | |
We're dropping 30 metres, or 100 feet down to the deck of the Second World War wreck. | 0:03:56 | 0:04:01 | |
She once played a part in the troop evacuations at Dunkirk, | 0:04:03 | 0:04:07 | |
but now she lies upright on the seabed, a rusting hulk, a living reef. | 0:04:07 | 0:04:13 | |
We're swimming into the past, touching history in the cold Atlantic. | 0:04:17 | 0:04:23 | |
This enormous troop ship sank in 1942, after hitting rocks off the Mull of Kintyre. | 0:04:38 | 0:04:45 | |
Helpless and drifting in a storm, she finally disappeared off Rathlin's east coast. | 0:04:45 | 0:04:51 | |
There was time to abandon ship, but tragedy struck when one of the lifeboats hit rocks. | 0:04:52 | 0:04:58 | |
23 lives were lost when it capsized. | 0:04:58 | 0:05:02 | |
This ship is silent witness to their fate. | 0:05:02 | 0:05:05 | |
The scale of this gigantic vessel is incredible. | 0:05:13 | 0:05:17 | |
She was built in Glasgow in 1898, | 0:05:19 | 0:05:22 | |
as a passenger ship for the Belfast to Ardrossan route, and later converted for the war effort. | 0:05:22 | 0:05:27 | |
She's now a popular dive destination for underwater tourists like us, | 0:05:32 | 0:05:38 | |
specks of humanity marvelling at the life that cloaks her bows. | 0:05:38 | 0:05:42 | |
We press on, and among a forest of feathery hydroids, | 0:05:53 | 0:05:57 | |
bright buttons have replaced the rusting rivets. | 0:05:57 | 0:06:00 | |
Cup corals, with their delicate stinging tentacles, investigate the tide for food. | 0:06:04 | 0:06:11 | |
Their mouth is in the centre of a calcium carbonate skeleton. | 0:06:12 | 0:06:16 | |
These translucent creatures are our only common stony corals. | 0:06:17 | 0:06:21 | |
There is never enough time down here, and as we head back towards light, warmth and air, | 0:06:30 | 0:06:37 | |
I'm struck by how lucky we've been to share an encounter few people will ever experience. | 0:06:37 | 0:06:43 | |
It's like hanging in space, being in air. | 0:06:53 | 0:06:55 | |
It's all laid out in front of you, and the thing is entirely painted in life, you know, | 0:06:55 | 0:07:01 | |
all those anemones and hydroids and fish swimming everywhere, | 0:07:01 | 0:07:07 | |
it's like being in some giant aquarium. | 0:07:07 | 0:07:09 | |
It's wonderful! | 0:07:09 | 0:07:11 | |
As a marine archaeologist, is that, like, as good a wreck as you've been on? | 0:07:13 | 0:07:18 | |
It's in great condition, but then of course, you know, it's only 60-odd years old, | 0:07:18 | 0:07:21 | |
but it's fantastic to see so much structure still there, you know. | 0:07:21 | 0:07:25 | |
A lot of the time, it's just flattened down in the sea bed after a while, | 0:07:25 | 0:07:28 | |
all wrecks kind of collapse in on themselves, | 0:07:28 | 0:07:30 | |
but the fact there's still upstanding decks and different levels, very interesting dive. | 0:07:30 | 0:07:34 | |
The waters around Rathlin never fail to surprise and delight, | 0:07:43 | 0:07:48 | |
and on a perfectly airbrushed summer evening, | 0:07:48 | 0:07:51 | |
we're heading out into Church Bay, | 0:07:51 | 0:07:53 | |
to explore another shipwreck, in the dark. | 0:07:53 | 0:07:56 | |
The emotions on a night dive are entirely predictable. | 0:07:58 | 0:08:01 | |
I don't care who you are, on your first night dive, you're going to be apprehensive. | 0:08:01 | 0:08:05 | |
-Yeah, got that. -If you're not, I want to know why! | 0:08:05 | 0:08:08 | |
And the second one is elation. You don't go anywhere on a night dive, | 0:08:08 | 0:08:11 | |
because your attention is focused entirely on that bit in front of you that's lit. | 0:08:11 | 0:08:18 | |
On this night dive, you're going to see what's in front of you, and it will be magic. | 0:08:18 | 0:08:23 | |
As the light fades, so too do our chances of making a dive. | 0:08:26 | 0:08:29 | |
While the islanders are tucked up in bed, just beyond the harbour, | 0:08:37 | 0:08:41 | |
the sea is still wide awake at midnight. | 0:08:41 | 0:08:44 | |
The tide refuses to slacken, despite hours of waiting. | 0:08:46 | 0:08:51 | |
Principal thing now is to test this and see if it's diveable, right? | 0:08:51 | 0:08:55 | |
And if it's not diveable, you two are out of there, and we're out of here. | 0:08:55 | 0:08:58 | |
We'd love to do it, we're all excited about it, but if it's not on, it's not on. | 0:08:58 | 0:09:03 | |
-I see. -We don't want to look back on this after the event and say, | 0:09:03 | 0:09:06 | |
"We knew we shouldn't do it," and all the rest of it. | 0:09:06 | 0:09:09 | |
The divers head into the crystal clear water to check it out. | 0:09:10 | 0:09:14 | |
The kelp on a huge gun barrel tells a tale. The current is still running. | 0:09:14 | 0:09:20 | |
It's borderline, but we're in business. | 0:09:20 | 0:09:23 | |
We're going to send the guys in, they're going to descend to the bottom, | 0:09:27 | 0:09:31 | |
pulling themselves down on the rope. | 0:09:31 | 0:09:33 | |
OK, guys, this is it. Just go for it. You can see the bottom. | 0:09:34 | 0:09:38 | |
-It's worth the wait. -It's like the Caribbean! -It is. | 0:09:38 | 0:09:42 | |
We've had to wait for quite a long time, actually, for the current to ease off sufficiently | 0:09:44 | 0:09:49 | |
so that we could get into the water, and we're using this enormous | 0:09:49 | 0:09:53 | |
light over the wreck, and I just can't believe it, looking down there. | 0:09:53 | 0:09:56 | |
It looks almost like a swimming pool! | 0:09:56 | 0:09:58 | |
In a silent, torchlit world, | 0:10:08 | 0:10:10 | |
the ship is barely recognisable, smothered in kelp. | 0:10:10 | 0:10:15 | |
It looks like a ghost ship. | 0:10:20 | 0:10:22 | |
One o'clock in the morning, the gun stands silent here. | 0:10:24 | 0:10:28 | |
All of the kelp waving in the current. | 0:10:31 | 0:10:34 | |
19 sailors lost their lives when this ship went down. | 0:10:34 | 0:10:39 | |
The HMS Drake was torpedoed in 1917, and simply being here is a privilege. | 0:10:44 | 0:10:50 | |
This is really what you'd call a deep sea adventure. | 0:10:51 | 0:10:55 | |
Who would have thought it? Wonderful! | 0:10:56 | 0:10:59 | |
How are you doing down there? It's beginning to run quite fast up here. Over. | 0:11:02 | 0:11:06 | |
We had planned to film the nocturnal creatures here, but the conditions won't allow it. | 0:11:09 | 0:11:14 | |
The tide is really beginning to run. I have no more time down here. | 0:11:16 | 0:11:22 | |
Darryl, if you're coming up, make sure you come up that line, because it's going like a train up here. | 0:11:24 | 0:11:29 | |
I'm scared, terrified I'll be swept away and lost in the darkness. | 0:11:29 | 0:11:34 | |
I'm so much happier now I have my hand on the rope to the surface. | 0:11:38 | 0:11:42 | |
I'm with Jim, everything's fine. | 0:11:42 | 0:11:46 | |
You're hanging on to Jim, are you, Darryl? Over. | 0:11:46 | 0:11:48 | |
Yes, I'm going to hold onto Jim coming up. | 0:11:50 | 0:11:53 | |
I'm scared, it's really beginning to rip through here. | 0:11:53 | 0:11:57 | |
Hang on to that line, we're ready up here. Hang on to that line, hand over hand. Over. | 0:11:57 | 0:12:02 | |
We've got a boat stationed downstream, we've got ropes out, you hang on. | 0:12:04 | 0:12:08 | |
Hang onto Jim, we're ready to grab you when you come up. Over, Darryl. | 0:12:10 | 0:12:15 | |
It should have been an easy dive, but Rathlin's infamous tides caught us out. | 0:12:17 | 0:12:22 | |
That was really very scary at the end there, | 0:12:22 | 0:12:26 | |
because the tide started to run, | 0:12:26 | 0:12:30 | |
and I had to take Jim's hand and be led out of it. | 0:12:30 | 0:12:34 | |
-Jim. -All right there, man? -Thanks a million, mate, really. | 0:12:37 | 0:12:43 | |
My life's in that man's hands! That was serious, wasn't it? | 0:12:44 | 0:12:48 | |
There's relief all round, and frustration for Doug. | 0:12:48 | 0:12:52 | |
In a way, it was disappointing, because I started picking up shots of pollock coming through. | 0:12:52 | 0:12:55 | |
-Did you? -You know, those that come in just the edge. -Really? | 0:12:55 | 0:13:00 | |
-And I thought, if we could have spent an hour there, and just really soaking it up. -Yeah. | 0:13:00 | 0:13:05 | |
I'm ever so pleased to see you lot back. | 0:13:05 | 0:13:08 | |
I could see you all from up here, and it looked fantastic, | 0:13:08 | 0:13:11 | |
but I'm just thinking, "I want them out, I want them out, I want them out!" | 0:13:11 | 0:13:14 | |
At last, we find the jetty, in a pea soup fog. It's been a long, hard night for everyone. | 0:13:16 | 0:13:23 | |
With the searchlight, we could just see both piers and no more, | 0:13:23 | 0:13:26 | |
and then the distant, the green, bleeding light of the harbour, and that was the only way in. | 0:13:26 | 0:13:32 | |
We couldn't see that green light for more than about 100 yards out. I'm glad to be in and safely in. | 0:13:32 | 0:13:38 | |
We came to Rathlin in search of adventure, and at half past three in the morning, | 0:13:43 | 0:13:49 | |
I'm off to bed, humbled and happy that we did just that. | 0:13:49 | 0:13:53 | |
Subtitles by Red Bee Media Ltd | 0:14:11 | 0:14:14 | |
E-mail [email protected] | 0:14:14 | 0:14:17 |