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I'm taking a hike through one of the least-trampled parts of the UK. | 0:00:02 | 0:00:06 | |
A land of big skies and majestic views. | 0:00:06 | 0:00:09 | |
This is the Yorkshire Wolds, | 0:00:10 | 0:00:12 | |
a swathe of rolling chalk hills | 0:00:12 | 0:00:14 | |
in the eastern part of God's own county. | 0:00:14 | 0:00:18 | |
It's a tranquil corner of England | 0:00:18 | 0:00:20 | |
that's well off the normal tourist track. | 0:00:20 | 0:00:22 | |
But I've heard the Wolds are full of surprises. | 0:00:22 | 0:00:25 | |
I'm flying over the Wolds Way. | 0:00:27 | 0:00:29 | |
Wow. This is amazing. | 0:00:29 | 0:00:31 | |
In this series, I'll be following the 79 miles of Britain's | 0:00:33 | 0:00:36 | |
least well-known national trail. | 0:00:36 | 0:00:38 | |
I'll meet the folk who are proud to call the Wolds their home. | 0:00:40 | 0:00:44 | |
I can't believe it, look at this. | 0:00:44 | 0:00:46 | |
There's a whole herd of penny-farthings. | 0:00:46 | 0:00:48 | |
I'll take on some extreme challenges. | 0:00:49 | 0:00:52 | |
Are we on some sort of collision course with that cargo ship, do you think? | 0:00:52 | 0:00:56 | |
And explore its secret history. | 0:00:57 | 0:01:00 | |
This might have been for queen and country, | 0:01:00 | 0:01:02 | |
but to me it seems like a job from hell. | 0:01:02 | 0:01:05 | |
This is Yorkshire as you've never seen it before. | 0:01:07 | 0:01:10 | |
Welcome to the Wolds. | 0:01:10 | 0:01:12 | |
I've been lucky enough to spend much of my life exploring isolated parts | 0:01:27 | 0:01:31 | |
of the planet, like Antarctica or remote islands in the middle of the Pacific. | 0:01:31 | 0:01:35 | |
You know, I'm really excited about doing the Yorkshire Wolds Way. | 0:01:37 | 0:01:40 | |
It's a part of the world I know nothing about and so for me this is | 0:01:40 | 0:01:44 | |
a real voyage of discovery. | 0:01:44 | 0:01:46 | |
I'm following the route from the south to the north, | 0:01:47 | 0:01:51 | |
which means I'm starting right by the Humber Estuary and I'll end | 0:01:51 | 0:01:55 | |
nearly 80 miles later, | 0:01:55 | 0:01:56 | |
with the North Sea at my feet in the seaside town of Filey. | 0:01:56 | 0:02:00 | |
The Wolds are a hidden jewel, | 0:02:02 | 0:02:04 | |
a land of tranquil, secret valleys and isolated villages, | 0:02:04 | 0:02:08 | |
all just waiting to be explored. | 0:02:08 | 0:02:10 | |
The start of any expedition is always exciting - | 0:02:12 | 0:02:15 | |
that wonderful sense of energy and anticipation, | 0:02:15 | 0:02:18 | |
but I've never started a hike with a view as magnificent as this. | 0:02:18 | 0:02:23 | |
Look at that! | 0:02:23 | 0:02:24 | |
The Humber Bridge is one of the great marvels of British engineering. | 0:02:26 | 0:02:30 | |
It's more than one mile long and took almost nine years to build. | 0:02:30 | 0:02:35 | |
When it opened in 1981, | 0:02:35 | 0:02:36 | |
it was the longest suspension bridge in the world. | 0:02:36 | 0:02:39 | |
In terms of length, it's been overtaken by a few others since then, | 0:02:42 | 0:02:46 | |
but standing here, feeling tiny in comparison, you just have to say, | 0:02:46 | 0:02:51 | |
this is an incredible structure. | 0:02:51 | 0:02:52 | |
We might take the Humber Bridge for granted, but the men who built it | 0:03:00 | 0:03:04 | |
were pushing at the boundaries of what was technically possible. | 0:03:04 | 0:03:08 | |
And one of the chief engineers was Douglas Strachan. | 0:03:08 | 0:03:11 | |
Hi, Douglas, it's great to meet you here at the foot of the great bridge. | 0:03:12 | 0:03:16 | |
How do you actually go about building the world's longest suspension bridge? | 0:03:16 | 0:03:21 | |
How do you actually start something like that? | 0:03:21 | 0:03:23 | |
It was the longest bridge in the world for 17 years, | 0:03:23 | 0:03:27 | |
but it's just developing techniques which have been used previously | 0:03:27 | 0:03:31 | |
on other bridges. You look at the geology of the area and so the north side - | 0:03:31 | 0:03:37 | |
we're on the chalk on this side - | 0:03:37 | 0:03:39 | |
but on the south side it's on to Kimmeridge Clay. | 0:03:39 | 0:03:43 | |
And so we had problems on the south side, | 0:03:43 | 0:03:45 | |
building the anchorage and the foundations. | 0:03:45 | 0:03:48 | |
The clay at the south end was so soft, engineers had to devise a delicate | 0:03:50 | 0:03:54 | |
balancing act involving hundreds of thousands of tonnes of concrete. | 0:03:54 | 0:03:59 | |
There are about 160,000 tonnes of concrete, | 0:03:59 | 0:04:01 | |
there's about 300,000 tonnes of concrete at Barton. | 0:04:01 | 0:04:05 | |
This structure only exists because of the ingenuity of the engineers | 0:04:06 | 0:04:10 | |
and technical teams. | 0:04:10 | 0:04:11 | |
The bridge is held up by 15,000 of these cables that were spun across | 0:04:11 | 0:04:16 | |
the estuary and Douglas is going to show me just how they did it. | 0:04:16 | 0:04:20 | |
You be the Hessle tower. | 0:04:20 | 0:04:22 | |
-Right, I'm this tower, OK. -Yes. | 0:04:22 | 0:04:24 | |
-And this is the Hessle anchorage. -Right. | 0:04:24 | 0:04:27 | |
The spinning wheel sets off, it goes up to the top of the Hessle tower. | 0:04:27 | 0:04:32 | |
-Right. Which is me? -Yes. -Yeah. | 0:04:32 | 0:04:34 | |
And for demonstration purposes we'll call this the Barton anchorage. | 0:04:34 | 0:04:39 | |
The wheel then comes back empty. | 0:04:39 | 0:04:40 | |
-Right. -And then sets off again. | 0:04:40 | 0:04:43 | |
-Okey dokey. -Up to the Hessle tower. | 0:04:43 | 0:04:45 | |
Yeah. | 0:04:45 | 0:04:47 | |
Down to the Barton anchorage. | 0:04:47 | 0:04:49 | |
So because it's two at a time, and there's 15,000, | 0:04:49 | 0:04:51 | |
that's why it's 7,000 crossings? | 0:04:51 | 0:04:53 | |
-Yes, yes. -Holy smokes! | 0:04:53 | 0:04:55 | |
-OK. -So each one of them big wires up there has got... | 0:04:55 | 0:04:59 | |
-..15,000 of them in it. -Yes. -But they're dead straight. | 0:05:00 | 0:05:04 | |
The opening of the bridge cut 50 miles off the road journey from Hull | 0:05:06 | 0:05:09 | |
to Grimsby and connected the great counties of Yorkshire and Lincolnshire, | 0:05:09 | 0:05:14 | |
though motorists have had to pay for the privilege. | 0:05:14 | 0:05:17 | |
So after seven years hard work, you've probably now got this | 0:05:17 | 0:05:21 | |
-lifetime pass, free pass? -No, I'm afraid not! | 0:05:21 | 0:05:24 | |
Unfortunately I have to pay my toll as everybody else does. | 0:05:24 | 0:05:27 | |
-After all that they don't give you a free pass? -Exactly. | 0:05:27 | 0:05:30 | |
Douglas and millions of motorists will continue to pay the tolls | 0:05:34 | 0:05:38 | |
for some time to come. | 0:05:38 | 0:05:39 | |
The Humber Bridge cost nearly £100 million to build. | 0:05:39 | 0:05:43 | |
Almost 40 years later, we are all still paying for it | 0:05:43 | 0:05:46 | |
and the debt itself might not be cleared | 0:05:46 | 0:05:49 | |
for another couple of decades. | 0:05:49 | 0:05:50 | |
Whatever the cost, to me one thing's undeniable - the bridge itself | 0:05:57 | 0:06:02 | |
is the wonder on the Humber. | 0:06:02 | 0:06:04 | |
Wow! Look at this. | 0:06:10 | 0:06:13 | |
Absolutely bloomin' fantastic. | 0:06:13 | 0:06:15 | |
You can't imagine, can you, Douglas and his mates, stringing those cables? | 0:06:15 | 0:06:20 | |
And because it's so far and now so heavy that they just sag, | 0:06:20 | 0:06:24 | |
running them back and forth 7,000 times to get all the cables in place. | 0:06:24 | 0:06:27 | |
I mean, this is where they worked. | 0:06:28 | 0:06:30 | |
They walked along them everyday. | 0:06:30 | 0:06:32 | |
Never seen anything like it. | 0:06:33 | 0:06:35 | |
There aren't many walks that start within the shadow of such an amazing | 0:06:39 | 0:06:43 | |
piece of architecture, and even though we're all still paying for it | 0:06:43 | 0:06:46 | |
nearly 40 years after it was constructed, | 0:06:46 | 0:06:49 | |
as my mum would have said, | 0:06:49 | 0:06:50 | |
this remains a grand old view. | 0:06:50 | 0:06:52 | |
The bridge is certainly impressive, but it's not been the only way of | 0:06:56 | 0:06:59 | |
crossing the Humber Estuary. | 0:06:59 | 0:07:01 | |
And we know that by what was found right next to the Wolds Way | 0:07:01 | 0:07:05 | |
at North Ferriby. | 0:07:05 | 0:07:06 | |
In 1937, two brothers, Ted and Willie Wright, | 0:07:10 | 0:07:14 | |
found planks sticking out of the glutinous mud of the Humber, | 0:07:14 | 0:07:17 | |
but there was more to this find than met the eye. | 0:07:17 | 0:07:20 | |
The wood looked like it was once part of a boat. | 0:07:20 | 0:07:23 | |
But how old it was, well, that came as a massive surprise. | 0:07:23 | 0:07:28 | |
The shape of the boat led the brothers to believe that it was a Viking craft. | 0:07:28 | 0:07:32 | |
But the reality was much more exciting. | 0:07:32 | 0:07:34 | |
It turns out that this boat was over 4,000 years old. | 0:07:34 | 0:07:38 | |
These planks were situated in the most gloopiest, horrible, brown, | 0:07:40 | 0:07:46 | |
silty mud. | 0:07:46 | 0:07:47 | |
You know, how they managed to do it. | 0:07:47 | 0:07:49 | |
You know, twice a day the tide's coming in and covering over | 0:07:49 | 0:07:52 | |
everything they've actually excavated. | 0:07:52 | 0:07:54 | |
I mean, what a complete and utter nightmare. | 0:07:54 | 0:07:57 | |
The mud acted like a preservative and, over several decades, | 0:07:57 | 0:08:01 | |
three boats were uncovered. | 0:08:01 | 0:08:03 | |
Not only were these the oldest craft of their type to have been found in | 0:08:04 | 0:08:07 | |
Europe, but historians believe they were capable of crossing | 0:08:07 | 0:08:11 | |
the open seas. | 0:08:11 | 0:08:13 | |
They were plank-built boats made out of maybe seven or eight planks. | 0:08:14 | 0:08:20 | |
Certainly all three Ferriby boats show a base plank with then planks | 0:08:20 | 0:08:24 | |
attached to the side of it. | 0:08:24 | 0:08:26 | |
And they are literally tied together. | 0:08:26 | 0:08:28 | |
They are caulked with moss to make them watertight. | 0:08:28 | 0:08:32 | |
Which, again, is absolutely fantastic. That's boating technology | 0:08:32 | 0:08:35 | |
you would be familiar with today if you went to a boat yard | 0:08:35 | 0:08:38 | |
making a traditional wooden boat. | 0:08:38 | 0:08:40 | |
Yet this was done 4,000 years ago. | 0:08:40 | 0:08:43 | |
The finding of these boats has given all of us a unique insight | 0:08:43 | 0:08:47 | |
-as to life in those times. -Yeah, absolutely. | 0:08:47 | 0:08:49 | |
These boats showed us they didn't just look inward, but they looked | 0:08:49 | 0:08:53 | |
outwards, out beyond Spurn Point, | 0:08:53 | 0:08:55 | |
out beyond the Humber Bridge we see today. | 0:08:55 | 0:08:57 | |
So why were people coming to the Wolds, | 0:08:59 | 0:09:01 | |
and in reality just how difficult a journey was it to make? | 0:09:01 | 0:09:04 | |
It's fantastically early in the morning. | 0:09:05 | 0:09:08 | |
The sun is only just up and we're about to do something that seems | 0:09:08 | 0:09:11 | |
completely crazy, | 0:09:11 | 0:09:12 | |
but back in the Bronze Age this would have been absolutely normal. | 0:09:12 | 0:09:16 | |
Neil and I have come over to the south bank of the Humber to use the | 0:09:17 | 0:09:20 | |
waterway in the same way as our ancestors did - as a superhighway. | 0:09:20 | 0:09:24 | |
All we have to do is row across. | 0:09:24 | 0:09:27 | |
The current on the Humber can be lethal, which is why I've roped in | 0:09:30 | 0:09:34 | |
a bit of extra help from a local adventure centre to get us across safely. | 0:09:34 | 0:09:38 | |
We're off, Neil. | 0:09:38 | 0:09:40 | |
So the early people that were living right here on the Wolds Way next to | 0:09:42 | 0:09:45 | |
the Humber will have just crossed the river when the timing was right, | 0:09:45 | 0:09:48 | |
so when the tide was right for them, | 0:09:48 | 0:09:51 | |
and they would use it to go back and forth carrying... | 0:09:51 | 0:09:53 | |
What were they carrying? Was it trade? | 0:09:53 | 0:09:55 | |
Well, it would have been pretty much everything to do with daily life, | 0:09:55 | 0:09:58 | |
you know, whether it was actually harvesting the resources, fishing, | 0:09:58 | 0:10:02 | |
or actually getting people from the south side to the north side. | 0:10:02 | 0:10:05 | |
So, again, if you're wanting to get to the Wolds, | 0:10:05 | 0:10:07 | |
this precious landscape that again has such abundant natural resources, | 0:10:07 | 0:10:11 | |
you know, you're not going to travel 50, 60 miles inland. | 0:10:11 | 0:10:14 | |
So this really was a superhighway. | 0:10:16 | 0:10:17 | |
This was the M62. | 0:10:17 | 0:10:19 | |
But I'm a bit concerned cos... Are we on some sort of collision course | 0:10:19 | 0:10:22 | |
-with that cargo ship, do you think? -No. -OK! | 0:10:22 | 0:10:25 | |
Well, that's got to be the perfect way to get the spirit | 0:10:32 | 0:10:36 | |
of our ancestors and start the walk. | 0:10:36 | 0:10:38 | |
Hey, thanks very much again! | 0:10:38 | 0:10:40 | |
See you, thank you. | 0:10:40 | 0:10:41 | |
With less than 80 miles to cover, you can comfortably do the Wolds Way | 0:10:44 | 0:10:47 | |
in a week, but it's worth taking your time. | 0:10:47 | 0:10:50 | |
In Yorkshire, the Wolds are often overshadowed by the Dales or Moors, | 0:10:52 | 0:10:56 | |
but they are special in their own right. | 0:10:56 | 0:10:58 | |
This is the most northerly outcrop of chalk in England. | 0:10:58 | 0:11:01 | |
The soil's rich, and on a sunny day these south-facing slopes near | 0:11:03 | 0:11:08 | |
the village of Welton feel just like Provence. | 0:11:08 | 0:11:10 | |
Blimey, that's a nice surprise. | 0:11:11 | 0:11:14 | |
It's a Yorkshire vineyard. | 0:11:14 | 0:11:16 | |
Didn't expect to see that. | 0:11:16 | 0:11:17 | |
I've still a few miles to do, so I'm going to save my glass | 0:11:20 | 0:11:23 | |
of Cotes de Wolds for another time. | 0:11:23 | 0:11:25 | |
Because as well as being great walking country, the Wolds | 0:11:26 | 0:11:30 | |
are perfect for something a bit more adventurous. | 0:11:30 | 0:11:33 | |
I can't believe it, look at this! | 0:11:36 | 0:11:37 | |
There's a whole herd of penny-farthings. | 0:11:37 | 0:11:40 | |
-Hello! -Hi, there. | 0:11:40 | 0:11:43 | |
Hey, this is all right. | 0:11:43 | 0:11:44 | |
Hey, can you stop a second? | 0:11:44 | 0:11:46 | |
-Yeah. -I've never seen these except in a museum. | 0:11:46 | 0:11:50 | |
Well, they're wasted in museums. | 0:11:50 | 0:11:51 | |
They should be ridden. | 0:11:51 | 0:11:53 | |
-So is this a family bike ride or something? -Oh, yes. -It is? | 0:11:53 | 0:11:56 | |
I was just joking, it really is a family? | 0:11:56 | 0:11:58 | |
We've got a mum, daughter and granddaughter. | 0:11:58 | 0:12:02 | |
I'm dad. And son-in-law there and a former pupil of mine. | 0:12:02 | 0:12:08 | |
Is there a chance of having a go? | 0:12:08 | 0:12:09 | |
I've always, always wanted to have a go on one of these bikes. | 0:12:09 | 0:12:12 | |
I spend a lot of time on, you know, modern bikes, | 0:12:12 | 0:12:14 | |
but not as beautiful as this. | 0:12:14 | 0:12:16 | |
I mean, mine are carbon and aluminium and all this sort of flash, | 0:12:16 | 0:12:19 | |
but they're just not beautiful like these are. | 0:12:19 | 0:12:21 | |
Well, about a mile down the road there you'll get a cup of tea | 0:12:21 | 0:12:24 | |
-and we'll put you on one. -Right, it's a deal, even better. | 0:12:24 | 0:12:27 | |
-OK. -Hey, thank you so much. | 0:12:27 | 0:12:29 | |
OK, right, I'll see you there. | 0:12:29 | 0:12:32 | |
I need to watch how you do it, actually. | 0:12:32 | 0:12:34 | |
Now I'm going to have a go, I need to... | 0:12:34 | 0:12:37 | |
That's a bit of luck. | 0:12:42 | 0:12:44 | |
They're really going to let me have a go on this. | 0:12:44 | 0:12:47 | |
Can't flipping wait. | 0:12:47 | 0:12:49 | |
I think. | 0:12:49 | 0:12:50 | |
Penny-farthings, or high bikes, | 0:12:53 | 0:12:55 | |
were once the height of transport elegance. | 0:12:55 | 0:12:57 | |
And for Tony Huntington and his family, they are much more than a hobby. | 0:12:57 | 0:13:01 | |
They race them, and even take their bikes on holiday, | 0:13:01 | 0:13:04 | |
and have been spotted riding high in New Zealand and Russia. | 0:13:04 | 0:13:07 | |
Tony's done 50,000 miles on his penny-farthings. | 0:13:15 | 0:13:19 | |
He is now such an authority that people from all over the world | 0:13:19 | 0:13:22 | |
have sent their bikes to be fixed in his workshop. | 0:13:22 | 0:13:26 | |
What are your top tips for me? | 0:13:26 | 0:13:28 | |
I mean, I'm about to have a go... | 0:13:28 | 0:13:30 | |
-Don't fall off. -Don't fall off! | 0:13:30 | 0:13:31 | |
-That's the first one. -Know where the step is. | 0:13:31 | 0:13:33 | |
-Step? -Learning to get on and off is far more important than the | 0:13:33 | 0:13:37 | |
-pedalling bits in between. -OK. | 0:13:37 | 0:13:39 | |
Well, how do I ride the thing? How do I get on it? | 0:13:39 | 0:13:41 | |
Well, you step there. | 0:13:41 | 0:13:43 | |
-Right. -Right. Stand astride it. | 0:13:43 | 0:13:45 | |
-Don't stand... -Like this you mean? | 0:13:45 | 0:13:47 | |
Yeah. Without your toes sticking out. | 0:13:47 | 0:13:50 | |
Cos if your toes stick out too far then you won't be able to steer it | 0:13:50 | 0:13:53 | |
-and balance it. -OK. -Then you've got to reach the handlebars and then, | 0:13:53 | 0:13:58 | |
with your right foot, you're going to have to scoot | 0:13:58 | 0:14:01 | |
until you are going fast enough to think that you can get up. | 0:14:01 | 0:14:04 | |
So I get scooting like this, as it were... | 0:14:04 | 0:14:07 | |
-Yeah, yeah. -And then once I've got some momentum, I'm up. | 0:14:07 | 0:14:10 | |
-Yeah. -Oh, blimey. | 0:14:10 | 0:14:11 | |
OK, yeah. It's flipping high up, Tony. | 0:14:11 | 0:14:14 | |
No, it's not, it's a low one, is this. | 0:14:14 | 0:14:16 | |
And when you want to stop you've got to find that step again, | 0:14:16 | 0:14:18 | |
-straight away. -Right, so hang on, let me just bloomin' get the feel of this. -So feel where the step is. | 0:14:18 | 0:14:22 | |
Flipping high, it's flipping high. | 0:14:22 | 0:14:24 | |
-Yeah, OK. -Feel where the step is. -All right, step is... -Without looking. | 0:14:24 | 0:14:28 | |
-OK. -You can't afford to look. -Is that it? -If you can find it | 0:14:28 | 0:14:32 | |
you can come down again and then you're safe. | 0:14:32 | 0:14:35 | |
Right. OK! | 0:14:35 | 0:14:37 | |
Right? | 0:14:37 | 0:14:39 | |
'I've done some crazy things in my time.' I'm up! | 0:14:39 | 0:14:42 | |
'But this takes the biscuit.' | 0:14:42 | 0:14:44 | |
Holy smokes. | 0:14:44 | 0:14:45 | |
It's a lot higher than it looks, let me tell you that. | 0:14:46 | 0:14:49 | |
And out of all the great things you can do on the Wolds Way, | 0:14:50 | 0:14:53 | |
who'd have thought you can do this? | 0:14:53 | 0:14:55 | |
It's like relaxing is the trick. | 0:14:59 | 0:15:00 | |
Can't flipping relax. | 0:15:00 | 0:15:02 | |
If I look ahead I can convince myself I'm not ten feet | 0:15:02 | 0:15:05 | |
above the ground. | 0:15:05 | 0:15:07 | |
Tony, I think I'm all right! | 0:15:07 | 0:15:09 | |
No, you know you're all right! | 0:15:09 | 0:15:11 | |
-I don't feel very relaxed. -Don't go on the grass, though. -No. | 0:15:11 | 0:15:13 | |
What do you reckon, Tony, I'm still on! | 0:15:13 | 0:15:16 | |
If I didn't think you could stop on, I wouldn't let you ride it! | 0:15:16 | 0:15:19 | |
The bike's too precious! | 0:15:19 | 0:15:21 | |
-Ready? -OK. Right. | 0:15:23 | 0:15:25 | |
That's it. | 0:15:27 | 0:15:29 | |
-OK, well done. -Yes! | 0:15:29 | 0:15:32 | |
-Well done. -I flipping did it. | 0:15:32 | 0:15:34 | |
Holy smokes. It's a bit of a gripper. | 0:15:34 | 0:15:37 | |
I didn't feel I could relax. | 0:15:37 | 0:15:38 | |
-Well done. -But I rode this, you know! | 0:15:38 | 0:15:40 | |
-Congratulations. -I rode that. | 0:15:40 | 0:15:41 | |
I can't promise a sighting of a penny-farthing, | 0:15:48 | 0:15:50 | |
but if you're near the village of Sancton, | 0:15:50 | 0:15:52 | |
you'll probably see plenty of these. | 0:15:52 | 0:15:54 | |
This beast is obviously a tractor. | 0:15:59 | 0:16:01 | |
Even I know that. | 0:16:01 | 0:16:03 | |
And in a region farmed as heavily as the Wolds, you see plenty of this | 0:16:03 | 0:16:06 | |
kind of machinery. But, believe me, this is no ordinary tractor. | 0:16:06 | 0:16:10 | |
And what makes it different is its hi-tech GPS. | 0:16:11 | 0:16:15 | |
The one in your car seems pretty accurate, | 0:16:15 | 0:16:16 | |
it'll tell you which side of the road you're on. | 0:16:16 | 0:16:19 | |
But this one's a step ahead of that. | 0:16:19 | 0:16:21 | |
This will give us accuracy to less than an inch. | 0:16:21 | 0:16:24 | |
This tractor might be rooted in the Wolds, but up there | 0:16:25 | 0:16:29 | |
there are 18 satellites keeping it on the right furrow. | 0:16:29 | 0:16:33 | |
It'll not only tell us what's where in the field, | 0:16:33 | 0:16:36 | |
so we can go back to it year after year, | 0:16:36 | 0:16:39 | |
we can treat particular parts of the soil, particular crops, | 0:16:39 | 0:16:42 | |
in a particular way, but it'll do more than that. | 0:16:42 | 0:16:46 | |
This will steer itself. | 0:16:46 | 0:16:49 | |
Now we're talking! | 0:16:49 | 0:16:50 | |
When mechanisation came to the Wolds, | 0:16:51 | 0:16:54 | |
self-driving tractors would have seemed like science fiction. | 0:16:54 | 0:16:58 | |
Back then, farming remained a backbreaking job, | 0:16:58 | 0:17:01 | |
requiring a small army to bring in the crops. | 0:17:01 | 0:17:04 | |
-Fire up the JCB. -Righto. | 0:17:04 | 0:17:06 | |
How things have changed! | 0:17:06 | 0:17:07 | |
-Right, we're off. -I'll just press this little button here and the... | 0:17:07 | 0:17:11 | |
-And it takes over? -The computer takes over. | 0:17:11 | 0:17:13 | |
So all you have to do then is get us in the right place, | 0:17:13 | 0:17:15 | |
press the button, and of course instead of dividing your attention | 0:17:15 | 0:17:19 | |
between the machinery and what's happening at the back, | 0:17:19 | 0:17:21 | |
you can concentrate entirely on the work. | 0:17:21 | 0:17:24 | |
By using these techniques we can improve the quality of the land. | 0:17:24 | 0:17:28 | |
There's loads of potential with this type of equipment that we're really | 0:17:28 | 0:17:31 | |
only beginning to scratch the surface of. | 0:17:31 | 0:17:35 | |
We are on the edge now, aren't we, of driverless cars on the public roads? | 0:17:35 | 0:17:38 | |
-We are. -Could you see the day when the farmer can be back in the farmhouse | 0:17:38 | 0:17:43 | |
or somewhere else and these vehicles are going around on their own? | 0:17:43 | 0:17:46 | |
Well, I think that day might be a lot closer than many people realise. | 0:17:46 | 0:17:50 | |
I think we'll certainly see that in my lifetime. | 0:17:50 | 0:17:53 | |
The last time I drove a tractor, both hands were definitely on the wheel. | 0:17:55 | 0:17:59 | |
So just how does a hands-free vehicle like this shape up? | 0:17:59 | 0:18:03 | |
All I have to do | 0:18:03 | 0:18:05 | |
is get looking at the great GPS readout, | 0:18:05 | 0:18:09 | |
come back more or less online. | 0:18:09 | 0:18:12 | |
Press that button. Green light. | 0:18:13 | 0:18:15 | |
I'm now hands-off farming. | 0:18:17 | 0:18:18 | |
And, unbelievably, I'm doing high-quality farming to a great standard, | 0:18:21 | 0:18:25 | |
because the machine knows exactly what to do. | 0:18:25 | 0:18:28 | |
I mean, this is great. | 0:18:28 | 0:18:29 | |
I have to say | 0:18:34 | 0:18:36 | |
I'm relaxed. I'm completely relaxed, I could read a book, you know. | 0:18:36 | 0:18:40 | |
Cos I'm farming. Smoke a cigar, glass of champagne... | 0:18:40 | 0:18:43 | |
Watch telly! | 0:18:45 | 0:18:46 | |
Self-driving tractors may soon be a common sight, but elsewhere | 0:18:48 | 0:18:52 | |
on the Wolds there's an event that's simply unique. | 0:18:52 | 0:18:55 | |
Each way, if you like. | 0:18:59 | 0:19:01 | |
Ten quid each way on number 11. | 0:19:01 | 0:19:03 | |
On the third Thursday in March, | 0:19:05 | 0:19:07 | |
and that's every third Thursday in March since 1519, | 0:19:07 | 0:19:12 | |
Britain's oldest horse race runs across four miles of countryside | 0:19:12 | 0:19:15 | |
in the Wolds. And, believe me, it's a proper spectacle. | 0:19:15 | 0:19:19 | |
This is the Kiplingcotes Derby, and unlike its famous namesake at Epsom, | 0:19:21 | 0:19:25 | |
anyone can enter. | 0:19:25 | 0:19:27 | |
Just fill in one of those for me. | 0:19:27 | 0:19:30 | |
Back in the 1950s, race day brought out the crowds, and the best part | 0:19:31 | 0:19:36 | |
of 65 years later, it remains a cracking day out. | 0:19:36 | 0:19:39 | |
-You must be Sam. -I am Sam. | 0:19:40 | 0:19:42 | |
And therefor this must be Mr P. | 0:19:42 | 0:19:45 | |
'Sam Osborne had the ride of her life at the Kiplingcotes Derby. | 0:19:45 | 0:19:48 | |
'She won it on Mr P, an ex-racehorse who was called the Mad Professor.' | 0:19:48 | 0:19:53 | |
Well, he looks absolutely beautiful. | 0:19:53 | 0:19:56 | |
-He is. -What's he like to ride? | 0:19:56 | 0:19:58 | |
A monkey. The first year we came third. | 0:19:58 | 0:20:02 | |
And then last year... | 0:20:02 | 0:20:03 | |
..he took control at the beginning. | 0:20:04 | 0:20:06 | |
-Right. -And brought us home for victory. | 0:20:06 | 0:20:09 | |
'But how the winning pair got to the finish line was less than | 0:20:12 | 0:20:15 | |
'straightforward. Because Mr P is one highly-strung horse.' | 0:20:15 | 0:20:19 | |
I just want to show you this. | 0:20:20 | 0:20:22 | |
This will remind you of the great day. | 0:20:22 | 0:20:25 | |
Right, here we go. | 0:20:25 | 0:20:26 | |
-Everybody comfortable? -Yes, sir. | 0:20:26 | 0:20:29 | |
-OK. -That's the start, I mean, the start looks really organised. | 0:20:29 | 0:20:32 | |
-All pretty much together. -Yeah, all together. | 0:20:32 | 0:20:34 | |
You're off. | 0:20:34 | 0:20:35 | |
-Ah! -Can you see now? -You're in front. -Yeah. | 0:20:41 | 0:20:44 | |
By now, Sam was hanging on for dear life. | 0:20:47 | 0:20:50 | |
Through my lack of concentration, he decided to bolt. | 0:20:50 | 0:20:55 | |
And it was pretty scary when he took over, | 0:20:55 | 0:20:57 | |
went across the road with my eyes shut, | 0:20:57 | 0:21:01 | |
praying I was going to stay on. | 0:21:01 | 0:21:03 | |
We led from start to finish. | 0:21:04 | 0:21:06 | |
He had no intentions of letting anyone past him. | 0:21:06 | 0:21:09 | |
That's the devil in him. | 0:21:09 | 0:21:11 | |
He scared the living daylights out of me, he did. | 0:21:11 | 0:21:13 | |
When we crossed that finish line it was awesome. | 0:21:17 | 0:21:20 | |
He bolted! I couldn't stop. | 0:21:22 | 0:21:24 | |
Well done, well done. | 0:21:24 | 0:21:26 | |
-It's all right, you're here. -I couldn't get him on the grass. | 0:21:26 | 0:21:30 | |
You're here, you're all right. | 0:21:30 | 0:21:32 | |
Come on, smile, you're on telly. | 0:21:32 | 0:21:35 | |
There's no doubt about it, you are a hero. | 0:21:35 | 0:21:36 | |
-Am I a hero? -Yeah, dead right you are. | 0:21:36 | 0:21:39 | |
-Would you do it again? -Never! | 0:21:39 | 0:21:40 | |
Never, never on Mr P, never. | 0:21:40 | 0:21:43 | |
Sam's a winner and in my mind so is the landscape of the Wolds. | 0:21:54 | 0:21:59 | |
And I'm not the only one who thinks so. | 0:21:59 | 0:22:01 | |
These big skies and grand vistas of the Wolds are really something | 0:22:03 | 0:22:07 | |
special. And they've been brought to life by someone who many people | 0:22:07 | 0:22:11 | |
would say is Britain's greatest living artist. | 0:22:11 | 0:22:14 | |
For a couple of years, the Wolds were David Hockney's playground. | 0:22:16 | 0:22:20 | |
Living nearby, he could often be found painting at some of his | 0:22:20 | 0:22:23 | |
favourite spots. | 0:22:23 | 0:22:25 | |
I've learned an enormous amount in the last year | 0:22:25 | 0:22:30 | |
by looking at nature and trying to represent it. | 0:22:30 | 0:22:33 | |
Very, very beautiful. | 0:22:33 | 0:22:35 | |
I shall paint it. | 0:22:36 | 0:22:37 | |
His giant canvases opened the eyes of the wider world | 0:22:39 | 0:22:42 | |
to the beauty of this tiny corner of England. | 0:22:42 | 0:22:44 | |
I like that! | 0:22:46 | 0:22:47 | |
Walk through the Wolds and you're stepping through a work of art. | 0:22:48 | 0:22:52 | |
Matching the real-life locations with Hockney's pictures can be fun, | 0:22:52 | 0:22:55 | |
but as I'm finding out at Millington Vale, it's not as easy as it looks. | 0:22:55 | 0:22:59 | |
All right, so... | 0:23:05 | 0:23:06 | |
Yeah, there we go. Tree on the left, bushes on the right, | 0:23:06 | 0:23:09 | |
there's two fences, the road going downhill. | 0:23:09 | 0:23:12 | |
It's really satisfying to know you're in the exact spot where | 0:23:12 | 0:23:15 | |
the great man David Hockney would have painted this. | 0:23:15 | 0:23:18 | |
And of course he's captured the feel of the place perfectly. | 0:23:18 | 0:23:22 | |
It does what his intention probably was, which was to, you know, | 0:23:22 | 0:23:24 | |
make us look at the landscape in a different way. | 0:23:24 | 0:23:26 | |
Which of course is wonderful. But for me this sort of washed-out, | 0:23:26 | 0:23:29 | |
over-simplified look aren't as nice as the original. | 0:23:29 | 0:23:33 | |
I prefer the original. So here goes, let's... | 0:23:33 | 0:23:35 | |
..see what I can do. | 0:23:37 | 0:23:38 | |
There you go. Got my own beautiful original. | 0:23:40 | 0:23:42 | |
These big sky views have made the Wolds famous, but it's also worth | 0:23:52 | 0:23:56 | |
checking out its churches, too. | 0:23:56 | 0:23:58 | |
This one at Nunburnholme is pretty typical, | 0:23:58 | 0:24:00 | |
but it does have a remarkable claim to fame. | 0:24:00 | 0:24:03 | |
In the shadow of St James Church is the grave of the Reverend Francis Orpen Morris. | 0:24:05 | 0:24:11 | |
He was the vicar here, but he was much more than a man of the cloth - | 0:24:11 | 0:24:14 | |
he was one of the great naturalists of his age. | 0:24:14 | 0:24:17 | |
And to find out more about who he was and what he achieved, | 0:24:19 | 0:24:23 | |
I've called in the help of TV wildlife presenter Mike Dilger. | 0:24:23 | 0:24:26 | |
Being a church vicar back in the day, he was busy on Sundays, | 0:24:28 | 0:24:31 | |
preaching to his flock. That left basically Monday to Saturday free | 0:24:31 | 0:24:35 | |
to wander around with a butterfly net and identify everything | 0:24:35 | 0:24:38 | |
that flew, crawled, swam. | 0:24:38 | 0:24:41 | |
He was basically a full-time naturalist and part-time vicar. | 0:24:41 | 0:24:43 | |
But catching and cataloguing was no easy task. | 0:24:45 | 0:24:49 | |
Back in the day, bang, he would use a gun for the birds. | 0:24:49 | 0:24:53 | |
He would use a butterfly net to catch the butterflies and it was | 0:24:53 | 0:24:56 | |
back in the era of kind of pin it, pickle it, squash it, stuff it. | 0:24:56 | 0:25:00 | |
You know, they really would bag and tag specimens. | 0:25:00 | 0:25:03 | |
With the knowledge he gained, he wrote the definitive guides to | 0:25:04 | 0:25:07 | |
British wildlife that were lapped up by the Victorian middle classes. | 0:25:07 | 0:25:11 | |
The Wolds were the perfect habitat for this inquisitive vicar and they | 0:25:13 | 0:25:17 | |
remain a great place to see some amazing creatures. | 0:25:17 | 0:25:20 | |
All we have to do is wait for darkness to fall. | 0:25:20 | 0:25:23 | |
Right, Mike, this is exciting, what is going to happen? | 0:25:27 | 0:25:29 | |
This is a very special bowl, it's a mercury vapour bowl. | 0:25:29 | 0:25:33 | |
First and foremost, it goes pink, then it gets whiter and whiter and whiter, | 0:25:33 | 0:25:38 | |
like a brilliant, bright, white light. | 0:25:38 | 0:25:41 | |
And you shouldn't really spend too long staring at it cos it can | 0:25:41 | 0:25:44 | |
actually damage your eyes. | 0:25:44 | 0:25:46 | |
But what it does is, it pulls moths in like you've no idea. | 0:25:46 | 0:25:49 | |
One theory about why moths find bright lights so irresistible is | 0:25:52 | 0:25:56 | |
that they confuse them for the moon and become disorientated. | 0:25:56 | 0:25:59 | |
And once they're in the trap, there is no escape. | 0:25:59 | 0:26:02 | |
So when we come back in the morning and the bottom there, | 0:26:03 | 0:26:06 | |
where those egg boxes are, there'll be moths in there, alive, | 0:26:06 | 0:26:10 | |
but asleep or something? | 0:26:10 | 0:26:12 | |
They'll be perfectly alive and the great thing is each egg box you lift | 0:26:12 | 0:26:15 | |
out, you never know what you're going to find underneath. | 0:26:15 | 0:26:18 | |
It's like Christmas, it's astonishing. | 0:26:18 | 0:26:20 | |
Seven hours later we're back at Reverend Morris's old stomping | 0:26:31 | 0:26:35 | |
ground and I'm hoping it's going to be as good as Mike suggested. | 0:26:35 | 0:26:38 | |
Let's just kind of dive in, shall we? | 0:26:40 | 0:26:42 | |
If I just take this off. | 0:26:42 | 0:26:43 | |
-Yeah. -The art is to just kind of remove one egg box at a time | 0:26:43 | 0:26:47 | |
-and see what you've got. -Oh, there's loads in there. -Occasionally they'll wake up. Most of the time | 0:26:47 | 0:26:51 | |
they're calm, you get really lovely close-up looks. | 0:26:51 | 0:26:54 | |
-Look at them. -That's a moth called a buff ermine. | 0:26:54 | 0:26:57 | |
If you're looking, you might need your glasses. | 0:26:57 | 0:26:59 | |
There's a reason for me saying put your glasses on. | 0:26:59 | 0:27:01 | |
-Have a look at the front of his face. -Ah! | 0:27:01 | 0:27:04 | |
-He's got glasses on. -He's called the spectacled. | 0:27:04 | 0:27:07 | |
Isn't that brilliant? | 0:27:07 | 0:27:08 | |
Every time you turn over an egg box, you've no idea what | 0:27:10 | 0:27:13 | |
might be underneath. | 0:27:13 | 0:27:14 | |
When I'm camping, I'm usually trying to stop moths getting into my tent. | 0:27:16 | 0:27:20 | |
But seeing them so close, I can now really appreciate their beauty. | 0:27:20 | 0:27:24 | |
But of course it's not just moths we catch. | 0:27:25 | 0:27:27 | |
-What's that? -Look at this. -That's a beetle. | 0:27:27 | 0:27:30 | |
Check out the antennae. | 0:27:30 | 0:27:31 | |
I always think they have Denis Healey-type eyebrows. | 0:27:31 | 0:27:35 | |
Denis Healey eyebrows, yeah. | 0:27:35 | 0:27:36 | |
This is a cockchafer or May bug. | 0:27:36 | 0:27:38 | |
Cockchafer, that's some name. | 0:27:38 | 0:27:40 | |
It is! | 0:27:40 | 0:27:42 | |
Often called May bug cos it flies in May, | 0:27:42 | 0:27:44 | |
and this one's probably a little bit late. | 0:27:44 | 0:27:46 | |
-Look at that! -I think this moth is the Gucci of the moth world. | 0:27:48 | 0:27:52 | |
-No kidding. -Pink and lilac. | 0:27:52 | 0:27:55 | |
It's an elephant hawk moth. | 0:27:55 | 0:27:57 | |
That dispels the myth that moths are dull, boring and brown. | 0:27:57 | 0:28:00 | |
I'm enjoying this, Mike, cos this is my first ever positive moth experience. | 0:28:00 | 0:28:05 | |
There he goes. | 0:28:05 | 0:28:07 | |
-Look at the colour underneath. -Wow. | 0:28:07 | 0:28:10 | |
Now that is a bobby-dazzler. | 0:28:11 | 0:28:13 | |
That is a bobby-dazzler. | 0:28:13 | 0:28:14 | |
Wow. Thank you, Mike. | 0:28:14 | 0:28:16 | |
Next time on the Yorkshire Wolds Way, | 0:28:19 | 0:28:21 | |
I'll take a trip through a magical landscape... | 0:28:21 | 0:28:24 | |
..and see the Wolds from a whole new perspective. | 0:28:26 | 0:28:28 | |
It's so peaceful. | 0:28:28 | 0:28:30 |